Locked In And Focused Quotes

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It’s never something huge that changes the everything, but instead the tiniest of details, irrevocably tweaking the balance of the universe while you’re busy focusing on the big picture.
Sarah Dessen (Lock and Key)
Never be so focused on picking a lock that you forget kicking down the door is also an option.
Mark Lawrence (Grey Sister (Book of the Ancestor, #2))
He turned his head and caught her with his eyes. She froze, locked by the intensity of his stare. His eyes were stark and cold, the concentrated green of pale jade. Outlined in smudged black kohl, those eyes focused on her, unblinking through the feathery strands of his jet black hair, and it was like being watched through a cage by a complacent and calculating cat. Discomfort welled in her, thick and black as an oil spring. Who was this guy and what was his royal problem? Her gaze flicked briefly to the small metal loop that hugged one corner of his bottom lip. He blinked once, then slowly lifted one hand and crooked a beckoning finger at her. Isobel hesitated but then as though spellbound to obey, she found herself leaning in. “What are you staring at?” he whispered.
Kelly Creagh (Nevermore (Nevermore, #1))
We are chained by our own control. Life is nothing more than finding the key that unlocks every part of our soul.
Shannon L. Alder
The way you move is incredible.” Ren drew me back to press against him. His fingers slid down to the curve of my hips, rocking our bodies in rhythm with the heavy bass. The sensation of being molded against the hard narrow line of his hips threatened to overwhelm me. We were hidden in the mass of people, right? The Keepers couldn’t see? I tried to steady my breath as Ren kept us locked together in the excruciatingly slow pulse of the music. I closed my eyes and leaned back into his body; his fingers kneaded my hips, caressed my stomach. God, it felt good. My lips parted and the misty veil slipped between them, playing along my tongue. The taste of flower buds about to burst into bloom filled my mouth. Suddenly I wanted nothing more than to melt into Ren. The surge of desire terrified me. I had no idea if the compulsion to draw him more tightly around my body emerged from my own heart or from the succubi’s spellcraft. This couldn’t happen! I started to panic when he bent his head, pressing his lips against my neck. My eyes fluttered and I struggled to focus despite the suffocating heat that pressed down all around me. His sharpened canines traced my skin, scratching but not breaking the surface. My body quaked and I pivoted in his arms, pushing against his chest, making space between us. “I’m a fighter, not a lover,” I gasped. “You can’t be both?” His smile made my knees buckle.
Andrea Cremer (Nightshade (Nightshade, #1; Nightshade World, #4))
But wasn't that always the way. It's never something huge that changes everything, but instead the tiniest of details, irrevocably tweaking the balance of the universe while you're busy focusing on the big picture.
Sarah Dessen (Lock and Key)
I know what she smells like. This little freckle on her neck when she pulls up her hair. Her upper lip is a little plumper than the lower. The curve of her wrist, when she holds a pen. It’s wrong, really wrong, but I know the shape of her. I go to sleep thinking about it, and then I wake up, go to work, and she is there, and it’s impossible. I tell her stuff I know she’ll agree to, just to hear her hum back at me. It’s like hot water down my fucking spine. She’s married. She’s brilliant. She trusts me, and all I think about is taking her to my office, stripping her, doing unspeakable things to her. And I want to tell her. I want to tell her that she’s luminous, she’s so bright in my mind, sometimes I can’t focus. Sometimes I forget why I came into the room. I’m distracted. I want to push her against a wall, and I want her to push back. I want to go back in time and punch her stupid husband on the day I met him and then travel back to the future and punch him again. I want to buy her flowers, food, books. I want to hold her hand, and I want to lock her in my bedroom. She’s everything I ever wanted and I want to inject her into my veins and also to never see her again. There’s nothing like her and these feelings, they are fucking intolerable. They were half-asleep while she was gone, but now she’s here and my body thinks it’s a fucking teenager and I don’t know what to do. I don’t know what to do. There is nothing I can do, so I’ll just . . . not.
Ali Hazelwood (Love on the Brain)
The focus here is not on ritual itself, but on opening up something in hearts and spirits that has been locked away so long that individuals can barely remember the source.
Malidoma Patrice Somé (Ritual: Power, Healing and Community (Compass))
He looked down at himself and laughed softly. ‘‘My dark side dresses better than I do.’’ He stood up and reached for clothes folded neatly on a table to the side as he loosened the tie on his robe. He hesitated, smiled, and raised his eyebrows. ‘‘If you don’t mind, Claire . . . ?’’ ‘‘Oh. Sorry.’’ Claire turned her back. She didn’t like turning her back on him, even with the cell door locked. He was better behaved when he knew she was watching. She focused on the faint, distorted image of his reflection on the TV screen as he shed the dressing gown and began to pull on his clothing. She couldn’t see much, except that he was very pale all over. Once she was sure his pants were up, she glanced behind her. He had his back to her, and she couldn’t help but compare him with the only other man she’d really studied half-naked. Shane was broad, strong, solid. Myrnin looked fragile, but his muscles moved like cables under that pale skin—far stronger than Shane’s, she knew. Myrnin turned as he buttoned his shirt. ‘‘It’s been a while since a pretty girl looked at me with such interest,’’ he said. She looked away, feeling the blush work its heat up through her neck and onto her cheeks. ‘‘It’s all right, Claire. I’m not offended.
Rachel Caine (Feast of Fools (The Morganville Vampires, #4))
In week two, build an optimal schedule. Lock everything into place in fifteen- to thirty-minute blocks. Some tasks will take multiple blocks or entire days. Fine. When you work, only work on one thing at a time, think about the task in front of you and pursue it relentlessly. When it comes time for the next task on your schedule, place that first one aside, and apply the same focus.
David Goggins (Can't Hurt Me: Master Your Mind and Defy the Odds)
So close, I thought. A shorter fence, a fatter dog, and everything would be different. But wasn't that always the way. It's never something huge that changes everything, but instead the tiniest of details, irrevocably tweaking the balance of the universe while you're busy focusing on the big picture.
Sarah Dessen (Lock and Key)
Similar to observers in the Copenhagen interpretation, we only see the possibility we focus on. And that’s the key to locking that particular possibility into place as “reality.
Gregg Braden (The Divine Matrix: Bridging Time, Space, Miracles, and Belief)
Do it for the sake of being a good neighbor, then. You’re well on your way. You’ve already made him a casserole.” “Which I dumped on his shirt.” “I prefer to focus on the positives.
Eva Morgan (Locked (Locked, #1))
almost automatic response: “That’s just a senseless obsession. It’s a false message. I’m going to focus my attention on something else.” At this point, the automatic transmission in your brain begins to start working properly again.
Jeffrey M. Schwartz (Brain Lock: Free Yourself from Obsessive-Compulsive Behavior)
I’m here with Eggie.” All eyes focused on Ric and he suddenly felt like he’d just been handed a speedy death sentence. “Not for that!” Miss Darla gasped, then added with a firm nod. “Don’t you worry one bit, Ulrich. I made Eggie fill in that shallow grave before we drove up here.” Lock grimaced and Ric swallowed. “Thank you?
Shelly Laurenston
When your heart jumps every time your camera locks focus...You've become a photographer.
Mark Denman
Yesterday it was sun outside. The sky was blue and people were lying under blooming cherry trees in the park. It was Friday, so records were released, that people have been working on for years. Friends around me find success and level up, do fancy photo shoots and get featured on big, white, movie screens. There were parties and lovers, hand in hand, laughing perfectly loud, but I walked numbly through the park, round and round, 40 times for 4 hours just wanting to make it through the day. There's a weight that inhabits my chest some times. Like a lock in my throat, making it hard to breathe. A little less air got through and the sky was so blue I couldn’t look at it because it made me sad, swelling tears in my eyes and they dripped quietly on the floor as I got on with my day. I tried to keep my focus, ticked off the to-do list, did my chores. Packed orders, wrote emails, paid bills and rewrote stories, but the panic kept growing, exploding in my chest. Tears falling on the desk tick tick tick me not making a sound and some days I just don't know what to do. Where to go or who to see and I try to be gentle, soft and kind, but anxiety eats you up and I just want to be fine. This is not beautiful. This is not useful. You can not do anything with it and it tries to control you, throw you off your balance and lovely ways but you can not let it. I cleaned up. Took myself for a walk. Tried to keep my eyes on the sky. Stayed away from the alcohol, stayed away from the destructive tools we learn to use. the smoking and the starving, the running, the madness, thinking it will help but it only feeds the fire and I don't want to hurt myself anymore. I made it through and today I woke up, lighter and proud because I'm still here. There are flowers growing outside my window. The coffee is warm, the air is pure. In a few hours I'll be on a train on my way to sing for people who invited me to come, to sing, for them. My own songs, that I created. Me—little me. From nowhere at all. And I have people around that I like and can laugh with, and it's spring again. It will always be spring again. And there will always be a new day.
Charlotte Eriksson
Kevin was raised at Evermore, surrounded by the best and practically born with a racquet in his hand, whereas Andrew learned Exy while he was locked up in juvie. Neil had a page-long article about it in his notebook. It was crassly titled "The Prince and the Pauper", and its focus was on how doomed their friendship was.
Nora Sakavic (The King's Men (All for the Game, #3))
As observers of totalitarianism such as Victor Klemperer noticed, truth dies in four modes, all of which we have just witnessed. The first mode is the open hostility to verifiable reality, which takes the form of presenting inventions and lies as if they were facts. The president does this at a high rate and at a fast pace. One attempt during the 2016 campaign to track his utterances found that 78 percent of his factual claims were false. This proportion is so high that it makes the correct assertions seem like unintended oversights on the path toward total fiction. Demeaning the world as it is begins the creation of a fictional counterworld. The second mode is shamanistic incantation. As Klemperer noted, the fascist style depends upon “endless repetition,” designed to make the fictional plausible and the criminal desirable. The systematic use of nicknames such as “Lyin’ Ted” and “Crooked Hillary” displaced certain character traits that might more appropriately have been affixed to the president himself. Yet through blunt repetition over Twitter, our president managed the transformation of individuals into stereotypes that people then spoke aloud. At rallies, the repeated chants of “Build that wall” and “Lock her up” did not describe anything that the president had specific plans to do, but their very grandiosity established a connection between him and his audience. The next mode is magical thinking, or the open embrace of contradiction. The president’s campaign involved the promises of cutting taxes for everyone, eliminating the national debt, and increasing spending on both social policy and national defense. These promises mutually contradict. It is as if a farmer said he were taking an egg from the henhouse, boiling it whole and serving it to his wife, and also poaching it and serving it to his children, and then returning it to the hen unbroken, and then watching as the chick hatches. Accepting untruth of this radical kind requires a blatant abandonment of reason. Klemperer’s descriptions of losing friends in Germany in 1933 over the issue of magical thinking ring eerily true today. One of his former students implored him to “abandon yourself to your feelings, and you must always focus on the Führer’s greatness, rather than on the discomfort you are feeling at present.” Twelve years later, after all the atrocities, and at the end of a war that Germany had clearly lost, an amputated soldier told Klemperer that Hitler “has never lied yet. I believe in Hitler.” The final mode is misplaced faith. It involves the sort of self-deifying claims the president made when he said that “I alone can solve it” or “I am your voice.” When faith descends from heaven to earth in this way, no room remains for the small truths of our individual discernment and experience. What terrified Klemperer was the way that this transition seemed permanent. Once truth had become oracular rather than factual, evidence was irrelevant. At the end of the war a worker told Klemperer that “understanding is useless, you have to have faith. I believe in the Führer.
Timothy Snyder (On Tyranny: Twenty Lessons from the Twentieth Century)
Sadness, fear, self-pity, self-doubt? They are inwardly focused. They keep you locked inside yourself. They’re useless. Anger is outwardly focused. Anger wants to take action. Anger is useful.
