Locking Job Quotes

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When the first living thing existed, I was there waiting. When the last living thing dies, my job will be finished. I'll put the chairs on the tables, turn out the lights and lock the universe behind me when I leave.
Neil Gaiman (The Sandman, Vol. 3: Dream Country)
The world is like a ride in an amusement park, and when you choose to go on it you think it's real because that's how powerful our minds are. The ride goes up and down, around and around, it has thrills and chills, and it's very brightly colored, and it's very loud, and it's fun for a while. Many people have been on the ride a long time, and they begin to wonder, "Hey, is this real, or is this just a ride?" And other people have remembered, and they come back to us and say, "Hey, don't worry; don't be afraid, ever, because this is just a ride." And we … kill those people. "Shut him up! I've got a lot invested in this ride, shut him up! Look at my furrows of worry, look at my big bank account, and my family. This has to be real." It's just a ride. But we always kill the good guys who try and tell us that, you ever notice that? And let the demons run amok … But it doesn't matter, because it's just a ride. And we can change it any time we want. It's only a choice. No effort, no work, no job, no savings of money. Just a simple choice, right now, between fear and love. The eyes of fear want you to put bigger locks on your doors, buy guns, close yourself off. The eyes of love instead see all of us as one. Here's what we can do to change the world, right now, to a better ride. Take all that money we spend on weapons and defenses each year and instead spend it feeding and clothing and educating the poor of the world, which it would pay for many times over, not one human being excluded, and we could explore space, together, both inner and outer, forever, in peace.
Bill Hicks
Nonagesimus,” she said slowly, “the only job I’d do for you would be if you wanted someone to hold the sword as you fell on it. The only job I’d do for you would be if you wanted your ass kicked so hard, the Locked Tomb opened and a parade came out to sing, ‘Lo! A destructed ass.’ The only job I’d do would be if you wanted me to spot you while you backflipped off the top tier into Drearburh.” “That’s three jobs,” said Harrowhark.
Tamsyn Muir (Gideon the Ninth (The Locked Tomb, #1))
When someone tells you they’ve just bought a house, they might as well tell you they no longer have a personality. You can immediately assume so many things: that they’re locked into jobs they hate; that they’re broke; that they spend every night watching videos; that they’re fifteen pounds overweight; that they no longer listen to new ideas. It’s profoundly depressing.
Douglas Coupland (Generation X: Tales for an Accelerated Culture)
And put me down right this minute or I'll scream bloody murder, then do the job for real!" "I already hid all the electrical appliances, and I'm not taking a shower without locking you in the closet first.
Susan Elizabeth Phillips (Nobody's Baby But Mine (Chicago Stars, #3))
how come you're so ugly?" "my life has hardly been pretty — the hospitals, the jails, the jobs, the women, the drinking. some of my critics claim that i have deliberately inflicted myself with pain. i wish that some of my critics had been along with me for the journey. it’s true that i haven't always chosen easy situations but that's a hell of a long ways from saying that i leaped into the oven and locked the door. hangover, the electric needle, bad booze, bad women, madness in small rooms, starvation in the land of plenty, god knows how i got so ugly, i guess it just comes from being slugged and slugged again and again, and not going down, still trying to think, to feel, still trying to put the butterfly back together again…it’s written a map on my face that nobody would ever want to hang on their wall. sometimes i’ll see myself somewhere…suddenly…say in a large mirror in a supermarket…eyes like little mean bugs…face scarred, twisted, yes, i look insane, demented, what a mess…spilled vomit of skin…yet, when i see the “handsome” men i think, my god my god, i’m glad i’m not them
Charles Bukowski (Charles Bukowski: Sunlight Here I Am: Interviews and Encounters 1963-1993)
I got a new job.” Patch locked eyes with me, and I warmed in a lot of places. In fact, I was dangerously close to feverish.
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
You deserve better than some thief who's going to end up in jail again. Everyone knows it. Even I know it. But you seem determined to believe I'm a actually a decent guy who's halfway worthy of you. So, what scares me most" - he twisted a lock of hair between his fingers - "is that someday even you will realize that you can do better." "Thorne..." "Not to worry." He kissed the lock of hair. "I am a criminal mastermind, I have a plan." Clearing his throat, he started to check things off in the air. "First, get a legitimate job - check. Legally buy my ship - in progress. Prove that I'm hero material by helping Cinder save the world - oh, wait, I did that already." He winked. "Oh, and I have to stop stealing things, but that's probably a given. So I figure, by the time you realize how much I don't deserve you... I might kind of deserve you
Marissa Meyer (Winter (The Lunar Chronicles, #4))
I felt the familiar warm tingling at the center of my chest and had just enough time to gasp as some invisible hand yanked me forward, smacking my forehead against the dashboard with enough force to stun me dumb. Chubs slammed on the brakes, forcing my seat belt to do its job and lock against my chest. I was thrown back into my seat, an explosion of colors bursting in my vision. "Oh, hell no!" Chubs roared, slamming a hand against the steering wheel. "That's it! We don not use our abilities on one another, goddammit! Behave yourself!
Alexandra Bracken (Never Fade (The Darkest Minds, #2))
I may be, tied up, but at least, I am HIS. I may be hurting, But I am HIS, I may be reluctant, but I am HIS, I may be lonely, but I am HIS, I may be frustrated, but I am HIS, That’s why I am praising Him, because I’m glad He tied me up. He stopped me from doing the things I would have done, that would’ve messed up myself. When I look at how my friends got loosed, I thank Him for tying me up. When I look at how the neighborhood boys are locked up in jail, I thank Him for tying me up. I am not happy about it then, but I’m glad about it now. When I think about the person I almost married, When I think about the job I almost got, When I think about the people who wouldn’t let me join their clique, When I think about the people who stops talking to me, I thank Him for tying me up. I thank Him for the rope that got me tied up.
T.D. Jakes
Life is like a combination lock; your job is to find the numbers, in the right orders, so you can have anything you want.
Brian Tracy
You never forget about things you've done that you know you shouldn't have done. They hang around your mind, linger like a thief casing a joint for a future job. You see them there, dramatically lurking nearby in striped monochrome, leaping behind postboxes as soon as your head whips around to confront them. Or it's a familiar face in a crowd that you glimpse but then lose sight of. An annoying Where's Wally? forever locked away and hidden in every thought in your conscience. The bad thing that you did, always there to let you know.
Cecelia Ahern (The Time of My Life)
True love? This guy has a job and a decent mustache. Lock it down, girl.
Aziz Ansari (Modern Romance: An Investigation)
the worst men have the best jobs the best men have the worst jobs or are unemployed or locked in madhouses.
Charles Bukowski (The Days Run Away Like Wild Horses Over the Hills)
Nonagesimus,” she said slowly, “the only job I’d do for you would be if you wanted someone to hold the sword as you fell on it. The only job I’d do for you would be if you wanted your ass kicked so hard, the Locked Tomb opened and a parade came out to sing, ‘Lo! A destructed ass.’ The only job I’d do would be if you wanted me to spot you while you backflipped off the top tier into Drearburh.” “That’s three jobs,” said Harrowhark. “Die in a fire, Nonagesimus.
Tamsyn Muir (Gideon the Ninth (The Locked Tomb, #1))
Jesus Christ—” “Sherlock Holmes, actually. And you were doing such a good job remembering my name.
Eva Morgan (Locked (Locked, #1))
It was the American middle class. No one's house cost more than two or three year's salary, and I doubt the spread in annual wages (except for the osteopath) exceeded more than five thousand dollars. And other than the doctor (who made house calls), the store managers, the minister, the salesman, and the banker, everyone belonged to a union. That meant they worked a forty-hour week, had the entire weekend off (plus two to four weeks' paid vacation in the summer), comprehensive medical benefits, and job security. In return for all that, the country became the most productive in the world and in our little neighborhood it meant your furnace was always working, your kids could be dropped off at the neighbors without notice, you could run next door anytime to borrow a half-dozen eggs, and the doors to all the homes were never locked -- because who would need to steal anything if they already had all that they needed?
Michael Moore (Here Comes Trouble)
This feeling is the cause of every Scanner’s unexpected ending. The dread of being locked away from their main source of energy and joy—learning, discovering, sleuthing, creating—makes Scanners pull back from every job or project, no matter how hard they try to stay.
Barbara Sher (Refuse to Choose!: Use All of Your Interests, Passions, and Hobbies to Create the Life and Career of Your Dreams)
Making an economy more productive (sensibly interpreted) in a sustainable fashion is not best served by obsessively activating people and locking them up in jobs that they hate doing and from which they learn nothing.
Philippe van Parijs (Basic Income: A Radical Proposal for a Free Society and a Sane Economy)
Srinagar is a medieval city dying in a modern war. It is empty streets, locked shops, angry soldiers and boys with stones. It is several thousand military bunkers, four golf courses, and three book-shops. It is wily politicians repeating their lies about war and peace to television cameras and small crowds gathered by the promise of an elusive job or a daily fee of a few hundred rupees. It is stopping at sidewalks and traffic lights when the convoys of rulers and their patrons in armored cars, secured by machine guns, rumble on broken roads. It is staring back or looking away, resigned. Srinagar is never winning and never being defeated.
Basharat Peer (Curfewed Night)
If what Locke is doing were larking about, corpses could get jobs as acrobats.
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
Drilling without thinking has of course been Republican party policy since May 2008. With gas prices soaring to unprecedented heights, that's when the conservative leader Newt Gingrich unveiled the slogan 'Drill Here, Drill Now, Pay Less'—with an emphasis on the now. The wildly popular campaign was a cry against caution, against study, against measured action. In Gingrich's telling, drilling at home wherever the oil and gas might be—locked in Rocky Mountain shale, in the Arctic National Wildlife Refuge, and deep offshore—was a surefire way to lower the price at the pump, create jobs, and kick Arab ass all at once. In the face of this triple win, caring about the environment was for sissies: as senator Mitch McConnell put it, 'in Alabama and Mississippi and Louisiana and Texas, they think oil rigs are pretty'. By the time the infamous 'Drill Baby Drill' Republican national convention rolled around, the party base was in such a frenzy for US-made fossil fuels, they would have bored under the convention floor if someone had brought a big enough drill.
