Lois Lane Quotes

We've searched our database for all the quotes and captions related to Lois Lane. Here they are! All 67 of them:

I never understood why Clark Kent was so hell bent on keeping Lois Lane in the dark.
Audrey Niffenegger (The Time Traveler's Wife)
There are many different types of kisses. There’s a passionate kiss of farewell—like the kind Rhett gave Scarlett when he went off to war. The kiss of I-can’t-really-be-with-you-but-I-want-to-be—like with Superman and Lois Lane. There’s the first kiss—one that is gentle and hesitant, warm and vulnerable. And then there’s the kiss of possession—which was how Ren kissed me now. It went beyond passion, beyond desire. His kiss was full of longing, need, and love, like all those other kisses. But, it was also filled with promises and pledges, some of which seemed sweet and tender while others seemed dangerous and exciting. He was taking me over. Staking a claim. He seized me as boldly as the tiger captured his prey. There was no escape. And I didn’t want to. I would have happily died in his clutches. I was his. And he made sure I knew it. My heart burst with a thousand beautiful blooms, all tiger lilies. And I knew with a certainty more powerful than anything I’d ever felt before that we belonged together.
Colleen Houck (Tiger's Quest (The Tiger Saga, #2))
I demoted him from The Best Man Ever to just The Best Man I’d Ever Met. Superman would have charged out (hell, he’d have flown) to get Lois Lane cookies. I was pretty sure of it.
Kristen Ashley (Rock Chick Revenge (Rock Chick, #5))
think about it: Romeo and Juliet bucked the system, and look where it got them. Superman has the hots for Lois Lane, when the better match, of course, would be with Wonder Woman.
Jodi Picoult (My Sister’s Keeper)
I can't always be Lois Lane," I insisted. "I want to be Superman, too.
Stephenie Meyer (Twilight (The Twilight Saga, #1))
You stir up more hornets' nests than a twelve-year-old boy with a baseball bat. You‘re like Lois Lane on crack.
Darynda Jones (Second Grave on the Left (Charley Davidson, #2))
The problem with having friends was that you might lose them. Or they might get hurt.
Gwenda Bond (Fallout (Lois Lane, #1))
I was many things, but I wasn't a quitter. I didn't give up, and I wasn't going to start.
Gwenda Bond (Fallout (Lois Lane, #1))
You can't deny we work well together. I could be your sidekick, if you want. Like Superman and Lois Lane. Or Peter Pan and Tinker Bell." "Tinker Bell isn't menacing." "Which proves how much you need me," I insisted. "Fairies are terrifying." He sat up straighter and dusted off his pants. "Fairies don't exist. Neither do Graymasons." "That's what humans say about vampires and werewolves," I argued. "So we're agreed.
Cecily White (Prophecy Girl (Angel Academy, #1))
He'd practically saved her life! It was so....romantic. Just like in fairy tales. Just like Westley saved Buttercup in The Princess Bride. Like Superman saved Lois Lane. Like James Bond saved...well....everyone
Jennifer Ziegler (Sass & Serendipity)
Courage doesn't mean never being afraid. We're all afraid sometimes. Bravery means doing the right thing anyway. That's true strength.
Gwenda Bond (Double Down (Lois Lane, #2))
Clark. Superman. She loved two men. It was extraordinary how alike and how different they were.-Lois Lane
C.J. Cherryh (Lois & Clark: A Superman Novel)
Well," Mr. Cheeseman interjected. "Perhaps there's an easy solution to this. Maybe Captain Fabulous has an alter ego." "What's an alter ego?" asked Gerard. "It's a superhero's true but secret identity," said Chip. "You know, the way that Superman is really Clark Kent." "Superman is really Clark Kent?" "It's pretty obvious," said Penny. "To everyone but you and Lois Lane." "Okay," Gerard conceded. "Captain Fabulous's alter ego will be...Teddy Roosevelt.
Cuthbert Soup (Another Whole Nother Story (A Whole Nother Story))
My problem was that I had bad luck. And I spoke up when I saw something wrong. I did it because I could, without having to worry about the fallout lasting years. And yes, there was always fallout.
Gwenda Bond (Fallout (Lois Lane, #1))
Lois Lane is to women in journalism as Superman is to superheroes.