James S.A. Corey (Leviathan Falls (The Expanse #9))
I liked it all, but most of all I liked the fact that although the play was entirely focused on Quintana there were, five evenings and two afternoons a week, these ninety full minutes, the run time of the play, during which she did not need to be dead. During which the question remained open. During which the denouement had yet to play out. During which the last scene played did not necessarily need to be played in the ICU overlooking the East River. During which the bells would not necessarily sound and the doors would not necessarily be locked at six. During which the last dialogue heard did not necessarily need to concern the vent. Like when someone dies, don't dwell on it.
Joan Didion (Blue Nights)
We say, "It wasn't that bad. It was all my fault. I’m making all this stuff up. " All my life, I spoke bitterly of my mother's treatment of me as a child. Friends asked, “What did she do to you?“ I couldn't really describe it, and in frustration would say, “Well, she didn't lock us up in closets." in fact, my mother behaved much worse than that, but by focusing on the empty closet, I avoided looking at what waited beyond it.
Sarah E. Olson (Becoming One: A Story of Triumph Over Dissociative Identity Disorder)
Wheeling around, he went blindly for the doors, messing up the piles, nearly knocking himself over on the coffee table. Saxton got there first, blocking the way out with his body. Blay's eyes locked on the males face." Get out of my way. Right now. You don't want to be around me." "Is that not for me to decide." Blay shifted his focus to those lips he knew so well. "Don't push me." "Or what." "If you don't get the fuck out of my way, I'm going to bend you over that desk of your-" "Prove it." Wrong thing to say. In the wrong tone. At the wrong time. Blay let out a roar that rattled the diamond-paned windows. Then he grabbed his lover by the back of the head and all but threw Saxton across the room. As the male caught himself of the desk, papers went flying, the confetti of yellow legal pad and computer printouts falling down like snow. Saxton's torso curled around as he looked behind at what was coming at him. "Too late to run." Blay growled as he ripped open his button fly. Falling upon the male, he was rough with his hands, tearing the the layers that kept him from what he was going to take. When there were no barriers, he bared his fangs and bit down on Saxton's shoulder through his clothes, locking the male beneath him even as he grabbed those wrist and all but nailed them to the leather blotter. And then he pushed in hard and let out everything he had, his body taking over .. . even as his heart stayed far, far away.
J.R. Ward (Lover Reborn (Black Dagger Brotherhood, #10))
When we ask ourselves how America became the world’s greatest jailer, it is natural to focus on bright, shiny objects: national campaigns, federal legislation, executive orders from the Oval Office. But we should train our eyes, also, on more mundane decisions and directives, many of which took place on the local level. Which agency director did a public official enlist in response to citizen complaints about used syringes in back alleys? Such small choices, made daily, over time, in every corner of our nation, are the bricks that built our prison nation.
James Forman Jr. (Locking Up Our Own: Crime and Punishment in Black America)
It’s quite the game you’re playing, Charlie.” I shouldn’t ask. I shouldn’t. Don’t ask. Don’t . . . “And do you like playing it?” I’m surprised he even heard me, what with my voice as low as it is. But he must have—that or he read my lips, where his focus is locked right now—because he steps in closer, until our chests are almost touching but aren’t. I hold the air in my lungs as he leans in toward my ear, his warm breath skating along my neck. “Yes, I do. Too much.
K.A. Tucker (Four Seconds to Lose (Ten Tiny Breaths, #3))
History is boring, unless you see it from the right perspective. perspective is important. Corn growing in a field appears orderless, till one turns the corner and sees the rows line up. a pixelized photo is unrecognizable, till one zooms out. All the the numbers are on a combination lock but it will not open till they are in the right sequence. So it is with history - all the names, dates and places are there, but it is not until they are seen from the right perspective that lessons become clear. history is boring, until it comes into focus.
William J. Federer (Change to Chains-The 6,000 Year Quest for Control -Volume I-Rise of the Republic)
When John took those naked pictures, the most popular singer was a girl with a tiny stick body and a large deferential head, who sang in a delicious lilt of white lace and promises and longing to be close. When she shut herself up in her closet and starved herself to death, people were shocked. But starvation was in her voice all along. That was the poignancy of it. A sweet voice locked in a dark place, but focused entirely on the tiny strip of light coming under the door. I drop the rag in the bucket and smoke some more, ashing into the sink,. A tiny piece of the movie from the naked time plays on my eyeball: A psychotic killer is blowing up amusement parks. At the head of the crowd clamoring to ride the roller coaster is a slim, lovely man with long blond hair and floppy clothes and big, beautiful eyes fixed on a tiny strip of light that only he can see.
Mary Gaitskill
Most of us in life are tacticians, not strategists. We become so enmeshed in the conflicts we face that we can think only of how to get what we want in the battle we are currently facing. To think strategically is difficult and unnatural. You may imagine you are being strategic, but in all likelihood you are merely being tactical. To have the power that only strategy can bring, you must be able to elevate yourself above the battlefield, to focus on your long-term objectives, to craft an entire campaign, to get out of the reactive mode that so many battles in life lock you into.
Robert Greene (The 33 Strategies of War)
It seems like I've only shut my eyes for a few minutes, but when I open them, I flinch at the sight of Haymitch sitting a couple of feet from my bed. Waiting. Possibly for several hours if the clck is right. I think about hollering for a witness, but I'm going to have to face him sooner or later. Haymitch leans forward and dangles something on a thin white wire in front of my nose. It's hard to focus on, but I'm pretty sur what it is. He drops it in to the sheets. "That is your earpiece. I will give you exactly one more chance to wear it. If you remove it from your ear again, I'll have you fitted with this." He holds up some sort of metal headgear that I instantly name the head shackle. "It's alternative audio unit that locks around your skull and under your chin until it's opened with a key. And I'll have the only key. If for some reason you're clever enough to disable it" ---- Haymitch dumps the head shackle on the bed and whips out a tiny silver chip--- "I'll authorize them to surgically implant this transmitter into your ear so that I may speak to you twenty-four hours a day." Haymitch in my head full-time. Horrifying. "I'll keep the earpiece in," I mutter "Excuse me?" He says "I'll keep the earpiece in!" I say loud enough to wake half the hospital. "You sure? Because I'm equally happy with any of the three options," he tells me "I'm sure," I say. I scrunch up the earpiece protectivley in my fist and fling the head shakle back in his face with my free hand, but he catches it easily. Probably was expecting me to throw it. "Anything else?" Haymitch rises to go. "While I was waiting. . . I ate your lunch." My eyes take in the empty stew bowl and tray on my bed table. "I'm going to report you," I mumble into my pillow. "You do that sweetheart." He goes out, safe in the knowledge that I'm not the reporting kind.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
We often focus on the outcomes of the school-to-prison pipeline as the ultimate tragedy—the high drop-out rates, future poverty and joblessness, the likelihood of repeated incarceration—but when I look at our school-to-prison pipeline, the biggest tragedy to me is the loss of childhood joy. When our kids spend eight hours a day in a system that is looking for reasons to punish them, remove them, criminalize them—our kids do not get to be kids. Our kids do not get to be rambunctious, they do not get to be exuberant, they do not get to be rebellious, they do not get to be defiant. Our kids do not get to fuck up the way other kids get to; our kids will not get to look back fondly on their teenage hijinks—because these get them expelled or locked away. Do not wait until black and brown kids are grown into hurt and hardened adults to ask “What happened? What can we do?” We cannot give back childhoods lost. Help us save our children now.
Ijeoma Oluo (So You Want to Talk About Race)
unquestioned authority isn’t the message of science. The best science has never rested on “trust me” or “take it on faith.” Authority was the message of kings and popes, the thing Locke was trying to escape. Science’s strong suit has always been its focus on observation and process: See, look for yourself. Don’t take my word for it.
Shawn Lawrence Otto (The War on Science: Who's Waging It, Why It Matters, What We Can Do About It)
But in dozens and dozens of studies, Latham and Locke found that setting goals increased performance and productivity 11 to 25 percent.5 That’s quite a boost. If an eight-hour day is our baseline, that’s like getting two extra hours of work simply by building a mental frame (aka a goal) around the activity. But not every goal is the same. “We found that if you want the largest increase in motivation and productivity,” says Latham, “then big goals lead to the best outcomes. Big goals significantly outperform small goals, medium-sized goals, and vague goals. It comes down to attention and persistence—which are two of the most important factors in determining performance. Big goals help focus attention, and they make us more persistent. The result is we’re much more effective when we work, and much more willing to get up and try again when we fail.
Peter H. Diamandis (Bold: How to Go Big, Create Wealth and Impact the World (Exponential Technology Series))
I’ve gotten really good at pulling the veil down,” says Way, “at camouflaging reality, locking out my conscious mind and riding my focus into the zone.
Steven Kotler (The Rise of Superman: Decoding the Science of Ultimate Human Performance)
Faith is choosing the anchor of your focus. It’s about turning your eyes away from the questions that lead to fear, and instead locking eyes with the one who knows the answers.
Michele Cushatt (Undone: A Story of Making Peace With an Unexpected Life)
In all of these examples, it’s not just the change of environment or seeking of quiet that enables more depth. The dominant force is the psychology of committing so seriously to the task at hand. To put yourself in an exotic location to focus on a writing project, or to take a week off from work just to think, or to lock yourself in a hotel room until you complete an important invention: These gestures push your deep goal to a level of mental priority that helps unlock the needed mental resources. Sometimes to go deep, you must first go big.
Cal Newport (Deep Work: Rules for Focused Success in a Distracted World)
And besides (I told myself) wasn’t it time to Move Forward, Let Go, turn from the garden that was locked to me? Live In The Present, Focus On The Now instead of grieving for what I could never have?
Donna Tartt (The Goldfinch)
You're the whole focus of my world," he murmured. "After you left, I went crazy.I flew down to New Orleans, and-" "You did?" Stunned,she drew back to look at him. "You went after me?" "With various purposes in mind," he muttered. "First,I was going to strangle you,then I was going to crawl, then I was going to just drag you back and lock you upstairs." Smiling,she rested her head on his chest. "And now?" "Now." He kissed her hair. "We compromise. I'll let you live." "Good start." With a sigh,she closed her eyes. "I want to watch the sea in winter." He tilted her face to his. "We will." "There is something else..." "Before or after I make love to you?" Laughing,she pulled away from him. "It better be before.Since you haven't mentioned marriage yet,it falls to me." "Gennie-" "No,this is one time we'll do it all my way." She draw out the coin Serena had given her before she'd lef the Comanche. "And,in a way,it's a kind of compromise.Heads,we get married. Tails we don't." Grant grabbed her wrist before she could toss. "You're not going to play games with something like that, Genvieve, unless that's a two-headed coin." She smiled. "It certainly is." Surprise came first,then his grin. "Toss it.I like the odds.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
This stay at home period can be the best moment of your life to discover your purpose on earth, set goals, enjoy new experiences through reading and learning, and focus intensely on what really matter most in life.
Bamigboye Olurotimi
The cool thing about being a middle-aged woman is that they asked me if I wanted the security guard inside of the room or outside of the room, and I said, “Outside.” And the guard said, “You’ll be locked in, there’ll be no way for you to get out.” And I turned around and there was 21 guys looking at me. There’s something about being a middle-aged woman that just totally… I can rock the Auntie Lynda or grandma thing now. [Impersonating an old woman] “Now, you sit down! I don’t care about those tattoos! You just sit down.” [Laughter.] I really loved it. These are the people that I would venture to say probably went to public schools, probably went to difficult public schools, and now they’re in prison. Their ability to focus and write these stories was amazing; I mean their stories are.… I think the same thing that can get somebody in prison is the same thing that could make them a really good writer. Impulse control. There’s no, “Is this a bad convenience store to rob?” [Laughter.] “Is this a bad sentence?
Lynda Barry
In this context, “focus” doesn’t mean locking our office door, selecting a task to process, and tuning out the world around us until that task is complete. That kind of self-exile is a productivity (fear) reaction—not a kaizen (growth) reaction—to a stressful workload.