Naomi Klein
Locke drew in a rasping breath to spew some more damn fool craziness. Jean, with the reflexes that kept him alive when blades were drawn, clamped a hand over Locke’s mouth before he could speak and pushed his head back down against his pillow. “I can’t agree to anything on Locke’s behalf, but I want us to hear your proposal. Tell us what the job is.” “It’s political,” said Patience. “Mmmmph mmph,” said Locke, struggling in vain against Jean’s arm. “Mmmph fckhnnng fmmmph!” “He wants to hear more,” said Jean. “He says he’s very excited to hear the whole thing.
Scott Lynch (The Republic of Thieves (Gentleman Bastard, #3))
When the first living thing existed, I was here, waiting. When the last living thing dies, my job will be finished. I'll put the chairs on the tables, turn out the lights and lock the universe behind when I leave.
Neil Gaiman (Death (Death of the Endless, #1-2))
I don’t think it’s possible for you to look any sexier right now,” he whispered in my ear. “If it weren’t for the fact that I need this job, I might be inclined to drag you back to the stockroom and have my way with you.” I spun around in his arms and looked up into the eyes I’d missed seeing. “This is nothing compared to how sexy I’ll look later,” I said, leaning back against the jukebox. “If you’re interested.” “Is that an invitation?” I shrugged. “Consider it a request. No, scratch that. Consider it a demand,” I said, as I locked eyes with him.
Monica Alexander (Broken Fairytales (Broken Fairytales, #1))
When she decided to get a job, she rejected a tempting offer from a company that had just been set up in her recently created country in favor of a job at the public library, where you didn’t earn much money but where you were secure. She went to work every day, always keeping to the same timetable, always making sure she wasn’t perceived as a threat by her superiors; she was content; she didn’t struggle, and so she didn’t grow: All she wanted was her salary at the end of the month. She rented the room in the convent because the nuns required all tenants to be back at a certain hour, and then they locked the door: Anyone still outside after that had to sleep on the street. She always had a genuine excuse to give boyfriends, so as not to have to spend the night in hotel rooms or strange beds. When she used to dream of getting married, she imagined herself in a little house outside Ljubljana, with a man quite different from her father—a man who earned enough to support his family, one who would be content just to be with her in a house with an open fire and to look out at the snow-covered mountains. She had taught herself to give men a precise amount of pleasure; never more, never less, only what was necessary. She didn’t get angry with anyone, because that would mean having to react, having to do battle with the enemy and then having to face unforeseen consequences, such as vengeance. When she had achieved almost everything she wanted in life, she had reached the conclusion that her existence had no meaning, because every day was the same. And she had decided to die.
Paulo Coelho (Veronika Decides to Die)
Not to worry.” He kissed the lock of hair. “I am a criminal mastermind, and I have a plan.” Clearing his throat, he started to check things off in the air. “First, get a legitimate job—check. Legally buy my ship—in progress. Prove that I’m hero material by helping Cinder save the world—oh, wait, I did that already.” He winked. “Oh, and I have to stop stealing things, but that’s probably a given. So I figure, by the time you realize how much I don’t deserve you … I might kind of deserve you.” His grin turned smug. “And that’s how that speech was supposed to go.” “That was a good speech,” she said.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
I see things in windows and I say to myself that I want them. I want them because I want to belong. I want to be liked by more people, I want to be held in higher regard than others. I want to feel valued, so I say to myself to watch certain shows. I watch certain shows on the television so I can participate in dialogues and conversations and debates with people who want the same things I want. I want to dress a certain way so certain groups of people are forced to be attracted to me. I want to do my hair a certain way with certain styling products and particular combs and methods so that I can fit in with the In-Crowd. I want to spend hours upon hours at the gym, stuffing my body with what scientists are calling 'superfoods', so that I can be loved and envied by everyone around me. I want to become an icon on someone's mantle. I want to work meaningless jobs so that I can fill my wallet and parentally-advised bank accounts with monetary potential. I want to believe what's on the news so that I can feel normal along with the rest of forever. I want to listen to the Top Ten on Q102, and roll my windows down so others can hear it and see that I am listening to it, and enjoying it. I want to go to church every Sunday, and pray every other day. I want to believe that what I do is for the promise of a peaceful afterlife. I want rewards for my 'good' deeds. I want acknowledgment and praise. And I want people to know that I put out that fire. I want people to know that I support the war effort. I want people to know that I volunteer to save lives. I want to be seen and heard and pointed at with love. I want to read my name in the history books during a future full of clones exactly like me. The mirror, I've noticed, is almost always positioned above the sink. Though the sink offers more depth than a mirror, and mirror is only able to reflect, the sink is held in lower regard. Lower still is the toilet, and thought it offers even more depth than the sink, we piss and shit in it. I want these kind of architectural details to be paralleled in my every day life. I want to care more about my reflection, and less about my cleanliness. I want to be seen as someone who lives externally, and never internally, unless I am able to lock the door behind me. I want these things, because if I didn't, I would be dead in the mirrors of those around me. I would be nothing. I would be an example. Sunken, and easily washed away.
Dave Matthes
I’m twenty-four. My job is to live my life and make mistakes so I can learn from them.
Adriana Locke (The Relationship Pact (Kings of Football, #3))
If you were a woman, you had far less time to find a man. True love? This guy has a job and a decent mustache. Lock it down, girl.  •
Aziz Ansari (Modern Romance: An Investigation)
Cam told her that her main job was to be a Distraction. Nona asked if Harrowhark Nonagesimus had been a Distraction in life, and Cam said it was always the quiet ones.
Tamsyn Muir (Nona the Ninth (The Locked Tomb, #3))
In the secret places of her thymus gland Louise is making too much of herself. Her faithful biology depends on regulation but the white T-cells have turned bandit. They don't obey the rules. They are swarming into the bloodstream, overturning the quiet order of spleen and intestine. In the lymph nodes they are swelling with pride. It used to be their job to keep her body safe from enemies on the outside. They were her immunity, her certainty against infection. Now they are the enemies on the inside. The security forces have rebelled. Louise is the victim of a coup. Will you let me crawl inside you, stand guard over you, trap them as they come at you? Why can't I dam their blind tide that filthies your blood? Why are there no lock gates on the portal vein? The inside of your body is innocent, nothing has taught it fear. Your artery canals trust their cargo, they don't check the shipments in the blood. You are full to overflowing but the keeper is asleep and there's murder going on inside. Who comes here? Let me hold up my lantern. It's only the blood; red cells carrying oxygen to the heart, thrombocytes making sure of proper clotting. The white cells, B and T types, just a few of them as always whistling as they go. The faithful body has made a mistake. This is no time to stamp the passports and look at the sky. Coming up behind are hundreds of them. Hundreds too many, armed to the teeth for a job that doesn't need doing. Not needed? With all that weaponry? Here they come, hurtling through the bloodstream trying to pick a fight. There's no-one to fight but you Louise. You're the foreign body now.
Jeanette Winterson (Written on the Body)
How long will I be in here?” I asked. “Varies,” said the guard as he closed the door and locked me in. “Usually until Mrs. Cobrawick thinks you learned your lesson. I hate this job. Try not to lose your mind, girl.” Those were the last words spoken to me for a very long time. The guard had given me good advice, which turned out to be nearly impossible to follow.
Gabrielle Zevin (All These Things I've Done (Birthright, #1))
YO MAMA SO STUPID... Yo mama so stupid she tried to put her M&Ms in alphabetical order. Yo mama so stupid she told me to meet her at the corner of "WALK" and "DON'T WALK." Yo mama so stupid she went to the dentist to get a blue tooth. Yo mama so stupid she got locked in a mattress store and slept on the floor. Yo mama so stupid she failed a survey. Yo mama so stupid she got fired from a blow job. Yo mama so stupid she thinks Taco Bell is a Mexican phone company. Yo mama so stupid she tried to climb Mountain Dew. Yo mama so stupid she went to the YMCA thinking it's Macy's. Yo mama is so stupid, she won't play Candy Crush cause she has diabetes.
Jess Franken (The 100 Best Yo Mama Jokes)
Zaphod left the controls for Ford to figure out, and lurched over to Arthur. "Look, Earthman," he said angrily, "you've got a job to do, right? The Question to the Ultimate Answer, right?" "What, that thing?" said Arthur, "I thought we'd forgotten about that." "Not me, baby. Like the mice said, it's worth a lot of money in the right quarters. And it's all locked up in that head thing of yours." "Yes but ..." "But nothing! Think about it. The Meaning of Life! We get our fingers on that we can hold every shrink in the Galaxy up to ransom, and that's worth a bundle. I owe mine a mint." Arthur took a deep breath without much enthusiasm. "Alright," he said, "but where do we start? How should I know? They say the Ultimate Answer or whatever is Forty-two, how am I supposed to know what the question is? It could be anything. I mean, what's six times seven?" Zaphod looked at him hard for a moment. Then his eyes blazed with excitement. "Forty-two!" he cried. Arthur wiped his palm across his forehead. "Yes," he said patiently, "I know that." Zaphod's faces fell. "I'm just saying that the question could be anything at all," said Arthur, "and I don't see how I am meant to know.
Douglas Adams (The Restaurant at the End of the Universe (The Hitchhiker's Guide to the Galaxy, #2))
One of the things nobody tells you about the glamorous job of chaperoning teenage dances is that the shaps are the ones who have to make sure everything’s picked up and locked away once the music ends.
Stephen King (11/22/63)
I'm sure someone would say it's my own damn fault. That it was my responsibility to build an emergency fund. At least three months' salary, the experts say. I would love to backhand whoever came up with that number. They clearly never had a job with take-home pay that barely covers rent, food, and utilities. Because here's the thing about being poor-most people don't understand it unless they've been there themselves.
Riley Sager (Lock Every Door)
Dumbledore was having real trouble finding anyone to do the job this year." "Not surprising, is it, when you look at what's happened to the last four?" said George. "One sacked, one dead, one's memory removed and one locked in a trunk for nine months," said Harry, counting them off on his fingers. "Yeah, I see what you mean.
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
We're outnumbered a hundred to one. The GIA has Auri in custody. They have our Longbow locked down. But I've studied Terran space vessels since I was six--I know the layout of a destroyer backward. And though this pack of losers and discipline cases and sociopaths might've been the last picks on anyone's mind during the Draft, turns out none of them are bad at their jobs. If I can hold this together, get us working as a team, we might even make it out of this alive...