Tim Hanley (Investigating Lois Lane: The Turbulent History of the Daily Planet's Ace Reporter)
But there was someone she knew who could speak with a special knowledge on the Cross-Lexcorp controversy. Someone she’d rather not deal with. Someone she’d as soon not see again as long as she lived. Her former fiancé. Lex. Lex Luthor. – Lois Lane
C.J. Cherryh (Lois & Clark: A Superman Novel)
Something tells me you were never a Girl Scout.
Gwenda Bond (Double Down (Lois Lane, #2))
I had no idea if I was doing the friend thing right or utterly screwing it up.
Gwenda Bond (Double Down (Lois Lane, #2))
I knew what I wanted to do. Sometimes you just had to be brave.
Gwenda Bond (Fallout (Lois Lane, #1))
I was not born to wait.
Gwenda Bond (Double Down (Lois Lane, #2))
I didn't like showing weakness, not to anybody.
Gwenda Bond (Double Down (Lois Lane, #2))
The trick to seeing things other people missed was to look for them.
Gwenda Bond (Fallout (Lois Lane, #1))
There probably were things worse than the guy you had a crush on saying that kind of thing about your sister, but not many. Maddy could do way better than teeth-and-hair guy.
Gwenda Bond (Fallout (Lois Lane, #1))
Lesson: Never underestimate a woman. Or a chef.
Gwenda Bond (Triple Threat (Lois Lane, #3))
When I was young there were some things I didn’t understand. I never understood how Superman could love Lois Lane…
Jaree Francis
Clark Kent gives up his powers just to have sexual intercourse with Lois Lane in a glittery bed. Who’d make such a stupid swap? If you could fly? Deflect nuclear missiles into space? Turn back time by spinning the planet in reverse? Sexual intercourse can’t be that good.
David Mitchell (Black Swan Green)
I'm not Lois Lane and you are neither Superman nor Clark Kent," she fired back. "It's crazy for you to go anywhere in this condition, and if you had the sense God gave a rock, you'd stay put." Gabe stopped in his tracks. "Did you just compare me to a rock?" She snorted. "I have the utmost respect for rocks. They're hard, they're heavy. They make good paperweights.
Cindy Gerard (Show No Mercy (Black Ops Inc., #1))
We dropped our hands, both embarrassed by the sincerity of the moment. But I was learning, Sometimes you had to put it all out there, no matter how hard it felt to do so. When the people in your life were worth it, so was the risk.
Gwenda Bond (Double Down (Lois Lane, #2))
We're our own heroes.
Gwenda Bond (Double Down (Lois Lane, #2))
For the most part, I did trust my own judgement. But I was more than capable of screwing up. Just, sometimes, I forgot about that in my quest to move forward.
Gwenda Bond (Triple Threat (Lois Lane, #3))
Having friends was weird . . . but in a good way.
Gwenda Bond (Triple Threat (Lois Lane, #3))
The man was a bully. A bully who'd elevated himself to a high-level position, but a bully just the same. No amount of flattery would change how I saw him.
Gwenda Bond (Triple Threat (Lois Lane, #3))
He listens when I talk.
Gwenda Bond (Triple Threat (Lois Lane, #3))
Sometimes, if you have faith in people they'll surprise you. Mom and Dad taught me that. Risk is the price of believing most people want to be good.
Gwenda Bond (Triple Threat (Lois Lane, #3))
I know you don't want to be me. But I'd hate for you to ever feel like you're in my shadow. You're not and you never will be. You are awesome, and there is some kind of amazing future waiting for you.
Gwenda Bond (Double Down (Lois Lane, #2))
Please, I'm your friend -- inside that tough-girl shell is a really tough girl. But you're motivated by how much you care. Being part of Team Lois, it's an honor. There's nothing you wouldn't do for any of us.
Gwenda Bond (Triple Threat (Lois Lane, #3))
The story unfolded quickly as I typed, in a way I was becoming familiar with. There was something about putting the truth on paper, bringing facts into the light of day where everyone could look at them, that made my fingers move faster -- it was becoming one of my favorite sensations on earth.
Gwenda Bond (Double Down (Lois Lane, #2))
What you need Lois, is a man. All your artistic brilliance, wasted, toiling away in the sordid day-to-day of White’s little paper empire. Reporting on traffic mishaps. Domestic trifles. Wondering if you can afford a pair of shoes. Knowing you can’t afford the really good wines, the really exquisite things. That suit, for instance. Nice, but not the standard you’re used to.” “We’re not here to discuss my wardrobe.” “Or your writing career? How much have you gotten done, I mean, really done Lois?” “Still looking for an evening you aren’t exhausted? When will that be, Lois?” “The hotel. Or I’m out of here.” – Lois Lane & Lex Luthor
C.J. Cherryh (Lois & Clark: A Superman Novel)
The thrill of working in this building, with its iconic globe on top, would never fade.