Jim Benson (Personal Kanban: Mapping Work | Navigating Life)
When we shift from egoic doing to authentic being, our worldview changes. We find ourselves no longer focusing on need, but on service; no longer feeling internal lack, but experiencing abundance; no longer feeling stuck, but flowing; no longer locked into the past, but present now.
Shefali Tsabary (The Conscious Parent: Transforming Ourselves, Empowering Our Children)
There.You're officially Canadian. Try not to abuse your new power." "Whatever.I'm totally going out tonight." "Good." He slows down. "You should." We're both standing still. He's so close to me.His gaze is locked on mine, and my heart pounds painfully in my chest. I step back and look away. Toph. I like Toph,not St. Clair. Why do I have to keep reminding myself of this? St. Clair is taken. "Did you paint these?" I'm desperate to change the mood. "These above your bed?" I glance back,and he's still staring at me. He bites his thumbnail before replying. His voice is odd. "No.My mum did." "Really? Wow,they're good. Really, really...good." "Anna..." "Is this here in Paris?" "No,it's the street I grew up on. In London." "Oh." "Anna..." "Hmm?" I stand with my back to him, trying to examine the paintings. They really are great. I just can't seem to focus. Of course it's not Paris. I should've known- "That guy.Sideburns.You like him?" My back squirms. "You've asked me that before." "What I meant was," he says, flustered. "Your feelings haven't changed? Since you've been here?" It takes a moment to consider the question. "It's not a matter of how I feel," I say at last. "I'm interested,but...I don't know if he's still interested in me." St. Clair edges closer. "Does he still call?" "Yeah.I mean,not often. But yes." "Right.Right,well," he says, blinking. "There's your answer." I look away. "I should go.I'm sure you have plans with Ellie." "Yes.I mean,no. I mean, I don't know. If you aren't doing any-" I open his door. "So I'll see you later. Thank you for the Canadian citizenship." I tap the patch on my bag. St. Clair looks strangely hurt. "No problem. Happy to be of service." I take the stairs two at a time to my floor. What just happened? One minute we were fine,and the next it was like I couldn't leave fast enough. I need to get out of here.I need to leave the dorm. Maybe I'm not a brave American,but I think I can be a brave Canadian.I grab the Pariscope from inside my room and jog downstairs. I'm going to see Paris.Alone.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
I know what she smells like. This little freckle on her neck when she pulls up her hair. Her upper lip is a little plumper than the lower. The curve of her wrist, when she holds a pen. It’s wrong, really wrong, but I know the shape of her. I go to sleep thinking about it, and then I wake up, go to work, and she is there, and it’s impossible. I tell her stuff I know she’ll agree to, just to hear her hum back at me. It’s like hot water down my fucking spine. She’s married. She’s brilliant. She trusts me, and all I think about is taking her to my office, stripping her, doing unspeakable things to her. And I want to tell her. I want to tell her that she’s luminous, she’s so bright in my mind, sometimes I can’t focus. Sometimes I forget why I came into the room. I’m distracted. I want to push her against a wall, and I want her to push back. I want to go back in time and punch her stupid husband on the day I met him and then travel back to the future and punch him again. I want to buy her flowers, food, books. I want to hold her hand, and I want to lock her in my bedroom. She’s everything I ever wanted and I want to inject her into my veins and also to never see her again. There’s nothing like her and these feelings, they are fucking intolerable. They were half-asleep while she was gone, but now she’s here and my body thinks it’s a fucking teenager and I don’t know what to do. I don’t know what to do. There is nothing I can do, so I’ll just . . . not.
Ali Hazelwood (Love on the Brain)
But as she looked over toward the doors, her breath caught. Her eyes locked on the deep blue ones of a man just entering. He was tall and muscular, his hair blonde and well cut. And he was dressed impeccably in a dark grey suit and a deep blue tie. But it was his eyes that drew her focus and made her heart beat faster.
M. Tyler (Bound)
Why do you think Lara is Lara Casnoff, and Mrs. Casnoff is Mrs. Casnoff?” Elodie whispered as she worked her magic on the enchanted door. “It’s her family name, right? So shouldn’t she be Miss Casnoff? Or Ms.?” Of all the things to wonder about, that’s what you’re focused on? Her marital status? “It’s weird, that’s all I’m saying,” she hissed in reply. You know you can talk to me in my head, right? You don’t have to talk out loud and make everyone think I’m a crazy person. Just FYI. “The only time I can talk is when I’m in your body, so sue me, I’m taking advantage of that.” Before we could snipe at each other anymore, the door suddenly gave way. Pushing it open, Elodie dashed inside, closing the door behind her. Lara Casnoff’s office was the total opposite of Mrs. Casnoff’s, complete with soaring bookcases and a heavy wooden desk so brightly polished that I could see myself in it. “Any idea on where we should start?” Elodie whispered. The desk, I finally said. It’ll be locked, and if it’s anything like Mrs. Casnoff’s desk, magic won’t work on it. There’s a nail in my pocket. Get it out, and I’ll talk you through jimmying the lock. Elodie’s disdain flooded over me, but she got the nail and went to work on the lock. “Were you a burglar in the real world?” she muttered as she worked.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
In contrast, Supper at Six focuses on our commonalities—our chemistries. So even though our viewers may find themselves locked into a learned societal behavior—say, the old ‘men are like this, women are like that’ type of thing—the show encourages them to think beyond that cultural simplicity. To think sensibly. Like a scientist.
Bonnie Garmus (Lessons in Chemistry)
He returned his gaze to the spotlight, focusing on the person to the right of it. That was his best guess at who’d been doing the talking. “My name is Thomas. This is Brenda. We know Gally—we were with him at WICKED and he told us about the Right Arm and what you guys are doing a few days ago. We were on board to help, but not like this. We just want to know what you’re planning, why you’re kidnapping immune people and locking them up. I thought that was WICKED kind of stuff.” Thomas didn’t know what he’d expected, but the guy started to chuckle. “I think I’ll let you see the boss just so you get the damn idea out of your head that we’d ever do anything like WICKED.
James Dashner (The Death Cure (Maze Runner, #3))
Baby, there’s nothing wrong with my judgment. I know exactly what I’m doin’, and I know damn well that if I ever see you smile at somebody like you did at Trey today, I’ll kill the poor bastard.” “Dex!” “I’m not jokin’. I don’t ever wanna see that shit ever again so unless you want me goin’ to jail for murderin’ somebody, quit it,” he stated, not blinking, not breathing, totally focused.
Mariana Zapata (Under Locke)
If you are one of those people who can’t hold a lot in mind at once—you lose focus and start daydreaming in lectures, and have to get to someplace quiet to focus so you can use your working memory to its maximum—well, welcome to the clan of the creative. Having a somewhat smaller working memory means you can more easily generalize your learning into new, more creative combinations. Because you’re learning new, more creative combinations. Having a somewhat smaller working memory, which grows from the focusing abilities of the prefrontal cortex, doesn’t lock everything up so tightly, you can more easily get input from other parts of your brain. These other areas, which include the sensory cortex, not only are more in tune with what’s going on in the environment, but also are the source of dreams, not to mention creative ideas. You may have to work harder sometimes (or even much of the time) to understand what’s going on, but once you’ve got something chunked, you can take that chunk and turn it outside in and inside round—putting it through creative paces even you didn’t think you were capable of! Here’s another point to put into your mental chunker: Chess, that bastion of intellectuals, has some elite players with roughly average IQs. These seemingly middling intellects are able to do better than some more intelligent players because they practice more. That’s the key idea. Every chess player, whether average or elite, grows talent by practicing. It is the practice—particularly deliberate practice on the toughest aspects of the material—that can help lift average brains into the realm of those with more “natural” gifts. Just as you can practice lifting weights and get bigger muscles over time, you can also practice certain mental patterns that deepen and enlarge in your mind.
Barbara Oakley
He thought back to the first moment in Hong Kong when he had wanted her and recoiled. That, perhaps, was when his poles had shifted. Missing the small signs, focused on other aims, he had reviled himself for wayward urges, mistaking them as signs of his own weakness. Had he realized then that she was well worth wanting, he might have found the courage to do what came to her so naturally: to look around a locked room, and see opportunities worth breaking windows for.
Meredith Duran (Written on Your Skin)
She sat at her dressing table, eyeing her reflection warily. Her hair was loose, spilling over her shoulders, a few shades darker than the dress. She gathered a handful and began to braid. “I hear you’re going to the ball tonight.” Kestrel glanced in the mirror to see Arin standing behind her. Then she focused on her own shadowed eyes. “You’re not allowed in here,” Kestrel said. She didn’t look again at him, but sensed him waiting. She realized that she was waiting, too--waiting for the will to send him away. She sighed and continued to braid. He said, “It’s not a good idea for you to attend the ball.” “I hardly think you’re in a position to advise me on what I should or shouldn’t do.” She glanced back at his reflection. His face frayed her already sheer nerves. The braid slipped from her fingers and unraveled. “What?” she snapped. “Does this amuse you?” The corner of his mouth lifted, and Arin looked like himself, like the person she had grown to know since summer’s end. “‘Amuse’ isn’t the right word.” Heavy locks fell forward to curtain her face. “Lirah usually does my hair,” she muttered. She heard Arin inhale as if to speak, but he didn’t. Then, quietly, he said, “I could do it.” “What?” “I could braid your hair.” “You?” “Yes.” Kestrel’s pulse bit at her throat. She opened her mouth, but before she could say anything he had crossed the room and swept her hair into his hands. His fingers began to move.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
In the sanctity of this place, the center of his purpose, Kyle was everywhere he looked. He almost laughed when he remembered how he’d questioned Livia’s devotion to Blake after knowing him such a short time, but he didn’t make a sound. Even a week with Kyle would feel like forever. Cole looked over at the two pews where they’d stood when he first saw her. When their eyes locked it had been like a head-on collision—jarring, shocking, and something he wasn’t fast enough to stop. When their hands touched, their souls had stepped out of their bodies and joined. But Kyle and Cole could only stand in shocked stillness. Cole knew at some point he’d sent Livia on her way, his eyes never leaving Kyle. His sole focus had been on keeping her. That was all he knew for sure. He had to keep her there until his soul was done seducing hers. Eventually they’d moved to sit next to each other. His soul had begun an intimate exploration of hers, without asking his permission, and Cole had to talk as if he wasn’t affected at all. As he gazed at Kyle, her wide eyes made him believe she felt exactly the same.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
Andrew followed the direction of her elegant hand and was surprised to see that there was, indeed, a woman in the garden below. “Yes?” He turned toward Vivien and found she was holding out a spyglass for him. “Look a little closer, you could hardly see any detail of her from all the way up here.” He tilted his head in increasing confusion. “Vivien—” “Please,” she insisted, her tone firm. With a grunt, Andrew took the glass from her hand and peered through the viewer to the young woman below. As he focused on her face, his breath caught. She was utterly lovely. Chestnut locks framed a face with high cheekbones and full lips, not to mention china-blue eyes that lit up with delight as she paused to sniff this flower or that. Her clothing was well-worn, but when she twisted to observe her surroundings, it accentuated soft curves. Andrew shifted as a most unfamiliar feeling began to stir his loins. Desire, hot and powerful, pumped through his veins, and he lowered the spyglass in shock. He hadn’t had such a strong reaction to a woman in years. “I assume you like what you see,” Vivien said softly. Andrew clenched his teeth. There was no hiding the swelling of his cock through the tight breeches he wore, and Vivien was too aware of such things not to notice. “She is, obviously, very pretty,” he said coolly as he handed the glass back to Vivien and turned away. He tried to think of anything, anyone, that might force the inconvenient blood upward. “She is looking for a protector,” Vivien said from behind him. “I thought you might be the right match for her.” Andrew spun around, no longer caring if his erection was obvious. “I beg your pardon?” he barked.
