Locusts Quotes

The English play hockey in any weather. Thunder, lightening, plague of locusts...nothing can stop the hockey. Do not fight the hockey, for the hockey will win.

There are roughly three New Yorks. There is, first, the New York of the man or woman who was born here, who takes the city for granted and accepts its size and its turbulence as natural and inevitable. Second, there is the New York of the commuter — the city that is devoured by locusts each day and spat out each night. Third, there is the New York of the person who was born somewhere else and came to New York in quest of something. ...Commuters give the city its tidal restlessness; natives give it solidity and continuity; but the settlers give it passion.

Raffe throws me a dirty look. He bends over and swipes his arm behind my knees, lifting me up in his embrace. ‘I can go with one of the locusts.’ I stiffen in his arms and try to lean as far away from him as I can. ‘The hell you will.’ He runs a couple of steps before spreading his wings.

Only those who still have hope can benefit from tears.

For like a poisonous breath over the fields, like a mass of locusts over Egypt, so the swarm of excuses is a general plaque, a ruinous infection among men, that eats off the sprouts of the Eternal.

It's okay to spin around and around in the same place. Just so long as you're singing your heart out. THAT's what life's all about.

Do you give the horse his strength or clothe his neck with a flowing mane? Do you make him leap like a locust, striking terror with his proud snorting? He paws fiercely, rejoicing in his strength, and charges into the fray. He laughs at fear, afraid of nothing; he does not shy away from the sword. The quiver rattles against his side, along with the flashing spear and lance. In frenzied excitement he eats up the ground; he cannot stand still when the trumpet sounds.

I don't care what is written," Meyer Landsman says. "I don't care what supposedly got promised to some sandal-wearing idiot whose claim to fame is that he was ready to cut his own son's throat for the sake of a hare-brained idea. I don't care about red heifers and patriarchs and locusts. A bunch of old bones in the sand. My homeland is in my hat. It's in my ex-wife's tote bag.

In the oasis complex, the thirsty man images he sees water, palm trees, and shade not because he has evidence for the belief, but because he has a need for it. Desperate needs bring about a hallucination of their solution: thirst hallucinates water, the need for love hallucinates a prince or princess. The oasis complex is never a complete delusion: the man in the desert does see something on the horizon. It is just that the palms have withered, the well is dry, and the place is infected with locusts.

Saturday morning was come, and all the summer world was bright and fresh, and brimming with life. There was a song in every heart; and if the heart was young, the music issued at the lips. There was cheer in every face and a spring in every step. The locust-trees were in bloom, and the fragrance of the blossoms filled the air. Cardiff Hill, beyond the village and above, it was green with vegetation, and it lay just far enough away to seem a Delectable Land, dreamy, reposeful, and inviting.

Only those who still have hope can benefit from tears. When they finish, they feel better. But to those without hope, whose anguish is basic and permanent, no good comes from crying. Nothing changes for them. They usually know this, but still can’t help crying.

We are familiar with people who seek out solitude: penitents, failures, saints, or prophets. They retreat to deserts, preferably, where they live on locusts and honey. Others, however, live in caves or cells on remote islands; some-more spectacularly-squat in cages mounted high atop poles swaying in the breeze. They do this to be nearer God. Their solitude is a self-moritification by which they do penance. They act in the belief that they are living a life pleasing to God. Or they wait months, years, for their solitude to be broken by some divine message that they hope then speedily to broadcast among mankind. Grenouille's case was nothing of the sort. There was not the least notion of God in his head. He was not doing penance or wating for some supernatural inspiration. He had withdrawn solely for his own pleasure, only to be near to himself. No longer distracted by anything external, he basked in his own existence and found it splendid. He lay in his stony crypt like his own corpse, hardly breathing, his heart hardly beating-and yet lived as intensively and dissolutely as ever a rake lived in the wide world outside.

So the books for the Englishman, as he listened intently or not, had gaps of plot like sections of a road washed out by storms, missing incidents as if locusts had consumed a section of tapestry, as if plaster loosened by the bombing had fallen away from a mural at night.

When I Am Among the Trees" When I am among the trees, especially the willows and the honey locust, equally the beech, the oaks and the pines, they give off such hints of gladness. I would almost say that they save me, and daily. I am so distant from the hope of myself, in which I have goodness, and discernment, and never hurry through the world but walk slowly, and bow often. Around me the trees stir in their leaves and call out, “Stay awhile.” The light flows from their branches. And they call again, “It’s simple,” they say, “and you too have come into the world to do this, to go easy, to be filled with light, and to shine.

Raffe watches me as if reading my thoughts. Then he looks at the locusts. His lip curls as he assesses them, his eyes scanning from their thick legs to their insectile torsos to their iridescent wings. He looks at the curled stingers last. He shakes his head. ‘Those wings are so flimsy I wouldn’t trust them to carry you. And those overgrown nails – you’d catch an infection if they scratched you. You can ride one when they improve on the design.’ He steps forward and, in one smooth motion, lifts me into his firm embrace. ‘Until then, you’re stuck with me being your air taxi.’ He takes flight before I can argue

How does the saying go? When two locusts fight, it is always the crow that feasts.' Is that a Luo expression?' I asked. Sayid's face broke into a bashful smile. We have a similar expression in Luo,' he said, 'but actually I must admit that I read this particular expression in a book by Chinua Achebe. The Nigerian writer. I like his books very much. He speaks the truth about Africa's predicament. the Nigerian, the Kenya - it is the same. We share more than divides us.

