Look Ahead And Anticipate Quotes

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Grief turns out to be a place none of us know until we reach it. We anticipate (we know) that someone close to us could die, but we do not look beyond the few days or weeks that immediately follow such an imagined death. We misconstrue the nature of even those few days or weeks. We might expect if the death is sudden to feel shock. We do not expect the shock to be obliterative, dislocating to both body and mind. We might expect that we will be prostrate, inconsolable, crazy with loss. We do not expect to be literally crazy, cool customers who believe that their husband is about to return and need his shoes. In the version of grief we imagine, the model will be "healing." A certain forward movement will prevail. The worst days will be the earliest days. We imagine that the moment to most severely test us will be the funeral, after which this hypothetical healing will take place. When we anticipate the funeral we wonder about failing to "get through it," rise to the occasion, exhibit the "strength" that invariably gets mentioned as the correct response to death. We anticipate needing to steel ourselves the for the moment: will I be able to greet people, will I be able to leave the scene, will I be able even to get dressed that day? We have no way of knowing that this will not be the issue. We have no way of knowing that the funeral itself will be anodyne, a kind of narcotic regression in which we are wrapped in the care of others and the gravity and meaning of the occasion. Nor can we know ahead of the fact (and here lies the heart of the difference between grief was we imagine it and grief as it is) the unending absence that follows, the void, the very opposite of meaning, the relentless succession of moments during which we will confront the experience of meaninglessness itself.
Joan Didion (The Year of Magical Thinking)
A young man and woman walked past - a handsome young man and pretty young woman, the man in a seersucker suit and the woman in an old-fashioned summer dress - and they were walking a bit apart from one another with a space between them, and the man was looking straight ahead and the woman had her arms crossed against her chest, hugging herself, looking down at her feet, at her toes that peeked out the open fronts of her shoes, and they both had the same gleefully suppressed smile on their faces, and I knew that they were freshly in love, perhaps they had fallen in love having dinner in some restaurant with a garden or tables on the sidewalk, perhaps they had not even kissed yet, and they walked apart because they thought they had their whole lives to walk close together, touching, and wanted to anticipate the moment they touched for as long as possible, and they passed my without noticing me and Miro. Something about watching them made me sad. I think it was too lovely: the summer night, the open-toed shoes, their faces rapt with momentarily ramped-down joy. I felt I had witnessed their happiest moment, the pinnacle, and they were already walking away from it, but they did not know it.
Peter Cameron (Someday This Pain Will Be Useful to You)
It‘s a curious fact, because Friday is a day of work and Sunday is a day for pleasure, so you would expect people to enjoy Sunday more, right? But we don’t. It’s not because we really like being in the office and can’t stand strolling in the park and having a lazy brunch. We prefer Friday to Sunday because Friday brings with it the thrill of anticipating the weekend ahead. In contrast, on Sunday the only thing to look forward to is work on Monday.
Tali Sharot (The Science of Optimism: Why We're Hard-Wired for Hope)
He had the look of a well-fucked man, one who was sated and yet anticipating further pleasures ahead.
Sylvia Day (Afterburn (Jax & Gia, #1))
It’s the structure—that “predictable” structure—that does it. Anticipating that you’re heading toward a happy ending lets you relax and look forward to better things ahead. And there’s a name for what you’re feeling when you do that. Hope.
Katherine Center (Hello Stranger)
Danger will come upon us when it will. We can't stop it. We can only try to be prepared. There's no point in looking ahead to that danger and suffering its effects even before it comes to us.