Jess Michaels (An Introduction to Pleasure (Mistress Matchmaker, #1))
Grace." He drew out the word so it became a long, deep, guttural growl. A sound as primitive as a lion's roar for its mate. Her skin prickled with animal awareness and the breath caught in her throat. Every drop of moisture evaporated from her mouth. Low in her belly, blood began to beat slow and hard with anticipation. Her face must have betrayed her unfurling arousal. Or perhaps, like her, he reacted to the sudden charge in the air, as electric as the pause before a lightning strike. Still without shifting his fierce focus, he set down the box he carried. Then he reached to close the doors and slide the bolt across. Any doubt as to his purpose fled. A delicious thrill rippled through her. The summerhouse was raised on a platform so the windows opened above eye height. With the doors locked, it was a bower designed for private sin. Sin was clearly his aim. Now she looked more closely, she realized it wasn't anger that tightened the skin over the bones of his face. It was incendiary hunger. She should protest. Question. Demand he tell her why he was here. But overwhelming need kept her silent and pinned to the window seat.
Anna Campbell (Untouched)
THIS IS WHAT they want. The words tumbled through Sophie’s mind as she raced up the spiral staircase, counting her steps, trying to guess which door to take. The first handle she tried was locked. Another opened into darkness. A third revealed a path that glowed with eerie blue balefire sconces. The floor shook as she hesitated and threads of dust slipped through the ceiling, scratching her throat and making it hurt to breathe. She followed the flames. Back and forth the halls snaked—a careful maze, designed to deceive. Swallow. Separate. The tremors grew with every step, the shifting subtle but unmistakable. And too far away. No one else would feel the ripples swelling, like waves gathering speed. They were too focused on their celebration. Too caught up in their imagined victory. Too trusting. Too blind. Too late. The ground rattled harder, the first fissures crackling the stones. This is what they want. ONE THIS IS A security nightmare!” Sandor grumbled, keeping his huge gray hand poised over his enormous black sword. His squeaky voice reminded Sophie more of a talking mouse than a deadly bodyguard. Several prodigies raced past, and Sandor pulled Sophie closer as the giggling group jumped to pop the candy-filled bubbles floating near the shimmering crystal trees. All around them, kids were running through the confetti-covered atrium in their amber-gold Level Three uniforms, capes flying as they caught snacks and bottles of lushberry juice and stuffed tinsel-wrapped gifts into the long white thinking caps dangling from everyone’s lockers. The Midterms Celebration was a Foxfire Academy tradition—hardly the impending doom Sandor was imagining. And yet, Sophie understood his concern. Every parent roaming the streamer-lined halls. Every face she didn’t recognize. Any of them could be a rebel.
Shannon Messenger (Lodestar (Keeper of the Lost Cities, #5))
Getting out of a scarcity trap first requires formulating a plan, something the scarcity mindset does not easily accommodate. Making a plan is important but not urgent, exactly the sort of thing that tunneling leads us to neglect. Planning requires stepping back, yet juggling keeps us locked into the current situation. Focusing on the ball that is about to drop makes it terribly difficult to see the big picture. You would love to stop playing catch-up, but you have too much to do to figure out how. Right now you must make your rent payment. Right now you must meet that project deadline. Long-term planning clearly falls outside the tunnel.
Sendhil Mullainathan (Scarcity: Why Having Too Little Means So Much)
To the extent that we believe we can skip steps, avoid the process, magically gain power through political connections or easy formulas, or depend on our natural talents, we move against this grain and reverse our natural powers. We become slaves to time—as it passes, we grow weaker, less capable, trapped in some dead-end career. We become captive to the opinions and fears of others. Rather than the mind connecting us to reality, we become disconnected and locked in a narrow chamber of thought. The human that depended on focused attention for its survival now becomes the distracted scanning animal, unable to think in depth, yet unable to depend on instincts.
Robert Greene (Mastery)
He had less than thirty seconds to finish his ritual. Using his toes, West loaded the bipod, pushing his body tight into the buttstock. He set his cheek on the rest, locked into the gun, his body set up to absorb the recoil. His mind calculated the data needed to put a 750-grain armor-piercing bullet into the bow tie affixed to the grille. Hitting a target the size of a coffee can was hard enough. When the target was moving at 80 miles per hour West knew he had to be right on the money. He focused on breathing normally—even breaths in and out. The reticle was locked in high and to the right of the spot he actually wanted to put the bullet, and then he flicked the safety off with his thumb
Sean Parnell (Man of War (Eric Steele #1))
I've seen cases on the Internet, of a dog being locked in a car for several hours and comments from people so enraged, that they threaten physical violence toward the perpetrator; some even crying out for the owners to be faced with the death penalty! These self same people will likely not think twice about the animals on their plates. In fact, they usually react more strongly toward such events (dogs locked in cars) than do most vegans. The often unconsidered, deep seated reasoning behind their indignation, is to draw away attention from their own wrong doings toward animals, and focus it elsewhere. If they shout loud enough, perhaps people won't notice that they themselves, are behind far worse animal treatment!
Mango Wodzak (Destination Eden - Eden Fruitarianism Explained)
Nona kept giggling, and that got her told off because Harrowhark Nonagesimus didn’t giggle. At one point, Nona had been worried because Camilla had shut herself away in the corner to write backward-and-forward with Palamedes. Palamedes had focused nearly all his attention on writing, except at one point he’d looked Nona over and said, “Look at me like you’ve worked out how to kill me,” and then, “More eyebrows,” and then, “Good God, perfect. Do you know, I miss Harrow terribly.” Then he’d gone back to his letter. When it was done, Camilla read it heaps and heaps and heaps of times, and then she had to lie down with her knees tucked up to her chest while breathing out through her nose. Nona came to lie down next to her.
Tamsyn Muir (Nona the Ninth (The Locked Tomb, #3))
He wanted to give Eliza the scolding she deserved, to tell her he hadn’t saved her life just to have her start acting rash and putting herself at risk again. But he couldn’t speak. All thoughts escaped him but the scent of the rose-perfumed soap that had circled him when he’d been only inches from her freshly washed hair and the thought of how feminine she felt in his arms. Her silken locks, all smooth and still wet from its wash, rested around her shoulders in a tight braid. The clean clothes she wore—his clothes—draped over her flawless curves. Her skin had more pink to it now, and if he wasn’t mistaken, that pink color was deepening. Was she blushing? Her chin was tucked and she focused a great deal of attention on her fingernails. He held back a smile, remembering Nathaniel’s words. Did she really have feelings for him?
Amber Lynn Perry (So Fair a Lady (Daughters of His Kingdom, #1))
She murmured, “Keeping me alive…intact…just so I can work their damned stele and get Cohort blood…all over my hands. Gun to your neck…blood on my hands…saints against God.” “Don’t talk,” said Crown roughly. “You’re spouting nonsense.” “You haven’t talked sense in months.” She burbled with coughing again. “You’re the one facing the dark night of the soul, Princess.” “Love that melodrama. Is there Eighth somewhere in your family tree?” “Gave yourself up… gave all of us up…for what? Propaganda and a leash…promise of salvation without understanding the sin. Hect and the hideous Sixth House mechanism…and now they are taken too. For what? Our lives? Is this living, Corona?” “You’ve never lived a single day in your life,” said Corona bitterly. “It’d be against regulations.” The Captain said, “Name and rank: Captain Judith Deuteros. House…Second,” and Crown scrubbed at her face with her hand, little licks of hair escaping from their elastic and curling over her forehead like light. The Captain broke off and said, “You think you’re walking the tightrope with fast talking and your face…steeled myself to the talking long ago. But you’re slipping, Princess…can’t save you from that…Hect, my hands are too filthy to save you…” It was funny to think of anyone wanting to save Camilla. The Captain’s eyes passed restlessly to Nona. Sweat was beading on her temples. The Captain focused, and said hoarsely, “Ninth, where is the mercy of the Tomb? Where is your sword in the coffin? Who are your masters now, and who do you master? Where is my cavalier, Reverend Daughter? Where is yours?” Her voice rose. “Because I saw her—in the waves—she was there in the grey water—I saw them all—they hurt me—where is my hunger? I eat and eat and eat without surcease, my green thing, my green-and-breathing thing…
Tamsyn Muir (Nona the Ninth (The Locked Tomb, #3))
Some tasks that require good systemizing, such as tracking animals or inventing a new tool, take a long time. They might take days, months, or years. Many such tasks benefit from a lack of distraction and lots of hard concentration, preferably in solitude. So it might be that even if you were good at systemizing you might never accomplish anything great if you were also good at empathizing, since you might then have an equally strong drive to socialize. But supposing you were low on empathizing. You might then be content to lock yourself away for days without much conversation, to focus long and deep on the system that was your current project. In pre-industrial societies this could involve fixing old axe-heads, or perhaps a four-day trek into the forest in search of food for your family (this might be the ancestral equivalent of the modern day pilot). The pay-off from not needing people as much as others do could be great
Simon Baron-Cohen (The Essential Difference: Male And Female Brains And The Truth About Autism)
He stroked me on the head, and I nuzzled into him like a cat. I saw his chest heave, his lungs filling with his accomplishment, our accomplishment. I had never been so attracted to him, or any man, before. Then he took me by the face and kissed me harder than I've ever been kissed. He kissed me over and over, his lips only loosely aiming for mine. He pulled my lips with the strong pucker of his mouth, then let them snap back. All I could do was give in. That's all I wanted to do. We made our way to the couch, lips locked. He laid me back so my feet were off the ground and my head hung over the armrest. He massaged my neck hard, digging his fingers alongside my spine. His breathing took on a husky bite, an animal roughness that gave me goose bumps. His hands followed my curves, focusing on my hips and butt. I kicked my leg around and sat on his lap. It wasn't very comfortable, but it'd have to do. "You are irresistible," he purred, and toyed with the straps of my dress.
Jessica Tom (Food Whore)
After Bailey came Samuel Johnson, His Cantankerousness. Son of a London bookseller, a university dropout, afflicted with depression and what modern doctors think was likely Tourette’s—“a man of bizarre appearance, uncouth habits, and minimal qualifications”—Johnson was bewilderingly chosen by a group of English booksellers and authors to write the authoritative dictionary of English. Because of the seriousness of the charge, and because Johnson was scholarly but not a proper scholar, he began work on his dictionary the way that all of us now do: he read. He focused on the great works of English literature—Shakespeare, Milton, Dryden, Locke, Pope—but also took in more mundane, less elevated works. Among the books that crossed his desk were research on fossils, medical texts, treatises on education, poetry, legal writing, sermons, periodicals, collections of personal letters, scientific explorations of color, books debunking common myths and superstitions of the day, abridged histories of the world, and other dictionaries.
Kory Stamper (Word by Word: The Secret Life of Dictionaries)
I turn on my side, propping myself up on my elbow. A portion of her hair has fallen out of its entrapment of pins and curls around her neck. Reaching out a tentative finger, I brush the thick lock of hair. It’s soft to the touch, and a faint fragrance of apple and chamomile arises when I stroke the curling strand. She sucks in a quick breath when my finger brushes her chin. I stop, gauging whether to proceed or not, but Molly doesn’t protest. I see a surprised welcome in her eyes. The backs of my fingers stroke up her jawline to her cheek, on the soft, smooth side of her face. All the sounds around us still; the birds quiet, King’s yapping fades, and the breeze no longer whistles in my ear. All I can hear is the drum of my own heart. Her eyes widen, and she appears to be holding her breath, as I do mine. Of their own accord, my eyes focus on her lips, a perfect pair of petals in the midst of a half-ravaged flower. I dare to move closer; my lips hover inches above hers, the petals quiver, and our breath mingles once more.
