“
I'm about to make a wild, extreme and severe relationship rule: the word busy is a load of crap and is most often used by assholes. The word "busy" is the relationship Weapon of Mass Destruction. It seems like a good excuse, but in fact in every silo you uncover, all you're going to find is a man who didn't care enough to call. Remember men are never to busy to get what they want.
”
”
Greg Behrendt
“
Dying is overrated. Human sentimentality has twisted it into the ultimate act of love. Biggest load of bullshit in the world. Dying for someone isn't the hard thing. The man that dies escapes. Plain and simple. Game over. End of pain...Try living for someone. Through it all-good, bad, thick, thin, joy, suffering. That's the hard thing.
”
”
Karen Marie Moning (Shadowfever (Fever, #5))
“
Now there is a final reason I think that Jesus says, "Love your enemies." It is this: that love has within it a redemptive power. And there is a power there that eventually transforms individuals. Just keep being friendly to that person. Just keep loving them, and they can’t stand it too long. Oh, they react in many ways in the beginning. They react with guilt feelings, and sometimes they’ll hate you a little more at that transition period, but just keep loving them. And by the power of your love they will break down under the load. That’s love, you see. It is redemptive, and this is why Jesus says love. There’s something about love that builds up and is creative. There is something about hate that tears down and is destructive. So love your enemies. (from "Loving Your Enemies")
”
”
Martin Luther King Jr. (A Knock at Midnight: Inspiration from the Great Sermons of Reverend Martin Luther King, Jr.)
“
I’ll affect you slowly
as if you were having a picnic in a dream.
There will be no ants.
It won’t rain.
”
”
Richard Brautigan (Loading Mercury With a Pitchfork)
“
It is not so incomprehensible as you pretend, sweet pea. Love is the feeling we have for those we care deeply about and hold in high regard. It can be light as the hug we give a friend or heavy as the sacrifices we make for our children. It can be romantic, platonic, familial, fleeting, everlasting, conditional, unconditional, imbued with sorrow, stoked by sex, sullied by abuse, amplified by kindness, twisted by betrayal, deepened by time, darkened by difficulty, leavened by generosity, nourished by humor and “loaded with promises and commitments” that we may or may not want or keep.
The best thing you can possibly do with your life is to tackle the motherfucking shit out of it.
”
”
Cheryl Strayed (Tiny Beautiful Things: Advice on Love and Life from Dear Sugar)
“
Sissy Mae Smith...stumbled into the room loaded down with even more bags. "You pack like a woman," she snarled when she finally dropped the luggage to the floor. "How can one man have so much conditioner?"
His mouth filled with French toast, Mitch pointed at his hair and snarled, "Tawny mane! Do you think this shit stays this beautiful on its own? It needs care and love! Which is more than I'm getting from you!
”
”
Shelly Laurenston (The Mane Squeeze (Pride, #4))
“
I like smooth shiny girls, hardboiled and loaded with sin.
”
”
Raymond Chandler (Farewell, My Lovely (Philip Marlowe, #2))
“
Love may be an inexhaustible well of inspiration for writing loads of letters until the wind of unresponsiveness blows frostiness into the fold of expectations.( "Poste restante" )
”
”
Erik Pevernagie
“
Give me love
Give me love
Give me peace on earth
Give me light
Give me life
Keep me free from birth
Give me hope
Help me cope, with this heavy load
Trying to, touch and reach you with,
heart and soul
”
”
George Harrison
“
A few drinks and the world was hers—
she wore her whiskey like a loaded gun.
”
”
Atticus . (Love Her Wild)
“
Sooner or later, fate puts us together with all the people, one by one, who show us what we could, and shouldn’t, let ourselves become. Sooner or later we meet the drunkard, the waster, the betrayer, the ruthless mind, and the hate-filled heart. But fate loads the dice, of course, because we usually find ourselves loving or pitying almost all of those people. And it’s impossible to despise someone you honestly pity, and to shun someone you truly love.
”
”
Gregory David Roberts
“
This is the moment I realize that our traumas never really go away. They live inside of us, in the deepest darkest pits of our own tiny hells. Cocked and loaded, waiting for someone to come along and pull the trigger.
”
”
A. Zavarelli (Crow (Boston Underworld, #1))
“
I might like to have someone courting me. But it would have to be someone who is a square shooter and who has a train load of courage. And it would have to be someone who doesn't have to talk down to folks to feel good, or to tell a person they are worthless ifthey just made a mistake. And he'd have to be not too thin. Why, I remember hugging [my brother] Ernest was like warpping your arms around a fence post,and I love Ernest, but I want a man who can hold me down in a wind. Maybe he'd have to be pretty stubborn. I don't have any use for a man that isn't stubborn. Likely a stubborn fellow will stay with you through thick and thin, and a spineless one will take off, or let his heart wander.
”
”
Nancy E. Turner (These Is My Words: The Diary of Sarah Agnes Prine, 1881-1901)
“
Never drink diet soda. It shows you have no nerve. Only drink real colas, caffeine-packed energy drinks, or vitamin water. Hate champagne because that’s what everyone expects you to love. Energy drinks are the best party drinks. You never get tired, you never get a hangover, and you can make fun of all the loaded people who think they’re clever but are really acting stupid.
”
”
Paris Hilton
“
One smile has the power to...
Calm fears.
Soften stone walls.
Warm a cold heart.
Invite a new friend.
Mimic a loving hug.
Beautify the bearer.
Lighten heavy loads.
Promote good deeds.
Brighten a gloomy day.
Comfort a grieving spirit.
Offer hope to the forlorn.
Send a message of caring.
Lift the downtrodden soul.
Patch up invisible wounds.
Weaken the hold of misery.
Act as medicine for suffering.
Attract the companionship of angels.
Fulfill the human need for recognition.
Who knew changing the world would prove so simple?
”
”
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, & Grumblings for Every Day of the Year)
“
Don't make the body do what the spirit does best, and don't put a big load on the spirit that the body could easily carry.
”
”
Jalal ad-Din Muhammad ar-Rumi (The Book of Love: Poems of Ecstasy and Longing)
“
In some ways, coming to terms with myself and working toward recovery has been like saying “I love you” to someone but keeping a loaded gun hidden in your back pocket, just in case that person pisses you off enough.
”
”
Kiera Van Gelder
“
A moth goes into a podiatrist’s office, and the podiatrist’s office says, “What seems to be the problem, moth?”
The moth says “What’s the problem? Where do I begin, man? I go to work for Gregory Illinivich, and all day long I work. Honestly doc, I don’t even know what I’m doing anymore. I don’t even know if Gregory Illinivich knows. He only knows that he has power over me, and that seems to bring him happiness. But I don’t know, I wake up in a malaise, and I walk here and there… at night I…I sometimes wake up and I turn to some old lady in my bed that’s on my arm. A lady that I once loved, doc. I don’t know where to turn to. My youngest, Alexendria, she fell in the…in the cold of last year. The cold took her down, as it did many of us. And my other boy, and this is the hardest pill to swallow, doc. My other boy, Gregarro Ivinalititavitch… I no longer love him. As much as it pains me to say, when I look in his eyes, all I see is the same cowardice that I… that I catch when I take a glimpse of my own face in the mirror. If only I wasn’t such a coward, then perhaps…perhaps I could bring myself to reach over to that cocked and loaded gun that lays on the bedside behind me and end this hellish facade once and for all…Doc, sometimes I feel like a spider, even though I’m a moth, just barely hanging on to my web with an everlasting fire underneath me. I’m not feeling good. And so the doctor says, “Moth, man, you’re troubled. But you should be seeing a psychiatrist. Why on earth did you come here?”
And the moth says, “‘Cause the light was on.
”
”
Norm Macdonald
“
She wore his love like a loaded gun.
”
”
Atticus . (Love Her Wild)
“
Time is not measured
by the years that you live
But by the deeds that you do
and the joy that you give-
And each day as it comes
brings a chance to each one
To love to the fullest,
leaving nothing undone
That would brighten the life
or lighten the load
Of some weary traveler
lost on Life's Road-
So what does it matter
how long we may live
If as long as we live
we unselfishly give.
”
”
Helen Steiner Rice
“
Sometimes the man who looks happiest in town, with the biggest smile, is the one carrying the biggest load of sin. There are smiles & smiles; learn to tell the dark variety from the light. The seal-barker, the laugh-shouter, half the time he's covering up. He's had his fun & he's guilty. And all men do love sin, Will, oh how they love it, never doubt, in all shapes, sizes, colors & smells. Times come when troughs, not tables, suit appetites. Hear a man too loudly praising others & look to wonder if he didn't just get up from the sty. On the other hand, that unhappy, pale, put-upon man walking by, who looks all guilt & sin, why, often that's your good man with a capital G, Will. For being good is a fearful occupation; men strain at it & sometimes break in two. I've known a few. You work twice as hard to be a farmer as to be his hog. I suppose it's thinking about trying to be good makes the crack run up the wall one night. A man with high standards, too, the least hair falls on him sometimes wilts his spine. He can't let himself alone, won't let himself off the hook if he falls just a breath from grace.
”
”
Ray Bradbury (Something Wicked This Way Comes)
“
I’m a mess. A work in progress. I’m two steps forward and one step back. I hoard my cheese, and I can’t efficiently load the dishwasher, and I’m going to struggle with the truth until the day I croak.
Jack knows all of this, and he loves me. Not anyway, but because.
”
”
Ali Hazelwood (Love, Theoretically)
“
I love you is an interesting phrase, in that apparently small alterations–taking away the I, adding a word like lots or loads–render it meaningless.
”
”
David Nicholls (Us)
“
We used to have a dog named Snoopy, you know, a real live dog. I suppose people who love Snoopy won't like it, but we gave him away. He fought with other dogs, so we traded him in for a load of gravel.
”
”
Charles M. Schulz
“
Satan to Jesus: Well, I see someone has a bad case of the hangries. You might want to consider using your godly powers to turn these desert rocks into loaves of bread. Maybe if you engage in some serious carb-loading, you’ll regain what little sense of humor you had before you started this ridiculous hunger strike.
”
”
Spencer C Demetros (The Bible: Enter Here: Bringing God's Word to Life for Today's Teens)
“
What did i expect ?
To leave a hemorrhage
of violets wherever I walked ?
No. A lost son is called prodigal.
A lost daughter is just called lost
”
”
Emily Rose Cole (Love & a Loaded Gun)
“
Magic existed in his eyes, his energy as he lived his daily life. I could fall into his soul and lay my worries to rest, but if by chance this happened; it wouldn't last the test.
because there's much to learn, before we can meet, I want to collide with his heart; allow our souls to fleet.
His arms will hold my fears, but he won't carry the load; as it is my lesson to love myself, and find my own sense of hope.
When we cross our paths, our knowledge will last the test; as patience fills the air and our burdens are put to rest,
I will honour my truth, and seek what I desire; ever lasting love and passion set on fire.
”
”
Nikki Rowe
“
God preserve you, my dear boy, from ever asking forgiveness for a fault from a woman you love. From one you love especially, however greatly you may have been in fault. For a woman--devil only knows what to make of a woman: I know something about them, anyway. But try acknowledging you are in fault to a woman. Say, "I am sorry, forgive me," and a shower of reproaches will follow! Nothing will make her forgive you simply and directly, she'll humble you to the dust, bring forward things that have never happened, recall everything, forget nothing, add something of her own, and only then forgive you. And even the best, the best of them do it. She'll scrape up all the scrapings and load them on your head. They are ready to flay you alive, I tell you, every one of them, all these angels without whom we cannot live! I tell you plainly and openly, dear boy, every decent man ought to be under some woman's thumb. That's my conviction--not conviction, but feeling. A man ought to be magnanimous, and it's no disgrace to a man! No disgrace to a hero, not even a Caesar! But don't ever beg her pardon all the same for anything...
”
”
Fyodor Dostoevsky (The Brothers Karamazov)
“
The Great Gatsby's my favorite book," he says. "F. Scott Fitzgerald dedicated it to Zelda."
"His wife?" I say.
"Yeah. His crazy-ass wife who he had no business loving that much," he says, giving me a loaded look. "You know what their joint epitaph says? It's a quote from the book... Their kid picked it for them."
I shake my head. "What's it say?"
His eyes close halfway as he recites, "So we beat on, boats against the current, borne back ceaselessly into the past.
”
”
Rick Yancey (The 5th Wave (The 5th Wave, #1))
“
It may be possible for each to think too much of his own potential glory hereafter; it is hardly possible for him to think too often or too deeply about that of his neighbor. The load, or weight, or burden of my neighbor's glory should be laid daily on my back, a load so heavy that only humility can carry it, and the backs of the proud will be broken. ...
"It is in light of these overwhelming possibilities, it is with the awe and the circumspection proper to them, that we should conduct all our dealings with one another, all friendships, all loves, all play, all politics. There are no ordinary people. You have never talked to a mere mortal. Nations, cultures, arts, civilizations -- these are mortal, and their life is to ours as the life of a gnat. But it is immortals whom we joke with, work with, marry, snub and exploit. ... Next to the Blessed Sacrament itself, your neighbor is the holiest object presented to your senses.
”
”
C.S. Lewis (The Weight of Glory)
“
It’s like being in love with a loaded weapon and you’re the safety.
”
”
Jay Crownover (Better When He's Bold (Welcome to the Point, #2))
“
Queenie: (trying to cheer him up) I'll come with you. We'll go somewhere - we'll go anywhere - see I ain't never gonna find anyone like -
Jacob: (bravely) There's loads like me.
