Loft Ladder Quotes

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In order to get the things I want, it helps me to pretend I’m a figure in a daytime drama, a schemer. Soap opera characters make emphatic pronouncements. They ball up their fists and state their goals out loud. ‘I will destroy Buchanan Enterprises,’ they say. ‘Phoebe Wallingford will pay for what she’s done to our family.’ Walking home with the back half of the twelve-foot ladder, I turned to look in the direction of Hugh’s loft. ‘You will be mine,’ I commanded.
David Sedaris (Me Talk Pretty One Day)
Walking home with the back half of the twelve-foot ladder I turned to look in the direction of Hugh’s loft. 'You will be mine,' I commanded.
David Sedaris (Me Talk Pretty One Day)
I've got a thing about heights." Nate glanced at her. "I thought you had a thing about bugs?" "I've got more than one thing, it's allowed." "You were okay up in the loft, said Debbie. "Because the loft is a nice big space with guard rails," Veek said. "A ladder's a flag pole with delusions of grandeur.
Peter Clines (14 (Threshold, #1))
When I was young, I hid under the porch with a star in my throat. When I got a little older, my mother opened the cupboard to let the fire out. ... I believe the stories got wet and began to bleed together. I believe we built the sides of the town too high and the events kept rolling back. I didn’t know that the water was going to keep rising as well, but if you have any say in the matter, while the boats go down, I’d like to be on a ladder, peeking into a loft made narcotic with children, a dead pool with rolling, living waves. If possible, I’d like the water to douse the match that’s growing out of the bones of my hand.
Catie Rosemurgy
Belle blinked at the vision before her and inhaled sharply. Books! Books everywhere. The enormous room was two stories tall, with a spiraling stairway on each side leading up to the upper level. Leather-bound volumes filled the shelves from floor to ceiling on both floors, and the upper level looked down upon them with an open loft area surrounded by an ornate wrought-iron railing. Several rolling ladders were in front of the bookcases to allow easy access to even the highest-placed books. And best of all were the chairs and couches around the floor, and the pillows piled high by the windows, perfect for getting comfortable with a story. The library was filled with sunlight during the day, as well as having numerous lamps available for cozy nighttime reading.
Shoshanna Evers (Beauty and the Beast)
The long year passed slowly. Then one day, as October winds blew golden leaves around the farm, Autumn heard his mother say that even though her son was gone she would bake a pumpkin pie for Halloween. And of course she would need a pumpkin. At last an idea came to Autumn. If he could just get his mother to the barn and up to the loft she would find the magic pumpkin. Autumn began to pull at his mother’s apron. “What’s wrong with you today?” cried his mother. “I have many things to do and I have no time for playing.” But Autumn kept pulling on her apron until she was out of the house and in the barnyard. Then he ran into the barn, barking louder than he ever had. His mother followed him into the barn, where it was so dark she could not see the little dog. “Now where have you gone?” she cried. Autumn began barking again and it seemed to come from above her. She looked up and dimly saw Autumn at the top of the loft ladder, barking wildly. “What are you carrying on about up there? There’s nothing up in that old loft.” But Autumn did not stop barking. “All right, all right, I’ll come up and take a look,” she said as she began to climb the ladder. When she got to the top, the morning light lit up the corner of the loft where Autumn, smiling as much as a dog can smile, stood next to a very large pumpkin. It was one of the largest pumpkin she had ever seen. “Now, how did this pumpkin get up here?” Of course there was no one there to answer her question except Autumn and he could not talk. So she decided to use the pumpkin for the pie she planned to bake. She pulled at it and rolled it, and finally after a great effort she managed to get the magic pumpkin down the ladder and into the kitchen, where Autumn ran barking around the table. “Calm down, Autumn, and let me get to work on this pie.” As she was about to cut the stem from the pumpkin, she thought of the days when her husband carved the jack-o’-lantern for Angus. “Well, maybe I’ll just do the same.” She went to Angus’s room and found one of his old drawings. She traced a jack-o’-lantern face onto the pumpkin. Then, taking a large kitchen knife, she cut into the pumpkin. When only one eye was carved, there were streams of light. And when she carved the nose, and the smiling mouth, great shafts of light like sunbeams filled the room. Again Autumn began to bark. But when she turned to quiet him, there, standing in the wonderful light, was her son.
