Location Funny Quotes

I later discovered that in order to be a good athlete one must care intensely what is happening with a ball, even if one doesn't have possession of it. This was ultimately my failure: my inability to work up a passion for the location of balls.

You’re not doing well and finally I don’t have to pretend to be so interested in your on going tragedy, but I’ll rob the bank that gave you the impression that money is more fruitful than words, and I’ll cut holes in the ozone if it means you have one less day of rain. I’ll walk you to the hospital, I’ll wait in a white room that reeks of hand sanitizer and latex for the results from the MRI scan that tries to locate the malady that keeps your mind guessing, and I want to write you a poem every day until my hand breaks and assure you that you’ll find your place, it’s just the world has a funny way of hiding spots fertile enough for bodies like yours to grow roots. and I miss you like a dart hits the iris of a bullseye, or a train ticket screams 4:30 at 4:47, I wanted to tell you that it’s my birthday on Thursday and I would have wanted you to give me the gift of your guts on the floor, one last time, to see if you still had it in you. I hope our ghosts aren’t eating you alive. If I’m to speak for myself, I’ll tell you that the universe is twice as big as we think it is and you’re the only one that made that idea less devastating.

Yes, it’s true. I can now tell you where cups and plates are to be found in my own kitchen. I know it’s a shock, but soon I may even be able to locate a bowl.

Well," Ben went on,"someone should just tell her to come on home, because she can find the world's largest balls right here in Orlando, Florida. They're located in a special display case known as 'my scrotum.'" Radar laughed, and Ben continued. "I mean seriously. My balls are so big that when you order french fries from McDonald's, you can choose one of four sizes: small, medium,large, and my balls.

It can hardly be a coincidence that no language on Earth has ever produced the expression "as pretty as an airport". Airports are ugly. Some are very ugly. Some attain a degree of ugliness that can only be the result of a special effort. This ugliness arises because airports are full of people who are tired, cross, and have just discovered that their luggage has landed in Murmansk (...) and the architects have on the whole tried to reflect this in their designs. They have sought to highlight the tiredness and crossness motif with brutal shapes and nerve jangling colours, to make effortless the business of separating the traveller from his or her luggage or loved ones, to confuse the traveller with arrows that appear to point at the windows, distant tie racks, or the current position of the Ursa Minor in the night sky, and wherever possible to expose the plumbing on the grounds that it is functional, and conceal the location of the departure gates, presumably on the grounds that they are not".

I’m looking for Fat Hoochie Prom Queen,” I declared. He did not respond. “It’s a book,” I said. “Not a person.” Nope. Nothing. “At the very least, can you tell me the author?” He looked at his computer, as if it had some way to speak to me without any typing on his part. “Are you wearing headphones that I can’t see?” I asked. He scratched at the inside of his elbow. “Do you know me?” I persisted. “Did I grind you to a pulp in kindergarten, and are you now getting sadistic pleasure from this petty revenge? Stephen Little, is that you? Is it? I was much younger then, and foolish to have nearly drowned you in that water fountain. In my defense, your prior destruction of my book report was a completely unwarranted act of aggression.” Finally, a response. The information desk clerk shook his shaggy head. “No?” I said. “I am not allowed to disclose the location of Fat Hoochie Prom Queen,” he explained. “Not to you. Not to anyone. And while I am not Stephen Little, you should be ashamed of what you did to him. Ashamed.

After all, this was the place where I’d had my first meaningful conversation with a female, it was the site of a football’s first encounter with my groin, and above all, it was the location where I was first punched in the face by a bully. Somewhere out there, a tooth of mine lay deep within the soil.

Instinct is a funny thing, a whisper of trouble that we can never quite name, never quite define, that allows us to locate danger. Women are taught from a young age to ignore theirs. We’re forced to justify our instincts with evidence, or we’re taught to ignore them—as a way to keep the peace, to prioritize other people’s comfort over our own.

She'd been pounding her location and thoughts into a device that would send those things to virtually any human with Internet access and yet looking over her shoulder had been a violation of privacy.

Funny how in a city of 750,000 one could feel so utterly alone and vulnerable - half a million people and no one to protect you. It's partially the nature of the location of Winnipeg. Alone in the Prairies, in the middle of the country, where the wind blows hard and the snow can pile up around your feet while you wait to cross the street.