Queenie: No... no...there's only one like you.
”
”
J.K. Rowling (Fantastic Beasts and Where to Find Them: The Original Screenplay (Fantastic Beasts: The Original Screenplay, #1))
“
I felt like I was some kind of primitive spring-loaded machine, placed under far more tension than it had ever been built to sustain, about to blast apart at great danger to anyone standing nearby. I imagined my body parts flying off my torso in order to escape the volcanic core of unhappiness that had become: me.
”
”
Elizabeth Gilbert (Eat, Pray, Love)
“
Well, you're lucky. Because love is something you can learn. Love is something you can practice. It's something you can choose to get good at. And here's how you do it. Appreciate your person.
That's it.
Well—first be sure to choose a good person. But we're all good people here.
Choose a good, imperfect person who leaves the cap off the toothpaste, and puts the toilet paper roll on upside down, and loads the dishwasher like a ferret on steroids—and then appreciate the hell out of that person. Train yourself to see their best, most delightful, most charming qualities. Focus on everything they're getting right. Be grateful—all the time—and laugh the rest off.
And that goes for kids, too, by the way—and pets, and waiters, and even our own selves. There it is. The whole trick to life. Be aggressively, loudly, unapologetically grateful.
”
”
Katherine Center (The Rom-Commers)
“
Falling in love is like giving another person a loaded gun pointed right at your heart and trusting them to not shoot you.
”
”
M.J. Fields (Men of Steel Box Set (Men of Steel, #0.5-4))
“
Did I have to be dead to get you to see me? Wake the fuck up, Ms. Lane. Dying is overrated. Human sentimentality has twisted it into the ultimate act of love. Biggest load of bullshit in the world. Dying for someone isn't the hard thing. The man that dies escapes. Plan and simple. Game over. End of pain. Alina was the lucky one. Try living for someone. Through it all - good, bad, thick, thin, joy, suffering. That's the hard thing.
”
”
Karen Marie Moning (Shadowfever (Fever, #5))
“
By now you've probably noticed that except when safely contained by quotes, Zampanò always steers clear of such questionable four-letter language. This instance in particular proves that beneath all that cool psuedo-academic hogwash lurked a very passionate man who knew how important it was to say "fuck" now and then, and say it loud too, relish its syllabic sweetness, its immigrant pride, a great American epic word really, starting at the lower lip, often the very front of the lower lip, before racing all the way to the back of the throat, where it finishes with a great blast, the concussive force of the K catching up then with the hush of the F already on its way, thus loading it with plenty of offense and edge and certainly ambiguity. FUCK. A great by-the-bootstrap prayer or curse if you prefer, depending on how you look at it, or use it, suited perfectly for hurling at the skies or at the world, or sometimes, if said just right, for uttering with enough love and fire, the woman beside you melts inside herself, immersed in all that word-heat.
”
”
Mark Z. Danielewski (House of Leaves)
“
Your greatest weapon is your MIND! Lock and load it with the greatest ammunition; EDUCATION. And protect it with your best defense; GOD.
”
”
Marck E. Estemil (It Is Time)
“
There is no redemption in a cruel man's love.
”
”
Nenia Campbell (Locked and Loaded (The IMA, #3))
“
There is an Arabic saying that the soul travels at the pace of a camel. While most of us are led by the strict demands of timetables and diaries, our soul, the seat of the heart, trails nostalgically behind, burdened by the weight of memory. If every love affair adds a certain weight to the camel’s load, then we can expect the soul to slow according to the significance of love’s burden.
”
”
Alain de Botton (Essays In Love)
“
If you love someone, set them free. What a load of bollocks.
”
”
Sarah Pinborough (Behind Her Eyes)
“
Time is not measured by the years that you live
But by the deeds that you do and the joy that you give-
And each day as it comes brings a chance to each one
To love to the fullest, leaving nothing undone
That would brighten the life or lighten the load
Of some weary traveler lost on Life's Road-
So what does it matter how long we may live
If as long as we live we unselfishly give.
”
”
Helen Steiner Rice
“
It's a very bad thing for a woman to face the worst that can happen to her, because after she's faced the worst she can't ever really fear anything again. And it's very bad for a woman not to be afraid of something ... always have something to fear - even as you save something to love ... and don't think you can lay down the load, ever. Because you can't.
”
”
Margaret Mitchell (Gone with the Wind)
“
She’d never really believed in it before. Then, as she hit her late thirties, her body said, OK, you don’t believe in PMS? I’ll show you PMS. Get a load of this, bitch. Now, for one day every month, she had to fake everything: her basic humanity, her love for her children, her love for Ed. She’d once been appalled to hear of women claiming PMS as a defense for murder. Now she understood. She could happily murder someone today! In fact, she felt like there should be some sort of recognition for her remarkable strength of character that she didn’t.
”
”
Liane Moriarty (Big Little Lies)
“
Men who shared the load at home seemed just as pressed for time as their wives, and torn between the demands of career and small children...But the majority of men did not share the load at home. Some refused outright. Others refused more passively, often offering a loving shoulder to lean on, an understanding ear as their working wife faced the conflict they both saw as hers.
”
”
Arlie Russell Hochschild
“
I was afraid and knew I had every right to be, but he had awakened a part of me that no longer cared.
”
”
Nenia Campbell (Locked and Loaded (The IMA, #3))
“
Coffined thoughts around me, in mummycases, embalmed in spice of words. Thoth, god of libraries, a birdgod, moonycrowned. And I heard the voice of that Egyptian highpriest. In painted chambers loaded with tilebooks. They are still. Once quick in the brains of men. Still: but an itch of death is in them, to tell me in my ear a maudlin tale, urge me to wreak their will.
”
”
James Joyce (Ulysses)
“
Yep, that's the right place. His cousin is loaded. He told me it was one of his daddy's properties," he whispered. "Don't go doing anything foolish, Sam. You drop those prisoners off and hightail it out of there. We've been paid for delivery only," he cautioned.
”
”
Sharon Carter (Love Auction II: Love Designs)
“
Nick sat on the stairs, completely comatose. He stared straight ahead as if he'd been frozen in place.
"Nick? You all right?"
He didn't respond.
Kyrian moved around him until he stood in front of him. He snapped his fingers in front of Nick's face. "Kid?"
Nick blinked before he met Kyrian's gaze. "I'm not worthy," he said in a breathless tone.
Baffled by his comment, Kyrian stared at him. "What?"
Nick gestured towards his cars. "Dude that's a Ferrari, Lamborghini, Bugatti, Alfa Romeo, Aston Martin, and a Bentley. And I'm not talking the cheap models. Those are the top of the top of the top of the line, fully loaded. I swear, that's real gold trim in the Bugatti. There's more money in metal in here than my brain can even tabulate. Oh my God! I shouldn't even be breathing the same air."
Kyrian laughed at his awed tone. "It's all right, Nick. I need you to clean them."
"Are you out of your ever-loving mind? What if I scratch them?"
"You won't"
"Nah I might. Those aren't cars, Kyrian. Those are works of art. I'm talking serious modes of transportation."
"I know, and I drive them all the time."
"No, no, no, no, no. I can't touch something so fine. I can't"
Kyrian cuffed him on the shoulder. "Yes, you can. They don't bite, and they need to be washed.
”
”
Sherrilyn Kenyon (Invincible (Chronicles of Nick, #2))
“
The Forgotten Dialect of the Heart
How astonishing it is that language can almost mean,
and frightening that it does not quite. Love, we say,
God, we say, Rome and Michiko, we write, and the words
get it all wrong. We say bread and it means according
to which nation. French has no word for home,
and we have no word for strict pleasure. A people
in northern India is dying out because their ancient
tongue has no words for endearment. I dream of lost
vocabularies that might express some of what
we no longer can. Maybe the Etruscan texts would
finally explain why the couples on their tombs
are smiling. And maybe not. When the thousands
of mysterious Sumerian tablets were translated,
they seemed to be business records. But what if they
are poems or psalms? My joy is the same as twelve
Ethiopian goats standing silent in the morning light.
O Lord, thou art slabs of salt and ingots of copper,
as grand as ripe barley lithe under the wind's labor.
Her breasts are six white oxen loaded with bolts
of long-fibered Egyptian cotton. My love is a hundred
pitchers of honey. Shiploads of thuya are what
my body wants to say to your body. Giraffes are this
desire in the dark. Perhaps the spiral Minoan script
is not language but a map. What we feel most has
no name but amber, archers, cinnamon, horses, and birds.
”
”
Jack Gilbert (The Great Fires)
“
I heard once that real love doesn’t ask what is in it for me; it just gives unconditionally. It just tries to take the weight out of somebody else’s pack, lessen his load, and if it gets reciprocated, that’s great, but that isn’t what you did it for.
”
”
Donald Miller (Through Painted Deserts: Light, God, and Beauty on the Open Road)
“
I really hate Squires. (Syra)
(She pulled another flat bolt out and loaded it, then shot it at Otto. Moving so fast he could hardly be seen, the Squire turned around and caught it without flinching. He held the bolt up to his nose and inhaled it lovingly.)
Mmm. Rose. My favorite. (Otto)
Perhaps we should leave you two alone. (Jess)
Yeah, this does remind me a bit of the mating rites of the mean and the surly. (Allen)
”
”
Sherrilyn Kenyon (Dance with the Devil (Dark-Hunter, #3))
“
What did I want?
I wanted a Roc's egg. I wanted a harem loaded with lovely odalisques less than the dust beneath my chariot wheels, the rust that never stained my sword,. I wanted raw red gold in nuggets the size of your fist and feed that lousy claim jumper to the huskies! I wanted to get u feeling brisk and go out and break some lances, then pick a like wench for my droit du seigneur--I wanted to stand up to the Baron and dare him to touch my wench! I wanted to hear the purple water chuckling against the skin of the Nancy Lee in the cool of the morning watch and not another sound, nor any movement save the slow tilting of the wings of the albatross that had been pacing us the last thousand miles.
I wanted the hurtling moons of Barsoom. I wanted Storisende and Poictesme, and Holmes shaking me awake to tell me, "The game's afoot!" I wanted to float down the Mississippi on a raft and elude a mob in company with the Duke of Bilgewater and the Lost Dauphin.
I wanted Prestor John, and Excalibur held by a moon-white arm out of a silent lake. I wanted to sail with Ulysses and with Tros of Samothrace and eat the lotus in a land that seemed always afternoon. I wanted the feeling of romance and the sense of wonder I had known as a kid. I wanted the world to be what they had promised me it was going to be--instead of the tawdry, lousy, fouled-up mess it is.
”
”
Robert A. Heinlein (Glory Road)
“
Love is the feeling we have for those we care deeply about and hold in high regard. It can be light as the hug we give a friend or heavy as the sacrifices we make for our children. It can be romantic, platonic, familial, fleeting, everlasting, conditional, unconditional, imbued with sorrow, stoked by sex, sullied by abuse, amplified by kindness, twisted by betrayal, deepened by time, darkened by difficulty, leavened by generosity, nourished by humor, and loaded with promises and commitments that we may or may not want or keep. The best thing you can possibly do with your life is to tackle the motherfucking shit out of it.
”
”
Cheryl Strayed (Brave Enough: A Collection of Inspirational Quotes)
“
i don't wanna be with anybody
who weaponizes my vulnerability
saves it in a wooden box
loads it in a shotgun
when I least expect it
”
”
Michaela Angemeer (Poems for the Signs)
“
Race will tear apart anything and anyone he thinks is a threat to you, so you need to handle him carefully. Being with guys like us . . .” He shrugged and put the end of his cigarette in his mouth. “It’s like being in love with a loaded weapon and you’re the safety.
”
”
Jay Crownover (Better When He's Bold (Welcome to the Point, #2))
“
The gut is the seat of all feeling. Polluting the gut not only cripples your immune system, but also destroys your sense of empathy, the ability to identify with other humans. Bad bacteria in the gut creates neurological issues. Autism can be cured by detoxifying the bellies of young children. People who think that feelings come from the heart are wrong. The gut is where you feel the loss of a loved one first. It's where you feel pain and a heavy bulk of your emotions. It's the central base of your entire immune system. If your gut is loaded with negative bacteria, it affects your mind. Your heart is the seat of your conscience. If your mind is corrupted, it affects your conscience. The heart is the Sun. The gut is the Moon. The pineal gland is Neptune, and your brain and nervous system (5 senses) are Mercury. What affects the moon or sun affects the entire universe within. So, if you poison the gut, it affects your entire nervous system, your sense of reasoning, and your senses.
”
”
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
“
And when I look around the apartment where I now am,—when I see Charlotte’s apparel lying before me, and Albert’s writings, and all those articles of furniture which are so familiar to me, even to the very inkstand which I am using,—when I think what I am to this family—everything. My friends esteem me; I often contribute to their happiness, and my heart seems as if it could not beat without them; and yet—if I were to die, if I were to be summoned from the midst of this circle, would they feel—or how long would they feel—the void which my loss would make in their existence? How long! Yes, such is the frailty of man, that even there, where he has the greatest consciousness of his own being, where he makes the strongest and most forcible impression, even in the memory, in the heart of his beloved, there also he must perish,—vanish,—and that quickly.
I could tear open my bosom with vexation to think how little we are capable of influencing the feelings of each other. No one can communicate to me those sensations of love, joy, rapture, and delight which I do not naturally possess; and though my heart may glow with the most lively affection, I cannot make the happiness of one in whom the same warmth is not inherent.
Sometimes I don’t understand how another can love her, is allowed to love her, since I love her so completely myself, so intensely, so fully, grasp nothing, know nothing, have nothing but her!