Chitra Banerjee Divakaruni (The Conch Bearer (Brotherhood of the Conch, #1))
Imagine a day in which you feel generally fine. After waking up, you spend a few minutes in bed lightly thinking ahead about some of the people you will see and the things you will do. You hit traffic on the way to work, but you don’t fight it; you just listen to the radio and don’t let the other drivers bother you. You may not be excited about your job, but today you’re focusing on the sense of accomplishment you feel as you complete each task. On the way home, your partner calls and asks you to stop at the store; it’s not your favorite thing to do after work, but you remind yourself it’s just fifteen extra minutes. In the evening, you look forward to a TV show and you enjoy watching it. Now let’s look at the same day, but imagine approaching it in a different way. After waking up, you spend a few minutes in bed pessimistically anticipating the day ahead and thinking about how boring work will be. Today, the traffic really gets under your skin, and when a car cuts you off, you get angry and honk your horn. You’re still rankled by the incident when you start work, and to make matters worse, you have an unbelievable number of rote tasks to get through. By the time you’re driving home, you feel fried and don’t want to do a single extra thing. Your partner calls to ask you to stop at the store. You feel put upon but don’t say anything and go to the store. Then you spend much of the evening quietly seething that you do all the work around the house. Your favorite show is on, but it’s hard to enjoy watching it, you feel so tired and irritated. Over these two imaginary days, the same exact things happened. All that was different was how your brain dealt with them—the setting that it used.
Rick Hanson (Hardwiring Happiness: The New Brain Science of Contentment, Calm, and Confidence)
The hills below crouched on all fours under the weight of the rainforest where liana grew and soldier ants marched in formation. Straight ahead they marched, shamelessly single-minded, for soldier ants have no time for dreaming. Almost all of them are women and there is so much to do - the work is literally endless. So many to be born and fed, then found and buried. There is no time for dreaming. The life of their world requires organization so tight and sacrifice so complete there is little need for males and they are seldom produced. When they are needed, it is deliberately done by the queen who surmises, by some four-million-year-old magic she is heiress to, that it is time. So she urges a sperm from the private womb where they were placed when she had her one, first and last copulation. Once in life, this little Amazon trembled in the air waiting for a male to mount her. And when he did, when he joined a cloud of others one evening just before a summer storm, joined colonies from all over the world gathered fro the marriage flight, he knew at last what his wings were for. Frenzied, he flied into the humming cloud to fight gravity and time in order to do, just once, the single thing he was born for. Then he drops dead, having emptied his sperm into his lady-love. Sperm which she keeps in a special place to use at her own discretion when there is need for another dark and singing cloud of ant folk mating in the air. Once the lady has collected the sperm, she too falls to the ground, but unless she breaks her back or neck or is eaten by one of a thousand things, she staggers to her legs and looks for a stone to rub on, cracking and shedding the wings she will never need again. Then she begins her journey searching for a suitable place to build her kingdom. She crawls into the hollow of a tree, examines its walls and corners. She seals herself off from all society and eats her own wing muscles until she bears her eggs. When the first larvae appear, there is nothing to feed them, so she gives them their unhatched sisters until they are old enough and strong enough to hunt and bring their prey back to the kingdom. That is all. Bearing, hunting, eating, fighting, burying. No time for dreaming, although sometimes, late in life, somewhere between the thirtieth and fortieth generation she might get wind of a summer storm one day. The scent of it will invade her palace and she will recall the rush of wind on her belly - the stretch of fresh wings, the blinding anticipation and herself, there, airborne, suspended, open, trusting, frightened, determined, vulnerable - girlish, even, for and entire second and then another and another. She may lift her head then, and point her wands toward the place where the summer storm is entering her palace and in the weariness that ruling queens alone know, she may wonder whether his death was sudden. Or did he languish? And if so, if there was a bit of time left, did he think how mean the world was, or did he fill that space of time thinking of her? But soldier ants do not have time for dreaming. They are women and have much to do. Still it would be hard. So very hard to forget the man who fucked like a star.
Toni Morrison (Tar baby)
Trusting takes a different kind of energy. It takes showing up, despite your moods or personal whims. It is not inventing opportunities out of nowhere, but being obedient to respond to them as they come across your path. It’s waking up, silencing insecurity, and taking steps forward even when you don’t know how it will turn out. It means adjusting expectations at times, when reality doesn’t look like the “dream” from your head. It is moving forward in anticipation, without knowing exactly what lies ahead.
