“
If You Forget Me
I want you to know
one thing.
You know how this is:
if I look
at the crystal moon, at the red branch
of the slow autumn at my window,
if I touch
near the fire
the impalpable ash
or the wrinkled body of the log,
everything carries me to you,
as if everything that exists,
aromas, light, metals,
were little boats
that sail
toward those isles of yours that wait for me.
Well, now,
if little by little you stop loving me
I shall stop loving you little by little.
If suddenly
you forget me
do not look for me,
for I shall already have forgotten you.
If you think it long and mad,
the wind of banners
that passes through my life,
and you decide
to leave me at the shore
of the heart where I have roots,
remember
that on that day,
at that hour,
I shall lift my arms
and my roots will set off
to seek another land.
But
if each day,
each hour,
you feel that you are destined for me
with implacable sweetness,
if each day a flower
climbs up to your lips to seek me,
ah my love, ah my own,
in me all that fire is repeated,
in me nothing is extinguished or forgotten,
my love feeds on your love, beloved,
and as long as you live it will be in your arms
without leaving mine.
”
”
Pablo Neruda
“
I felt overstuffed and dull and disappointed, the way I always do the day after Christmas, as if whatever it was the pine boughs and the candles and the silver and gilt-ribboned presents and the birch-log fires and the Christmas turkey and the carols at the piano promised never came to pass.
”
”
Sylvia Plath (The Bell Jar)
“
You know how this is:
if I look
at the crystal moon, at the red branch
of the slow autumn at my window,
if I touch
near the fire
the impalpable ash
or the wrinkled body of the log,
everything carries me to you,
as if everything that exists,
aromas, light, metals,
were little boats
that sail
toward those isles of yours that wait for me.
”
”
Pablo Neruda (The Captain's Verses)
“
I want you to know
one thing.
You know how this is:
if I look
at the crystal moon, at the red branch
of the slow autumn at my window,
if I touch
near the fire
the impalpable ash
or the wrinkled body of the log,
everything carries me to you,
as if everything that exists,
aromas, light, metals,
were little boats
that sail
toward those isles of yours that wait for me.
Well, now,
if little by little you stop loving me
I shall stop loving you little by little.
If suddenly
you forget me
do not look for me,
for I shall already have forgotten you.
If you think it long and mad,
the wind of banners
that passes through my life,
and you decide
to leave me at the shore
of the heart where I have roots,
remember
that on that day,
at that hour,
I shall lift my arms
and my roots will set off
to seek another land.
But
if each day,
each hour,
you feel that you are destined for me
with implacable sweetness,
if each day a flower
climbs up to your lips to seek me,
ah my love, ah my own,
in me all that fire is repeated,
in me nothing is extinguished or forgotten,
my love feeds on your love, beloved,
and as long as you live it will be in your arms
without leaving mine.
”
”
Pablo Neruda (If You Forget Me)
“
When a woman is frozen of feeling, when she can no longer feel herself, when her blood, her passion, no longer reach the extremities of her psyche, when she is desperate; then a fantasy life is far more pleasurable than anything else she can set her sights upon. Her little match lights, because they have no wood to burn, instead burn up the psyche as though it were a big dry log. The psyche begins to play tricks on itself; it lives now in the fantasy fire of all yearning fulfilled. This kind of fantasizing is like a lie: If you tell it often enough, you begin to believe it.
”
”
Clarissa Pinkola Estés (Women Who Run With the Wolves)
“
I pictured a low timber house with a shingled roof, caulked against storms, with blazing log fires inside and the walls lined with all the best books, somewhere to live when the rest of the world blew up.
”
”
Bruce Chatwin (In Patagonia)
“
Snowflakes swirl down gently in the deep blue haze beyond the window. The outside world is a dream.
Inside, the fireplace is brightly lit, and the Yule log crackles with orange and crimson sparks.
There’s a steaming mug in your hands, warming your fingers.
There’s a friend seated across from you in the cozy chair, warming your heart.
There is mystery unfolding.
”
”
Vera Nazarian (The Perpetual Calendar of Inspiration)
“
That's what I told myself five hundred times: impossibility. I can tell you this much: the word is a great big log thrown on the fires of love. ~Page 133.
”
”
Sue Monk Kidd (The Secret Life of Bees)
“
Nobody, who looks at a shard of flint lying beneath a rock ledge, or who finds a splintered log by the side of the road would ever find magic in their solitude. But in the right circumstances, if you bring them together, you can start a fire that consumes the world.
”
”
Jodi Picoult (The Storyteller)
“
We all need small sparks, small accomplishments in our lives to fuel the big ones. Think of your small accomplishments as kindling. When you want a bonfire, you don’t start by lighting a big log. You collect some witch’s hair—a small pile of hay or some dry, dead grass. You light that, and then add small sticks and bigger sticks before you feed your tree stump into the blaze. Because it’s the small sparks, which start small fires, that eventually build enough heat to burn the whole fucking forest down.
”
”
David Goggins (Can't Hurt Me: Master Your Mind and Defy the Odds)
“
They were cosy and comfortable in their little house made of logs, with the snow drifted around it and the wind crying because it could not get in by the fire.
”
”
Laura Ingalls Wilder (Little House in the Big Woods (Little House, #1))
“
When you put a log on the fire, the light and heat you see is, in a literal sense, the decades of sunshine that tree basked in over its lifetime.
”
”
Peter Brannen (The Ends of the World: Volcanic Apocalypses, Lethal Oceans, and Our Quest to Understand Earth's Past Mass Extinctions)
“
Once in camp I put a log on a fire and it was full of ants. As it commenced to burn, the ants swarmed out and went first toward the center where the fire was; then turned back and ran toward the end. When there were enough on the end they fell off into the fire. Some got out, their bodies burnt and flattened, and went off not knowing where they were going. But most of them went toward the fire and then back toward the end and swarmed on the cool end and finally fell off into the fire. I remember thinking at the time that it was the end of the world and a splendid chance to be a messiah and lift the log off the fire and throw it out where the ants could get off onto the ground. But I did not do anything but throw a tin cup of water on the log, so that I would have the cup empty to put whiskey in before I added water to it. I think the cup of water on the burning log only steamed the ants.
”
”
Ernest Hemingway (A Farewell to Arms)
“
...impossibility. I can tell you this much: the word is a great big log thrown on the fires of love.
”
”
Sue Monk Kidd (The Secret Life of Bees)
“
Simon, would you still care for me if you discovered I was not who I say I am?"
What do you mean?"
I mean would you still care for me, no matter what you came to know?"
What a thing to ponder. I don't know what to say."
The answer is no. He does not need to say it.
With a sigh, Simon digs at the fire with the iron poker. Bits of the charred log fall away, revealing the angry insides. they flare orange for a moment, then quiet down again. After three tries, he gives up.
I'm afraid this fire's had it."
I can see a few embers remaining. "No, I think not. If..."
He sighs, and it says everything.
”
”
Libba Bray (Rebel Angels (Gemma Doyle, #2))
“
oxygen
Everything needs it: bone, muscles, and even,
while it calls the earth its home, the soul.
So the merciful, noisy machine
stands in our house working away in its
lung-like voice. I hear it as I kneel
before the fire, stirring with a
stick of iron, letting the logs
lie more loosely. You, in the upstairs room,
are in your usual position, leaning on your
right shoulder which aches
all day. You are breathing
patiently; it is a
beautiful sound. It is
your life, which is so close
to my own that I would not know
where to drop the knife of
separation. And what does this have to do
with love, except
everything? Now the fire rises
and offers a dozen, singing, deep-red
roses of flame. Then it settles
to quietude, or maybe gratitude, as it feeds
as we all do, as we must, upon the invisible gift:
our purest, sweet necessity: the air.
”
”
Mary Oliver (Thirst)
“
It was also her nature that caused her letters to avoid emotional pitfalls and confine themselves to relating the events of her daily life in the utilitarian style of a ship's log. In reality they were distracted letters, intended to keep the coals alive without putting her hand in the fire, while Florentino Ariza burned himself alive in every line.
”
”
Gabriel García Márquez (Love in the Time of Cholera)
“
Impossibility is a log thrown on the fires of love.
”
”
Laurie R. King (The Beekeeper's Apprentice (Mary Russell and Sherlock Holmes, #1))
“
Yule—Yul log for the Christmas-fire tale-spinner—of fairy tales that can come true: Yul Brynner.
”
”
Marianne Moore (Complete Poems)
“
The Cold Within"
Six humans trapped in happenstance
In dark and bitter cold,
Each one possessed a stick of wood,
Or so the story's told.
The first woman held hers back
For of the faces around the fire,
She noticed one was black.
The next man looking across the way
Saw not one of his church,
And couldn't bring himself to give
The fire his stick of birch.
The third one sat in tattered clothes
He gave his coat a hitch,
Why should his log be put to use,
To warm the idle rich?
The rich man just sat back and thought
Of the wealth he had in store,
And how to keep what he had earned,
From the lazy, shiftless poor.
The black man's face bespoke revenge
As the fire passed from sight,
For all he saw in his stick of wood
Was a chance to spite the white.
The last man of this forlorn group
Did naught except for gain,
Giving only to those who gave,
Was how he played the game.
The logs held tight in death's still hands
Was proof of human sin,
They didn't die from the cold without,
They died from the cold within.
”
”
James Patrick Kinney
“
Ella turned to the fireplace where a blackened kettle hung over what Granny Weatherwax always called an optimist's fire: two logs and hope.
”
”
Terry Pratchett (Witches Abroad (Discworld, #12; Witches, #3))
“
Some people will still find a way to create a fire with wet logs.