Jenny Knipfer (On Bur Oak Ridge (Sheltering Trees #3))
You often find this difference between different types of investors. Some will tell you that all the value is in driving down the price you pay as low as possible. These investors revel in the transaction itself, in playing with the deal terms, in beating up their opponent at the negotiating table. That has always seemed short term to me. What that thinking ignores is all the value you can realize once you own an asset: the improvements you can make, the refinancing you can do to improve your returns, the timing of your sale to make the most of a rising market. If you waste all your energy and goodwill in pursuit of the lowest possible purchase price and end up losing the asset to a higher bidder, all that future value goes away. Sometimes it’s best to pay what you have to pay and focus on what you can then do as an owner. The returns to successful ownership will often be much higher than the returns on winning a one-off battle over price. At the price I suggested, I calculated that we would lock in a 16 percent annual yield.
Stephen A. Schwarzman (What It Takes: Lessons in the Pursuit of Excellence)
Hey…,” I said as we climbed into bed one rainy night. “What if we just put the house on hold for a while?” I reached over to my bedside table, grabbed the lemon half, and took a big sniff. Lemon halves were my new narcotic. Marlboro Man was quiet. He worked his leg under mine and locked it into what had become its official position. It was warm. “I think maybe we should get to a stopping point,” I said. “And just put it on hold for a while.” “I’ve thought about it,” he answered quietly. He rubbed his leg slowly up and down mine. Feeling better, I set the lemon back on the table and reached my arm toward him, rolling over and draping my other leg over his waist and resting my head on his chest. “Well, I was thinking it might be easier for me not to worry about it with my parents and the baby and everything else.” Maybe it would be more effective, I thought, if I turned the focus on me. “Well, that makes sense,” he said. “But let’s talk about it tomorrow.” He wrapped his other arm around my waist, and within seconds we were in a totally different world, where parents and drywall--and crippling nausea--were no longer welcome.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
As the pair of them kept talking, Rhage sucked the white stick clean and found himself sizing up the Shadow. Cutting into the convo, he demanded, “Why don’t you come to Last Meal anymore.” V’s diamond-hard glare swung around. “My brother, focus.” “No, I’m serious.” He propped his hip on the black wall. “What’s up, Trez. I mean, our food not good enough for you?” Cue the throat clearing on the Shadow’s side. “Oh, no, yeah, I’m just … busy, you know. Opening this…” “And when was the last time you fed? You look like shit.” Vishous threw up his hands. “Hollywood, will you get in the game—” “You know, I used Selena tonight and her blood is amazing—” It all happened so fast. One minute V was jawing at him while he was bringing up the very salient point that the Shadow needed to take a vein. The next, Trez’s racket-size palm was locked on his neck, cutting off all his air supply. While the guy bared his teeth and snarled like Rhage was the enemy. In the blink of an eye, and in spite of that nasty shoulder wound, Vishous counter-attacked the Shadow, tackling him in a total body slam as Rhage grabbed at that thick wrist to pull the grip free. Incredibly, it got them nowhere.
J.R. Ward
As we stand before this sacred doorway [the doorway to meaning], we realize its response to us is conditional, albeit only in the sense that it’s reflective. If we stand before it arrogant and haughty, indeed the door will remained locked. If we stand before it in doubt, it will disappear. If we knock upon it distracted, our minds somewhere else, we fail to see it open. Anyone in the world can go through it, and there could never be a key. Yet it opens only when we approach it in a certain, truthful way. Otherwise, we may not notice its openness and its infinite offering again and again. To pass into this fertile land of meaning, we must arrive in reverence. We must approach the door in silence, focused upon the primordial pulse of our beings and all of life. We must allow ourselves to open into acceptance, for within acceptance lives our accountability and, therefore, our ability to extract meaning for our growth—and the possibility for things to come to life. We must allow ourselves to be released into the current, the movement of acceptance, otherwise known as surrender, so that we may be taken and discovered unto ourselves. And once we are through, by God, we must celebrate, for what else is there to do?
Tehya Sky (A Ceremony Called Life: When Your Morning Coffee Is as Sacred as Holy Water)
I missed my workout this morning, so I vault up the stairs to my flat. Breakfast has taken longer than intended, and I'm expecting Oliver at any minute. Part of me also hopes that Alessia will still be there. As I approach my front door, I hear music coming from the flat. Music? What's going on? I slide my key into the lock and cautiously open the door. It's Bach, one of his preludes in G Major. Perhaps Alessia is playing music through my computer. But how can she? She doesn't know the password. Does she? Maybe she's playing her phone through the sound system, though from the look of her tatty anorak she doesn't strike me as someone who has a smartphone. I've never seen her with one. The music rings through my flat, lighting up its darkest corners. Who knew that my daily likes classical? This is a tiny piece of the Alessia Demachi puzzle. Quickly I close the door, but as I stand in the hallway, it becomes apparent that the music is not coming from the sound system. It's from my piano. Bach. Fluid and light, played with a deftness and understanding I've only heard from concert-standard performers. Alessia? I've never managed to make my piano sing like this. Taking off my shoes, I creep down the hallway and peer around the door into the drawing room. She is seated at the piano in her housecoat and scarf, swaying a little, completely lost in the music, her eyes closed in concentration as her hands move with graceful dexterity across the keys. The music flows through her, echoing off the walls and ceiling in a flawless performance worthy of any concert pianist. I watch her in awe as she plays, her head bowed. She is brilliant. In every way. And I'm completely spellbound. She finishes the prelude, and I step back into the hall, flattening myself against the wall in case she looks up, not daring to breath. However, without missing a beat she goes straight into the fugue. I lean against the wall and close my eyes, marveling at her artistry and the feeling that she puts into each phrase. I'm carried away by the music, and as I listen, I realize that she wasn't reading the music. She's playing from memory. Good God. She's a fucking virtuoso. And I remember her intense focus when she examined my score while she was dusting the piano. Clearly she was reading the music. Shit. She plays at this standard and she was reading my composition? The fugue ends, and seamlessly she launches into another piece. Again Bach, Prelude in C-sharp Major, I think.
E.L. James
It's funny how you get under his skin.' At first, I'm not sure I heard him right. I almost ask whom he's talking about, because I can't quite believe he's admitting that high and mighty Cardan is affected by anything. 'Like a splinter?' I say. 'Of iron. No one else bothers him quite the way you do.' He picks up a towel and wets it, then kneels down beside me and carefully wipes my face. I suck in a breath when the cold cloth touches the sensitive part of my eye, but he is far gentler than I would have been to myself. His face is solemn and focused on what he's doing. He doesn't seem to notice my studying him, his long face and sharp chin, his curling red-brown hair, the way his eyelashes catch the light. Then he does notice. He's looking at me, and I'm looking back at him, and it's the strangest thing, because I thought Locke would never notice anyone like me. He is noticing, though. He's smiling like he did that night at the Court, as though we share a secret. He's smiling as if we're sharing another one. 'Keep it up,' he says. I wonder at those words. Can he really mean them? As I make my way back to the tournament and my sisters, I can't stop thinking of Cardan's shocked face, nor can I stop considering Locke's smile. I am not altogether sure which is more thrilling and which more dangerous.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
Suddenly, the wind got colder for a moment. Colder and fiercer. I had to hold my hair down, the blonde locks thick with mousse and hairspray, as they were being whipped around my face. Something caught my eye. Out in the dark yard, behind the huge maple tree, I saw movement—a dark figure shifting as if to hide behind the tree. A Peeping Tom? Creepy. And you always think in the city you’ll see the weirdos, and there I was in a small town, blatantly staring at a man watching me. Maybe it was Josh. But wouldn’t he just say hi and be my Romeo to his Juliet? Holding my hair to my face, I tried to focus my eyes. But with so little light behind the shape, it was hard to see clearly, and I lost it completely when it stopped moving. I squinted in disbelief at two red slits glowing mid-trunk on the tree. I would’ve thought they were cat’s eyes catching the light, but they seemed much too large and far too high up the trunk of the tree. Not to mention, they were red. If I didn’t know better, I would’ve thought they belonged to the dark figure hiding behind the tree trunk, but that had clearly been a man spying on me. What man had red eyes? I blinked several times, assuming it was a hallucination. When the red eyes didn’t leave and the figure didn’t move from the tree, my stomach sank and my heart raced, but I didn’t move. I was frozen in fear, no—terror. After
Tara Brown (Sunder)
The gate downstairs has a dead bolt,” said Frost. “There’s no way you could pick the lock.” “Then how could anyone …” She went dead silent. Turned toward the doorway. Footsteps were thumping up the stairs. In an instant her weapon was drawn and clutched in both hands. Pushing aside Mr. Kwan, she quickly slipped out of the bedroom. As she eased her way across the living room, she felt her heart banging, heard Frost’s footsteps creaking on her right. Smelled incense and mold and sweat, a dozen details assaulting her at once. But it was the stairwell door she focused on, a black portal to something that was now climbing toward them. Something that suddenly took on the shape of a man. “Freeze!” Frost commanded. “Boston PD!” “Whoa, Frost.” Johnny Tam gave a startled laugh. “It’s just me.” Behind her, Jane heard Mr. Kwan give a squawk of fear. “Who is he? Who is he?” “What the hell, Tam,” said Frost, huffing out a breath as he holstered his weapon. “I could have blown your head off.” “You did tell me to meet you here, didn’t you? I would’ve gotten here sooner, but I got stuck in traffic coming back from Springfield.” “You talk to the owner of that Honda?” “Yeah. Said it was stolen right out of his driveway. And that wasn’t his GPS in the car.” He swept his flashlight around the room. “So what’s going on in here?” “Mr. Kwan’s giving us a tour of the building.” “It’s been boarded up for years.
Tess Gerritsen (The Silent Girl (Rizzoli & Isles, #9))
As we discussed in chapter 2, there are three ways in which anxiety affects people: physically, mentally, and behaviorally. In this section, you will learn techniques to help yourself cope with these various responses to your fear of social situations. At first, practice the techniques when you are alone, perhaps in the privacy of your bedroom. Then, once you become familiar with them, you can begin to use them in social situations. If you practice the techniques enough, you will be able to incorporate them into your everyday life. People with social anxiety tend to put a lot of pressure on themselves to act perfectly. It is important that you don’t expect to perform these techniques flawlessly. They are skills that need to be developed and practiced. Remember that it takes time to learn new things. Be patient. The first few times you try these techniques, the goal should be simply to feel a little better than when you started. You may have all sorts of thoughts running through your head while trying these techniques, such as “I don’t feel completely relaxed. There’s something wrong with me.” Thoughts about events that you fear may also creep into your mind, such as, “I have to go to that party tonight. What am I going to wear? What if no one talks to me?” Try to push those thoughts away. For some people, it helps to imagine throwing those worries in a garbage can or locking them in a closet. If you can focus entirely on the activity, it will be more beneficial.