Allison Vesterfelt (The Chase: Thoughts on Quitting Your Job and Chasing Your Dreams)
By using Kamb’s level-up strategy, we multiply the number of motivating milestones we encounter en route to a goal. That’s a forward-looking strategy: We’re anticipating moments of pride ahead.
Chip Heath (The Power of Moments: Why Certain Moments Have Extraordinary Impact)
It was a fine feeling indeed to be standing up there like that, with the sound of summer all around one and a light breeze on one's face. And I believe it was then, looking on that view, that I began for the first time to adopt a frame of mind appropriate for the journey before me. For it was then that I felt the first healthy flush of anticipation for the many interesting experiences I know these days ahead hold in store for me.
Kazuo Ishiguro
And as the night goes on, I can’t stop looking at her, and I realize something: she’s hypervigilant. Constantly thinking two steps ahead. Anticipating others’ needs, like people are equations that need to be solved in real time. It’s subtle, but it’s there, and . . .
Ali Hazelwood (Love, Theoretically)
Reading is like skiing. When done well, when done by an expert, both reading and skiing are graceful, harmonious, activities. When done by a beginner, both are awkward, frustrating, and slow. Learning to ski is one of the most humiliating experiences an adult can undergo (that is one reason to start young). After all, an adult has been walking for a long time; he knows where his feet are; he knows how to put one foot in front of the other in order to get somewhere. But as soon as he puts skis on his feet, it is as though he had to learn to walk all over again. He slips and slides, falls down, has trouble getting up, gets his skis crossed, tumbles again, and generally looks- and feels- like a fool. Even the best instructor seems at first to be of no help. The ease with which the instructor performs actions that he says are simple but that the student secretly believes are impossible is almost insulting. How can you remember everything the instructors says you have to remember? Bend your knees. Look down the hill Keep your weight on the downhill ski. Keep your back straight, but nevertheless lean forward. The admonitions seem endless-how can you think about all that and still ski? The point about skiing, of course, is that you should not be thinking about the separate acts that, together, make a smooth turn or series of linked turns- instead, you should merely be looking ahead of you down the hill, anticipating bumps and other skiers, enjoying the feel of the cold wind on your cheeks, smiling with pleasure at the fluid grace of your body as you speed down the mountain. In other words, you must learn to forget the separate acts in order to perform all of them, and indeed any of them, well. But in order to forget them as separate acts, you have to learn them first as separate acts. only then can you put them together to become a good skier.
Mortimer J. Adler (How to Read a Book: The Classic Guide to Intelligent Reading)
You don't always have to look ahead for the bump in the road. Your anticipating the bump won't make the bump disappear. It'll still be there. You're afraid you won't be prepared to deal with it if you don't anticipate it, but you will. Your adrenalin kicks in and you deal with it. And meanwhile, you've been happy, which gives you more strength to deal with it.
