Long Lost Gathering Quotes

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They have nothing to give. They have no power of making. All their power is to darken and destroy. They cannot leave this place; they are this place; and it should be left to them. They should not be denied nor forgotten, but neither should they be worshiped. The Earth is beautiful, and bright, and kindly, but that is not all. The Earth is also terrible, and dark, and cruel. The rabbit shrieks dying in the green meadows. The mountains clench their great hands full of hidden fire. There are sharks in the sea, and there is cruelty in men’s eyes. And where men worship these things and abase themselves before them, there evil breeds; there places are made in the world where darkness gathers, places given over wholly to the Ones whom we call Nameless, the ancient and holy Powers of the Earth before the Light, the powers of the dark, of ruin, of madness… I think they drove your priestess Kossil mad a long time ago; I think she has prowled these caverns as she prowls the labyrinth of her own self, and now she cannot see the daylight any more. She tells you that the Nameless Ones are dead; only a lost soul, lost to truth, could believe that. They exist. But they are not your Masters. They never were. You are free, Tenar. You were taught to be a slave, but you have broken free.
Ursula K. Le Guin (The Tombs of Atuan (Earthsea Cycle, #2))
Good. Item seven. The had had and that that problem. Lady Cavendish, weren’t you working on this?’ Lady Cavendish stood up and gathered her thoughts. ‘Indeed. The uses of had had and that that have to be strictly controlled; they can interrupt the imaginotransference quite dramatically, causing readers to go back over the sentence in confusion, something we try to avoid.’ ‘Go on.’ ‘It’s mostly an unlicensed-usage problem. At the last count David Copperfield alone had had had had sixty three times, all but ten unapproved. Pilgrim’s Progress may also be a problem due to its had had/that that ratio.’ ‘So what’s the problem in Progress?’ ‘That that had that that ten times but had had had had only thrice. Increased had had usage had had to be overlooked, but not if the number exceeds that that that usage.’ ‘Hmm,’ said the Bellman, ‘I thought had had had had TGC’s approval for use in Dickens? What’s the problem?’ ‘Take the first had had and that that in the book by way of example,’ said Lady Cavendish. ‘You would have thought that that first had had had had good occasion to be seen as had, had you not? Had had had approval but had had had not; equally it is true to say that that that that had had approval but that that other that that had not.’ ‘So the problem with that other that that was that…?’ ‘That that other-other that that had had approval.’ ‘Okay’ said the Bellman, whose head was in danger of falling apart like a chocolate orange, ‘let me get this straight: David Copperfield, unlike Pilgrim’s Progress, had had had, had had had had. Had had had had TGC’s approval?’ There was a very long pause. ‘Right,’ said the Bellman with a sigh, ‘that’s it for the moment. I’ll be giving out assignments in ten minutes. Session’s over – and let’s be careful out there.
Jasper Fforde (The Well of Lost Plots (Thursday Next, #3))
Years passed. The trees in our yard grew taller. I watched my family and my friends and neighbors, the teachers whom I'd had or imaged having, the high school I had dreamed about. As I sat in the gazebo I would pretend instead that I was sitting on the topmost branch of the maple under which my brother had swallowed a stick and still played hide-and-seek with Nate, or I would perch on the railing of a stairwell in New York and wait for Ruth to pass near. I would study with Ray. Drive the Pacific Coast Highway on a warm afternoon of salty air with my mother. But I would end each day with my father in his den. I would lay these photographs down in my mind, those gathered from my constant watching, and I could trace how one thing- my death- connected these images to a single source. No one could have predicted how my loss would change small moments on Earth. But I held on to those moments, hoarded them. None of them were lost as long as I was there.
Alice Sebold
Shouldn’t she stay on the boat?” The cat’s ear twitched, and Lila felt that whatever pleasant inclinations the cat was forming toward her, she’d just lost them. “Don’t be ridiculous,” said Alucard. “The ship’s no place for a cat.” Lila was about to point out that the cat had been aboard the ship as long as she had when he added, “I believe in keeping my valuables with me.” Lila perked up. Were cats so precious here? Or rare? She hadn’t ever seen another one, but in the little time she was ashore, she hadn’t exactly been looking. “Oh yeah?” “I don’t like that look,” Alucard said, twisting chest and cat away. “What look?” asked Lila innocently. “The look that says Esa might conveniently go missing if I tell you what she’s worth.
V.E. Schwab (A Gathering of Shadows (Shades of Magic, #2))
Evening Solace The human heart has hidden treasures, In secret kept, in silence sealed;­ The thoughts, the hopes, the dreams, the pleasures, Whose charms were broken if revealed. And days may pass in gay confusion, And nights in rosy riot fly, While, lost in Fame's or Wealth's illusion, The memory of the Past may die. But, there are hours of lonely musing, Such as in evening silence come, When, soft as birds their pinions closing, The heart's best feelings gather home. Then in our souls there seems to languish A tender grief that is not woe; And thoughts that once wrung groans of anguish, Now cause but some mild tears to flow. And feelings, once as strong as passions, Float softly back-­a faded dream; Our own sharp griefs and wild sensations, The tale of others' sufferings seem. Oh ! when the heart is freshly bleeding, How longs it for that time to be, When, through the mist of years receding, Its woes but live in reverie ! And it can dwell on moonlight glimmer, On evening shade and loneliness; And, while the sky grows dim and dimmer, Feel no untold and strange distress­ Only a deeper impulse given By lonely hour and darkened room, To solemn thoughts that soar to heaven, Seeking a life and world to come.
Charlotte Brontë (Poems)
Try to praise the mutilated world. Remember June’s long days, and wild strawberries, drops of wine, the dew. The nettles that methodically overgrow the abandoned homesteads of exiles. You must praise the mutilated world. You watched the stylish yachts and ships; one of them had a long trip ahead of it, while salty oblivion awaited others. You’ve seen the refugees heading nowhere, You’ve heard the executioners sing joyfully. You should praise the mutilated world. Remember the moments when we were together in a white room and the curtain fluttered. Return in thought to the concert where music flared. You gathered acorns in the park in autumn and leaves eddied over the earth's scars. Praise the mutilated world and the gray feathers a thrush lost, and the gentle light that strays and vanishes and returns.
Adam Zagajewski
Even now, so many years later, all this is somehow a very evil memory. I have many evil memories now, but ... hadn't I better end my "Notes" here? I believe I made a mistake in beginning to write them, anyway I have felt ashamed all the time I've been writing this story; so it's hardly literature so much as a corrective punishment. Why, to tell long stories, showing how I have spoiled my life through morally rotting in my corner, through lack of fitting environment, through divorce from real life, and rankling spite in my underground world, would certainly not be interesting; a novel needs a hero, and all the traits for an anti-hero are expressly gathered together here, and what matters most, it all produces an unpleasant impression, for we are all divorced from life, we are all cripples, every one of us, more or less. We are so divorced from it that we feel at once a sort of loathing for real life, and so cannot bear to be reminded of it. Why, we have come almost to looking upon real life as an effort, almost as hard work, and we are all privately agreed that it is better in books. And why do we fuss and fume sometimes? Why are we perverse and ask for something else? We don't know what ourselves. It would be the worse for us if our petulant prayers were answered. Come, try, give any one of us, for instance, a little more independence, untie our hands, widen the spheres of our activity, relax the control and we ... yes, I assure you ... we should be begging to be under control again at once. I know that you will very likely be angry with me for that, and will begin shouting and stamping. Speak for yourself, you will say, and for your miseries in your underground holes, and don't dare to say all of us-- excuse me, gentlemen, I am not justifying myself with that "all of us." As for what concerns me in particular I have only in my life carried to an extreme what you have not dared to carry halfway, and what's more, you have taken your cowardice for good sense, and have found comfort in deceiving yourselves. So that perhaps, after all, there is more life in me than in you. Look into it more carefully! Why, we don't even know what living means now, what it is, and what it is called? Leave us alone without books and we shall be lost and in confusion at once. We shall not know what to join on to, what to cling to, what to love and what to hate, what to respect and what to despise. We are oppressed at being men--men with a real individual body and blood, we are ashamed of it, we think it a disgrace and try to contrive to be some sort of impossible generalised man. We are stillborn, and for generations past have been begotten, not by living fathers, and that suits us better and better. We are developing a taste for it. Soon we shall contrive to be born somehow from an idea. But enough; I don't want to write more from "Underground." [The notes of this paradoxalist do not end here, however. He could not refrain from going on with them, but it seems to us that we may stop here.]
Fyodor Dostoevsky (Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead)
We have reason. It is the entire meaning and purpose of Shangri-La. It came to me in a vision long, long ago. I foresaw a time when man exalting in the technique of murder, would rage so hotly over the world, that every book, every treasure would be doomed to destruction. This vision was so vivid and so moving that I determined to gather together all things of beauty and culture that I could and preserve them here against the doom toward which the world is rushing. Look at the world today. Is there anything more pitiful? What madness there is! What blindness! A scurrying mass of bewildered humanity crashing headlong against each other. The time must come, my friend, when brutality and the lust for power must perish by its own sword. For when that day comes, the world must begin to look for a new life. And it is our hope that they may find it here.
James Hilton (Lost Horizon)
I was jealous of Blanca, but Matthew wouldn't understand how or why. I gathered my thoughts and emotions and tried to sort them into something that was both true and would make sense to him. "I don't mind one moment of love you've shared with any creature, living or dead," "I said emphatically, "as long as you want to be with me, right at this moment." "Just at this moment?" He asked, his eyebrow arching up into a question mark. "This is the only moment that matters." It all seemed so simple. "No one who has lived as long as you have comes without a past, Matthew. You weren't a monk, and I don't expect you to have no regrets about who you lost along the way. How could you not have been loved before when I've loved you so much?
Deborah Harkness (A Discovery of Witches (All Souls, #1))
It isn’t Easter,” he said, “but this week has caused me to think a lot about the Easter story. Not the glorious resurrection that we celebrate on Easter Sunday but the darkness that came before. I know of no darker moment in the Bible than the moment Jesus in his agony on the cross cries out, ‘Father, why have you forsaken me?’ Darker even than his death not long after because in death Jesus at last gave himself over fully to the divine will of God. But in that moment of his bitter railing he must have felt betrayed and completely abandoned by his father, a father he’d always believed loved him deeply and absolutely. How terrible that must have been and how alone he must have felt. In dying all was revealed to him, but alive Jesus like us saw with mortal eyes, felt the pain of mortal flesh, and knew the confusion of imperfect mortal understanding. “I see with mortal eyes. My mortal heart this morning is breaking. And I do not understand. “I confess that I have cried out to God, ‘Why have you forsaken me?’ ” Here my father paused and I thought he could not continue. But after a long moment he seemed to gather himself and went on. “When we feel abandoned, alone, and lost, what’s left to us? What do I have, what do you have, what do any of us have left except the overpowering temptation to rail against God and to blame him for the dark night into which he’s led us, to blame him for our misery, to blame him and cry out against him for not caring? What’s left to us when that which we love most has been taken? “I will tell you what’s left, three profound blessings. In his first letter to the Corinthians, Saint Paul tells us exactly what they are: faith, hope, and love. These gifts, which are the foundation of eternity, God has given to us and he’s given us complete control over them. Even in the darkest night it’s still within our power to hold to faith. We can still embrace hope. And although we may ourselves feel unloved we can still stand steadfast in our love for others and for God. All this is in our control. God gave us these gifts and he does not take them back. It is we who choose to discard them. “In your dark night, I urge you to hold to your faith, to embrace hope, and to bear your love before you like a burning candle, for I promise that it will light your way. “And whether you believe in miracles or not, I can guarantee that you will experience one. It may not be the miracle you’ve prayed for. God probably won’t undo what’s been done. The miracle is this: that you will rise in the morning and be able to see again the startling beauty of the day. “Jesus suffered the dark night and death and on the third day he rose again through the grace of his loving father. For each of us, the sun sets and the sun also rises and through the grace of our Lord we can endure our own dark night and rise to the dawning of a new day and rejoice. “I invite you, my brothers and sisters, to rejoice with me in the divine grace of the Lord and in the beauty of this morning, which he has given us.
William Kent Krueger (Ordinary Grace)
Come gather the pieces all scattered and lost The lie in what's holy, the light in what's not The story's been written the letter's been sealed You gave me a lily but now it's a field
Leonard Cohen (Book of Longing)
Call your spirit back. It may be caught in corners and creases of shame, judgment, and human abuse. You must call in a way that your spirit will want to return. Speak to it as you would to a beloved child. Welcome your spirit back from its wandering. It may return in pieces, in tatters. Gather them together. They will be happy to be found after being lost for so long. Your spirit will need to sleep awhile after it is bathed and given clean clothes. Now you can have a party. Invite everyone you know who loves and supports you. Keep room for those who have no place else to go. Make a giveaway, and remember, keep the speeches short. Then, you must do this: help the next person find their way through the dark.
Joy Harjo (Conflict Resolution for Holy Beings: Poems)
. . .To go as a river . .had taken me a long while to understand. . . meant. . .flowing forward against obstacle . . .like the river, I had also gathered along the way all the tiny pieces connecting me to everything else, and doing this had delivered me here, with two fists of forest soil in my palms and a heart still learning to be unafraid of itself. I had been shaped by my kindred— my lost family and lost love; my found friendships, though few; my trees that kept on living and every tree that gave me shelter; every creature I met along the way, every raindrop and snowflake choosing my shoulder, and every breeze that shifted the air; every winding path beneath my feet, every place I laid my hands and head, and every creek like the one before me, rolling off the hillside, gaining strength in gravity, spinning through the next eddy, pushing around the next bend, taking and giving in quiet agreement with every living thing.
Shelley Read (Go as a River)
That we are in the midst of crisis is now well understood. Our nation is at war, against a far-reaching network of violence and hatred. Our economy is badly weakened, a consequence of greed and irresponsibility on the part of some, but also our collective failure to make hard choices and prepare the nation for a new age. Homes have been lost; jobs shed; businesses shuttered. Our health care is too costly; our schools fail too many; and each day brings further evidence that the ways we use energy strengthen our adversaries and threaten our planet. These are the indicators of crisis, subject to data and statistics. Less measurable but no less profound is a sapping of confidence across our land — a nagging fear that America's decline is inevitable, and that the next generation must lower its sights. Today I say to you that the challenges we face are real. They are serious and they are many. They will not be met easily or in a short span of time. But know this, America — they will be met. On this day, we gather because we have chosen hope over fear, unity of purpose over conflict and discord. On this day, we come to proclaim an end to the petty grievances and false promises, the recriminations and worn out dogmas, that for far too long have strangled our politics.
Barack Obama
He looked so alone all the time, and tears lodged in my throat, because we’d all been changed forever. Michael had hated, because he couldn’t take being helpless. Kai had suffered, because his limits had been pushed, I’d gathered. And I had struggled to find out who I was and where I belonged for so long. We’d all been so alone and so lost, wandering aimlessly, because none of us could admit that—not only were we not alone, but we couldn’t be happy alone.
Penelope Douglas (Corrupt (Devil's Night, #1))
Dreary beloved, we are gathered here in the sight of God and in the fate of this complication, to join together this man, Saint Anthony’ –she tapped the top of his urn –‘and this woman, The Lady of the Flowers’ –gesturing towards the photograph with an upturned palm –‘in holy macaroni which is the honourable estate. Saint Anthony takes The Lady of the Flowers to be the lawful wedding wife, to have and to hold from this day forward, for better for worse, richer or poorer, to love and to perish with death now you start. And it still rhymes,’ she added proudly to herself. She paused again, long enough this time for it to be almost uncomfortable, but no doubt with the intention of underscoring the sanctity of the occasion. ‘Earth to earth, ashes to ashes, funky to punky. We know Major Tom’s a monkey. We can be heroes just for today.
Ruth Hogan (The Keeper of Lost Things)
Home is wherever there’s love; that as long as we’re together, we carry it with us. It will grow as we do. It will grow as we bring others in, as we bring the lost ones together again, gather up the embers scattered from the same fire. One day, we will ignite and create a blaze that no one can put out, ignore, hurt. We will move forward as one, and in time, rise like sparks beyond the night.
Alexandra Bracken (Through the Dark (The Darkest Minds, #1.5, #2.5, #3.5))
Solitude and boredom. It's what happens to something that's felt itself gathered together too long, too...exclusively. The vacuum that occurs at its frontiers--a kind of numbness which is generated on its torpid surface as if it had lost the sense of touch--lost contact.
