β
The worst part of holding the memories is not the pain. It's the loneliness of it. Memories need to be shared.
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Lois Lowry (The Giver (The Giver, #1))
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Take pride in your pain; you are stronger than those who have none
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Lois Lowry (Gathering Blue (The Giver, #2))
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It is very risky. But each time a child opens a book, he pushes open the gate that separates him from Elsewhere.
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Lois Lowry
β
We gained control of many things. But we had to let go of others.
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Lois Lowry (The Giver (The Giver, #1))
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If you were to be lost in the river, Jonas, your memories would not be lost with you. Memories are forever.
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Lois Lowry (The Giver (The Giver, #1))
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I feel sorry for anyone who is in a place where he feels strange and stupid.
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Lois Lowry (The Giver (The Giver, #1))
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It's the choosing that's important, isn't it?
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Lois Lowry (The Giver (The Giver, #1))
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Memory is the happiness of being alone.
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Lois Lowry (Anastasia Krupnick)
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Of course they needed to care. It was the meaning of everything.
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Lois Lowry (The Giver (The Giver, #1))
β
The life where nothing was ever unexpected. Or inconvenient. Or unusual. The life without colour, pain or past.
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Lois Lowry (The Giver (The Giver, #1))
β
For the first time, he heard something that he knew to be music. He heard people singing. Behind him, across vast distances of space and time, from the place he had left, he thought he heard music too. But perhaps, it was only an echo.
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Lois Lowry (The Giver (The Giver, #1))
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It is much easier to be brave if you do not know everything.
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β
Lois Lowry
β
They were satisfied with their lives which had none of the vibrance his own was taking on. And he was angry at himself, that he could not change that for them.
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β
Lois Lowry (The Giver (The Giver, #1))
β
Even trained for years as they all had been in precision of language, what words could you use which would give another the experience of sunshine?
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β
Lois Lowry (The Giver (The Giver, #1))
β
I knew that there had been times in the past-terrible times-when people had destroyed others in haste,in fear, and had brought about their own destruction
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Lois Lowry (The Giver (The Giver, #1))
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If everything's the same, then there aren't any choices! I want to wake up in the morning and decide things!
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Lois Lowry (The Giver (The Giver, #1))
β
He wept, and it felt as if the tears were cleansing him, as if his body needed to empty itself.
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β
Lois Lowry (Messenger (The Giver, #3))
β
The man that I named the Giver passed along to the boy knowledge, history, memories, color, pain, laughter, love, and truth. Every time you place a book in the hands of a child, you do the same thing. It is very risky. But each time a child opens a book, he pushes open the gate that separates him from Elsewhere. It gives him choices. It gives him freedom. Those are magnificent, wonderfully unsafe things.
[from her Newberry Award acceptance speech]
β
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Lois Lowry
β
Teasing's part of the fun that comes before kissing
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Lois Lowry (Messenger (The Giver, #3))
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Gabe?"
The newchild stirred slightly in his sleep. Jonas looked over at him.
"There could be love", Jonas whispered.
β
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Lois Lowry (The Giver (The Giver, #1))
β
Ellen had said that her mother was afraid of the ocean, that it was too cold and too big. The sky was, too, thought Annemarie. The whole world was: too cold, too big. And too cruel.
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β
Lois Lowry (Number the Stars)
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It's just that... without the memories it's all meaningless.
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β
Lois Lowry (The Giver (The Giver, #1))
β
I liked the feeling of love,' [Jonas] confessed. He glanced nervously at the speaker on the wall, reassuring himself that no one was listening. 'I wish we still had that,' he whispered. 'Of course,' he added quickly, 'I do understand that it wouldn't work very well. And that it's much better to be organized the way we are now. I can see that it was a dangerous way to live.'
...'Still,' he said slowly, almost to himself, 'I did like the light they made. And the warmth.
β
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Lois Lowry (The Giver (The Giver, #1))
β
There is something about that moment, when literature becomes accessible, and a door of the world opens.
β
β
Lois Lowry
β
He knew that there was no quick comfort for emotions like those. They were deeper and they did not need to be told. They were felt.