I possess so much, but my love for her absorbs it all. I possess so much, but without her I have nothing.
One hundred times have I been on the point of embracing her. Heavens! what a torment it is to see so much loveliness passing and repassing before us, and yet not dare to lay hold of it! And laying hold is the most natural of human instincts. Do not children touch everything they see? And I!
Witness, Heaven, how often I lie down in my bed with a wish, and even a hope, that I may never awaken again! And in the morning, when I open my eyes, I behold the sun once more, and am wretched. If I were whimsical, I might blame the weather, or an acquaintance, or some personal disappointment, for my discontented mind; and then this insupportable load of trouble would not rest entirely upon myself. But, alas! I feel it too sadly; I am alone the cause of my own woe, am I not? Truly, my own bosom contains the source of all my pleasure. Am I not the same being who once enjoyed an excess of happiness, who at every step saw paradise open before him, and whose heart was ever expanded towards the whole world? And this heart is now dead; no sentiment can revive it. My eyes are dry; and my senses, no more refreshed by the influence of soft tears, wither and consume my brain. I suffer much, for I have lost the only charm of life: that active, sacred power which created worlds around me,—it is no more. When I look from my window at the distant hills, and behold the morning sun breaking through the mists, and illuminating the country around, which is still wrapped in silence, whilst the soft stream winds gently through the willows, which have shed their leaves; when glorious Nature displays all her beauties before me, and her wondrous prospects are ineffectual to extract one tear of joy from my withered heart,—I feel that in such a moment I stand like a reprobate before heaven, hardened, insensible, and unmoved. Oftentimes do I then bend my knee to the earth, and implore God for the blessing of tears, as the desponding labourer in some scorching climate prays for the dews of heaven to moisten his parched corn.
”
”
Johann Wolfgang von Goethe (The Sorrows of Young Werther)
“
You’ll recognize those men, the ones inclined to their dark side, because they’ll expect you to carry their load. They’ll smother your anger with their pain, they’ll make you doubt yourself, and they’ll tell you they love you the whole time. Some do it big, like Ed, but most do it in quiet steps, like your father.
”
”
Jess Lourey (The Quarry Girls)
“
I always used to love singing. The first song I knew all the words to was ‘Girl of My Best Friend’ by Elvis. My dad introduced me to his music, and when I got given a karaoke machine by my granddad, my cousin and I recorded a load of Elvis tracks. I wish I still had them so I could have a listen.
”
”
One Direction (Dare to Dream: Life as One Direction (100% Official))
“
He loved a book because it was a book; he loved its odor, its form, its title. What he loved in a manuscript was its old illegible date, the bizarre and strange Gothic characters, the heavy gilding which loaded its drawings. It was its pages covered with dust — dust of which he breathed the sweet and tender perfume with delight.
”
”
Gustave Flaubert
“
I sure love to dance.”
“No.”
“Don’t you love to dance with me?”
“What a talent you have for asking loaded questions.
”
”
Thea Harrison (Dragos Takes a Holiday (Elder Races, #6.5))
“
This fact is that the heaviest and more burdensome load ever is neither the cement bag nor the iron rod. It is hatred.
”
”
Israelmore Ayivor (Leaders' Frontpage: Leadership Insights from 21 Martin Luther King Jr. Thoughts)
“
A woman’s strength is unstoppable as she takes on the loads she is given in life. We, as women, shouldn’t ever underestimate our ability. We are warriors, and if it wasn’t for our great strength of perseverance, what would the world be like today?
We have to learn how to put ourselves first. We have to stop cheating ourselves by putting other people’s needs first, and our needs and wants last.
”
”
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
“
Hatred and greed are heavy loads. Your motive, on the other hand, is love. And instead of priding yourselves on your cunning, you recognize how weak you are...so weak that you must depend totally on the Spirit of God.
”
”
Brother Andrew (God's Smuggler)
“
Having read all the shastras and well grounded in them, they grow conceited that they are all knowing, accomplished and worthy of respect; filled with love and hate they presume themselves respectable; they are only packasses esteemed for carrying heavy loads over long distances in difficult and tortuous ways.
”
”
Adi Shankaracharya (ADVAITA BODHA DIPIKA (Spanish Edition))
“
What to do, when a ship carrying a hundred passengers suddenly capsizes and there is only one lifeboat? When the lifeboat is full, those who hate life will try to load it with more people and sink the lot. Those who love and respect life will take the ship's axe and sever the extra hands that cling to the sides.
”
”
Pentti Linkola
“
Women are prepared to suffer for love; it's written into their birth certificates. Women are not prepared to have "everything," not success-type "everything." I mean, not when the "everything" isn't about living happily ever after with the prince (where even if it falls through and the prince runs away with the baby-sitter, there at least a precedent). There's no precedent for women getting their own "everything" and learning that it's not the answer. Especially when you got fame, money, and love by belting out how sad and lonely and beaten you were. Which is only a darker version fo the Hollywood "everything" in which the more vulnerability and ineptness you project onto the screen, the more fame, money, and love they load you with. They'll only give you "everything" if you appear to be totally confused. Which leaves you with very few friends.
”
”
Eve Babitz (Slow Days, Fast Company: The World, the Flesh, and L.A.)
“
Nothing good starts with I hope you'll be happy for me. The phrase is loaded with the unsaid ending because you won't be happy for yourself.
”
”
Ciara Smyth (The Falling in Love Montage)
“
Love the world. Otherwise, you will be forced to carry the heaviest load: your own bitter self.
”
”
Sri Chinmoy
“
I don’t think the world should assume that we are all natural mothers. And it does. I don’t think it’s such a big thing anymore, but the idea that you sacrifice everything for your children—it’s a load of rubbish. It leads to very destructive living and thinking, and it has a much worse effect on children than if you go out and live your own life. You’re meant to adore your children at all times, and you’re not meant to have a bad thought about them. That’s facism, you know, and it’s elevating the child at the expense of the mother. It’s like your life is not valid except in fulfilling this child’s needs. What about all your needs, your desires, your wants, your problems? They’re going to come out anyway, so it’s better they’re acknowledged straight off. Having said that, I really do believe that children have to be protected. They have to be loved. Somewhere between the two, I think, something needs to be sorted out. The relationship between parent and child is so difficult and so complex. There’s every emotion there. We mostly only acknowledge the good ones. If we were allowed to talk about the other ones, maybe it would alleviate them in some way
”
”
Marina Carr
“
...the thing about people is they tend to love us their way, not the way we'd want them to love us. We can tell them loads of times. We can draw them a bloody map. Sometimes their way is the only way that makes sense to them. Our voices are just white noise.
”
”
Amparo Ortiz (Blazewrath Games)
“
We accumulate other’s people debts and make them our own. As we make them our own, their responsibilities fall solely on us. Now is the time to transfer their debt back into their account and let them figure out how they going to pay off their own debt. We, as women, need to realize we are not responsible for other people’s debts, only our own, and we will finally see the load will be a lot lighter. We have to stop making life easy for other people. We give them life, yet they take life from us. We want to live, and it starts with self-fulfillment!
”
”
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
“
Sooner or later, fate puts us together with all the people, one by one, who show us what we could, and shouldn’t, let ourselves become. Sooner or later we meet the drunkard, the waster, the betrayer, the ruthless mind, and the hate-filled heart. But fate loads the dice, of course, because we usually find ourselves loving or pitying almost all of those people. And it’s impossible to despise someone you honestly pity, and to shun someone you truly love.
”
”
Gregory David Roberts (Shantaram)
“
Love is a commitment to cherish another's heart as if it were your own, it is an adventure to seek into all that creates them, it is laying under the stars and dreaming far and wide, it is seeing fear and grabbing each others to face it anyway, it is allowing another to be themselves with out your consent, it is knowing when darkness fills them you don't carry their burden; you just lighten their load. And if your love isn't as beautiful as this, why have you been loving the wrong one for so long?
”
”
Nikki Rowe
“
Love was like a loaded gun. You slid you bullet inside the cold metal chamber as a safeguard for the inevitable day that everything went to shit. At the first sign of trouble, you blew your opponent to pieces, long before their finger found the trigger.
”
”
Christina Lee (All of You (Between Breaths, #1))
“
Katherine stared intently at the cold, hard steel. She knew it would be loaded and that, if need be, there was extra ammunition in the back of the drawer. She would not be one of those girls, the ones who sit idly by and wait for the answers to come to them.
”
”
Gwenn Wright (Filter (The Von Strassenberg Saga, #1))
“
His eyes slink over me. "I forgot to tell you- you look lovely."
Lovely. I want to laugh at his words. "You shouldn't have bothered with the compliment," I say, "I'm many things, and the least impressive of them is lovely."
.... Lovely. What a load of bullshit.
”
”
Laura Thalassa (The Queen of All that Dies (The Fallen World, #1))
“
We are loaded down with too many good things, more than we could ever need, while others are desperate for a small loaf. The good things we cling to are more than money; we hoard our resources, our gifts, our time, our families, out friends....how ludicrous it is to hold on to the abundance God has given us and merely repeat the words 'thank you'.
”
”
Francis Chan (Crazy Love: Overwhelmed by a Relentless God)
“
I always thought that falling in love should feel like jumping from a cliff. A fall that scares you as much as it excites you, that leaves you breathless and wanting more. The impossible kind … that ruins you for everyone else.
This wasn’t it, and my chances of finding it have just become harder. I am not the same girl that I was before. Finding that special guy prepared to carry my load with me, would be one in a million, a fairytale come true, and just maybe, an impossible dream…
”
”
MeChelle Vermeulen (Hurricane Butterfly)
“
What a job, to raise someone from birth to adulthood, bestowing upon them your knowledge and your values and, despite your best intentions, any number of traits you've inherited yourself. What a loaded task, to make every move, every day, in such a way that the impressionable larva-person in your home will see your example, process it into something with herself, and grow layers of muscle and soul over it until she is a fully developed human being. And all the while, the little person you're nurturing is fighting you - spitting out the broccoli, not wearing the helmet, rolling her eyes at your carefully chosen words of advice - and you become constantly worn down even as you pour your energies into loving her.
”
”
Mary Laura Philpott (I Miss You When I Blink: Essays)
“
Brian: I love books
Prof. Morrison: The contents of books, or just owning a whole load of books?
”
”
David Nicholls
“
Do you understand what this passage is saying? When we love, we're free! We don't have to worry about a burdensome load of commands, because when we are loving, we can't sin.
”
”
Francis Chan (Crazy Love: Overwhelmed by a Relentless God)
“
Old Spice
Every Sunday afternoon he dresses in his old army uniform,
tells you the name of every man he killed.
His knuckles are unmarked graves.
Visit him on a Tuesday and he will describe
the body of every woman he could not save.
He’ll say she looked like your mother
and you will feel a storm in your stomach.
Your grandfather is from another generation–
Russian degrees and a school yard Cuban national anthem,
communism and religion. Only music makes him cry now.
He married his first love, her with the long curls down
to the small of her back. Sometimes he would
pull her to him, those curls wrapped around his hand
like rope.
He lives alone now. Frail, a living memory
reclining in a seat, the room orbiting around him.
You visit him but never have anything to say.
When he was your age he was a man.
You retreat into yourself whenever he says your name.
Your mother’s father,
“the almost martyr,
can load a gun under water
in under four seconds.
Even his wedding night was a battlefield.
A Swiss knife, his young bride,
his sobs as he held Italian linen between her legs.
His face is a photograph left out in the sun,
the henna of his beard, the silver of his eyebrows
the wilted handkerchief, the kufi and the cane.
Your grandfather is dying.
He begs you Take me home yaqay,
I just want to see it one last time;
you don’t know how to tell him that it won’t be
anything like the way he left it.
”
”
Warsan Shire (Teaching My Mother How to Give Birth)
“
So rest and relax and grow stronger, Let go and let God share your load, Your work is not finished or ended, You’ve just come to “a bend in the road”.
“When you ask God for a gift, be thankful if He sends, not diamonds, pearls or riches, but the love of real true friends.”
“It takes a Mother’s Love to make a house a home, a place to be remembered, no matter where we roam.”
“When you are in troubled and worried and sick at heart
And your plans are upset and your world falls apart,
Remember God’s ready and waiting to share
The burden you find much to heavy to bear–
So with faith, “Let Go and Let GOD” lead your way.
”
”
Helen Steiner Rice
“
When it rains, it pours but that isn’t a bad thing. Take advantage of the rain as it washes away all of the residues that the side effects left behind. As you confront your side effects, walk with pride, do not turn back, face them head-on. Nothing can faze you now because the rain is clearing your path. After the rain has washed away the side effects, their powers are watered down. Therefore, they can no longer interrupt your peace, kill your joy or steal your happiness.
The side effects’ time has expired. It is time to put an end once and for all to carrying everyone’s dirty load. Leave them where they lie. Let them figure out their own messes and bad decisions.
Take a breather and let it go. I bet the load is so much lighter!
”
”
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
“
Then if we make it to tomorrow, we'll be here to pick up the pieces, and help him carry his load. That's what we do when we love someone: we don't stop them from breaking, we help put them back together.
”
”
Dianna Hardy (Reign Of The Wolf (Eye Of The Storm, #6))
“
I love Lena Horne's "It's not the load that breaks you down. It's the way you carry it."
And Annie Dillard"s roughly remembered: Sometimes you have to just jump off the edge and find your wings on the way down.