Julien Gracq (The Opposing Shore)
Dawn comes after the darkness, and with it the promise that what has been torn by the sea is not lost. All of life is breaking and mending, clipping and stitching, gathering tatters and sewing seams. All of life is quilted from the scraps of what once was and is no more- the places we have been, the memories we have made, the people we have known, that which has been long loved but has grown threadbare over time and can be worn no longer. We keep only pieces. All colors, all shapes, all sizes. "All waiting to be stitched into the pattern only you can see. "In the quiet after the storm, I hear you whisper, 'Daughter, do not linger where you are. Take up your needle and your thread, and go see to the mending...
Lisa Wingate (The Prayer Box (Carolina Heirlooms #1))
... Broken people just need piecing back together. For so long I'd carried the pieces of me. Every now and then I'd drop one like a breadcrumb. So I could find my way home. Then Ashley came along and gathered the pieces and somewhere between 11,000 fee and sea level, the picture began taking shape. Dim at first, then clearer. Not yet clear. But these things take time. Maybe each of us was once a complete whole. A clear picture. A single piece. Then something happened to crack and shatter us. Leaving us disconnected, torn and splintered. Some of us lie in a hundred pieces. Some ten thousand. Some are edged with sharp contrast. Some dim shades of gray. Some find they are missing pieces. Some find they have too many. In any case, we are left shaking our heads. It can't be done. Then someone comes along who mends a tattered edge, or returns a lost piece. The process is tedious, painful, and there are no shortcuts. Anything that promises to be one is not. But somehow, as we walk from the crash site - away from he wreckage - whole sections start taking shape, something vague we see out of the corner of our eye. For a second, we stop shaking our heads. We wonder. Maybe...just maybe. It's risky for both of us. You must hope in an image you can't see, and I must trust you with me. That's the piecing.
Charles Martin (The Mountain Between Us)
There is a story, for instance, that has very much the ring of truth about it. It goes like this: One of the older officials, a good and peaceful man, was dealing with a difficult matter for the court which had become very confused, especially thanks to the contributions from the lawyers. He had been studying it for a day and a night without a break — as these officials are indeed hard working, no-one works as hard as they do. When it was nearly morning, and he had been working for twenty-four hours with probably very little result, he went to the front entrance, waited there in ambush, and every time a lawyer tried to enter the building he would throw him down the steps. The lawyers gathered together down in front of the steps and discussed with each other what they should do; on the one hand they had actually no right to be allowed into the building so that there was hardly anything that they could legally do to the official and, as I've already mentioned, they would have to be careful not to set all the officials against them. On the other hand, any day not spent in court is a day lost for them and it was a matter of some importance to force their way inside. In the end, they agreed that they would try to tire the old man out. One lawyer after another was sent out to run up the steps and let himself be thrown down again, offering what resistance he could as long as it was passive resistance, and his colleagues would catch him at the bottom of the steps. That went on for about an hour until the old gentleman, who was already exhausted from working all night, was very tired and went back to his office.
Franz Kafka (The Trial)
Bipolar disorder was like that: a wild party that was constantly on the verge of ending, chaos and bright lights, an exaltation of the senses. That was mania. But all parties had their end, and when the shadows were long and the glitter had lost its sparkle and gathered to mingle with the dust on the unclean floors and all the food lost its flavor and the music finally died—that was depression, lurking in between all of the dark spaces of the noise and the laughter, as unavoidable as death or darkness.
Nenia Campbell (Batter My Heart)
Call your spirit back. It may be caught in corners and creases of shame, judgment, and human abuse. You must call in a way that your spirit will want to return. Speak to it as you would to a beloved child. Welcome your spirit back from its wandering. It may return in pieces, in tatters. Gather them together. They will be happy to be found after being lost for so long.
Joy Harjo (Conflict Resolution for Holy Beings: Poems)
Eventually they climb sixteen steps into the Gallery of Mineralogy. The guide shows them a gate from Brazil and violet amethysts and a meteorite on a pedestal that he claims is as ancient as the solar system itself. Then he leads them single file down two twisting staircases and along several corridors and stops outside an iron door with a single keyhole. “End of tour,” he says. A girl says, “But what’s through there?” “Behind this door is another locked door, slightly smaller.” “And what’s behind that?” “A third locked door, smaller yet.” “What’s behind that?” “A fourth door, and a fifth, on and on until you reach a thirteenth, a little locked door no bigger than a shoe.” The children lean forward. “And then?” “Behind the thirteenth door”—the guide flourishes one of his impossibly wrinkled hands—“is the Sea of Flames.” Puzzlement. Fidgeting. “Come now. You’ve never heard of the Sea of Flames?” The children shake their heads. Marie-Laure squints up at the naked bulbs strung in three-yard intervals along the ceiling; each sets a rainbow-colored halo rotating in her vision. The guide hangs his cane on his wrist and rubs his hands together. “It’s a long story. Do you want to hear a long story?” They nod. He clears his throat. “Centuries ago, in the place we now call Borneo, a prince plucked a blue stone from a dry riverbed because he thought it was pretty. But on the way back to his palace, the prince was attacked by men on horseback and stabbed in the heart.” “Stabbed in the heart?” “Is this true?” A boy says, “Hush.” “The thieves stole his rings, his horse, everything. But because the little blue stone was clenched in his fist, they did not discover it. And the dying prince managed to crawl home. Then he fell unconscious for ten days. On the tenth day, to the amazement of his nurses, he sat up, opened his hand, and there was the stone. “The sultan’s doctors said it was a miracle, that the prince never should have survived such a violent wound. The nurses said the stone must have healing powers. The sultan’s jewelers said something else: they said the stone was the largest raw diamond anyone had ever seen. Their most gifted stonecutter spent eighty days faceting it, and when he was done, it was a brilliant blue, the blue of tropical seas, but it had a touch of red at its center, like flames inside a drop of water. The sultan had the diamond fitted into a crown for the prince, and it was said that when the young prince sat on his throne and the sun hit him just so, he became so dazzling that visitors could not distinguish his figure from light itself.” “Are you sure this is true?” asks a girl. “Hush,” says the boy. “The stone came to be known as the Sea of Flames. Some believed the prince was a deity, that as long as he kept the stone, he could not be killed. But something strange began to happen: the longer the prince wore his crown, the worse his luck became. In a month, he lost a brother to drowning and a second brother to snakebite. Within six months, his father died of disease. To make matters even worse, the sultan’s scouts announced that a great army was gathering in the east. "The prince called together his father’s advisers. All said he should prepare for war, all but one, a priest, who said he’d had a dream. In the dream the Goddess of the Earth told him she’d made the Sea of Flames as a gift for her lover, the God of the Sea, and was sending the jewel to him through the river. But when the river dried up, and the prince plucked it out, the goddess became enraged. She cursed the stone and whoever kept it.
Anthony Doerr (All the Light We Cannot See)
To him who in the love of Nature holds Communion with her visible forms, she speaks A various language; for his gayer hours She has a voice of gladness, and a smile And eloquence of beauty, and she glides Into his darker musings, with a mild And healing sympathy, that steals away Their sharpness, ere he is aware. When thoughts Of the last bitter hour come like a blight Over thy spirit, and sad images Of the stern agony, and shroud, and pall, And breathless darkness, and the narrow house, Make thee to shudder, and grow sick at heart;— Go forth, under the open sky, and list To Nature’s teachings, while from all around— Earth and her waters, and the depths of air— Comes a still voice— Yet a few days, and thee The all-beholding sun shall see no more In all his course; nor yet in the cold ground, Where thy pale form was laid, with many tears, Nor in the embrace of ocean, shall exist Thy image. Earth, that nourished thee, shall claim Thy growth, to be resolved to earth again, And, lost each human trace, surrendering up Thine individual being, shalt thou go To mix for ever with the elements, To be a brother to the insensible rock And to the sluggish clod, which the rude swain Turns with his share, and treads upon. The oak Shall send his roots abroad, and pierce thy mould. Yet not to thine eternal resting-place Shalt thou retire alone, nor couldst thou wish Couch more magnificent. Thou shalt lie down With patriarchs of the infant world—with kings, The powerful of the earth—the wise, the good, Fair forms, and hoary seers of ages past, All in one mighty sepulchre. The hills Rock-ribbed and ancient as the sun,—the vales Stretching in pensive quietness between; The venerable woods—rivers that move In majesty, and the complaining brooks That make the meadows green; and, poured round all, Old Ocean’s gray and melancholy waste,— Are but the solemn decorations all Of the great tomb of man. The golden sun, The planets, all the infinite host of heaven, Are shining on the sad abodes of death, Through the still lapse of ages. All that tread The globe are but a handful to the tribes That slumber in its bosom.—Take the wings Of morning, pierce the Barcan wilderness, Or lose thyself in the continuous woods Where rolls the Oregon, and hears no sound, Save his own dashings—yet the dead are there: And millions in those solitudes, since first The flight of years began, have laid them down In their last sleep—the dead reign there alone. So shalt thou rest, and what if thou withdraw In silence from the living, and no friend Take note of thy departure? All that breathe Will share thy destiny. The gay will laugh When thou art gone, the solemn brood of care Plod on, and each one as before will chase His favorite phantom; yet all these shall leave Their mirth and their employments, and shall come And make their bed with thee. As the long train Of ages glide away, the sons of men, The youth in life’s green spring, and he who goes In the full strength of years, matron and maid, The speechless babe, and the gray-headed man— Shall one by one be gathered to thy side, By those, who in their turn shall follow them. So live, that when thy summons comes to join The innumerable caravan, which moves To that mysterious realm, where each shall take His chamber in the silent halls of death, Thou go not, like the quarry-slave at night, Scourged to his dungeon, but, sustained and soothed By an unfaltering trust, approach thy grave, Like one who wraps the drapery of his couch About him, and lies down to pleasant dreams.
William Cullen Bryant (Thanatopsis)
Most of the church landscape in my lifetime has been heavily invested in trying to do something for Jerry or Sherri or some other icon of unchurchness. The problem is that they have been only about themselves from the moment they could wail for their mothers, and the decision to give them at church what they can find in any self-help book appears now as a choice to abandon the One in whose honor the church gathers. What they need is to be set free from themselves with finality and to be lost in the awesome wonder of the manifest presence of God. It was never God’s desire that He would sit on the sideline and watch us frantically devise impressive ways to reach people or simply hold the line on orthodoxy as though faithfulness can exist in a vacuum apart from fruitfulness. God is the Matter of first importance! Can you say that about your current weekly encounter with church?
James MacDonald (Vertical Church: What Every Heart Longs for. What Every Church Can Be.)
I was entering. I was leaving. California streamed behind me like a long silk veil. I didn’t feel like a big fat idiot anymore. And I didn’t feel like a hard-ass motherfucking Amazonian queen. I felt fierce and humble and gathered up inside, like I was safe in this world too.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
In The Garret Four little chests all in a row, Dim with dust, and worn by time, All fashioned and filled, long ago, By children now in their prime. Four little keys hung side by side, With faded ribbons, brave and gay When fastened there, with childish pride, Long ago, on a rainy day. Four little names, one on each lid, Carved out by a boyish hand, And underneath there lieth hid Histories of the happy band Once playing here, and pausing oft To hear the sweet refrain, That came and went on the roof aloft, In the falling summer rain. 'Meg' on the first lid, smooth and fair. I look in with loving eyes, For folded here, with well-known care, A goodly gathering lies, The record of a peaceful life-- Gifts to gentle child and girl, A bridal gown, lines to a wife, A tiny shoe, a baby curl. No toys in this first chest remain, For all are carried away, In their old age, to join again In another small Meg's play. Ah, happy mother! Well I know You hear, like a sweet refrain, Lullabies ever soft and low In the falling summer rain. 'Jo' on the next lid, scratched and worn, And within a motley store Of headless dolls, of schoolbooks torn, Birds and beasts that speak no more, Spoils brought home from the fairy ground Only trod by youthful feet, Dreams of a future never found, Memories of a past still sweet, Half-writ poems, stories wild, April letters, warm and cold, Diaries of a wilful child, Hints of a woman early old, A woman in a lonely home, Hearing, like a sad refrain-- 'Be worthy, love, and love will come,' In the falling summer rain. My Beth! the dust is always swept From the lid that bears your name, As if by loving eyes that wept, By careful hands that often came. Death canonized for us one saint, Ever less human than divine, And still we lay, with tender plaint, Relics in this household shrine-- The silver bell, so seldom rung, The little cap which last she wore, The fair, dead Catherine that hung By angels borne above her door. The songs she sang, without lament, In her prison-house of pain, Forever are they sweetly blent With the falling summer rain. Upon the last lid's polished field-- Legend now both fair and true A gallant knight bears on his shield, 'Amy' in letters gold and blue. Within lie snoods that bound her hair, Slippers that have danced their last, Faded flowers laid by with care, Fans whose airy toils are past, Gay valentines, all ardent flames, Trifles that have borne their part In girlish hopes and fears and shames, The record of a maiden heart Now learning fairer, truer spells, Hearing, like a blithe refrain, The silver sound of bridal bells In the falling summer rain. Four little chests all in a row, Dim with dust, and worn by time, Four women, taught by weal and woe To love and labor in their prime. Four sisters, parted for an hour, None lost, one only gone before, Made by love's immortal power, Nearest and dearest evermore. Oh, when these hidden stores of ours Lie open to the Father's sight, May they be rich in golden hours, Deeds that show fairer for the light, Lives whose brave music long shall ring, Like a spirit-stirring strain, Souls that shall gladly soar and sing In the long sunshine after rain
Louisa May Alcott (Little Women)
And the centurion who stood by said: Truly this was a son of God. Not long ago but everywhere I go There is a hill and a black windy sky. Portent of hill, sky, day's eclipse I know; Hill, sky, the shuddering darkness, these am I. The dying at His right hand, at His left, I am - the thief redeemed and the lost thief; I am the careless folk; I those bereft, The Well-Belov'd, the women bowed in grief. The gathering Presence that in terror cried, In earth's shock in the Temple's veil rent through, I; and a watcher, ignorant, curious-eyed, I the centurion who heard and knew
Adelaide Crapsey (Verse)
Here she barked out her greetings in Italian, anxious to disassociate herself from the horseless American cowboys and above all from her own kind, the truly lost and unwanted, who move like leaves around the edges of the world, gathering only long enough to wait in line and see if there is any mail
John Cheever (The Stories of John Cheever)
[T]his jealousy gave him, if anything, an agreeable chill, as, to the sad Parisian who is leaving Venice behind him to return to France, a last mosquito proves that Italy and summer are still not too remote. But, as a rule, with this particular period of his life from which he was emerging, when he made an effort, if not to remain in it, at least to obtain a clear view of it while he still could, he discovered that already it was too late; he would have liked to glimpse, as though it were a landscape that was about to disappear, that love from which he had departed; but it was so difficult to enter into a state of duality and to present to oneself the lifelike spectacle of a feeling one has ceased to possess, that very soon, the clouds gathering in his brain, he could see nothing at all, abandoned the attempt, took the glasses from his nose and wiped them; and he told himself that he would do better to rest for a little, that there would be time enough later on, and settled back into his corner with the incuriosity, the torpor of the drowsy sleeper in the railway-carriage that is drawing him, he feels, faster and faster out of the country in which he has lived for so long and which he had vowed not to allow to slip away from him without looking out to bid it a last farewell.
Marcel Proust (Du côté de chez Swann (À la recherche du temps perdu, #1))
•I lost money in every way possible: I misplaced checks and sometimes found them when they were too old to take to the bank. If I did find them in time, I missed out on the interest they could’ve made in my savings account. I paid late fees on bills, even though I had money in the bank — I’d just forgotten to pay them or lost the bill in my piles. I bought new items because they were on sale with a rebate, but forgot to mail the rebate form. •I dealt with chronic health worries because I never scheduled doctor’s appointments. •I lived in constant fear of being “found out” by people who held me in high regard. I always felt others’ trust in me was misplaced. •I suffered from nonstop anxiety, waiting for the other shoe to drop. •I struggled to create a social life in our new home. I either felt I didn’t have time because I needed to catch up and calm some of the chaos, or I wasn’t organized enough to make plans in the first place. •I felt insecure in all my relationships, both personal and professional. •I had nowhere to retreat. My life was such a mess, I had no space to gather my thoughts or be by myself. Chaos lurked everywhere. •I rarely communicated with long-distance friends or family. •I wanted to write a book and publish articles in magazines, yet dedicated almost no time to my creative pursuits.