”
”
Anthony Liccione
“
An inn, of course, was a place you came to at night (not at three o'clock in the afternoon), preferably a rainy night—wind, too, if it could be managed; and it should be situated on a moor (“bleak,” Kate knew, was the adjective here). And there should be scullions; mine host should be gravy-stained and broad in the beam with a tousled apron pulled across his stomach; and there should be a tall, dark stranger—the one who speaks to nobody—warming thin hands before the fire. And the fire should be a fire—crackling and blazing, laid with an impossible size log and roaring its great heart out up the chimney. And there should be some sort of cauldron, Kate felt, somewhere about—and, perhaps, a couple of mastiffs thrown in for good measure.
”
”
Mary Norton (The Borrowers Afield (The Borrowers #2))
“
An editorial in the Los Angeles Times [1923] wistfully asked, 'Will eating chestnuts by crackling log fires become one of the lost arts preserved by a devoted people only in poetry and romance?
”
”
Susan Freinkel (American Chestnut: The Life, Death, and Rebirth of a Perfect Tree)
“
Did you sleep at all?"
"No." She heard him mumble something to himself and decided to cut him off before he could scold her again. "My butt did, though. Slept like a log all night."
"Well, obviously, your butt has more sense than you do.
”
”
Josephine Angelini (Trial by Fire (Worldwalker, #1))
“
A working woman, rising before dawn to spin and needing light in her cottage room, piles brushwood on a smoldering log, and the whole heap kindled by the little brand goes up in a mighty blaze. Such was the fire of Love, stealthy but all-consuming, that swept through Medea's heart. In the turmoil of her soul, her soft cheeks turned from rose to white and white to rose.
”
”
Apollonius of Rhodes (Jason and the Golden Fleece (The Argonautica))
“
She heard Rowan awake with a start before he reconciled himself to his surroundings. His back scraped across the trunk of the tree as he slid sideways--trying to see around the branch she was sitting on to get a look at her.
"Are you awake?" he asked, his voice still rough from sleep.
"Yeah."
"Did you sleep at all?"
"No." She heard him mumble something to himself and decided to cut him off before he could scold her again. "My butt did, though. Slept like a log all night."
"Well, obviously, your butt has more sense than you do."
"You're a funny man, Rowan whatever your last name is."
"Fall."
"I'd rather not."
She managed to get a tiny chuckle out of him, which she considered a huge achievement. Rowan stood up on his branch, bringing his head level with Lily's, and started to untie her. His lips were still pursed in a near smile.
"My name is Rowan Fall.
”
”
Josephine Angelini (Trial by Fire (Worldwalker, #1))
“
what storm-benighted traveller, when fierce winds and rains are lashing around his lodging, can withstand the cheering influences of a glorious log-fire?
”
”
J. Sheridan Le Fanu (A Stable for Nightmares or Weird Tales)
“
...the cold got into your bones, and no matter how many logs you threw on the fire, you never felt truly warm.
”
”
Neil Ansell (Deep Country: Five Years in the Welsh Hills)
“
It was the day after Christmas and a gray sky bellied over us, fat with snow. I felt overstuffed and dull and disappointed, the way I always do the day after Christmas, as if whatever it was the pine boughs and the candles and the silver and gilt-ribboned presents and the birch-log fires and the Christmas turkey and the carols at the piano promised never came to pass.
”
”
Sylvia Plath (The Bell Jar)
“
I marveled at how mixed up people got when it came to love. I myself, for instance. It seemed like I was now thinking of Zach forty minutes out of every hour, Zach, who was an impossibility. That's what I told myself five hundred times: impossibility. I can tell you this much: the word is a great big log throw on the fires of love.
”
”
Sue Monk Kidd (The Secret Life of Bees)
“
One of the worst incidents of that era caused no complaints at all: this was a sort of good-natured firepower demonstration, which occured one Sunday morning about three-thirty. For reasons that were never made clear, I blew out my back windows with five blasts of a 12 gauge shotgun, followed moments later by six rounds from a .44 Magnum. It was a prolonged outburst of heavy firing, drunken laughter, and crashing glass. Yet the neighbors reacted with total silence. For a while I assumed that some freakish wind pocket had absorbed all the noise and carried it out to sea, but after my eviction I learned otherwise. Every one of the shots had been duly recorded on the gossip log. Another tenant in the building told me the landlord was convinced, by all the tales he'd heard, that the interior of my apartment was reduced to rubble by orgies, brawls, fires, and wanton shooting. He had even heard stories about motorcycles being driven in and out the front door.
”
”
Hunter S. Thompson (Hell's Angels)
“
There seemed to be a magic all round that fire of big logs quietly smouldering in the woods upon Autumn's discarded robe that lay brilliant there; and it was not the magic of Elfland, nor had Ziroonderel called it up with her wand: it was only a magic of the wood's very own. And
”
”
Lord Dunsany (The King of Elfland's Daughter)
“
Logs on fire. Fires to burn the world down. A lifetime in the ashes of such a fire has taught me that it doesen't end there. Anyone can start a fire. The problem is what happens after.
”
”
Rosaria Munda (Flamefall (The Aurelian Cycle, #2))
“
Those who are esteemed umpires of taste, are often persons who have acquired some knowledge of admired pictures or sculptures, and have an inclination for whatever is elegant; but if you inquire whether they are beautiful souls, and whether their own acts are like fair pictures, you learn that they are selfish and sensual. Their cultivation is local, as if you should rub a log of dry wood in one spot to produce fire, all the rest remaining cold. Their knowledge of the fine arts is some study of rules and particulars, or some limited judgment of color or form which is exercised for amusement or for show. It is a proof of the shallowness of the doctrine of beauty, as it lies in the minds of our amateurs, that men seem to have lost the perception of the instant dependence of form upon soul.
”
”
Ralph Waldo Emerson (The Poet)
“
Gratitude is a gift, too! she realizes. It multiplies a hundred times the desire to thank. It's is like becoming aware of coolness of the breeze in the middle of summer, or of the warmth of log fire in the middle of winter. It makes each cell long to sing.
”
”
Muriel Maufroy (Rumi's Daughter)
“
Note for Americans and other city-dwelling life-forms: the rural British, having eschewed central heating as being far too complicated and in any case weakening moral fiber, prefer a system of piling small pieces of wood and lumps of coal, topped by large, wet logs, possibly made of asbestos, into small, smoldering heaps, known as “There’s nothing like a roaring open fire is there?” Since none of these ingredients are naturally inclined to burn, underneath all this they apply a small, rectangular, waxy white lump, which burns cheerfully until the weight of the fire puts it out. These little white blocks are called firelighters. No one knows why.
”
”
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
“
Actually, this is a poem my father once showed me, a long time ago. It has been bastardized many times, in many ways, but this is the original:
The Cold Within
Six men trapped by happenstance,
in bleak and bitter cold
Each possessed a stick of wood,
or so the story's told.
Their dying fire in need of logs,
the first man held his back
For of the faces round the fire,
he noticed one was black.
One man looking cross the way,
saw one not of his church
And could not bring himself to give
the fire his stick of birch.
The third one sat in tattered clothes,
he gave his coat a hitch
Why should his log be put to use
to warm the idle rich?
The rich man just sat back and thought
of the wealth he had in store
And how to keep what he had earned
from the lazy, shiftless poor.
The black man's face bespoke revenge
as the fire passed from his sight,
For all he saw in his stick of wood
was a chance to spite the white.
And the last man of this forlorn group
did naught except for gain,
Giving only to those who gave,
was how he played the game
The logs held tight, in death's still
hands,
was proof of human sin
They didn't die from the cold without,
they died from the cold within.
”
”
James Patrick Kinney
“
I look at you
And I want to build things
Four walls
A roof
A room with a view
I look at you
And I want to build things
A stack of logs
A roaring fire
A starlit night with you
I look at you
And I want to build things
Hike a secret trail
where the world cannot find us
A bench built for two
Picture this - lightning and thunder
Picture this- my telephone number
Picture this- discovery and wonder
Picture this- the moon as we slumber
I look at you
And I want to build things
I just need my hands
Your smile
And for you to want this too
”
”
José N. Harris
“
When You Return
Fallen leaves will climb back into trees.
Shards of the shattered vase will rise
and reassemble on the table.
Plastic raincoats will refold
into their flat envelopes. The egg,
bald yolk and its transparent halo,
slide back in the thin, calcium shell.
Curses will pour back into mouths,
letters un-write themselves, words
siphoned up into the pen. My gray hair
will darken and become the feathers
of a black swan. Bullets will snap
back into their chambers, the powder
tamped tight in brass casings. Borders
will disappear from maps. Rust
revert to oxygen and time. The fire
return to the log, the log to the tree,
the white root curled up
in the un-split seed. Birdsong will fly
into the lark’s lungs, answers
become questions again.
When you return, sweaters will unravel
and wool grow on the sheep.
Rock will go home to mountain, gold
to vein. Wine crushed into the grape,
oil pressed into the olive. Silk reeled in
to the spider’s belly. Night moths
tucked close into cocoons, ink drained
from the indigo tattoo. Diamonds
will be returned to coal, coal
to rotting ferns, rain to clouds, light
to stars sucked back and back
into one timeless point, the way it was
before the world was born,
that fresh, that whole, nothing
broken, nothing torn apart.
”
”
Ellen Bass (Like a Beggar)
“
Killing the man-beast they’ve identified as Ed Malson would have been far cleaner with his sword, but since swords have fallen out of fashion here on Earth, it raises too many questions. Hence he settled for beating him to death with a small log. The
”
”
C. Gockel (Wolves (I Bring the Fire, #1))
“
What's your name?” When she said nothing, he sighed. “You'll find that cooperating will go a long way with me.”
“Fine,” she bit out. “It's Sela.”
"See? That didn't hurt, did it?” He pushed to his feet, giving her the opportunity she needed.
Rolling, she swung her legs out, caught him in the knees...and he went down like a log. Granted, he was up again in a heartbeat, snarling with fury, but still, it felt good to give him a good whack.
“You can't help it, can you?” he snapped. “You keep doing stupid things.”
“You keep pissing me off!”
He blinked. And then he laughed, and good Lord, the man was drop-dead, fucking gorgeous when he did that.