David Ray (Pumpkin Light)
But sex at twenty-two, well, that was really something, Jules thought, and Dennis apparently thought so too. Both of their bodies were still perfect, or perfect enough; they would come to see this later on, though they couldn’t see it at the time. Self-conscious, dying with embarrassment, but so excited, they stripped to their skin for each other for the first time standing beside the loft bed in his apartment that day, and she made him go up the ladder first so he wouldn’t be able to watch her from behind—knowing that if he did, as she lifted a leg to reach the next rung the most private section of herself would have been briefly cleaved and displayed. The hair, the shadow, the pinch of lip, the stingy little anus—how could she let him watch that particular show? “After you, kind sir,” she said—oh God, had she really said that? And why? Was she pretending to be a Victorian prostitute?—sweeping out her arm. Dark, woolly Dennis swung up the ladder naked. She watched as his parts did the male version of what hers would have done, his balls moving, if not swinging, and his downy ass separating into two as he bent his knee and climbed the vertical ladder into the bed near the ceiling. Dennis Boyd’s loft bed was so high up that they could not sit upright in it, but could only half-slouch, or else lie flat, or lie with their bodies on top of each other like a two-car pileup.
Meg Wolitzer (The Interestings)
Robert.” It was a sigh and a call at the same time. She ignored the lump in her throat and called again. In an instant, her view was obscured. “Lydia!” They were eye-to-eye, and neither said anything for a moment or two. Finally, after an audible gulp, Robert spoke in a whisper. “Are you all right?” “I’ve had better days,” she said in seriousness, and then realized the absurdity of her words and chuckled. “I’m covered in dirt, cuts, and bruises and sporting a lovely goose egg above my ear. One of my favorite gowns is nothing but a ruin, but other than that, I am fine. And now that you are here, I am better.” “Thank the Lord. I cannot tell you how relieved I am to hear you say so. I have been imagining all sorts … well, let’s talk about this later.” “Yes, when we don’t have to whisper through a wall.” “Indeed.” “So what is the plan?” “Hmm … well, plans are a little lacking at this moment. I had expected to rush in and simply grab you, but there are three guards by the door. I procured a thick stick, but three to one … well, not good odds. My second idea was to loosen some of these boards and pull you out. I have also acquired a horse. So once out, we can sneak or run, whichever is the most prudent.” “Yes, but the getting-out part seems to be the problem. For, if I am not mistaken, none of the boards on this side of the barn are loose, and the other sides are too close to the villains.” “There does seem to be a decided lack of cooperation on the part of the building. I have, however, noticed something that might offer another possibility. It would require a great deal of trust on your part.” “Oh?” Lydia was almost certain she was not going to like this new possibility. “Yes. There is a hay door above me. Is there a loft inside?” “Are you thinking that I should climb a rickety ladder to the loft and then try to escape through the hay door?” “Just a thought.” “How would I get down?” “That would be the trust part.” “Ahh. I would jump, and you would catch me.” Lydia visualized her descent, skirts every which way, and a very hard landing that might produce a broken body part. “Yes. Not a brilliant plan. Do you have another?” Robert sounded hopeful. “Not really. But might I suggest a variation to yours?” “By all means.” “I will return to my cell and get the rope that the thugs used to tie me up.” “They tied you up?” “Yes. But don’t let it bother you.…” “No?” “No. Because if they hadn’t, then I wouldn’t have a rope to lower myself from the hay door. I can use the one they used on my feet; it’s thick and long.” “I like that so much better than watching you fling yourself from a high perch.” “Me too. It might take a few minutes as I must return to my original cell—I escaped, you know.” “I didn’t. That is quite impressive.” “Thank you. Anyway, I must return to my cell for the rope, climb the ladder, cross the loft to the door … et cetera, et cetera. All in silence, of course.” “Of course.” “It might take as much as twenty minutes.” “I promise to wait. Won’t wander off … pick flowers or party with the thugs.” “Good to know.” “Just warn me before you jump.” “Oh, yes. I will most certainly let you know.” With a deep sigh, Lydia headed back to her cell, slowly and quietly.
Cindy Anstey (Duels & Deception)
Roger had a collapsible ladder in his truck. He unfolded it in Debbie and Clive’s apartment until it formed an A-frame eight feet tall. It stood against the wall near their loft. “What am I looking for?” Nate shrugged. “A hidden panel or switch or something,” he said. “Maybe something between the boards. Something that looks like it could be some type of control.” “So...something weird?” Nate smirked. “Yeah.” “Yeah. Getting sick of that word.
Peter Clines (14 (Threshold, #1))
Veek looked up the ladder. “Not for me,” she said. “I’ve got a thing about heights.” Nate glanced at her. “I thought you had a thing about bugs.” “I’ve got more than one thing. It’s allowed.” “You were okay up in the loft,” said Debbie. “Because the loft is a nice big space with guard rails,” Veek said. “A ladder’s a flagpole with delusions of grandeur.
Peter Clines (14 (Threshold, #1))
Don’t mind me. Just going to bed. Keep doing what you were doing.” As Will stared daggers at his brother’s bare back, Max scrambled up the ladder to the loft. “I’m going to kill him.” “I heard that. I’m telling Mom.” Cameron choked back a giggle that she knew Will wouldn’t appreciate.