Jaclyn Paul (Order from Chaos: The Everyday Grind of Staying Organized with Adult ADHD)
M-m-master, when I was on the Quasar I had a paracoita, a doll, you see, a genicon, so beautiful with her great pupils as dark as wells, her i-irises purple like asters or pansies blooming in summer, Master, whole beds of them, I thought, had b-been gathered to make those eyes, that flesh that always felt sun-warmed. Wh-wh-where is she now, my own scopolagna, my poppet? Let h-h-hooks be buried in the hands that took her! Crush them, master, beneath stones. Where has she gone from the lemon-wood box I made for her, where she never slept at all, for she lay with me all night, not in the box, the lemon-wood box where she waited all day, watch-and-watch, Master, smiling when I laid her in so she might smile when I drew her out. How soft her hands were, her little hands. Like d-d-doves. She might have flown with them about the cabin had she not chosen instead to lie with me. W-w-wind their guts about your w-windlass, snuff their eyes into their mouths. Unman them, shave them clean below so their doxies may not know them, their lemans may rebuke them, leave them to the brazen laughter of the brazen mouths of st-st-strumpets. Work your will upon those guilty. Where was their mercy on the innocent? When did they tremble, when weep? What kind of men could do as they have done—thieves, false friends, betrayers, bad shipmates, no shipmates, murderers and kidnappers. W-without you, where are their nightmares, where are their restitutions, so long promised? Where are their abacinations, that shall leave them blind? Where are the defenestrations that shall break their bones, where is the estrapade that shall grind their joints? Where is she, the beloved whom I lost?
Gene Wolfe (The Shadow of the Torturer (The Book of the New Sun, #1))
Only one god. Strange, that you English, who gather about you so many things, are content with one only. And so distant, up there in the sky. I do not have to look so far. I can see my skygod clear enough, right there,’ he said, stretching out an arm towards the sun. ‘By day Keesakand. Tonight Nanpawshat, moon god, will take his place. And there will be Potanit, god of the fire....’ He prattled on, cataloguing his pantheon of heathenish idols. Trees, fish, animals and the like vanities, all of them invested with souls, all wielding powers. I kept a count as he enumerated, the final tally of his gods reaching thirty-seven. I said nothing. At first, because I hardly knew what to say to one so lost. “But then, I remembered the singing under the cliffs. An inner voice, barely audible: the merest hiss. Satan’s voice, I am sure of it now, whispering to me that I already knew Keesakand, that I had already worshipped him many times as I bathed in the radiance of the sunrise, or paused to witness the glory of his sunset. And did not Nanpawshat have power over me, governing the swelling, salty tides of my own body, which, not so very long since, had begun to ebb and flow with the moon. It was good, the voice whispered. It was right and well to know these powers, to live in a world aswirl with spirits, everywhere ablaze with divinity.
Geraldine Brooks (Caleb's Crossing)
We are gathered here, friends,” he said, “to honor lo Hoon-yera Mora-toorz tut Zamoo-cratz-ya, children dead, all dead, all murdered in war. It is customary on days like this to call such lost children men. I am unable to call them men for this simple reason: that in the same war in which lo Hoon-yera Mora-toorz tut Zamoo-cratz-ya died, my own son died. “My soul insists that I mourn not a man but a child. “I do not say that children at war do not die like men, if they have to die. To their everlasting honor and our everlasting shame, they do die like men, thus making possible the manly jubilation of patriotic holidays. “But they are murdered children all the same. “And I propose to you that if we are to pay our sincere respects to the hundred lost children of San Lorenzo, that we might best spend the day despising what killed them; which is to say, the stupidity and viciousness of all mankind. “Perhaps, when we remember wars, we should take off our clothes and paint ourselves blue and go on all fours all day long and grunt like pigs. That would surely be more appropriate than noble oratory and shows of flags and well-oiled guns. “I do not mean to be ungrateful for the fine, martial show we are about to see—and a thrilling show it really will be . . .” He looked each of us in the eye, and then he commented very softly, throwing it away, “And hooray say I for thrilling shows.” We had to strain our ears to hear what Minton said next. “But if today is really in honor of a hundred children murdered in war,” he said, “is today a day for a thrilling show? “The answer is yes, on one condition: that we, the celebrants, are working consciously and tirelessly to reduce the stupidity and viciousness of ourselves and of all mankind.
Kurt Vonnegut Jr. (Cat’s Cradle)
Bill.' If you don't, I'll do this," and with that he gave me a twitch that I thought would have made me faint. Between this and that, I was so utterly terrified of the blind beggar that I forgot my terror of the captain, and as I opened the parlour door, cried out the words he had ordered in a trembling voice. The poor captain raised his eyes, and at one look the rum went out of him and left him staring sober. The expression of his face was not so much of terror as of mortal sickness. He made a movement to rise, but I do not believe he had enough force left in his body. "Now, Bill, sit where you are," said the beggar. "If I can't see, I can hear a finger stirring. Business is business. Hold out your left hand. Boy, take his left hand by the wrist and bring it near to my right." We both obeyed him to the letter, and I saw him pass something from the hollow of the hand that held his stick into the palm of the captain's, which closed upon it instantly. "And now that's done," said the blind man; and at the words he suddenly left hold of me, and with incredible accuracy and nimbleness, skipped out of the parlour and into the road, where, as I still stood motionless, I could hear his stick go tap-tap-tapping into the distance. It was some time before either I or the captain seemed to gather our senses, but at length, and about at the same moment, I released his wrist, which I was still holding, and he drew in his hand and looked sharply into the palm. "Ten o'clock!" he cried. "Six hours. We'll do them yet," and he sprang to his feet. Even as he did so, he reeled, put his hand to his throat, stood swaying for a moment, and then, with a peculiar sound, fell from his whole height face foremost to the floor. I ran to him at once, calling to my mother. But haste was all in vain. The captain had been struck dead by thundering apoplexy. It is a curious thing to understand, for I had certainly never liked the man, though of late I had begun to pity him, but as soon as I saw that he was dead, I burst into a flood of tears. It was the second death I had known, and the sorrow of the first was still fresh in my heart. 4 The Sea-chest I LOST no time, of course, in telling my mother all that I knew, and perhaps should have told her long before, and we saw ourselves at once in a difficult and dangerous position. Some of the man's money—if he had any—was certainly due to us, but it was not likely that our captain's shipmates, above all the two specimens seen by me, Black Dog and the blind beggar, would be inclined to give up their booty in payment of the dead man's debts. The captain's order to mount at once and ride for Doctor Livesey would have left my mother alone and unprotected, which was not to be thought of. Indeed, it seemed impossible for either of us to remain much longer in the house; the fall of coals in the kitchen grate, the very ticking of the clock, filled us with alarms. The neighbourhood, to our ears, seemed haunted by approaching footsteps; and what between the dead body of the captain on the parlour floor and the thought of that detestable blind beggar hovering near at hand and ready to return, there were moments when, as the saying goes, I jumped in my skin for terror. Something must speedily be resolved upon, and it occurred to us at last to go forth together and seek help in the neighbouring hamlet. No sooner said than done. Bare-headed as we were, we ran out at once in the gathering evening and the frosty fog. The hamlet lay not many hundred yards away, though out of view, on the other side of the next cove; and what greatly encouraged me, it was in an opposite direction from that whence the blind man had made his appearance and whither he had presumably returned. We were not many minutes on the road, though we sometimes stopped to lay hold of each other and hearken. But there was no unusual sound—nothing but the low wash of the ripple and the croaking of the inmates of the wood.
Robert Louis Stevenson (Treasure Island)
Silveny's pregnant,' Sophie told her friends when she joined them for breakfast. Fitz dropped his fork. 'Are you sure?' 'Oh yeah,' Sophie mumbled, sinking into the chair next to him. 'She showed me...' 'GAH!' everyone said. Keefe pushed his plate away. 'I'm done with food forever.' 'Me too,' Dex agreed. 'Me three,' Biana said. 'Seriously, that is one batch of memories you do not have to show me,' Fitz told Sophie. 'I don't care if it's part of our Cognate training.' 'But it's still huge,' Biana added. 'Do you know how far along she is?' 'I'm guessing it's new, since the last few times I transmitted to her she didn't mention anything about--' 'STOP!' Keefe held up his hands. 'Ground rules for this conversation: All talk of alicorn baby-making is off the table--got it? Otherwise I'll have to rip my ears off. And for the record, I do not want to be there when Baby Glitterbutt arrives.' 'Me either,' Fitz said. 'My dad made me go to the Hekses' unicorn preserve for a delivery one time.' He shuddered. 'Who knew they came out so slimy?' 'Ew, dude, I did not need to know that. Can we talk about something else? Anything else?' 'Does anyone know how long alicorns stay pregnant?' Sophie asked. Biana shook her head. 'We've never had a baby alicorn before. But I'm pretty sure unicorns are pregnant for eleven months. So maybe it's the same?' 'Do you think Silveny knows?' Fitz asked. 'If her instincts are telling her she's pregnant, maybe they'll also tell her how it's going to work.' 'I guess I can ask. It was hard to get information out of her. All she wanted to tell me about was--' 'STOP!' Keefe said. 'I wasn't going to say that. She was telling me that she's really hungry. I'm not sure if it's a pregnancy craving or an excuse to get more treats, but she went on and on about how she needs more swizzlespice. We'll have to find a way to let Jurek know. 'Do you think he already knows?' Fitz asked. 'He's the equestrian caretaker at the Sanctuary. Maybe he...saw stuff.' 'WHAT DID I SAY ABOUT THE GROUND RULES?' Keefe shouted, covering his ears. 'That's it, this conversation is officially over. Next person who says "alicorn" is getting pelted with fruit.' 'What's wrong with the alicorns?' Granite asked behind them. He'd arrived with Mr. Forkle, each of them carrying stacks of scrolls. 'Silveny's pregnant," Sophie said, and all the scrolls went THUNK! 'Are you certain?' Granite whispered, bending to gather the uncurling paper. Sophie nodded, and Mr. Forkle rushed to her side. 'Tell me everything.' 'And I'm out!' Keefe said, covering his ears and singing, 'LALALALALA! I CAN'T HEAR YOU!' as he raced up the stairs to the boys' tree house.
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
The amorous shepherd has lost his staff, And his sheep are straying on the hillside, And he didn’t even play the flute he brought to play because he was thinking so much. No one came to him or went away. He never found his staff again. Others, cursing at him, gathered his sheep for him. No one had loved him, in the end. When he got up from the hillside and the false truth, he saw everything: The great valleys full of the same green as always, The great distant mountains, more real than any feeling, All reality, with the sky and the air and the fields that exist, is present. (And once again the air, that he’d missed for so long, entered coolly into his lungs) And he felt that the air was opening again, but with pain, a liberty in his chest. (7/10/1930)
Alberto Caeiro (O Pastor Amoroso)
For me, what a single firefly can do is this: it can light a memory I thought was long lost in roadsides overrun with Queen Anne’s lace and goldenrod, a peach pie cooling in the window of a distant house. It might make me feel like I’m traveling again to a gathering of loved ones dining seaside on a Greek island, listening to cicada song and a light wind rustling the mimosa trees. A single firefly might be the spark that sends us back to our grandmother’s backyard to listen for whip-poor-wills; the spark that sends us back to splashing in an ice-cold creek bed, with our jeans rolled up to our knees, until we shudder and gasp, our toes fully wrinkled. In that spark is a slowdown and tenderness. Listen: Boom. Can you hear that? The cassowary is trying to tell us something. Boom. Did you see that? A single firefly is, too. Such a tiny light, for such a considerable task. Its luminescence could very well be the spark that reminds us to make a most necessary turn- a shift and a swing and a switch- toward cherishing this magnificent and wondrous planet. Boom. Boom. You might think of a heartbeat- your own. A child’s. Someone else’s. Or some thing’s heart. And in that slowdown, you might think it’s a kind of love. And you’d be right.
Aimee Nezhukumatathil (World of Wonders: In Praise of Fireflies, Whale Sharks, and Other Astonishments)
There is a man in China who gathers stones, without ceasing. He sheds abundant tears, and as the tears fall on the ground they change into stones, which again he gathers. If the clouds were to weep tears like these it would be a . matter for sorrow and sighing. Real knowledge becomes the possession of the true seeker. If it is necessary to seek knowledge in China, then go. But when knowledge is distorted by the formal mind, it becomes petrified, like stones. How long must real knowledge continue to be misunderstood? This world, this house of sorrows, is in darkness; but true knowledge is a jewel, it will burn like a lamp and guide you in this gloomy place. If you spurn this jewel, you will ever be a prey to regret. If you lag behind, you will weep bitter tears. But if you sleep little by night, and fast by day, you may find what you seek. Seek, then, and be lost in the quest.
Attar of Nishapur (The Conference of the Birds)
Dawn comes after the darkness, and with it the promise that what has been torn by the sea is not lost. All of life is breaking and mending, clipping and stitching, gathering tatters and sewing seams. All of life is quilted from the scraps of what once was and is no more —the places we have been, the memories we have made, the people we have known, that which has been long loved but has grown threadbare over time and can be worn no longer. We
Lisa Wingate (The Prayer Box (A Carolina Chronicles #1))
One of my most vivid memories is of coming back West from prep school and later from college at Christmas time. Those who went farther than Chicago would gather in the old dim Union Station at six o’clock of a December evening, with a few Chicago friends, already caught up into their own holiday gayeties, to bid them a hasty good-by. I remember the fur coats of the girls returning from Miss This-or-that’s and the chatter of frozen breath and the hands waving overhead as we caught sight of old acquaintances, and the matchings of invitations: “Are you going to the Ordways’? the Herseys’? the Schultzes’?” and the long green tickets clasped tight in our gloved hands. And last the murky yellow cars of the Chicago, Milwaukee and St. Paul railroad looking cheerful as Christmas itself on the tracks beside the gate. When we pulled out into the winter night and the real snow, our snow, began to stretch out beside us and twinkle against the windows, and the dim lights of small Wisconsin stations moved by, a sharp wild brace came suddenly into the air. We drew in deep breaths of it as we walked back from dinner through the cold vestibules, unutterably aware of our identity with this country for one strange hour, before we melted indistinguishably into it again. That’s my Middle West — not the wheat or the prairies or the lost Swede towns, but the thrilling returning trains of my youth, and the street lamps and sleigh bells in the frosty dark and the shadows of holly wreaths thrown by lighted windows on the snow. I am part of that, a little solemn with the feel of those long winters, a little complacent from growing up in the Carraway house in a city where dwellings are still called through decades by a family’s name. I see now that this has been a story of the West, after all — Tom and Gatsby, Daisy and Jordan and I, were all Westerners, and perhaps we possessed some deficiency in common which made us subtly unadaptable to Eastern life.
F. Scott Fitzgerald (The Great Gatsby)
We gathered at Valerie’s Hyde Park apartment, and over a long brunch, I explained my thought process, mapping out the scenarios that would get us to the Democratic nomination and answering questions about how this race would be different from the last. With Michelle, I didn’t sugarcoat the amount of time I’d be away. But this was it, I promised, up or out; if I lost this one, we were done with politics for good. By the time I finished, Valerie and Marty had been persuaded, no doubt to Michelle’s
Barack Obama (A Promised Land)
He guides the humble in what is right and teaches them his way. PSALM 25:9 JUNE 22 After a speaking engagement in Florida, my hosts assigned a Navy captain to fly me home. En route, the captain told me that there was a very heavy overcast in New York. “As a matter of fact,” he said, “we’ll have to go in on instruments.” We went down, down, down. And finally, I saw the lights of the runway and we came right up to the ramp. It was a beautiful landing. The captain said, “The primary ingredient for a good landing is faith. I have to have faith in these instruments. If I didn’t, I might think, ‘Well, maybe this instrument isn’t exactly right, so I’ll make this adjustment.’ And that could have tragic consequences.” Your religious education is your instrument panel for safe navigation through the long flight of the years. When clouds gather, storms develop, and trouble looms, if you lose faith in your instruments, you can be lost. But if you have faith in the teachings of the Bible, in prayer, in the church, in goodness, love, and hope, your instruments will bring you through.
Norman Vincent Peale (Positive Living Day by Day)
Anyone Can Sing" Anyone can sing. You just open your mouth, and give shape to a sound. Anyone can sing. What is harder, is to proclaim the soul, to initiate a wild and necessary deepening: to give the voice broad, sonorous wings of solitude, grief, and celebration, to fill the body with the echoes of voices lost long ago to bravery, and silence, to prise the reluctant heart wide open, to witness defeat, to suffer contempt, to shrink, lose face, go down in ignominy, to retreat to the last dark hiding-place where the tattered remnants of your pride still gather themselves around your nakedness, to know these rags as your only protection and yet still open—to face the possibility that your innermost core may hold nothing at all, and to sing from that—to fill the void with every hurt, every harm, every hard-won joy that staves off death yet honours its coming, to sing both full and utterly empty, alone and conjoined, exiled and at home, to sing what people feel most keenly yet never acknowledge until you sing it. Anyone can sing. Yes. Anyone can sing.