Amie Kaufman (Aurora Rising (The Aurora Cycle, #1))
Don't say that. Don't even joke about it! The idea of ten weeks with a single, locked-down girlfriend—even the fake kind—gives me all over body hives. Sue me for making a face about that. I don't think you've thought any of this through. It would involve all of our friends, parents—even if we don't use my real name—text messaging, emails—and a lot of time. Time is something I don't have to burn. Plus, it would kill the variety of…of…yeah…girl fun in my summer,” I imply, wondering if she'll call my bluff. The only real summer varieties I score are the extra odd jobs I pick up at the rink. She turns bright red and I have to hide my smile. “Disgusting,” she snorts and reverts back to rubbing her temples.
Anne Eliot (Almost)
was a trick they’d used plenty of times when a lock was too complicated to pick quickly or they wanted to make a theft look like an inside job. Ideal for faking suicides, Kaz had once told her, and she’d never been sure if he was sincere.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
I knew you were too fine for me." "No," she protested. "I'm not a highborn lady, I'm a commoner." "There's nothing common about you." Ethan began to play with her hair, sifting his fingers through it, lifting a lock to brush the ends against his lips and cheeks. "Do you want to know why I gave you violets? They're beautiful and small, but tough enough to grow in the cracks of city pavement. More than once, I've been in some dark place and seen them clustered near a broken stoop, or at the base of a brick wall, bright as jewels. Even without sunlight or good soil, they show up to do a flower's job.
Lisa Kleypas (Hello Stranger (The Ravenels, #4))
I'm going to need help, and I need someone who is fearless. Someone who isn't afraid to stand up to dragons and battle them day after day. Our results may not show promise for years. Our patients will die. There will be days when you feel so beaten down you'll want to crawl home and give up. But I'll need you to get up, dust yourself off, and be ready to wage battle the next day." He locked eyes with her. "I need someone who wants to win as badly as I do. That is why I want you for this job.
Elizabeth Camden (With Every Breath)
When one has apparently made up one’s mind to spend the evening at home and has donned one’s house-jacket and sat down at the lamplit table after supper and do the particular job or play the particular game on completion of which one is in the habit of going to bed, when the weather out is so unpleasant as to make staying in the obvious choice, when one has been sitting quietly at the table for so long already that one’s leaving must inevitably provoke general astonishment, when the stairwell is in any case in darkness and the street door locked, and when in spite of all this one stands up, suddenly ill at ease, changes one’s coat, reappears immediately in street clothes, announces that one has to go out and after a brief farewell does so, feeling that one has left behind one a degree of irritation commensurate with the abruptness with which one slammed the apartment door, when one then finds oneself in the street possessed of limbs that respond to the quite unexpected freedom one has procured for them with out-of-the-ordinary agility, when in the wake of this one decision one feels capable, deep down, of taking any decision, when one realizes with a greater sense of significance than usual that one has, after all, more ability than one has need easily to effect and endure the most rapid change, and when in this frame of mind one walks the long city streets—then for that evening one has stepped completely outside one’s family, which veers into inessentiality, while one’s own person, rock solid, dark with definition, thighs thrusting rhythmically, assumes it true form. The whole experience is enhanced when at that late hour one looks up a friend to see how he is.
Franz Kafka (The Complete Stories)
My letters seeking a job, though truthful, diminished the full truth. Face would blanch if the facts had been complete: "Dear Sir," I thought. "Do you have a position for a journeyman burglar, con man, forger and car thief; also with experience as armed robber, pimp, card cheat and several other things. I smoked marijuana at twelve (in the 40's) and shot heroin at sixteen. I have no experience with LSD and methedrine. They came to popularity since my imprisonment. I've buggered pretty young boys and feminine homosexuals (but only when locked up away from women). In the idiom of jails, prisons and gutters (some plush gutters) I'm a motherfucker! Not literally, for I don't remember my mother. In my world the term, used as I used it, is a boast of being hell on wheels, outrageously unpredictable, a virtuoso of crime. Of course by being a motherfucker in that world I'm a piece of garbage in yours. Do you have a job?
Edward Bunker (No Beast So Fierce)
Privileged groups routinely assume that all deserving Americans live in decent housing, attend safe schools with caring teachers, and will be rewarded for their hard work with college opportunities and good jobs. They believe that undeserving Blacks and Latinos who remain locked up in deteriorating inner cities get what they deserve and do not merit social programs that will show them a future. This closing door of opportunity associated with hyper-segregation creates a situation of shrinking opportunities and neglect. This is the exact climate that breeds a culture of violence that is a growing component of "street culture" in working-class and poor Black neighborhoods.
Patricia Hill Collins (Black Sexual Politics: African Americans, Gender, and the New Racism)
Seafood poisoning, a cigarette lit as the person is drifting off to sleep and that sets fire to the sheets or, worse, to a woollen blanket; a slip in the shower—the back of the head—the bathroom door locked; a lightning bolt that splits in two a tree planted in a broad avenue, a tree which, as it falls, crushes or slices off the head of a passer-by, possibly a foreigner; dying in your socks, or at the barber’s, still wearing a voluminous smock, or in a whorehouse or at the dentist’s; or eating fish and getting a bone stuck in your throat, choking to death like a child whose mother isn’t there to save him by sticking a finger down his throat; or dying in the middle of shaving, with one cheek still covered in foam, half-shaven for all eternity, unless someone notices and finishes the job off out of aesthetic pity; not to mention life’s most ignoble, hidden moments that people seldom mention once they are out of adolescence, simply because they no longer have an excuse to do so, although, of course, there are always those who insist on making jokes about them, never very funny jokes.
Javier Marías (Tomorrow in the Battle Think on Me)
He took one look at my macabre makeup job, and his jaw dropped. “Goddamn, you are hideous. Just when I thought it couldn’t get any worse.” His reaction brought me a twisted sense of joy. Having him call me a zombie when we were locked up together had definitely inspired my look.
Trina M. Lee (Crazy Bitch (Alexa O'Brien, Huntress, #10))
Confession: I miss you." "Ian ..." "Confession: you're my best friend." "Please stop." "Confession: if you gave me the chance, I'd love you until forever." I swallowed hard as I watched him walk toward me. I was standing right in the middle of pig manure, doing the most disgusting job, looking as if I hadn't slept in days, and Ian Parker was telling me how he wanted to love me forever. He continued on. "Confession: you are my sun, my moon, and my stars. Confession: whatever's hurting you, we can fix together. Confession: I'm never going to give up on this." I didn't know how it happened. I didn't know how my hands found his or how our bodies became pressed together. I didn't know how his forehead fell to mine of how my heartbeats increased erratically. I didn't know how his lips fell so close to mine or how his exhalations became my inhalations. But there we were, seconds away from our lips locking together, and me falling into a drunkenness that I'd never be able to recover from. If I started kissing Ian, I knew I'd never be able to stop. He was it for me. He was the hook, the bridge, and the melody.
Brittainy C. Cherry (The Wreckage of Us)
Thanks in part to the resulting high score on the evaluation, he gets a longer sentence, locking him away for more years in a prison where he’s surrounded by fellow criminals—which raises the likelihood that he’ll return to prison. He is finally released into the same poor neighborhood, this time with a criminal record, which makes it that much harder to find a job. If he commits another crime, the recidivism model can claim another success. But in fact the model itself contributes to a toxic cycle and helps to sustain it. That’s a signature quality of a WMD.
Cathy O'Neil (Weapons of Math Destruction: How Big Data Increases Inequality and Threatens Democracy)
The trick to realize that the boys who talk so much about being rejected that it seems like the’re proud of it aren’t necessarily sweeter or more sensitive than the Bababooey-spouting frat bullies who line up at clubs like SkyBar to run game on girls they want to date rape. There are plenty of nerds who fear women and aren’t sensitive, despite their marketing; they just dislike women in a new, exciting way. Timid racists aren’t sensitive because they lock their car doors when they see a black person on the street. They’re just too scared to get out of the car and shout the “N” word. Fear can be the result of admiration, or it can be a symptom of contempt. When I see squeamish guys passing over qualified women when they’re hiring for a job, or becoming tongue tied when a girl crashes their all-boy conversation at a party, I don’t give them credit for being awestruck. They’re reacting to the intimidating female as an intruder, an alien, and somebody they can’t relate to. It’s not a compliment to be made invisible.
Julie Klausner (I Don't Care About Your Band: Lessons Learned from Indie Rockers, Trust Funders, Pornographers, Felons, Faux-Sensitive Hipsters, and Other Guys I've Dated)
An officer on an elevator in the Tower once told me he was proud of his job keeping bad guys out of society. "Someone's gotta do it, right?" - but that didn't stop him from going to church every week, for almost twenty years now, and confessing to what he called "the sin of locking a human being in a cage.
Avi Steinberg (Running the Books: The Adventures of an Accidental Prison Librarian)
The carpenter has done a great job of restoring the door’s broken lock and handle.
John Marrs (Keep It in the Family)
south of Golden Gate Park, and he took a job working for a finance company as a “repo man,” picking the locks of cars whose
Walter Isaacson (Steve Jobs)
DAY TWO MUSH FOR BREAKFAST—HONESTY’S JOB GOES TERRIBLY WRONG—THE CITY HAS A WORSE DAY—CAMILLA-AND-PALAMEDES—“KEEP HER HOME TONIGHT”—FOUR DAYS UNTIL THE TOMB OPENS
Tamsyn Muir (Nona the Ninth (The Locked Tomb, #3))
Each day at my job felt like one day closer to death; go to work, come home, watch TV, one whole day lost and gone forever. When I traveled, no time felt wasted. I was alert and active. I was switched on. I felt like I’d been living in a cage and I’d only just learned there was no lock on the door. I could just walk outside and do as I pleased. I didn’t want to get back in.
Matt Harding (Where the Hell is Matt? The Story Behind the Internet Dancing Sensation)
I need you to trust me." "Gennie." He took her hand and linked fingers. "I do.That's what I've been trying to tell you." "You haven't been doing a good job of it." "No." He drew her closer. "Let me try again." He kissed her, telling himself to be gentle and easy with her. But his arms locked and tightened, his mouth hungered. The spray shimmered over both of them as they stood entangled.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
Eating on the job?” he asked, pointing at the remainder of the sandwich in my hand. To counter that, I pointed at the sign on the door behind him. “We're closed.” “Oh.” He scratched the back of his neck. “You should really lock the door when you're closed.” “Yeah, I know. I keep expecting people who come to my bookstore to be able to read. My mistake.” “Oh, burn! Okay, you win this round.