Gwenda Bond (Triple Threat (Lois Lane, #3))
Fear didn't suit me.
Gwenda Bond (Triple Threat (Lois Lane, #3))
It figured my family would get along better with Clark than they did me.
Gwenda Bond (Triple Threat (Lois Lane, #3))
I didn't mind walking into danger on my own. Not the concept of it, anyway.
Gwenda Bond (Triple Threat (Lois Lane, #3))
I have to pee so bad I can taste it! Not only is my glass half empty, someone peed in it. Like Lois Lane said to Superman, I don't give a flying...f...!
Dawn Kopman Whidden
My heart pounded annoyingly in my ears, and it was getting harder to stay focused. I'd almost gotten trapped in here, and now I'd come back. Sometimes I did have truly terrible ideas.
Gwenda Bond (Double Down (Lois Lane, #2))
If your fiancé tended to come sailing in windows without notice, you didn’t have extra time to run and gather up messes. She dropped everything into the hamper and stepped into a hot, steamy shower, soap with no cloying scent, just clean. Just her again. And her eyes shut while she was standing there. She’d slip down the shower wall and go to sleep there, but she was already getting stiff. She got out, delved into the medicine cabinet for a couple of Advil and chased them down with a glass of water. Clean, clear water. A miracle. She stood watching crystal liquid swirl down the drain and thought somehow she’d never asked herself how water got that clean. She splashed it up in her face, dried her Band-Aids with a towel And went and turned on her computer. Last thing. Last defining thing – on any day.-Lois Lane
C.J. Cherryh (Lois & Clark: A Superman Novel)
I imagined it was far better to be optimistic, to proceed assuming wherever you could that you had cared enough, that you'd made a difference, that you would again. Dwelling on the worst was no way to live.
Gwenda Bond (Triple Threat (Lois Lane, #3))
Without Clare I would have given up a long time ago,” I say. “I never understood why Clark Kent was so hell bent on keeping Lois Lane in the dark.” “It makes a better story,” says Matt. “Does it? I don’t know,” I reply.
Audrey Niffenegger (The Time Traveler’s Wife)
Your organization tried to keep this location top secret, but I’m a journalist, doll, an investigative reporter. Took Lois Lane a while to figure out the correlation between Clark Kent and Superman, but I’m a hundred times sharper than her.
Chrissy Peebles (Eternal Vows (The Ruby Ring, #1))
But it seems logical... a man and a woman have to be somewhat equal... as in, one of them can’t always be swooping in and saving the other one. They have to save each other equally. .... I can’t always be Lois Lane,” I insisted. “ I want to be Superman, too.
Stephenie Meyer (Twilight (The Twilight Saga, #1))
Someone else deciding what was too dangerous for me to be involved in or pursue had never stopped me yet.
Gwenda Bond (Double Down (Lois Lane, #2))
Oh no. Maybe I'd gotten too cocky. I was still relatively new to this friend business. Had I screwed up even asking? Should I have waited for her to offer up details?
Gwenda Bond (Triple Threat (Lois Lane, #3))
This was the first time I had not just rushed in and followed my instincts, and it wasn't working out. I was beginning to actively regret it.
Gwenda Bond (Triple Threat (Lois Lane, #3))
Because life must go on. We have to keep up appearances. We can't risk doing anything suspicious. All the greatest superheroes had other identities. They had real, everyday lives to keep them grounded and their sects safe. They had people to lice and fight for in the real world. Superman had Lois Lane. Spider-Man had--" "Mary Jane." "I was going to say Gwen.