Tell her about the screaming," Janelle said. "Because I can't." "The screaming?" Stevie repeated. "The other morning he started something called 'screaming meditation'," Nate said. "Guess what happens in screaming meditation? Did you guess screaming? For fifteen minutes? Because that's what happens in screaming meditation. Fifteen. Minutes. Outside. At five in the morning. Do you know what happens when someone screams outside at a remote location in the mountains, especially after a...

They always loved my sense of humor. There used to be a light switch inside one of the nurseries that was a cutout of Jesus putting his arm around two children on each side of him as he towered above them. The switch was ironically located in the spot of where his penis would have been and I was the first to point this out. Everyone thought it was funny until I started singing the childhood church song “Jesus Loves the Little Children.” In fear of being struck by lightning or being involved in a massive pile-up car accident after leaving, their laughing ceased. I still thought it was funny.

When I was done raking and bagging, I banged on the door and demanded entry /...let me in by the hair on your chinny, chin-chin/ (a fairytale moment there) Dick opened it and in his posthest voice, said that before he could possibly consider letting me re-cross the threshold he needed to ask me whether I was a good f*cking fairy or a bad f*cking fairy? Grinning, I told him that I was very wicked fairy and if he had a wand about his person that I could have lend of, I would prove it. He said that was the right answer and promptly yanked me inside where he located and presented me with his wand, breathily ordering the sorcerer's apprentice to perform magic with it. Judging by the look on his face afterwards, I knew I'd impressed him with my oral sorcery and I was more than happy with the short-lifting sorcery Shane performed on me as the same time.

There are just people going about what they always do. Talking. Parking crooked.

Was I alive? I hoped so, but only because if this was the location of the afterlife, I'd be lodging an appeal immediately.

Instinct is a funny thing, a whisper of trouble that we can never quite name, never quite define, that allows us to locate danger. Women are taught from a young age to ignore theirs.

Sometimes the fact that you can't sense God isn't an indication that He is not there. It is just an indication that you are hanging out in the wrong place.The cave is not a physical location, it is a state of mind.

These emotions, this love, this fear, this gratitude, this relief, the grief – none of it really exists. None of it has mass or location, none of it can be weighed or photographed. None of these emotions last, none of them can be measured – except in that very moment when we're feeling them. They're like music – once the notes are played, they disappear. They only exist in that moment in time. Love isn't merely something we feel, it's something we create – something we have to keep creating in each and every moment. It's a song we have to keep playing. Because we know it doesn't really exist. We can't hold it. We can't lock it away. We can't insure it. It's just a melody we play on and on. Our own Songline. We can only go on playing it, moment by moment, until we're all out of moments. It seems sort of pointless, striving so hard for perfection in something that doesn't really exist. But, my, what a symphony it is. And it's funny really, because for something that doesn't exist, it seems to be the only thing that human beings never run out of. As long as we have faith in its magic, love is the only thing that lasts.

One thing that I used to believe that has stuck with me is, of course, that farts are funny. Burps, too. Sneezes, even. Pretty much the whole gamut of bodily noises is a treasure trove of ready-made comedy. You gather a handful of small boys together and let them entertain themselves and there will be more sharp honks than an angry L.A. freeway. But there's a time and place for such fun, and every second of every day, no matter the location or company, turns out not to be the appropriate venue for a gastrointestinal symphony.

And it was this location that provides my second memory. (It must come after the first because in it I am now standing up.) I was bitten by a rabbit. Or rather, I was nibbled by a rabbit, but, because I was such a weedy, namby-pamby little pansy, I reacted as though I’d lost a limb. It was the sheer unfairness of it all that so upset me. One minute, I was saying, ‘Hello, Mr Bunny!’ and smiling at its sweet little face and funny floppy ears. The next, the fucker savaged me. It seemed so gratuitous. What, I asked myself, had I done to the rabbit to deserve this psychotic response?