Ann-Katrin Byrde (The Omega's Fake Mate (Oceanport Omegas, #4))
I put his thumb into my mouth and suck it in slow motion, our eyes locked. “As your dedicated fuck bunny, Mr. Miles, I take my job very seriously,” I whisper darkly. “Your wish is my command, sir.
T.L. Swan (The Stopover (Miles High Club, #1))
William gave a hard laugh. "Is that how you treat family around here? You kidnap her from her husband, lock her up in a cell then expect her to wipe out everyone she loves because some quack job who isn't even from here thinks he can pay god? I don't know about you, but that doesn't sound very brotherly to me." He gently took my arm and pulled me away from Brice. "Now. I think I heard the lady ask you to leave.
Mireille Chester (Journey (The Chosen One Trilogy, #2))
a good portion of the women in the Asylum were no madder than the Queen of England. Many were sane enough when sober, as their madness came out of a bottle, which is a kind I knew very well. One of them was in there to get away from her husband, who beat her black and blue, he was the mad one but nobody would lock him up; and another said she went mad in the autumns, as she had no house and it was warm in the Asylum, and if she didn’t do a fair job of running mad she would freeze to death; but then in the spring she would become sane again because it was good weather and she could go off and tramp in the woods and fish,
Margaret Atwood (Alias Grace)
The breakdown of the neighborhoods also meant the end of what was essentially an extended family....With the breakdown of the extended family, too much pressure was put on the single family. Mom had no one to stay with Granny, who couldn't be depended on to set the house on fire while Mom was off grocery shopping. The people in the neighborhood weren't there to keep an idle eye out for the fourteen-year-old kid who was the local idiot, and treated with affection as well as tormented....So we came up with the idea of putting everybody in separate places. We lock them up in prisons, mental hospitals, geriatric housing projects, old-age homes, nursery schools, cheap suburbs that keep women and the kids of f the streets, expensive suburbs where everybody has their own yard and a front lawn that is tended by a gardener so all the front lawns look alike and nobody uses them anyway....the faster we lock them up, the higher up goes the crime rate, the suicide rate, the rate of mental breakdown. The way it's going, there'll be more of them than us pretty soon. Then you'll have to start asking questions about the percentage of the population that's not locked up, those that claim that the other fifty-five per cent is crazy, criminal, or senile. WE have to find some other way....So I started imagining....Suppose we built houses in a circle, or a square, or whatever, connected houses of varying sizes, but beautiful, simple. And outside, behind the houses, all the space usually given over to front and back lawns, would be common too. And there could be vegetable gardens, and fields and woods for the kids to play in. There's be problems about somebody picking the tomatoes somebody else planted, or the roses, or the kids trampling through the pea patch, but the fifty groups or individuals who lived in the houses would have complete charge and complete responsibility for what went on in their little enclave. At the other side of the houses, facing the, would be a little community center. It would have a community laundry -- why does everybody have to own a washing machine?-- and some playrooms and a little cafe and a communal kitchen. The cafe would be an outdoor one, with sliding glass panels to close it in in winter, like the ones in Paris. This wouldn't be a full commune: everybody would have their own way of earning a living, everybody would retain their own income, and the dwellings would be priced according to size. Each would have a little kitchen, in case people wanted to eat alone, a good-sized living space, but not enormous, because the community center would be there. Maybe the community center would be beautiful, lush even. With playrooms for the kids and the adults, and sitting rooms with books. But everyone in the community, from the smallest walking child, would have a job in it.
Marilyn French (The Women's Room)
What a vapid job title our culture gives to those honorable laborers the ancient Egyptians and Sumerians variously called Learned Men of the Magic Library, Scribes of the Double House of Life, Mistresses of the House of Books, or Ordainers of the Universe. 'Librarian' - that mouth-contorting, graceless grind of a word, that dry gulch in the dictionary between 'libido' and 'licentious' - it practically begs you to envision a stoop-shouldered loser, socks mismatched, eyes locked in a permanent squint from reading too much microfiche. If it were up to me, I would abolish the word entirely and turn back to the lexicological wisdom of the ancients, who saw librarians not as feeble sorters and shelvers but as heroic guardians. In Assyrian, Babylonian, and Egyptian cultures alike, those who toiled at the shelves were often bestowed with a proud, even soldierly, title: Keeper of the Books. - p.113
Miles Harvey (The Island of Lost Maps: A True Story of Cartographic Crime)
His cellphone alarm beeped. Now. Who would he nail? A single target tonight. So, a single bullet in the gun. David put the crosshairs on one of the guys walking out of the Quick Trip. Tall man, longish hair, scruffy beard. The guy pulled keys from his pocket and the crosshairs settled on his face. What was next? David pulled the trigger. The back of the guy’s head exploded. A massive wound. The guy’s friend looked around. The pregnant woman screamed. The black guy ran. The girls hugged each other. David pulled the trunk lid back down. Clicked and locked. A gentle walkway wound around the mall. Sol slowly drove away. David’s breaths came fast, almost pants. He then took his black pants off and removed his soiled underwear. He reached in the plastic bag for the fresh pair. Changing in the trunk of a dark and hot and moving car was difficult. Just part of the job now. When he pulled the trigger, he orgasmed. Always did. David slowed his breathing. Taylor series for ex = 1 + x + X2 / 2! + X3 / 3! etc. Yes, that was better. He closed his eyes and let go of the rope and let the rifle roll to one side. That guy’s head exploded. They drove away, below the speed limit. Didn’t want to attract attention. No need to, in no hurry.
Michael Grigsby
When the design was finally locked in, Jobs called the Macintosh team together for a ceremony. “Real artists sign their work,” he said. So he got out a sheet of drafting paper and a Sharpie pen and had all of them sign their names. The signatures were engraved inside each Macintosh. No one would ever see them, but the members of the team knew that their signatures were inside, just as they knew that the circuit board was laid out as elegantly as possible. Jobs called them each up by name, one at a time. Burrell Smith went first. Jobs waited until last, after all forty-five of the others. He found a place right in the center of the sheet and signed his name in lowercase letters with a grand flair. Then he toasted them with champagne. “With moments like this, he got us seeing our work as art,” said Atkinson.
Walter Isaacson (Steve Jobs)
The irony across all self-protection is that at the same time as we’re worrying about machine learning and artificial intelligence taking jobs and dehumanizing work, we’re intentionally or unintentionally creating cultures that, instead of leveraging the unique gifts of the human heart like vulnerability, empathy, and emotional literacy, are trying to lock those gifts away. There are some things that machines and algorithms do better than us for the simple reasons of computing power, quicker elimination of variables that humans either don’t see or won’t readily dismiss, and the fact that machines have no ego.
Brené Brown (Dare to Lead: Brave Work. Tough Conversations. Whole Hearts.)
Her place had been born of an idea that colored folks who couldn’t stop anywhere else in this county, well, they could stop here. Get a good meal, a little bite off a bottle of whiskey, if you could keep quiet about it; get your hair cleaned up before you made it to family up north or to the job you hoped would still be there by the time you got on the other side of Arkansas, ’cause there was no point in going if you didn’t get way the hell past Arkansas. Forty-some-odd years after the death of Jim Crow, not much had changed; Geneva’s was as preserved in time as the yellowing calendars on the cafe’s walls. She was a constant along a highway that was forever carrying people past her.
Attica Locke (Bluebird, Bluebird (Highway 59, #1))
The bread which you do not use is the bread of the hungry; the garment hanging in your wardrobe is the garment of him who is naked; the shoes that you do not wear are the shoes of the one who is barefoot; the money that you keep locked away is the money of the poor; the acts of charity that you do not perform are so many injustices that you commit.” That’s a challenging
Kerry Weber (Mercy in the City: How to Feed the Hungry, Give Drink to the Thirsty, Visit the Imprisoned, and Keep Your Day Job)
Sonny's lips twisted in a way I'd only seen once before. Barely restrained anger hid beneath the thick layer of his red-brown beard. "That f**king dumbass," he ground out. He cocked his head to one side, and then the other. A deep breath blew out from between his lips. "I'm gonna knock his teeth in." He was being completely serious. So, so serious about defending my honor, I couldn't help it. I started laughing. "It's fine." I snorted. "Son, it's really fine. Knock his teeth in another day." I laughed again. "Or maybe once I find another job, okay? Then you can bust all his teeth and his kneecaps for all I care." Those hazel eyes that were an exact replica of mine, narrowed. And then he quirked a little smile. "His kneecaps too?" I shrugged. "Why not? Call him a friggin' idiot while you do it." Sonny shook his head, full out grinning by that point. "To think I used to call you a good girl. My little sis telling me to break someone's kneecaps. You might make me cry, Ris." He leaned forward across the armchair I was sitting in and ruffled my hair. "Thatta girl." I snorted and batted his hand away.
Mariana Zapata (Under Locke)
The hot water cascaded down his body, and his thoughts again turned to the captivating and mysterious girl who'd fled his house. He hadn't even seen her face without makeup, though he wished he had. Her lips were full, her breasts were beautiful, and her ass was round. And the way she kissed with her delicious mouth had driven Ramón wild. His hand reached down to stroke his throbbing cock. Oh, how he wished it was her delicate fingers wrapped around his length, or better yet, her mouth. Yeah, that was it. He wanted to fuck her mouth. The soft tongue of hers licking his tip, teasing him until he couldn't resist her any longer. Juliet on her knees in front of him, deep throating him. Her eyes locked on his as she took him deeper and deeper.
Alana Albertson (Ramón and Julieta (Love & Tacos, #1))
Waiting for true love was a luxury that many, especially women, could not afford. In the early 1960s, a full 76 percent of women admitted they would be willing to marry someone they didn’t love. However, only 35 percent of the men said they would do the same.3 If you were a woman, you had far less time to find a man. True love? This guy has a job and a decent mustache. Lock it down, girl.
Aziz Ansari (Modern Romance: An Investigation)
Quitting is actually incredibly empowering. It’s a reminder that you control the situation and can leave whenever you like. You don’t have to be your own prison guard, keeping yourself locked up in a place that isn’t working. But that doesn’t mean quitting is easy. I’ve quit jobs that were a bad match and abandoned failing projects, and in each case it was terribly difficult. We’re taught that quitting is a sign of weakness, although in many circumstances, it’s just the opposite. Sometimes quitting is the bravest alternative, because it requires you to face your failures and announce them publicly. The great news is that quitting allows you to start over with a clean slate. And, if you take the time to evaluate what happened, quitting can be an invaluable learning experience.
