Long Awaited Baby Quotes

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She was a wanted, welcome baby; eagerly awaited and beloved long before she took her first breath. But she wasn’t planned.
M.T. Edvardsson (A Nearly Normal Family)
The young man being embraced by the Father is no longer just one repentant sinner, but the whole of humanity returning to God. The broken body of the prodigal becomes the broken body of humanity, and the baby-like face of the returning child becomes the face of all suffering people longing to reenter the lost paradise. Thus Rembrandt’s painting becomes more than the mere portrayal of a moving parable. It becomes the summary of the history of our salvation. The light surrounding both Father and Son now speaks of the glory that awaits the children of God.
Henri J.M. Nouwen (The Return of the Prodigal Son: A Story of Homecoming)
And the same goes for other things,” went on Mma Makutsi. “Hooks are the answer.” Mma Ramotswe had a momentary vision of Mma Makutsi’s house covered in hooks. Even her baby, Itumelang, would be suspended in a basket from a hook; and Phuti would have a hook too, a large, solid one, from which he would dangle by his collar, awaiting instructions from his wife.
Alexander McCall Smith (To the Land of Long Lost Friends (No. 1 Ladies' Detective Agency #20))
I opted not to go to Beirut. I refused to admit it, but Damascus was the last place I wanted to go. It was as though as long as I didn't go back, I could pretend that you would be there waiting for me, having a coffee on my auntie's patio and bouncing her baby on your knee. Going back to Damascus meant facing your absence, dispelling the illusion. Facing myself in the mirror is like that. If I never cut my hair if I don't acknowledge that I've never allowed anyone to really know me, I can pretend that a perfect road awaits me. I can pretend their some medicine that will magically allow me to see myself. But going down that road might mean discovering that there is no magic strong enough to bring me into harmony. Breaking the illusion means acknowledging the parts of myself that will never be visible.
Zeyn Joukhadar (The Thirty Names of Night)
Today we have the highest rate of incarceration in the world. The prison population has increased from 300,000 people in the early 1970s to 2.3 million people today. There are nearly six million people on probation or on or on parole. One in every fifteen people born in the United States in 2001 is expected to go to jailor prison; one in every three black male babies born in this century is expected to be incarcerated. We have shot, hanged, gassed, electrocuted, and lethally injected hundreds of people to carry out legally sanctioned executions. Thousands more await their execution on death row. Some states have no minimum age for prosecuting children as adults; we’ve sent a quarter million kids to adult jails and prisons to serve long prison terms, some under the age of twelve. For years, we’ve been the only country in the world that condemns children to life imprisonment without parole; nearly three thousand juveniles have been sentenced to die in prison.
Bryan Stevenson (Just Mercy)
Hannah could hear Andrea panting as she started the engine and pulled away from the curb into the swirling blanket of white snow that awaited them. “What are you doing back there?” “Panting. It slows down labor. I’m just glad Norman’s here with me.” “Why?” “I know dentists take some of the same classes doctors do. And so I was hoping that . . . do you know how to deliver a baby, Norman?” There was a long silence from the backseat and then Norman chuckled. “I think I can handle it. It can’t be all that different from a root canal.
Joanne Fluke (Sugar Cookie Murder (Hannah Swensen, #6))
I. The Burial of the Dead April is the cruellest month, breeding Lilacs out of the dead land, mixing Memory and desire, stirring Dull roots with spring rain. [...] (Come in under the shadow of this red rock), And I will show you something different from either Your shadow at morning striding behind you Or your shadow at evening rising to meet you, I will show you fear in a handful of dust. [...] Unreal City, Under the brown fog of a winter dawn, A crowd flowed over London Bridge, so many, I had not thought death had undone so many. [...] II. A Game of Chess [...] Under the firelight, under the brush, her hair Spread out in fiery points Glowed into words, then would be savagely still. III. The Fire Sermon [...] The river bears no empty bottles, sandwich papers, Silk handkerchiefs, cardboard boxes, cigarette ends Or other testimony of summer nights. The nymphs are departed. [...] At the violet hour, the evening hour that strives Homeward, and brings the sailor home from sea, The typist home at teatime, clears her breakfast, lights Her stove, and lays out food in tins. [...] I Tiresias, old man with dugs Perceived the scene, and foretold the rest-- I too awaited the expected guest. [...] IV. Death by Water [...] A current under sea Picked his bones in whispers. As he rose and fell He passed the stages of his age and youth Entering the whirlpool. [...] V. What the Thunder Said [...] A woman drew her long black hair out tight And fiddled whisper music on those strings And bats with baby faces in the violet light Whistled, and beat their wings And crawled head downward down a blackened wall And upside down in air were towers Tolling reminiscent bells, that kept the hours And voices singing out of empty cisterns and exhausted wells.