Well, there are people who eat the earth and eat all the people on it like in the Bible with the locusts. Then there are people who stand around and watch them eat it. (Softly) Sometimes I think it ain't right to stand and watch them do it.

Let him ride a horse. He's a cowboy ain't he?

The sun is a joke.

The buzzard has nothing to fault himself with. Scruples are alien to the black panther. Piranhas do not doubt the rightness of their actions. The rattlesnake approves of himself without reservations. The self-critical jackal does not exist. The locust, alligator, trichina, horsefly live as they live and are glad of it. The killer whale's heart weighs one hundred kilos but in other respects it is light. There is nothing more animal-like than a clear conscience on the third planet of the Sun.

The rockets came like locusts, swarming and settling in blooms of rosy smoke. And from the rockets ran men with hammers in their hands to beat the strange world into a shape that was familiar to the eye, to bludgeon away all the strangeness, their mouths fringed with nails so they resembled steel-toothed carnivores, spitting them into their swift hands as they hammered up frame cottages and scuttled over roofs with shingles to blot out the eerie stars, and fit green shades to pull against the night.

He felt as though his heart were a bomb, a complicated bomb that would result in a simple explosion, wrecking the world without rocking it.

He smoked a cigarette, standing in the dark and listening to her undress. She made sea sounds; something flapped like a sail; there was the creak of ropes; then he heard the wave-against-a-wharf smack of rubber on flesh. Her call for him to hurry was a sea-moan, and when he lay beside her, she heaved, tidal, moon-driven.

The rockets set the bony meadows afire, turned rock to lava, turned wood to charcoal, transmuted water to steam, made sand and silica into green glass which lay like shattered mirrors reflecting the invasion, all about. The rockets came like drums, beating in the night. The rockets came like locusts, swarming and settling in blooms of rosy smoke.

The sun is a joke. Oranges can’t titillate their jaded palates. Nothing can ever be violent enough to make taut their slack minds and bodies.

The locust has no king Just noise and hard language They talk me over

I will restore to you the years the locusts have eaten.

I am thinking of a sky filled with spaceships, so many of them that they seem like a plague of locusts, silver against the luminous mauve of the night.

A figure appears between me and the oncoming Inquisitor, moving with deadly grace. It’s a boy, I think. Who is this? This boy is not an illusion—I can sense his reality, the solidity of his figure that the black sky and the locusts don’t have. He is clad in a whirlwind of hooded blue robes, and a metallic silver mask covers his entire face. He crouches in front of me, every line of his body tense, his focus entirely on the Inquisitor. A long dagger gleams in each of his gloved hands.

Their boredom becomes more and more terrible. They realize that they’ve been tricked and burn with resentment. Every day of their lives they read the newspapers and went to the movies. Both fed them on lynchings, murder, sex crimes, explosions, wrecks, love nests, fires, miracles, revolutions, war. This daily diet made sophisticates of them. The sun is a joke. Oranges can’t titillate their jaded palates. Nothing can ever be violent enough to make taut their slack minds and bodies. They have been cheated and betrayed. They have slaved and saved for nothing.

But whether he was happy or not was hard to say. Probably he was neither, just as a plant is neither.

The blood of Jesus settled the score for us to be a champion in Him, to break the satanic powers of darkness, to stop the destroyer called the devil in his tracks, and for us to recover everything that he has stolen from us that has to do with our purpose and our destiny. Whatever the conqueror and the locust have eaten, God is the restorer of everything.

Being with her was like being backstage during an amateurish, ridiculous play.

They give me the evil eye every Sunday. In Church. It's like they expect the altar to melt or a million locusts to fly out of my butt.

She liked the way this road smelled in the evenings, like rain falling on night-blooming jasmine. Locusts sang old songs in the darkness.

She wasn’t hard-boiled. It was just that she put love on a special plane, where a man without money or looks couldn’t move.

It is hard for people who have not lived in Los Angeles to realize how radically the Santa Ana figures in the local imagination. The city burning is Los Angeles's deepest image of itself; Nathanael West perceived that, in The Day of the Locust; and at the time of the 1965 Watts riots what struck the imagination most indelibly were the fires. For days one could drive the Harbor Freeway and see the city on fire, just as we had always known it would be in the end. Los Angeles weather is the weather of catastrophe, of apocalypse, and, just as the reliably long and bitter winters of New England determine the way life is lived there, so the violence and the unpredictability of the Santa Ana affect the entire quality of life in Los Angeles, accentuate its impermanence, its unreliability. The wind shows us how close to the edge we are.

The next person who kicks or hits him gets banned from all betting. You will be blackballed for the rest of your shriveled lives. Now back off.’ Amazingly, they all back off. Everyone else might reject the locust victims, but I guess the twins don’t discriminate in their betting pools. Dee looks just as surprised as I am. He glances over at his brother. ‘Dude, we’re the new HBO.’ He flashes a grin.

The locust continues to devour the world Hunger persists Love lurches on listing to starboard like a ship in a bottle Human longing goes on Loneliness a curse Innocence persists Ignorance persists

Like a dead man, only friction could make him warm or violence make him mobile.

He thought of how calm he was. His calm was so perfect that he could not destroy it even by being conscious of it.