Tina Seelig (What I Wish I Knew When I Was 20)
I don’t like feeling like I’m someone’s possession, Locke.” “I don’t see you as a possession,” I replied. “I see you as mine. Mine to protect, mine to care for, mine to make sure you never have to work as hard as you do. The days of you working multiple jobs are over.” I glanced over at her, but then returned my focus to the road. “If you truly enjoy the jobs, that would be different. Do you?” “Well… no. I don’t.
Alta Hensley (Heathens (Heathens Hollow, #1))
My job title was youth advocate. My approach was unconditional positive regard. My mission was to help the girl youth succeed in spite of the unspeakably harrowing crap stew they’d been simmering in all of their lives. Succeeding in this context meant getting neither pregnant nor locked up before graduating high school. It meant eventually holding down a job at Taco Bell or Walmart. It was only that! It was such a small thing and yet it was enormous. It was like trying to push an eighteen-wheeler with your pinkie finger. I was not technically qualified to be a youth advocate. I’d never worked with youth or counseled anyone. I had degrees in neither education nor psychology. I’d been a waitress who wrote stories every chance I got for most of the preceding years. But for some reason, I wanted this job and so I talked my way into it. I wasn’t meant to let the girls know I was
Cheryl Strayed (Tiny Beautiful Things: Advice on Love and Life from Dear Sugar)
Look, Jordan, you’re not alone any more. It’s my job to protect you while I’m here and I can’t do that if you keep pushing me away.” “That’s the problem, Michael,” I shot back. “You have more responsibilities to your boss than you do to me. You taught me how to defend myself, how to heal myself, and that should be good enough. You can’t keep babysitting one little human when you have an entire cosmos to worry about.” He faced me again, those green eyes boring into mine as if he could see straight through me. “Are you saying you want me to leave?” My chest tightened. I hadn’t expected him to say that. I bit my bottom lip, glancing away. “That’s not what I mean.” “Then what do you mean?” “Since when have I ever known what the hell I mean?” He touched my right cheek, making me face him. “You do when it counts.” Staring up at him, shirtless, vulnerable, and wounded, I felt like I couldn’t breathe. He had a knack for picking my walls apart brick by brick. It bothered me. He took a step closer, casting a shadow over me. “Stop,” I mumbled, fixing my eyes on the floor. He brushed a lock of hair behind my ear, sliding his warm hand to lift my chin so I’d have to look at him. “Stop what?” he murmured. “Looking at me.” “Why?” “That’s how Terrell used to look at me before we kissed.” His lips parted to say something but I pushed past him, gathering up my duster from where it lay on the bed next to the dress. “Get dressed. We have more ghosts to help.
Kyoko M. (The Black Parade (The Black Parade, #1))
She was a beauty queen!'' ''Holy shit.'' Harrison dissolved into a fit of laughter. ''No way is Redding pulling that one off. Look at her. Her hair's shorter than mine. ''My hair is convenient for my job,'' I said, running a hand over inch-long, blond locks that had been trapped under a hot wig the day before, ''and besides, I thought short hair was fashionable.'' ''Short, yes,'' Harrison said, ''but you're sporting the Britney Spears Nervous Breakdown style. Not a hit among men or the beauty pageant circuit
Jana Deleon (Louisiana Longshot (Miss Fortune Mystery #1))
You have that look on your face,” Alessandro said, smiling as he tucked a damp lock of her blonde hair behind her ear. “What look?” Bree asked, resting a hand on his flushed chest, propping herself up on one elbow. She could feel the racing heart beneath. “The look of a woman who’s been rather well fucked, darling,” he grinned smugly. She punched his chest lightly. “Ego much?” “I see nothing wrong with taking pride in a job well done,” he pointed out. “Oh of course,” Bree said, laughing and dropped her head on his chest.
E. Jamie (The Betrayal (Blood Vows, #2))
One of them was in there to get away from her husband, who beat her black and blue, he was the mad one but nobody would lock him up; and another said she went mad in the autumns, as she had no house and it was warm in the Asylum, and if she didn’t do a fair job of running mad she would freeze to death; but then in the spring she would become sane again because it was good weather and she could go off and tramp in the woods and fish, and as she was part Red Indian she was handy at such things. I would like to do that myself if I knew how, and if not afraid of the bears.
Margaret Atwood (Alias Grace)
QUOTES AND THOUGHTS FROM SEEMA & FRIENDS _________________________________________________ On work and career (some paraphrasing involved): _________________________________________________ “Bosses are always jerks. It’s a job requirement.” ———- “Don’t do dumb shit.” ———- Never ever lose sight of priorities. Food always comes first. ———- An itch started in her chest. Go away, she crossly ordered her conscience. It had a habit of popping its head out at the most inconvenient times. The itch became a tickle rising to her nose. Nope, not her conscience. She was going to sneeze. ———- It’s your God-given right as an employee to whine about bosses. _______________________________________________ On romance and families (some paraphrasing involved): _______________________________________________ “Smell is very important,” Gayathri agreed, tone grave. “One of the first things I notice about a man.” ———- “Men—no matter how awful they look—always believe they deserve the hottest girl on the planet.” “What are the rest of us supposed to do?” asked Seema, glumly. Gayathri shrugged. “Act like we are the hottest girl on the planet. Confidence goes a long way.” ———- Seema had never been able to tell where friendly conversation ended and the banter of romance started. Did the delight in his gaze when it landed on her mean something more than casual amiability? What about his hand cupping her cheek to check for fever? The arm he’d wrapped around her shoulders? Was she gonna have to wait until he initiated a lip lock to be certain? Could she plant one on him? What if he ran, screaming in horror? ———- “You just have to look the other way on some things,” Gayathri advised. “Pretence is the glue which holds families together.” ———-
Anitha Perinchery (One Monsoon in Mumbai: Trouble and Laughter and Mushy Stuff)
Physical beauty is a subject that many skirt around and almost everyone attempts to down-play thereby demonstrating some sound moral stance, but it remains one of the glories of human existence. Of course, there are many people who are attractive without being beautiful just as there are beauties who bore, and the danger of beauty in the very young is that it can make the business of life seem deceptively easy. All this I am fully aware of. I know too, however, that of the four great gifts that the fairies may or may not bring to the christening – Brains, Birth, Beauty and Money – it is Beauty that makes locked doors spring open at a touch. Whether it is for a job interview, a place at a dining table, a brilliant promotion or a lift on the motorway, everyone, regardless of their sex or their sexual proclivity, would always rather deal with a good-looking face. And no one is more aware of this than the Beauties themselves. They have a power they simultaneously respect and take for granted. Despite the moralists who tut about its transience, it is generally a power that is never completely lost. One can usually trace in the wrinkled lines of a nonagenarian, stooped and leaning on a stick, the style and confidence that turned heads in a ballroom in 1929.
Julian Fellowes (Snobs)
Pattee explains there is a basic and extremely important distinction between laws and rules in nature.11 Laws are inexorable, meaning they are unchangeable, inescapable, and inevitable. We can never alter or evade laws of nature. The laws of nature dictate that a car will stay in motion either until an equal and opposite force stops it or it runs out of energy. That is not something we can change. Laws are incorporeal, meaning they do not need embodiments or structures to execute them: there is not a physics policeman enforcing the car’s halt when it runs out of energy. Laws are also universal: they hold at all times in all places. The laws of motion apply whether you are in Scotland or in Spain. On the other hand, rules are arbitrary and can be changed. In the British Isles, the driving rule is to drive on the left side of the road. Continental Europe’s driving rule is to drive on the right side of the road. Rules are dependent on some sort of structure or constraint to execute them. In this case that structure is a police force that fines those who break the rules by driving on the wrong side. Rules are local, meaning that they can exist only when and where there are physical structures to enforce them. If you live out in the middle of the Australian outback, you are in charge. Drive on either side. There is no structure in place to restrain you! Rules are local and changeable and breakable. A rule-governed symbol is selected from a range of competitors for doing a better job constraining the function of the system it belongs to, leading to the production of a more successful phenotype. Selection is flexible; Newton’s laws are not. In their informational role, symbols aren’t dependent on the physical laws that govern energy, time, and rates of change. They follow none of Newton’s laws. They are lawless rule-followers! What this is telling us is that symbols are not locked to their meanings.
Michael S. Gazzaniga (The Consciousness Instinct: Unraveling the Mystery of How the Brain Makes the Mind)
But what’s worse than that is the slaves who identified with their masters, as if the slaves’ value as human beings depended on what the masters were like. What they were like was evil! They were called “masters” because they owned human beings! And we slaves were ready to fight each other over which of the lowdown filthy dogs who owned us was the best! But it wasn’t the slaves’ fault. Like Douglass wrote, slaves are like other people. When you think about it, it’s a wonder more black folks didn’t fight with one another instead of fighting against the white man the way Denmark Vesey, Nat Turner, David Walker, and a whole lot of others did. While you’re busy shaking your head thinking they were stupid, ask yourself this: are we any better today? Black people put on the uniform of the U.S. military, our masters, and go to Vietnam, Iraq, Afghanistan, and anywhere else Uncle Sam tells us to go, and fight and kill yellow-skinned folks and brown-skinned folks on behalf of the United States, our masters—just like slaves fighting other slaves. Meanwhile, back home, one out of every half-dozen blacks is locked up for committing the same drug crimes as white dudes who walk around free. What’s wrong with that picture? Then you’ve got blacks in police uniforms out there arresting other innocent blacks. Blacks in America really need to study the Jews in Germany. Those Jews never thought they were part of Hitler’s system, most of them never sided with the people oppressing them. We do. We go to war. What kind of abomination is that? How many blacks go to war because we can’t find a job, and are willing to kill or be killed just so we can feed ourselves and our families? But remember, our already-free Maroon ancestors risked all of that just to free others. Getting back to Frederick Douglass, it’s like he said: Slaves are like other people. Too many of us have that slave mentality. It can take a lot to get past that, but a lot of us have, and Frederick Douglass was one.