William Ayot
THIS IS WHAT they want. The words tumbled through Sophie’s mind as she raced up the spiral staircase, counting her steps, trying to guess which door to take. The first handle she tried was locked. Another opened into darkness. A third revealed a path that glowed with eerie blue balefire sconces. The floor shook as she hesitated and threads of dust slipped through the ceiling, scratching her throat and making it hurt to breathe. She followed the flames. Back and forth the halls snaked—a careful maze, designed to deceive. Swallow. Separate. The tremors grew with every step, the shifting subtle but unmistakable. And too far away. No one else would feel the ripples swelling, like waves gathering speed. They were too focused on their celebration. Too caught up in their imagined victory. Too trusting. Too blind. Too late. The ground rattled harder, the first fissures crackling the stones. This is what they want. ONE THIS IS A security nightmare!” Sandor grumbled, keeping his huge gray hand poised over his enormous black sword. His squeaky voice reminded Sophie more of a talking mouse than a deadly bodyguard. Several prodigies raced past, and Sandor pulled Sophie closer as the giggling group jumped to pop the candy-filled bubbles floating near the shimmering crystal trees. All around them, kids were running through the confetti-covered atrium in their amber-gold Level Three uniforms, capes flying as they caught snacks and bottles of lushberry juice and stuffed tinsel-wrapped gifts into the long white thinking caps dangling from everyone’s lockers. The Midterms Celebration was a Foxfire Academy tradition—hardly the impending doom Sandor was imagining. And yet, Sophie understood his concern. Every parent roaming the streamer-lined halls. Every face she didn’t recognize. Any of them could be a rebel.
Shannon Messenger (Lodestar (Keeper of the Lost Cities, #5))
All that can best be expressed in words should be expressed in verse, but verse is a slow thing to create; nay, it is not really created: it is a secretion of the mind, it is a pearl that gathers round some irritant and slowly expresses the very essence of beauty and of desire that has lain long, potential and unexpressed, in the mind of the man who secretes it. God knows that this Unknown Country has been hit off in verse a hundred times... Milton does it so well in the Fourth Book of Paradise Lost that I defy any man of a sane understanding to read the whole of that book before going to bed and not to wake up next morning as though he had been on a journey.
Hilaire Belloc (On Anything)
The pan dulce was perfect, and it gave Anna an idea. Talking to Lila about her favorite memories of her mother had shaken loose parts of the past she had either forgotten or overlooked. Like the songs her mother would sing as she cooked the one and only thing she ever cooked; like that time they visited the family coffee estate and Mum shot a rampaging wild boar and then they cooked and ate it later that night; like the smell of rain in the forest; like the fat, sour gooseberries they would pick off the trees; like fresh peppercorns straight off the vine; like countless other jumbled memories and smells and tastes and sounds that had been tucked away in some corner of her mind gathering dust for so long. Mum's favorite dish, the one and only thing she ever cooked. I'm going to make it. Anna had never learned how to make it, because she had always arrogantly assumed her mother would be around forever, but she had eaten it so many times that she was sure she could recreate it by memory and taste alone. This is it. Her favorite food. She would have to thank Lila for the inspiration later. This was the connection she had been afraid she would never find. It was a way to hold on to everything she had lost. "Can I borrow your wallet, Dad?" Excited for the first time in what felt like months, Anna rushed out to the neighborhood grocery store and picked out the ingredients she hoped would work. Curry leaves, bay leaves, whole black peppercorns, turmeric, ginger, garlic, green chilies, red chilies, limes, honey, and, finally, a fresh shoulder of pork.
Sangu Mandanna (Hungry Hearts: 13 Tales of Food & Love)
The moths and the flame by Farid ud-Din Attar Moths gathered in a fluttering throng one night To learn the truth about the candle light, And they decided one of them should go To gather news of the elusive glow. One flew till in the distance he discerned A palace window where a candle burned — And went no nearer: back again he flew To tell the others what he thought he knew. The mentor of the moths dismissed his claim, Remarking: “He knows nothing of the flame.” A moth more eager than the one before Set out and passed beyond the palace door. He hovered in the aura of the fire, A trembling blur of timorous desire, Then headed back to say how far he’d been, And how much he had undergone and seen. The mentor said: “You do not bear the signs Of one who’s fathomed how the candle shines.” Another moth flew out — his dizzy flight Turned to an ardent wooing of the light; He dipped and soared, and in his frenzied trance Both self and fire were mingled by his dance — The flame engulfed his wing-tips, body, head, His being glowed a fierce translucent red; And when the mentor saw that sudden blaze, The moth’s form lost within the glowing rays, He said: “He knows, he knows the truth we seek, That hidden truth of which we cannot speak.” To go beyond all knowledge is to find That comprehension which eludes the mind, And you can never gain the longed-for goal Until you first outsoar both flesh and soul; But should one part remain, a single hair Will drag you back and plunge you in despair — No creature’s self can be admitted here, Where all identity must disappear.
Attar of Nishapur (The Conference of the Birds)
There were so many other amazing things in this world. They opened up inside of me like a river. Like I didn’t know I could take a breath and then I breathed. I laughed with the joy of it, and the next moment I was crying my first tears on the PCT. I cried and I cried and I cried. I wasn’t crying because I was happy. I wasn’t crying because I was sad. I wasn’t crying because of my mother or my father or Paul. I was crying because I was full. Of those fifty-some hard days on the trail and of the 9,760 days that had come before them too. I was entering. I was leaving. California streamed behind me like a long silk veil. I didn't feel like a big fat idiot anymore. And I didn't feel like a hard-ass motherfucking Amazonian queen. I felt fierce and humble and gathered up inside, like I was safe in this world too.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
There were so many other amazing things in this world. They opened up inside of me like a river. Like I didn't know I could take a breath and then I breathed. I laughed with the joy of it, and the next moment I was crying my first tears on the PCT. I cried and I cried and I cried. I wasn't crying because I was happy. I wasn't crying because I was sad. I wasn't crying because of my mother or my father or Paul. I was crying because I was full. Of those fifty-some hard days on the trail and of the 9,760 days that had come before them too. I was entering. I was leaving. California streamed behind me like a long silk veil. I didn't feel like a big fat idiot anymore. And I didn't feel like a hard-ass motherfucking Amazonian queen. I felt fierce and humble and gathered up inside, like I was safe in this world too.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
Swift came to the table and bowed politely. “My lady,” he said to Lillian, “what a pleasure it is to see you again. May I offer my renewed congratulations on your marriage to Lord Westcliff, and…” He hesitated, for although Lillian was obviously pregnant, it would be impolite to refer to her condition. “…you are looking quite well,” he finished. “I’m the size of a barn,” Lillian said flatly, puncturing his attempt at diplomacy. Swift’s mouth firmed as if he was fighting to suppress a grin. “Not at all,” he said mildly, and glanced at Annabelle and Evie. They all waited for Lillian to make the introductions. Lillian complied grudgingly. “This is Mr. Swift,” she muttered, waving her hand in his direction. “Mrs. Simon Hunt and Lady St. Vincent.” Swift bent deftly over Annabelle’s hand. He would have done the same for Evie except she was holding the baby. Isabelle’s grunts and whimpers were escalating and would soon become a full-out wail unless something was done about it. “That is my daughter Isabelle,” Annabelle said apologetically. “She’s teething.” That should get rid of him quickly, Daisy thought. Men were terrified of crying babies. “Ah.” Swift reached into his coat and rummaged through a rattling collection of articles. What on earth did he have in there? She watched as he pulled out his pen-knife, a bit of fishing line and a clean white handkerchief. “Mr. Swift, what are you doing?” Evie asked with a quizzical smile. “Improvising something.” He spooned some crushed ice into the center of the handkerchief, gathered the fabric tightly around it, and tied it off with fishing line. After replacing the knife in his pocket, he reached for the baby without one trace of self-consciusness. Wide-eyed, Evie surrendered the infant. The four women watched in astonishment as Swift took Isabelle against his shoulder with practiced ease. He gave the baby the ice-filled handkerchief, which she proceeded to gnaw madly even as she continued to cry. Seeming oblivious to the fascinated stares of everyone in the room, Swift wandered to the window and murmured softly to the baby. It appeared he was telling her a story of some kind. After a minute or two the child quieted. When Swift returned to the table Isabelle was half-drowsing and sighing, her mouth clamped firmly on the makeshift ice pouch. “Oh, Mr. Swift,” Annabelle said gratefully, taking the baby back in her arms, “how clever of you! Thank you.” “What were you saying to her?” Lillian demanded. He glanced at her and replied blandly, “I thought I would distract her long enough for the ice to numb her gums. So I gave her a detailed explanation of the Buttonwood agreement of 1792.” Daisy spoke to him for the first time. “What was that?” Swift glanced at her then, his face smooth and polite, and for a second Daisy half-believed that she had dreamed the events of that morning. But her skin and nerves still retained the sensation of him, the hard imprint of his body. “The Buttonwood agreement led to the formation of the New York Stock and Exchange Board,” Swift said. “I thought I was quite informative, but it seemed Miss Isabelle lost interest when I started on the fee-structuring compromise.” “I see,” Daisy said. “You bored the poor baby to sleep.” “You should hear my account of the imbalance of market forces leading to the crash of ’37,” Swift said. “I’ve been told it’s better than laudanum.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
Reagan,” he breathed and my chest swelled from the pure devotion of my name on his lips. I waited for him to say more but for a while he was just silent and serious. Finally, a small smirk played at the corners of his lips and in a lighter tone, he said, “It was close today, though, wasn’t it?” “Yes,” I agreed. He seemed to gather confidence and said impishly, “Makes you realize what you could have lost.” I nodded but didn’t speak- I had been thinking that for hours now. “Makes you realize that you have things to do before you die.” I laughed a little at that. I had given up all those dreams a long time ago, and I was surprised Hendrix hadn’t too. “Like what? Go sky-diving?” Without missing a beat, without taking his eyes off me, or changing his reverent tone he said, “Like kiss you.” And his soft lips were on mine and I stopped breathing. Sensation and desire flooded me as his mouth moved over mine- consuming me, breaking me, making me whole again. His beard scratched and tickled my face but I reveled in the feel of his body moving against mine. His tongue swept across my bottom lip and I opened my mouth on instinct. His lips were so perfect they were otherworldly, they didn’t even belong in the dark world we lived in. Nothing this amazing did. And yet here he was. With me. He deepened the kiss and I felt him everywhere. I felt his hands as they clutched my waist and dragged me against his firm, unyielding body. I felt his body heat as he drew me into him and wrapped his arms around me. I felt his tongue, the hot wetness of his mouth, his beard as it abraded my skin. I felt his happiness call to mine, his soul drink mine in, his essence consume me until I was entirely captivated by him and his kiss.
Rachel Higginson (Love and Decay, Volume One (Love and Decay #1-6))
The Meaning of 'Home' As I travel from one city to another From one country to another From one sorrow to another, I encounter thousands of faces: In streets, shops, parks, and cafés. They all ask me the same painful question: 'Where are you from?' As if they know, I am from a place that lost itself and lost me On a long, cold, and sad winter night. They ask me: 'What is your country known for?' I tell them: 'My country is known for exporting sad stories, refugees, and displaced people. All those who were cursed by being born in it.' Similar questions continue to be asked in cocktail parties, In hypocritical and mediocre gatherings, In conferences and boring meetings. Some pretentiously ask me: 'How do you define "home"?' I respond with Ghassan Knafani’s words ringing in my ears: 'Home is for all of this not to happen.' April 19, 2014
Louis Yako (أنا زهرة برية [I am a Wildflower])
The vague fear I had felt at the Verdurins’ that Albertine might leave me, had originally faded. Arriving home, I had had the feeling of being a prisoner, not at all of returning to a female captive. But the forgotten fear had gripped me much more strongly when, at the moment I told Albertine that I had been to the Verdurins’, I saw on the surface of her face a look of mysterious irritation, which indeed was not appearing there for the first time. I knew that this look was the crystallization in the flesh of long-considered grievances, of ideas which were clear to the person forming them and keeping them secret, a synthesis become visible but no more rational, which the man who gathers the precious residue on the face of the woman he loves tries in his turn, in order to understand what is going on behind it, to analyze and break down into its intellectual components.
Marcel Proust (The Prisoner: In Search of Lost Time, Volume 5 (Penguin Classics Deluxe Edition))
All about the hills the hosts of Mordor raged. The Captains of the West were foundering in a gathering sea. The sun gleamed red, and under the wings of the Nazgul the shadows of death fell dark upon the earth. Aragorn stood beneath his banner, silent and stern, as one lost in thought of things long past or far away; but his eyes gleamed like stars that shine the brighter as the night deepens. Upon the hill-top stood Gandalf, and he was white and cold and no shadow fell on him. The onslaught of Mordor broke like a wave on the beleaguered hills, voices roaring like a tide amid the wreck and crash of arms. As if to his eyes some sudden vision had been given, Gandalf stirred; and he turned, looking back north where the skies were pale and clear. Then he lifted up his hands and cried in a loud voice ringing above the din: The Eagles are coming! And many voices answered crying: The Eagles are coming! The Eagles are coming! The hosts of Mordor looked up and wondered what this sign might mean. There came Gwaihir the Windlord, and Landroval his brother, greatest of all the Eagles of the North, mightiest of the descendants of old Thorondor, who built his eyries in the inaccessible peaks of the Encircling Mountains when Middle-earth was young. Behind them in long swift lines came all their vassals from the northern mountains, speeding on a gathering wind. Straight down upon the Nazgul they bore, stooping suddenly out of the high airs, and the rush of their wide wings as they passed over was like a gale. But the Nazgul turned and fled, and vanished into Mordor's shadows, hearing a sudden terrible call out of the Dark Tower; and even at that moment all the hosts of Mordor trembled, doubt clutched their hearts, their laughter failed, their hands shook and their limbs were loosed. The Power that drove them on and filled them with hate and fury was wavering, its will was removed from them; and now looking in the eyes of their enemies they saw a deadly light and were afraid. Then all the Captains of the West cried aloud, for their hearts were filled with a new hope in the midst of darkness. Out from the beleaguered hills knights of Gondor, Riders of Rohan, Dunedain of the North, close-serried companies, drove against their wavering foes, piercing the press with the thrust of bitter spears. But Gandalf lifted up his arms and called once more in a clear voice: 'Stand, Men of the West! Stand and wait! This is the hour of doom.' And even as he spoke the earth rocked beneath their feet. Then rising swiftly up, far above the Towers of the Black Gate, high above the mountains, a vast soaring darkness sprang into the sky, flickering with fire. The earth groaned and quaked. The Towers of the Teeth swayed, tottered, and fell down; the mighty rampart crumbled; the Black Gate was hurled in ruin; and from far away, now dim, now growing, now mounting to the clouds, there came a drumming rumble, a roar, a long echoing roll of ruinous noise. 'The realm of Sauron is ended!' said Gandalf. 'The Ring-bearer has fulfilled his Quest.' And as the Captains gazed south to the Land of Mordor, it seemed to them that, black against the pall of cloud, there rose a huge shape of shadow, impenetrable, lightning-crowned, filling all the sky. Enormous it reared above the world, and stretched out towards them a vast threatening hand, terrible but impotent: for even as it leaned over them, a great wind took it, and it was all blown away, and passed; and then a hush fell. The Captains bowed their heads...