Fuck what is written," Landsman says. “You know what?" All at once he feels weary of ganefs and prophets, guns and sacrifices and the infinite gangster weight of God. He's tired of hearing about the promised land and the inevitable bloodshed required for its redemption. “I don't care what is written. I don't care what supposedly got promised to some sandal-wearing idiot whose claim to fame is that he was ready to cut his own son's throat for the sake of a hare-brained idea. I don't care about red heifers and patriarchs and locusts. A bunch of old bones in the sand. My homeland is in my hat. It's in my ex-wife's tote bag.

Crowds of people moved through the streets with a dream-like violence.

The Great Mother aborts children, and is the dead fetus; breeds pestilence, and is the plague; she makes of the skull something gruesomely compelling, and is all skulls herself. To unveil her is to risk madness, to gaze over the abyss, to lose the way, to remember the repressed trauma. She is the molestor of children, the golem, the bogey-man, the monster in the swamp, the rotting cadaverous zombie who threatens the living. She is progenitor of the devil, the “strange son of chaos.” She is the serpent, and Eve, the temptress; she is the femme fatale, the insect in the ointment, the hidden cancer, the chronic sickness, the plague of locusts, the cause of drought, the poisoned water. She uses erotic pleasure as bait to keep the world alive and breeding; she is a gothic monster, who feeds on the blood of the living.

I read it as if it had been written by someone else, although it was my own experience being recounted. The endless questioning finally ended. My psychiatrist looked at me, there was no uncertainty in his voice. "Maniac-depressive illness." I admired his bluntness. I wished him locusts in his land and a pox upon his house. Silent, unbelievable rage. I smiled pleasantly. He smiled back. The war had just begun,

I'm going to be a star some day," she announced as though daring him to contradict her. "I'm sure you..." "It's my life. It's the only thing in the whole world that I want." "It's good to know what you want. I used to be a bookkeeper in a hotel, but..." "If I'm not, I'll commit suicide.

Humanity came out of hell, Darrow. Gold did not rise out of chance. We rose out of necessity. Out of chaos, born from a species that devoured its planet instead of investing in the future. Pleasure over all, damn the consequences. The brightest minds enslaved to an economy that demanded toys instead of space exploration or technologies that could revolutionize our race. They created robots, neutering the work ethic of mankind, creating generations of entitled locusts. Countries hoarded their resources, suspicious of one another. There grew to be twenty different factions with nuclear weapons. Twenty—each ruled by greed or zealotry. “So when we conquered mankind, it wasn’t for greed. It wasn’t for glory. It was to save our race. It was to still the chaos, to create order, to sharpen mankind to one purpose—ensuring our future. The Colors are the spine of that aim. Allow the hierarchies to shift and the order begins to crumble. Mankind will not aspire to be great. Men will aspire to be great.

It is hard to laugh at the need for beauty and romance, no matter how tasteless, even horrible, the results of that are. But it is easy to sigh. Few things are sadder than the truly monstrous.

Bad weather friends were as undependable as fair weather friends in a crisis, the relationship in both cases being dictated by conditions of fortune instead of mutual tastes.

Things were alive. Life buzzed between each shade of green, from dark pines and supple ferns to lime green moss growing on a huge, dry gray rock. Honey locusts and ginkgos aflare in yellows. What was cowardly about the color yellow? Nothing

To aid and abet in the destruction of a single species or in the extermination of a single tribe is to commit a crime against God, a mortal sin against Mother Nature. Better by far to sacrifice in some degree the interests of mechanical civilization, curtail our gluttonous appetite for things, ever more things, learn to moderate our needs, and most important, and not difficult, learn to control, limit and gradually reduce our human numbers. We humans swarm over the planet like a plague of locusts, multiplying and devouring. There is no justice, sense or decency in this mindless global breeding spree, this obscene anthropoid fecundity, this industrialized mass production of babies and bodies, ever more bodies and babies. The man-centered view of the world in anti-Christian, anti-Buddhist, antinature, antilife, and--antihuman.

Barbarian Horde This will be lot and lots of wild-screaming people advancing under a cloud of dust in order to devestate more civilized parts. They are a bit like locusts, except that they kill people direcly.

Rain they take as a personal affront, shaking their heads and commiserating with each other in the cafés, looking with profound suspicion at the sky as though a plague of locusts is about to descend, and picking their way with distaste through the puddles on the pavement.

A township where one primitive forest waves above, while another primitive forest rots below,—such a town is fitted to raise not only corn and potatoes, but poets and philosophers for the coming ages. In such a soil grew Homer and Confucius and the rest, and out of such a wilderness comes the Reformer eating locusts and wild honey.

out of the smoke locusts came down on the earth and were given power like that of scorpions of the earth. They were told not to harm the grass of the earth or any plant or tree, but only those people who did not have the seal of God on their foreheads. And the agony they suffered was like that of the sting of a scorpion when it strikes. During those days people will seek death but will not find it; they will long to die, but death will elude them.

He was furious. He wouldn't let me bury them. It didn't matter. There was no way to dig up the deckplates. He dried up the snow. He brought the night. He roared and sent locusts. It didn't do a thing; they stayed dead. I'd had him.

I love you. Don’t follow me. Six words. Simple words. Words that leave my heart stuttering in my chest, my breath coming short, but my feelings conflicted.

the poor don’t have much in the way of money or possessions to steal—so it turns out that the most profitable thing to steal is the whole person.

