Lock Stock Best Quotes

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There are indeed in some writers visible instances of deep thoughts, close and acute reasoning, and ideas well pursued. The light these would give, would be of great use, if their readers would observe and imitate them; all the rest at best are but particulars fit to be turned into knowledge, but that can be done only by our own meditation, and examining the reach, force, and coherence of what is said; and then, as far as we apprehend and see the connection of ideas, so far it is ours; without that, it is but so much loose matter floating in our brain. The memory may be stored, but the judgment is little better, and the stock of knowledge not increased, by being able to repeat what others have said or produce the arguments we have found in them. Such a knowledge as this is but knowledge by hearsay, and the ostentation of it is at best but talking by rote, and very often upon weak and wrong principles. For all that is to be found in books is not built upon true foundations, nor always rightly deduced from the principles it is pretended to be built on.
John Locke (Locke's Conduct of the Understanding)
Well, it was a kind of back-to-front program. It’s funny how many of the best ideas are just an old idea back-to-front. You see there have already been several programs written that help you to arrive at decisions by properly ordering and analysing all the relevant facts so that they then point naturally towards the right decision. The drawback with these is that the decision which all the properly ordered and analysed facts point to is not necessarily the one you want.’ ‘Yeeeess...’ said Reg’s voice from the kitchen. ‘Well, Gordon’s great insight was to design a program which allowed you to specify in advance what decision you wished it to reach, and only then to give it all the facts. The program’s task, which it was able to accomplish with consummate ease, was simply to construct a plausible series of logical-sounding steps to connect the premises with the conclusion. ‘And I have to say that it worked brilliantly. Gordon was able to buy himself a Porsche almost immediately despite being completely broke and a hopeless driver. Even his bank manager was unable to find fault with his reasoning. Even when Gordon wrote it off three weeks later.’ ‘Heavens. And did the program sell very well?’ ‘No. We never sold a single copy.’ ‘You astonish me. It sounds like a real winner to me.’ ‘It was,’ said Richard hesitantly. ‘The entire project was bought up, lock, stock and barrel, by the Pentagon. The deal put WayForward on a very sound financial foundation. Its moral foundation, on the other hand, is not something I would want to trust my weight to. I’ve recently been analysing a lot of the arguments put forward in favour of the Star Wars project, and if you know what you’re looking for, the pattern of the algorithms is very clear. ‘So much so, in fact, that looking at Pentagon policies over the last couple of years I think I can be fairly sure that the US Navy is using version 2.00 of the program, while the Air Force for some reason only has the beta-test version of 1.5. Odd, that.
Douglas Adams (Dirk Gently's Holistic Detective Agency (Dirk Gently, #1))
She sent a serving girl out to fetch some food. A beef pie, bread and butter and plenty of the sweet stuff that she loved. She devoured a treacle pudding, closing her eyes to savor every sticky crumb. Sugar. How she had craved the stuff. Though her belly was full, still she helped herself from a paper bag of sugarplums, globes of candied fruits that made her cheeks bulge. Was this happiness, she wondered? She was full of food again, and as sleepy as a suckled child. She pictured a well-stocked larder, and the chance to make all the delights in Mother Eve's Secrets. She would help herself to the best, of course, for she who stirs the pot never starves. A comfortable future lay before her, all for the taking. Mrs. Quin bustled back into the room and began to dress her face. Gone were the worst of the bran-specks and flaking red sores. Instead, she had the prettiness of a portrait on an enameled tin; a smudgy confection of pink and cream. "A rosy blush," Mrs. Quin said benignly, "is the fashion nowadays." While Mrs. Quin deposited her half a crown in a locked trunk, Mary slipped a bottle of Pear's Almond Bloom and a tin of White Imperial Powder into her skirts.
Martine Bailey (A Taste for Nightshade)
The Troll Sonnet When someone says, your life is a joke, Hold your silence 'n smile without outrage. You do not become an immortal legend, Without facing a million slurry comments. Fight injustice, but be silent at mockery, To retaliate mockery is to become mockery. Those who mock, don't really mock at you, They are just validating their own inferiority. Tremendous spirit for your life's purpose, And uniform silence towards all who mock, That is the key to timeless achievement, Be unperturbed 'n dive in lock, barrel 'n stock. Silence is the best response to all mockery. Mockery is the sincerest form of flattery.
Abhijit Naskar (Dervish Advaitam: Gospel of Sacred Feminines and Holy Fathers)
We must not, however, think that the anima is “good.” The anima is neither good nor bad; she just is. She wants life, and so she seems to want both good and bad, or, rather, she is not concerned with these moral categories. That is why working with the anima is always a delicate matter. One can no more deliver oneself over to the anima lock stock and barrel than one can surrender the whole of oneself to any particular psychological functions or quality. It is also the anima who seems to arouse a man’s capacity for love. When we first fall in love we are flooded with powerful, life-giving emotions. This is why the anima can be best described poetically and not scientifically, dramatically and not concretely. Yet, as we have seen, a man’s relationship with her must develop beyond the mere sensation of falling or being in love, as he must come to perceive that the life-giving feminine soul is within himself. He cannot afford to let his anima live only in projection onto a woman, but most reach beyond this projection to search for the soul within himself.
John A. Sanford (The Invisible Partner: How the Male and Female in Each of Us Affects Our Relationships)
I think it would be for the best if we both pretend yesterday afternoon- in the woods- it never happened. Wouldn't you agree?" "I would." He takes a step closer, his eyes still locked on hers. He is no longer smiling. "And I think we should avoid any future situations that put us in close proximity to each other." "Like this one?" "Yes." Jack nods, still holding her eye, and she tries hard to control the rise of blood to her face as a fragment of something from the woods comes back to her- the sensation of his fingers running down the curve of her collarbone, his mouth against her neck. "Good." She clears her throat. "I'm glad we understand each other." "We do." He takes another step towards her, so close now that she wonders if it is the breeze through the open window she can feel on her skin, or his warm breath. "I think that is our problem, Lillian. We understand each other. You and I, we seem to share something." Lillian can hear her heart beating in her ribcage. "I felt it that first moment I saw you... at the party." Lillian swallows. "You feel it too, don't you?" he asks. The sun, now low in the sky, filters through the trees outside in the arboretum, casting them both in a burnished glow. She knows she must go. She knows she must turn and leave the room, but something in his eyes holds her fixed to the spot. "Tell me that it's not just me, that I'm not imagining this," he says in a low voice. There is a stillness in the room, as if they both await the next breath, the next word. She swallows. "I feel it, too." She isn't sure who takes the next step but it doesn't really matter; she is in his arms again and he is kissing her, pulling her close and all reason and rational thought- all the jumbled arguments she has agonized over- fly away like a flock of birds startled from the branches of a tree. Her arms are wrapped around his waist and his hands are on her face and in her hair as they stumble backwards. She meets the edge of the desk, and then he is lifting her onto its surface, several brushes clattering to the floor as he presses against her. "We mustn't," she sighs, but already her fingers are tugging at the buttons of his shirt. She parts her legs and his hands move under her skirt, his fingertips grazing the bare skin above her silk stockings. "Do you want me to stop?" he asks, his breath hot against her neck. But she draws him to her again, pressing her mouth against his ear to whisper her answer. "Don't stop. I don't want you to stop.
Hannah Richell (The Peacock Summer)