M.G. Buehrlen (The Untimely Deaths of Alex Wayfare (Alex Wayfare, #2))
These damsel in distress roles were very common in the 1940s. Superman had Lois Lane, Batman had Julie Madison, Captain Marvel had Beautia Sivana, the Flash had Joan Williams, and the Spirit had Ellen Dolan. These women weren’t particularly well-rounded characters. Instead, they were defined only through their male love interests, existing solely to be rescued,
Tim Hanley (Wonder Woman Unbound: The Curious History of the World's Most Famous Heroine)
In Superman number one, published in 1939, Clark and Lois Lane travel to a thinly disguised Nazi Germany, where Lois ends up in front of a firing squad, until Superman rescues her. In Superman number two, also from 1939, Clark Kent visits faux Germany again and meets Adolphus Runyan, a scientist clearly modeled on Adolf Hitler, who has discovered a gas so powerful “it is capable of penetrating any type of gas-mask.” The front cover of Captain Americanumber one, published in March 1941, shows the hero smashing Hitler across the face.
Bruce Feiler (America's Prophet: Moses and the American Story)
and right after the last one, they were filing out of the tight space and along another hallway. James stood and leaned in close to examine it. “Where did you—did you steal this from your dad? Your dad, the very important general who already hates the Scoop?” “No, I didn’t,” I said. “I borrowed it.” James might have been skeptical, but he
Gwenda Bond (Fallout (Lois Lane, #1))
LOIS: The personal stuff you've been dealing with, did you feel like you needed someone to catch you? Were we not there for you? DIANA: (pauses) You know how when people talk of depression, they talk of it both coming in storms and coming stealthily? So that, for many, it is the status quo, before they realize... that we lose our self-awareness in that. So I can't... I can't fault the people who love and care for me for not seeing what I did not myself see. I think, again, when we have our moments of clarity, it is very easy to brush past them, to let the status quo continue. It can be very difficult and sometimes painful to turn and confront them. The only analogy I can think of is chronic pain. When that pain has been with you for so very long, it is background noise. And one is not aware of it until something happens that places it into relief. LOIS: But you're not talking about physical pain? DIANA: No. And I am not certain I am talking about emotional pain either. It has been difficult for me to untangle. I think there is a psychological element to it. I think it is important--and I think as a reporter that you would be inclined to agree--that we question those basic assumptions that we often decide are true. I have found myself in a position where a great deal of what I took as true no longer seems accurate. That may be because I have changed. That may be because the world has changed. Or it may be because I was mistaken. And it is that last that is the most concerning. I put great stock in truth--I think that's one of the reasons why we get along.
Greg Rucka
<> Más o menos. O sea, entiendo por qué Lois Lane se matriculó en la facultad de periodismo. Conozco a esa clase de chicas. Quieren cambiar las cosas, sacar conspiraciones a la luz. Es entrometida. Pero Clark Kent... ¿Por qué no elige ser Clark Kent, ese hombre del tiempo tan sexy? ¿O Clark Kent, alcalde de Cincinnati? <> ¿No te enteras o qué? Clark Kent no quiere ser famoso. No quiere que la gente se fije en él. Si lo miraran con atención, se darían cuenta de que es idéntico a Superman, pero con gafas. Además, tiene que estar en la redacción de un periódico o algo parecido para ser el primero en enterarse de las noticias. Imagínate que leyera «Joker ataca la Luna» en el diario del día siguiente. <> Tienes toda la razón. Sobre todo para ser alguien que no sabe que Superman nunca se ha enfrentado al Joker. <> Sobre todo para ser alguien que pasa mucho. Espero que te equivoques cuando dices que la vida es un asco solo por llevar gafas y no ser capaz de volar. Esa descripción se aplica a todos los que estamos en esta sala. ¿En qué estás trabajando? <> Todos llevamos gafas. Qué inquietante. En otro artículo del Indian Hills. Más que trabajar, estoy esperando a que suene el teléfono. Por lo que parece, el hospital contiguo al cine ya ha comprado el terreno. Hace meses. Lo van a convertir en un aparcamiento. Estoy esperando a que la portavoz del hospital me llame y me diga: «No hay comentarios». Entonces escribiré: «Los directivos del hospital declinan hacer comentarios en relación a la venta». Y me iré a casa. ¿Sabes lo aburrido que es esperar a que alguien te llame para, oficialmente, no decirte nada? No creo que Superman lo soportase. Estaría por ahí, buscando boy scouts perdidos y tapando volcanes con rocas gigantescas. <> Superman trabaja en un diario para ligarse a Lois Lane. <> Seguro que gana el doble que ella.
Rainbow Rowell (Attachments)
Steve Lombard, neanderthal in any universe.
Dan Jurgens
Donya, hold on tight. You’re about to be Lois Lane.” “Who?” she asked. “Oh yeah, we have a lot to catch you up on.