He gazed sadly at the threatening sky, at the burned-out remnants of a locust-plagued summer, and suddenly saw on the twig of an acacia, as in a vision, the progress of spring, summer, fall and winter, as if the whole of time were a frivolous interlude in the much greater spaces of eternity, a brilliant conjuring trick to produce something apparently orderly out of chaos, to establish a vantage point from which chance might begin to look like necessity . . . and he saw himself nailed to the cross of his own cradle and coffin, painfully trying to tear his body away, only, eventually, to deliver himself — utterly naked, without identifying mark, stripped down to essentials — into the care of the people whose duty it was to wash the corpses, people obeying an order snapped out in the dry air against a background loud with torturers and flayers of skin, where he was obliged to regard the human condition without a trace of pity, without a single possibility of any way back to life, because by then he would know for certain that all his life he had been playing with cheaters who had marked the cards and who would, in the end, strip him even of his last means of defense, of that hope of someday finding his way back home.

He Sat in the window thinking. Man has a tropism for order. Keys in one pocket, change in the other. Mandolins are tuned G D A E. The physical world has a tropism for disorder, entropy. Man against Nature...the battle of the centuries. Keys yearn to mix with change. Mandolins strive to get out of tune. Every order has within it the germ of destruction. All order is doomed, yet the battle is worth wile.

It is written” And I will restore to you the years the locust hath eaten, the cankerworm, and the caterpillar, and the palmerworm, my great army which I send among you.” I stand on the word of God and I boldly decree that my restoration has started now! Anointing

Look at them, the bugs. Humans have used everything in their power to extinguish them: every kind of poison, aerial sprays, introducing and cultivating their natural predators, searching for and destroying their eggs, using genetic modification to sterilize them, burning with fire, drowning with water. Every family has bug spray, every desk has a flyswatter under it… this long war has been going on for the entire history of human civilization. But the outcome is still in doubt. The bugs have not been eliminated. They still proudly live between the heavens and the earth, and their numbers have not diminished from the time before the appearance of the humans. The Trisolarans who deemed the humans bugs seemed to have forgotten one fact: The bugs have never been truly defeated. A small black cloud covered the sun and cast a moving shadow against the ground. This was not a common cloud, but a swarm of locusts that had just arrived. As the swarm landed in the fields nearby, the three men stood in the middle of a living shower, feeling the dignity of life on Earth. Ding Yi and Wang Miao poured the two bottles of wine they had with them on the ground beneath their feet, a toast for the bugs.

The way to be gay is to make other people gay," Miss Lonelyhearts said. "Sleep with me and I'll be one gay dog.

Young mudlarks searching the river quag for scrap had been known to step into some discoloured patch of mud and start speaking long-dead languages, or find locusts in their hair, or fade slowly to translucency and disappear.

We are familiar with people who seek out solitude: penitents, failures, saints, or prophets. They retreat to deserts, preferably, where they live on locusts and honey. Others, however, live in caves or cells on remote islands; some-more spectacularly-squat in cages mounted high atop poles swaying in the breeze. They do this to be nearer God. Their solitude is a self-moritification by which they do penance. They act in the belief that they are living a life pleasing to God. Or they wait months, years, for their solitude to be broken by some divine message that they hope then speedily to broadcast among mankind.

It's not till she's outside that she realizes what she was looking for in there. What she's been looking for all these years. What she realizes now she no longer needs. Permission. I am the locusts, Ella sends the thought out like a concussive wave, so that it hits every surveillance orb in the neighborhood, every wired cop, every crabtank in the nearby precinct. I am the locusts and the frogs and the rivers of blood. I'm here now.

But the romantic atmosphere only heightened his feeling of icy fatness.

Don't take it the wrong way. I just mean that when something is part of your identity for so long, even if it's not a good thing, it's hard to let it go. Even if maybe you should.

Few things are sadder than the truly monstrous.

Under your shelter all things come and go. Children are violent and valiant, they run and they shout like the winners of impossible victories, but before long now, even like me, they will be brought into their sleep. Those who are grown great talk with confidence and are at all times skillful to serve and to protect, but before long now they too, before long, even like me, will be taken in and put to bed. Soon come those hours when no one wakes. Even the locusts, even the crickets, silent shall be, as frozen brooks In your break sheltering. [sic]

Earth can be bad for your health too. On land, grizzly bears want to maul you; in the oceans, sharks want to eat you. Snowdrifts can freeze you, deserts dehydrate you, earthquakes bury you, volcanoes incinerate you. Viruses can infect you, parasites suck your vital fluids, cancers take over your body, congenital diseases force an early death. And even if you have the good luck to be healthy, a swarm of locusts could devour your crops, a tsunami could wash away your family, or a hurricane could blow apart your town. So the universe wants to kill us all.

After a while he became disagreeably affected by the sight of the roadway thronged with vehicles and of the pavement crowded with men and women. He was in a long, straight street, peopled by a mere fraction of an immense multitude; but all round him, on and on, even to the limits of the horizon hidden by the enormous piles of bricks, he felt the mass of mankind mighty in its numbers. They swarmed numerous like locusts, industrious like ants, thoughtless like a natural force, pushing on blind and orderly and absorbed, impervious to sentiment, to logic, to terror, too, perhaps. That was the form of doubt he feared most. Impervious to fear! Often while walking abroad, when he happened also to come out of himself, he had such moments of dreadful and sane mistrust of mankind. What if nothing could move them ? Such moments come to all men whose ambition aims at a direct grasp upon humanity -- to artists, politicians, thinkers, reformers, or saints. A despicable emotional state this, against which solitude fortifies a superior character.