Joan Didion (Notes to John)
When Elizabeth finally descended the stairs on her way to the dining room she was two hours late. Deliberately. “Good heavens, you’re tardy, my dear!” Sir Francis said, shoving back his chair and rushing to the doorway where Elizabeth had been standing, trying to gather her courage to do what needed to be done. “Come and meet my guests,” he said, drawing her forward after a swift, disappointed look at her drab attire and severe coiffure. “We did as you suggested in your note and went ahead with supper. What kept you abovestairs so long?” “I was at prayer,” Elizabeth said, managing to look him straight in the eye. Sir Francis recovered from his surprise in time to introduce her to the three other people at the table-two men who resembled him in age and features and two women of perhaps five and thirty who were both attired in the most shockingly revealing gowns Elizabeth had ever seen. Elizabeth accepted a helping of cold meat to silence her protesting stomach while both women studied her with unhidden scorn. “That is a most unusual ensemble you’re wearing, I must say,” remarked the woman named Eloise. “Is it the custom where you come from to dress so…simply?” Elizabeth took a dainty bite of meat. “Not really. I disapprove of too much personal adornment.” She turned to Sir Francis with an innocent stare. “Gowns are expensive. I consider them a great waste of money.” Sir Francis was suddenly inclined to agree, particularly since he intended to keep her naked as much as possible. “Quite right!” he beamed, eyeing the other ladies with pointed disapproval. “No sense in spending all that money on gowns. No point in spending money at all.” “My sentiments exactly,” Elizabeth said, nodding. “I prefer to give every shilling I can find to charity instead.” “Give it away?” he said in a muted roar, half rising out of his chair. Then he forced himself to sit back down and reconsider the wisdom of wedding her. She was lovely-her face more mature then he remembered it, but not even the black veil and scraped-back hair could detract from the beauty of her emerald-green eyes with their long, sooty lashes. Her eyes had dark circles beneath them-shadows he didn’t recall seeing there earlier in the day. He put the shadows down to her far-too-serious nature. Her dowry was creditable, and her body beneath that shapeless black gown…he wished he could see her shape. Perhaps it, too, had changed, and not for the better, in the past few years. “I had hoped, my dear,” Sir Francis said, covering her hand with his and squeezing it affectionately, “that you might wear something else down to supper, as I suggested you should.” Elizabeth gave him an innocent stare. “This is all I brought.” “All you brought?” he uttered. “B-But I definitely saw my footmen carrying several trunks upstairs.” “They belong to my aunt-only one of them is mine,” she fabricated hastily, already anticipating his next question and thinking madly for some satisfactory answer. “Really?” He continued to eye her gown with great dissatisfaction, and then he asked exactly the question she’d expected: “What, may I ask, does your one truck contain if not gowns?” Inspiration struck, and Elizabeth smiled radiantly. “Something of great value. Priceless value,” she confided. All faces at the table watched her with alert fascination-particularly the greedy Sir Francis. “Well, don’t keep us in suspense, love. What’s in it?” “The mortal remains of Saint Jacob.
Judith McNaught (Almost Heaven (Sequels, #3))
Just as the same chain fastens the prisoner and the soldier who guards him, so hope and fear, dissimilar as they are, keep step together; fear follows hope. 8. I am not surprised that they proceed in this way; each alike belongs to a mind that is in suspense, a mind that is fretted by looking forward to the future. But the chief cause of both these ills is that we do not adapt ourselves to the present, but send our thoughts a long way ahead. And so foresight, the noblest blessing of the human race, becomes perverted. 9. Beasts avoid the dangers which they see, and when they have escaped them are free from care; but we men torment ourselves over that which is to come as well as over that which is past. Many of our blessings bring bane to us; for memory recalls the tortures of fear, while foresight anticipates them. The present alone can make no man wretched.
Seneca (Letters from a Stoic)
It rattled me. Not just the look or the question-although those were bad enough-but the realization that he’d simply taken a shortcut through the conversation I’d anticipated having and reached the finish line ahead of me. I’d known he was much smarter than he seemed, but I hadn’t appreciated before how quick he was, that his mind was not in any way hobbled by the scar that slowed and distorted his speech. It was so terribly easy to forget that.
Sarah Monette (The Virtu (Doctrine of Labyrinths, #2))
Those who strive and hope and live only in the future always looking ahead and impatiently anticipating what is coming, as something which will make them happy when they get it, are, in spite of their clever airs exactly like those donkeys … whose pace may be hurried by fixing a stick on their heads with a wisp of hay at the end of it; this is always ahead of them, and they keep on trying to get it. Such people are in a constant state of illusion as to their whole existence; they go on living ad interim [in the meantime], until at last they die.