”
”
Jeri Parker
“
Raising a child puts you in touch, deeply, inescapably, daily, with some pretty heady issues: What is love and how do we get ours? Why does the world contain evil and pain and loss? How can we discover dignity and tolerance? Who is in power and why? What’s the best way to resolve conflict? If we want to give an AI any major responsibilities, then it will need good answers to these questions. That’s not going to happen by loading the works of Kant into a computer’s memory; it’s going to require the equivalent of good parenting.
”
”
Ted Chiang (The Lifecycle of Software Objects)
“
You should waste it.” “What’s that?” “You should be at the beach, like today. You should get stoned and drunk and have loads of sex.” She takes another drag off her cigarette. “I think the saddest thing in the world is a twenty-five-year-old talking about the stock market. Or taxes. Or real estate, goddamn it! That’s all you’ll talk about when you’re forty. Real estate! Any twenty-five-year-old who says the word refinance should be taken out and shot. Talk about love and music and poetry. Things everyone forgets they ever thought were important. Waste every day, that’s what I say.
”
”
Andrew Sean Greer (Less)
“
This instance in particular proves that beneath all that cool pseudo-academic hogwash lurked a very passionate man who knew how important it was to say "fuck" now and then, and say it loud too, relish its syllabic sweetness, its immigrant pride, a great American epic word really, starting at the lower lip , often the very front of the lower lip, before racing all the way to the back of the throat, where it finishes with a great blast, the concussive force of the K catching up then with the hush of the F already on its way, thus loading it with plenty of offense and edge and certainly ambiguity. FUCK. A great by-the-bootstrap prayer or curse of you prefer, depending on how you look at it, or use it, suited perfectly for hurling at the skies or at the world, or sometimes, if said just right, for uttering with enough love and fire, the woman beside you melts inside herself.
”
”
Mark Z. Danielewski (House of Leaves)
“
Slowly, even though I thought it would never happen, New York lost its charm for me. I remember arriving in the city for the first time, passing with my parents through the First World's Club bouncers at Immigration, getting into a massive cab that didn't have a moment to waste, and falling in love as soon as we shot onto the bridge and I saw Manhattan rise up through the looks of parental terror reflected in the window. I lost my virginity in New York, twice (the second one wanted to believe he was the first so badly). I had my mind blown open by the combination of a liberal arts education and a drug-popping international crowd. I became tough. I had fun. I learned so much.
But now New York was starting to feel empty, a great party that had gone on too long and was showing no sign of ending soon. I had a headache, and I was tired. I'd danced enough. I wanted a quiet conversation with someone who knew what load-shedding was.
”
”
Mohsin Hamid (Moth Smoke)
“
Seems like the world is spinning smooth without a bump or squeak except when love comes in. Then the whole machine just quits like a loud load of wash on imbalance--the buzzer singing to high heave, the danger light flashing.
”
”
Sandra Cisneros
“
Slowly the truth is loading
I'm weighted down with love
Snow lying deep and even
Strung out and dreaming of
Night falling on the city
Quite something to behold
Don't it just look so pretty
This disappearing world
We're threading hope like fire
Down through the desperate blood
Down through the trailing wire
Into the leafless wood
Night falling on the city
Quite something to behold
Don't it just look so pretty
This disappearing world
This disappearing world
I'll be sticking right there with it
I'll be by your side
Sailing like a silver bullet
Hit 'em 'tween the eyes
Through the smoke and rising water
Cross the great divide
Baby till it all feels right
Night falling on the city
Sparkling red and gold
Don't it just look so pretty
This disappearing world"~David Gray
”
”
David Gray
“
But what makes our marriage holy, what makes it “set apart” and sacramental, isn’t the marriage certificate filed away in the basement or the degree to which we follow a list of rules and roles, it’s the way God shows up in those everyday moments—loading the dishwasher, sharing a joke, hosting a meal, enduring an illness, working through a disagreement—and gives us the chance to notice, to pay attention to the divine. It’s the way the God of resurrection makes all things new.
”
”
Rachel Held Evans (Searching for Sunday: Loving, Leaving, and Finding the Church)
“
There is nothing stranger than to love somebody who is mad, or who is intermittently so. The weight, the strain, the anxiety is a heavy load to bear – if only because among these confusional states and hysterias loom dreadful probabilities like suicide or murder. It shakes one’s hold also on one’s own grasp of reality; one realises how precariously we manage
”
”
Lawrence Durrell (The Avignon Quintet: Monsieur, Livia, Constance, Sebastian, and Quinx)
“
With all due respect to those people, I think that theory is a load of bullshit. Whatever talents I have, I almost squandered until a handful of loving people rescued me. That
”
”
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
“
Love your neighbor... and in doing so, do it as you love yourself! Take up the loads that will cause your neighbor a neck pain; don't put a heavy cross over his/her neck!
”
”
Israelmore Ayivor (The Great Hand Book of Quotes)
“
That’s all love is, when you strip it down to the bare bones. A loaded gun to the temple with someone else’s finger on the trigger.
”
”
Laura Mauro (Sing Your Sadness Deep)
“
You were talking as if I owed you something. I wouldn’t ever make you feel less than a human being. I always carried your load, your burden, and I always gave you a hand when you needed one or both of them. I never judged you, but you judged me.
”
”
Charlena E. Jackson (The Stars Choose Our Lovers)
“
It's like Goguenar's Fourth General Unkillable Fact says: Everyone's always saying love is the element that binds the universe together, but that's a load of bollocks; It's convenience.
”
”
Catherynne M. Valente (Space Opera (Space Opera, #1))
“
We shouldn’t pray for a lighter load to carry, but a stronger back to endure! Then the world will see that God is with us, empowering us to live in a way that reflects his love and power.
”
”
Paul Hattaway (The Heavenly Man: The remarkable true story of Chinese Christian Brother Yun)
“
Helpers carry a heavy load, they listen, love, cry, and often go into the depths of others’ pain. They sometimes enter darkness that no person should have to step into: the darkness of the abuse of a child, of mental health, of our cultural propensity to sit back and do nothing about it. They bear this each day.
”
”
Jenn Bruer (Helping Effortlessly: A Book of Inspiration and Healing)
“
Love was like a loaded gun. You slid your bullet inside the cold metal chamber as a safeguard for the inevitable day that everything went to shit. At the first sign of trouble, you blew your opponent to pieces, long before their finger found the trigger.
”
”
Christina Lee
“
For the first time in my life, it occurred to me that perhaps I was asking too much of love. Or, at least, perhaps I was asking too much of marriage. Perhaps I was loading a far heavier cargo of expectation onto the creaky old boat of matrimony than that strange vessel had ever been built to accommodate in the first place.
”
”
Elizabeth Gilbert (Committed: A Sceptic Makes Peace With Marriage)
“
Love is the feeling we have for those we care deeply about and hold in high regard. It can be light as the hug we give a friend or heavy as the sacrifices we make for our children. It can be romantic, platonic, familial, fleeting, everlasting, conditional, unconditional, imbued with sorrow, stoked by sex, sullied by abuse, amplified by kindness, twisted by betrayal, deepened by time, darkened by difficulty, leavened by generosity, nourished by humor, and “loaded with promises and commitments” that we may or may not want or keep.
”
”
Cheryl Strayed (Tiny Beautiful Things: Advice on Love and Life from Dear Sugar)
“
For when a woman resists an unwelcome passion, she is obeying to the full the law of her sex; the initial gesture of refusal is, so to speak, a primordial instinct in every female, and even if she rejects the most ardent passion she cannot be called inhuman. But how disastrous it is when fate upsets the balance, when a woman so far overcomes her natural modesty as to disclose her passion to a man, when, without the certainty of its being reciprocated, she offers her love, and he, the wooed, remains cold and on the defensive! An insoluble tangle this, always; for not to return a woman's love is to shatter her pride, to violate her modesty. The man who rejects a woman's advances is bound to wound her in her noblest feelings. In vain, then, all the tenderness with which he extricates himself, useless all his polite, evasive phrases, insulting all his offers of mere friendship, once she has revealed her weakness! His resistance inevitably becomes cruelty, and in rejecting a woman's love he takes a load of guild upon his conscience, guiltless though he may be. Abominable fetters that can never be cast off!
”
”
Stefan Zweig (Beware of Pity)
“
If you're reading this and you think that maybe you could love someone of the same gender (or nongender), all I have to say to you is this: Congratulations! You're perfect and wonderful and more alive than you ever knew. Be proud of who you are because you're already more than enough.
”
”
Hannah Hart (Buffering: Unshared Tales of a Life Fully Loaded)
“
I was an atheist until I realized I was god. What happens if you get scared to death >twice. National sarcasm society:like we need your support.some girls wear Prada some girls we're glock 17 short recoil spring loaded semiautomatic pistols with a loaded chamber indicator and a nonstop drip.
”
”
Darynda Jones (Second Grave on the Left (Charley Davidson, #2))
“
You’ll recognize those men, the ones inclined to their dark side, because they’ll expect you to carry their load. They’ll smother your anger with their pain, they’ll make you doubt yourself, and they’ll tell you they love you the whole time.
”
”
Jess Lourey (The Quarry Girls)
“
Liturgy,” as I’m using the word, is a shorthand term for those rituals that are loaded with an ultimate Story about who we are and what we’re for. They carry within them a kind of ultimate orientation. To return to our metaphor above, think of these liturgies as calibration technologies: they bend the needle of our hearts.
”
”
James K.A. Smith (You Are What You Love: The Spiritual Power of Habit)
“
Theft is punished by Your law, O Lord, and by the law written in men's hearts, which iniquity itself cannot blot out. For what thief will suffer a thief? Even a rich thief will not suffer him who is driven to it by want. Yet had I a desire to commit robbery, and did so, compelled neither by hunger, nor poverty through a distaste for well-doing, and a lustiness of iniquity. For I pilfered that of which I had already sufficient, and much better. Nor did I desire to enjoy what I pilfered, but the theft and sin itself. There was a pear-tree close to our vineyard, heavily laden with fruit, which was tempting neither for its colour nor its flavour. To shake and rob this some of us wanton young fellows went, late one night (having, according to our disgraceful habit, prolonged our games in the streets until then), and carried away great loads, not to eat ourselves, but to fling to the very swine, having only eaten some of them; and to do this pleased us all the more because it was not permitted.Behold my heart, O my God; behold my heart, which You had pity upon when in the bottomless pit. Behold, now, let my heart tell You what it was seeking there, that I should be gratuitously wanton, having no inducement to evil but the evil itself. It was foul, and I loved it. I loved to perish. I loved my own error— not that for which I erred, but the error itself. Base soul, falling from Your firmament to utter destruction— not seeking anything through the shame but the shame itself!
”
”
Augustine of Hippo (Confessions)
“
The Mania Speaks
You clumsy bootlegger. Little daffodil.
I watered you with an ocean and you plucked one little vein?
Downed a couple bottles of pills and got yourself carted off to the ER?
I gifted you the will of gunpowder, a matchstick tongue, and all you managed
was a shredded sweater and a police warning?
You should be legend by now.
Girl in an orange jumpsuit, a headline.
I built you from the purest napalm, fed you wine and bourbon.
Preened you in the dark, hammered lullabies into your thin skull.
I painted over the walls, wrote the poems. I shook your goddamn boots.
Now you want out? Think you’ll wrestle me out of you with prescriptions?
A good man’s good love and some breathing exercises?
You think I can’t tame that? I always come home. Always.
Ravenous. Loaded. You know better than anybody:
I’m bigger than God.
”
”
Jeanann Verlee (Said the Manic to the Muse)
“
When John left the band, I resented him for not being my friend and for abandoning our musical comradeship. But all the time that he was out of the band and going through his anguish, I prayed for him constantly. From going to meetings I'd learned that one of the reasons that alcoholics get loaded is because they harbor resentments. One of the techniques they teach to get rid of a resentment toward somebody is to pray for him or her to get everything that you want for yourself in life-to be loved, to be successful, to be healthy, to be rich, to be wonderful, to be happy, to be alive with the light and the love of the universe. It's a paradox, but it works. You sit there and pray for the person you can't stand to get everything on earth that you would want for yourself, and one day you're like 'I don't feel anything bad toward this person.
”
”
Anthony Kiedis (Scar Tissue)
“
The old man kept going about how he could never keep her home, how she loved to roam. He said she should have been a sheep in the foothills of Scotland. Now if that wasn't a load of shit I don't know what is. I'll tell you why that sheep roamed. The fences around here was held up with goddamn binder twine and half-assed prayers. That's why.
”
”
Susan Juby (Home to Woefield (Woefield, #1))
“
The Power of the Dog
by Rudyard Kipling
There is sorrow enough in the natural way
From men and women to fill our day;
And when we are certain of sorrow in store,
Why do we always arrange for more?
Brothers and Sisters, I bid you beware
Of giving your heart to a dog to tear.
Buy a pup and your money will buy
Love unflinching that cannot lie--
Perfect passion and worship fed
By a kick in the ribs or a pat on the head.
Nevertheless it is hardly fair
To risk your heart for a dog to tear.
When the fourteen years which Nature permits
Are closing in asthma, or tumour, or fits,
And the vet's unspoken prescription runs
To lethal chambers or loaded guns,
Then you will find--it's your own affair--
But ... you've given your heart to a dog to tear.
When the body that lived at your single will,
With its whimper of welcome, is stilled (how still!).
When the spirit that answered your every mood
Is gone--wherever it goes--for good,
You will discover how much you care,
And will give your heart to a dog to tear.
We've sorrow enough in the natural way,
When it comes to burying Christian clay.