Heather Moehn (Social Anxiety (Coping With Series))
Haymitch leans forward and dangles something on a thin white wire in front of my nose. It’s hard to focus on, but I’m pretty sure what it is. He drops it to the sheets. “That is your earpiece. I will give you exactly one more chance to wear it. If you remove it from your ear again, I’ll have you fitted with this.” He holds up some sort of metal headgear that I instantly name the head shackle. “It’s an alternative audio unit that locks around your skull and under your chin until it’s opened with a key. And I’ll have the only key. If for some reason you’re clever enough to disable it”— Haymitch dumps the head shackle on the bed and whips out a tiny silver chip —“I’ll authorize them to surgically implant this transmitter into your ear so that I may speak to you twenty-four hours a day.” Haymitch in my head full-time. Horrifying. “I’ll keep the earpiece in,” I mutter. “Excuse me?” he says. “I’ll keep the earpiece in!” I say, loud enough to wake up half the hospital. “You sure? Because I’m equally happy with any of the three options,” he tells me. “I’m sure,” I say. I scrunch up the earpiece wire protectively in my fist and fling the head shackle back in his face with my free hand, but he catches it easily. Probably was expecting me to throw it. “Anything else?” Haymitch rises to go. “While I was waiting . . . I ate your lunch.” My eyes take in the empty stew bowl and tray on my bed table. “I’m going to report you,” I mumble into my pillow. “You do that, sweetheart.” He goes out, safe in the knowledge that I’m not the reporting kind.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
It had been almost exactly four months since we’d met; four months since we’d locked glances in that bar; four months since his eyes and hair had made my knees turn to overcooked noodles. It had been four months since he’d failed to call me the next day, week, month. I’d moved on, of course, but the rugged image of Marlboro Man had left an indelible mark on my psyche. But I’d just begun my Chicago planning before I’d met him that night and had continued the next day. And now, at the end of April, I was just about set to go. “Oh, hi,” I said nonchalantly. I was leaving soon. I didn’t need this guy. “How’ve you been?” he continued. Yikes. That voice. It was gravelly and deep and whispery and dreamy all at the same time. I didn’t know until that moment that it had already set up permanent residence in my bones. My marrow remembered that voice. “Good,” I replied, focusing my efforts on appearing casual, confident, and strong. “I’m just gearing up to move to Chicago, actually.” “No kidding?” he said. “When are you going?” “Just a couple of weeks,” I replied. “Oh…” He paused. “Well…would you like to go out to dinner this week?” This was always the awkward part. I could never imagine being a guy. “Um, sure,” I said, not really seeing the point of going out with him, but also knowing it was going to be next to impossible for me to turn down a date with the first and only cowboy I’d ever been attracted to. “I’m pretty free all this week, so--” “How ’bout tomorrow night?” he cut in. “I’ll pick you up around seven.” He didn’t know it at the time, but that single take-charge moment, his instantaneous transformation from a shy, quiet cowboy to this confident, commanding presence on the phone, affected me very profoundly. My interest was officially ablaze.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Blood pressure check!” The doorknob rattled, as if the nurse were intending just to walk in, but the lock held, thank God. The nurse knocked again. “Oh, shit,” Gina breathed, laughing as she scrambled off of him. She reached to remove the condom they’d just used, encountered . . . him, and met his eyes. But then she scooped her clothes off the floor and ran into the bathroom. “Mr. Bhagat?” The nurse knocked on the door again. Even louder this time. “Are you all right?” Oh, shit, indeed. “Come in,” Max called as he pulled up the blanket and leaned on the button that put his bed back up into a sitting position. The same control device had a “call nurse” button as well as the clearly marked one that would unlock the door. “It’s locked,” the nurse called back, as well he knew. “Oh, I’m sorry,” he said, as he wiped off his face with the edge of the sheet. Sweat much in bed, all alone, Mr. Bhagat? “I must’ve . . . Here, let me figure out how to . . .” He took an extra second to smooth his hair, his pajama top, and then, praying that the nurse had a cold and couldn’t smell the scent of sex that lingered in the air, he hit the release. “Please don’t lock your door during the day,” the woman scolded him as she came into the room, around to the side of his bed. It was Debra Forsythe, a woman around his age, whom Max had met briefly at his check-in. She had been on her way home to deal with some crisis with her kids, and hadn’t been happy then, either. “And not at night either,” she added, “until you’ve been here a few days.” “Sorry.” He gave her an apologetic smile, hanging on to it as the woman gazed at him through narrowed eyes. She didn’t say anything, she just wrapped the blood pressure cuff around his arm, and pumped it a little too full of air—ow—as Gina opened the bathroom door. “Did I hear someone at the door?” she asked brightly. “Oh, hi. Debbie, right?” “Debra.” She glanced at Gina, and then back, her disgust for Max apparent in the tightness of her lips. But then she focused on the gauge, stethoscope to his arm. Gina came out into the room, crossing around behind the nurse, making a face at him that meant . . .? Max sent her a questioning look, and she flashed him. She just lifted her skirt and gave him a quick but total eyeful. Which meant . . . Ah, Christ. The nurse turned to glare at Gina, who quickly straightened up from searching the floor. What was it with him and missing underwear? Gina smiled sweetly. “His blood pressure should be nice and low. He’s very relaxed—he just had a massage.” “You know, I didn’t peg you for a troublemaker when you checked in yesterday,” Debra said to Max, as she wrote his numbers on the chart. Gina was back to scanning the floor, but again, she straightened up innocently when the nurse turned toward her. “I think you’re probably looking for this.” Debra leaned over and . . . Gina’s panties dangled off the edge of her pen. They’d been on the floor, right at the woman’s sensibly clad feet. “Oops,” Gina said. Max could tell that she was mortified, but only because he knew her so well. She forced an even sunnier smile, and attempted to explain. “It was just . . . he was in the hospital for so long and . . .” “And men have needs,” Debra droned, clearly unmoved. “Believe me, I’ve heard it all before.” “No, actually,” Gina said, still trying to turn this into something they could all laugh about, “I have needs.” But it was obvious that this nurse hadn’t laughed since 1985. “Then maybe you should find someone your own age to play with. A professional hockey player just arrived. He’s in the east wing. Second floor.” She lowered her voice conspiratorially. “Lots of money. Just your type, I’m sure.” “Excuse me?” Gina wasn’t going to let one go past. She may not have been wearing any panties, but her Long Island attitude now waved around her like a superhero’s cape. She even assumed the battle position, hands on her hips.
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))
Moms?’ ‘I am right here with my attention completely focused on you.’ ‘How can you tell if somebody’s sad?’ A quick smile. ‘You mean whether someone’s sad.’ A smile back, but still earnest: ‘That improves it a lot. Whether someone’s sad, how can you tell so you’re sure?’ Her teeth are not discolored; she gets them cleaned at the dentist all the time for the smoking, a habit she despises. Hal inherited the dental problems from Himself; Himself had horrible dental problems; half his teeth were bridges. ‘You’re not exactly insensitive when it comes to people, Love-o,’ she says. ‘What if you, like, only suspect somebody’s sad. How do you reinforce the suspicion?’ ‘Confirm the suspicion?’ ‘In your mind.’ Some of the prints in the deep shag he can see are shoes, and some are different, almost like knuckles. His lordotic posture makes him acute and observant about things like carpet-prints. ‘How would I, for my part, confirm a suspicion of sadness in someone, you mean?’ ‘Yes. Good. All right.’ ‘Well, the person in question may cry, sob, weep, or, in certain cultures, wail, keen, or rend his or her garments.’ Mario nods encouragingly, so the headgear clanks a little. ‘But say in a case where they don’t weep or rend. But you still have a suspicion which they’re sad.’ She uses a hand to rotate the pen in her mouth like a fine cigar. ‘He or she might alternatively sigh, mope, frown, smile halfheartedly, appear downcast, slump, look at the floor more than is appropriate.’ ‘But what if they don’t?’ ‘Well, he or she may act out by seeming distracted, losing enthusiasm for previous interests. The person may present with what appears to be laziness, lethargy, fatigue, sluggishness, a certain passive reluctance to engage you. Torpor.’ ‘What else?’ ‘They may seem unusually subdued, quiet, literally “low.” ’ Mario leans all his weight into his police lock, which makes his head jut, his expression the sort of mangled one that expresses puzzlement, an attempt to reason out something hard. Pemulis called it Mario’s Data-Search Face, which Mario liked. ‘What if sometime they might act even less low than normal. But still these suspicions are in your mind.
David Foster Wallace
I fumbled in my pockets for my father’s map. I stared and rubbed the paper between my fingers. I read the sightings’ dot’s dates with my wormed eyes, connecting them in order. There was the first point where my father felt sure he’d seen mother digging in the neighbor’s yard across the street. And the second, in the field of power wires where Dad swore he saw her running at full speed. I connected dots until the first fifteen together formed a nostril. Dots 16 through 34 became an eye. Together the whole map made a perfect picture of my mother’s missing head. If I stared into the face, then, and focused on one clear section and let my brain go loose, I saw my mother’s eyes come open. I saw her mouth begin to move. Her voice echoed deep inside me, clear and brimming, bright, alive. She said, “Don’t worry, son. I’m fat and happy. They have cake here. My hair is clean.” She said, “The earth is slurred and I am sorry.” She said, “You are OK. I have your mind.” Her eyes seemed to swim around me. I felt her fingers in my hair. She whispered things she’d never mentioned. She nuzzled gleamings in my brain. As in: the day I’d drawn her flowers because all the fields were dying. As in: the downed bird we’d cleaned and given a name. Some of our years were wall to wall with wonder, she reminded me. In spite of any absence, we had that. I thought of my father, alone and elsewhere, his head cradled in his hands. I thought of the day he’d punched a hole straight through the kitchen wall, thinking she’d be tucked away inside. All those places he’d looked and never found her. Inside their mattress. In stained-glass windows. How he’d scoured the carpet for her stray hair and strung them all together with a ribbon; how he’d slept with that one lock swathed across his nostrils, hugging a pillow fitted with her nightshirt. How he’d dug up the backyard, stripped and sweating. How he’d played her favorite album on repeat and loud, a lure. How when we took up the carpet in my bedroom to find her, under the carpet there was wood. Under the wood there was cracked concrete. Under the concrete there was dirt. Under the dirt there was a cavity of water. I swam down into the water with my nose clenched and lungs burning in my chest but I could not find the bottom and I couldn’t see a thing.
Blake Butler (Scorch Atlas)
With great care, Amy opened the cellar door. With ladylike demeanor, she descended the stairs. And as her reward, she had the satisfaction of catching His Mighty Lordship sitting on the cot, his knee crooked sideways and his ankle pulled toward him, cursing at the manacle. “I got it out of your own castle,” she said. Northcliff jumped like a lad caught at a mischief. “My . . . castle?” At once he realized what she meant. “Here on the island, you mean. The old ancestral pile.” “Yes.” She strolled farther into the room. “I went down into the dungeons, crawled around in among the spider webs and the skeleton of your family’s enemies—” “Oh, come on.” He straightened his leg. “There aren’t any skeletons.” “No,” she admitted. “We had them removed years ago.” For one instant, she was shocked. So his family had been ruthless murderers! Then she realized he was smirking. The big, pompous jackass was making a jest of her labors. “If I could have found manacles that were in good shape I’d have locked both your legs to the wall.” “Why stop there? Why not my hands, too?” He moved his leg to make the chain clink loudly. “Think of your satisfaction at the image of my starving, naked body chained to the cold stone—” “Starving?” She cast a knowledgeable eye at the empty breakfast tray, then allowed her lips to curve into a sarcastic smile. “You’d love a look at my naked body, though, wouldn’t you?” He fixed his gaze on her, and for one second she thought she saw a lick of golden flame in his light brown eyes. “Isn’t that what this is all about?” “I beg your pardon.” She took a few steps closer to him—although she remained well out of range of his long arms. What are you talking about?” “I spurned you, didn’t I?” What? What What was he going on about? “You’re a girl from my past, an insignificant debutante I ignored at some cotillion or another. I didn’t dance with you.” He stretched out on the cot, the epitome of idle relaxation. “Or I did, but I didn’t talk to you. Or I forgot to offer you a lemonade, or—” “I don’t believe you.” She tottered to the rocking chair and sank down. “Are you saying you think this whole kidnapping was done because you, the almighty marquees of Northcliff, treated me like a wallflower?” “It seems unlikely I treated you as a wallflower. I have better taste than that.” He cast a critical glance up and down her workaday gown, then focused on her face. “You’re not in the common way, you must know that. With the proper gown and your hair swirled up in that style you women favor—” He twirled his fingers about his head—“you would be handsome. Perhaps even lovely.” She gripped the arms of the chair. Even his compliments sounded like insults! “We’ve never before met, my lord.” As if she had not spoken, he continued, “but I don’t remember you, so I must have ignored you and hurt your feelings—” “Damn!” Exploding out of the chair, she paced behind it, gripping the back hard enough to break the wood. His arrogance was amazing. Invulnerable! “Haven’t you heard a single word I’ve said to you? Are you so conceited you can’t conceive of a woman who isn’t interested in you as a suitor?” “It’s not conceit when it’s the truth.” He sounded quite convinced.