Arthur Schopenhauer
In the words of Andy Grove: “To understand a company’s strategy, look at what they actually do rather than what they say they will do.”…. Here is a way to frame the investments that we make in the strategy that becomes our lives: we have resources – which include personal time, energy, talent and wealth – and we are using them to try to grow several “businesses” in our personal lives… How should we devote our resources to these pursuits? Unless you manage it mindfully, your personal resource allocation process will decide investments for you according to the “default” criteria that essentially are wired into your brain and your heart. As is true in companies, your resources are not decided and deployed in a single meeting or when you review your calendar for the week ahead. It is a continuous process –and you have, in your brain, a filter for making choices about what to prioritize. But it’s a messy process. People ask for your time and energy every day, and even if you are focused on what’s important to you, it’s still difficult to know which are the right choices. If you have an extra ounce of energy or a spare 30 minutes, there are a lot of people pushing you to spend them here rather than there. With so many people and projects wanting your time and attention, you can feel like you are not in charge of your own destiny. Sometimes that’s good: opportunities that you never anticipated emerge. But other times, those opportunities can take you far off course… The danger for high-achieving people is that they’ll unconsciously allocate their resources to activities that yield the most immediate, tangible accomplishments… How you allocate your own resources can make your life turn out to be exactly as you hope or very different from what you intend.
Clayton M. Christensen (Aprendizagem organizacional os melhores artigos da Harvard Business Review)
Grief turns out to be a place none of us know until we reach it. We anticipate (we know) that someone close to us could die, but we do not look beyond the few days or weeks that immediately follow such an imagined death. We misconstrue the nature of even those few days or weeks. We might expect if the death is sudden to feel shock. We do not expect this shock to be obliterative, dislocating to both body and mind. We might expect that we will be prostrate, inconsolable, crazy with loss. We do not expect to be literally crazy, cool customers who believe that their husband is about to return and need his shoes. In the version of grief we imagine, the model will be “healing.” A certain forward movement will prevail. The worst days will be the earliest days. We imagine that the moment to most severely test us will be the funeral, after which this hypothetical healing will take place. When we anticipate the funeral we wonder about failing to “get through it,” rise to the occasion, exhibit the “strength” that invariably gets mentioned as the correct response to death. We anticipate needing to steel ourselves for the moment: will I be able to greet people, will I be able to leave the scene, will I be able even to get dressed that day? We have no way of knowing that this will not be the issue. We have no way of knowing that the funeral itself will be anodyne, a kind of narcotic regression in which we are wrapped in the care of others and the gravity and meaning of the occasion. Nor can we know ahead of the fact (and here lies the heart of the difference between grief as we imagine it and grief as it is) the unending absence that follows, the void, the very opposite of meaning, the relentless succession of moments during which we will confront the experience of meaninglessness itself.           A
Joan Didion (The Year of Magical Thinking)
Olo-keZ G-- a tc There is an appointed time for everything. And there is a time for every event under heaven. -ECCLESIASTES 3:1 What would we do without our day planners? I have a large one for my desk and a carry-all that goes with me. I don't know how a person functions without some type of organizer. I just love it; it truly has become my daily-calendar bible. I take it with me everywhere. My whole life is in that book. Each evening I peek in to see what tomorrow has to bring. I just love to see a busy calendar; it makes me feel so alive. I've got this to do and that to do. Then I come upon a day that has all white space. Not one thing to do. What, oh what, will I do to fill the space and time? That's the way I used to think and plan. All my spaces had appointments written down, and many times they even overlapped. I now plan for white spaces. I even plan ahead weeks or months and black out "saved for me or my family" days. I have begun to realize that there are precious times for myself and my loved ones. Bob and I really try to protect these saved spaces just for us. We may not go anywhere or do anything out of the ordinary, but it's our special time. We can do anything we want: sleep in, stay out late, go to lunch, read a book, go to a movie, or take a nap. I really look forward with great anticipation to when these white spaces appear on my calendar. I've been so impressed when I've read biographies of famous people. Many of them are controllers of their own time. They don't let outsiders dictate their schedules. Sure, there are times when things have to be done on special days, but generally that isn't the case. When we begin to control our calendars, we will find that our lives are more enjoyable and that the tensions of life are more manageable. Make those white spaces your friend, not your enemy.