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
There is a sort of subdued pandemonium in the air, a note of repressed violence, as if the awaited explosion required the advent of some utterly minute detail, something microscopic but thoroughly unpremeditated, completely unexpected. In that sort of half-reverie which permits one to participate in an event and yet remain quite aloof, the little detail which was lacking began obscurely but insistently to coagulate, to assume a freakish, crystalline form, like the frost which gathers on the windowpane. And like those frost patterns which seem so bizarre, so utterly free and fantastic in design, but which are nevertheless determined by the most rigid laws, so this sensation which commenced to take form inside me seemed also to be giving obedience to ineluctable laws. My whole being was responding to the dictates of an ambience which it had never before experienced; that which I could call myself seemed to be contracting, condensing, shrinking from the stale, customary boundaries of the flesh whose perimeter knew only the modulations of the nerve ends. And the more substantial, the more solid the core of me became, the more delicate and extravagant appeared the close, palpable reality out of which I was being squeezed. In the measure that I became more and more metallic, in the same measure the scene before my eyes became inflated. The state of tension was so finely drawn now that the introduction of a single foreign particle, even a microscopic particle, as I say, would have shattered everything. For the fraction of a second perhaps I experienced that utter clarity which the epileptic, it is said, is given to know. In that moment I lost completely the illusion of time and space: the world unfurled its drama simultaneously along a meridian which had no axis. In this sort of hair-trigger eternity I felt that everything was justified, supremely justified; I felt the wars inside me that had left behind this pulp and wrack; I felt the crimes that were seething here to emerge tomorrow in blatant screamers; I felt the misery that was grinding itself out with pestle and mortar, the long dull misery that dribbles away in dirty handkerchiefs. On the meridian of time there is no injustice: there is only the poetry of motion creating the illusion of truth and drama. If at any moment anywhere one comes face to face with the absolute, that great sympathy which makes men like Gautama and Jesus seem divine freezes away; the monstrous thing is not that men have created roses out of this dung heap, but that, for some reason or other, they should want roses. For some reason or other man looks for the miracle, and to accomplish it he will wade through blood. He will debauch himself with ideas, he will reduce himself to a shadow if for only one second of his life he can close his eyes to the hideousness of reality. Everything is endured – disgrace, humiliation, poverty, war, crime, ennui – in the belief that overnight something will occur, a miracle, which will render life tolerable. And all the while a meter is running inside and there is no hand that can reach in there and shut it off. All the while someone is eating the bread of life and drinking the wine, some dirty fat cockroach of a priest who hides away in the cellar guzzling it, while up above in the light of the street a phantom host touches the lips and the blood is pale as water. And out of the endless torment and misery no miracle comes forth, no microscopic vestige of relief. Only ideas, pale, attenuated ideas which have to be fattened by slaughter; ideas which come forth like bile, like the guts of a pig when the carcass is ripped open.
Henry Miller (Tropic of Cancer (Tropic, #1))
And how long, impossible question I know, but how long until we’re not capable of having this discussion? How many windows like this do we have left?’ Elizabeth can fool herself no more, can keep Stephen to herself no longer. The day she knew must arrive is here. She has been losing him a paragraph at a time, but the chapter is done. And the book is close to its end. Stephen, fully dressed and shaved, stands among his books. The urns and sculptures from his travels, things he found significant and beautiful, gathered over a lifetime. The awards, the photographs, old friends smiling on boats, boys at school dressed like men, Stephen on mountains, on desert digs, raising a glass in a far-off bar, kissing his wife on their wedding day. This room, this cocoon, every inch of it is his brain, his smile, his kindness, his friendships, his lovers, his jokes. His mind, fully on display. And he knows it is now lost.
Richard Osman (The Last Devil to Die (Thursday Murder Club, #4))
But on that night as I gazed out over the darkening land fifty-some nights out on the PCT, it occurred to me that I didn't have to be amazed by him anymore. There were so many other amazing things in this world. They opened up inside of me like a river. Like I didn't know I could take a breath and then I breathed. I laughed with the joy of it, and the next moment i was crying my first tears on the PCT. I cried and I cried and I cried. I wasn't crying because I was happy. I wasn't crying because I was sad. I wasn't crying because of my mother or my father or Paul. I was crying because I was full. Of those fifty-some hard days on the trail and of the 9,760 days that had come before them too. I was entering. I was leaving. California streamed behind me like a long silk veil. I didn't feel like a big fat idiot anymore. And I didn't feel like a hard-ass motherfucking Amazonian queen. I felt fierce and humble and gathered up inside, like I was safe in this world too.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
Less is not known as a teacher, in the same way Melville was not known as a customs inspector. And yet both held the respective positions. Though he was once an endowed chair at Robert’s university, he has no formal training except the drunken, cigarette-filled evenings of his youth, when Robert’s friends gathered and yelled, taunted, and played games with words. As a result, Less feels uncomfortable lecturing. Instead, he re-creates those lost days with his students. Remembering those middle-aged men sitting with a bottle of whiskey, a Norton book of poetry, and scissors, he cuts up a paragraph of Lolita and has the young doctoral students reassemble the text as they desire. In these collages, Humbert Humbert becomes an addled old man rather than a diabolical one, mixing up cocktail ingredients and, instead of confronting the betrayed Charlotte Haze, going back for more ice. He gives them a page of Joyce and a bottle of Wite-Out—and Molly Bloom merely says “Yes.” A game to write a persuasive opening sentence for a book they have never read (this is difficult, as these diligent students have read everything) leads to a chilling start to Woolf’s The Waves: I was too far out in the ocean to hear the lifeguard shouting, “Shark! Shark!” Though the course features, curiously, neither vampires nor Frankenstein monsters, the students adore it. No one has given them scissors and glue sticks since they were in kindergarten. No one has ever asked them to translate a sentence from Carson McCullers (In the town there were two mutes, and they were always together) into German (In der Stadt gab es zwei Stumme, und sie waren immer zusammen) and pass it around the room, retranslating as they go, until it comes out as playground gibberish: In the bar there were two potatoes together, and they were trouble. What a relief for their hardworking lives. Do they learn anything about literature? Doubtful. But they learn to love language again, something that has faded like sex in a long marriage. Because of this, they learn to love their teacher.
Andrew Sean Greer (Less (Arthur Less, #1))
All the long afternoon, the sea was suspended there before their eyes only as a canvas of attractive colouring might hang on the wall of a wealthy bachelor’s flat and it was only in the intervals between the ‘hands’ that one of the players, finding nothing better to do, raised his eyes to it to seek from it some indication of the weather or the time, and to remind the others that tea was ready. And at night they did not dine in the hotel, where, hidden springs of electricity flooding the great dining-room with light, it became as it were an immense and wonderful aquarium against whose wall of glass the working population of Balbec, the fishermen and also the tradesmen’s families, clustering invisibly in the outer darkness, pressed their faces to watch, gently floating upon the golden eddies within, the luxurious life of its occupants, a thing as extraordinary to the poor as the life of strange fishes or molluscs (an important social question, this: whether the wall of glass will always protect the wonderful creatures at their feasting, whether the obscure folk who watch them hungrily out of the night will not break in some day to gather them from their aquarium and devour them).
Marcel Proust (In Search Of Lost Time (All 7 Volumes) (ShandonPress))
Harry!” he panted, massaging his immense chest beneath his emerald-green silk pajamas. “My dear boy…what a surprise…Minerva, do please explain…Severus…what…?” “Our headmaster is taking a short break,” said Professor McGonagall, pointing at the Snape-shaped hole in the window. “Professor!” Harry shouted, his hands at his forehead. He could see the Inferi-filled lake sliding beneath him, and he felt the ghostly green boat bump into the underground shore, and Voldemort leapt from it with murder in his heart-- “Professor, we’ve got to barricade the school, he’s coming now!” “Very well. He-Who-Must-Not-Be-Named is coming,” she told the other teachers. Sprout and Flitwick gasped; Slughorn let out a low groan. “Potter has work to do in the castle on Dumbledore’s orders. We need to put in place every protection of which we are capable while Potter does what he needs to do.” “You realize, of course, that nothing we do will be able to keep out You-Know-Who indefinitely?” squeaked Flitwick. “But we can hold him up,” said Professor Sprout. “Thank you, Pomona,” said Professor McGonagall, and between the two witches there passed a look of grim understanding. “I suggest we establish basic protection around the place, then gather our students and meet in the Great Hall. Most must be evacuated, though if any of those who are over age wish to stay and fight, I think they ought to be given the chance.” “Agreed,” said Professor Sprout, already hurrying toward the door. “I shall meet you in the Great Hall in twenty minutes with my House.” And as she jogged out of sight, they could hear her muttering, “Tentacula. Devil’s Snare. And Snargaluff pods…yes, I’d like to see the Death Eaters fighting those.” “I can act from here,” said Flitwick, and although he could barely see out of it, he pointed his wand through the smashed window and started muttering incantations of great complexity. Harry heard a weird rushing noise, as though Flitwick had unleashed the power of the wind into the grounds. “Professor,” Harry said, approaching the little Charms master, “Professor, I’m sorry to interrupt, but this is important. Have you got any idea where the diadem of Ravenclaw is?” “--Protego Horribilis--the diadem of Ravenclaw?” squeaked Flitwick. “A little extra wisdom never goes amiss, Potter, but I hardly think it would be much use in this situation!” “I only meant--do you know where it is? Have you ever seen it?” “Seen it? Nobody has seen it in living memory! Long since lost, boy!” Harry felt a mixture of desperate disappointment and panic. What, then, was the Horcrux?
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
When half his force advances and half withdraws he is attempting to decoy you. When his troops lean on their weapons, they are famished. When drawers of water drink before carrying it to camp, his troops are suffering from thirst. When the enemy sees an advantage but does not advance to seize it, he is fatigued. When birds gather above his camp sites, they are empty. When at night the enemy's camp is clamorous, he is fearful. They are boisterous to reassure themselves. When his troops are disorderly, the general has no prestige. When his flags and banners move about constantly he is in disarray. If the officers are short-tempered they are exhausted. When the enemy feeds grain to the horses and his men meat and when his troops neither hang up their cooking pots nor return to their shelters, the enemy is desperate. When the troops continually gather in small groups and whisper together the general has lost the confidence of the army. Too frequent rewards indicate that the general is at the end of his resources; too frequent punishments that he is in acute distress. If the officers at first treat the men violently and later are fearful of them, the limit of indiscipline has been reached. When the enemy troops are in high spirits, and, although facing you, do not join battle for a long time, nor leave, you must thoroughly investigate the situation.
Sun Tzu (The Art of War)
Planted rows went turning past like giant spokes one by one as they ranged the roads. The skies were interrupted by dark gray storm clouds with a flow like molten stone, swept and liquid, and light that found its way through them was lost in the dark fields but gathered shining along the pale road, so that sometimes all you could see was the road, and the horizon it ran to. Sometimes she was overwhelmed by the green life passing in such high turbulence, too much to see, all clamoring to have its way. Leaves sawtooth, spade-shaped, long and thin, blunt-fingered, downy and veined, oiled and dusty with the day—flowers in bells and clusters, purple and white or yellow as butter, star-shaped ferns in the wet and dark places, millions of green veilings before the bridal secrets in the moss and under the deadfalls, went on by the wheels creaking and struck by rocks in the ruts, sparks visible only in what shadow it might pass over, a busy development of small trailside shapes tumbling in what had to be deliberately arranged precision, herbs the wildcrafters knew the names and market prices of and which the silent women up in the foothills, counterparts whom they most often never got even to meet, knew the magic uses for. They lived for different futures, but they were each other’s unrecognized halves, and what fascination between them did come to pass was lit up, beyond question, with grace.
Thomas Pynchon (Against the Day)
I have a funny story about your dad,” John says, looking at me sideways. I groan. “Oh no. What did he do?” “It wasn’t him; it was me.” He clears his throat. “This is embarrassing.” I rub my hands together in anticipation. “So, I went over to your house to ask you to eighth grade formal. I had this whole extravagant plan.” “You never asked me to formal!” “I know, I’m getting to that part. Are you going to let me tell the story or not?” “You had a whole extravagant plan,” I prompt. John nods. “So I gathered a bunch of sticks and some flowers and I arranged them into the letters FORMAL? in front of your window. But your dad came home while I was in the middle of it, and he thought I was going around cleaning people’s yards. He gave me ten bucks, and I lost my nerve and I just went home.” I laugh. “I…can’t believe you did that.” I can’t believe that this almost happened to me. What would that have felt like, to have a boy do something like that for me? In the whole history of my letters, of my liking boys, not once has a boy liked me back at the same time as I liked him. It was always me alone, longing after a boy, and that was fine, that was safe. But this is new. Or old. Old and new, because it’s the first time I’m hearing it. “The biggest regret of eighth grade,” John says, and that’s when I remember--how Peter once told me that John’s biggest regret was not asking me to formal, how elated I was when he said it, and then how he quickly backtracked and said he was only joking.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
At the time of the Fourth Fire, the history of another people came to be braided into ours. Two prophets arose among the people, foretelling the coming of the light-skinned people in ships from the east, but their visions differed in what was to follow. The path was not clear, as it cannot be with the future. The first prophet said that if the offshore people, the zaaganaash, came in brotherhood, they would bring great knowledge. Combined with Anishinaabe ways of knowing, this would form a great new nation. But the second prophet sounded a warning: He said that what looks like the face of brotherhood might be the face of death. These new people might come with brotherhood, or they might come with greed for the riches of our land. How would we know which face is the true one? If the fish became poisoned and the water unfit to drink, we would know which face they wore. And for their actions the zaaganaash came to be known instead as chimokman—Vne long-knife people. The prophecies described what eventually became history. They warned the people of those who would come among them with black robes and black books, with promises of joy and salvation. The prophets said that if the people turned against their own sacred ways and followed this black-robe path, then the people would suffer for many generations. Indeed, the burial of our spiritual teachings in the time of the Fifth Fire nearly broke the hoop of the nation. People became separated from their homelands and from each other as they were forced onto reservations. Their children were taken from them to learn the zaaganaash ways. Forbidden by law to practice their own religion, they nearly lost an ancient worldview. Forbidden to speak their languages, a universe of knowing vanished in a generation. The land was fragmented, the people separated, the old ways blowing away in the wind; even the plants and animals began to turn their faces away from us. The time was foretold when the children would turn away from the elders; people would lose their way and their purpose in life. They prophesied that, in the time of the Sixth Fire, “the cup of life would almost become the cup of grief.” And yet, even after all of this, there is something that remains, a coal that has not been extinguished. At the First Fire, so long ago, the people were told that it is their spiritual lives that will keep them strong. They say that a prophet appeared with a strange and distant light in his eyes. The young man came to the people with the message that in the time of the seventh fire, a new people would emerge with a sacred purpose. It would not be easy for them. They would have to be strong and determined in their work, for they stood at a crossroads. The ancestors look to them from the flickering light of distant fires. In this time, the young would turn back to the elders for teachings and find that many had nothing to give. The people of the Seventh Fire do not yet walk forward; rather, they are told to turn around and retrace the steps of the ones who brought us here. Their sacred purpose is to walk back along the red road of our ancestors’ path and to gather up all the fragments that lay scattered along the trail. Fragments of land, tatters of language, bits of songs, stories, sacred teachings—all that was dropped along the way. Our elders say that we live in the time of the seventh fire. We are the ones the ancestors spoke of, the ones who will bend to the task of putting things back together to rekindle the flames of the sacred fire, to begin the rebirth of a nation.
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge and the Teachings of Plants)
We pulled into town in the early evening, the sun dipping into the Tehachapi Mountains a dozen miles behind us to the west. Mountains I’d be hiking the next day. The town of Mojave is at an altitude of nearly 2,800 feet, though it felt to me as if I were at the bottom of something instead, the signs for gas stations, restaurants, and motels rising higher than the highest tree. “You can stop here,” I said to the man who’d driven me from LA, gesturing to an old-style neon sign that said WHITE’S MOTEL with the word TELEVISION blazing yellow above it and VACANCY in pink beneath. By the worn look of the building, I guessed it was the cheapest place in town. Perfect for me. “Thanks for the ride,” I said once we’d pulled into the lot. “You’re welcome,” he said, and looked at me. “You sure you’re okay?” “Yes,” I replied with false confidence. “I’ve traveled alone a lot.” I got out with my backpack and two oversized plastic department store bags full of things. I’d meant to take everything from the bags and fit it into my backpack before leaving Portland, but I hadn’t had the time. I’d brought the bags here instead. I’d get everything together in my room. “Good luck,” said the man. I watched him drive away. The hot air tasted like dust, the dry wind whipping my hair into my eyes. The parking lot was a field of tiny white pebbles cemented into place; the motel, a long row of doors and windows shuttered by shabby curtains. I slung my backpack over my shoulders and gathered the bags. It seemed strange to have only these things. I felt suddenly exposed, less exuberant than I had thought I would. I’d spent the past six months imagining this moment, but now that it was here—now that I was only a dozen miles from the PCT itself—it seemed less vivid than it had in my imaginings, as if I were in a dream, my every thought liquid slow, propelled by will rather than instinct.