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Lois Lowry (The Giver (The Giver, #1))
β
Today is declared an unscheduled holiday.
β
β
Lois Lowry (The Giver (The Giver, #1))
Lois Lowry (The Giver (The Giver, #1))
β
Behind him,across vast distances of space and time, from the place he had left, he thought he heard music too. But perhaps it was only an echo.
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β
Lois Lowry (The Giver (The Giver, #1))
β
I don't know what you mean when you say 'the whole world' or 'generations before him.'I thought there was only us. I thought there was only now.
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Lois Lowry (The Giver (The Giver, #1))
β
What if they were allowed to choose their own mate? And chose wrong?
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β
Lois Lowry (The Giver (The Giver, #1))
β
He hunched his shoulders and tried to make himself smaller in the seat. He wanted to disappear, to fade away, not to exist.
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β
Lois Lowry (The Giver (The Giver, #1))
β
She fell asleep, and it was a sleep as thin as the night clouds, dotted with dreams that came and went like the stars.
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Lois Lowry (Number the Stars)
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Fear dims when you learn things.
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Lois Lowry (Son (The Giver, #4))
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Mama was crying, and the rain made it seem as if the whole world was crying.
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Lois Lowry (Number the Stars)
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...now he saw the familiar wide river beside the path differently. He saw all of the light and color and history it contained and carried in its slow - moving water; and he knew that there was an Elsewhere from which it came, and an Elsewhere to which it was going
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Lois Lowry (The Giver (The Giver, #1))
β
He wept because he was afraid now that he could not save Gabriel. He no longer cared about himself
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Lois Lowry (The Giver (The Giver, #1))
β
And here in this room, I re-experience the memories again and again it is how wisdom comes and how we shape our future.
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Lois Lowry (The Giver (The Giver, #1))
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Be proud of your pain, for you are stronger than those with none.
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Lois Lowry (Gathering Blue (The Giver, #2))
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It was almost December, and Jonas was beginning to be frightened.
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Lois Lowry (The Giver (The Giver, #1))
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It's hard to give up the being together with someone.
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Lois Lowry (A Summer to Die)
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And they are beginning to realize that the world they live in is a place where the right thing is often hard, sometimes dangerous, and frequently unpopular.
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Lois Lowry (Number the Stars)
β
it is much easier to be brave if you do not know everything
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Lois Lowry (Number the Stars)
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The whole world had changed. Only the fairy tales remained the same. "And they lived happily ever after,
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Lois Lowry (Number the Stars)
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The community of the Giver had achieved at such great price. A community without danger or pain. But also, a community without music, color or art. And books.
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Lois Lowry (The Giver (The Giver, #1))
β
Memories are forever.
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Lois Lowry (The Giver (The Giver, #1))
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When people have the freedom to choose, they choose wrong, every single time.
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Lois Lowry (The Giver (The Giver, #1))
β
- My instructors in science and technology have taught us about how the brain works. It's full of electrical impulses. It's like a computer. If you stimulate one part of the brain with an electrode, it...
- They know nothing.
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Lois Lowry (The Giver (The Giver, #1))
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It be better, I think, to climb out in search of something, instead of hating, what you're leaving.
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Lois Lowry (Son (The Giver, #4))
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But there was nothing left to do but continue
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Lois Lowry (The Giver (The Giver, #1))
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There's much more. There's all that goes beyond β all ... that is Elsewhere β and all that goes back, and back, and back. I received all of those, when I was selected. And here in this room, all alone, I re-experience them again and again. It is how wisdom comes. And how we shape our future.
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Lois Lowry (The Giver (The Giver, #1))
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Genius disregards the boundaries of propriety. Genius is permitted to shout if shouting is productive.
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Lois Lowry
β
The man that I named The Giver passed along to the boy knowledge, history, memories, color, pain, laughter, love, and truth. Every time you place a book in the hands of a child, you do the same thing.