Emilie Barnes (The Tea Lover's Devotional)
If you know anything,” he said. “If you can give us any help finding—” “The truth is, I can help you find those mines.” Bay couldn’t believe the enormous lie that had just come out of her mouth. She took a deep breath and added, “But you have to take me with you to the Big Bend.” “I work alone.” “Then we’re finished here,” Bay said, turning to leave. Owen caught her before she’d taken two steps. “You’re not going anywhere until you tell me what you know.” “I’ll tell you everything when we get to the Big Bend.” “I can’t take you with me, Dr. Creed. It’s too dangerous. If you help me out, I’ll make sure your brother gets a chance to tell his story in court.” Bay gave an unladylike snort. “I don’t believe you.” She was surprised at the anger that flared in his eyes before he said, “I’m not in the habit of lying.” “I’ve never met an honest Blackthorne,” she said. “And I sure as hell don’t trust you.” “I ought to arrest you for obstruction,” he muttered. “Go ahead!” she challenged. “Then I can tell them how you manhandled me.” She glanced towards his tight grasp on her arm, then put her fingertips to her aching throat, and said, “I’m sure I’ll have the bruises to prove it.” He looked down in surprise to where his fingers were clamped on her forearm, as though he’d had no notion of how tightly he was holding her, and abruptly he let her go. She rubbed her arm and said, “When do we leave?” “You wouldn’t be able to keep up with me.” “Of course I would,” she replied. “I’m incredibly fit.” She felt her stomach flutter as his eyes raked her from legs to belly to breasts . . . and lingered there appreciatively. His heavy-lidded gaze lifted to her mouth, and she nervously slid her tongue across her lips. She felt a quiver of anticipation as his eyes locked on hers, hot and needy. “You can’t come with me,” he said at last. “You’d be a . . . dangerous distraction.
Joan Johnston (The Texan (Bitter Creek, #2))
Romance novels, rom-coms, non-tragic love stories—they all run on a blissful sense that we’re moving toward something better. Percentage-wise, the majority of clues writers drop in romance novels don’t give you things to dread. They give you things to look forward to. This, right here—more than anything else—is why people love them. The banter, the kissing, the tropes, even the spice … that’s all just extra. It’s the structure—that “predictable” structure—that does it. Anticipating that you’re heading toward a happy ending lets you relax and look forward to better things ahead. And there’s a name for what you’re feeling when you do that. Hope. Sometimes I see people grasping for a better word than predictable to describe a romance. They’ll say, ‘It was predictable—but in a good way.’ I see what they’re going for. But I’m not sure it needs pointing out that over the course of a love story … people fell in love. I mean: Of course they did! I don’t think it’s possible to write a love story where the leads getting together at the end is a surprise. And even if it were, why would you want to? The anticipation—the blissful, delicious, oxytocin-laden, yearning-infused, building sense of anticipation—is the point. It’s the cocktail of emotions we all came there to feel. I propose we stop using the hopelessly negative word predictable to talk about love stories and start using anticipation. As in: 'This love story really created a fantastic feeling of anticipation.' Structurally, thematically, psychologically—love stories create hope and then use it as fuel. Two people meet—and then, over the course of three hundred pages, they move from alone to together. From closed to open. From judgy to understanding. From cruel to compassionate. From needy to fulfilled. From ignored to seen. From misunderstood to appreciated. From lost to found. Predictably. That’s not a mistake. That’s a guarantee of the genre: Things will get better. And you, the reader, get to be there for it. It’s a gift the love story gives you.