-Logan and Sela
”
”
Sydney Croft (Tempting the Fire (ACRO, #5))
“
hate is like fire the more logs you add into it the longer and bigger it will be, But if you just leave it alone then in time it will surely die out...
”
”
Dj-trippin
“
A Log Cabin quilt is a thing every young woman should have before marriage, as it means the home; and there is always a red square at the centre, which means the hearth fire.
”
”
Margaret Atwood (Alias Grace)
“
What doesn’t destroy you will reshape you. Remember this, Celeste. Remember that the same fire that transforms sand into glass can turn logs into ash.
”
”
Olivia Wildenstein (Celestial (Angels of Elysium, #2))
“
Sasha was silent a long time. Finally, wearily, he threw a log on the fire and said, "I do not like him."
"I fear," said Sergei, "that he does not care in the slightest.
”
”
Katherine Arden (The Winter of the Witch (The Winternight Trilogy, #3))
“
She threw great logs of ‘I’m right, you’re an unfeeling bastard’ on to the fire and felt secure and comforted.
”
”
Louise Penny (Still Life (Chief Inspector Armand Gamache #1))
“
John Adair had little liking for the simple life; he said it was not simple, but the most damnably complicated method of wasting time that had every existed. He liked a constant supply of hot water, a refrigerator, an elevator, an electric toaster, a telephone beside his bed, central heating and electric fires, and anything whatever that reduced the time spent upon the practical side of living to a minimum and left him free to paint.
But Sally [his daughter] did not want to be set free for anything, for it was living itself that she enjoyed. She liked lighting a real fire of logs and fir cones, and toasting bread on an old-fashioned toaster. And she liked the lovely curve of an old staircase and the fun of running up and down it. And she vastly preferred writing a letter and walking with it to the post to using the telephone and hearing with horror her voice committing itself to things she would never have dreamed of doing if she'd had the time to think. "It's my stupid brain," she said to herself. "I like the leisurely things, and taking my time about them. That's partly why I like children so much, I think. They're never in a hurry to get on to something else.
”
”
Elizabeth Goudge (Pilgrim's Inn (Eliots of Damerosehay, #2))
“
19. Before the divine fire is introduced into the substance of the soul and united with it through perfect and complete purgation and purity, its flame, which is the Holy Spirit, wounds the soul by destroying and consuming the imperfections of its bad habits. And this is the work of the Holy Spirit, in which he disposes it for divine union and transformation in God through love. The very fire of love that afterward is united with the soul, glorifying it, is what previously assailed it by purging it, just as the fire that penetrates a log of wood is the same that first makes an assault on the wood, wounding it with the flame, drying it out, and stripping it of its unsightly qualities until it is so disposed that it can be penetrated and transformed into the fire. Spiritual writers call this activity the purgative way.
”
”
Juan de la Cruz (The Collected Works of St. John of the Cross (includes The Ascent of Mount Carmel, The Dark Night, The Spiritual Canticle, The Living Flame of Love, Letters, and The Minor Works) [Revised Edition])
“
The witch approached it and pared its edges with a sword that she drew from her thigh. Then she sat down beside it on the earth and sang to it while it cooled. Not like the runes that enraged the flames was the song she sang to the sword: she whose curses had blasted the fire till it shrivelled big logs of oak crooned now a melody like a wind in summer blowing from wild wood gardens that no man tended, down valleys loved once by children, now lost to them but for dreams, a song of such memories as lurk and hide along the edges of oblivion, now flashing from beautiful years of glimpse of some golden moment, now passing swiftly out of remembrance again, to go back to the shades of oblivion, and leaving on the mind those faintest traces of little shining feet which when dimly perceived by us are called regrets. She sang of old Summer noons in the time of harebells: she sang on that high dark heath a song that seemed so full of mornings and evenings preserved with all their dews by her magical craft from days that had else been lost, that Alveric wondered of each small wandering wing, that her fire had lured from the dusk, if this were the ghost of some day lost to man, called up by the force of her song from times that were fairer.
”
”
Lord Dunsany (The King of Elfland's Daughter)
“
He caught the first man in the back of the knee before they even knew he was there, and the heavy axehead split flesh and bone like rotten wood. Logs that bleed, Tyrion thought inanely as the second man came for him. Tyrion ducked under his sword, lashed out with the axe, the man reeled backward... and Catelyn Stark stepped up behind him and opened his throat. The horseman remembered an urgent engagement elsewhere and galloped off suddenly.
”
”
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
“
She found herself smiling. "Was the big, bad forest ranger scared?"
"I stared a fire," he said instead of answering, and the typical guy avoidance of admitting fear made her smile in the dark. "But even after I had a roaring fire, I still felt watched."
"What did you do?"
His hand was still gliding up and down her back, absently soothing, not-so-absently arousing her further. "I got up and searched the perimeter," he said. "Often. I finally fell asleep holding my gun, and at first light was startled awake by a curious teenage bear."
"Oh my God," she said on a horrified laugh. "What happened?"
Amusement came into his voice. "I shot the shit out of a tree and scared the hell out of us both. I fell backward off the log I'd fallen asleep on, and the bear did the same. Then we both scrambled to our feet, and he went running off to his mama. If my mama had been anywhere within two thousand miles, I'd have gone running off to her just the same as the bear."
-Matt on his first night out as a ranger
”
”
Jill Shalvis (At Last (Lucky Harbor, #5))
“
I want you to know one thing. You know how this is: if I look at the crystal moon, at the red branch of the slow autumn at my window, if I touch near the fire the impalpable ash or the wrinkled body of the log, everything carries me to you, as if everything that exists, aromas, light, metals, were little boats that sail toward those isles of yours that wait for me. Well, now, if little by little you stop loving me I shall stop loving you little by little. If suddenly you forget me do not look for me, for I shall already have forgotten you. If you think it long and mad, the wind of banners that passes through my life, and you decide to leave me at the shore of the heart where I have roots, remember that on that day, at that hour, I shall lift my arms and my roots will set off to seek another land. But if each day, each hour, you feel that you are destined for me with implacable sweetness, if each day a flower climbs up to your lips to seek me, ah my love, ah my own, in me all that fire is repeated, in me nothing is extinguished or forgotten, my love feeds on your love, beloved, and as long as you live it will be in your arms without leaving mine.
”
”
Pablo Neruda (Love Poems)
“
If there is something, though, if there is...well, I believe in the things I love...the feel of a good horse under me, the blue along those mountains over yonder, the firm, confident feel of a good gunbutt in my hand, the way the red gold of your hair looks against your throat.
The creak of a saddle in the hot sun and the long riding, the way you feel when you come to the top of a ridge and look down across miles and miles of land you have never seen, or maybe no man has ever seen. I believe in the pleasant sound of running water, the way the leaves turn red in the fall. I believe in the smell of autumn leaves burning, and the crackle of a burning log. Sort of sounds like it was chuckling over the memories of a time when it was a tree.
I like the sound of rain on a roof, and the look of a fire in a fireplace, and the embers of a campfire and coffee in the morning. I believe in the solid, hearty, healthy feel of a of a fist landing, the feel of a girl in my arms, warm and close. Those are the things that matter.
”
”
Louis L'Amour (Westward the Tide)
“
Nobody who looks at a shard of flint lying beneath a rock ledge, or who finds a splintered log by the side of the road would ever find magic in their solitude. But in the right circumstances, if you bring them together, you can start a fire that consumes the world.
”
”
Jodi Picoult (The Storyteller)
“
Lincoln is not the only famous leader to have battled depression. Winston Churchill lived with the ‘black dog’ for much of his life too. Watching a fire, he once remarked to a young researcher he was employing: ‘I know why logs spit. I know what it is to be consumed.
”
”
Matt Haig (Reasons To Stay Alive)
“
Now, of course, having failed in every attempt to subdue the Glades by frontal attack, we are slowly killing it off by tapping the River of Grass. In the questionable name of progress, the state in its vast wisdom lets every two-bit developer divert the flow into drag-lined canals that give him 'waterfront' lots to sell. As far north as Corkscrew Swamp, virgin stands of ancient bald cypress are dying. All the area north of Copeland had been logged out, and will never come back. As the glades dry, the big fires come with increasing frequency. The ecology is changing with egret colonies dwindling, mullet getting scarce, mangrove dying of new diseases born of dryness.
”
”
John D. MacDonald (Bright Orange for the Shroud)
“
desert place! Here let us all for death prepare, Or on the last great journey fare;320 Of Ráma our dear lord bereft, What profit in our lives is left? Huge trunks of trees around us lie, With roots and branches sere and dry, Come let us set these logs on fire And throw our bodies on the pyre.
”
”
Vālmīki (The Rámáyan of Válmíki)
“
Standing under the shelter of a cedar tree, I stared at the fire crackling as it burned through the fallen logs and twigs that I had gathered earlier with my father. The flames licked at the air, unaffected by the light rain. I was mesmerised by their vibrant red-orange colour, which burned steadily.
”
”
Susan L. Marshall (Adira and the Dark Horse (An Adira Cazon Literary Mystery))
“
Clara shrugged and immediately knew her betrayal of Peter. In one easy movement she'd distanced herself from his bad behavior, even thought she herself was responsible for it. Just before everyone had arrived, she'd told Peter about her adventure with Gamache. Animated and excited she'd gabbled on about her box and the woods and the exhilarating climb up the ladder to the blind. But her wall of words hid from her a growing quietude. She failed to notice his silence, his distance, until it was too late and he'd retreated all the way to his icy island. She hated that place. From it he stood and stared, judged, and lobbed shards of sarcasm.
'You and your hero solve Jane's death?'
'I thought you'd be pleased,' she half lied. She actually hadn't thought at all, and if she had, she probably could have predicted his reaction. But since he was comfortably on his Inuk island, she'd retreat to hers, equipped with righteous indignation and warmed by moral certitude. She threw great logs of 'I'm right, you're an unfeeling bastard' onto the fire and felt secure and comforted.