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Lois Lowry (The Giver)
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There was just a moment when things weren't quite the same, weren't quite as they had always been through the long friendship
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Lois Lowry (The Giver (The Giver, #1))
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Things could change, Gabe," Jonas went on. "Things could be different. I don't know how, but there must be some way for things to be different. There could be colors. And grandparents," he added, staring through the dimness toward the ceiling of his sleepingroom. "And everybody would have the memories."
"You know the memories," he whispered, turning toward the crib.
Garbriel's breathing was even and deep. Jonas liked having him there, though he felt guilty about the secret. Each night he gave memories to Gabriel: memories of boat rides and picnics in the sun; memories of soft rainfall against windowpanes; memories of dancing barefoot on a damp lawn.
"Gabe?"
The newchild stirred slightly in his sleep. Jonas looked over at him.
"There could be love," Jonas whispered.
β
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Lois Lowry (The Giver (The Giver, #1))
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We're the ones who will fill in the blank places. Maybe we can make it different.
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Lois Lowry (Gathering Blue (The Giver, #2))
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His mind reeled. Now, empowered to ask questions of utmost rudeness-and promised answers-he could, conceivably (though it was almost unimaginable), ask someone, some adult, his father perhaps: "Do you lie?"
But he would have no way of knowing if the answer he received was true.
β
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Lois Lowry (The Giver (The Giver, #1))
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...what words could you use which would give another the experience of sunshine?
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Lois Lowry (The Giver (The Giver, #1))
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Keep a green tree in your heart and perhaps the singing bird will come.
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Lois Lowry (Taking Care of Terrific)
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They have never known pain, he thought. The realization made him feel desperately lonely.
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Lois Lowry (The Giver (The Giver, #1))
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...how could you describe a hill and snow to someone who had never felt height or wind or that feathery, magical cold?
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Lois Lowry (The Giver (The Giver, #1))
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Take pride in your pain," her mother had always told her. "You are stronger than those who have none.
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Lois Lowry (Gathering Blue (The Giver, #2))
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The whole world had changed. Only the fairy tales remained the same.
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Lois Lowry (Number the Stars)
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It is so good to have friends who understand how there is a time for crying and a time for laughing, and that sometimes the two are very close together.
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Lois Lowry (A Summer to Die)
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Because of fear, they made shelter and found food and grew things. For the same reason, weapons were stored, waiting.
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Lois Lowry (Gathering Blue (The Giver, #2))
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Things seem more when youβre little. They seem bigger, and distances seem farther.
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Lois Lowry (Messenger (The Giver, #3))
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The worse part of holding the memories is not the pain. It's the loneliness of it. Memories need to be shared.
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Lois Lowry (The Giver (The Giver, #1))
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Pretending doesn't keep you safe.
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Lois Lowry (Gathering Blue (The Giver, #2))
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Submitting to censorship is to enter the seductive world of 'The Giver': the world where there are no bad words and no bad deeds. But it is also the world where choice has been taken away and reality distorted. And that is the most dangerous world of all.
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Lois Lowry (The Giver (The Giver, #1))
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If he had stayed, he would have starved in other ways.
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Lois Lowry (The Giver (The Giver, #1))
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...That's why we have the Museum, Matty, to remind us of how we came, and why: to start fresh, and begin a new place from what we had learned and carried from the old.
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Lois Lowry (Messenger (The Giver, #3))
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..you have more than you know. And people will want what you have.
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Lois Lowry (Messenger (The Giver, #3))
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He was free to enjoy the breathless glee that overwhelmed him: the speed, the clear cold air, the total silence, the feeling of balance and excitement and peace.
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Lois Lowry
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I'm going to give you the memory of a rainbow.
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Lois Lowry (The Giver (The Giver, #1))
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Our people made that choice, the choice to go to Sameness. Before my time, before the previous time, back and back and back. We relinquished color when we relinquished sunshine and did away with difference. We gained control of many things. But we had to let go of others.
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Lois Lowry (The Giver (The Giver, #1))
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He gestured toward her twisted leg. "Like you. Some don't walk good. Some be broken in other ways. Not all. But lots. Do you think it maken them quiet and nice, to be broken?
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Lois Lowry (Gathering Blue (The Giver, #2))
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All of it was new to him. After a life of Sameness and predictability, he was awed by the surprises that lay beyond each curve of the road.