T.S. Eliot (The Waste Land)
My cold-weather gear left a lot to be desired: black maternity leggings under boot-cut maternity jeans, and a couple of Marlboro Man’s white T-shirts under an extra-large ASU sweatshirt. I was so happy to have something warm to wear that I didn’t even care that I was wearing the letters of my Pac-10 rival. Add Marlboro Man’s old lumberjack cap and mud boots that were four sizes too big and I was on my way to being a complete beauty queen. I seriously didn’t know how Marlboro Man would be able to keep his hands off of me. If I caught a glimpse of myself in the reflection of the feed truck, I’d shiver violently. But really, when it came right down to it, I didn’t care. No matter what I looked like, it just didn’t feel right sending Marlboro Man into the cold, lonely world day after day. Even though I was new at marriage, I still sensed that somehow--whether because of biology or societal conditioning or religious mandate or the position of the moon--it was I who was to be the cushion between Marlboro Man and the cruel, hard world. That it was I who’d needed to dust off his shoulders every day. And though he didn’t say it, I could tell that he felt better when I was bouncing along, chubby and carrying his child, in his feed truck next to him. Occasionally I’d hop out of the pickup and open gates. Other times he’d hop out and open them. Sometimes I’d drive while he threw hay off the back of the vehicles. Sometimes I’d get stuck and he’d say shit. Sometimes we’d just sit in silence, shivering as the vehicle doors opened and closed. Other times we’d engage in serious conversation or stop and make out in the snow. All the while, our gestating baby rested in the warmth of my body, blissfully unaware of all the work that awaited him on this ranch where his dad had grown up. As I accompanied Marlboro Man on those long, frigid mornings of work, I wondered if our child would ever know the fun of sledding on a golf course hill…or any hill, for that matter. I’d lived on the ranch for five months and didn’t remember ever hearing about anyone sledding…or playing golf…or participating in any recreational activities at all. I was just beginning to wrap my mind around the way daily life unfolded here: wake up early, get your work done, eat, relax, and go to bed. Repeat daily. There wasn’t a calendar of events or dinner dates with friends in town or really much room for recreation--because that just meant double the work when you got back to work. It was hard for me not to wonder when any of these people ever went out and had a good time, or built a snowman. Or slept past 5:00 A.M.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Everyone of stature available gathered to await Suvrin’s report. A couple of subalterns took turns running up to the headquarters’ roof to check the progress of the torches descending the long scarp from the Shadowgate. Local boys, they seemed to feel that their great adventure had begun at last. They were fools. An adventure is somebody else slogging through the mud and snow while suffering from trench foot, ringworm, dysentery and starvation, being chased by people with their hearts set on murder or more. I have been there. I have done that, playing both parts. I do not recommend it. Be content with a nice farm or shop. Make lots of babies and bring them up to be good people.
Glen Cook (The Many Deaths of the Black Company (The Chronicles of the Black Company, #8-9))
My baby is four years old. I know that calling her a baby is really only a matter of semantics now. It’s true, she still sucks her thumb; I have a hard time discouraging this habit. John and I are finally confident that we already enjoy our full complement of children, so the crib is in the crawlspace, awaiting nieces, nephews, or future grandchildren. I cried when I took it down, removing the screws so slowly and feeling the maple pieces come apart in my hands. Before I dismantled it, I spent long vigils lingering in Annie’s darkened room, just watching her sleep, the length of her curled up small. What seems like permanence, the tide of daily life coming in and going out, over and over, is actually quite finite. It is hard to grasp this thought even as I ride the wave of this moment, but I will try. This time of tucking into bed and wiping up spilled milk is a brief interlude. Quick math proves it. Let me take eleven years - my oldest girl’s age - as an arbitrary endpoint to mothering as I know it now. Mary, for instance, reads her own stories. To her already I am becoming somewhat obsolete. That leaves me roughly 2.373 days, the six and half years until Annie’s eleventh birthday, to do this job. Now that is a big number, but not nearly as big as forever, which is how the current moment often seems. So I tuck Annie in every night. I check on Peter and Tommy, touch their crew-cut heads as they dream in their Star Wars pajamas, my twin boys who still need me. I steal into Mary’s room, awash with pink roses, and turn out the light she has left on, her fingers still curled around the pages of her book. She sleeps in the bed that was mine when I was a child. Who will she grow up to be? Who will I grow up to be? I think to myself, Be careful what you wish for. The solitude I have lost, the time and space I wish for myself, will come soon enough. I don’t want to be surprised by its return. Old English may be a dead language, but scholars still manage to find meaning and poetry in its fragments. And it is no small consolation that my lost letters still manage, after a thousand years, to find their way to an essay like this one. They have become part of my story, one I have only begun to write. - Essay 'Mother Tongue' from Brain, Child Magazine, Winter 2009
Gina P. Vozenilek
LOST AND FOUND IMMY WAS A frail little girl, the only child of older parents. At three, she was only as big as the average eighteen-month-old toddler. She was unable to walk more than a few blocks without tiring and did not have the strength to play games you could not play sitting down. A desperately wanted and long-awaited baby, she had been born with a hole in her heart and a badly formed heart valve. Only the most careful medical management had helped her
Rachel Naomi Remen (My Grandfather's Blessings: Stories of Strength, Refuge, and Belonging)