”
”
Louise Penny (Still Life (Chief Inspector Armand Gamache, #1))
“
Idiot!" he cried, "that from you! Here I sit, young Anthony, as I'll sit for a generation or more and watch such gay souls as you and Dick and Gloria Gilbery go past me, dancing and singing and loving and hating one another and being moved, being eternally moved. And I am moved only by my lack of emotion. I shall sit and the snow will come--oh, for a Caramel to take notes--and another winter and I shall be thirty and you and Dick and Gloria will go on being eternally moved and dancing by me and singing. But after you've all gone I'll be saying things for new Dicks to write down, and listening to the disillusions and cynicisms and emotions of new Anthonys--yes, and talking to new Glorias about the tans of summers yet to come."
The firelight flurried up on the hearth. Maury left the window, stirred the blaze with a poker, and dropped a log upon the andirons. Then he sat back in his chair and the remnants of his voice faded in the new fire that spit red and yellow along the bark.
"After all, Anthony, it's you who are very romantic and young. It's you who are infinitely more susceptible and afraid of your calm being broken. It's me who tries again and again to be moved--let myself go a thousand times and I'm always me. Nothing--quite--stirs me.
"Yet," he murmured after another long pause, "there was something about that little girl with her absurd tan that was eternally old--like me.
”
”
F. Scott Fitzgerald (The Beautiful and Damned)
“
Fire What makes a fire burn is space between the logs, a breathing space. Too much of a good thing, too many logs packed in too tight can douse the flames almost as surely as a pail of water would. So building fires requires attention to the spaces in between, as much as the wood. When we are able to build open spaces in the same way we have learned to pile on the logs, then we can come to see how it is fuel, and absence of the fuel together, that make fire possible. We only need lay a log lightly from time to time. A fire grows simply because the space is there, with openings in which the flame that knows just how it wants to burn can find its way. 12 Judy Brown
”
”
Peter Scazzero (The Emotionally Healthy Leader: How Transforming Your Inner Life Will Deeply Transform Your Church, Team, and the World)
“
Her mere proximity gave him the most peculiar sensation, like the kind of heat sent out when a log shatters to ash in a fire.
”
”
Laren Kate
“
Ideas are like the flint stone of wondrous works. You scratch at them until a spark flies ... then the world catches fire.
”
”
Gerard de Marigny (The Eagle's Plume (Archangel: Mission Log, #1))
“
You are all of twenty and very much feeling your womanhood. The strange thing about womanhood is that it goes on and on--the same daily burden of constant vague expectation and of everything being just slightly disappointing compared with what one knows one has inside oneself waiting to be touched off. It's rather like being a set of pretty little logs that won't quite catch fire, isn't it?
”
”
John Updike (S.)
“
The tree-frog in the high pool in the mountain cleft, had he been endowed with human reason, on finding a cigarette butt in the water might have said, "Here is an impossibility. there is no tobacco hereabouts nor any paper. Here is evidence of fire and there has been no fire. This thing cannot fly nor crawl nor blow in the wind. In fact, this thing cannot be and I will deny it, for if I admit that this thing is here the whole world of frogs is in danger, and from there it is only one step to anti-frogicentricism." And so that frog will for the rest of his life try to forget that something is, is.
”
”
John Steinbeck (The Log from the Sea of Cortez)
“
I wiped my eyes on my sleeve and jumped when I turned and found Ren’s brother standing behind me as a man.
Ren got up, alert, and watched him carefully, suspicious of Kishan’s every move. Ren’s tail twitched back and forth, and a deep grumble issued from his chest.
Kishan look down at Ren, who had crept even closer to keep an eye on him, and then looked back at me. He reached out his hand, and when I placed mine in it, he lifted it to his lips and kissed it, then bowed deeply with great aplomb. “May I ask your name?”
“My name is Kelsey. Kelsey hayes.”
“Kelsey. Well, I, for one, appreciate all the efforts you have made on our behalf. I apologize if I frightened you earlier. I am,” he smiled, “out of practice in conversing with young ladies. These gifts you will be offering to Durga. Would you kindly tell me more about them?”
Ren growled unhappily.
I nodded. “Is Kishan your given name?”
“My full name is actually Sohan Kishan Rajaram, but you can call me Kishan if you like.” He smiled a dazzling white smile, which was even more brilliant due to the contrast with his dark skin. He offered an arm. “Would you please sit and talk with me, Kelsey?”
There was something very charming about Kishan. I surprised myself by finding I immediately trusted and liked him. He had a quality similar to his brother. Like Ren, he had the ability to set a person completely at ease. Maybe it was their diplomatic training. Maybe it was how their mother raised them. Whatever it was made me respond positively. I smiled at him.
“I’d love to.”
He tucked my arm under his and walked with me over to the fire. Ren growled again, and Kishan shot a smirk in his direction. I noticed him wince when he sat, so I offered him some aspirin.
“Shouldn’t we be getting you two to a doctor? I really think you might need stitches and Ren-“
“Thank you, but no. You don’t need to worry about our minor pains.”
“I wouldn’t exactly call your wounds minor, Kishan.”
“The curse helps us to heal quickly. You’ll see. We’ll both recover swiftly enough on our own. Still, it was nice to have such a lovely young woman tending to my injuries.”
Ren stood in front of us and looked like he was a tiger suffering from apoplexy.
I admonished, “Ren, be civil.”
Kishan smiled widely and waited for me to get comfortable. Then he scooted closer to me and rested his arm on the log behind my shoulders. Ren stepped right between us, nudged his brother roughly aside with his furry head, creating a wider space, and maneuvered his body into the middle. He dropped heavily to the ground and rested his head in my lap.
Kishan frowned, but I started talking, sharing the story of what Ren and I had been through. I told him about meeting Ren at the circus and about how he tricked me to get me to India. I talked about Phet, the Cave of Kanheri, and finding the prophecy, and I told him that we were on our way to Hampi.
As I lost myself in our story, I stroked Ren’s head. He shut his eyes and purred, and then he fell asleep. I talked for almost an hour, barely registering Kishan’s raised eyebrow and thoughtful expression as he watched the two of us together. I didn’t even notice when he’d changed back into a tiger.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
With the gun which was too big for him, the breech-loader which did not even belong to him but to Major de Spain and which he had fired only once, at a stump on the first day to learn the recoil and how to reload it with the paper shells, he stood against a big gum tree beside a little bayou whose black still water crept without motion out of a cane-brake, across a small clearing and into the cane again, where, invisible, a bird, the big woodpecker called Lord-to-God by negroes, clattered at a dead trunk. It was a stand like any other stand, dissimilar only in incidentals to the one where he had stood each morning for two weeks; a territory new to him yet no less familiar than that other one which after two weeks he had come to believe he knew a little--the same solitude, the same loneliness through which frail and timorous man had merely passed without altering it, leaving no mark nor scar, which looked exactly as it must have looked when the first ancestor of Sam fathers' Chickasaw predecessors crept into it and looked about him, club or stone axe or bone arrow drawn and ready, different only because, squatting at the edge of the kitchen, he had smelled the dogs huddled and cringing beneath it and saw the raked ear and side of the bitch that, as Sam had said, had to be brave once in order to keep on calling herself a dog, and saw yesterday in the earth beside the gutted log, the print of the living foot. He heard no dogs at all. He never did certainly hear them. He only heard the drumming of the woodpecker stop short off, and knew that the bear was looking at him. he did not move, holding the useless gun which he knew now he would never fire at it, now or ever, tasting in his saliva that taint of brass which he had smelled in the huddled dogs when he peered under the kitchen.
”
”
William Faulkner (Go Down, Moses)
“
October's Double by Stewart Stafford
Light a fire in flinty February,
As the evening time comes down,
Welcome all the family home
With shopping bought from town.
Hear the logs crackle and roll,
And the sparks pop and hiss,
A storm roars down the chimney,
To deliver its tempestuous kiss.
Drowsiness in the living room,
As the expiring embers fade,
Up we go to those clean sheets,
And beds so neatly made.
© Stewart Stafford, 2022. All rights reserved.
”
”
Stewart Stafford
“
I want you to know
one thing.
You know how this is:
if I look, at the crystal moon, at the red branch
of the slow autumn at my window,
if I touch
near the fire
the impalpable ash
or the wrinkled body of the log,
everything carries me to you,
as if everything that exists,
aromas, light, metals,
were little boats
that sail
toward those isles of yours that wait for me.
Well, now,
if little by little you stop loving me
I shall stop loving you little by little.
If suddenly
you forget me
do not look for me,
for I shall already have forgotten you.
If you think it long and mad,
the wind of banners
that passes through my life,
and you decide
to leave me at the shore
of the heart where I have roots,
remember
that on that day,
at that hour,
I shall lift my arms
and my roots will set off
to seek another land.
But
if each day,
each hour,
you feel that you are destined for me
with implacable sweetness,
if each day a flower
climbs up to your lips to seek me,
ah my love, ah my own,
in me all that fire is repeated,
in me nothing is extinguished or forgotten,
my love feeds on your love, beloved,
and as long as you live it will be in your arms
without leaving mine.
”
”
Pablo Neruda (If You Forget Me)
“
game hunting was flourishing; and, dining at Muthaiga Club, I was offered trout freshly caught in the mountains, together with some last bottles of a particularly fragrant Rhine wine. Not since that last bright summer in Paris in 1939, when the wealthy of the world came flocking to spend their money lest they should not visit Paris again, had I seen women so well groomed, wearing so many lush furs. Baboon pelts and leopard skins were particularly popular. Great log fires burned in the grates of the club chimney places, though the nights were scarcely sharp. The men wore dinner-jackets or dress uniform. The conversation tended to hunting. In the day one had golf at Brackenridge, or swimming or riding or fooling round the game reserves where giraffe still roam haphazardly. Normally one looked in at a roadhouse for an apéritif around eight in the evening, and after dinner perhaps went down to Torr’s to dance. They say the altitude at Nairobi makes people slightly crazy, but after the desert I found it all delightful, as though the world were enjoying one long holiday. As
”
”
Alan Moorehead (Desert War: The North African Campaign 1940-43)
“
Nobody,” Sage reads, “who looks at a shard of flint lying beneath a rock ledge, or who finds a splintered log by the side of the road would ever find magic in their solitude. But in the right circumstances, if you bring them together, you can start a fire that consumes the world.