For my friend Fong,” he says, and begins singing John Denver. If you didn’t know it already, now you do: old dudes from rural Taiwan are comfortable with their karaoke and when they do karaoke for some reason they love no one like they love John Denver. Maybe it’s the dream of the open highway. The romantic myth of the West. A reminder that these funny little Orientals have actually been Americans longer than you have. Know something about this country that you haven’t yet figured out. If you don’t believe it, go down to your local karaoke bar on a busy night. Wait until the third hour, when the drunk frat boys and gastropub waitresses with headshots are all done with Backstreet Boys and Alicia Keys and locate the slightly older Asian businessman standing patiently in line for his turn, his face warmly rouged on Crown or Japanese lager, and when he steps up and starts slaying “Country Roads,” try not to laugh, or wink knowingly or clap a little too hard, because by the time he gets to “West Virginia, mountain mama,” you’re going to be singing along, and by the time he’s done, you might understand why a seventy-seven-year-old guy from a tiny island in the Taiwan Strait who’s been in a foreign country for two-thirds of his life can nail a song, note perfect, about wanting to go home.

I look through the old record collection my dad gave me. Stress relief. I shuffle through the albums feverishly and find what I'm looking for-the Proclaimers. I chuck it on and watch it spin. The ridiculous first notes of "Five Hundred Miles" come on, and I feel like going berserk. Even the Proclaimers are giving me the shits tonight. Their singing's an abomination.

You will notice that participants in disasters typically locate the "beginning" of the disaster at a point suggesting their own control over events. A plane crash retold will not begin with the pressure system over the Central Pacific that caused the instability over the Gulf that caused the wind shear at DFW but at some manageable human intersect, with for example the "funny feeling" ignored at breakfast. An account of a 6.8 earthquake will begin not at the overlap of the tectonic plates but more comfortably, at the place in London where we ordered the Spode that shattered the morning the tectonic plates shifted. Had we just gone with the funny feeling. Had we just never ordered the Spode. We all prefer the magical explanation. (page 15)

It's funny how, sometimes, the mind won't let the body remember what's been done to it. It chooses, at will, to take the abusive memory and bury it. As if to nurture away the pain by making us forget it's there. Not remembering trauma doesn't mean we're left without its effect. It still comes up and out, at a certain smell, sound, sight, touch, question, tone, location, person, people, personality. Waiting to be noticed and brought to the light. Letting it, and peeking into where it's from, is the path to making sense of ourselves and finding the particular healing we've been kept from having.

We were working on the idea about dogs’ Internet searches, and first we debated whether the sketch should feature real dogs or Henrietta and Viv in dog costumes (because cast members were always, unfailingly, trying to get more air time, we quickly went with the latter). Then we discussed where it should take place (the computer cluster in a public library, but, even though all this mattered for was the establishing shot, we got stalled on whether that library should be New York’s famous Main Branch building on Fifth Avenue, with the lion statues in front, a generic suburban library in Kansas City, or a generic suburban library in Jacksonville, Florida, which was where Viv was from). Then we really got stalled on the breeds of dogs. Out of loyalty to my stepfather and Sugar, I wanted at least one to be a beagle. Viv said that it would work best if one was really big and one was really little, and Henrietta said she was fine with any big dog except a German Shepherd because she’d been bitten by her neighbor’s German Shepherd in third grade. After forty minutes we’d decided on a St. Bernard and a Chihuahua—I eventually conceded that Chihuahuas were funnier than beagles. We decided to go with the Florida location for the establishing shot because the lions in front of the New York Main Branch could preempt or diminish the appearance of the St. Bernard. Then we’d arrived at the fun part, which was the search terms. With her mouth full of beef kebab, Viv said, “Am I adopted?” With my mouth full of spanakopita, I said, “Am I a good girl?” With her mouth full of falafel, Henrietta said, “Am I five or thirty-five?” “Why is thunder scary?” I said. “Discreet crotch-sniffing techniques,” Henrietta said. “Cheap mani-pedis in my area,” Viv said. “Oh, and cheapest self-driving car.” “Best hamburgers near me,” I said. “What is halitosis,” Henrietta said. “Halitosis what to do,” I said. “Where do humans pee,” Viv said. “Taco Bell Chihuahua male or female,” I said. “Target bull terrier married,” Viv said. “Lassie plastic surgery,” Henrietta said. “Funny cat videos,” I said. “Corgis embarrassing themselves YouTube,” Viv said. “YouTube little dog scares away big dog,” I said. “Doghub two poodles and one corgi,” Henrietta said. “Waxing my tail,” I said. “Is my tail a normal size,” Viv said.