Dick Gregory (Defining Moments in Black History: Reading Between the Lies)
You ever read about the first black person to do so and so or hold such and such a job? I know I have. Here’s the first black head football coach in the NFL. Here’s the first black owner in the NFL. Here’s the first black editor in chief of Harper’s Bazaar. Here’s the first black person to attend Harvard, the first black valedictorian at Princeton. Here’s the first black woman to win a Pulitzer Prize. Now think of when you’ve ever heard about the first white person to do something significant. I can’t remember one time reading, “Check it out, finally a white person’s done this!” And you know why? Because white people have had a lock on significance since before this country was even a country.
Emmanuel Acho (Uncomfortable Conversations With a Black Man)
He smiled, and some of the knots in my stomach loosened. He would keep my secret. Devon hesitated, then reached over and put his hand on top of mine. His skin was warm, as though the sun had soaked into his body. I breathed in, and the crisp, clean scent of him filled my nose, the one that made me want to bury my face in his neck and inhale the essence of him over and over again. But I forced myself to exhale and step back, putting some distance between us, even though our hands were still touching. “Look,” I said, my voice carefully neutral. “You’re a nice guy, a great guy. But I’m going to . . . be here for a while. You’re an important member of the Family, and I’m your bodyguard, so it’s my job to protect you, and we’re going to have to work together. But I don’t think there should be anything . . . else.” “Because of your mom, right?” he asked in a low voice. “Because you blame me for her death?” I sucked in a breath, so rattled that I couldn’t even pretend I didn’t know what he was talking about. First, my magic, and now this. Somehow, Devon knew all my secrets. “How do you know about my mom?” I croaked out. “I remember everything about that day in the park,” he said. “Including the girl with the blue eyes who helped save me.” I didn’t say anything. I could barely even hear him over the roar of my own heartbeat in my ears. “It took me a while to figure out why you seemed so familiar. When I realized you reminded me of the girl in the park, I knew it had to be you. Mom would never have brought you here otherwise. Plus, there are several photos of your mother in the library. You look just like her. I know what happened to her. I’m sorry that she died because of me—so sorry.” His green gaze locked with mine, that old, familiar guilt flaring to life in his eyes and punching me in the gut. And once again, I found myself wanting to comfort him. “I don’t blame you for her death,” I said. “It wasn’t your fault. None of it was your fault. It was all the Draconis.” “Do you really mean that?” he whispered. “I do.” Devon closed the distance between us and stared down at me. I let myself look into his eyes for another heartbeat. Then I pulled my hand out from under his and stepped away. Hurt flashed in his gaze before he could hide it. I wanted to stop. I wanted to tell him that I felt this thing, this attraction, this heat between us just as much as he did. I wanted to wrap my arms around his neck, pull his lips down to mine, and lose myself in him. But I couldn’t. Not when I was planning on leaving the mansion, the Family, and him, the second I thought it was safe. I already cared about Devon way too much. And Felix and Oscar and even Claudia. I didn’t need to fall any farther down that rabbit hole, especially where Devon was concerned, because I knew exactly where I would end up—with my heart broken.
Jennifer Estep (Cold Burn of Magic (Black Blade, #1))
The hereditary Emperor is nearly dead and has been for many centuries. In the last moments of his dying coma he was locked in a stasis field which keeps him in a state of perpetual unchangingness. All his heirs are now long dead, and this means that without any drastic political upheaval, power has simply and effectively moved a rung or two down the ladder, and is now seen to be vested in a body that used to act simply as advisers to the Emperor—an elected governmental assembly headed by a President elected by that assembly. In fact it vests in no such place. The President in particular is very much a figurehead—he wields no real power whatsoever. He is apparently chosen by the government, but the qualities he is required to display are not those of leadership but those of finely judged outrage. For this reason the President is always a controversial choice, always an infuriating but fascinating character. His job is not to wield power but to draw attention away from it. On those criteria Zaphod Beeblebrox is one of the most successful Presidents the Galaxy has ever had—he has already spent two of his ten presidential years in prison for fraud. Very very few people realize that the President and the Government have virtually no power at all, and of these few people only six know whence ultimate political power is wielded. Most of the others secretly believe that the ultimate decision-making process is handled by a computer. They couldn’t be more wrong.
Douglas Adams (The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide, #1))
The life of the grownups had caught me, at first by a lock of hair or a finger, but soon it would have caught and bound me completely, the life lived according to goals, according to numbers, the life of order and jobs, or professions and examinations; soon the hour would strike for me too, soon I would be undergraduate, graduate student, minister, professor, would pay calls with a high hat and leather gloves to go with it, would no longer understand children, would perhaps envy them. But actually in my heart I didn't want any of this, I did not want to leave my world where things were good and precious. There was, to be sure, a completely secret goal for me when I thought about the future. The one thing I ardently wished for was to become a magician.
Hermann Hesse (Autobiographical Writings)
She felt the snake between her breasts, felt him there, and loved him there, coiled, the deep tumescent S held rigid, ready to strike. She loved the way the snake looked sewn onto her V-neck letter sweater, his hard diamondback pattern shining in the sun. It was unseasonably hot, almost sixty degrees, for early November in Mystic, Georgia, and she could smell the light musk of her own sweat. She liked the sweat, liked the way it felt, slick as oil, in all the joints of her body, her bones, in the firm sliding muscles, tensed and locked now, ready to spring--to strike--when the band behind her fired up the school song: "Fight On Deadly Rattlers of Old Mystic High." " He said in an interview on video this... ""She felt the snake between her breasts, felt him there, and loved him there, coiled, the deep tumescent S held rigid, ready to strike. She loved the way the snake looked sewn onto her V-neck letter sweater, his hard diamondback pattern shining in the sun. It was unseasonably hot, almost sixty degrees, for early November in Mystic, Georgia, and she could smell the light musk of her own sweat. She liked the sweat, liked the way it felt, slick as oil, in all the joints of her body, her bones, in the firm sliding muscles, tensed and locked now, ready to spring--to strike--when the band behind her fired up the school song: "Fight On Deadly Rattlers of Old Mystic High." " The writers job is to get naked! To hide nothing. To look away from nothing. To look at it. To not blink. To be not embarrassed or shamed of it. Strip it down and lets get down to where the blood is, the bone is. Instead of hiding it with clothes and all kinds of other stuff, luxury! On-Writing
Harry Crews
He was going to kill her. “You dragged me up here for nothing.” “Your pride dragged you up here. If Van Eck senses anything amiss tonight, it’s all over. This isn’t a two-person job and you know it.” “Inej—” “My future is riding on this too, Kaz. I don’t tell you how to pick locks or put together a plan. This is what I’m good at, so let me do my job.” She yanked the rope taut. “And just think of all the time you’ll have for prayer and quiet contemplation on the way down.” She vanished over the side of the chapel. Kaz stood there, staring at the place she’d been only seconds before. She’d tricked him. The decent, honest, pious Wraith had outsmarted him. He turned to look back at the long expanse of roof he was going to have to traverse to get back to the boat. “Curse you and all your Saints,” he said to no one at all, then realized he was smiling.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Solving would sound like, “Just let Jessie use it first, she’s two years old, geez!” or “Micah, you get it now and then, Jessie, you get it after.” But slowing down would sound like, “Let me take that fire truck for a second—okay, I have it. Now, I know I need a deep breath.” Take a few deep breaths to allow your children to “borrow” your regulation. “Hmm, two kids, one truck! That is so tricky. I wonder what we can do? I wonder if I have any problem-solvers here . . .” Then pause. Remind yourself, your job is to slow down the situation so your kids can regulate their bodies and have access to their own problem-solving skills; your job isn’t to solve this as quickly as possible. Here, you’re helping your children learn the process that leads to problem-solving; when we fix things for our kids, we just lock them into needing us to problem-solve, and this becomes frustrating to everyone.
Becky Kennedy (Good Inside: A Practical Guide to Resilient Parenting Prioritizing Connection Over Correction)
I taught mathematics here at the university for many years. But before that time, I used to create beautiful music with my beloved wife, who passed away. Her name was Sarah.” He paused for a moment to gather himself after uttering her name, but then continued. “I didn’t play for many years after she died, but one thing that loss has taught me is that keeping a gift locked away only brings harm. It is essential to express ourselves. Walls and doors keep out not just the bad but also the good. It is our job to own the keys of our freedom, and to be able to open those doors. I spent many years behind a closed door without knowing where to find the key to my life, but thanks to my music, I am now finding my way out. To quote an extraordinary but lesser-known philosopher, my late wife Sarah Held, ‘What is life without the beauty of art or music or poetry to help us interpret it, encourage us to know how to feel, how to love and how to live?’ In music I see the darkness, the light, the messiness, the beauty, and the complexities of life that simply can’t be summed up like an equation. Music, for me, helps bring down the walls, to open those locked doors. And I hope it has been that way for you too, tonight.
Suzanne Kelman (A View Across the Rooftops)
Free spirits, the ambitious, ex-socialists, drug users, and sexual eccentrics often find an attractive political philosophy in libertarianism, the idea that individual freedom should be the sole rule of ethics and government. Libertarianism offers its believers a clear conscience to do things society presently restrains, like make more money, have more sex, or take more drugs. It promises a consistent formula for ethics, a rigorous framework for policy analysis, a foundation in American history, and the application of capitalist efficiencies to the whole of society. But while it contains substantial grains of truth, as a whole it is a seductive mistake. . . . The most fundamental problem with libertarianism is very simple: freedom, though a good thing, is simply not the only good thing in life. . . . Libertarians try to get around this fact that freedom is not the only good thing by trying to reduce all other goods to it through the concept of choice, claiming that everything that is good is so because we choose to partake of it. Therefore freedom, by giving us choice, supposedly embraces all other goods. But this violates common sense by denying that anything is good by nature, independently of whether we choose it. . . . So even if the libertarian principle of “an it harm none, do as thou wilt,” is true, it does not license the behavior libertarians claim. Consider pornography: libertarians say it should be permitted because if someone doesn’t like it, he can choose not to view it. But what he can’t do is choose not to live in a culture that has been vulgarized by it. . . . There is no need to embrace outright libertarianism just because we want a healthy portion of freedom, and the alternative to libertarianism is not the USSR, it is America’s traditional liberties. . . . Paradoxically, people exercise their freedom not to be libertarians. The political corollary of this is that since no electorate will support libertarianism, a libertarian government could never be achieved democratically but would have to be imposed by some kind of authoritarian state, which rather puts the lie to libertarians’ claim that under any other philosophy, busybodies who claim to know what’s best for other people impose their values on the rest of us. . . . Libertarians are also naïve about the range and perversity of human desires they propose to unleash. They can imagine nothing more threatening than a bit of Sunday-afternoon sadomasochism, followed by some recreational drug use and work on Monday. They assume that if people are given freedom, they will gravitate towards essentially bourgeois lives, but this takes for granted things like the deferral of gratification that were pounded into them as children without their being free to refuse. They forget that for much of the population, preaching maximum freedom merely results in drunkenness, drugs, failure to hold a job, and pregnancy out of wedlock. Society is dependent upon inculcated self-restraint if it is not to slide into barbarism, and libertarians attack this self-restraint. Ironically, this often results in internal restraints being replaced by the external restraints of police and prison, resulting in less freedom, not more. This contempt for self-restraint is emblematic of a deeper problem: libertarianism has a lot to say about freedom but little about learning to handle it. Freedom without judgment is dangerous at best, useless at worst. Yet libertarianism is philosophically incapable of evolving a theory of how to use freedom well because of its root dogma that all free choices are equal, which it cannot abandon except at the cost of admitting that there are other goods than freedom. Conservatives should know better.