56. They all flew away into the west. At this point in the novel Pa delivers this haunting line, 'I would like some one to tell me how they all knew at once that it was time to go, and how they knew which way was west and their ancestral home." Prof. Lockwood commented, 'Locusts were then-- and still are-- mysterious creatures, whose sudden, irruptions are their defining attribute.

The Government simply cannot make up their mind or they cannot get the prime minister to make up his mind. So they go on in strange paradox, decided only to be undecided, resolved to be irresolute, adamant for drift, solid for fluidity, all powerful for impotency. And so we go on preparing more months more years precious perhaps vital for the greatness of Britain for the locusts to eat. - Speaking in the Address in Reply debate, after giving some specific instances of Germany's war preparedness

She slit the throat of Coyote because he double-crossed her, and she buried alive Naayéé’ Neizghání, the hero of Dinétah, even though she really loved him. She shot a powerful medicine man through the heart. So, who are you? Who are you that she won’t slit your throat? That she won’t bury you alive?

He felt like a bottle that is being slowly filled with warm, dirty warter.

What does that mean?” I ask. “It means come home safe. It means we’re family.

A street turned off at right angles, descending, and became a dirt road. On either hand the land dropped more sharply; a broad flat dotted with small cabins whose weathered roofs were on a level with the crown of the road. They were set in small grassless plots littered with broken things, bricks, planks, crockery, things of a once utilitarian value. What growth there was consisted of rank weeds and the trees were mulberries and locusts and sycamores--trees that partook also of the foul desiccation which surrounded the houses; trees whose very burgeoning seemed to be the sad and stubborn remnant of September, as if even spring had passed them by, leaving them to feed upon the rich and unmistakable smell of negroes in which they grew.

Roman candles and Saturn missiles spark and whistle. Bigger fireworks light up the night with flares while smoke and the scent of black powder blows with the breeze. Dogs bark and locusts buzz while kids ride their bikes up and down the streets. As other families relax together, sipping lemonade and cold Coronas, I’m sitting on the roof, listening to mine tear itself apart.

In the evening, the summer haze hovers over the fields like a translucent amber blanket waiting to put the crops to bed, tucking them in sweetly before the chill of the night descends over all. The locusts buzz in the distance and the mosquitoes gather around the porch lights as we play cards and sip lemonade. It's muggy, but a comfortable kind of humid, like natures hug on your sun-kissed skin.

The rockets came like drums, beating in the night. The rockets came like locusts, swarming and settling in blooms of rosy smoke. And from the rockets ran men with hammers in their hands to beat the strange world into a shape that was familiar to the eye, to bludgeon away all the strangeness, their mouths fringed with nails so they resembled steel-toothed carnivores, spitting them into their swift hands as they hammered up frame cottages and scuttled over roofs with shingles to blot out the eerie stars, and fit green shades to pull against the night.

Honey Locust" Who can tell how lovely in June is the honey locust tree, or why a tree should be so sweet and live in this world? Each white blossom on a dangle of white flowers holds one green seed - a new life. Also each blossom on a dangle of flower holds a flask of fragrance called Heaven, which is never sealed. The bees circle the tree and dive into it. They are crazy with gratitude. They are working like farmers. They are as happy as saints. After awhile the flowers begin to wilt and drop down into the grass. Welcome shines in the grass. Every year I gather handfuls of blossoms and eat of their mealiness; the honey melts in my mouth, the seeds make me strong, both when they are crisps and ripe, and even at the end when their petals have turned dully yellow. So it is if the heart has devoted itself to love, there is not a single inch of emptiness. Gladness gleams all the way to the grave.

National Park Ranger,” Aaron offers. “They stayed on after the federal government collapsed. Called themselves the Alt-Rangers. Said they had a higher duty to the land than to the government. They still wear their uniforms. It’s sort of a calling.

Cliché shouters, sloganeers, fashion-conscious pseudoidealists. Locusts attacking social causes with the wrong information and bogus solutions, their one legit gripe--the Sleepy Lagoon case--almost blown through guilt by association: fellow travelers soliciting actual Party members for picketing and leaflet distribution, nearly discrediting everything the Sleepy Lagoon Defense Committee said and did. Hollywood writers and actors and hangers-on spouting cheap trauma, Pinko platitudes and guilt over raking in big money during the Depression, then penancing the bucks out to spurious leftist causes. People led to Lesnick's couch by their promiscuity and dipshit politics.

Prior to the monotheistic Yahweh, the gods made sense, in that they had familiar, if supra-human appetites—they didn’t just want a lamb shank, they wanted the best lamb shank, wanted to seduce all the wood nymphs, and so on. But the early Jews invented a god with none of those desires, who was so utterly unfathomable, unknowable, as to be pants-wettingly terrifying. So even if His actions are mysterious, when He intervenes you at least get the stress-reducing advantages of attribution—it may not be clear what the deity is up to, but you at least know who is responsible for the locust swarm or the winning lottery ticket. There is Purpose lurking, as an antidote to the existential void.