Christina Dodd (The Barefoot Princess (Lost Princesses, #2))
ever. Amen. Thank God for self-help books. No wonder the business is booming. It reminds me of junior high school, where everybody was afraid of the really cool kids because they knew the latest, most potent putdowns, and were not afraid to use them. Dah! But there must be another reason that one of the best-selling books in the history of the world is Men Are From Mars, Women Are From Venus by John Gray. Could it be that our culture is oh so eager for a quick fix? What a relief it must be for some people to think “Oh, that’s why we fight like cats and dogs, it is because he’s from Mars and I am from Venus. I thought it was just because we’re messed up in the head.” Can you imagine Calvin Consumer’s excitement and relief to get the video on “The Secret to her Sexual Satisfaction” with Dr. GraySpot, a picture chart, a big pointer, and an X marking the spot. Could that “G” be for “giggle” rather than Dr. “Graffenberg?” Perhaps we are always looking for the secret, the gold mine, the G-spot because we are afraid of the real G-word: Growth—and the energy it requires of us. I am worried that just becoming more educated or well-read is chopping at the leaves of ignorance but is not cutting at the roots. Take my own example: I used to be a lowly busboy at 12 East Restaurant in Florida. One Christmas Eve the manager fired me for eating on the job. As I slunk away I muttered under my breath, “Scrooge!” Years later, after obtaining a Masters Degree in Psychology and getting a California license to practice psychotherapy, I was fired by the clinical director of a psychiatric institute for being unorthodox. This time I knew just what to say. This time I was much more assertive and articulate. As I left I told the director “You obviously have a narcissistic pseudo-neurotic paranoia of anything that does not fit your myopic Procrustean paradigm.” Thank God for higher education. No wonder colleges are packed. What if there was a language designed not to put down or control each other, but nurture and release each other to grow? What if you could develop a consciousness of expressing your feelings and needs fully and completely without having any intention of blaming, attacking, intimidating, begging, punishing, coercing or disrespecting the other person? What if there was a language that kept us focused in the present, and prevented us from speaking like moralistic mini-gods? There is: The name of one such language is Nonviolent Communication. Marshall Rosenberg’s Nonviolent Communication provides a wealth of simple principles and effective techniques to maintain a laser focus on the human heart and innocent child within the other person, even when they have lost contact with that part of themselves. You know how it is when you are hurt or scared: suddenly you become cold and critical, or aloof and analytical. Would it not be wonderful if someone could see through the mask, and warmly meet your need for understanding or reassurance? What I am presenting are some tools for staying locked onto the other person’s humanness, even when they have become an alien monster. Remember that episode of Star Trek where Captain Kirk was turned into a Klingon, and Bones was freaking out? (I felt sorry for Bones because I’ve had friends turn into Cling-ons too.) But then Spock, in his cool, Vulcan way, performed a mind meld to determine that James T. Kirk was trapped inside the alien form. And finally Scotty was able to put some dilithium crystals into his phaser and destroy the alien cloaking device, freeing the captain from his Klingon form. Oh, how I wish that, in my youth or childhood,
Kelly Bryson (Don't Be Nice, Be Real)
flicker?" He points to the screen and pauses the vid. "That's when they switched the footage." I stare at the screen. "How do I know you're not the ones lying?" "You saw it yourself on the street," Meyer says. I glance up from the pad and lock eyes with Meyer. "What else are they lying about?" Jayson chuckles. "Well… that's going to take longer than we have." "Here's one," Meyer says. "Remember that last viral outbreak that killed a bunch of Level Ones?" "3005B?" My heart races. That's the virus that ultimately killed Ben thirteen years ago. "That's it. The one they use in all the broadcasts to remind citizens how important it is to get your MedVac updates? It wasn't an accident." We were always told a virus swept through Level One because they hadn't gotten their updated VacTech yet. Hundreds of people died in the day it took to get everyone up to date. "My brother died because of that." Everything I've found out over the last week suddenly grips me with fear. This can't be real. My breath shortens, and suddenly my head starts slowly spinning. Everything goes blurry. Then black. ~~~ "It's all right, kid," a distant voice, which must be Jayson's, echoes in the back of my mind. The room swirls around me. Their faces blur in and out of focus. "Meyer, get her." Blinking a couple of times, I try to sit up. I guess I fell. Meyer's warm hands rest on the back of my neck, my head in his lap. "Don't stand. You could pass out again," he says. He helps me sit up. "Are you okay?" "No, I'm not okay," I mumble. "This is too much." I feel like I should be crying, but I'm not. The reality is that the anger I feel is so much greater than any sadness. Neither Meyer nor Jayson speak, and let me mull over what I've just heard. "Why did they do that?" I eventually ask. "Two reasons, kid," Jayson says. "To cull the Level Ones, and to scare Elore into taking the VacTech. If viral outbreaks are still a threat, no one questions it, and continues believing inside the perimeter is the safest place for them." "I'm sorry about your brother," Meyer says as he stands, offering me his hand. His words are genuine, filled with the emotions of someone who has also experienced loss. "I hate to end this," Jayson interrupts, "but it's time to go." Meyer eyes Jayson, and then me. "I understand if you're not ready, but you need to choose soon. Within the next few days." I take his hand and pull myself to my feet. Words catch somewhere between my heart and throat. The old me wants to tell them to get lost and to never bother me again. It's so risky. Then again, I can't stand by while Manning and Direction kill people to keep us in the dark. Joining is the right thing to do. Feelings I've never experienced before well inside my chest, and I long to shout, When do we start? Instead, I stuff them down and stare at the ground. Subtle pressure squeezes my hand, bringing me back to the present. I never let go of Meyer's hand. How long have we been like that? He releases my hand as he mutters and steps back. The heat from his touch still flickers on my skin. You didn't have to go. I clear my throat and turn toward Meyer. Our eyes lock. "I've already decided," I tell him. "I'll do it. For Ben. Direction caused his death, and there's no way I'm standing by and letting them do this to more people." I barely recognize my own voice as I ask, "What do I do?" A slap hits my back and I choke. Jayson. "Atta girl. Meyer and I knew you had it in you." "Jayson, you have to give Avlyn some time." Meyer steps toward me and holds his handheld in the air toward Jayson. "I'll bring her up to speed." "Sure thing." Jayson throws his hands in the air and walks to the other side of the room. "Sorry," Meyer murmurs. "Jayson is pretty… overwhelming. At least until you know him. Even then…" "Oh, it's fine." A white lie. "He's a nice guy. Now, why don't you tell me the instructions
Jenetta Penner (Configured (Configured, #1))
Truth or dare,” I ask, my voice edgy with anticipation and yearning. I know he’ll answer dare – and it will be the last one I give him. “Dare.” “Fuck me,” I beg. He immediately rolls over, gently resting his body on top of mine. I spread my legs, positioning his trim waist and hips in between my thighs. The hard outline of his cock grazes the front of my panties, sending my eyes rolling into the back of my head. He slides his hands under the covers. His fingers sneak under the waistband of my panties. He sits up to slowly glide them down my legs, revealing body in the moonlight. He tosses them, dripping wet, by the side of the bed and the then slides off his tight briefs. His erect cock stands at attention once removed from its fabric confines, pulsing up and down in rhythm with Cole’s racing heartbeat. With the covers now cast to the side, Cole leans over me, devouring my lips. My lips open and I yield him my tongue, which he handles adroitly, flicking it with his own and sucking it with his lips. He leans over to the side of the bed and bends down, picking up his shorts. The movement of his body over mine sends the peaks of his deeply sculpted abs gliding across my soft skin, generating a shiver that trembles through my body. He pulls out his wallet from his shorts pocket and extracts a condom. He kneels on the bed and works the condom down the expansive length of his solid shaft. He imposes his body back over mine, covering me with his huge torso. The length of his cock rests against my warm pussy, throbbing against it. I wrap my legs around his waist and lock my ankles together, pulling him closer toward me. His rough, masculine scent fills my nostrils. He kisses my neck, the light stubble on the side of his check rubbing against my skin. I buck my hips toward him, pressing his cock against me. The bottom of his shaft rests on my warm opening, the tip extends up to my belly button. A delicious anxiousness overtakes me. Will I really be able to fit all of him inside me? “Fuck, Emma, you’re so sexy,” he moans while raking his lips and tongue up and down my neck. He nibbles lightly on my earlobe, his hot, staggered breath brushing against the side of my face. “I want you inside me,” I pant to him. He lifts his hips up and steadies his cock at the precipice of my slick center. He looks me in the eye, and I nod, imploring him to plunge inside me. He does. I shut my eyes as a brief wave of pain washes over me, the shock of accommodating his massive size inside. It soon subsides and my body comfortably accustomed itself to his presence. He slowly pumps in and out of me. I bite down on my bottom lip, waves of pleasure erupting from my center and traversing every inch of my body. My stomach is in knots and my breath is quick and sharp. Every time he lifts his hips to thrust out, my wet cavern craves for him to come back – and he immediately does, pushing himself back in, the length of his shaft rubbing against my insides, the friction driving me wild with ecstasy. I lose track of time as he continues to thrust in and out. I buck my hips against him, hungry for his full length. I tighten my grip with my legs around his waist, greedy for his body to press against mine. “Fuck, Emma, shit,” he moans. I can only respond with unarticulated moans of pleasure and gasps for breath. “Oh, fuck, Cole, I’m gonna come,” I announce. I shut my eyes tight and wrap my arms around his neck, pulling him into me. He thrusts one more time, strongly, and my orgasm erupts. Pulses of pleasure shoot up and down my spine and turn my insides, my chest beats and my heartrate booms against my eardrums. The outside world disappears as I feel my body melting into Cole’s. Cole collapses next to me, a sheen of sweat glistening over his body in the moonlight, highlighting the twists and turns of his musculature. Slowly the world comes back into focus and a blissful
Zoey Shores (Touch Back (Playing for Keeps #1))
fishing around in my clutch for my keys. I find them remarkably quickly, considering my disorientated hands, but getting one in the lock is another matter entirely. I close one eye to try and focus as I slowly guide the key to the lock,
Jodi Ellen Malpas (This Man Confessed (This Man, #3))
Many salespeople fail to develop new business because they’re wandering aimlessly. Too often, they’re not locked in on a strategically selected, focused list of target customers or prospects.
Mike Weinberg (New Sales. Simplified.: The Essential Handbook for Prospecting and New Business Development)
Keep your focus laser-locked on what you want to create in your life.
Mike Basevic (No Limits, Mastering the Mental Edge)
are the key to all of the doors in life that you wish to go through. Instead of focusing on finding the key that fits; sometimes you just have to change the locks. Change can be a beautiful thing~
B.M. Hardin (Your Pastor, My Husband)
Caravaggio to another. I’m sure that’s crossed Ariosto’s mind, Coffin considered. Wonder if he’s more focused on retrieving this one, or if he thinks it’s gone forever, like the Palermo Adoration. Coffin scanned the interior as he took his first step inside. Three officers, one detective, one frantic priest, one missing altarpiece. Three flanking chapels on either side of the nave, each with a piece of art or relic as the focal point, chairs aligned in each, and empty prayer candles, one confessional booth, made of dark, oiled wood, much younger than the church itself, curtain in the front right corner must lead to offices, no holy water in the font, telephone beside the entrance, alarm keypad, motion sensors two feet off the ground along the periphery and across the altar, no locks on the ground-floor windows, not good,
Noah Charney (The Art Thief: A Novel)
Save yourself the double-check by focusing the first time. We lead a distracted life. It's becoming more and more difficult to pay attention. This is one of the reasons we often have to go back and double check to make sure we have all our work materials, locked the back door or turned off the stove. You are more likely to remember to do something if you focus while you're doing it. For example, if you're locking the back door to your house you should stop all conversations,  avoid looking at any devices and focus on the task at hand. You may even want to say something out loud, such as, "I am locking the door on Monday, June 10th," so that you remember it later when you're leaving the house.