Robert Locke
People are trained – brainwashed – to believe that material well-being stands for psychological well-being. If you have a house, a job, a car, lots of commodities, a partner and family then you ought to be happy. But where is the real you in all of that? Of course, psychological well-being, not material well-being, should be the benchmark. But we live in a materialist world thanks to economic materialism (predatory capitalism) and philosophical materialism (scientism). Science more or less denies that we have minds and free will, hence are just machines, while predatory capitalism treats us as material objects. Mind – the psyche, psychology – is exactly what is absent from the materialist hegemony, and that’s why the world is so anxious, depressed and alienated. It comes with the territory. It’s an inevitable aspect of materialism. Materialism shapes us as matter. Consumerism shapes us as consumers. The class system locks us into artificial class identities. In a world of commodities, we ourselves are commodified. All of our values start to revolve around objects, things, commodities, consumption, matter. The human has disappeared. We need to revalue all values in terms of idealism rather than materialism, and rationalism instead of empiricism.
Joe Dixon (The Irresistible Rise of Mediocre Man: The War On Excellence)
Every Monday and Friday night, leaving us with awful suppers to reheat, our mum didn’t work late shifts at the printworks. She went to an office in Shoreditch. And from there, by radio, by note, by telephone and letters, she exchanged messages with Miss Carter and Mrs. Henderson and Queenie and others like them on what she called ‘humanitarian war work’. She’d never met any of them in person. ‘I can’t tell you any more details. It’s secret work. How you know even this much is really quite beyond me,’ she admitted. ‘I worked most of it out myself,’ I told her. She might’ve hidden it from me all this time, but I wasn’t stupid. ‘Sounds like Sukie did too.’ ‘Your sister spied on me,’ Mum replied bitterly. ‘She stole paperwork, listened in to private conversations. She was very foolish to get caught up in something she knew nothing about.’ ‘She did know about it, though. What Hitler’s doing really got to her. She was desperate to do something about it. All that post from Devon? It wasn’t from Queenie. Those were letters from the lighthouse, written by Ephraim, who feels the same about the Jewish people as Sukie does.’ ‘It was stupid, impulsive behaviour,’ Mum argued, ‘of the sort your sister’s very good at.’ Yet to me she had missed a vital point. ‘You know Sukie wanted to help you, don’t you? She saw how ill you’d got over Dad. By standing in for you on this job, she was making sure you’d get some rest, like the doctor said you should.’ ‘I might’ve known you’d stick up for your sister,’ Mum remarked. ‘But it didn’t help me – it worried me sick!’ ‘It did help thirty-two refugees, though,’ I reminded her. ‘She was lucky she didn’t get arrested straight away.’ Mum went on as if she hadn’t heard me. ‘When I found out that night what she’d done, I was all for going after her, hauling her back and locking her in her bedroom, till this frightful war was over if I had to. But it was too late by then. She was already halfway to France.’ ‘You knew the night she disappeared?’ I couldn’t believe what I was hearing. ‘Why didn’t you tell me?’ ‘And admit that I do undercover work and Sukie was doing it too?’ Mum cried. ‘Good grief, Olive, it’s secret business. It was too dangerous to tell you. There’s a war on, remember!’ ‘People always use that excuse,’ I muttered. It stunned me that Mum had known all this time. But then, hadn’t there been signs? The looks in our kitchen between her and Gloria, the refusal to talk about Sukie, the bundling us off out of the way – to here, the very place Sukie might, with any luck, show up. It was a clever way of making sure we knew the moment she set foot on British soil again.
Emma Carroll (Letters from the Lighthouse)
The story of The Rape of the Lock, sylphs and all, could have been told, though not so effectively, in prose. The Odyssey and the Comedy have something to say that could have been said well, though not equally well, without verse. Most of the qualities Aristotle demands of a tragedy could occur in a prose play. Poetry and prose, however different in language, overlapped, almost coincided, in content. But modern poetry, if it ‘says’ anything at all, if it aspires to ‘mean’ as well as to ‘be’, says what prose could not say in any fashion. To read the old poetry involved learning a slightly different language; to read the new involves the unmaking of your mind, the abandonment of all the logical and narrative connections which you use in reading prose or in conversation. You must achieve a trance-like condition in which images, associations, and sounds operate without these. Thus the common ground between poetry and any other use of words is reduced almost to zero. In that way poetry is now more quintessentially poetical than ever before; ‘purer’ in the negative sense. It not only does (like all good poetry) what prose can’t do: it deliberately refrains from doing anything that prose can do. Unfortunately, but inevitably, this process is accompanied by a steady diminution in the number of its readers. Some have blamed the poets for this, and some the people. I am not sure that there need be any question of blame. The more any instrument is refined and perfected for some particular function, the fewer those who have the skill, or the occasion, to handle it must of course become. Many use ordinary knives and few use surgeons’ scalpels. The scalpel is better for operations, but it is no good for anything else. Poetry confines itself more and more to what only poetry can do; but this turns out to be something which not many people want done. Nor, of course, could they receive it if they did. Modern poetry is too difficult for them. It is idle to complain; poetry so pure as this must be difficult. But neither must the poets complain if they are unread. When the art of reading poetry requires talents hardly less exalted than the art of writing it, readers cannot be much more numerous than poets. The explication of poetry is already well entrenched as a scholastic and academic exercise. The intention to keep it there, to make proficiency in it the indispensable qualification for white-collared jobs, and thus to secure for poets and their explicators a large and permanent (because a conscript) audience, is avowed. It may possibly succeed. Without coming home any more than it now does to the ‘business and bosoms’ of most men, poetry may, in this fashion, reign for a millennium; providing material for the explication which teachers will praise as an incomparable discipline and pupils will accept as a necessary moyen de parvenir. But this is speculation.
C.S. Lewis (An Experiment in Criticism)
Subject of Thought Number of Times Thought Occurred per Year (in descending order) L. 580.0 Family 400.0 Brushing tongue 150.0 Earplugs 100.0 Bill-paying 52.0 Panasonic three-wheeled vacuum cleaner, greatness of 45.0 Sunlight makes you cheerful 40.0 Traffic frustration 38.0 Penguin books, all 35.0 Job, should I quit? 34.0 Friends, don't have any 33.0 Marriage, a possibility? 32.0 Vending machines 31.0 Straws don't unsheath well 28.0 Shine on moving objects 25.0 McCartney more talented than Lennon? 23.0 Friends smarter, more capable than I am 19.0 Paper-towel dispensers 19.0 "What oft was thought, but ne'er" etc. 18.0 People are very dissimilar 16.0 Trees, beauty of 15.0 Sidewalks 15.0 Friends are unworthy of me 15.0 Indentical twins separated at birth, studies of traits 14.0 Intelligence, going fast 14.0 Wheelchair ramps, their insane danger 14.0 Urge to kill 13.0 Escalator invention 12.0 People are very similar 12.0 "Not in my backyard" 11.0 Straws float now 10.0 DJ, would I be happy as one? 9.0 "If you can't get out of it, get into it" 9.0 Pen, felt-tip 9.0 Gasoline, nice smell of 8.0 Pen, ballpoint 8.0 Stereo systems 8.0 Fear of getting mugged again 7.0 Staplers 7.0 "Roaches check in, but they don't check out" 6.0 Dinner roll, image of 6.0 Shoes 6.0 Bags 5.0 Butz, Earl 4.0 Sweeping, brooms 4.0 Whistling, yodel trick 4.0 "You can taste it with your eyes" 4.0 Dry-cleaning fluid, smell of 3.0 Zip-lock tops 2.0 Popcorn 1.0 Birds regurgitate food and feed young with it 0.5 Kant, Immanuel 0.5
Nicholson Baker (The Mezzanine)
They don’t want people who are smart enough to sit around the kitchen table and figure out how badly they’re getting fucked by a system that threw them overboard thirty years ago. They want people who are just smart enough to run the machines and do the paperwork, and just dumb enough to passively accept all the increasingly shitty jobs with the less pay, reduced benefits, the end of overtime—and the vanishing pension that disappears the minute you come to collect it. And now they’re coming for your Social Security. They want your retirement money. They want it back so they can give it to their criminal Wall Street friends. And you know what? They’ll get it! They’ll get it all. They count on the fact that Americans will remain willfully ignorant.” The prophetic Mr. George Carlin “It’s just a ride. We can change it any time we want. It’s just a choice. No effort, no work, no job, no savings of money—a choice, right now, between fear and love. The eyes of fear want you to put bigger locks on your door, buy guns, close yourself off. The eyes of love instead see all of us as one. Here’s what we can do to make this world a better ride. Take all the money we spend on weapons every year and use it to feed and clothe the poor of the world. There will be enough to help every person in the world, not one left out—and we can explore space, both inner and outer, together, in peace.” Bill Hicks “Try to learn to breathe deeply, really taste food when you eat, and when you sleep to really sleep. Try as much as possible to be wholly alive with all your might, and when you laugh, laugh like hell. And when you get angry, get good and angry. Try to be alive. You will be dead soon enough.” William Saroyan
Carlin, Hicks, Saroyan