Cheryl Strayed (Wild: From Lost to Found on the Pacific Crest Trail)
I gathered Amar in my arms. For the first time, there was no nagging absence in the seams of my soul. I was whole. All the frayed patches of my spirit mended. The tapestry’s glittering threads had climbed through the fissures of memory and half-dreams and filled them with color. I looked at him and love filled me. I loved him with the force of a thousand lifetimes, made greater by the fact that my love was returned. I clasped his hands around the noose. A touch of color returned to his cheeks. “You are my life too,” I said and then I pressed my lips to his. A burst of heat met my hands before it tempered to something cool and distant. Amar stirred on my lap, solid hands reaching to clasp my fingers. He blinked, shaking his head. Slowly, as if he was approaching something fragile and hallowed, he traced the length of our tangled fingers before his gaze trailed past my arm, my neck, before fixing on my eyes. We were truly, finally visible to one another. Neither the secret whirring song of the stars nor the sonorous canticles of the earth knew the language that sprang up in the space between us. It was a dialect of heartbeats, strung together with the lilt of long suffering and the incandescent hope of an infinite future. Amar searched my face, his fingers hovering over my jawline, lips and collarbones. But he didn’t touch me. Instead, he took in a shuddering breath. “Are you real?” he managed, his voice a shadow. “Or are you an illusion? Some final punishment for losing my way?” “I’m no illusion,” I said, staring into his eyes. The ferocity of his stare laid my soul bare for him to judge. “I thought I would be lost forever,” he said hoarsely, pulling me to him. His hands tangled in my hair, the kiss resonating at my core. He pressed his lips to mine with the intensity of lifetimes and when we finally broke apart, his lips curved into a fragile smile. “You’ve saved me.” “Did you have any doubts that I could?” He hesitated. “Your abilities are something I could never doubt. Your will, however, I was unsure of. When I could finally bring you back, I thought you would leave again. I’d never have a chance to explain. Forgive me--” I stopped him. “I will not let us be beings of regret. I know my past. What I want is my future.
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
The village square teemed with life, swirling with vibrant colors and boisterous chatter. The entire village had gathered, celebrating the return of their ancestral spirit. Laughter and music filled the air, carrying with it an energy that made Kitsune smile. Paper lanterns of all colors floated lazily above, their delicate glow reflecting on the smiling faces below. Cherry blossoms caught in the playful breeze, their sweet, earthy scent settling over the scene. At the center, villagers danced with unbridled joy, the rhythm of the taiko drums and the melody of flutes guiding their steps. To the side, a large table groaned under the weight of a feast. Sticky rice balls, steamed dumplings, seaweed soup, sushi, and more filled the air with a mouthwatering aroma. As she approached the table, she was greeted warmly by the villagers, who offered her food, their smiles genuine and welcoming. She filled a plate and sat at a table with Goro and Sota, overlooking the celebration. The event brought back a flood of memories of a similar celebration from her childhood—a time when everything was much simpler and she could easily answer the question who are you? The memory filled her heart with a sweet sadness, a reminder of what she lost and what had carved the road to where she was now. Her gaze fell on the dancing villagers, but she wasn’t watching them. Not really. Her attention was fully embedded in her heart ache, longing for the past, for the life that was so cruelly ripped away from her. “I think... I think I might know how to answer your question,” she finally said, her voice soft and steady, barely audible over the cacophony of festivity around them. “Oh?” Goro responded, his face alight with intrigue. “I would have to tell you my story.” Kitsune’s eyes reflected the somber clouds of her past. Goro swallowed his bite of food before nodding. “Let us retire to the dojo, and you can tell me.” They retreated from the bustling square, leaving behind the chaos of the celebration. The sounds of laughter and chatter and drums carried away by distance. The dojo, with its bamboo and sturdy jungle planks, was bathed in the soft luminescence of the moonlight, the surface of its wooden architecture glistening faintly under the glow. They stepped into the silent tranquility of the building, and Kitsune made her way to the center, the smooth, cool touch of the polished wooden floor beneath her providing a sense of peace. Assuming the lotus position, she calmed herself, ready to speak of memories she hadn’t confronted in a long time. Not in any meaningful way at least. Across from her, Goro settled, his gaze intense yet patient, encouraging her with a gentle smile like he somehow already understood her story was hard to verbalize.
Pixel Ate (Kitsune the Minecraft Ninja: A middle-grade adventure story set in a world of ninjas, magic, and martial arts)
A whimper escaped her as he slid low between her thighs, his head bending to the swollen place he had been tormenting with his fingers. He put his mouth on her, licking along the delicate, salty strait, spreading her with his thumbs. She tried to sit bolt-upright, but fell back against the pillows as he found what he wanted, his tongue strong and wet. She was spread beneath him like a pagan sacrifice, illuminated by the daylight that now flooded the room. Merripen worshipped her with hot, glassy licks, savoring the taste of her pleasured flesh. Moaning, she closed her legs around his head, and he turned deliberately to nibble and lick at one pale inner thigh, then the other. Feasting on her. Wanting everything. Win curled her fingers desperately in his hair, lost to shame as she guided him back, her body arching wordlessly...here, please, more, more, now...and she groaned as he fastened his mouth over her with a fast, flicking rhythm. Pleasure seized her, wrenching an astonished cry from her, holding her stiff and paralyzed for excruciating seconds. Every movement and measure and pulse of the universe had distilled to the compelling, slippery heat, riveted there on that crucial place, and then it all released, the feeling and tension shattering exquisitely, and she was racked with hard, blissful shudders. Win relaxed helplessly as the spasms faded. She was filled with glowing weariness, a sense of peace too pervasive to allow movement. Merripen let go of her just long enough to undress completely. Naked and aroused, he came back to her. He gathered her up with brute, masculine need, settling over her. She lifted her arms to him with a drowsy murmur. His back was tough and sleek beneath her fingers, the muscles twitching eagerly at her touch. His head descended, his shaven cheek rasping against hers. She met his power with utter surrender, flexing her knees and tilting her hips to cradle him. He pushed gently at first. The innocent flesh resisted, smarting at the intrusion. He thrust more strongly and Win caught her breath at the burning pain of his entrance. Too much of him, too hard, too deep. She writhed in reaction, and he buried himself heavily and pinned her down, gasping for her to be still, telling her to wait, he wouldn't move, it would be better. They both stilled, breathing hard. "Should I stop?" Merripen whispered raggedly, his face taut. Even now in this flash point of need, he was concerned for her. Understanding what it had cost him to ask, how much he needed her, Win was overwhelmed with love. "Don't even think of stopping now," she whispered back. Reaching down his lean flanks, she stroked him in shy encouragement. He groaned and began to move, his entire body trembling as he pressed within her. Although every thrust caused a sharp burn where they were joined, Win tried to pull him even deeper. The feeling of having him inside her went far beyond the pain or pleasure. It was necessary.
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
Story time. In September of 1869, there was a terrible fire at the Avondale coal mine near Plymouth, Pennsylvania. Over 100 coal miners lost their lives. Horrific conditions and safety standards were blamed for the disaster. It wasn’t the first accident. Hundreds of miners died in these mines every year. And those that didn’t, lived in squalor. Children as young as eight worked day in and out. They broke their bodies and gave their lives for nothing but scraps. That day of the fire, as thousands of workers and family members gathered outside the mine to watch the bodies of their friends and loved ones brought to the surface, a man named John Siney stood atop one of the carts and shouted to the crowd: Men, if you must die with your boots on, die for your families, your homes, your country, but do not longer consent to die, like rats in a trap, for those who have no more interest in you than in the pick you dig with. That day, thousands of coal miners came together to unionize. That organization, the Workingmen’s Benevolent Association, managed to fight, for a few years at least, to raise safety standards for the mines by calling strikes and attempting to force safety legislation. ... Until 1875, when the union was obliterated by the mine owners. Why was the union broken so easily? Because they were out in the open. They were playing by the rules. How can you win a deliberately unfair game when the rules are written by your opponent? The answer is you can’t. You will never win. Not as long as you follow their arbitrary guidelines. This is a new lesson to me. She’s been teaching me so many things, about who I am. About what I am. What I really am. About what must be done. Anyway, during this same time, it is alleged a separate, more militant group of individuals had formed in secret. The Molly Maguires. Named after a widow in Ireland who fought against predatory landlords, the coal workers of Pennsylvania became something a little more proactive, supposedly assassinating over two dozen coal mine supervisors and managers. ... Until Pinkerton agents, hired by the same mine owners, infiltrated the group and discovered their identities. Several of the alleged Mollies ended up publicly hanged. Others disappeared. You get the picture. So, that’s another type of secret society. The yeah-we’re-terrorists-but-we-strongly-feel-we’re-justified-and-fuck-you-if-you-don’t-agree society. So, what’s the moral of this little history lesson? This sort of thing happens all day, every day across the universe. It happens in Big Ways, and it happens in little ways, too. The strong stomp on the weak. The weak fight back, usually within the boundaries of the rat trap they find themselves confined. They almost always remain firmly stomped. But sometimes, the weak gather in secret. They make plans. They work outside the system to effect change. Like the Mollies, they usually end up just as stomped as everyone else. But that’s just life. At least they fucking tried. They died with their boots on, as much as I hate that expression. They died with their boots on for their people, their family, not for some rich, nameless organization that gives no shits whether they live or die. Or go extinct. Or are trapped for a millennia after they’re done being used. In my opinion, that’s the only type of society that’s worth joining, worth fighting for. Sure, you’re probably gonna die. But if you find yourself in such a position where such an organization is necessary, what do you have to lose? How can you look at yourself if you don’t do everything you can? And that brings us to the door you’re standing in front of right now. What does all this have to do with what you’re going to find on the other side? Nothing!
Matt Dinniman (The Eye of the Bedlam Bride (Dungeon Crawler Carl, #6))
His eyes flickered with amusement, reflecting sunlight and shade. The rough beard on his chin gave him a wild, dangerous look. Stiffly, she lifted herself onto her toes, bracing a hand against his shoulders. He was steel beneath her grasp. Did he have to watch her so intently? She closed her eyes. It was the only way she would have the courage to do this. Still he waited. It would be a brief meeting of lips. Nothing to be afraid of. If only her heart would remember to keep beating. Holding her breath, she let her lips brush over his. It was the first time she’d ever kissed a man and her mind raced with it. She hardly had a sense of his mouth at all, though the shock of the single touch rushed like liquid fire to her toes. Her part of the bargain was fulfilled. It could be done and over right then. Recklessly, after a moment’s hesitation, she touched her lips once again to him. This time she lingered, exploring the feel of him little by little. His mouth was warm and smooth and wonderful, all of it new and unexpected. He still hadn’t moved, even though her knees threatened to crumble and her heart beat like a thunder drum. Finally he responded with the barest hint of pressure. The warmth of his breath mingled with hers. Without thinking, she let her fingers dig into the sleek muscle of his arms. A low, husky sound rumbled in his throat before he wrapped his arms around her. Heaven and earth. She hadn’t been kissing him at all. The thin ribbon of resistance uncoiled within her as he took control of the kiss. His stubble scraped against her mouth, raking a raw path of sensation through her. She could do nothing but melt against him, clutching the front of his tunic to stay on her feet. A delicious heat radiated from him. His hands sank low against the small of her back to draw her close as he teased her mouth open. His breath mingled with hers for one anguished second before his tongue slipped past her lips to taste her in a slow, indulgent caress. A sigh of surrender escaped from her lips, a sound she hadn’t imagined she was capable of uttering. His hands slipped from her abruptly and she opened her eyes to see his gaze fixed on her. ‘Well,’ he breathed, ‘you do honour your bets.’ Though he no longer touched her, it was as if the kiss hadn’t ended. He was still so close, filling every sense and thought. She stumbled as she tried to step away and he caught her, a knowing smile playing over his mouth. Her balance was impeccable. She never lost her footing like that, just standing there. His grip tightened briefly before he let her go. Even that tiny, innocent touch filled her with renewed longing. In a daze, she bent to pick up her fallen swords. Her pulse throbbed as if she had run a li without stopping. In her head she was still running, flying fast. ‘Now that our bargain is settled…’ she began hoarsely ‘…we should be going.’ To her horror her hands would not stop shaking. Brushing past him, she gathered up her knapsack and slung it over her shoulder. ‘You said the next town was hours from here?’ He collected his sword while a slow grin spread over his face. She couldn’t look at him without conjuring the feel and the taste of him. Head down, she ploughed through the tall grass. ‘A good match,’ she attempted. He caught up to her easily with his long stride. ‘Yes, quite good,’ he replied, the tone rife with meaning. Her cheeks burned hot as she forced her gaze on the road ahead. She could barely tell day from night, couldn’t give her own name if asked. She had to get home and denounce Li Tao. Warn her father. She had thought of nothing else since her escape, until this blue-eyed barbarian had appeared. It was fortunate they were parting when they reached town. When he wasn’t looking she pressed her fingers over her lips, which were still swollen from that first kiss. She was outmatched, much more outmatched than when they had crossed swords.
Jeannie Lin (Butterfly Swords (Tang Dynasty, #1))
It was the missionaries who became the brave storm troopers of Christianity, slashing their way through jungles, going where no one had gone before. Mission was now reserved for work among the unreached nations and no longer simply happened next door or around the corner. But the churches that had outsourced their missionary activity to the mission societies tended to drift languidly into the role of fund-raiser for the mission societies. This dilemma was seriously exacerbated when, after World War II, a number of parachurch societies, mainly aimed at reaching young people, were formed. These included Youth for Christ, the Navigators, Campus Crusade for Christ, and so on, and were aimed at reaching students and teens right under the noses of existing churches. Once again, mission was outsourced to specialist agencies, leaving the local church focused primarily around pastoral issues and Sunday worship. Not only did this create the great stepchild, the parachurch, it crippled the church’s witness beyond the Sunday gathering. And again, given the significant cultural effect of the postwar baby boom, we understand the historical reasons why such specialization of local mission occurred. But it only deepened the cleft between missionary activity and church activity. Again, long before all this happened, Roland Allen was deeply concerned. We may compare the relation of the societies to the Church with the institution of divorce in relation to marriage. Just as divorce was permitted for the hardness of men’s hearts because they were unable to observe the divine institution of marriage in its original perfection, so the organization of missionary societies was permitted for the hardness of our hearts, because we had lost the power to appreciate and to use the divine organization of the Church in its simplicity for the purpose for which it was first created.[155] In the end Allen himself despondently capitulated to this great divorce, concluding that “the divine perfection of the Church as a missionary society cannot be recovered simply by abolishing the missionary societies, and saying, let the Church be her own missionary society.”[156] Maybe not in 1926, but today there is an increasing unease with this “divorce” between mission and church. Allen was ahead of his time. He forecast the situation we now find ourselves in—with missionless churches and churchless missions, and neither one being all it should be. We contend that the whole missional church conversation was one that the church has been building toward for over a century. And now is the time to have it. A new generation of young Christians is desperate for the adventure of mission. They were raised in the hermetically sealed environment of missionless church, and those who have emerged with their faith still intact are hungry for the risk and ordeal that only true missional activity can offer.