   There are roughly three New Yorks. There is, first, the New York of the man or woman who was born here, who takes the city for granted and accepts its size and its turbulence as natural and inevitable. Second, there is the New York of the commuter—the city that is devoured by locusts each day and spat out each night. Third, there is the New York of the person who was born somewhere else and came to New York in quest of something. Of these three trembling cities the greatest is the last—the city of final destination, the city that is a goal. It is this third city that accounts for New York’s high-strung disposition, its poetical deportment, its dedication to the arts, and its incomparable achievements. Commuters

The frost which kills the harvest of a year, saves the harvests of a century, by destroying the weevil or the locust. Wars, fires, plagues, break up immovable routine, clear the ground of rotten races and dens of distemper, and open a fair field to new men. There is a tendency in things to right themselves, and the war or revolution or bankruptcy that shatters a rotten system, allows things to take a new and natural order. The sharpest evils are bent into that periodicity which makes the errors of planets, and the fevers and distempers of men, self-limiting. Nature is upheld by antagonism. Passions, resistance, danger, are educators. We acquire the strength we have overcome. Without war, no soldier; without enemies, no hero.

Say you could view a time lapse film of our planet: what would you see? Transparent images moving through light, “an infinite storm of beauty.” The beginning is swaddled in mists, blasted by random blinding flashes. Lava pours and cools; seas boil and flood. Clouds materialize and shift; now you can see the earth’s face through only random patches of clarity. The land shudders and splits, like pack ice rent by widening lead. Mountains burst up, jutting, and dull and soften before your eyes, clothed in forests like felt. The ice rolls up, grinding green land under water forever; the ice rolls back. Forests erupt and disappear like fairy rings. The ice rolls up- mountains are mowed into lakes, land rises wet from the sea like a surfacing whale- the ice rolls back. A blue-green streaks the highest ridges, a yellow-green spreads from the south like a wave up a strand. A red dye seems to leak from the north down the ridges and into the valleys, seeping south; a white follows the red, then yellow-green washes north, then red spreads again, then white, over and over, making patterns of color too intricate to follow. Slow the film. You see dust storms, locusts, floods, in dizzying flash-frames. Zero in on a well-watered shore and see smoke from fires drifting. Stone cities rise, spread, and crumble, like paths of alpine blossoms that flourish for a day an inch above the permafrost, that iced earth no root can suck, and wither in a hour. New cities appear, and rivers sift silt onto their rooftops; more cities emerge and spread in lobes like lichen on rock. The great human figures of history, those intricate, spirited tissues whose split second in the light was too brief an exposure to yield any image but the hunched shadowless figures of ghosts. Slow it down more, come closer still. A dot appears, a flesh-flake. It swells like a balloon; it moves, circles, slows, and vanishes. This is your life.

It is merely a lust of the blood and a permission of the will. Come, be a man: drown thyself! drown cats and blind puppies. I have professed me thy friend, and I confess me knit to thy deserving with cables of perdurable toughness; I could never better stead thee than now. Put money in thy purse; follow thou the wars; defeat thy favour with an usurped beard; I say, put money in thy purse. It cannot be that Desdemona should long continue her love to the Moor,—put money in thy purse,—nor he his to her: it was a violent commencement, and thou shalt see an answerable sequestration;—put but money in thy purse.—These Moors are changeable in their wills:—fill thy purse with money: the food that to him now is as luscious as locusts shall be to him shortly as acerb as the coloquintida. She must change for youth: when she is sated with his body, she will find the error of her choice: she must have change, she must: therefore put money in thy purse.—If thou wilt needs damn thyself, do it a more delicate way than drowning. Make all the money thou canst; if sanctimony and a frail vow betwixt an erring barbarian and a supersubtle Venetian be not too hard for my wits and all the tribe of hell, thou shalt enjoy her; therefore make money. A pox of drowning thyself! it is clean out of the way: seek thou rather to be hanged in compassing thy joy than to be drowned and go without her.

The effect of the weather on the inhabitants of Provence is immediate and obvious. They expect every day to be sunny, and their disposition suffers when it isn't. Rain they take as a personal affront, shaking their heads and commiserating with each other in the cafes, looking with profound suspicion at the sky as though a plague of locusts is about to descend, and picking their way with distaste through the puddles on the pavement. If anything worse than a rainy day should come along, such as this sub-zero snap, the result is startling: most the population disappears... But what did everyone else do? The earth was frozen, the vines were clipped and dormant, it was too cold to hunt. Had they all gone on holiday?...It was a puzzle, until we realized how many of the local people had their birthdays in September or October, and then a possible but unverifiable answer suggested itself: they were busy indoors making babies. There is a season for everything in Provence, and the first two months of the year must be devoted to procreation. We have never dared to ask.

Everything comes from everything and nothing escapes commonality. I am building a house already built, you are bearing a child already born. Everything comes from everything: a single cell out of another single cell; the cherry tree blossoms from the boughs; the hunter's aim from his arm; the rivers from tributaries from streams from falls from springs from wells; the Christ thorns out of the honey locust; a word from an ancient word, this book from many books; the tiny black bears out of their durable mothers tumbling from dark lairs; eightieth-generation wild crab abloom again and again and again; your hand out of your father's; firstborn out of firstborn out of firstborn out of; the weeping willows and the heart leaf, the Carolina, the silky, the upland, the sandbar willows; every tart berry; our work, which disappears; our mothers' whispers, which disappear; every Thoroughbred; every violet; every kindling twig, bone out of bone; also the heat lightborne, the pollen airborne, the rabbits soft and crickets all angles and the glossy snakes from their slithering, inexhaustible mothers, freshly terrible. When you die, you will contribute your bones like alms. More and more is the only law.