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Lois Lowry (The Giver (The Giver, #1))
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For all for children
To whom we entrust the future
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Lois Lowry (The Giver (The Giver, #1))
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It was harder for the ones who were waiting, Annemarie knew. Less danger, perhaps, but more fear.
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Lois Lowry (Number the Stars)
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Thank you for your childhood.
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Lois Lowry (The Giver (The Giver, #1))
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...an urge, a need, a passionate yearning to share the warmth with the one person left for him to love.
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Lois Lowry (The Giver (The Giver, #1))
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And it was lonely, to yearn, all alone.
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Lois Lowry (Son (The Giver, #4))
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Once she read a book but found it distasteful because it contained adjectives.
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Lois Lowry (The Willoughbys)
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Didn't life consist of the things you did each day?
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Lois Lowry (The Giver (The Giver, #1))
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Go, " he said. "This is your journey, your battle. Be brave. Find your gift. Use it to save what you love.
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Lois Lowry (Son (The Giver, #4))
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Once, back in the time of the memories, everything had a shape and size, the way things still do, but they also had a quality called COLOR.
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Lois Lowry (The Giver (The Giver, #1))
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Depth, he decided; as if one were looking into the clear water of the river, down to the bottom, where things might lurk which hadn't been discovered yet.
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Lois Lowry (The Giver (The Giver, #1))
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Evil can do anything, for a price.
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Lois Lowry (Son (The Giver, #4))
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That's all that brave means - not thinking about the dangers. Just thinking about what you must do. Of course you were frightened. I was too, today. But you kept your mind on what you had to do.
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Lois Lowry (Number the Stars)
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A book, to me, is almost sacrosanct: such an individual and private thing. The reader brings his or her own history and beliefs and concerns, and reads in solitude, creating each scene from his own imagination as he does. There is no fellow ticket-holder in the next seat.
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Lois Lowry (The Giver (The Giver, #1))
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Always in the dream, it seemed as if there were a destination: a something--he could not grasp what-that lay beyond the place where the thickness of snow brought the sled to a stop. He was left, upon awakening, with the feeling that he wanted, even somehow needed, to reach the something that waited in the distance. The feeling that it was good. That it was welcoming. That it was significant. But he did not know how to get there.
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Lois Lowry (The Giver (The Giver, #1))
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Now he saw another elephant emerge from the place where it had stood hidden in the trees. Very slowly it walked to the mutilated body and looked down. With its sinuous trunk it struck the huge corpse; then it reached up, broke some leafy branches with a snap, and draped them over the mass of torn thick flesh. Finally it tilted its massive head, raised its trunk, and roared into the empty landscape.
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Lois Lowry (The Giver (The Giver, #1))
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It was as simple as that. Once he had yearned for choice. then, when he had had a choice, he had made the wrong one: the choice to leave. And now he was starving.
But if he had stayed...
His thoughts continued. If he had stayed, he would have starved in other ways. He would have lived a life hungry for feelings, for color, for love.
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Lois Lowry (The Giver (The Giver, #1))
β
Time goes on, and your life is still there, and you have to live it. After a while you remember the good things more often than the bad. Then, gradually, the empty silent parts of you fill up with sounds of talking and laughter again, and the jagged edges of sadness are softened by memories.
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β
Lois Lowry (A Summer to Die)
β
The man that I named The Giver passed along to the boy knowledge, history, memories, color, pain, laughter, love, and truth. Every time you place a book in the hands of a child, you do the same thing. It is very risky. But each time a child opens a book, he pushes open the gate that separates him from Elsewhere. It gives him choices. It gives him freedom. Those are magnificent, wonderfully unsafe things.
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Lois Lowry (The Giver)
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But why can't everyone have the memories? I think it would seem a little easier if the memories were shared. You and I wouldn't have to bear so much by ourselves, if everybody took a part."
The Giver sighed. "You're right," he said. "But then everyone would be burdened and pained. They don't want that. And that's the real reason The Receiver is so vital to them, and so honored. They selected me - and you - to lift that burden from themselves.