Marie Force (All You Need is Love (Green Mountain #1))
You were okay up in the loft,” said Debbie. “Because the loft is a nice big space with guard rails,” Veek said. “A ladder’s a flagpole with delusions of grandeur.
Peter Clines (14 (Threshold, #1))
Holy Mother, you near shot my foot off, you damned fool woman!” “Next time, I won’t miss.” Henry sputtered, so mad he looked fit to bust. “Rachel, I swear, I’ll give you the hidin’ of your life for this.” “Touch her, Uncle Henry, and I’ll knock you senseless with a chunk of firewood,” Loretta inserted. “And if she don’t do a good job of it, I’ll finish it for her!” Amy yelled from the loft ladder. “Good for you, Ma! Give the old wart toad what for!” Rachel returned the Spencer to the rack. “Well, Henry? It sounds like three to one. You gonna apologize to Loretta Jane or not?
Catherine Anderson (Comanche Moon (Comanche, #1))
Holy Mother, you near shot my foot off, you damned fool woman!” “Next time, I won’t miss.” Henry sputtered, so mad he looked fit to bust. “Rachel, I swear, I’ll give you the hidin’ of your life for this.” “Touch her, Uncle Henry, and I’ll knock you senseless with a chunk of firewood,” Loretta inserted. “And if she don’t do a good job of it, I’ll finish it for her!” Amy yelled from the loft ladder. “Good for you, Ma! Give the old wart toad what for!” Rachel returned the Spencer to the rack. “Well, Henry? It sounds like three to one. You gonna apologize to Loretta Jane or not?” She shrugged. “I reckon you can leave, if that strikes your fancy. But if you’re stayin’, you’ll apologize before you have your breakfast.” Henry doubled his fists, trembling. Loretta moved toward the hearth and grabbed a chunk of wood, just in case she needed it. Amy swung off the ladder, ready to do the same. “I swear, I don’t know what the world’s comin’ to,” Henry rasped. “Women lippin’ off and threatenin’ a man like they don’t got good sense! I could take on the three of you and roll a smoke while I was at it.” “Then make like a frog and hop to it,” Amy challenged. “Otherwise, you tell Loretta you’re sorry like Ma says.” Henry hesitated, as if he were considering his options, such as they were. “As if I’d really hurt a baby!” he snorted. “If Loretta Jane don’t got the sense to know better, then I surely do apologize.” “Accepted,” Loretta murmured. Henry jerked up his left suspender and raked his hand through his hair, looking at the hole Rachel had shot in the puncheon. “What in hell you gonna tell people happened to your floor, missy?” Rachel smiled. “Why, I’ll tell them how quick you got in and fixed it, Henry. We can’t have holes in the floor, can we?
Catherine Anderson (Comanche Moon (Comanche, #1))
What did you say?” Henry grated. “I said shut up, Henry.” Rachel’s voice was still soft, but the glint in her eyes was fighting mean. “I’ve put up with your cussedness for nigh on nine years. No more. You apologize to Loretta Jane this instant.” “Or you’ll do what?” Rachel lifted a challenging brow. “Well, I reckon you’re too big for me to grab you by the heels and bash your brains. Guess I’ll have to blow them out. Now apologize. I won’t have that kind of talk in my house.” “Your house?” “That’s right.” Henry did an admirable job of trying to appear amused. Placing his hands on his hips, he bent one knee and eyed the rifle. “Rachel, darlin’, you have a gun right now. Here shortly, you’re gonna have to put it down and cook. And when you do, I’m gonna beat the sass plumb out of you. Now I suggest you be the one to apologize. If you do it convincin’ enough, maybe I’ll forgit this ever happened.” Loretta figured the bluff would probably work. Aunt Rachel had never been long on guts, and Loretta didn’t see her getting a goodly supply in the space of ten minutes. Rachel surprised her, though. Instead of apologizing, she set her jaw and raised her chin. “Henry, if you touch me when I’m cookin’, I’ll rip you from stem to bow with my butcher knife. I’ve had it up to my gullet with you.” “Give me that gun!” Henry stomped toward her. Rachel took quick aim. The explosion of noise nearly scared Loretta out of her skin. Henry jumped straight up, clearing the floor by several inches. “Holy Mother, you near shot my foot off, you damned fool woman!” “Next time, I won’t miss.” Henry sputtered, so mad he looked fit to bust. “Rachel, I swear, I’ll give you the hidin’ of your life for this.” “Touch her, Uncle Henry, and I’ll knock you senseless with a chunk of firewood,” Loretta inserted. “And if she don’t do a good job of it, I’ll finish it for her!” Amy yelled from the loft ladder. “Good for you, Ma! Give the old wart toad what for!” Rachel returned the Spencer to the rack. “Well, Henry? It sounds like three to one. You gonna apologize to Loretta Jane or not?