Ecology is beginning to slowly shift focus with tentative explorations of what the world would look like if process, rather than matter were the basis for reality What if we defined a species in terms of its life processes? We might seriously doubt whether the California condor or the tall grass prairie can be 'saved' or even 'restored.' Perhaps we can re-create some local conditions that foster a few nests of condors or a few acres of prairie. But the life process of the condor ended with the urbanization of the California foothills and the living ebb and flow of the tall grass prairies died with the plowing of the Great Plains. What if we suggested that a thing is what it does? In this light, the Rocky Mountain locust was a immense aperiodic energy flow that linked life processes on a continental scale. This notion of life-as-process might seem unusual in a society in which material existence is primary. But such a perception informs our deepest understanding of life. Indeed, life-as-process underlies our notion of euthanasia. When loved ones are simply bodies, devoid of the capacity to care, respond, or relate again a away that we can recognize as being "them," we understand that they are gone even before they are dead.

Images surround us; cavorting broadcast in the minds of others, we wear the motley tailored by their bad digestions, the shame and failure, plague pandemics and private indecencies, unpaid bills, and animal ecstasies remembered in hospital beds, our worst deeds and best intentions will not stay still, scolding, mocking, or merely chattering they assail each other, shocked at recognition. Sometimes simplicity serves, though even the static image of Saint John Baptist received prenatal attentions (six months along, leaping for joy in his mother's womb when she met Mary who had conceived the day before): once delivered he stands steady in a camel's hair loincloth at a ford in the river, morose, ascetic on locusts and honey, molesting passers-by, upbraiding the flesh on those who wear it with pleasure. And the Nazarene whom he baptized? Three years pass, in a humility past understanding: and then death, disappointed? unsuspecting? and the body left on earth, the one which was to rule the twelve tribes of Israel, and on earth, left crying out - My God, why dost thou shame me? Hopelessly ascendent in resurrection, the image is pegged on the wind by an epileptic tentmaker, his strong hands stretch the canvas of faith into a gaudy caravanserai, shelter for travelers wearied of the burning sand, lured by forgetfulness striped crimson and gold, triple-tiered, visible from afar, redolent of the east, and level and wide the sun crashes the fist of reality into that desert where the truth still walks barefoot.

When Communism fell in 1989, the temptation for Western commentators to gloat triumphantly proved irresistible. This, it was declared, marked the end of History. Henceforth, the world belonged to liberal capitalism – there was no alternative – and we would all march forward in unison towards a future shaped by peace, democracy and free markets. Twenty years on this assertion looks threadbare. There can be no question that the fall of the Berlin Wall and the domino-like collapse of Communism states from the suburbs of Vienna to the shores of the Pacific marked a very significant transition: one in which millions of men and women were liberated from a dismal and defunct ideology and its authoritarian institutions. But no one could credibly assert that what replaced Communism was an era of idyllic tranquility. There was no peace in post-Communist Yugoslavia, and precious little democracy in any of the successor states of the Soviet Union. As for free markets, they surely flourished, but it is not clear for whom. The West – Europe and the United States above all – missed a once-in-a-century opportunity to re-shape the world around agreed and improved international institutions and practices. Instead, we sat back and congratulated ourselves upon having won the Cold War: a sure way to lose the peace. The years from 1989 to 2009 were consumed by locusts.

If there was a moral issue involved, she would, of course, defend her position to the end. But long ago her mother had taught her that often it is the little things over which people battle foolishly, losing friends, disturbing peace of mind, destroying serenity with no end in view save that they continue to defend the position they have already taken. It was far better, her mother pointed out, to give in gracefully, remembering that a fight in a lesser cause is never worth the struggle. She maintained that by doing so one gained everything really worth having, serenity, sweetness, and inner strength.

I saw the sky descending, black and white, Not blue, on Boston where the winters wore The skulls to jack-o’-lanterns on the slates, And Hunger’s skin-and-bone retrievers tore The chickadee and shrike. The thorn tree waits Its victim and tonight The worms will eat the deadwood to the foot Of Ararat: the scythers, Time and Death, Helmed locusts, move upon the tree of breath; The wild ingrafted olive and the root Are withered, and a winter drifts to where The Pepperpot, ironic rainbow, spans Charles River and its scales of scorched-earth miles. I saw my city in the Scales, the pans Of judgement rising and descending. Piles Of dead leaves char the air— And I am a red arrow on this graph Of Revelations. Every dove is sold. The Chapel’s sharp-shinned eagle shifts its hold On serpent-Time, the rainbow’s epitaph. In Boston serpents whistle at the cold. The victim climbs the altar steps and sings: “Hosannah to the lion, lamb, and beast Who fans the furnace-face of IS with wings: I breathe the ether of my marriage feast.” At the high altar, gold And a fair cloth. I kneel and the wings beat My cheek. What can the dove of Jesus give You now but wisdom, exile? Stand and live, The dove has brought an olive branch to eat.