Michael Frost (The Faith of Leap: Embracing a Theology of Risk, Adventure & Courage)
Paige, I want you to know something. I know it’s too soon for you to think about a whole lifetime, but I’m not fooling around here. I don’t have any expectations, I swear. I just want you to know that. I’m in all the way. Committed. I don’t want you to ever worry that I’m just passing the time.” She ran her fingertips through the short hair at his temple. “Aren’t you a little afraid you could get tired of me, John?” He shook his head. “I’m not that kind of guy. I take it slow—too slow, sometimes. I give things a lot of time—being sure is a good thing. But I don’t change my mind. I know in some things that can be bad. I like things to stay the same.” “I won’t hold you to anything,” she said. “I’m just so happy to be here, like this, right now....” “There’s something else I want to say about that, about us. I’m not the kind of guy who doesn’t want you to talk back or have your opinions or expects you to never have a bad day when you’re all cranky and annoyed. I want all of that—I want you to speak up, make demands, insist on the most exceptional treatment and get pissed off if you don’t get it. I want you to feel safe to yell at me just because you’re in a mood. If I’m not what you want for the long haul, I can live with that. What I could never live with is you being afraid of how I’ll act when you’re just being yourself.” It was impossible to keep tears from gathering in her eyes. “John... No one’s ever loved me like that....” “Well, baby, I do. In fact, that’s the only way I love you. Every part of you—strong and bossy, scared and needy—it doesn’t matter. If I’m gonna have you, it has to be all of you, not some little part that feels safe.” She kissed him, quick, on the lips. He brushed a tear off her cheek. “I know that baby you lost wasn’t planned, and it still hurt you pretty bad that it didn’t make it. Maybe someday, when you’re ready, you’ll talk to me about adding to our family. Giving Chris a little brother or sister.” “You’d like children?” she asked. “I never thought I would. But with you, it comes to mind.” He laughed. “It comes to mind pretty hard. It’ll keep, Paige. It’s just an idea....” She gently touched his face. “You do understand that if there’s a baby between us, you might have to cut back a little?” “How much?” he asked, that frown that she had come to adore drawing his brows together. And she laughed at him. “You’re teasing me,” he said. “Okay, you asked for it,” he said, starting on her eyelids. She grabbed his face in her hands and stopped him. “John,” she said. “I want it, too. Everything. All of you. I’ve never been this happy.” He smiled. “More where that came from,” he said. “Forever, if you want.” *
Robyn Carr (Shelter Mountain (Virgin River, #2))
Then suddenly Tamara was before me. “But we have strayed far enough from our purpose. Come, friends. I bid you to be silent. The Countess did promise to entertain us by describing her adventures in the late war.” I did? I thought, trying to recall what she’d said--and what I’d promised. My thoughts were tangled, mixing present with memory, and finally I shook my head and looked around. Every face was turned expectantly toward me. My vision seemed to be swimming gently. “Uh,” I said. “Mouth dry?” Tamara’s voice was right behind me. “Something to wet it.” She pressed a chilled goblet into my hands. I raised it and saw Savona directly across from me, a slight frown between his brows. He glanced from me to Tamara, then I blocked him from my view as I took a deep sip of iced--bristic. A cold burn numbed my mouth and throat, and my hand started to drop. Fingers nipped the goblet from mine before I could spill it. I realized I had been about to spill it and looked aside, wondering how I’d gotten so clumsy. My hand seemed a long way from my body. Even farther away was Tamara’s voice. “Did you really fight a duel to the death with our late king?” “It was more of a duel to the--” I felt the room lurch as I stood up. That was a mistake. “A duel,” I repeated slowly, “to--” I wetted my lips again. “To--burn it! I actually had a witty saying. Fer onsh…once. What’s wrong with my mouth? A duel to the dust!” I giggled inanely, than noticed that no one else was laughing. I blinked, trying to see, to explain. “He knocked me outa the saddle…y’see…an’ I fell in the--in the--” Words were no longer possible, but I hardly noticed. The room had begun to revolve with gathering speed. I lost my footing and started to pitch forward, but before I could land on my face, strong hands caught my shoulders and righted me. I blinked up into a pair of very dark eyes. “You’re not well,” said Savona. “I will escort you back to the Residence.” I hiccuped, then made a profound discovery. “I’m drunk,” I said and, as if to prove it, was sick all over Lady Tamara’s exquisite carpet.
Sherwood Smith (Court Duel (Crown & Court, #2))
But hearts can change. Ten years ago he had lost his grip climbing a tall rennel tree to pick fruit for a girl he fancied. After he slipped, he had hung for a long minute, head down, before falling. In that long minute, a small fear rooted inside him, and had stayed with him ever since. In the same way, Bast had learned a new fear of late. A year ago he had been fearless as any sane man can hope to be, but now Bast feared silence. Not the ordinary silence that came from a simple absence of things moving about and making noise. Bast feared the deep, weary silence that gathered around his master at times, like an invisible shroud.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
MYTH-1: Handmade items are costly! The items are modest yet the commitment of the craftsmen behind the items we offer is costly The vast majority of the cycles engaged with making the item are finished by the creator – the plan, however, the choice of the materials, the working out of how to cause the materials to go together, gathering the item, capturing the item, advertising the item, planning the bundling, and posting, conveying, or action selling. In spite of this, the items that the fasten organization offers you are truly sensible. Haven't viewed our list? here you go! (click here) Have you ever discovered such wonderful hand-made items at such modest rates?? I GUESS NOT! MYTH-2: HAND-MADE PRODUCTS ARE NOT STYLISH On the off chance that you believe that way, I have an inquiry for you – did your grandmother convey such a shopping pack when went out to get for food supplies or did she have such telephone and individual embellishment sacks? Certainly not. The crafted works are not, at this point unfashionable or old-fashioned. Actually, they are intended for pioneers. Simply being an aspect of the pattern and following it has neither rhyme nor reason. Be the person who sets it MYTH-3: HANDMADE GOODS ARE OF POOR QUALITY I can't envision how individuals have such misguided judgment. The machine-made merchandise is to some degree bargained with quality. In any case, with regards to hand made items, they are taken well consideration of by the craftsmen as referenced above, there is no trade-off with the quality. They are made of cotton and jute which are solid and strong. They are lightweight and simple to deal with. MYTH-4: THEY ARE SAME OLD PATTERNS You can't quit lecturing about the handcrafted items which are extremely extraordinary as it will never be equivalent to some other the explanation being that they are delivered by the hands of a craftsman and not a machine. The sack so made is a result of devotion, love, energy, and the enthusiasm to serve the client. Individuals love block prints due to the strong and straightforward plans that can be made, yet that effortlessness finds a way to accomplish. The strategy is brilliant for pictures with only a couple of tones and fewer subtleties however can be hard to use for pictures with bunches of little content, or extremely fine subtleties that will, in general, sever the square with such a large number of employments. One of the benefits of square printing is that it very well may be done on a surface of practically any size and surface. I print on texture, paper, canvas, wood, and different materials, and you don't need to stress over fitting it through a printer or a press. MYTH-5: HANDMADE PRODUCTS ARE NOT LONG LASTING Recollect the last cowhide sack you had? Which lost its covering not long after getting wet in a downpour or subsequent to utilizing it for 3-4 times. That is not the situation with hand-made cotton packs. They are launderable which makes it look clean with each utilization. No problem with the upkeep.
The Stitch Company
Dear reader, I guess there’s a chance – just the tiniest chance – that I might hunt you down. Beforehand I’d always let such a frivolous impulse fade but these days – and I am not proud of this – the pictures lurking in the corners of my mind are gaining in colour, detail and intensity. I fight them, I really do, but the scenario seems to have a life of its own, slowly taking shape and maybe dreaming of the day it gets unleashed into the real world. Becomes flesh and blood, if you like. And despite my very best efforts at restraint, I’m afraid I’ve already started... planning. You know, plotting a bit. Gathering details about your movements and habits. That sort of thing. And if I’m pushed, I might admit to lingering on the finer points of your demise, perhaps even gorging on the sight of your stricken face as I finally take centre stage in your life. You see, I guess I’m just tired of your lack of appreciation. Let’s face it, I’m not exactly the first name on your Christmas card list. I’m still waiting for you to swing by for a cuppa and a few kind words. Hey, a simple email would have been enough. Don’t you know how precious a bit of encouragement can be? And here’s the rub: for as long as I can remember I have been on my knees in front of you only to be treated like the invisible man. You’ve repeatedly ignored my imploring face and open arms, although occasionally you’ve stopped and dallied, causing my heart to skitter wildly. I can’t begin to tell you how much it means to be noticed. It’s so... nourishing. After all, a flower can’t bloom in the dark. But then it dawns on me that you’re not committed to our fledgling relationship. In fact, it’s just a flirtation and soon you’ll be skipping on your merry way. Whatever trifling affection you have shown, it’s clear you’ll never bang the drum for little old me. And don’t think I don’t know about the others. The ones you fawn over. Just tell me – why are you so in thrall with their rampant mediocrity? Hell, maybe they’ve somehow infected you, skewed your take on things and made you unable to sort the wheat from the chaff. Perhaps I should offer condolences but the fact remains that kneeling before you with my heart in my hands only seems to result in you jumping into bed with them. Do you not understand how much love I’ve lavished on you? Call me tetchy, but some days you simply seem unworthy of my great sacrifice. But let’s not get ahead of ourselves. All is not lost. For here we are again meeting as equals and this time I know I have your attention. I can only hope you have lost the desire to bait me, or God forbid, spit in my face. So help me. Accept my tender embrace. Or one day, dear reader, you might find the invisible man taking shape right in front of your disbelieving eyes. And you’d only have yourself to blame.
Dave Franklin (The Goodreads Killer)
What It’s Like to Be a Nine I’ll do almost anything to avoid conflict. I’m not a self-starter. Sometimes I get lost in doing trivial tasks, while things that really need to get done get put off. I’m happy to go along with what others want to do. I tend to procrastinate. People seem to want me to be more decisive. When I get distracted and go off task I give my attention to whatever is happening right in front of me. I often choose the path of least resistance. I find routines at work and home comforting, and I feel unsettled when something throws them off. Others see me as more peaceful than I really am. I have a hard time getting started, but once I do I really get things done. I’m a “what you see is what you get” person. I don’t think of myself as being very important. People think I’m a good listener even though I find it hard to pay attention in a long conversation. I don’t like to take work home with me. Sometimes I tune out and think about the past. I don’t enjoy big social gatherings as much as a quiet evening at home with the ones I love. Being outdoors is very soothing for me. I am often quietly stubborn when people put demands on me. It would feel selfish to spend a whole day doing whatever I want to do.
Ian Morgan Cron (The Road Back to You: An Enneagram Journey to Self-Discovery)
To be called to confession week after week is to be reminded of a crucial chapter of the gospel story. What is lost when we remove this chapter from so many gatherings that purport to be Christian worship? We lose an important, counterformative aspect of the gospel that pushes back on secular liturgies of self-confidence that, all week long, are implicitly teaching you to “believe in yourself”—false gospels of self-assertion that refuse grace. The practice of confession is a crucial discipline for reforming our loves.
James K.A. Smith (You Are What You Love: The Spiritual Power of Habit)
There was a time when love filled his heart, but no more. Once Sam had sought enlightenment and thought he'd found its path on an Ashram outside Los Angeles. Once Sam had a teacher in whom he believed without reservation, who had helped him discover the inner resonances of the divine within himself. Sam had read that one could become a completely God-realized being and was awed and inspired by this perfection he saw in his teacher. As Sam progressed, his guru became more than his teacher, he became his beloved friend. Sam grew in stature and recognition in the community of spiritual seekers gathered about the guru. Sam's utter admiration made the truth more painful still when he discovered that advancement within the order was not by merit alone but that several of the higher ranking members had been conferred their status in exchange for sexual favors and that the donations made to the center went first and foremost toward the material enrichment of the leader. Life for Sam then lost its reason. He had no faith in any human being not even himself. He certainly had no faith left for the merciful and benevolent God that allowed his loving devotee to fall into the hands of such a charlatan. Sam was deeply disillusioned and heartbroken. He walked out of the center that day with no possessions, no money, no beliefs. His great spiritual quest had brought him here to New York, a homeless man living in a makeshift shanty under the overpass of the Long Island Expressway. Sam was numb inside. He did not think about his guru; he could not bear to think about the guru. Therefore, he hid his great pain deep inside himself.
Laurence Galian (The Sun at Midnight: The Revealed Mysteries of the Ahlul Bayt Sufis)
Holly was grateful for the shelter of the dunes. The wind had a habit of rattling along the coastline, sweeping across the flatlands and cutting through even the hardiest of winter clothing. Where they were sitting, beyond the thick pine forests of the Holkham estate, there was shelter of sorts. She watched the others building a fire on the beach below, gathering driftwood and any fallen branches scavenged from the nearby woods. In the summertime, the estate routinely sent groundskeepers out to ensure open fires were not set but not at this time of year. Early spring could be lovely on the Norfolk coast, bright sunshine, warming on the skin. As long as the prevailing wind wasn’t whipping in off the North Sea, at least. The sun had long since set and the chill of the evening was beginning to bite.
J.M. Dalgliesh (One Lost Soul (Hidden Norfolk #1))
The U.S. collected information superbly and everywhere, from space to dirt. They tracked all kinds of events and things and people. For long-lead-time matters, like the order of battle for the Chinese fleet, that sufficed. For short-fuse needs, it got much, much more excruciating. Of the mass of data gathered, only a small percentage (50 percent? 10 percent? 5 percent?) ever got analyzed. Only a tiny fraction of that produced the specificity to allow action.
Daniel P. Bolger (Why We Lost: A General's Inside Account of the Iraq and Afghanistan Wars)
Planted rows went turning past like giant spokes one by one as they ranged the roads. The skies were interrupted by dark gray storm clouds with a flow like molten stone, swept and liquid, and light that found its way through them was lost in the dark fields but gathered shining along the pale road, so that sometimes all you could see was the road, and the horizon it ran to. Sometimes she was overwhelmed by the green life passing in such high turbulence, too much to see, all clamoring to have its way. Leaves sawtooth, spade-shaped, long and thin, blunt-fingered, downy and veined, oiled and dusty with the day—flowers in bells and clusters, purple and white or yellow as butter, star-shaped ferns in the wet and dark places, millions of green veilings before the bridal secrets in the moss and under the deadfalls, went on by the wheels creaking and struck by rocks in the ruts, sparks visible only in what shadow it might pass over, a busy development of small trailside shapes tumbling in what had to be deliberately arranged precision, herbs the wildcrafters knew the names and market prices of and which the silent women up in the foothills, counterparts whom they most often never got even to meet, knew the magic uses for. They lived for different futures, but they were each other’s unrecognized halves, and what fascination between them did come to pass was lit up, beyond question, with grace. Merle
Thomas Pynchon (Against the Day)
You didn’t lost control,” she whispered. “I did, during parts of it.” His voice was that of a man who had just awakened after a long sleep. He began to gather the disparate streams of her hair into a single river. “Did you plan this?” “You’re asking if I deliberately set out to seduce you? No, it was entirely spontaneous.” At his silence, Beatrix lifted her head and grinned down at him. “You probably think I’m a hussy.” His thumb edged the swollen curve of her lower lip. “Actually, I was thinking about how to get you upstairs to the bedroom. But now that you mention it…you are a hussy.” Her grin lingered as she nipped playfully at the tip of his thumb. “I’m sorry for having set you off earlier. Cam is going to work with the horse from now on. I’ve never had to answer to anyone before--I’ll have to get accustomed to it.” “Yes,” he said. “Starting now.” Beatrix might have protested his autocratic tone, except there was still a dangerous glint in his eyes, and she understood that he was chafing just as she was. He wasn’t comfortable with any woman having such power over him. Very well. She would certainly not be submissive to him in all things, but she could yield to him on a few points. “I promise to be more careful from now on,” she said. Christopher didn’t smile, precisely, but his lips took on a wry curve.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
For once be careless, timid traveller, and utterly lose your way; wide-awake though you are, be like broad daylight enticed by and netted in mist. Do not shun the garden of Lost Hearts waiting at the end of the wrong road, where the grass is strewn with wrecked red flowers, and disconsolate water heaves in the troubled sea. Long have you watched over the store gathered by weary years. Let it be stripped, with nothing remaining but the desolate triumph of losing all.
Rabindranath Tagore (The Fugitive (Cosimo Classics Biography))
A vampire bat flies back into his cave after a big night...he has blood all over his face. Perches himself on the roof to try and get some rest. But before too long the other bats smell the blood, and start to gather around him. They ask feverishly where he got the blood from. Knowing that they will not let up till he tells them where, he says ‘OK, follow me!’ He flies out of the cave, across a valley, over a river into a dark forest. Deep in the forest he stops, all the other bats gather round in an excited frenzy. ‘OK’, says the bat, ‘see that big oak tree over there?’ ’Yeah, yeah’ reply the other bats, drooling in anticipation. ’Well I fucking didn’t!