The front door is locked—what’s up with that?” “Logan fixed the lock,” I tell her. Her bright red, heart-shaped mouth smiles. “Good job, Kevin Costner. You should staple the key to Ellie’s forehead, though, or she’ll lose it.” She has names for the other guys too and when her favorite guard, Tommy Sullivan, walks in a few minutes later, Marlow uses his. “Hello, Delicious.” She twirls her honey-colored, bouncy hair around her finger, cocking her hip and tilting her head like a vintage pinup girl. Tommy, the fun-loving super-flirt, winks. “Hello, pretty, underage lass.” Then he nods to Logan and smiles at me. “Lo . . . Good morning, Miss Ellie.” “Hey, Tommy.” Marlow struts forward. “Three months, Tommy. Three months until I’m a legal adult—then I’m going to use you, abuse you and throw you away.” The dark-haired devil grins. “That’s my idea of a good date.” Then he gestures toward the back door. “Now, are we ready for a fun day of learning?” One of the security guys has been walking me to school ever since the public and press lost their minds over Nicholas and Olivia’s still-technically-unconfirmed relationship. They make sure no one messes with me and they drive me in the tinted, bulletproof SUV when it rains—it’s a pretty sweet deal. I grab my ten-thousand-pound messenger bag from the corner. “I can’t believe I didn’t think of this before. Elle—you should have a huge banger here tonight!” says Marlow. Tommy and Logan couldn’t have synced up better if they’d practiced: “No fucking way.” Marlow holds up her hands, palms out. “Did I say banger?” “Huge banger,” Tommy corrects. “No—no fucking way. I meant, we should have a few friends over to . . . hang out. Very few. Very mature. Like . . . almost a study group.” I toy with my necklace and say, “That actually sounds like a good idea.” Throwing a party when your parents are away is a rite-of-high-school passage. And after this summer, Liv will most likely never be away again. It’s now or never. “It’s a terrible idea.” Logan scowls. He looks kinda scary when he scowls. But still hot. Possibly, hotter. Marlow steps forward, her brass balls hanging out and proud. “You can’t stop her—that’s not your job. It’s like when the Bush twins got busted in that bar with fake IDs or Malia was snapped smoking pot at Coachella. Secret Service couldn’t stop them; they just had to make sure they didn’t get killed.” Tommy slips his hands in his pockets, laid back even when he’s being a hardass. “We could call her sister. Even from an ocean away, I’d bet she’d stop her.” “No!” I jump a little. “No, don’t bother Liv. I don’t want her worrying.” “We could board up the fucking doors and windows,” Logan suggests. ’Cause that’s not overkill or anything. I move in front of the two security guards and plead my case. “I get why you’re concerned, okay? But I have this thing—it’s like my motto. I want to suck the lemon.” Tommy’s eyes bulge. “Suck what?” I laugh, shaking my head. Boys are stupid. “You know that saying, ‘When life gives you lemons, make lemonade’?—well, I want to suck the lemon dry.” Neither of them seems particularly impressed. “I want to live every bit of life, experience everything it has to offer, good and bad.” I lift my jeans to show my ankle—and the little lemon I’ve drawn there. “See? When I’m eighteen, I’m going to get this tattooed on for real. As a reminder to live as much and as hard and as awesome as I can—to not take anything for granted. And having my friends over tonight is part of that.” I look back and forth between them. Tommy’s weakening—I can feel it. Logan’s still a brick wall. “It’ll be small. And quiet—I swear. Totally controlled. And besides, you guys will be here with me. What could go wrong?” Everything. Everything goes fucking wrong.
Emma Chase (Royally Endowed (Royally, #3))
One day Marlboro Man invited my sister, Betsy, and me to the ranch to work cattle. She was home from college and bored, and Marlboro Man wanted Tim to meet another member of my family. “Working cattle” is the term used to describe the process of pushing cattle, one by one, through a working chute, during which time they are branded, dehorned, ear tagged, and “doctored” (temperature taken, injections given). The idea is to get all the trauma and mess over with in one fell swoop so the animals can spend their days grazing peacefully in the pasture. When Betsy and I pulled up and parked, Tim greeted us at the chute and immediately assigned us our duties. He handed my sister a hot shot, which is used to gently zap the animal’s behind to get it to move through the chute. It’s considered the easy job. “You’ll be pushing ’em through,” Tim told Betsy. She dutifully took the hot shot, studying the oddly shaped object in her hands. Next, Tim handed me an eight-inch-long, thick-gauge probe with some kind of electronic device attached. “You’ll be taking their temperature,” Tim informed me. Easy enough, I thought. But how does this thing fit into its ear? Or does it slide under its arm somehow? Perhaps I insert it under the tongue? Will the cows be okay with this? Tim showed me to my location--at the hind end of the chute. “You just wait till the steer gets locked in the chute,” Tim directed. “Then you push the stick all the way in and wait till I tell you to take it out.” Come again? The bottom fell out of my stomach as my sister shot me a worried look, and I suddenly wished I’d eaten something before we came. I felt weak. I didn’t dare question the brother of the man who made my heart go pitter-pat, but…in the bottom? Up the bottom? Seriously? Before I knew it, the first animal had entered the chute. Various cowboys were at different positions around the animal and began carrying out their respective duties. Tim looked at me and yelled, “Stick it in!” With utter trepidation, I slid the wand deep into the steer’s rectum. This wasn’t natural. This wasn’t normal. At least it wasn’t for me. This was definitely against God’s plan.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
The sight of the duke taking liberties had made something boil up inside Jackson that he couldn't suppress. He'd uncharacteristically acted on impulse, and already regretted it. Because the duke now pulled back with the languid motion of all such men of high rank to fix him with a contemptuous stare. "I don't believe we've met, sir." Jackson fought to rein in the wild emotions careening through him. Lady Celia was glaring at him, and the duke was clearly irritated. But now that Jackson had stuck his nose in this, he would see it out. "I'm Jackson Pinter of the Bow Street Office. This lady's brother has hired me to...to..." If he said he'd been hired to investigate suitors, Lady Celia would probably murder him on the spot. "Mr. Pinter is investigating our parents' deaths," she explained in a silky voice that didn't fool Jackson. She was furious. "And apparently he thinks that such a position allows him the right to interfere in more personal matters." When Jackson met her hot gaze, he couldn't resist baiting her. "Your brother also hired me to protect you from fortune hunters. I'm doing my job." Outrage filled the duke's face. "Do you know who I am?" An imminently eligible suitor for her ladyship, damn your eyes. "A man kissing a young, innocent lady without the knowledge or permission of her family." Lady Celia looked fit to be tied. "Mr. Pinter, this is His Grace, the Duke of Lyons. He is no fortune hunter. And this is none of your concern. I'll thank you to keep your opinions to yourself." Jackson stared her down. "As I said the other day, madam, there isn't enough money in all the world for that." The duke cast him a considering glance. "So what do you plan to do about what you saw, sir?" Jackson tore his gaze from Lady Celia. "That depends upon you, Your Grace, if you both return to the ballroom right now, I don't plan to do anything." Was the relief or chagrin he saw on the duke's face? It was hard to tell in this bad light. "As long as you behave yourself with propriety around Lady Celia in the future," Jackson went on, "I see no reason for any of this to pass beyond this room." "That's good of you." The duke offered Lady Celia his arm. "Shall we, my lady?" "You go on," she said coolly. "I need to speak to Mr. Pinter alone." Glancing from her to Jackson, the duke nodded. "I'll expect a dance from you later, my dear," he said with a smile that rubbed Jackson raw. "Of course." Her gaze locked with Jackson's. "I'd be delighted.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
All the many successes and extraordinary accomplishments of the Gemini still left NASA’s leadership in a quandary. The question voiced in various expressions cut to the heart of the problem: “How can we send men to the moon, no matter how well they fly their ships, if they’re pretty helpless when they get there? We’ve racked up rendezvous, docking, double-teaming the spacecraft, starting, stopping, and restarting engines; we’ve done all that. But these guys simply cannot work outside their ships without exhausting themselves and risking both their lives and their mission. We’ve got to come up with a solution, and quick!” One manned Gemini mission remained on the flight schedule. Veteran Jim Lovell would command the Gemini 12, and his space-walking pilot would be Buzz Aldrin, who built on the experience of the others to address all problems with incredible depth and finesse. He took along with him on his mission special devices like a wrist tether and a tether constructed in the same fashion as one that window washers use to keep from falling off ledges. The ruby slippers of Dorothy of Oz couldn’t compare with the “golden slippers” Aldrin wore in space—foot restraints, resembling wooden Dutch shoes, that he could bolt to a work station in the Gemini equipment bay. One of his neatest tricks was to bring along portable handholds he could slap onto either the Gemini or the Agena to keep his body under control. A variety of space tools went into his pressure suit to go along with him once he exited the cabin. On November 11, 1966, the Gemini 12, the last of its breed, left earth and captured its Agena quarry. Then Buzz Aldrin, once and for all, banished the gremlins of spacewalking. He proved so much a master at it that he seemed more to be taking a leisurely stroll through space than attacking the problems that had frustrated, endangered, and maddened three previous astronauts and brought grave doubts to NASA leadership about the possible success of the manned lunar program. Aldrin moved down the nose of the Gemini to the Agena like a weightless swimmer, working his way almost effortlessly along a six-foot rail he had locked into place once he was outside. Next came looping the end of a hundred-foot line from the Agena to the Gemini for a later experiment, the job that had left Dick Gordon in a sweatbox of exhaustion. Aldrin didn’t show even a hint of heavy breathing, perspiration, or an increased heartbeat. When he spoke, his voice was crisp, sharp, clear. What he did seemed incredibly easy, but it was the direct result of his incisive study of the problems and the equipment he’d brought from earth. He also made sure to move in carefully timed periods, resting between major tasks, and keeping his physical exertion to a minimum. When he reached the workstation in the rear of the Gemini, he mounted his feet and secured his body to the ship with the waist tether. He hooked different equipment to the ship, dismounted other equipment, shifted them about, and reattached them. He used a unique “space wrench” to loosen and tighten bolts with effortless skill. He snipped wires, reconnected wires, and connected a series of tubes. Mission Control hung on every word exchanged between the two astronauts high above earth. “Buzz, how do those slippers work?” Aldrin’s enthusiastic voice came back like music. “They’re great. Great! I don’t have any trouble positioning my body at all.” And so it went, a monumental achievement right at the end of the Gemini program. Project planners had reached all the way to the last inch with one crucial problem still unsolved, and the man named Aldrin had whipped it in spectacular fashion on the final flight. Project Gemini was
Alan Shepard (Moon Shot: The Inside Story of America's Race to the Moon)