Catherine Anderson (Comanche Moon (Comanche, #1))
What are you doing behind my cornstalks? There was to be no pumpkin-pie-eating for you,” said the angry voice of the spirit that lived in the scarecrow. Shaking with fear, Angus turned to face the scarecrow, and the pie fell to the earth. “I…I was hungry and didn’t think Mom would mind,” said Angus. But Angus’s excuse only made the spirit angrier, and he shouted at Angus. “You were told to go to bed and to eat no pie.” And swinging the great scarf he wore like long arms flapping in the wind, the scarecrow turned Angus into a little dog. “Because you now have fur the color of fallen leaves, you will be called Autumn,” the scarecrow said as he made another swirl of his great scarf. “And because you stole and ate your mother’s pie, every night you will climb the ladder to the barn loft and guard a magic pumpkin until a forgiving soul carves it and releases the power to change you back to a boy.” The scarecrow spirit spoke in a voice as chilling as the cold which ruffled the cornstalks standing beneath him. As Autumn ran back to the farm he tried to think of a way to get someone up to the loft to carve the magic pumpkin. But thinking is not easy when you have just been changed into dog. So no ideas came to him. Great sadness now fell over the farm and the daily tasks were done with little joy. “Maybe Angus just ran away,” Angus’s mother said in a voice full of sorrow. “Or maybe he’s been taken over the fields by an angry spirit,” said his father. “Well, at least we have him,” the mother said, pointing to the playful little dog that had suddenly come to the farm and during the day always kept her company. But when evening came Autumn slipped away and sadly climbed the steep ladder to the barn loft. There he lay with his head next to the magic pumpkin, guarding it through the night. Sometimes he thought he could almost hear sounds from deep within the pumpkin. As if messages from the sun and the moon somehow entered through the pumpkin’s stem to rest among the silent seeds.
David Ray (Pumpkin Light)
She had thought that power was a ladder to the loft, the rope on which the bread basket came up, the ability to look at a daughter and poison her drink. She learned now that power could be other things, too. The ability to feed yourself. The ability to hunt.
E.K. Johnston (Dungeons & Dragons: Honor Among Thieves: The Druid's Call)
All four of the boys of Sunset Curve were inside and they froze when she made her entrance. Reggie was up in the loft clutching a pillow and Luke was halfway up the ladder with a pink blanket slung over his shoulder. Alex and Bobby both had heavy boxes in their arms that they were struggling to carry away from the bottom of the ladder. “Uh...nothing,” Reggie stuttered out unprompted. Julie couldn’t help but chuckle. “I didn’t ask what you were doing yet,” She pointed out.
ICanSpellConfusionWithAK (We Found Wonderland)
The past is prelude and now we are leaving the restaurant and the fog is rolling out toward the Southern Ocean. When he kisses me, it feels natural, inevitable. It doesn’t feel like a stranger has his mouth on mine; he doesn’t taste old or male or alien. I go to see his cottage, and it is just as he described it in his letters: “I keep my horse riding tack and saddles on wooden brackets mounted on one wall, and there is usually a surfboard leaning in a corner and a wetsuit hanging in the shower. When I added the wooden loft as a bedroom, I forgot to leave space for the staircase; it now has what is essentially a ladder going up the one side. Chickens roost in the chimney’s ash trap and they emerge from their egg-laying speckled grey.” It is a home, but a wild home, cheerful, peculiar—like Pippi Longstocking’s Villa Villekulla, with a horse on the porch in an overgrown garden on the edge of town, where it “stood there ready and waiting for her.” And then what? I move to South Africa? He teaches me to ride horses and I have his baby? I become a foreign correspondent! I start a whole new life, a life I never saw coming. Either that, or I am isolated and miserable, I’ve destroyed my career, and I spend my days gathering sooty chicken eggs. A different fantasy: I fly to Cape Town. It is not as I remember it. It’s just a place, not another state of being. I am panicky and agitated. I cry without warning, and once I start, I can’t stop. It is not at all clear that my story will work out. Now I have lost my powers in that department, too. Dr. John and I make a plan to meet. But in this fantasy, I arrive at the restaurant and find it intimidating and confusing: I don’t know if I’m supposed to wait to be seated and I can’t get anyone’s attention. I’m afraid of being rude, wrong, American. When John arrives he is a stranger. I don’t know him and I don’t really like him, or worse, I can tell that he doesn’t like me. Our conversation is stilted. I know (and he suspects) that I have come all this way for an encounter that isn’t worth having, and a story that isn’t worth telling, at least not by me. I have made myself ridiculous. My losing streak continues.
Ariel Levy (The Rules Do Not Apply)