”
”
Jodi Picoult (The Storyteller)
“
If you wish to go. And I suspect you do, if only to castigate me on other continents. There’s an idea. Come with me to Tahiti and insult me on a white sand beach. Berate me on a South American mountaintop—so loudly, the echo sets off an avalanche.”
Despite all her intentions to dampen it, a flame of excitement kindled in her heart. And then he threw a log on the fire. “Aside from a thrilling honeymoon, you must admit it would make quite a book.”
Curse the man. He understood exactly how to tempt her.
“Just imagine the memoir. You could call it Lord Ashwood’s Ship Has Sailed. I’m certain the reading public would be fascinated.
”
”
Tessa Dare (Lord Dashwood Missed Out (Spindle Cove, #4.5))
“
Visual thinkers, on the other hand, see images in their mind’s eye that allow them to make rapid-fire associations. Generally, visual thinkers like maps, art, and mazes, and often don’t need directions at all. Some visual thinkers can easily locate a place they’ve been to only once, their internal GPS having logged the visual landmarks. Visual thinkers tend to be late talkers who struggle with school and traditional teaching methods. Algebra is often their undoing, because the concepts are too abstract, with little or nothing concrete to visualize. Visual thinkers tend to be good at arithmetic that is directly related to practical
”
”
Temple Grandin (Visual Thinking: The Hidden Gifts of People Who Think in Pictures, Patterns, and Abstractions)
“
The men toasted their bottles, as they did when Mouse was mentioned. The part of their tattoo that no longer existed. The man had died on the job, protecting Blake because he was loyal to Beckett.
“And…” Cole shot Beckett a look.
“You’re unofficially known as Sparkles and Jesus.” Beckett squinted as Cole pretended to be offended.
“I think it’s only fair if we give you a nickname, Blake?” Cole asked.
Blake stood and added a log to the fire. It’d been burning steady since right after dinner. Being with his brothers like this was Beckett’s favorite. It his wildest dreams he never pictured getting to sit with them in a Blake’s backyard.
”
”
Debra Anastasia
“
How did I know how to do that to a body? Is that what you want to know?"
The boy, holding the tea tray, did not reply.
"I told you. It's exactly the same as cooking. I happen to know how to read."
"The library has stuff on things like that?"
The girl picked up the poker and pushed a maple log back into the fire. "The library has everything.
”
”
Laird Koenig (The Little Girl Who Lives Down the Lane)
“
The room was almost dark, with just flickers of light coming from the logs burning in the hearth. I could just see his shape, sitting in the leather, wing-backed chair, silhouetted by the fire.
“Come here.”
His voice was quiet, but with the firmness I had come to expect from him. I moved closer and knelt down in front of him, my naked bottom facing the warmth of the fire. I bent my head downwards and looked at the floor as I had been taught, but he surprised me by lifting up my chin with his hand.
“You look so beautiful.”
He bent and kissed me softly on the lips, and I shivered in anticipation. Was it to be pleasure or pain this time? Or perhaps a combination of both, given in the way that only he can.
”
”
Rachel de Vine (Out of Darkness)
“
This is not mysticism, but identification; man, building this greatest and most personal of all tools, has in turn received a boat-shaped mind, and the boat, a man-shaped soul. His spirit and the tendrils of his feeling are so deep in a boat that the identification is complete. It is very easy to see why the Viking wished his body to sail away in an unmanned ship, for neither could exist without the other; or, failing that, how it was necessary that the things he loved most, his women and his ship, lie with him and thus keep closed the circle. In the great fire on the shore, all three started at least in the same direction, and in the gathered ashes who could say where man or woman stopped and ship began?
”
”
John Steinbeck (The Log from the Sea of Cortez)
“
And there came a second crack, loud and sharp as thunder, and the smoke stirred and whirled around her and the pyre shifted, the logs exploding as the fire touched their secret hearts. She heard the screams of frightened horses, and the voices of the Dothraki raised in shouts of fear and terror, and Ser Jorah calling her name and cursing. No, she wanted to shout to him, no, my good knight, do not fear for me. The fire is mine. I am Daenerys Stormborn, daughter of dragons, bride of dragons, mother of dragons, don’t you see? Don’t you SEE? With a belch of flame and smoke that reached thirty feet into the sky, the pyre collapsed and came down around her. Unafraid, Dany stepped forward into the firestorm, calling to her children.
”
”
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
“
How happily we explored our shiny new world! We lived like characters from the great books I curled up with in the big Draylon armchair. Like Jack Kerouak, like Gatsby, we created ourselves as we went along, a raggle-taggle of gypsies in old army overcoats and bell-bottoms, straggling through the fields that surrounded our granite farmhouse in search of firewood, which we dragged home and stacked in the living room. Ignorant and innocent, we acted as if the world belonged to us, as though we would ever have taken the time to hang the regency wallpaper we damaged so casually with half-rotten firewood, or would have known how to hang it straight, or smooth the seams. We broke logs against the massive tiled hearth and piled them against the sooty fire back, like the logs were tradition and we were burning it, like chimney fires could never happen, like the house didn't really belong to the poor divorcee who paid the rates and mortgage even as we sat around the flames like hunter gatherers, smoking Lebanese gold, chanting and playing the drums, dancing to the tortured music of Luke's guitar. Impelled by the rhythm, fortified by poorly digested scraps of Lao Tzu, we got up to dance, regardless of the coffee we knocked over onto the shag carpet. We sopped it up carelessly, or let it sit there as it would; later was time enough. We were committed to the moment.
Everything was easy and beautiful if you looked at it right. If someone was angry, we walked down the other side of the street, sorry and amused at their loss of cool. We avoided newspapers and television. They were full of lies, and we knew all the stuff we needed. We spent our government grants on books, dope, acid, jug wine, and cheap food from the supermarket--variegated cheese scraps bundled roughly together, white cabbage and bacon ends, dented tins of tomatoes from the bargain bin. Everything was beautiful, the stars and the sunsets, the mold that someone discovered at the back of the fridge, the cows in the fields that kicked their giddy heels up in the air and fled as we ranged through the Yorkshire woods decked in daisy chains, necklaces made of melon seeds and tie-dye T-shirts whose colors stained the bath tub forever--an eternal reminder of the rainbow generation. [81-82]
”
”
Claire Robson (Love in Good Time: A Memoir)
“
Neurons on the two ends of the log-normal distribution of activity organize themselves differently. Fast-firing neurons are better connected with each other and burst more than slow-firing neurons. The more strongly connected faster firing neurons form a “rich club” with better access to the entire neuronal population, share such information among themselves, and, therefore, generalize across situations. In contrast, slow firing neurons keep their independent solitude and elevate their activity only in unique situations. The two tails of the distribution are maintained by a homeostatic process during non-REM sleep. The emerging picture is that a simple measure, such as the baseline firing frequency, can reveal a lot about a neuron’s role in computation and its wiring properties. The
”
”
György Buzsáki (The Brain from Inside Out)
“
Why were you mad at him?” John’s lip curled before he turned away. “I wasn’t mad at him.” She followed him to the fireplace, where he tossed another log on the already roaring blaze. “Why were you scowling at him like that then? You looked like you were going to rip his head off.” John stared into the fire and didn’t respond right away. “It was nothing. Just stuff. Don’t worry about it.” Shannon
”
”
J.M. Madden (Embattled Hearts (Lost and Found, #1))
“
The Sun King had dinner each night alone. He chose from forty dishes, served on gold and silver plate. It took a staggering 498 people to prepare each meal. He was rich because he consumed the work of other people, mainly in the form of their services. He was rich because other people did things for him. At that time, the average French family would have prepared and consumed its own meals as well as paid tax to support his servants in the palace. So it is not hard to conclude that Louis XIV was rich because others were poor.
But what about today? Consider that you are an average person, say a woman of 35, living in, for the sake of argument, Paris and earning the median wage, with a working husband and two children. You are far from poor, but in relative terms, you are immeasurably poorer than Louis was. Where he was the richest of the rich in the world’s richest city, you have no servants, no palace, no carriage, no kingdom. As you toil home from work on the crowded Metro, stopping at the shop on the way to buy a ready meal for four, you might be thinking that Louis XIV’s dining arrangements were way beyond your reach. And yet consider this. The cornucopia that greets you as you enter the supermarket dwarfs anything that Louis XIV ever experienced (and it is probably less likely to contain salmonella). You can buy a fresh, frozen, tinned, smoked or pre-prepared meal made with beef, chicken, pork, lamb, fish, prawns, scallops, eggs, potatoes, beans, carrots, cabbage, aubergine, kumquats, celeriac, okra, seven kinds of lettuce, cooked in olive, walnut, sunflower or peanut oil and flavoured with cilantro, turmeric, basil or rosemary … You may have no chefs, but you can decide on a whim to choose between scores of nearby bistros, or Italian, Chinese, Japanese or Indian restaurants, in each of which a team of skilled chefs is waiting to serve your family at less than an hour’s notice. Think of this: never before this generation has the average person been able to afford to have somebody else prepare his meals.