You sound off,” he said. “Why are you whispering? I thought you and Ana were having dinner together.” I bit my lip. “It’s kind of a funny story, but you have to promise not to yell.” “Why would a funny story make me yell?” he asked warily. “Well,” I drawled. “I was on my way to meet up with Ana, and there was this truck parked in an alley that didn’t look right. So, I left my bike on the street and went to check it out.” “Jordan.” I didn’t need to see him to know he was pinching the bridge of his nose, something he’d been doing a lot in the last few months. “Don’t worry. They didn’t see me.” His tone sharpened. “Who didn’t see you?” “The Gulaks. They were too busy loading the girls into the back.” I paused as the truck slowed going around a curve. “I slipped on without them having a clue I was there.” He swore. “Do not tell me you climbed into a truck with a bunch of Gulak slavers.” I scoffed softly. “Of course not. Give me some credit. I’m on the roof of the truck.” He growled something, and I heard another male laughing. It sounded like Mario, one of the warriors we were working with on this job, along with his mate, Ana. We’d been in Panama for two weeks, at the request of the government, to locate and shut down a human trafficking ring. But this one was a lot more sophisticated than any other Gulak operation we’d encountered, and they’d managed to evade us completely. Until now. “This is not a funny story,” he said in an exasperated voice.

Knowing Chris was getting married, his fellow Team members decided that they had to send him off with a proper SEAL bachelor party. That meant getting him drunk, of course. It also meant writing all over him with permanent markers-an indelible celebration, to be sure. Fortunately, they liked him, so his face wasn’t marked up-not by them, at least; he’d torn his eyebrow and scratched his lip during training. Under his clothes, he looked quite the sight. And the words wouldn’t come off no matter how he, or I scrubbed. I pretended to be horrified, but honestly, that didn’t bother me much. I was just happy to have him with me, and very excited to be spending the rest of my life with the man I loved. It’s funny, the things you get obsessed about. Days before the wedding, I spent forty-five minutes picking out exactly the right shape of lipstick, splurging on expensive cosmetics-then forgot to take it with me the morning of the wedding. My poor sister and mom had to run to Walgreens for a substitute; they came back with five different shades, not one of which matched the one I’d picked out. Did it matter? Not at all, although I still remember the vivid marks the lipstick made when I kissed him on the cheek-marking my man. Lipstick, location, time of day-none of that mattered in the end. What did matter were our families and friends, who came in for the ceremony. Chris liked my parents, and vice versa. I truly loved his mom and dad. I have a photo from that day taped near my work area. My aunt took it. It’s become my favorite picture, an accidental shot that captured us perfectly. We stand together, beaming, with an American flag in the background. Chris is handsome and beaming; I’m beaming at him, practically glowing in my white gown. We look so young, happy, and unworried about what was to come. It’s that courage about facing the unknown, the unshakable confidence that we’d do it together, that makes the picture so precious to me. It’s a quality many wedding photos possess. Most couples struggle to make those visions realities. We would have our struggles as well.

So, you're suggesting I led you out here, instead of toward a private room with a bed' - he dragged the tips of his fingers down my right arm- 'to engage in a particular type of inappropriate behaviour?' 'That's exactly what I'm saying, though my room would've been a better option.' My heart had already started pounding the moment my rear ended up in his lap. Now, it felt as if it were going to explode out of my chest. 'What if I said that isn't true?' 'I...' My stomach fluttered as his fingers found their way to my hip. 'I wouldn't believe you.' 'Then what if I said it didn't start off that way?' His thumb moved against my hip. But then there was the moonlight and you, with your hair down, in this dress, and then the idea occurred to me that this would be the perfect location for some wildly inappropriate behaviour.' 'Then I... I would say that's more likely.' HIs hand glided over the thin, gauzy material of the gown. 'So, there you have it.' 'At least, you're honest.

Isn’t it funny how just changing your location changes your perspective?

My Car Was Broken Into An elderly woman calls 911 to report that her car had been broken into.  She was crying and didn’t know what to do. She explained to the 911 dispatcher, “Someone broke into my car and stole everything.  The stereo is gone, the steering wheel, the gear shift, even the floor pedals are missing!  What will I do?” “Stay calm, we will have an officer over there soon,” the dispatcher assured.  He reported the incident and sent an officer to the elderly woman’s location. A few minutes later, the dispatcher radioed the officer again and said, “Disregard that, she was sitting in the back seat by mistake!