Katherine Center (Hello Stranger)
I was in a copse of pine trees, and the pine was overpowering my scent. The pheromones of the big cat mingled with the pine and I spun around. I was smelling and looking for the flash of white, but I couldn’t see it. I grew angry and I pawed at the earth. The aroma of the soil cleansed my nose as I leaned down and sniffed deeply. I slowly closed and opened my eyes. As I looked ahead I saw something. There, further on, I had another glimpse of the large white cat. She was stopped and her hindquarters were in the air. I stared, trying to figure out what she was doing. Her forepaws and head were on the ground, but her hind was wiggling. She was next to a tree, marking it, so I slowly paced in a zigzag pattern as I walked close to her. I was being cautious because poachers had been known to employ shifters to entice real animals in the wild. She turned her head and growled at me. I took it as an invite to come closer. I ran up to her and started circling. She was an albino panther as I thought. I paced closer, breathing deep. I was in the middle of Ohio, outside of a lost cougar and a few bobcats there were no big cats here, at least not counting lycanthropes, and this creature didn’t smell like one of those. Her rump almost wagged in anticipation, and I felt my tiger body respond. I circled her, taking a swipe in her direction to see if she was going to respond negatively to me. The pink eyes followed me and she growled. I walked up to her, sniffed her face and neckline. I didn’t smell any other male on her, and I walked to her raised rump. Burying my nose in her groin I smelled deeper, and she shifted her body. I felt it before I could see it. She was shifting, changing from albino panther to human. I sat on my hindquarters as I watched. Her white fur seemed to melt from her, sliding upwards, starting with her back legs. The flesh and fur on her feet slid forward, leaving human feet and calves. It was fully fleshed, unlike some lycanthrope changes when they’re younger. The calves of her legs appeared, and slowly slid up. The panther flesh was sliding forward, slowly and methodically. Across her ass and groin, now lower back and stomach. The pheromones I smelled earlier were coming from her, the human form. I stood and started pacing behind her, and her panther head shook in a very human gesture. I stopped, fighting the desire to lean forward and lick her wetness with my large tongue. The flesh was sliding forward and as her teats turned into breasts, I growled in need. Next were her shoulders and arms, then her head and hands. As the transformation ended, there was a pile of fur and flesh lying in front of her. Her human form was beautiful; a full figured woman with long white hair, that was perfectly natural. She looked to be in her early forties, but didn’t have a line on her face that she didn’t want. In the corners of her eyes were small, but beautiful, crow’s feet, laugh lines surrounded her mouth. She laid out with her former form under her, laying on it, propped up by her elbows. She smiled with the confidence of someone who was used to being in charge. Her long hair flowed around her shoulders, framing her body. She reminded me of someone, but I couldn’t figure out who.
Todd Misura (Divergence: Erotica from a Different Angle)
At a business forum I attended, a senior executive of a Fortune 100 company proclaimed that his company manages “not for the next quarter, but for the next quarter century.” Ugh. Such platitudes do not instill confidence in investors. Most managers don’t have any idea what’s going to happen in the next five years, much less the next twenty-five years. How do you manage for an ambiguous future? Yet managers must clearly strike some balance between the short term and the long term. It’s like speeding down the highway in a car. If you focus just beyond the hood, you’re going to have a hard time anticipating what’s coming. Look too far ahead, on the other hand, and you lose perspective on the actions that you need to take now to navigate safely. There’s a tradeoff between the short term and the long term, and the appropriate focal point shifts as conditions warrant.