You employ no tailor, but you can browse the internet and instantly order from an almost infinite range of excellent, affordable clothes of cotton, silk, linen, wool and nylon made up for you in factories all over Asia. You have no carriage, but you can buy a ticket which will summon the services of a skilled pilot of a budget airline to fly you to one of hundreds of destinations that Louis never dreamed of seeing. You have no woodcutters to bring you logs for the fire, but the operators of gas rigs in Russia are clamouring to bring you clean central heating. You have no wick-trimming footman, but your light switch gives you the instant and brilliant produce of hardworking people at a grid of distant nuclear power stations. You have no runner to send messages, but even now a repairman is climbing a mobile-phone mast somewhere in the world to make sure it is working properly just in case you need to call that cell. You have no private apothecary, but your local pharmacy supplies you with the handiwork of many thousands of chemists, engineers and logistics experts. You have no government ministers, but diligent reporters are even now standing ready to tell you about a film star’s divorce if you will only switch to their channel or log on to their blogs.
My point is that you have far, far more than 498 servants at your immediate beck and call. Of course, unlike the Sun King’s servants, these people work for many other people too, but from your perspective what is the difference? That is the magic that exchange and specialisation have wrought for the human species.
”
”
Matt Ridley (The Rational Optimist: How Prosperity Evolves)
“
If only humankind would soon succeed in destroying itself; true, I'm afraid : it will take a long time yet, but they'll manage it for sure. They'll have to learn to fly too, so that it will be easier to toss firebrands into cities (a pretty sight : a portly, bronze boat perhaps, from which a couple of mail-clad warriors contemptuously hurl a few flaming armored logs, while from below they shoot at the scaly beasts with howling arrows. They could also easily pour burning oil out of steel pitchers. Or poison. In the wells. By night). Well, they'll manage it all right (if I can come up with that much !). For they pervert all things to evil. The alphabet : it was intended to record timeless poetry or wisdom or memories - but they scrawl myriads of trashy novels and inflammatory pamphlets. What do they deftly make of metals ? Swords and arrow tips. - Fire ? Cities are already smoldering. And in the agora throng the pickpockets and swashbucklers, cutpurses, bawds, quacks and whores. And at best, the rest are simpletons, dandies, and brainless yowlers. And every one of them self-complacent, pretending respectability, bows politely, puffs out coarse cheeks, waves his hands, ogles, jabbers, crows. (They have many words : Experienced : someone who knows plenty of the little underhanded tricks. - Mature : has finally unlearned every ideal. Sophisticated : impertinent and ought to have been hanged long ago.) Those are the small fry; and the : every statesman, politician, orator; prince, general, officer should be throttled on the spot before he has time or opportunity to earn the title at humankind's expense. - Who alone can be great ? Artists and scientists ! And no one else ! And the least of them, if an honest man, is a thousand times greater than the great Xerxes. - If the gods would grant me 3 wishes, one of them would be immediately to free the earth of humankind. And of animals, too (they're too wicked for me as well). Plants are better (except for the insectavores) - The wind has picked up.
”
”
Arno Schmidt
“
Sometime after midnight, another band of soldiers broke into the tiny chapel in the Imperial Park which had become Rasputin’s tomb and exhumed the coffin. They took it to a clearing in the forest, pried off the lid and, using sticks to avoid touching the putrefying corpse, lifted what remained of Rasputin onto a pile of pine logs. The body and logs were drenched with gasoline and set on fire. For more than six hours, the body burned while an icy wind howled through the clearing and clouds of pungent smoke rose from the pyre. Along with the soldiers, a group of peasants gathered, silent and afraid, to watch through the night as the final scene of this baleful drama was played. It had happened as Rasputin once predicted: he would be killed and his body not left in peace, but burned, with his ashes scattered to the winds.
”
”
Robert K. Massie (Nicholas and Alexandra)
“
Afghan Girl
Ice blue eyes that look to the morning sky as I knit the pieces and remnants of my life. I have No books, no paper, no pencils, and no black boards. I look at the holes in my life as I see the hills of the Appalachians that echo. I think to myself, who will I marry? Is my life-like Pari?
These strings please come together.
Snowflakes give me hope, and my dreams dance all around me. I‘ll put another log on the fire. I watch the brown paper bag over the broken glass pane letting the cold wind in; I’ll take some of these remnants and stuff it.
These strings are come together.
Mama told me that life would be hard. I bartered for flour the other day, and the chickens ain’t laying no eggs. I struggle with life and these strings. My hands are worn and tired. Now, I have granny square hands.
I am unclean, unblemished, and finished,
Afghan girl.
”
”
Edna Stewart (Carpe Diem)
“
Mary.”
Turning at the soft sound of her name, she glanced behind herself. Then frowned. “Lassiter?”
“I’m over here.”
“Where?” She looked all around. “Why is your voice echoing?”
“Chimney.”
“What?”
“I’m stuck in the fucking chimney.”
She raced over to the fireplace and got on her hands and knees. Looking up into the dark flue, she shook her head. “Lass? What the hell are you doing up there?”
His voice emanated from somewhere above her. “Don’t tell anyone, okay?”
“What are you—”
An arm came down. A very sooty arm that was encased in a red sleeve that had white trim. Or what had been white trim and which was now smudged with ash.
“You’re stuck!” she exclaimed. “And thank God no one lit this fire!”
“You’re telling me,” he muttered in his disembodied voice. “I had to blow out Fritz’s match like a hundred times before he gave up. Fuck, that sounds dirty. Anyway, just remind me never to try to be Santa for your kid, okay? I’m not doing this again, even for her.”
Mary stretched a little farther in, but the logs on the hearth stopped her. “Lassiter. Why can’t you free yourself by dematerializing—”
“I’m impaled on a hook that’s iron. I can’t go ghost. And will you just take this?”
“What?”
“This.” He turned his hand toward her and there was…a box…in it? A small navy blue box. “Open it. And before you ask, I already cleared it with your pinheaded hellren. He’s not jel or anything.”
Mary sat back and shook her head. “I’m more worried about you—”
“Justopenthefuckingthingalready.”
Taking off the top, she found a slightly smaller box inside. That was velvet. “What is this?” As she lifted the lid, she…gasped. It was a pair of diamond earrings. A pair of perfectly matched, sparkly, diamond…
“A mother’s tears,” Lassiter’s slightly echo-y voice said softly. “So hard, so beautiful. I told you everything was going to be all right. And those are to remind you of how strong you are, how strong your love for your daughter is…how, even in the worst of times, things have a way of working out as they should.”
Blinking away tears, she thought of her crying in the foyer in front of the angel, crying because all had been lost. “They’re just beautiful,” she said hoarsely.
-Lassiter & Mary
”
”
J.R. Ward (Blood Vow (Black Dagger Legacy, #2))
“
What made the process still longer was that it was profusely illustrated, not only with pictures, as that of old Queen Elizabeth, laid on her tapestry couch in rose-coloured brocade with an ivory snuff-box in her hand and a gold-hilted sword by her side, but with scents — she was strongly perfumed — and with sounds; the stags were barking in Richmond Park that winter’s day. And so, the thought of love would be all ambered over with snow and winter; with log fires burning; with Russian women, gold swords, and the bark of stags; with old King James’ slobbering and fireworks and sacks of treasure in the holds of Elizabethan sailing ships. Every single thing, once he tried to dislodge it from its place in his mind, he found thus cumbered with other matter like the lump of glass which, after a year at the bottom of the sea, is grown about with bones and dragon-flies, and coins and the tresses of drowned women.
”
”
Virginia Woolf (Orlando)
“
Oak is peering at the lock on the chest. “Once, the Bomb told me a story about poisonous spiders kept inside a trunk. When the thief opened it, he was bitten all over. Died badly. I believe she was trying to dissuade me from stealing sweets.”
Tiernan kicks the stack of wood with one snow-covered boot. The logs rumble out of formation. “I am going to make a fire.”
I lift the fur and turn it inside out, brushing my hand over the lining to check for rot or bugs. There’s nothing. No discoloration, either, as there might be from poison. The only odor it contains is the faint smell of the smoke used to tan the hide.
A few uniforms from a long-disbanded army are in a gray woolen heap. I shake them out and assess them while Oak tries to pry apart the rusty chest. “There probably aren’t any spiders,” he says when I look in his direction.
Inside is a waxed wheel of cheese and ancient rolls, along with a skin of slushy wine. He appears disappointed.
”
”
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
“
Many hundreds of craft of all sizes and nationalities - transatlantic steamers, full-rigged ships, barques, schooners, and fishing smacks - were running into the Sound from the open sea, making for the shelter of the roads of Elsinore. Not a single vessel was heading the other way, all were scudding in before the tempest; many of them, no doubt, had put to sea several days before, bound round the Skaw into the German Ocean, but had been compelled to turn back by the violence of the hurricane. They were all staggering along under the smallest possible amounts of canvas, pitching heavily into the frightfully high seas; here a full-rigged ship under close-reefed topsails; here a schooner under fore and main trysails; here a brig under bare poles; here a pilot-cutter under spit-fire jib, and the balance-reef down in her mainsail. Several vessels had lost spars or portions of their bulwarks; one Norwegian barque was evidently water-logged, and in a sinking condition, and was floundering slowly into smoother water, but just in time; and outside the Sound, on the raging Kattegat, were hundreds of other vessels, some hull down on the horizon, making for the same refuge, their fate still uncertain among those gigantic rollers, and, no doubt, with many an anxious heart on board of them.
”
”
Edward Frederick Knight (The Falcon on the Baltic: A Coasting Voyage from Hammersmith to Copenhagen in a Three-Ton Yacht)
“
The Dream"
I met her as a blossom on a stem
Before she ever breathed, and in that dream
The mind remembers from a deeper sleep:
Eye learned from eye, cold lip from sensual lip.
My dream divided on a point of fire;
Light hardened on the water where we were;
A bird sang low; the moonlight sifted in;
The water rippled, and she rippled on.
She came toward me in the flowing air,
A shape of change, encircled by its fire.
I watched her there, between me and the moon;
The bushes and the stones danced on and on;
I touched her shadow when the light delayed;
I turned my face away, and yet she stayed.
A bird sang from the center of a tree;
She loved the wind because the wind loved me.
Love is not love until love’s vulnerable.
She slowed to sigh, in that long interval.
A small bird flew in circles where we stood;
The deer came down, out of the dappled wood.