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Lois Lowry (The Giver (The Giver, #1))
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...and I want you all to remember-that you must not dream yourselves back to the times before the war, but the dream for you all, young and old, must be to create an ideal of human decency, and not a narrow-minded and prejudiced one. That is the great gift our country hungers for, something every little peasant boy can look forward to, and with pleasure feel he is a part of-something he can work and fight for."
Surely that gift-the gift of a world of human decency-is the one that all countries hunger for still. I hope that this story of Denmark, and its people, will remind us all that such a world is possible.
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Lois Lowry (Number the Stars)
β
Do you love me?"
There was an awkward silence for a moment. Then Father gave a little chuckle. "Jonas. You, of all people. Precision of language, please!"
"What do you mean?" Jonas asked. Amusement was not at all what he had anticipated.
"Your father means that you used a very generalized word, so meaningless that it's become almost obsolete," his mother explained carefully.
Jonas stared at them. Meaningless? He had never before felt anything as meaningful as the memory.
"And of course our community can't function smoothly if people don't use precise language. You could ask, 'Do you enjoy me?' The answer is 'Yes,'" his mother said.
"Or," his father suggested, "'Do you take pride in my accomplishments?' And the answer is wholeheartedly 'Yes.'"
"Do you understand why it's inappropriate to use a word like 'love'?" Mother asked.
Jonas nodded. "Yes, thank you, I do," he replied slowly.
It was his first lie to his parents.
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Lois Lowry (The Giver (The Giver, #1))
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Lily appeared, wearing her nightclothes, in the doorway. She gave an impatient sigh. 'This is certainly a very LONG private conversation,' she said. 'And there are certain people waiting for their comfort object.'
Lily,' her mother said fondly, 'you're very close to being an Eight, and when you're an Eight, your comfort object will be taken away. It will be recycled to the younger children. You should be starting to go off to sleep without it.'
But her father had already gone to the shelf and taken down the stuffed elephant which was kept there. Many of the comfort objects, like Lily's, were soft, stuffed, imaginary creatures. Jonas's had been called a bear.
Here you are, Lily-billy,' he said. 'I'll come help you remove your hair ribbons.
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Lois Lowry (The Giver (The Giver, #1))
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We're all on our own, aren't we? That's what it boils down to.
We come into this world on our own- in Hawaii, as I did, or New York, or China, or Africa or Montana- and we leave it in the same way, on our own, wherever we happen to be at the time- in a plane, in our beds, in a car, in a space shuttle, or in a field of flowers.
And between those times, we try to connect along the way with others who are also on their own.
If we're lucky, we have a mother who reads to us.
We have a teacher or two along the way who make us feel special.
We have dogs who do the stupid dog tricks we teach them and who lie on our bed when we're not looking, because it smells like us, and so we pretend not to notice the paw prints on the bedspread.
We have friends who lend us their favorite books.
Maybe we have children, and grandchildren, and funny mailmen and eccentric great-aunts, and uncles who can pull pennies out of their ears.
All of them teach us stuff. They teach us about combustion engines and the major products of Bolivia, and what poems are not boring, and how to be kind to each other, and how to laugh, and when the vigil is in our hands, and when we have to make the best of things even though it's hard sometimes.
Looking back together, telling our stories to one another, we learn how to be on our own.
β
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Lois Lowry
β
And I could test myself - my own courage - with it, too, because when the doors at either end of the secret staircase were closed, it was impenetrably dark. I hid in the staircase, shivering with terror, telling the narrative: The little girl was in a dark, dark place but she was very brave...Sometimes the door at the bottom opened, and a wedge of light sliced up the stairs; a maid, her arms filled with folded laundry, would find me and ask in amazement what I was doing there.
And though I answered lightheartedly that I was playing, the truth is that I was not entirely certain what I was doing there, crouched and frightened in the darkness. Only now, sixty years later, do I see that I was arming myself, rehearsing panic, loss, and helplessness; assessing my own cowardice and courage, and and the same time reassuring myself that the door would always open, that the light would always find its way in.
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Lois Lowry