On the Road (Down Girl and Sit series) (Nolan, Lucy A.) - Your Highlight on page 54 | Location 262-263 | Added on Saturday, August 2, 2014 1:50:53 PM Here’s the funny thing about roads. It doesn’t matter how scary they are. If you turn your car around and follow them in the other direction, they always take you home.

You have an accent I do not recognize," he was saying. 'Tis certainly not local…." "Really, Lord Gareth — you should rest, not try to talk. Save your strength." "My dear angel, I can assure you I'd much rather talk to you, than lie here in silence and wonder if I shall live to see the next sunrise. I ... do not wish to be alone with my thoughts at the moment. Pray, amuse me, would you?" She sighed. "Very well, then. I'm from Boston." "County of Lincolnshire?" "Colony of Massachusetts." His smile faded. "Ah, yes ... Boston."  The town's name fell wearily from his lips and he let his eyes drift shut, as though that single word had drained him of his remaining strength. "You're a long way from home, aren't you?" "Farther, perhaps, than I should be," she said, cryptically. He seemed not to hear her. "I had a brother who died over there last year, fighting the rebels.... He was a captain in the Fourth. I miss him dreadfully." Juliet leaned the side of her face against the squab and took a deep, bracing breath. If this man died, he would never know just who the little girl playing so contentedly with his cravat was. He would never know that the stranger who was caring for him during his final moments was the woman his brother had loved, would never know just why she — a long way from home, indeed — had come to England. It was now or never. "Yes," she whispered, tracing a thin crack in the squab near her face. "So do I." "Sorry?" "I said, yes. I miss him too." "Forgive me, but I don't quite understand...."  And then he blanched and stiffened as the truth hit him with debilitating force. His eyes widened, their lazy dreaminess fading. His head rose halfway out of her lap. He stared at her and blinked, and in the sudden, charged silence that filled the coach, Juliet heard the pounding tattoo of her own heart, felt his gaze boring into the underside of her chin as his mind, dulled by pain and shock, quickly put the pieces together. Boston. Juliet. I miss him, too. He gave an incredulous little laugh. "No," he said, slowly shaking his head, as though he suspected he was the butt of some horrible joke or worse, knew she was telling the truth and could not find a way to accept it. He scrutinized her features, his gaze moving over every aspect of her face. "We all thought ... I mean, Lucien said he tried to locate you ... No, I am hallucinating, I must be!  You cannot be the same Juliet. Not his Juliet —" "I am," she said quietly. "His Juliet. And now I've come to England to throw myself on the mercy of his family, as he bade me to do should anything happen to him." "But this is just too extraordinary, I cannot believe —" Juliet was gazing out the window into the darkness again. "He told you about me, then?" "Told us? His letters home were filled with nothing but declarations of love for his 'colonial maiden,' his 'fair Juliet' — he said he was going to marry you. I ... you ... dear God, you have shocked my poor brain into speechlessness, Miss Paige. I do not believe you are here, in the flesh!" "Believe it," she said, miserably. "If Charles had lived, you and I would have been brother and sister. Don't die, Lord Gareth. I have no wish to see yet another de Montforte brother into an early grave." He settled back against her arm and flung one bloodstained wrist across his eyes, his body shaking. For a moment she thought the shock of her revelation had killed him. But no. Beneath the lace of his sleeve she could see his gleaming grin, and Juliet realized that he was not dying but convulsing with giddy, helpless mirth. For the life of her, she did not see what was so funny. "Then this baby —" he managed, sliding his wrist up his brow to peer up at her with gleaming eyes — "this baby —" "Is your niece.

If God can help us locate demands, He can also help us locate the leaks.

I’m driving home to change,” Win said. “Then I’m dining at Merion.” Mainliners never ate; they dined. “Care to join me?” “Sounds good,” Myron said. “Wait a second.” “What?” “Are you properly attired?” “I don’t clash,” Myron said. “Will they still let me in?” “My, my, that was very funny, Myron. I must write that one down. As soon as I stop laughing, I plan on locating a pen. However, I am so filled with mirth that I may wrap my precious Jag around an upcoming telephone pole. Alas, at least I will die with jocularity in my heart.” Win. “We have a case,” Myron said. Silence. Win made this so easy. “I’ll tell you about it at dinner.” “Until then,” Win said, “it’ll be all I can do to douse my mounting excitement and anticipation with a snifter of cognac.” Click. Gotta love that Win. Myron hadn’t driven a mile when the cellular phone rang. Myron switched it on. It was Bucky. “The kidnapper called again.