Bryan Cohen (How to Work for Yourself: 100 Ways to Make the Time, Energy and Priorities to Start a Business, Book or Blog)
There are times in our lives when we labor so hard, for so long, that it may feel that we have nothing to show for it. That we have failed. We get discouraged, because we don’t achieve what we yearned for or anticipated. But a lack of desired results doesn’t mean we failed…it means we have locked our sights on the end result, instead of focusing on the process itself. No one can guarantee your success. What you can do, however, is consistently act—progressing towards your goals, so that your chances of success grows exponentially with each step you take.
Jaime Buckley (The Truth About Lies (Chronicles of a Hero, #6))
I just go with it, focus on whichever feeling I have most often and try to keep my mouth shut when it’s the other. But most folks got Id and Ego living on different floors in their head’s house, in different rooms, and they’ve locked all the doors between them, and nailed sheets of plywood over that, because they think they’re, like, sworn enemies that can’t hang together.
Karen Marie Moning (Iced (Fever, #6))
Shaftesbury criticized Locke and Descartes for failing to appreciate the natural teleology of our emotional constitution, and dismissed all physiological accounts as beside the point. Many other British philosophers showed less interest in the metaphysics of explanation and more in defending an empiricist account of the origins of our ideas. But the rejection of innate ideas often drove them to focus explanations of the emotions on the hydraulics by which pains and pleasures push our ideas. This naturalistic approach was particularly marked in eighteenth-century associationist psychology, often hand in hand with ‘Newtonian’ ambitions to produce a “science of man:” examples include Hume's Treatise of Human Nature (1739-40),
Anonymous
What about you?” he asked, ready to take the focus off himself and his parents. “What kind of mom did you have?” She hesitated. Her hair was unraveled and lay in a glorious display of long dark curls around her face. The muscles in his hands tensed with the need to thread his fingers through the thick locks. Instead he grabbed his ax and poked the fire, sending more sparks flying. “I don’t remember much about my mother,” she said. He stared at the flames, trying to keep a rein on his thoughts about Lily. “She died giving birth to Daisy.” Her voice dipped. “I’m sorry.” He stilled and glanced at her again. Her forehead crinkled above eyes that radiated pain. “My father couldn’t take care of us, and for a few years we were shuffled between relatives. Until he got into an accident at work and died within a few days.” An ache wound around his heart. “After that, no one wanted us anymore. I suppose without the money my father had provided them, they couldn’t afford to take care of two more children—not when they struggled enough without us. So they dropped us off at the New York Foundling Hospital.” She paused, and he didn’t say anything, although part of him wished he could curse the family that gave up two girls with such ease. “We lived at the hospital in New York City until there was no longer room for us. Then we moved to other orphanages.” She turned to look at the fire, embarrassment reflected in her face. “I made sure they never separated Daisy and me. I kept us together all those years, no matter where we were. And finally we had the option of moving here to Michigan. They said families needed boys and girls. We’d get to live in real homes.” The grip on his heart cinched tighter. “When we got here, I thought I was doing the best thing for Daisy by giving her a real family to live with. The Wretchams seemed nice. They lived on a big farm. Needed some extra help—” “So you and Daisy didn’t stay together?” “There weren’t any families needing two almost-grown girls. But I consoled myself that it was only temporary, that we’d only be apart until I could find a good job and a place for us to live.” “That must have been hard on both of you.” “Letting her go was like ripping out a piece of my heart.” He wanted to reach for her, pull her into his arms, and comfort her. But everything within him warned him against even a move as innocent as that. “When I learned she’d run away from the Wretchams, she ripped out the rest of my heart, and it hasn’t stopped bleeding since.
Jody Hedlund (Unending Devotion (Michigan Brides, #1))
One moment,” Haung said, and drew the small knife from his belt. He rolled up his sleeve and drew the sharp edge over his skin, drawing a thin line of blood, black against his skin in the dark. Collecting the first, fresh well of blood from the cut he drew a smeared symbol on each eyelid. A deep breath and he opened the locked door in his mind, the place where he had contained the cold power of the void. He let a tiny bit leak out and then slammed the door shut again. He pushed the power along the meridian pathways of his body, focusing their energy in his eyes and locking it in place with blood symbols. There was a feeling of sickness in his stomach that passed quickly. “Done.
G.R. Matthews (The Red Plains (The Forbidden List, #3))
Walking to Cooper, I asked, “Are you taking me home now?” Cooper took the beer from my hand. “There’s pizza in the kitchen. Are you hungry?” “I’d like to go home.” “Maybe your boyfriend can take you,” he said, glaring at Nick who ignored him. “Is that your way of saying you won’t take me?” Cooper finally pulled his gaze away from Nick and focused it on me. “Who gave you this drink?” “I don’t know. Some guy.” “Your boyfriend?” “No, some guy.” “Did you drink it?” “I’m eighteen and it’s illegal for me to drink alcohol.” Cooper laughed. “You’re kidding, right?” “No,” I said, crossing my arms. “I take the law very seriously.” “Nerd.” Laughing, I tightened my arms and studied him. “Did someone mess with the drink? Like a roofie?” “Maybe. These guys are idiots. Always fucking with stupid freshmen girls because you bitches don’t know any better,” Cooper said, his gaze locking onto someone behind me. I turned to find the guy who handed me the beer now standing near the door with his friends. “Should I drink this shit?” Cooper hollered at the guy. “Huh, asshole? What happens if I drink it?” When Cooper lifted the beer to his lips, the guy looked ready to run. Only a second passed before the beer went flying and smashed against the guy’s head.
Bijou Hunter (Damaged and the Beast (Damaged, #1))
An even more extreme example of a onetime grand gesture yielding results is a story involving Peter Shankman, an entrepreneur and social media pioneer. As a popular speaker, Shankman spends much of his time flying. He eventually realized that thirty thousand feet was an ideal environment for him to focus. As he explained in a blog post, “Locked in a seat with nothing in front of me, nothing to distract me, nothing to set off my ‘Ooh! Shiny!’ DNA, I have nothing to do but be at one with my thoughts.” It was sometime after this realization that Shankman signed a book contract that gave him only two weeks to finish the entire manuscript. Meeting this deadline would require incredible concentration. To achieve this state, Shankman did something unconventional. He booked a round-trip business-class ticket to Tokyo. He wrote during the whole flight to Japan, drank an espresso in the business class lounge once he arrived in Japan, then turned around and flew back, once again writing the whole way—arriving back in the States only thirty hours after he first left with a completed manuscript now in hand. “The trip cost $4,000 and was worth every penny,” he explained.
Cal Newport (Deep Work: Rules for Focused Success in a Distracted World)
Oh, my,” she breathed. “She’s here?” he asked unnecessarily, refusing to look. Resisting temptation. “I’m assuming it must be her; I pretty much know everyone else in the room.” There was a short silence as she inspected the newcomer thoroughly. “My heavens, I didn’t realize scientists came like this. She’s simply . . . magnificent.” “There’s not one thing that’s simple about Lily Banyon.” Evelyn’s eyes were still focused on the other end of the room. “Hmm, I think I see what you mean.” A smile played over her lips. “How utterly refreshing and fascinating—you’ll have your work cut out for you. Come, Mayor McDermott, duty calls.” “I don’t need to meet her. I already know her. Too well.” Evelyn made a tsking sound. “My, my, don’t we sound like we’ve missed our afternoon nap?” she murmured as she brushed by him, assuming the role of Coral Beach’s welcome wagon, fully equipped with bells, whistles, and highlighters. His secretary had abandoned him for the enemy. How much worse could things get? A clause should be inserted into their contracts prohibiting secretaries from treating their bosses as though they were three-year-olds. Had there been dirt instead of mocha-colored industrial carpeting underfoot, he’d have kicked it. It wasn’t anyone’s business but his if he refused to rush over and blurt, Hey, Lily, long time no see! So, tell me, what’ve you been up to since Rome, when you slammed the door in my face so hard you almost broke my nose for the second time? He was the mayor. He could do as he liked. And what he most wanted, right after making Lily Banyon disappear from his life as suddenly as she’d reappeared, was an armed guard. Then maybe he could confront her and walk away in one piece. Reluctantly, Sean turned and looked. Three seconds was all he permitted himself. Lily Banyon wasn’t going to catch him staring like some hormone-crazed adolescent. Three seconds was more than enough, though. Lily’s image burned, a brilliant flame behind his retinas. She looked good. No, make that great, incredible . . . yes, magnificent. She’d chopped off her hair, about a foot and a half of it. Her wheat-blonde locks fell in a casual, tousled style, framing her face, accentuating those startling, ice-crystal blue eyes. She looked even better than he remembered, a memory hot enough to make him lie awake at night, aching.
Laura Moore (Night Swimming: A Novel)
Why are you so eager, anyway? We just met this girl—this Kat. What makes her so special that you’re already thinking of claiming her?” Lock ran a hand through his dark blond hair. “Because she is, as you said, gorgeous. But it isn’t just that—she’s special, Deep. Couldn’t you feel it when you spoke to her?” “I didn’t feel a damn thing and there’s no way you could have either,” Deep growled. “Our minds aren’t even aligned with hers—we haven’t shared a single dream.” “But we could.” Lock glared at his twin in frustration. Deep had always been a pessimist, but ever since Miranda he’d closed himself off almost entirely. It was like he thought if he didn’t allow himself to feel anything he could never be hurt again. “Kat has potential,” he told his twin. “If you don’t scare her off, that is.” Deep narrowed his eyes. “Define potential.” “She’s beautiful, single, and she can stand up to you. The way she slapped you when you scented her…” Lock shook his head, laughing softly. “If that’s not potential, I don’t know what is.” “She does have spirit, I’ll give you that.” Deep smiled grudgingly and Lock felt something loosen in his heart. He seldom saw a genuine smile on his twin’s face anymore. “But Brother,” Deep continued, “If you don’t want to scare her off, you shouldn’t have agreed to let her act as our focus. If there’s anything more frightening than having two males inside her body, it would have to be having two males inside her mind. She’ll have to have a will of iron to withstand our joining.” Lock nodded, feeling troubled. “You’re right. But you saw her, Deep—she wouldn’t be denied.” He went and dropped down onto the extra long couch which was standard for all Twin Kindred suites. “And she’s right—she may make the difference between finding Sylvan in time or losing him and the Earth female he was with forever.” “True.” Deep seated himself beside his twin and put an arm over the other man’s shoulders in a rare gesture of affection. “Take heart, Brother. If she survives the joining and still comes back for more, I’ll admit she has potential.” “Very
Evangeline Anderson (Hunted (Brides of the Kindred, #2))
Surrounding you? Do you mean the way we were standing?” “Exactly.” Kat nodded. “I don’t like that. It makes me…nervous.” “But that’s the traditional grouping for a joining,” Lock protested. “The finder in the front, the seeker in the back, and the focus in the middle. Sometimes the finder and seeker switch places, but the focus must always be between them.” “We’re usually lying down when we do a joining,” Deep added. “But we thought you’d be more comfortable standing up.” “Oh, uh…” Kat cleared her throat. “Well yes, standing is better than…it’s definitely better. But…we don’t have to touch each other, do we?” “Skin to skin contact generally makes the joining better and more effective,” Lock said gently. “But we don’t have to remove any clothing if you’d rather not. We can just hold hands.” Coming to stand in front of Kat again, he held out a hand. Hesitantly, Kat took it. It was warm and large and enveloped hers completely. “See?” Lock smiled. “That’s not so bad, is it?” She smiled back. “No, not bad at all.” “Good, then it’s my turn.” Deep moved up behind her again and Kat could feel him looming over her in a way that felt almost predatory. Taking a deep breath, she reached behind her with her free hand. “Here.” “I prefer it like this.” Deep wound an arm around the front of her body and took her hand. Entwining their fingers, he rested his chin on the top of her head. “So much nicer this way.” Kat wanted to answer but she was frozen to the spot. From the moment Deep had taken her hand in his own, a strange sensation had started inside her. It
Evangeline Anderson (Hunted (Brides of the Kindred, #2))