Michael J. Mauboussin (More Than You Know: Finding Financial Wisdom in Unconventional Places)
Just as she nearly decided that the women of Cassarick led hard, lean lives, two chattering girls passed them going in the other direction. They wore morning dresses and were perhaps going off to call on a friend or to visit the early markets. Their flounced skirts were shorter than those currently worn in Bingtown and showed off their soft brown shoes. They wore lacy little shawls, and their hats were designed to look like large, folded leaves. She turned her head to look after them, and for a moment a familiar envy flooded up to drown her spirits. They looked so cheery busy, chattering away together. When they came to a bridge, they linked arms and clattered across it together, whooping little hoydens when they reached the other side. “What makes you sigh?” Leftrin asked her, and she realized that she was staring after them. She shook her head, smiling tightly at her own foolishness. “I was just thinking that somehow I skipped being that age, and I’ll always regret it. I often feel I went from being a girl to being a settled woman, with none of the giddiness in between.” “You talk like you’re an old woman, with your whole life lived.” A sudden lump rose in her throat. I am, she thought. In a few days, I’ll go home and settle down to what I’ll be for the rest of my life. No adventures ahead, no changes to anticipate. Nothing to anticipate except leading a proper life. She swallowed and by the time she could speak, she had more appropriate words. “Well, I’m a married woman with a settled life. I suppose what I miss is a sense of uncertainty. Of possibility waiting just around the corner.” “And you’re saying you never had that?” She paused because the truth was somehow humiliating. “No. I don’t think I did. I think my life was more or less mapped out from the beginning. Getting married was a surprise for me. I didn’t think I’d ever marry. But once I was a married woman, my life settled into a routine that wasn’t much different from when I was single.” He was silent for longer than was his wont, and when she glanced over at him, his mouth was strangely puckered as if he strove to keep words in. “Just say it,” she suggested, and then wondered if she was brave enough to hear whatever judgement he held back. He grinned at her. “Well, it’s not polite to say, but if I were a man and married to a woman such as you, and she said to another fellow that her life as my wife wasn’t much different from her life when she’d been single, well, I’d wonder what I was doing wrong.” He raised his eyebrows at her and whispered in a ribald tone. “Or not doing at all!” “Captain Leftrin!” she exclaimed, genuinely shocked. Then, when he burst out laughing, she was horrified at joining in. When they both paused for breath, he held up a warning hand. “No. Don’t tell me! Some things a wife should never say about her husband! And here we are, anyway, so our time for chat is over.
Robin Hobb (The Dragon Keeper (Rain Wild Chronicles, #1))
As a young man, the Count had prided himself on being one step ahead. The timely appearance, the apt expression, the anticipation of a need, to the Count these had been the very hallmarks of the well-bred man. But under the circumstances, he discovered that being a step behind had merits of its own. For one, it was so much more relaxing. To be a step ahead in matters of romance requires constant vigilance. If one hopes to make a successful advance, one must be mindful of every utterance, attend to every gesture, and take note of every look. In other words, to be a step ahead in romance is exhausting. But to be a step behind? To be seduced? Why, that was a matter of leaning back in one’s chair, sipping one’s wine, and responding to a query with the very first thought that has popped into one’s head. And yet, paradoxically, if being a step behind was more relaxing than being a step ahead, it was also more exciting. From his relaxed position, the one-step-behinder imagines that his evening with a new acquaintance will transpire like any other—with a little chit, a little chat, and a friendly goodnight at the door. But halfway through dinner there is an unexpected compliment and an accidental brushing of fingers against one’s hand; there is a tender admission and a self-effacing laugh; then suddenly a kiss.
Amor Towles (A Gentleman in Moscow)
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Only One Thing One thing I do [it is my one aspiration]: forgetting what lies behind and straining forward to what lies ahead, I press on toward the goal to win the [supreme and heavenly] prize to which God in Christ Jesus is calling us upward. PHILIPPIANS 3:13-14 AMP The start of a new year is filled with anticipation of what is ahead—a sense of getting to start over, make a fresh start—and with relief that some things are best left behind. Some make resolutions, only to break them within a few days or hours. Some set goals, both realistic and unrealistic. Many stay up New Year’s Eve in order to welcome in the New Year; others value their sleep more and really couldn’t care less. Luke records a story in his Gospel illustrating our need to resolve to do only one thing. Jesus and His disciples came to Bethany and were invited to stay with Martha, Mary, and Lazarus. When Martha came to Jesus, complaining that her sister Mary wasn’t helping her, Jesus spoke to her in loving concern: “There is only one thing worth being concerned about. Mary has discovered it, and it will not be taken away from her” (Luke 10:42 NLT). Maintaining a close relationship with the Savior is the only goal Paul would set. He wasn’t perfect at it, but he singlemindedly pursued it. And he encourages us to do so today. Life is much simpler when we choose to pursue only one thing—the race before us. Don’t look back. Heavenly Father, keep our eyes on the goal, forgetting the successes and failures of this past year.
Various (Daily Wisdom for Women 2015 Devotional Collection - January (None))