All who remember, doubt. Who calls that strange?
I tossed a stone, and listened to its plunge.
She knew the grammar of least motion, she
Lent me one virtue, and I live thereby.
She held her body steady in the wind;
Our shadows met, and slowly swung around;
She turned the field into a glittering sea;
I played in flame and water like a boy
And I swayed out beyond the white seafoam;
Like a wet log, I sang within a flame.
In that last while, eternity’s confine,
”
”
Theodore Roethke (The Collected Poems)
“
We’ve come because we need to track down the original location of the Fall,” Daniel said, “the place where Lucifer and the host of Heaven will appear. We have to stop him.”
Dee looked strangely undeterred from her tea service, continuing to divvy up the cucumber sandwiches. The angels waited for her to respond. A log in the fire splintered, cracked, and tumbled from the grate.
“And all because a boy loved a girl,” she said at last. “Quite disturbing. Really brings out the worst in all the old enemies, doesn’t it? Scale coming unhinged, Elders killing innocents. So much unpleasantness. As if all you fallen angels didn’t have enough to bother with. I say, you must be awfully tired.” She have Luce a reassuring smile and gestured again for them to sit down.
Roland pulled out the chair at the head of the table for Dee and sat down in the seat to her left. “Maybe you can help us.” He motioned for the others to join him. Annabelle and Arriane sat beside him, and Luce and Daniel sat across the table. Luce slid her hand over Daniel’s, twining her fingers around his.
Dee passed the cups of tea around the table. After a clattering of china and spoons stirring sugar into tea, Luce cleared her throat. “We’re going to stop Lucifer, Dee.”
“I should hope so.”
Daniel grasped Luce’s fingers. “Right now we’re searching for three objects that tell the early history of the fallen. When brought together, they should reveal the original location of the Fall.”
Dee sipped her tea. “Clever boy. Had any luck?
”
”
Lauren Kate (Rapture (Fallen, #4))
“
SHE TOLD THE TRUSTEES, who had surely vacationed in the Caribbean, about the Carib Indian chief who was about to be burned at the stake by Spaniards. His crime was his failure to see the beauty of his people's becoming slaves in their own country.
This chief was offered a cross to kiss before a professional soldier or maybe a priest set fire to the kindling and logs piled up above his kneecaps. He asked why he should kiss it, and he was told that the kiss would get him into Paradise, where he would meet God and so on.
He asked if there were more people like the Spaniards up there.
He was told that of course there were.
In that case, he said, he would leave the cross unkissed. He said he didn't want to go to yet another place where people were so cruel.
”
”
Kurt Vonnegut Jr. (Hocus Pocus)
“
On the other hand, everyday language would soon prove inadequate for designating all the olfactory notions that he had accumulated within himself. Soon he was no longer smelling mere wood, but kinds of wood: maple-wood, oak-wood, pine-wood, elm-wood, pear-wood, old, young, rotting, mouldering, mossy wood, down to single logs, chips and splinters – and could clearly differentiate them as objects in a way that other people could not have done by sight. It was the same with other things. For instance, the white drink that Madame Gaillard served her wards each day, why should it be designated uniformly as milk, when to Grenouille’s senses it smelled and tasted completely different every morning depending on how warm it was, which cow it had come from, what that cow had been eating, how much cream had been left in it and so on … Or why should smoke possess only the name ‘smoke’, when from minute to minute, second to second, the amalgam of hundreds of odours mixed iridescently into ever new and changing unities as the smoke rose from the fire … or why should earth, landscape, air – each filled at every step and every breath with yet another odour and thus animated with another identity – still be designated by just those three coarse words. All these grotesque incongruities between the richness of the world perceivable by smell and the poverty of language were enough for the lad Grenouille to doubt that language made any sense at all; and he grew accustomed to using such words only when his contact with others made it absolutely necessary.
”
”
Patrick Süskind (Perfume: The Story of a Murderer)
“
He passed the open library door, then stopped, returned. He pushed the door wider to see Kestrel more fully.
A fire burned in the grate. The room was warm, and Kestrel was browsing the shelves as if this were her home, which Arin wanted it to be. Her back to him, she slid a book from its row, a finger on top of its spine.
She seemed to sense his presence. She slid the book back and turned. The graze on her cheek had scabbed over. Her blackened eye had sealed shut. The other eye studied him, almond-shaped, amber, perfect. The sight of her rattled Arin even more than he had expected.
“Don’t tell people why you killed Cheat,” she said. “It won’t win you any favors.”
“I don’t care what they think of me. They need to know what happened.”
“It’s not your story to tell.”
A charred log shifted on the fire. Its crackle and sift was loud. “You’re right,” Arin said slowly, “but I can’t lie about this.”
“Then say nothing.”
“I’ll be questioned. I’ll be held accountable by our new leader, though I’m not sure who will take Cheat’s place--”
“You. Obviously.”
He shook his head.
Kestrel lifted one shoulder in a shrug. She turned back to the books.
“Kestrel, I didn’t come in here to talk politics.”
Her hand trembled slightly, then swept along the titles to hide it.
Arin didn’t know how much last night had changed things between them, or in what way. “I’m sorry,” he said. “Cheat should never have been a threat to you. You shouldn’t even be in this house. You’re in this position because I put you there. Here. Forgive me, please.”
Her fingers paused: thin, strong, and still.
Arin dared to reach for her hand, and Kestrel did not pull away.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Be angry with me if you wish. I suppose I deserve it. Be whatever you have to be with me. But stop this charade and be yourself. That’s all I ask.”
He stood silent for a moment, looking at me with haughty disapproval. And then he came to take the other chair. He poured himself more brandy without offering me any. I could smell that it was the apricot one we had shared in my cabin less than a year ago. He sipped it and then observed, “Be myself. And who would that be?” He set down the glass, leaned back in the chair, and then crossed his arms on his chest.
“I don’t know. I wish you were the Fool,” I said quietly. “But I think we have come too far to go back to that pretense. Yet if we could, I would. Willingly.” I looked away from him. I kicked at the end of a hearth log, pushing it farther into the fire and waking new flames in a gust of sparks. “When I think of you now, I do not even know how to name you to myself. You are not Lord Golden to me. You never truly were. Yet you are not the Fool anymore, either.” I steeled myself as the words came to me, unplanned but obvious. How can the truth be so difficult to say?
For a teetering instant, I feared he would misunderstand my words. Then I knew that he would know exactly what I meant by them. For years, he had understood my feelings, in the silences he kept. Before we parted company, I had to repair, somehow, the rift between us. The words were the only tool I had. They echoed of the old magic, of the power one gained when one knew someone’s true name. I was determined. And yet, the utterance still came awkward to my tongue.
“You said once that I might call you ‘Beloved,’ if I no longer wished to call you ‘Fool.’” I took a breath. “Beloved, I have missed your company.”
He lifted a hand and covered his mouth. Then he disguised the gesture by rubbing his chin as if he thought something through carefully. I do not know what expression he hid behind his palm. When he dropped his hand from his face, he was smiling wryly. “Don’t you think that might cause some talk about the keep?”
I let his comment pass for I had no answer to it. He had spoken to me in the Fool’s mocking voice. Even as it soothes my heart, I had to wonder if it was a sham for my benefit. Did he show me what I wished to see, or what he was?
“Well.” He sighed. “I suppose that if you were going to have an appropriate name for me, it would still be Fool. So let us leave it at that, Fitzy. To you, I am the Fool.” He looked into the fire and laughed softly. “It balances, I suppose. Whatever is to come for us, I will always have these words to recall now.” He looked at me and nodded gravely, as if thanking me for returning something precious to him.
There were so many things I wanted to discuss with him. I wanted to review the Prince’s mission and talk about Web and ask him why he now gambled so much and what his wild extravagances meant. But I suddenly wanted to add no more words to what we had said tonight. As he had said, it balanced now. It was a hovering scale between us; I would chance no word that might tip it awry again. I nodded to him and rose slowly. When I reached the door, I said quietly, “Then, good night, Fool.” I opened the door and went out into the corridor.
“Good night, beloved,” he said from his fireside chair. I shut the door softly behind myself.
”
”
Robin Hobb (Golden Fool (Tawny Man, #2))
“
Hymn to Mercury : Continued
11.
...
Seized with a sudden fancy for fresh meat,
He in his sacred crib deposited
The hollow lyre, and from the cavern sweet
Rushed with great leaps up to the mountain's head,
Revolving in his mind some subtle feat
Of thievish craft, such as a swindler might
Devise in the lone season of dun night.
12.
Lo! the great Sun under the ocean's bed has
Driven steeds and chariot—the child meanwhile strode
O'er the Pierian mountains clothed in shadows,
Where the immortal oxen of the God
Are pastured in the flowering unmown meadows,
And safely stalled in a remote abode.—
The archer Argicide, elate and proud,
Drove fifty from the herd, lowing aloud.
13.
He drove them wandering o'er the sandy way,
But, being ever mindful of his craft,
Backward and forward drove he them astray,
So that the tracks which seemed before, were aft;
His sandals then he threw to the ocean spray,
And for each foot he wrought a kind of raft
Of tamarisk, and tamarisk-like sprigs,
And bound them in a lump with withy twigs.
14.
And on his feet he tied these sandals light,
The trail of whose wide leaves might not betray
His track; and then, a self-sufficing wight,
Like a man hastening on some distant way,
He from Pieria's mountain bent his flight;
But an old man perceived the infant pass
Down green Onchestus heaped like beds with grass.
15.
The old man stood dressing his sunny vine:
'Halloo! old fellow with the crooked shoulder!
You grub those stumps? before they will bear wine
Methinks even you must grow a little older:
Attend, I pray, to this advice of mine,
As you would 'scape what might appal a bolder—
Seeing, see not—and hearing, hear not—and—
If you have understanding—understand.'
16.