Michael Anderle (Love Lost (The Kurtherian Gambit, #3))
Although Arin was eager to see Kestrel, he would have to wait. He caught threads of music from far away. As he came across the grass, the piano’s melody strengthened. It opened within him a happiness that gathered and gleamed…glossy, but the way water is, with weight. A lovely fatigue claimed him. He lay down on the grass and listened. He thought about how Kestrel had slept on the palace lawn and dreamed of him. When she had told him this, he’d wished that it had been real. He tried to imagine the dream, then found himself dreaming. Everything made sense in his dream yet he felt the tenuousness of this perfect reason. The arch of Kestrel’s bare foot. An old tale about the god of death and the seamstress. Arin would lose, upon waking, his understanding of why touching Kestrel would arouse the memory of a story he’d not thought about in a long time. He dreamed: one stocking balled in his fist, and the stray question of how it had been made, who had sewn this? He saw his hands--though they did not look like his hands--measuring and cutting fabric, sewing invisible stitches. A dark-haired boy tumbled from a room, a god-mark upon his brow. When a guest entered and said, Weave me the cloth of yourself, Arin thought that he was the forbidding guest and the child and the sewing girl all at once. She said, I’m going to miss you when I wake up. Don’t wake up, he answered. But he did. Kestrel, beside him on the grass, said, “Did I wake you? I didn’t mean to.” It took him a velvety moment to understand that this was real. The air was quiet. An insect beat its clear wings. She brushed hair from his brow. Now he was very awake. “You were sleeping so sweetly,” she said. “Dreaming.” He touched her tender mouth. “About what?” “Come closer, and I’ll tell you.” But he forgot. He kissed her, and became lost in the exquisite sensation of his skin becoming too tight for his body. He murmured other things instead. A secret, a want, a promise. A story, in its own way. She curled her fingers into the green earth.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
When she was a girl, Eleanor had completely believed the tale. That Zephyr brought her back from Africa with him, a pearl that he'd swallowed, that had remained hidden deep within his jaw when he was shot, skinned, sold, and shipped, during the decades his pelt was put on proud display at the big house and through his subsequent repair to reduced circumstances at the Lake House. It was there, one day, when the tiger's head was tilted just so, that the pearl rolled out of his lifeless mouth and became lost in the long weave of the library carpet. It was trodden on, bypassed, and all but forgotten, until one dark night, while the household slept, it was found by fairies on a mission of theft. They took the pearl deep into the woods, where it was laid on a bed of leaves, studied and pondered and tentatively stroked, before being stolen by a bird, who mistook it for an egg. High in the treetops, the pearl began to grow and grow and grow, until the bird became frightened that her own eggs would be crushed and she rolled the argent orb back down the side of the tree, where it landed with a soft thud on a bed of leaf fall. There, in the light of the full moon, surrounded by curious fairy folk, the egg began to hatch and a baby emerged. The fairies gathered nectar to feed her and took turns rocking the babe to sleep, but soon no amount of nectar was enough, and even fairy magic could not keep the child content. A meeting was held and it was decided the woods were no place for a human child and she must be returned to the house, laid on the doorstep in a wrap of woven leaves. As far as Eleanor was concerned, it explained everything: why she felt such an affinity with the woods, why she'd always been able to glimpse the fairies in the meadows where other people saw only grass, why birds had gathered on the ledge outside the nursery window when she was an infant. It also explained the fierce tiger rage that welled up inside her at times, that made her spit and scream and stomp, so that Nanny Bruen hissed and told her she'd come to no good if she didn't learn to control herself. Mr. Llewellyn, on the other hand, said there were worse things in life than a temper, that it only proved one had an opinion. And a pulse, he added, the alternative to which was dire! He said a girl like Eleanor would do well to keep the coals of her impudence warm, for society would seek to cool them soon enough.
Kate Morton (The Lake House)
Light of other can only show you limited path, but your own light will guide you everywhere. Be your own Light, don't depend on others. Meditation is absorbance into silence within. The thirst of seeking knowledge outside, will end with bliss of silence within. Love is solution of life, but people make it complicated problem for themselves. Who has know inner bliss in love, won't fall for complications created by mind and world. You only desire something until you don't possess it, it becomes worthless after possession. Only the one who has possessed something, has known it as nothing. Desire make one run a long path toward possession of something with deceived belief of happiness, Joy & pleasure. But end at worthlessness to nothingness. Suffering is caused due to non Acceptance of change, adapt and Accept rather than holding it or clinging to it's desire of self manifestation. To experience blissfulness of life, Live in the present moment of being, and just be, and be lost in it, let your wholeness drown in it. Let the Ego fall, and Self will Rise. Being in nothingness as nothingness, at any moment of being, is being in meditation itself. Presence of Love bring the manifestation of existence of God with it. Be Love, and experience the divine existence of God in everything. Whatever you may win, buy, own, achieve, gather, everything is worthless because they will be lost soon to the world. Nothing can be achieved in the world except the achievement of Self realization of one self of being divine Consciousness. Whatever you possess inside, you will act it outside. You can only give what you possess, not what you don't. Surrender your soul and let the flower of love Bloom inside. Inner Blissfulness is achieved in solitude of self being.
Harsh Ranga Neo
We gather as we always have: Naomi and Ruth, Aphrodite and Helen, Eve and her lioness. We are good girls. Mothers and dancers and counselors. We are wicked too, but we won't tell you this. Instead we arrange plates of bread and fruit, slip into the center of each other. Find our childhoods, our varied pleasures, the aged and blistered scars. We are half drunk, half destroyed. Nothing left but blood and bone. Still we surface— fold into each other like paper cranes. Her, like a long-lost lover. Her, a cool and healing balm.
Kate Baer (What Kind of Woman: Poems)
At Hobby Lobby She tosses a bolt of fabric into the air. Hill country, prairie, a horse trots there. I say three yards, and her eyes say more: What you need is guidance, a hand that can zip a scissor through cloth. What you need is a picture of what you've lost. To double the width against the window for the gathering, consider where you sit in the morning. Transparency's appealing, except it blinds us before day's begun. How I long to captain that table, to return in a beautiful accent a customer's request. My mother kneeled down against her client and cut threads from buttons with her teeth, inquiring with a finger in the band if it cut into the waist. Or pulled a hem down to a calf to cool a husband's collar. I can see this in my sleep and among notions. My bed was inches from the sewing machine, a dress on the chair forever weeping its luminescent frays. Sleep was the sound of insinuation, a zigzag to keep holes receptive. Or awakened by a backstitch balling under the foot. A needle cracking? Blood on a white suit? When my baby's asleep I write to no one and cannot expect a response. The fit's poor, always. No one wears it out the door. But fashions continue to fly out of magazines like girls out of windows. Sure, they are my sisters. Their machines, my own. The office from which I wave to them in their descent has uneven curtains, made with my own pink and fragile hands.
Rosa Alcalá
Francisco was an underdog city struggling to absorb an influx of aspiring alphas. It had long been a haven for hippies and queers, artists and activists, Burners and leather daddies, the disenfranchised and the weird. It also had a historically corrupt government, and a housing market built atop racist urban-renewal policies—real estate values had benefited as much from redlining as from discriminatory zoning practices and midcentury internment camps—but these narratives, along with the reality that an entire generation had been prematurely lost to AIDS, undercut its reputation as a mecca for the free and freakish, people on the fringe. The city, trapped in nostalgia for its own mythology, stuck in a hallucination of a halcyon past, had not quite caught up to the newfound momentum of tech’s dark triad: capital, power, and a bland, overcorrected, heterosexual masculinity. It was a strange place for young and moneyed futurists. In the absence of vibrant cultural institutions, the pleasure center of the industry might have just been exercise: people courted the sublime on trail runs and day hikes, glamped in Marin and rented chalets in Tahoe. They dressed for work as if embarking on an alpine expedition: high-performance down jackets and foul-weather shells, backpacks with decorative carabiners. They looked ready to gather kindling and build a lean-to, not make sales calls and open pull-requests from climate-controlled open-plan offices. They looked in costume to LARP their weekend selves.
Anna Wiener (Uncanny Valley)
Let there be light. Gen. 1:3 Let there be enlightenment; let there be understanding. Darkness. Gen. 1:4 Ignorance; lack of enlightenment and understanding. Eden. Gen. 2:8 A delightful place; temporal life. Garden. Gen. 2:8 Metaphorically—a wife; a family. Tree of life in the midst of the garden. Gen. 2:9 Sex; posterity, progeny. The tree of the knowledge of good and evil. Gen. 2:9 Moral law; the knowledge of good and evil. The tree of life. Gen. 2:9 Eternal life. The tree of good and evil. Gen. 2:17 Metaphorically—sexual relationship. Good. Gen. 2:17 Anything perfect. Evil. Gen. 2:17 Anything imperfect; contrary to good; immature. Naked. Gen. 2:25 Exposed; ashamed. Serpent. Gen. 3:1 An enemy; deception. Thorns and thistles. Gen. 3:18 Grievances and difficulties. Sent forth from the garden. Gen. 3:23 A loss of harmony; a lost paradise. God took him away. Gen. 5:24 He died painlessly. He had a heart attack. Sons of God. Gen. 6:2 Good men; the descendants of Seth. My spirit shall not dwell in man forever. Gen. 6:3 I have become weary and impatient. (A scribal note.) The Lord was sorry that He made man. Gen. 6:6 (A scribal note. See Old Testament Light—Lamsa.) I set my bow in the clouds. Gen. 9:13 I set the rainbow in the sky. I have lifted up my hands. Gen. 14:22 I am taking a solemn oath. Thy seed. Gen. 17:7 Your offspring; your teaching. Angels. Gen. 19:1 God’s counsel; spirits; God’s thoughts. Looking behind. Gen. 19:17 Regretting; wasting time. A pillar of salt. Gen. 19:26 Lifeless; stricken dead. As the stars of heaven. Gen. 22:17 Many in number; a great multitude. Went in at the gate. Gen. 23:18 Mature men who sat at the counsel. Hand under thigh. Gen. 24:2 Hand under girdle; a solemn oath. Tender eyed. Gen. 29:17 Attractive eyes. He hath sold us. Gen. 31:15 He has devoured our dowry. Wrestling with an angel. Gen. 32:24 Being suspicious of a pious man. Coat of many colors. Gen. 37:23 A coat with long sleeves meaning learning, honor and a high position. Spilling seed on the ground. Gen. 38:9 Spilling semen on the ground. (An ancient practice of birth control.) No man shall lift up his hand or foot. Gen. 41:44 No man shall do anything without your approval. Put his hand upon thine eyes. Gen. 46:4 Shall close your eyes upon your death bed. Laying on of hands. Gen. 48:14 Blessing and approving a person. His right hand upon the head. Gen. 48:17 A sincere blessing. Unstable as water. Gen. 49:4 Undecided; in a dilemma. The sceptre shall not depart from Judah. Gen. 49:10 There shall always be a king from the lineage of Judah. Washed his garments in wine. Gen. 49:11 He will become an owner of many vineyards. His teeth white with milk. Gen. 49:12 He will have abundant flocks of sheep. His bow abode in strength. Gen. 49:24 He will become a valiant warrior. The stone of Israel. Gen. 49:24 The strong race of Israel. He gathered up his feet. Gen. 49:33 He stretched out his feet—He breathed his last breathe; he died.
George M. Lamsa (Idioms in the Bible Explained and a Key to the Original Gospels)
Sophie had to force herself to breathe slower to keep her head from getting woozy. “I’m sure I speak for everyone,” Keefe grunted, “when I say: Are we there yet?” “Almost,” Tiergan promised. “Everyone dig deep—and don’t look down.” “Steaming sasquatch poop—that’s a long way to fall!” Keefe announced. Fitz moved closer to Sophie, his new cologne tickling her nose as he whispered, “I almost forgot. I brought you a present.” Her heart skipped at least five beats when he slipped an orange velvet satchel into her palm. He’d been bringing her lots of tiny gifts lately—and she’d been trying hard not to read too much into it. “Ugh, anyone else ready to vomit from the Fitzphie?” Keefe asked. “I am,” Dex said, as Linh asked, “Did Fitzphie become an actual thing?” “I don’t even know what ‘Fitzphie’ is supposed to mean,” Tiergan noted. “Want me to explain it?” Tam offered. “No,” Sophie said, opening the satchel and pulling out a fist-size crystal prism. It was heavy like a paperweight, and when she held it up to the light, rainbow sparkles flashed across her fingers, highlighting words carved across the base, along with the Foxfire seal. Alvar Soren Vacker “That’s called a Radiant,” Fitz explained. “It’s the highest honor any prodigy can receive when they complete the basic levels at Foxfire. Alvar was so disgustingly smug about earning one that he told my mom she should keep it on the mantel in our main sitting room, so it could inspire Biana and me to work harder.” “Ugh, I forgot about that,” Biana grumbled. “I can’t believe Mom did it.” “I know. So I think it’s time to destroy it. And considering where we are, maybe it’d be fun to let it take a really nasty fall.” “Gotta give you credit,” Tam told Fitz. “That’s pretty much a perfect gift.” It was. Though Sophie felt bad taking it. “Shouldn’t you or Biana do the honors?” “Nope. Alvar was there when they took your parents,” Biana argued. “And when you were kidnapped.” “Just throw it extra hard, for us,” Fitz added. Sophie glanced at Dex. “Alvar helped kidnap you, too.” “So boost your throw with the Sucker Punch I made you,” he suggested. They seemed pretty sure, so Sophie gathered whatever mental energy she could muster and channeled it into her arm muscles. A burst of force from the Sucker Punch gave her throw extra oomph as she hurled the Radiant down the center of the curving stairs, where none of the bodyguards would be standing. A satisfying
Shannon Messenger (Nightfall (Keeper of the Lost Cities, #6))
Grieving is so you can have tomorrow. Otherwise, you keep living yesterday, over and over again. You need to live yesterday for a while, to gather up all your memories of what was and who you were during that time. Grief is so agonizing not only because you have lost something, but you have lost someone, and that someone is the version of you that was alive before your loss. Your life has changed, and something fundamental about you has irreversibly changed. It will take a long time to let go of that person in order to meet the new person you are becoming. Grief is the treacherous but unavoidable path that takes you from the old to the new.
Adam McHugh
Strong, broad hands rubbed down my spine, and I opened my eyes to find the room wholly black, Rhysand perched on the mattress beside me. 'Do you want anything to eat?' His voice was soft- tentative. I didn't raise my head from the pillow. 'I feel... heavy again,' I breathed, voice breaking. Rhys said nothing as he gathered me up into his arms. He was still in his jacket, as if he'd just come in from wherever he'd been talking with Cassian. In the dark, I breathed in his scent, savoured his warmth. 'Are you all right?' Rhys was quiet for a long minute. 'No.' I slid my arms around him, holding him tightly. 'I should have found another way,' he said. I stroked my fingers through his silken hair. Rhys murmured, 'If she...' His swallow was audible. 'If she showed up at this house...' I knew who he meant. 'I would kill her. Without even letting her speak. I would kill her.' 'I know.' I would, too. 'You asked me at the library,' he whispered. 'Why I... Why I'd rather take all of this upon myself. Tonight is why. Seeing Mor cry is why. I made a bad call. Tried to find some other way around this shithole we're in.' And had lost something- Mor had lost something- in the process. We held each other in silence for minutes. Hours. Two souls, twining in the dark. I lowered my shields, let him in fully. His mind curled around mine. 'Would you risk looking into it- the Ouroboros?' I asked. 'Not yet,' was all Rhys said, holding me tighter. 'Not yet.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
The Story Tellers: We are the chosen ones. In each family there is one who seems called to find the ancestors, to put flesh on their bones and make them live again, to tell the family story and to feel that somehow, they know and approve. To me, doing genealogy is not a cold gathering of facts but, instead, breathing life into all who have gone before. We are the story tellers of the tribe. All tribes have one. We have been called as it were by our genes. Those who have gone before crying out to us: Tell our story! So, we do. In finding them, we somehow find ourselves. How many graves have I stood before and cried? I have lost count. How many times have I told the ancestors you have a wonderful family? You would be proud of us! How many times have I walked up to a grave and felt somehow there was love there for me? I cannot say. It goes to pride in what our ancestors were able to accomplish. How they contributed to what we are today. It goes to respecting their hardships and losses, they’re never giving in or giving up, their resoluteness to go on and build a life for their family. So, as a scribe called, I tell the story of my family. It is up to that one called in the next generation to answer the call and take their place in the long line of family storytellers.
Della Joann McGinnis Johnson
We are the chosen ones. In each family there is one who seems called to find the ancestors, to put flesh on their bones and make them live again, to tell the family story and to feel that somehow, they know and approve. To me, doing genealogy is not a cold gathering of facts but, instead, breathing life into all who have gone before. We are the story tellers of the tribe. All tribes have one. We have been called as it were by our genes, Those who have gone before crying out to us: Tell our story! So, we do. In finding them, we somehow find ourselves. How many graves have I stood before and cried? I have lost count. How many times have I told the ancestors you have a wonderful family? You would be proud of us! How many times have I walked up to a grave and felt somehow there was love there for me? I cannot say. It goes to pride in what our ancestors were able to accomplish. How they contributed to what we are today. It goes to respecting their hardships and losses, they’re never giving in or giving up, their resoluteness to go on and build a life for their family. So, as a scribe called, I tell the story of my family. It is up to that one called in the next generation to answer the call and take their place in the long line of family storytellers. Excerpt from the poem The Story Tellers attributed to Della Joann McGinnis Johnson
Della Joann McGinnis Johnson
Instead of jumping in as soon as a misbehavior occurs to scold a child, you keep your focus on the long game, knowing there will be an opportunity later on to teach your child the proper behavior.
Michaeleen Doucleff (Hunt, Gather, Parent: What Ancient Cultures Can Teach Us About the Lost Art of Raising Happy, Helpful Little Humans)