In Detroit, a young man with the last name Gaitlan, approached two patrol officers that were inside of their squad car. The officers were surrounded by a group of children, whom they were showing how to use felon location computer equipment.   Gaitlan then began to ask the officers about how the equipment worked. The officers then decided to show the children a demonstration, and asked Gaitlan for his identification, which he eagerly handed to them.   Minutes later, the young children were able to witness a real arrest thanks to the computer equipment. The police officers quickly arrested Gaitlan, after the computer showed that he was still wanted for an armed robbery in the State of Missouri.

In 1990, a first time robber named David Zabback, decided to attempt to rob a local gun shop, just outside of Seattle, Washington. Zabback walked past a marked police car in the parking lot, located right outside of the gun shop, then walked past a police officer enjoying his coffee while talking to the owner of the store.   Zabback then screamed out "this is a hold up," only to have six separate individuals pull out their gun, a few of which shot at him. Zabback was shot multiple times, but also managed to fire a few bullets himself, most of which were fired into the ceiling.

Gothic is the genre of fear. Our fascination with it is almost always revived during times of instability and panic. In the wake of the French Revolution, the Marquis de Sade described the rise of the genre as 'the inevitable product of the revolutionary shock with which the whole of Europe resounded,' and literary critics in the late eighteenth century mocked the work of early gothic writers Anne Radcliffe and Matthew Lewis by referring to it as 'the terrorist school' of writing. As Fred Botting writes in Gothic, his lucid introduction to the genre, it expresses our unresolved feelings about 'the nature of power, law, society, family and sexuality' and yet is extremely concerned with issues of social disintegration and collapse. It's preoccupied with all that is immoral, fantastic, suspenseful, and sensational and yet prone to promoting middle-class values. It's interested in transgression, but it's ultimately more interested in restitution; it alludes to the past yet is carefully attuned to the present; it's designed to evoke excessive emotion, yet it's thoroughly ambivalent; it's the product of revolution and upheaval, yet it endeavors to contain their forces; it's terrifying, but pretty funny. And, importantly, the gothic always reflects the anxieties of its age in an appropriate package, so that by the nineteenth century, familiar tropes representing external threats like crumbling castles, aristocratic villains, and pesky ghosts had been swallowed and interiorized. In the nineteenth century, gothic horrors were more concerned with madness, disease, moral depravity, and decay than with evil aristocrats and depraved monks. Darwin's theories, the changing roles of women in society, and ethical issues raised by advances in science and technology haunted the Victorian gothic, and the repression of these fears returned again and again in the form of guilt, anxiety, and despair. 'Doubles, alter egos, mirrors, and animated representations of the disturbing parts of human identity became the stock devices,' Botting writes, 'signifying the alienation of the human subject from the culture and language in which s/he is located.' In the transition from modernity to post-modernity, the very idea of culture as something stable and real is challenged, and so postmodern gothic freaks itself out by dismantling modernist grand narratives and playing games. In the twentieth century, 'Gothic [was] everywhere and nowhere,' and 'narrative forms and devices spill[ed] over from worlds of fantasy and fiction into real and social spheres.

I don’t know what kind of movie would put their locations scout up at a YMCA, but if I had to guess I would say it was not Titanic. Anyway, this guy seemed almost normal until he walked up to me at the front desk, handed me a little cardboard box, said, “Voulez vous couchez avec moi?” and walked away. In the box was a packet of SweeTarts and two used Linda Ronstadt tapes. Needless to say, we married in the spring.

Daily life: What did you do over the weekend? Anything notable? How is your week/day going? Anything notable? How is your family/significant other? Anything notable? How is work going? Anything notable? Personal: What are your hobbies? Anything notable? What’s your biggest passion or interest outside of work? Anything notable? Where are you from? Anything notable? How long have you lived at your current location and worked at your current job? Anything notable? Where did you go to school and what subjects and activities were you involved in? Anything notable? What do you do for work? Anything notable? Notable: What are your five most unique experiences? What are your five most personally significant accomplishments? What are ten strengths—things you are above average at, no matter how big or small. Name ten places you have traveled in the past five years. Name the past five times you have gone out to a social event. Name ten things you cannot live without—don’t take this question too literally. It is asking about your interests, not household staples. Staying Current: What are the top five current events of the week and month? Learn the basics and develop an opinion and stance on them. What are four funny personal situations from the past week? Be able to summarize them as a brief story. What are the four most interesting things you’ve read or heard about in the past week? Be able to summarize them as a brief story.