Our loves are not given, but only lent,
At compound interest of cent per cent.
Though it is not always the case, I believe,
That the longer we've kept 'em, the more do we grieve:
For, when debts are payable, right or wrong,
A short-time loan is as bad as a long--
So why in--Heaven (before we are there)
Should we give our hearts to a dog to tear?
”
”
Rudyard Kipling (Collected Dog Stories)
“
At some point, to counter the list of the dead, I had begun keeping my own list of the living. It was something I noticed Len Fenerman did too. When he was off duty he would note the young girls and elderly women and every other female in the rainbow in between and count them among the things that sustained him. The young girl in the mall whose pale legs had grown too long for her now too-young dress and who had an aching vulnerability that went straight to both Len's and my own heart. Elderly women, wobbling with walkers, who insisted on dyeing their hair unnatural versions of the colors they had in youth. Middle-aged single mothers racing around in grocery stores while their children pulled bags of candy off the shelves. When I saw them, I took count. Living, breathing women. Sometimes I saw the wounded- those who had been beaten by husbands or raped by strangers, children raped by their fathers- and I would wish to intervene somehow.
Len saw these wounded women all the time. They were regulars at the station, but even when he went somewhere outside his jurisdiction he could sense them when they came near. The wife in that bait-'n'-tackle shop had no bruises on her face but cowered like a dog and spoke in apologetic whispers. The girl he saw walk the road each time he went upstate to visit his sisters. As the years passed she'd grown leaner, the fat from her cheeks had drained, and sorrow had loaded her eyes in a way that made them hang heavy and hopeless inside her mallowed skin. When she was not there it worried him. When she was there it both depressed and revived him.
~Len Fenerman on stepping back/letting go/giving up
pgs 271-272
”
”
Alice Sebold (The Lovely Bones)
“
Can we talk now?” she asked.
“Nay, we need to . . . load the dishwasher.” He padded into the kitchen and took his time rinsing everything in the sink before stacking it into the machine. He even scrubbed the pot he’d warmed the soup in.
When he closed the dishwasher, she was waiting there, holding a mop.
She offered it to him. “Do you want to clean the floors now? And sweep the porch? I think the antlers on the moose head need polishing.
”
”
Kerrelyn Sparks (Vampire Mine (Love at Stake, #10))
“
He, Jeff, and Troy Lee carried Super Soakers loaded with Grandma Lee's Vampire Cat Remedy, other Animals had garden sprayers slung on their backs, except for Gustavo, who thought that making him carry a garden sprayer was racial stereotyping. Gustavo had a flame thrower. He wouldn't say where he got it.
"Second Amendment, cabrones." (The guy who sold Gustavo his green card had included two amendments from the Bill of Rights and Gustavo had chosen Two and Four, the right to bear arms and freedom from unreasonable search and seizure. [His sister Estrella had had seizures as a child. No bueno.] For five bucks extra he threw in the Third Amendment, which Gustavo bought because he was already sharing a three-bedroom house in Richmond with nineteen cousins and they didn't have any room to quarter soldiers.)
”
”
Christopher Moore (Bite Me (A Love Story, #3))
“
She’s a nice girl. Not my type.” “You don’t like them nice?” He had another cigarette going. The smoke was being fanned away from his face by his hand. “I like smooth shiny girls, hardboiled and loaded with sin.” “They take you to the cleaners,” Randall said indifferently.
”
”
Raymond Chandler (Farewell, My Lovely (Philip Marlowe, #2))
“
Fathers of the fatherless son and daughters, your children want to see you, your children want to spend time with you, your children want you to be a part of their lives. You all are too focused on what you “think” you should be doing to benefit the mother. Let it be known, you are not doing the mother of your children any favors. The mother of your children is the one who is pulling the entire ship; it would be nice if you all jump on board to share the load.
”
”
Charlena E. Jackson (Dear fathers of the fatherless children)
“
So will your father object to me? Because I'm not American? I mean, not fully American? He's not one of those mad, patriotic nuts,is he?"
"No.He'll love you,because you make me happy.He's not always so bad."
St. Clair raises his dark eyebrows.
"I know! But I said not always. He still is the majority of the time.It's just...he means well. He thought he was doing good,sending me here."
"And was it? Good?"
"Look at you,fishing for compliments."
"I wouldn't object to a compliment."
I play with a strand of his hair. "I like how you pronounce 'banana.' Ba-nah-na. And sometimes you trill your r's. I love that."
"Brilliant," he whispers in my ear. "Because I've spent loads of time practicing."
My room is dark,and Etienne wraps his arms back around me.We listen to the opera singer in a peaceful silence.I'm surprised by how much I'll miss France. Atlanta was home for almost eighteen years,and though I've only know Paris for the last nine months,it's changed me.I have a new city to learn next year,but I'm not scared.
Because I was right.For the two of us, home isn't a place.It's a person.
And we're finally home.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
Long enshrined traditions around communion aside, there are always folks who fancy themselves bouncers to the heavenly banquet, charged with keeping the wrong people away from the table and out of the church. Evangelicalism in particular has seen a resurgence in border patrol Christianity in recent years, as alliances and coalitions formed around shared theological distinctives elevate secondary issues to primary ones and declare anyone who fails to conform to their strict set of beliefs and behaviors unfit for Christian fellowship. Committed to purifying the church of every errant thought, difference of opinion, or variation in practice, these self-appointed gatekeepers tie up heavy loads of legalistic rules and place them on weary people’s shoulders. They strain out the gnats in everyone else’s theology while swallowing their own camel-sized inconsistencies. They slam the door of the kingdom in people’s faces and tell them to come back when they are sober, back on their feet, Republican, Reformed, doubtless, submissive, straight.
”
”
Rachel Held Evans (Searching for Sunday: Loving, Leaving, and Finding the Church)
“
Slow to anger.” The Hebrew phrase is literally “long of nostrils.” Picture an angry bull, pawing the ground, breathing loudly, nostrils flared. That would be, so to speak, “short-nosed.” But the Lord is long-nosed. He doesn’t have his finger on the trigger. It takes much accumulated provoking to draw out his ire. Unlike us, who are often emotional dams ready to break, God can put up with a lot. This is why the Old Testament speaks of God being “provoked to anger” by his people dozens of times (especially in Deuteronomy; 1–2 Kings; and Jeremiah). But not once are we told that God is “provoked to love” or “provoked to mercy.” His anger requires provocation; his mercy is pent up, ready to gush forth. We tend to think: divine anger is pent up, spring-loaded; divine mercy is slow to build. It’s just the opposite. Divine mercy is ready to burst forth at the slightest prick.
”
”
Dane C. Ortlund (Gentle and Lowly: The Heart of Christ for Sinners and Sufferers)
“
Life is just like the game of poker, you never know what cards you will get. Sitting against the people, you can either win with the king or live on a joker. Many times in life you are forced to play the blind bet, and achieve overwhelming success, with loads of cash in your pocket or you may reach disastrous conclusions, losing everything you have got.
That’s the reason I love playing poker.
”
”
Prerna Varma (The Dumb and the Dumbfounded)
“
...smile upon those that are downhearted and sad; lift the load from those that find theirs too heavy to bear, in gentleness, in kindness, in long-suffering, in patience, in mercy, in brotherly love. And as ye show forth these to thy fellow man, the ways and the gates of glory open before thee.
”
”
Edgar Evans Cayce
“
My love is like a powder keg
My love is like a powder keg in the corner of an empty warehouse
Somewhere just outside of town
About to burn down
My love is like a Cuban plane
My love is like a Cuban plane flying from Havana
Up the Florida coast to the 'Glades
Soviet made
Our love is like the border between Greece and Albania
Our love is like the border between Greece and Albania
Trucks loaded down with weapons
Crossing over every night
Moon yellow and bright
There is a shortage in the blood supply
But there is no shortage of blood
The way I feel about you baby can't explain it
You got the best of my love
”
”
John Darnielle
“
The path to accepting your sexuality has to start somewhere. For those identify as heterosexual, the childhood bliss of an early crush is typically encouraged and praised. Milestones such as your first date and the prom are celebrated by parents and friends.
But when you’re anything other than straight, it’s more complicated; your growth gets shrouded and stunted. That’s why a lot of queer people, when they fall in love and get into a relationship for the first time, revert to a kind of prepubescent puppy love: spontaneous, impulsive, obsessive, and ecstatic. I’ve heard many people express annoyance at friends who “just came out and it’s totally cool and whatever, but do they have to talk about it all the time?” My answer to that is “Yes. Yes, they do. Don’t you remember puppy love? Well, imagine if you had to hide it for twenty years. So yeah, if they wanna gush about it, let them gush. There’s a first time for everything.
”
”
Hannah Hart (Buffering: Unshared Tales of a Life Fully Loaded)
“
If you get nothing else from this letter, understand that I never knew how to love. I dreamed of it, but I never experienced it. What I knew was pain. So that's what I gave you. I'd never seen a black life free from it, so my job as a father, I assumed, was to prepare your back for the load. I hope that, after you read this, you'll return my pain to me. But you might not. We get used to it, the weight of the pain, and when it threatens to go, we sometimes hold on to it for dear life. But there's no joy while it lingers near.
”
”
Daniel Black (Don't Cry for Me)
“
Don't you feel as though you could love everything starting tomorrow, and everything could love you, if only you took an action to set into motion the coming of our new tomorrow and its tomorrow and that one's tomorrow? Shotgun loaded hand on the pump and no matter who you damage you're still a false prophet, but we drink chocolate milk and then we get muscles and smash down the droves with fists like hammers and then we pump the fists in the air for victory. I be the prophet of the doom that is you. You are the mess in messiah.
”
”
Adam Levin (The Instructions)
“
We hope you enjoy your visit! Maybe if things were different, maybe if one of you weren’t about to leave the city for good, you could come here again sometime. Maybe this could become something special, something bigger than just a thing you tried once because, hey, why not? But on the other hand, it’s probably best not to think about it too much. Just enjoy this for what it is. You’ve still got the boat ride back to Manhattan to look forward to, and if you load yourself up with too many might-have-beens, the ferry will sink under all that weight.
”
”
Raphael Bob-Waksberg (Someone Who Will Love You in All Your Damaged Glory)
“
Mark Arm: [On discussing not being on drugs] Kurt was just fuckin' loaded on pills, and I said something like, "You just gotta want to do it bad enough." What I regret not saying is, "You need to dump your junkie wife, because you're not going to be able to do this while you're in a partnership with someone who's also an enthusiast.
”
”
Mark Yarm (Everybody Loves Our Town: An Oral History of Grunge)
“
But you sent off that Flounder fellow," Loki said, and I rolled my eyes.
"His name is Finn, and I know you know that," I said as I left the room. Loki grabbed the vacuum and followed me. "You called him by his name this morning."
"Fine, I know his name," Loki admitted. We went into the next room, and he set down the vacuum as I started peeling the dusty blankets off the bed. "But you were okay with Finn going off to Oslinna, but not Duncan?"
"Finn can handle himself," I said tersely. The bedding got stuck on a corner, and Loki came over to help me free it. Once he had, I smiled thinly at him. "Thank you."
"But I know you had a soft spot for Finn," Loki continued.
"My feelings for him have no bearing on his ability to do his job."
I tossed the dirty blankets at Loki. He caught them easily before setting them down by the door, presumably for Duncan to take to the laundry chute again.
"I've never understood exactly what your relationship with him was, anyway," Loki said. I'd started putting new sheets on the bed, and he went around to the other side to help me. "Were you two dating?"
"No." I shook my head. "We never dated. We were never anything."
I continued to pull on the sheets, but Loki stopped, watching me. "I don't know if that's a lie or not, but I do know that he was never good enough for you."
"But I suppose you think you are?" I asked with a sarcastic laugh.
"No, of course I'm not good enough for you," Loki said, and I lifted my head to look up at him, surprised by his response. "But I at least try to be good enough."
"You think Finn doesn't?" I asked, standing up straight.
"Every time I've seen him around you, he's telling you what to do, pushing you around." He shook his head and went back to making the bed. "He wants to love you, I think, but he can't. He won't let himself, or he's incapable. And he never will."
The truth of his words stung harder than I'd thought they would, and I swallowed hard.
"And obviously, you need someone that loves you," Loki continued. "You love fiercely, with all your being. And you need someone that loves you the same. More than duty or the monarchy or the kingdom. More than himself even."
He looked up at me then, his eyes meeting mine, darkly serious. My heart pounded in my chest, the fresh heartache replaced with something new, something warmer that made it hard for me to breathe.
"But you're wrong." I shook my head. "I don't deserve that much."
"On the contrary, Wendy." Loki smiled honestly, and it stirred something inside me. "You deserve all the love a man has to give."
I wanted to laugh or blush or look away, but I couldn't. I was frozen in a moment with Loki, finding myself feeling things for him I didn't think I could ever feel for anyone else.
"I don't know how much more laundry we can fit down the chute," Duncan said as he came back in the room, interrupting the moment.
I looked away from Loki quickly and grabbed the vacuum cleaner.
"Just get as much down there as you can," I told Duncan.
"I'll try." He scooped up another load of bedding to send downstairs.
Once he'd gone, I glanced back at Loki, but, based on the grin on his face, I'd say his earlier seriousness was gone.
"You know, Princess, instead of making that bed, we could close the door and have a roll around in it." Loki wagged his eyebrows. "What do you say?"
Rolling my eyes, I turned on the vacuum cleaner to drown out the conversation.
"I'll take that as a maybe later!" Loki shouted over it.