So saying, Hermes roused the oxen vast;
O'er shadowy mountain and resounding dell,
And flower-paven plains, great Hermes passed;
Till the black night divine, which favouring fell
Around his steps, grew gray, and morning fast
Wakened the world to work, and from her cell
Sea-strewn, the Pallantean Moon sublime
Into her watch-tower just began to climb.
17.
Now to Alpheus he had driven all
The broad-foreheaded oxen of the Sun;
They came unwearied to the lofty stall
And to the water-troughs which ever run
Through the fresh fields—and when with rushgrass tall,
Lotus and all sweet herbage, every one
Had pastured been, the great God made them move
Towards the stall in a collected drove.
18.
A mighty pile of wood the God then heaped,
And having soon conceived the mystery
Of fire, from two smooth laurel branches stripped
The bark, and rubbed them in his palms;—on high
Suddenly forth the burning vapour leaped
And the divine child saw delightedly.—
Mercury first found out for human weal
Tinder-box, matches, fire-irons, flint and steel.
19.
And fine dry logs and roots innumerous
He gathered in a delve upon the ground—
And kindled them—and instantaneous
The strength of the fierce flame was breathed around:
And whilst the might of glorious Vulcan thus
Wrapped the great pile with glare and roaring sound,
Hermes dragged forth two heifers, lowing loud,
Close to the fire—such might was in the God.
20.
And on the earth upon their backs he threw
The panting beasts, and rolled them o'er and o'er,
And bored their lives out. Without more ado
He cut up fat and flesh, and down before
The fire, on spits of wood he placed the two,
Toasting their flesh and ribs, and all the gore
Pursed in the bowels; and while this was done
He stretched their hides over a craggy stone.
”
”
Percy Bysshe Shelley (The Complete Poetical Works of Percy Bysshe Shelley)
“
The buzzards over Pondy Woods
Achieve the blue tense altitudes
Black figments that the woods release,
Obscenity in form and grace,
Drifting high through the pure sunshine
Till the sun in gold decline.
(...)
By the buzzard roost Big Jim Todd
Listened for hoofs on the corduroy road
Or for the foul and sucking sound
A man's foot makes on the marshy ground.
Past midnight, when the moccasin
Slipped from the log and, trailing in
Its obscured waters, broke
The dark algae, one lean bird spoke,
(...)
"[Big Jim] your breed ain't metaphysical."
The buzzard coughed, His words fell
In the darkness, mystic and ambrosial.
"But we maintain our ancient rite,
Eat the gods by day and prophesy by night.
We swing against the sky and wait;
You seize the hour, more passionate
Than strong, and strive with time to die --
With time, the beaked tribe's astute ally.
"The Jew-boy died. The Syrian vulture swung
Remotely above the cross whereon he hung
From dinner-time to supper-time, and all
The people gathered there watched him until
The lean brown chest no longer stirred,
Then idly watched the slow majestic bird
That in the last sun above the twilit hill
Gleamed for a moment at the height and slid
Down the hot wind and in the darkness hid.
[Big Jim], regard the circumstance of breath:
Non omnis moriar, the poet sayeth."
Pedantic, the bird clacked its gray beak,
With a Tennessee accent to the classic phrase;
Jim understood, and was about to speak,
But the buzzard drooped one wing and filmed the eyes.
At dawn unto the Sabbath wheat he came,
That gave to the dew its faithless yellow flame
From kindly loam in recollection of
The fires that in the brutal rock one strove.
To the ripe wheat he came at dawn.
Northward the printed smoke stood quiet above
The distant cabins of Squiggtown.
A train's far whistle blew and drifted away
Coldly; lucid and thin the morning lay
Along the farms, and here no sound
Touched the sweet earth miraculously stilled.
Then down the damp and sudden wood there belled
The musical white-throated hound.
In pondy Woods in the summer's drouth
Lurk fever and the cottonmouth.
And buzzards over Pondy Woods
Achieve the blue tense altitudes,
Drifting high in the pure sunshine
Till the sun in gold decline;
Then golden and hieratic through
The night their eyes burn two by two.
”
”
Robert Penn Warren
“
Chatting to the gossip of flames
waking from the slumber of
our flesh-drunk night together—
it’s only when I step out
to pee do I notice—
how far, burgundy-dark,
the moon has risen….
On four paws the shepherd-
dogs bound, lightly
though the trees they
hardly touch on earth—
we saw it from far
sunk here
in an always-ache….
Dyeing paling twilight woods—
a pair of wasps, spiraling, writhe….
Wetted lips of hers
and mine, just-parted,
move over each other
with tongues just-coming
but refuse—
like mists of evening
they've no place to settle….
Just-here though she's singing
she’s in some song from long ago—
poised on the brink
of twilight longing
three thousand miles
rush through my heart….
Under undulating curtains—
I hover above her
the tips of me brushing
the tips of her—
breathing back and forth
a column of air
we share our breath
slowly asphyxiating….
From burning wood campfire sparks dart off
extinguishing in the wet blue dark…
how you blow your long wind
across my embers,
through my soul, she pleads me,
take away the pain—
I dip a branch in blue water
and plunge it into coals….
***
In pre-dawn dark, against
a leaping inferno of flames
black monolith of wood
in the cast iron compartment
softens, and—gradually— fractures
to cells, warping upward,
until from the top a shard splinters:
pearls of flame string a fiber
and leap in little tongues
while the log, glowing, engulfed,
is consumed by the inferno contained….
A shadow daunts me, haunts and taunts me
now reaching far, now recoiling, now growing bold….
I once sang eruptions and the wind—
then appeared you
it took my whole life
singing only the songs of you
and still I sing for you
what other refuge
can stay me from this torment?
So— my doppelganger has arrived
no one said it would happen this way
but the way his hands
fold like mine, the style
of his humor, broadness of his smile—
even the way he walks….
Licking and lapping these lashings
of grasses are in tongues at my feet
smoldering's the fury within me—
I have seen my fields of daylight warp
to noxious-air infernos
but still to the clean blue of the flame
I take rest in her breast….
His songs I mouth, and in my head
is his voice— I cannot hear my own….
in my mind I see myself— thin,
stupid— my arms too weak,
my own chest too frail— and besides
I prefer him more….
Along spiral lines, seed-heads decay— swept away
they whirl and writhe in the hot blue fire of evening….
Stuck in a mural of sticky flesh— the family…
I am locked-in-arms with brothers
and sisters, drooping at the thighs
with nieces and nephews,
grafted to parents at the scalp, and
pasted with toddlers all over…
hived, sapped, black I sit, subject
to the flavors and aromas of your abuse….
Then— be wrapped in his presence…
crescendo to his warmth
the cascade of your laughter
search in his wrinkles
for the boy inside him…
I’m just biding here, bragless,
trying to admit these
rival-streams that flow
in one latticework of blood….
Halves of flesh and bosomy hips, lips
like dark ripe fruits they're chasing—
I chased them…
full-feathered was their hair
like floss in the sunshine
fine-fingered was their style
like laces cut to curves:
and then there was you,
returning one, just there
like the midnight moon
in my sky at noontime….
”
”
Mark Kaplon
“
The Sun King had dinner each night alone. He chose from forty dishes, served on gold and silver plate. It took a staggering 498 people to prepare each meal. He was rich because he consumed the work of other people, mainly in the form of their services. He was rich because other people did things for him. At that time, the average French family would have prepared and consumed its own meals as well as paid tax to support his servants in the palace. So it is not hard to conclude that Louis XIV was rich because others were poor.
But what about today? Consider that you are an average person, say a woman of 35, living in, for the sake of argument, Paris and earning the median wage, with a working husband and two children. You are far from poor, but in relative terms, you are immeasurably poorer than Louis was. Where he was the richest of the rich in the world’s richest city, you have no servants, no palace, no carriage, no kingdom. As you toil home from work on the crowded Metro, stopping at the shop on the way to buy a ready meal for four, you might be thinking that Louis XIV’s dining arrangements were way beyond your reach. And yet consider this. The cornucopia that greets you as you enter the supermarket dwarfs anything that Louis XIV ever experienced (and it is probably less likely to contain salmonella). You can buy a fresh, frozen, tinned, smoked or pre-prepared meal made with beef, chicken, pork, lamb, fish, prawns, scallops, eggs, potatoes, beans, carrots, cabbage, aubergine, kumquats, celeriac, okra, seven kinds of lettuce, cooked in olive, walnut, sunflower or peanut oil and flavoured with cilantro, turmeric, basil or rosemary ... You may have no chefs, but you can decide on a whim to choose between scores of nearby bistros, or Italian, Chinese, Japanese or Indian restaurants, in each of which a team of skilled chefs is waiting to serve your family at less than an hour’s notice. Think of this: never before this generation has the average person been able to afford to have somebody else prepare his meals.
You employ no tailor, but you can browse the internet and instantly order from an almost infinite range of excellent, affordable clothes of cotton, silk, linen, wool and nylon made up for you in factories all over Asia. You have no carriage, but you can buy a ticket which will summon the services of a skilled pilot of a budget airline to fly you to one of hundreds of destinations that Louis never dreamed of seeing. You have no woodcutters to bring you logs for the fire, but the operators of gas rigs in Russia are clamouring to bring you clean central heating. You have no wick-trimming footman, but your light switch gives you the instant and brilliant produce of hardworking people at a grid of distant nuclear power stations. You have no runner to send messages, but even now a repairman is climbing a mobile-phone mast somewhere in the world to make sure it is working properly just in case you need to call that cell. You have no private apothecary, but your local pharmacy supplies you with the handiwork of many thousands of chemists, engineers and logistics experts. You have no government ministers, but diligent reporters are even now standing ready to tell you about a film star’s divorce if you will only switch to their channel or log on to their blogs.
My point is that you have far, far more than 498 servants at your immediate beck and call. Of course, unlike the Sun King’s servants, these people work for many other people too, but from your perspective what is the difference? That is the magic that exchange and specialisation have wrought for the human species.
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Matt Ridley (The Rational Optimist: How Prosperity Evolves)