The Secret on How to Write Comedy In a fashionable context, comedy is a subjective element. Making humans funny is an incredibly difficult job and developing a chunk of comedy is even more difficult. If you are an aspiring comedy writer, there is loads to be found out and Filipino concert in Las Vegas( ticklemecomedy.com) in case you lack that writing skills, there's no way you may produce an excellent comedy piece. So how do you write stuff that is actually funny and will make everyone roll round in laughter? Are there definitely techniques on how to write comedy or steps with a view to decorate your comedic writing? Maybe these are the questions rambling around your thoughts now. Well, happily, there are some easy strategies on for writing humorous cloth. Tips on How to Write Comedy Like all different forms of writing, comedy writing is no one of a kind. It additionally takes exercise to get it right. Some comedic writers might also master the artwork of comedy writing with only a little exercise while a few conflict lots before getting Filipino show in Las Vegas to know it. With that being said, every person who wants to realize the secret to writing high-quality comedy need to consider some easy pointers. Whether you come to be being funny or no longer, the most essential element is which you have discovered how to excellent write comedic cloth and are capable of produce quality comedy pieces. To assist you emerge as a very good comedic writer, beneath are some guidelines. • Choose the type of comedy - One tip on how to write comedic portions is to pick out the type of humor you need to exhibit. There are various forms of comedy along with slapstick, parody, dark humor, edgy humor, own family humor, dry observational humor, and plenty of others. You simply need to select one in your comedy piece and paintings on it. Failure to consciousness on one sort of humor will end result on your audience being careworn. • Use warfare - Another golden rule is to discover the battle in anything and play on the boundaries. Professional comedic writers say that anger is frequently the middle of all comedy. But this doesn't suggest however that you need to be a raging psycho simply so one can realize the way to write comedy. This virtually approach that you got to have the ability to address a conflict in a humorous manner. • Carefully choose your words - Successful comedic playwrights realize nicely the way to maximize the comedic impact. Obviously, they are experts in finding the funniest in everything. Choose phrases that sound funny and discover ways to tweak your paintings to give you actual funny piece. • Know how and whilst to magnify - In comedy, "extra" is generally better. Think approximately conditions that might be funnier if things have been exaggerated a chunk. Something mildly humorous can quickly Las Vegas Filipino shows become hilarious with a little bit of embellishment. • Timing - In comedy, timing is the whole thing. It is a totally critical component in writing comedy. You want to inject the proper joke inside the proper location and in the right time. This is in which your punch traces ought to appear. This also manner understanding whilst to end. But take word that timing depends significantly at the sort of comedy you're pursuing. Practice makes best After being given these few hints on how to write comedy, you need to have a terrific begin composing fine, comedic work. But as the famous adage says "Practice makes best" so preserve to exercise and work at your stuff. You don't always want to be intrinsically humorous to study comedic writing but it'll help.

Well, whatever did those old brutes think about evil, then?" "It's hard to say exactly. they seemed to be obsessed with locating it somewhere. I mean, an evil spring in the mountains, an evil smoke, evil blood in the veins going from parent to child. They were sort of like the early explorers of Oz, except the maps they made were of invisible stuff, pretty inconsistent one with the other." "And where is evil located?" Galinda asked, flopping onto her bed and closing her eyes. "Well, they didn't agree, did they? Or else what would they have to write sermons arguing about? Some said the original evil was the vacuum caused by the Fairy Queen Lurline leaving us alone here. When goodness removes itself, the space it occupies corrodes and becomes evil, and maybe splits apart and multiples. So every evil is a sign of the absence of deity." "Well I wouldn't know an evil thing if it fell on me," said Galinda. "The early unionists, who were a lot more Lurlinist than unionists are today, argued that some invisible pocket of corruption was floating around the neighborhood, a direct descendent of the pain the world felt with Lurline left. Like a patch of cold air on a warm still night. A perfectly agreeable soul might march through it and become infected, and then go and kill a neighbor. But then was it your fault if you walked through a patch of badness? If you couldn't see it? There wasn't ever any council of unionists that decided it one way or the other, and nowadays so many people don't even believe in Lurline." "But they believe in evil still," said Galinda with a yawn. "Isn't that funny, that deity is passe but the attributes and implications of deity linger -" "You are thinking!" Elphaba cried. Galinda raised herself to her elbows at the enthusiasm in her roomie's voice. "I am about to sleep, because this is profoundly boring to me," Galinda said, but Elphaba was grinning from ear to ear.