”
”
Amanda Hocking (Ascend (Trylle, #3))
“
You made me feel like shit—pure shit on the bottom of your shoe. I felt like you had no respect for me. You were talking as if I owed you something. I wouldn’t ever make you feel less than a human being. I always carried your load, your burden, and I always gave you a hand when you needed one or both of them. I never judged you, but you judged me.
”
”
Charlena E. Jackson (The Stars Choose Our Lovers)
“
I did not reach thee,
But my feet slip nearer every day;
Three Rivers and a Hill to cross,
One Desert and a Sea—
I shall not count the journey one
When I am telling thee.
Two deserts—but the year is cold
So that will help the sand—
One desert crossed, the second one
Will feel as cool as land.
Sahara is too little price
To pay for thy Right hand!
The sea comes last. Step merry, feet!
So short have we to go
To play together we are prone,
But we must labor now,
The last shall be the lightest load
That we have had to draw.
The Sun goes crooked—that is night—
Before he makes the bend
We must have passed the middle sea,
Almost we wish the end
Were further off—too great it seems
So near the Whole to stand.
We step like plush, we stand like snow—
The waters murmur now,
Three rivers and the hill are passed,
Two deserts and the sea!
Now Death usurps my premium
And gets the look at Thee.
”
”
Emily Dickinson
“
Dear Fathers of the Fatherless Children, The Chief Guardian dives deep and pulls strength from all the hardships and struggles that are thrown at her, yet she is blamed for everything that has gone wrong. Not only is she blamed for everything, but she is also always judged by her actions. As she’s being blamed and judged she’s always given a shitty stick and dealt an unfair hand. How is that fair to the Chief Guardian? She is the one who has to carry the load when she doesn’t have any fight left. She is the one who has to figure every burden out, without any help from the fathers of the fatherless children. Yet she finds the courage to figure it out as she keeps pushing and moving on through the pain.
”
”
Charlena E. Jackson (Dear fathers of the fatherless children)
“
I will have a deeper and personal relationship with my life. I will not have a casual fling with my life. I will find peace in that. I want to contribute to the world around me. Casual debauchery is not fulfilling. I want to send good messages and good meanings along the way. The journey is about spreading love and understanding. Not using each other. Not distraction. Tools for presence in life. I want to bond with like-minded people who echo my appreciation and awareness for them.
”
”
Hannah Hart (Buffering: Unshared Tales of a Life Fully Loaded)
“
I've suffered from anxieties like these as far back as I can remember, and I will suffer from them as long as any creature is entrusted to me. Sometimes, long before the wall existed, I wished I was dead, so that I could finally cast off my burden. I always kept quiet about this heavy load; a man wouldn't have understood, and the women felt exactly the same way as I did. And so we preferred to chat about clothes, friends and the theater and laugh, keeping our secret, consuming worry in our eyes. Each of us knew about it, and that's why we never discussed it. That was the price we paid for our ability to love.
”
”
Marlen Haushofer (The Wall)
“
What rhymes with insensitive?” I tap my pen on the kitchen table, beyond frustrated with my current task. Who knew rhyming was so fucking difficult?
Garrett, who’s dicing onions at the counter, glances over. “Sensitive,” he says helpfully.
“Yes, G, I’ll be sure to rhyme insensitive with sensitive. Gold star for you.”
On the other side of the kitchen, Tucker finishes loading the dishwasher and turns to frown at me. “What the hell are you doing over there, anyway? You’ve been scribbling on that notepad for the past hour.”
“I’m writing a love poem,” I answer without thinking. Then I slam my lips together, realizing what I’ve done.
Dead silence crashes over the kitchen.
Garrett and Tucker exchange a look. An extremely long look. Then, perfectly synchronized, their heads shift in my direction, and they stare at me as if I’ve just escaped from a mental institution. I may as well have. There’s no other reason for why I’m voluntarily writing poetry right now. And that’s not even the craziest item on Grace’s list.
That’s right. I said it. List. The little brat texted me not one, not two, but six tasks to complete before she agrees to a date. Or maybe gestures is a better way to phrase it...
“I just have one question,” Garrett starts.
“Really?” Tuck says. “Because I have many.”
Sighing, I put my pen down. “Go ahead. Get it out of your systems.”
Garrett crosses his arms. “This is for a chick, right? Because if you’re doing it for funsies, then that’s just plain weird.”
“It’s for Grace,” I reply through clenched teeth.
My best friend nods solemnly.
Then he keels over. Asshole. I scowl as he clutches his side, his broad back shuddering with each bellowing laugh. And even while racked with laughter, he manages to pull his phone from his pocket and start typing.
“What are you doing?” I demand.
“Texting Wellsy. She needs to know this.”
“I hate you.”
I’m so busy glaring at Garrett that I don’t notice what Tucker’s up to until it’s too late. He snatches the notepad from the table, studies it, and hoots loudly. “Holy shit. G, he rhymed jackass with Cutlass.”
“Cutlass?” Garrett wheezes. “Like the sword?”
“The car,” I mutter. “I was comparing her lips to this cherry-red Cutlass I fixed up when I was a kid. Drawing on my own experience, that kind of thing.”
Tucker shakes his head in exasperation. “You should have compared them to cherries, dumbass.”
He’s right. I should have. I’m a terrible poet and I do know it.
“Hey,” I say as inspiration strikes. “What if I steal the words to “Amazing Grace”? I can change it to…um…Terrific Grace.”
“Yup,” Garrett cracks. “Pure gold right there. Terrific Grace.”
I ponder the next line. “How sweet…”
“Your ass,” Tucker supplies.
Garrett snorts. “Brilliant minds at work. Terrific Grace, how sweet your ass.” He types on his phone again.
“Jesus Christ, will you quit dictating this conversation to Hannah?” I grumble. “Bros before hos, dude.”
“Call my girlfriend a ho one more time and you won’t have a bro.”
Tucker chuckles. “Seriously, why are you writing poetry for this chick?”
“Because I’m trying to win her back. This is one of her requirements.”
That gets Garrett’s attention. He perks up, phone poised in hand as he asks, “What are the other ones?”
“None of your fucking business.”
“Golly gee, if you do half as good a job on those as you’re doing with this epic poem, then you’ll get her back in no time!”
I give him the finger. “Sarcasm not appreciated.” Then I swipe the notepad from Tuck’s hand and head for the doorway. “PS? Next time either of you need to score points with your ladies? Don’t ask me for help. Jackasses.”
Their wild laughter follows me all the way upstairs. I duck into my room and kick the door shut, then spend the next hour typing up the sorriest excuse for poetry on my laptop. Jesus. I’m putting more effort into this damn poem than for my actual classes.
”
”
Elle Kennedy (The Mistake (Off-Campus, #2))
“
This is your captain speaking, so stop whatever you’re doing and pay attention. First of all I see from our instruments that we have a couple of hitchhikers aboard. Hello, wherever you are. I just want to make it totally clear that you are not at all welcome. I worked hard to get where I am today, and I didn’t become captain of a Vogon constructor ship simply so I could turn it into a taxi service for a load of degenerate freeloaders. I have sent out a search party, and as soon as they find you I will put you off the ship. If you’re very lucky I might read you some of my poetry first. “Secondly, we are about to jump into hyperspace for the journey to Barnard’s Star. On arrival we will stay in dock for a seventy-two-hour refit, and no one’s to leave the ship during that time. I repeat, all planet leave is canceled. I’ve just had an unhappy love affair, so I don’t see why anybody else should have a good time. Message ends.
”
”
Douglas Adams (The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide, #1))
“
They hang around, hitting on your friends
or else you never hear from them again.
They call when they’re drunk, or finally get sober,
they’re passing through town and want dinner,
they take your hand across the table, kiss you
when you come back from the bathroom.
They were your loves, your victims,
your good dogs or bad boys, and they’re over
you now. One writes a book in which a woman
who sounds suspiciously like you
is the first to be sadistically dismembered
by a serial killer. They’re getting married
and want you to be the first to know,
or they’ve been fired and need a loan,
their new girlfriend hates you,
they say they don’t miss you but show up
in your dreams, calling to you from the shoe boxes
where they’re buried in rows in your basement.
Some nights you find one floating into bed with you,
propped on an elbow, giving you a look
of fascination, a look that says I can’t believe
I’ve found you. It’s the same way
your current boyfriend gazed at you last night,
before he pulled the plug on the tiny white lights
above the bed, and moved against you in the dark
broken occasionally by the faint restless arcs
of headlights from the freeway’s passing trucks,
the big rigs that travel and travel,
hauling their loads between cities, warehouses,
following the familiar routes of their loneliness.
”
”
Kim Addonizio
“
He's not your type."
Peabody's face clouded exactly as it had when Eve had rejected the perfume. "How come - I like looking at his type."
"Sure, but try to have a conversation with him." Eve dipped her hands in her pockets and rocked back on her heels. "Guy's in love with himself and figures every woman who gets a load of him has to go moony eyed - just like you're doing. He'd bore you to death in ten minutes because all he'd talk about is himself - how he looks, what he does, what he likes. You'd just be his latest accessory."
Peabody considered, watching as the gold-tipped Adonis posed at the check-in counter. "Okay, so we won't bother to talk. We'll just have sex."
"He'd be a lousy lay - wouldn't give a damn if you got off or not."
"I'm getting off just looking at him." But she sighed when he took out a small silver-backed mirror and examined his face with obvious delight. "It's times like this I hate it when you're right.
”
”
J.D. Robb (Holiday in Death (In Death, #7))
“
When no one is watching Mother Earth, and most of the time no one is, she sings softly to herself.
Certainly no one is watching after her, to the point where she's now calling herself M. Earth, using her first initial only, like the early women writers who did not want their work to be automatically dismissed because of their gender disadvantage. Though she is grand, M. Earth is feeling, perhaps, overly feminine, and therefore vulnerable. Don't even mention the word Gaia; it's such a projection! She thinks she could benefit from a more macho profile, a little kick-ass to make her point. Perhaps a little masculine detachment would be helpful, or a thicker skin. Because, frankly, she's been trampled, poisoned, stripped bare, robbed blind, and blamed for just about everything that's come down the pike. And like all mothers, everyone just assumes she'll always be there for them with open, loving arms, and a cup of hot cocoa. That it will be her pleasure to feed them, lick their wounds, and clean a load or two of their dirty laundry. She's looking for a little more respect.
”
”
Sharon Weil (Donny and Ursula Save the World)
“
One more item slipped out of the bag. It was the metal identification tag from Maureen's cremation, the one I had burned with her just a few weeks before. These tags say with the body through the whole cremation, and leave stuck in with the ashes, which is how sacks of cremated remains found in old storage lockers and attics can still be identified years later. The tag I found was identical (except for the ID number) to the one I was putting in with Matthew now. I imagined his hands sinking into the grey mulch of Maureen's bones and finding the tag. I imagined him pulling the tag out and brushing the dusty metal against his cheek. It was a bizarre honor to have been a part of their last private moment together, the last act of their love story.
I cried (sobbed, if we're being honest) standing over Matthew's body, moments before it was loaded into the chamber. Even if all we love will die, I still ached for a love like theirs, to be adored so completely. Had not Disney guaranteed all of us such an ending?
”
”
Caitlin Doughty (Smoke Gets in Your Eyes & Other Lessons from the Crematory)
“
If we are transplants, we say we came to New York for its "energy," but the truth is, that energy doesn't come from the streets or the stores or the buzzy power-lunch restaurants. It's not here because of the subways or the block parties or the Puerto Rican Day Parade. We brought it here. It's just the collective energy of us—the by-product and the fumes of the ambition we lugged with us when we came. Ambition: our bright bird-dream and our heavy load.
”
”
Rayhane Sanders (Goodbye to All That: Writers on Loving and Leaving New York)
“
Come, Paul!" she reiterated, her eye grazing me with its hard ray like a steel stylet. She pushed against her kinsman. I thought he receded; I thought he would go. Pierced deeper than I could endure, made now to feel what defied suppression, I cried -
"My heart will break!"
What I felt seemed literal heart-break; but the seal of another fountain yielded under the strain: one breath from M. Paul, the whisper, "Trust me!" lifted a load, opened an outlet. With many a deep sob, with thrilling, with icy shiver, with strong trembling, and yet with relief - I wept.
"Leave her to me; it is a crisis: I will give her a cordial, and it will pass," said the calm Madame Beck.
To be left to her and her cordial seemed to me something like being left to the poisoner and her bowl. When M. Paul answered deeply, harshly, and briefly - "Laissez-moi!" in the grim sound I felt a music strange, strong, but life-giving.
"Laissez-moi!" he repeated, his nostrils opening, and his facial muscles all quivering as he spoke.
"But this will never do," said Madame, with sternness. More sternly rejoined her kinsman -
"Sortez d'ici!"
"I will send for Père Silas: on the spot I will send for him," she threatened pertinaciously.
"Femme!" cried the Professor, not now in his deep tones, but in his highest and most excited key, "Femme! sortez à l'instant!"
He was roused, and I loved him in his wrath with a passion beyond what I had yet felt.
"What you do is wrong," pursued Madame; "it is an act characteristic of men of your unreliable, imaginative temperament; a step impulsive, injudicious, inconsistent - a proceeding vexatious, and not estimable in the view of persons of steadier and more resolute character."
"You know not what I have of steady and resolute in me," said he, "but you shall see; the event shall teach you. Modeste," he continued less fiercely, "be gentle, be pitying, be a woman; look at this poor face, and relent. You know I am your friend, and the friend of your friends; in spite of your taunts, you well and deeply know I may be trusted. Of sacrificing myself I made no difficulty but my heart is pained by what I see; it must have and give solace. Leave me!"