H.T. Night (The Complete 8-Book Vampire Love Story Saga)
Can you imagine what it would be like to look into somebody's eyes and know that their destiny is so much greater than yours, that you will never compete? You will always be left behind.
Lois Lane
The cleverest writers give the someone we like not one but two things he wants VERY BADLY, and then puts them at odds with each other. I love Romeo but hate his Montague family. I love the Shire but want to travel like Uncle Bilbo and see elves and dragons. I love Lois Lane but I have to act like a mild mannered dweeb to hide my powerful secret lest my effectiveness as a crimefighter be compromised, so the girl I have a crush on has a crush on my alter ego and won’t give me a date.
John C. Wright
instrumental in starting (and later rejecting) “stunt” journalism. She showed that a woman reporter need not be confined to the “women’s pages” of a newspaper, but rather deserved headlines all her own. She was the inspiration for countless women to enter the field. She was also the basis for the comic book character Lois Lane. The real Lois Lane, however, never needed a Superman. Today she is best remembered for the stunts, beginning with her ten days undercover as a “bogus lunatic” to expose the inhumane conditions
Nellie Bly (Nellie Bly's World: Her Complete Reporting 1887-1888)
Isso é bom, realmente bom! Agora que Clark Kent tem sua Lois Lane de volta, acho que podemos voltar ao trabalho!
Mônica Sperandio (Sete Vidas)
Our first real kiss was better than fireworks and flying and front-page news all rolled into one.
Gwenda Bond (Triple Threat (Lois Lane, #3))
Then I stumbled upon Max and Dave Fleischer’s Superman cartoons. They were beautiful, even a small black and white TV. The scene that lit up my brain like a Christmas tree showed Superman use his cape to protect Lois Lane from a cascade of molten metal. Rather than being angry at her for getting in trouble, he was gentle and brave and saved her. I imprinted on that moment like a baby duck and my child’s mind folded around a sudden understanding. No, Superman was never going to be my father but if I worked at it really hard maybe day could become Superman. (32)
J. Michael Straczynski (Becoming Superman: My Journey from Poverty to Hollywood with Stops Along the Way at Murder, Madness, Mayhem, Movie Stars, Cults, Slums, Sociopaths, and War Crimes)
Lois Lane was part of the Superman dynamic from the very start. The intrepid star newspaper reporter had made her first appearance in 1938’s Action Comics #1, the same issue where Superman made his debut. She was infatuated with the powerful, godlike Superman, while repulsed by his meek pantywaist alter ego, her rival reporter Clark Kent. Lois’ 1940s persona of tough crusading reporter was in the mold of Hollywood dames like Rosalind Russell. Lois’ tireless effort to get her next headline, along with her impulsive personality, often put her in danger, from which Superman would have to rescue her. But the 40s Lois was no pushover. She was a modern career woman, and her dream was to get her greatest scoop: Superman’s secret identity. The Superman/Lois Lane relationship had many complicated factors that would prevent a romance from ever reaching fruition, while still providing the right tension to sustain the relationship for decades. First off, they were literally from different worlds. Superman was the last survivor of the doomed planet Krypton, and was raised by simple midwestern farm folk. Lois Lane was very much a woman of 20th century America: emancipated, headstrong, and unwilling to take “no” for an answer. Superman’s timid farm boy Clark Kent persona crumbled before Lois’ ferocious, emasculating temperament, while his heroic Man of Steel found himself constantly confounded by her impetuous nature. Meanwhile, the very issue of Superman’s secret identity always threw a wrench into his romance with Lois. Besides the basic duplicity, Superman becomes his own rival, squelching any chance for a healthy relationship. Superman loves Lois Lane, but tries to win her heart as meek Clark Kent, with the rationale that he wants to be sure Lois really loves him for himself, not for his glamorous superhuman persona. But since he’s created a wallflower persona that Lois will never find attractive, he sabotages any chance for love. Lois, for her part, is enamored with Superman, yet has a burning desire to discover his secret identity. Lois never considers that she risks losing Superman’s love if she learns his secret identity, or that the world may lose its champion and protector. (...) If the Lois Lane of the ’40s owed much to the tough talking heroines of that decade’s screwball comedies, the Lois of the ’50s was defined by the medium of the new era—television.
Mike Madrid (The Supergirls: Fashion, Feminism, Fantasy, and the History of Comic Book Heroines)