Say you could view a time-lapse film of our planet: what would you see? Transparent images moving through light, “an infinite storm of beauty.” The beginning is swaddled in mists, blasted by random blinding flashes. Lava pours and cools; seas boil and flood. Clouds materialize and shift; now you can see the earth’s face through only random patches of clarity. The land shudders and splits, like pack ice rent by a widening lead. Mountains burst up, jutting and dull and soften before your eyes, clothed in forests like felt. The ice rolls up, grinding green land under water forever; the ice rolls back. Forests erupt and disappear like fairy rings. The ice rolls up-mountains are mowed into lakes, land rises wet from the sea like a surfacing whale- the ice rolls back. A blue-green streaks the highest ridges, a yellow-green spreads from the south like a wave up a strand. A red dye seems to leak from the north down the ridges and into the valleys, seeping south; a white follows the red, then yellow-green washes north, then red spreads again, then white, over and over, making patterns of color too swift and intricate to follow. Slow the film. You see dust storms, locusts, floods, in dizzying flash frames. Zero in on a well-watered shore and see smoke from fires drifting. Stone cities rise, spread, and then crumble, like patches of alpine blossoms that flourish for a day an inch above the permafrost, that iced earth no root can suck, and wither in a hour. New cities appear, and rivers sift silt onto their rooftops; more cities emerge and spread in lobes like lichen on rock. The great human figures of history, those intricate, spirited tissues that roamed the earth’s surface, are a wavering blur whose split second in the light was too brief an exposure to yield any images. The great herds of caribou pour into the valleys and trickle back, and pour, a brown fluid. Slow it down more, come closer still. A dot appears, like a flesh-flake. It swells like a balloon; it moves, circles, slows, and vanishes. This is your life.

Think for a moment about the Agricultural Revolution from the viewpoint of wheat. Ten thousand years ago wheat was just a wild grass, one of many, confined to a small range in the Middle East. Suddenly, within just a few short millennia, it was growing all over the world. According to the basic evolutionary criteria of survival and reproduction, wheat has become one of the most successful plants in the history of the earth. In areas such as the Great Plains of North America, where not a single wheat stalk grew 10,000 years ago, you can today walk for hundreds upon hundreds of miles without encountering any other plant. Worldwide, wheat covers about 870,000 square miles of the globe’s surface, almost ten times the size of Britain. How did this grass turn from insignificant to ubiquitous? Wheat did it by manipulating Homo sapiens to its advantage. This ape had been living a fairly comfortable life hunting and gathering until about 10,000 years ago, but then began to invest more and more effort in cultivating wheat. Within a couple of millennia, humans in many parts of the world were doing little from dawn to dusk other than taking care of wheat plants. It wasn’t easy. Wheat demanded a lot of them. Wheat didn’t like rocks and pebbles, so Sapiens broke their backs clearing fields. Wheat didn’t like sharing its space, water and nutrients with other plants, so men and women laboured long days weeding under the scorching sun. Wheat got sick, so Sapiens had to keep a watch out for worms and blight. Wheat was attacked by rabbits and locust swarms, so the farmers built fences and stood guard over the fields. Wheat was thirsty, so humans dug irrigation canals or lugged heavy buckets from the well to water it. Sapiens even collected animal faeces to nourish the ground in which wheat grew.

He got out of bed in sections, like a poorly made automaton, and carried his hands into the bathroom. He turned on the cold water. When the basin was full, he plunged his hands in up to the wrists. They lay quietly on the bottom like a pair of strange aquatic animals. When they were thoroughly chilled and began to crawl about, he lifted them out and hid them in a towel. He was cold. He ran hot water into the tub and began to undress, fumbling with the buttons of his clothing as though he were undressing a stranger. He was naked before the tub was full enough to get in and he sat down on a stool to wait. He kept his enormous hands folded quietly on his belly. Although absolutely still, they seemed curbed rather than resting.

«Non so in che anno pensa di vivere, ma per il resto del mondo è il 2017» disse Cash. «Quello che sta facendo è illegale e se non cambia atteggiamento chiamerò la polizia e racconterò quello che sta succedendo.» «E puoi dir loro che li saluta Johnny della stazione di servizio» disse l’uomo. «Vedi, io e i poliziotti abbiamo vedute simili. Se non vuoi finire in prigione per una settimana, io chiuderei quella boccaccia che ti ritrovi. Non so chi diavolo ti credi di essere, ragazzino, ma nessuno viene nella nostra città e pretende di insegnarci come vivere.» Cash lanciò un’occhiata al giornale che l’uomo stava leggendo. Come un segno del destino, vide una foto di se stesso accanto al titolo principale, che recitava: Cash Carter, la mina vagante: attore sviene durante un concerto. «In realtà sa benissimo chi sono» disse l’attore indicando l’articolo. «Sono la mina vagante di cui stava leggendo poco fa. Avrebbero potuto stampare una foto migliore, ma almeno ne hanno scelta una recente.» Il vecchio alternò lo sguardo tra Cash e il giornale, come fosse qualche sorta di trucco di magia. «Dato che ora ci conosciamo un po’ meglio, apri bene le tue orecchie del cazzo, Johnny» disse Cash. «Puoi anche essere amico della polizia locale, ma io sono amico della polizia di tutto il mondo: si chiamano fangirl, e ce ne sono quasi trenta milioni che seguono ogni mia mossa. Adesso chiedi scusa al mio amico e gli dai la chiave del bagno, perché se non lo fai racconterò a tutte le fangirl il trattamento che abbiamo ricevuto oggi e le scatenerò contro il tuo negozio come uno sciame di locuste! Ti tormenteranno, ti umilieranno e inseguiranno il tuo culo rugoso e razzista fino in capo al mondo, fino al giorno in cui la tua miserabile esistenza deciderà di giungere al termine! Sono stato abbastanza chiaro?»