It’s funny how, sometimes, the mind won’t let the body remember what’s been done to it. It chooses, at will, to take the abusive memory and bury it. As if to nurture away the pain by making us forget it’s there. Not remembering trauma doesn’t mean we’re left without its effect. It still comes up and out, at a certain smell, sound, sight, touch, question, tone, location, person, people, personality. Waiting to be noticed and brought to the light. Letting it, and peeking into where it’s from, is the path to making sense of ourselves and finding the particular healing we’ve been kept from having.

AARP’s retirement calculator; it can be found on AARP.org. (As of this writing, the link to the calculator isn’t on the home page; you’ll need to click on “Work & Retirement,” then on “Retirement Planning” to locate it.) The calculator will ask your age, your salary, your savings, and some questions about Social Security and the sort of lifestyle you imagine your older self having before giving you an estimate of how much money you’ll need at retirement and how much you’re likely to have if you continue to earn and save at your current levels. Another source of information is dinkytown.net. This website has a funny name, but if you like calculators, you’re going to be quite pleased.

Once the run was over, however, something funny would happen. No matter how fast or far any of us had gone, everyone was exhausted. Spent. Keeled over. That’s when the backslaps and high fives would happen. We were bonded in our fatigue, whereas a moment before we were separated by our giftings. Physically drained but emotionally fortified, we laughed and kidded around, talked about how hard it had been. The feeling was always positive. Our shared limitation brought us closer together. A theologian might say that God has given everyone different gifts and abilities, yet similar weaknesses. This is one of the great insights of the Christian faith. The world runs after success and strength and perfection and finds that the track only gets longer, the runners more spread out. The Christian considers weakness the location of grace and unity, not evidence of their absence. You might say, then, We are separated by our virtues but united in our distance from virtue. We are divided by the specifics of our political or aesthetic ideals but united in the fact that we fall short of those ideals. We are separated by how and whom we love but united by our failure to love perfectly. We are separated by the career paths we’ve taken but united by the ubiquity of regret, both professional and otherwise. We are separated by how much we’ve gained or accrued but united in the experience—somewhere along the line—of loss (and the fear of loss). We are stratified according to how we live but re-democratized by the fact of death. If you want to find common ground with someone, then don’t start with what they put on their résumé. Start with what they leave off.

Villalobos had always been eager to work in law enforcement. When he was in high school, he assembled a group of boys from all grade levels and invited them to his house every Wednesday. Villalobos’ club revolved around hunting down fugitives on the F.B.I.’s Most Wanted list. He led weekly research presentations that narrowed the list down to felons who were suspected to be within fifty miles of their vicinity. Villalobos held exams for his club members, testing their knowledge on how to react if they caught a criminal. He also trained them to identify what the criminals looked like with certain disguises and how to predict their next crimes and behaviors. All the boys were into it. And they trusted their leader. The amateur intelligence squad never caught any top criminals but inadvertently located the whereabouts of several robbers and proudly shared their intel with their local police station.

They say home is where the heart is, although in my case, the location of the fridge is also important.

Structure 19. You worried about structure when you came up with your story! If you did, I’m sorry. You missed some of the most joyous moments in writing. Character and story come first. Before anything. Certainly before all that Act One, Two, and Three crapola. When you’re teasing out your story, make lots of notes. Think out loud. Talk to a tape recorder. Make more notes. Fill up oceans of 3x5 cards. Write on yellow legal pads. Write on white legal pads. Scribble on napkins or beer coasters. Write down cool stuff for characters to do that may never find its way into the movie. Make notes and more notes and more notes, but do not trouble yourself with structure. Screw structure. Have fun. Structure is for later. For now, just let your incredibly creative mind run free. Make notes about character and plot and story and funny moments and locations you’d like to visit. Tape record dialogue for your