This time, in the "leave me" there was an intonation so bitter and so imperative, I wondered that even Madame Beck herself could for one moment delay obedience; but she stood firm; she gazed upon him dauntless; she met his eye, forbidding and fixed as stone. She was opening her lips to retort; I saw over all M. Paul's face a quick rising light and fire; I can hardly tell how he managed the movement; it did not seem violent; it kept the form of courtesy; he gave his hand; it scarce touched her I thought; she ran, she whirled from the room; she was gone, and the door shut, in one second.
The flash of passion was all over very soon. He smiled as he told me to wipe my eyes; he waited quietly till I was calm, dropping from time to time a stilling, solacing word. Ere long I sat beside him once more myself - re-assured, not desperate, nor yet desolate; not friendless, not hopeless, not sick of life, and seeking death.
"It made you very sad then to lose your friend?" said he.
"It kills me to be forgotten, Monsieur," I said.
”
”
Charlotte Brontë (Villette)
“
One day about a month ago, I really hit bottom. You know, I just felt that in a Godless universe, I didn't want to go on living. Now I happen to own this rifle, which I loaded, believe it or not, and pressed it to my forehead. And I remember thinking, at the time, I'm gonna kill myself. Then I thought, what if I'm wrong? What if there is a God? I mean, after all, nobody really knows that. But then I thought, no, you know, maybe is not good enough. I want certainty or nothing. And I remember very clearly, the clock was ticking, and I was sitting there frozen with the gun to my head, debating whether to shoot.
[The gun fires accidentally, shattering a mirror] All of a sudden, the gun went off. I had been so tense my finger had squeezed the trigger inadvertently. But I was perspiring so much the gun had slid off my forehead and missed me. And suddenly neighbors were, were pounding on the door, and, and I don't know, the whole scene was just pandemonium. And, uh, you know, I-I-I ran to the door, I-I didn't know what to say. You know, I was-I was embarrassed and confused and my-my-my mind was r-r-racing a mile a minute. And I-I just knew one thing.
I-I-I had to get out of that house, I had to just get out in the fresh air and-and clear my head. And I remember very clearly, I walked the streets. I walked and I walked. I-I didn't know what was going through my mind. It all seemed so violent and un-unreal to me. And I wandered for a long time on the Upper West Side, you know, and-and it must have been hours. You know, my-my feet hurt, my head was-was pounding, and-and I had to sit down. I went into a movie house. I-I didn't know what was playing or anything.
I just, I just needed a moment to gather my thoughts and, and be logical and put the world back into rational perspective. And I went upstairs to the balcony, and I sat down, and, you know, the movie was a-a-a film that I'd seen many times in my life since I was a kid, and-and I always, uh, loved it. And, you know, I'm-I'm watching these people up on the screen and I started getting hooked on the film, you know. And I started to feel, how can you even think of killing yourself. I mean isn't it so stupid? I mean, l-look at all the people up there on the screen. You know, they're real funny, and-and what if the worst is true.
What if there's no God, and you only go around once and that's it. Well, you know, don't you want to be part of the experience? You know, what the hell, it's-it's not all a drag. And I'm thinkin' to myself, geez, I should stop ruining my life - searching for answers I'm never gonna get, and just enjoy it while it lasts. And, you know, after, who knows? I mean, you know, maybe there is something. Nobody really knows. I know, I know maybe is a very slim reed to hang your whole life on, but that's the best we have. And then, I started to sit back, and I actually began to enjoy myself.
”
”
Woody Allen
“
Gus loaded this giveaway site called Free No Catch and together we wrote an ad.
“Headline?” he asked.
“‘Swing Set Needs Home,’” I said.“‘Desperately Lonely Swing Set Needs Loving Home,’” he said.
“‘Lonely, Vaguely Pedophilic Swing Set Seeks the Butts of Children,’” I said.
He laughed. “That’s why.”
“What?”
“That’s why I like you. Do you realize how rare it is to come across a hot girl who creates an adjectival version of the word pedophile?
You are so busy being you that you have no idea how utterly unprecedented you are.
”
”
John Green (The Fault in Our Stars)
“
I was lucky to meet you, yes.'
'Me too . . .' she said, looking me in the eyes. 'I was lucky too. The men I know are a disaster, not one of them believes in love; so they give you this big spiel about friendship, affection, a whole load of stuff that doesn't commit them to anything. I've got to the point where I can't stand the word 'friendship' any more, it makes me physically sick. Or there's the other lot, the ones who get married, who get hitched as early as possible and think about nothing but their careers afterwards. You obviously weren't one of those; but I also immediately sensed that you would never talk to me about friendship, that you would never be that vulgar. From the very beginning I hoped we would sleep together, that something important would happen; but it was possible that nothing would happen, in fact it was more than likely.' She stopped and sighed in irritation.
”
”
Michel Houellebecq (Platform)
“
(“Thinking gloomily of the sins and shortcomings of others,” she writes, “it suddenly came to me to remember my own offenses, just as heinous as those of others. If I concern myself with my own sins and lament them, if I remember my own failures and lapses, I will not be resentful of others. This was most cheering and lifted the load of gloom from my mind. It makes one unhappy to judge people and happy to love them.”) And so we are reminded, too, that holiness is not a state of perfection but a faithful striving that lasts a lifetime.
”
”
Dorothy Day (The Duty of Delight: The Diaries of Dorothy Day)
“
It doesn't matter how educated, moneyed, or smart you are: when your child's footprints end at the river's edge, when the one you love has gone into the woods with a bleak outlook and a loaded gun, when the chaplain is walking toward you with the bad news in her mouth, then only the cliches are true, and you will repeat them, unashamed. Your life, too, will swing suddenly and cruelly in a new direction with breathtaking speed, and if you are really wise - and it's surprising and wondrous, Brother, how many people have this wisdom in then - you will know enough to look around for love. It will be there, standing right on the hinge, holding out its arms to you, If you are wise, whoever you are, you will let go, fall against the love, and be held.
”
”
Kate Braestrup (Here If You Need Me)
“
I thought about Mother’s life, the part of it I knew. Going to work every day, first on the ferry then on the bus. Shopping at the old Red-and-White then at the new Safeway - new, fifteen years old! Going down to the Library one night a week, taking me with her, and we would come home on the bus with our load of books and a bag of grapes we bought at a Chinese place, for a treat. Wednesday afternoons too when my kids were small and I went over there to drink coffee and she rolled us cigarettes on that contraption she had. And I thought, all these things don’t seem that much like life, when you’re doing them, they’re just what you do, how you fill up your days, and you think all the time something is going to crack open, and you’ll find yourself, then you’ll find yourself, in life. It’s not even that you particularly want this to happen, this cracking open, youre comfortable enough the way things are, but you do expect it. Then you’re dying, Mother is dying, and it’s just the same plastic chairs and plastic plants and ordinary day outside with people getting groceries and what you’ve had is all there is, and going to the Library, just a thing like that, coming back up the hill on the bus with books and a bag of grapes seems now worth wanting, O god doesn’t it, you’d break your heart wanting back there.
”
”
Alice Munro
“
Why do we love to grind our axes so much? How does schlepping that heavy load of medieval weaponry around affect those we encounter in our daily routines? What if it makes us more likely to provoke others?
What is so appealing about grinding our axes anyway? Why is it so difficult to stop? How would we interact with people differently if we didn’t do it?
What other tools might we cultivate if most of us were willing to lay down our axes, even just for a little while? How much more energy might we have if we weren’t so encumbered?
What would you do with that energy?
”
”
David Beem
“
I die, and yet not dies in me
The ardour of my love for Thee,
Nor hath Thy Love, my only goal,
Assuaged the fever of my soul.
To Thee alone my spirit cries;
In Thee my whole ambition lies,
And still Thy Wealth is far above
The poverty of my small love.
I turn to Thee in my request,
And seek in Thee my final rest;
To Thee my loud lament is brought,
Thou dwellest in my secret thought.
However long my sickness be,
This wearisome infirmity,
Never to men will I declare
The burden Thou has made me bear.
To Thee alone is manifest
The heavy labour of my breast,
Else never kin nor neighbors know
The brimming measure of my woe.
A fever burns below my heart
And ravages my every part;
It hath destroyed my strength and stay,
And smouldered all my soul away.
Guidest Thou not upon the road
The rider wearied by his load,
Delivering from the steeps of death
The traveller as he wandereth?
Didst Thou not light a beacon too
For them that found the Guidance true
But carried not within their hand
The faintest glimmer of its brand?
O then to me Thy Favour give
That, so attended, I may live,
And overwhelm with ease from Thee
The rigor of my poverty.
”
”
ذو النون المصري (Sufism: An Account of the Mystics of Islam)
“
It is ironic, in the manner of a dystopian nightmare, that an advanced capitalist empire which is founded on genocide and slavery, which still functions as the global police, which has an armed population, which routinely violates international human rights, which has the largest known military industrial complex in the world, which is the world’s largest producer of pornography, has also produced a saccharine ideology in which ‘positive thinking’ functions as a form of psychological gentrification. And it is not insignificant that the neoliberal lie that one is 110% responsible for one’s life—first powerfully encapsulated by the ‘alternative’ conservative thinker Louise Hay, and more recently echoed by Eckhart Tolle, author of The Power of Now (1997/2005)—is directed at women. Today, gendered victim-blaming has become a form of upwardly mobile common sense ‘wisdom’. Now victimblaming is expressed by voices that sound soothing, wise, calm, above all, loving.
”
”
Abigail Bray (Misogyny Re-Loaded)
“
I have no other passion to keep me in breath. What avarice, ambition, quarrels, law suits do for others who, like me, have no particular vocation, love would much more commodiously do; it would restore to me vigilance, sobriety, grace, and the care of my person; it would reassure my countenance, so that the grimaces of old age, those deformed and dismal looks, might not come to disgrace it; would again put me upon sound and wise studies, by which I might render myself more loved and esteemed, clearing my mind of the despair of itself and of its use, and redintegrating it to itself; would divert me from a thousand troublesome thoughts, a thousand melancholic humours that idleness and the ill posture of our health loads us withal at such an age; would warm again, in dreams at least, the blood that nature is abandoning; would hold up the chin, and a little stretch out the nerves, the vigour and gaiety of life of that poor man who is going full drive towards his ruin.
”
”
Michel de Montaigne (Essays)
“
I once read about a study that stated that men die of suicide more often than women. However, the study actually only accounted for completed suicide attempts. In fact, men are more likely to go through with suicides, whereas women are far more likely to attempt but not actually complete the act (this only applies within the gender binary). The reason why women don't actually end up completing their suicides is because they attempt them in far less violent ways. According to the study, this is because women worry about family members or loved ones finding them and being traumatized by what they see.
So they try less violent, and thus less final, ways—and therefore survive more often. Thinking about what an emotional load women carry every day purely because even at the end of their ropes they can't bear the thought of upsetting other people? It breaks my heart. It makes me angry. It strengthens my conviction. Women and femmes are necessary, valid in their emotions, and strong.
”
”
Drew Afualo (Loud: Accept Nothing Less Than the Life You Deserve)
“
Successful people always say that the trick to a happy life is never having regrets. That’s a load of bullshit. If we regret nothing, then we’ve never truly failed, never truly hurt, and never really lost. Without regret, we have never acted with all our passion and anger and love and hope only to have our skull stomped on while we bite a street curb. Those soft, empty people don’t know the satisfaction of rehabilitation. They have nothing but optimism, because optimism thrives where conflict is absent. Conflict makes us hearty. Hearty lives flourish in the blackest depths and the driest soil. I
”
”
Tyler King (The Debt)
“
If you ask God for wisdom, He will give you a problem.
If you ask God for success, He will give you a duty.
If you ask God for riches, He will give you a dream.
If you ask God for power, He will give you a task.
If you ask God for patience, He will give you a burden.
If you ask God for strength, He will give you a load.
If you ask God for love, He will give you an enemy.
If you ask God for virtue, He will give you a temptation.
If you ask God for faith, He will give you a prophecy.
If you ask God to be a leader, He will make you a servant.
If you ask God to be a general, He will make you a soldier.
If you ask God to be a teacher, He will make you a student.
If you ask God to be a scholar, He will make you a thinker.
If you ask God to be a writer, He will make you a reader.
If you ask God to be an artist, He will make you a daydreamer.
If you ask God to be a pope, He will make you a priest.
If you ask God to be an architect, He will make you a builder.
If you ask God to be a sage, He will make you a learner.
”
”
Matshona Dhliwayo
“
People in here, People everywhere, they all want to take their own problems, usually created by themselves, and try to pass them off on someone or something else. I know my Mother and Father did the best they could and gave me the best they could and loved me the best they could and if anything, they are victims of me. I could say I'm flawed in my genetic makeup, that I have this disease and my addictions are caused by the presence of it, but I think that's a load of shit. I'm a victim of nothing but myself, just as I believe that most People with this so-called disease aren't victims of anything other than themselves. If you want to call that philosophy stubbornness, go right ahead. I call it being responsible. I call it the acceptance of my own problems and my own weakness with honor and dignity. I call it getting better.
”
”
James Frey (A Million Little Pieces)
“
I loved Vincent and he loved me in the abiding way most couples in good marriages love each other, that way in which every once in a while there is a longing for someone you haven't yet met. A longing that comes upon you while you are loading the dishwasher or weeding the garden or sitting in front of the television or turning out the light to go to sleep, and you don't even know what it is, this longing, and you think maybe you're in need of a vacation or maybe you are dying because the ache of it hurts so fucking much…That ache, it went away when I met Henry; it went away as if it had been a headache instead of located nowhere precisely. Its not that I *wanted* to fall in love with Henry, but I did just the same because you can't keep from falling in love any more than you can keep snow from falling from the sky in winter. Gravity is gravity.
”
”
Binnie Kirshenbaum (The Scenic Route)
“
Writing is hard. Writing that is good, writing that is powerful enough to evoke a change or an authentic emotion or even just an idea in another human being is about as mysterious as an alchemical recipe, but there are a few known ingredients. Craft? Yes, absolutely. Devotion? A load - yes! Humility? Not vital, I suppose, but all my favorites include at least a dash. Before those can be added to the cauldron though, you must have a base of Honesty. Honesty is difficult to find in public spaces these days (and getting harder every goddamn day) but if you're quiet, and patient, you can usually find some hidden in your room somewhere. (It helps to turn off the lights, for some reason.) Problem is, Honesty is invariably bound to Vulnerability and the only thing that cuts the bitterness of Vulnerability is Courage. And Courage?
Well. Courage is the hardest thing of all.
”
”
Kelly Sue DeConnick (The Secret Loves of Geek Girls)
“
Don't eat anything your great grandmother wouldn't recognize as food. "When you pick up that box of portable yogurt tubes, or eat something with 15 ingredients you can't pronounce, ask yourself, "What are those things doing there?" Pollan says.
Don’t eat anything with more than five ingredients, or ingredients you can't pronounce.
Stay out of the middle of the supermarket; shop on the perimeter of the store. Real food tends to be on the outer edge of the store near the loading docks, where it can be replaced with fresh foods when it goes bad.
Don't eat anything that won't eventually rot. "There are exceptions -- honey -- but as a rule, things like Twinkies that never go bad aren't food," Pollan says.
It is not just what you eat but how you eat. "Always leave the table a little hungry," Pollan says. "Many cultures have rules that you stop eating before you are full. In Japan, they say eat until you are four-fifths full. Islamic culture has a similar rule, and in German culture they say, 'Tie off the sack before it's full.'"
Families traditionally ate together, around a table and not a TV, at regular meal times. It's a good tradition. Enjoy meals with the people you love. "Remember when eating between meals felt wrong?" Pollan asks.
Don't buy food where you buy your gasoline. In the U.S., 20% of food is eaten in the car.
”
”
Michael Pollan (In Defense of Food: An Eater's Manifesto)
“
Now, look, since when did you think being good meant being happy?”
“Since always.”
“Since now learn otherwise. Sometimes the man who looks happiest in town, with the biggest smile, is the one carrying the biggest load of sin. There are smiles and smiles; learn to tell the dark variety from the light. The seal-barker, the laugh-shouter, half the time he’s covering up. He’s had his fun and he’s guilty. And men do love sin, Will, oh how they love it, never doubt, in all shapes, sizes, colors, and smells. Times come when troughs, not tables, suit our appetites. Hear a man too loudly praising others, and look to wonder if he didn't just get up from the sty. On the other hand, that unhappy, pale, put-upon man walking by, who looks all guilt and sin, why, often that's your good man with a capital G, Will. For being good is a fearful occupation; men strain at it and sometimes break in two.
”
”
Ray Bradbury (Something Wicked This Way Comes)
“
The pony's head rose above the open roof as her mane whipped in the wind. I knew she must be thinking of running free through tallgrass fields, wild daisies slapping her shins, no one to hold her down.
I slid my hand up her leg, feeling raised ridges of whip scars. The tips of her ears had been cut. There were smaller scars across her nose. A knife had been used there, perhaps only to remind her who she belonged to. She had lived by the orders and commands of men. Her entire existence on earth and she had never once been allowed to be free. She had been imprisoned and owned, as if all of her value was wrapped up in how large a load she could carry on her back.
She had lived her life to the point of being given away, her legs too weak to run, her eyes no longer able to see a world beyond the coal cave she was forced to spend her life in. And yet, now she could feel the wind in her mane. She was not too dead for this small kindness that delivered her from a past of hell to a moment she could believe she was free enough to gallop as she wished.
Is this love? she must have been asking herself. Am I finally loved?
”
”
Tiffany McDaniel (Betty)
“
The Loneliness of the Military Historian
Confess: it's my profession
that alarms you.
This is why few people ask me to dinner,
though Lord knows I don't go out of my way to be scary.
I wear dresses of sensible cut
and unalarming shades of beige,
I smell of lavender and go to the hairdresser's:
no prophetess mane of mine,
complete with snakes, will frighten the youngsters.
If I roll my eyes and mutter,
if I clutch at my heart and scream in horror
like a third-rate actress chewing up a mad scene,
I do it in private and nobody sees
but the bathroom mirror.
In general I might agree with you:
women should not contemplate war,
should not weigh tactics impartially,
or evade the word enemy,
or view both sides and denounce nothing.
Women should march for peace,
or hand out white feathers to arouse bravery,
spit themselves on bayonets
to protect their babies,
whose skulls will be split anyway,
or,having been raped repeatedly,
hang themselves with their own hair.
There are the functions that inspire general comfort.
That, and the knitting of socks for the troops
and a sort of moral cheerleading.
Also: mourning the dead.
Sons,lovers and so forth.
All the killed children.
Instead of this, I tell
what I hope will pass as truth.
A blunt thing, not lovely.
The truth is seldom welcome,
especially at dinner,
though I am good at what I do.
My trade is courage and atrocities.
I look at them and do not condemn.
I write things down the way they happened,
as near as can be remembered.
I don't ask why, because it is mostly the same.
Wars happen because the ones who start them
think they can win.
In my dreams there is glamour.
The Vikings leave their fields
each year for a few months of killing and plunder,
much as the boys go hunting.
In real life they were farmers.
The come back loaded with splendour.
The Arabs ride against Crusaders
with scimitars that could sever
silk in the air.
A swift cut to the horse's neck
and a hunk of armour crashes down
like a tower. Fire against metal.
A poet might say: romance against banality.
When awake, I know better.
Despite the propaganda, there are no monsters,
or none that could be finally buried.
Finish one off, and circumstances
and the radio create another.
Believe me: whole armies have prayed fervently
to God all night and meant it,
and been slaughtered anyway.
Brutality wins frequently,
and large outcomes have turned on the invention
of a mechanical device, viz. radar.
True, valour sometimes counts for something,
as at Thermopylae. Sometimes being right -
though ultimate virtue, by agreed tradition,
is decided by the winner.
Sometimes men throw themselves on grenades
and burst like paper bags of guts
to save their comrades.
I can admire that.
But rats and cholera have won many wars.
Those, and potatoes,
or the absence of them.
It's no use pinning all those medals
across the chests of the dead.
Impressive, but I know too much.
Grand exploits merely depress me.
In the interests of research
I have walked on many battlefields
that once were liquid with pulped
men's bodies and spangled with exploded
shells and splayed bone.
All of them have been green again
by the time I got there.
Each has inspired a few good quotes in its day.
Sad marble angels brood like hens
over the grassy nests where nothing hatches.
(The angels could just as well be described as vulgar
or pitiless, depending on camera angle.)
The word glory figures a lot on gateways.
Of course I pick a flower or two
from each, and press it in the hotel Bible
for a souvenir.
I'm just as human as you.
But it's no use asking me for a final statement.
As I say, I deal in tactics.
Also statistics:
for every year of peace there have been four hundred
years of war.
”
”
Margaret Atwood (Morning in the Burned House: Poems)
“
I have no ideas, myself! Not a one! there's nothing more vulgar, more common, more disgusting than ideas! libraries are loaded with them! and every sidewalk cafe!...the impotent are bloated with ideas!...they dazzle youth with ideas! they play the pimp!...and youth is ever ready, as you know, Professor, to gobble up anything, to go OOH! and AAH! by the numbers! How those pimps have an easy job of it! the passionate years of youth are spent getting a hard on and gargling ideeaas!...philosophies, if you prefer!...yes sir, philosophies! youth loves sham just as young dogs love those sticks, like bones, that we throw and they run after! they race forward, yipping away, wasting their time, that's the main thing!
”
”
Louis-Ferdinand Céline (Conversations with Professor Y (French Literature Series))
“
We’ve made it private, contained it in family, when its audacity is in its potential to cross tribal lines. We’ve fetishized it as romance, when its true measure is a quality of sustained, practical care. We’ve lived it as a feeling, when it is a way of being. It is the elemental experience we all desire and seek, most of our days, to give and receive. The sliver of love’s potential that the Greeks separated out as eros is where we load so much of our desire, center so much of our imagination about delight and despair, define so much of our sense of completion. There is the love the Greeks called filia—the love of friendship. There is the love they called agape—love as embodied compassion, expressions of kindness that might be given to a neighbor or a stranger. The Metta of the root Buddhist Pali tongue, “lovingkindness,” carries the nuance of benevolent, active interest in others known and unknown, and its cultivation begins with compassion towards oneself.
”
”
Krista Tippett (Becoming Wise: An Inquiry into the Mystery and Art of Living)
“
hands and transported by animal effort, eight dollars, ten dollars, sixteen dollars a ton. They were piled beside the railroad tracks as each section was built farther west. Hills of bones, mountains of blind skulls, loaded onto railroad cars and shipped back east to process sugar. So it was, every teaspoon of sugar that was stirred into a cup or baked into a pudding was haunted by the slave trade and the slaughter of the buffalo. Just as now, into every teaspoon, is mixed the pragmatic nihilism of industrial sugar farming and the death of our place on earth. This is the sweetness that pricks people’s senses and sparkles in a birthday cake and glitters on the tongue. Price guaranteed, delicious, a craving strong as love.
”
”
Louise Erdrich (The Mighty Red)
“
There were little girls who would snuggle up to any grown man and try to guide his hand inside their underwear, and there were kids who compulsively bit their own arms. Kids who would suddenly start twitching and banging their heads against a wall, not even stopping when the blood ran down their faces. Kids who waddled around oblivious to the stinking load in their own pants. Watching children like this, it was all too easy to see why their parents beat them. It was only natural to hate such kids, to ignore them and shower only your other children with love. Who wouldn't? But of course that wasn't the way it really worked. Such behaviors weren't the reasons parents abused children, but the results of abuse. Children are powerless. No matter how viciously they're beaten, children were powerless to do anything about it. Even if Mother hit them with a shoehorn or the hose of a vacuum cleaner or the handle of a kitchen knife, or strangled them or poured boiling water on them, they couldn't escape her; they couldn't even truly despise her. Children would struggle desperately to feel love for their parents. Rather than hate a parent, in fact, they'd choose to hate themselves. Love and violence became so intertwined for them that when they grew up and got into relationships, only hysteria could set their hearts at ease. Kindness, gentleness - anything along those lines just caused tension, since there was no telling when it would turn to overt hostility.
”
”
Ryū Murakami
“
she says, "Well, I hope you're making good use of youth."
Less, cross-legged on his towel and pink as a boiled shrimp:" I don't know."
She nods, "You should waste it."
"What's that?"
"You should be at the beach, like today. You should get stoned and drunk and have loads of sex." She takes another drag off her cigarette. "I think the saddest thing in the world is a twenty-five-year-old talking about the stock market. Or taxes. Or real estate, goddamn it! That's all you'll talk about when you're forty. Real estate! Any twenty-five-year-old who says the word refinance should be taken out and shot. Talk about love and music and poetry. Things everyone forgets they ever through were important. Waste everyday, that's what I say.
”
”
Andrew Sean Greer (Less (Arthur Less, #1))
“
The bunk was a long, rectangular building. Inside, the walls were whitewashed and the floor unpainted. In three walls there were small, square windows, and in the fourth a solid door with a wooden latch. Against the walls were eight bunks, five of them made up with blankets and the other three showing their burlap ticking. Over each bunk there was nailed an apple-box with the opening forward so that it made two shelves for the personal belongings of the occupant of the bunk. And these shelves were loaded with little articles, soap and talcum-powder, razors and those Western magazines ranch-men love to read and scoff at and secretly believe. And there were medicines on the shelves, and little vials, combs; and, from nails on the box-sides, a few neck-ties. Near one wall there was a black cast-iron stove, its stove-pipe going straight up through the ceiling. In the middle of the room stood a big square table littered with playing-cards, and around it were grouped boxes for the players to sit on.
”
”
John Steinbeck (Of Mice and Men)
“
There would be,
half a million things,
I could do,
yet I don’t know,
what would be so?
When I will see you,
for the first time,
calm, twined in your
daddy’s arm,
coming towards me,
I could do,
half a million things-
caress your skin,
fondle your chin,
stroke though your limbs,
smoothly touch your lips,
and make my silent wishes,
for your health and,
your intellect.
Half a million things,
I could do,
yet I don’t know,
what would be so?
When I will see you,
for the first time,
I could say,
half a million things-
call you my kid,
read a fine script,
whisper love in your ears,
sing a hymn.
Half a million things,
I could say,
yet I don’t know,
what would be so?
I fear though,
what if I am unable to,
do any of this,
and all I end up with,
is,
just a knot of tears,
loaded with,
some of the most pure prayers,
I have ever chaired.
Half a million things,
I could do and
I could say,
yet when it happens,
little will my practice play.
Half a million things,
and I wouldn't know,
how and where one begins.
”
”
Jasleen Kaur Gumber
“
For about five minutes, as I tried to get the Vespa to start, I fell in love with her. The oversized raincoat made her look about eight, as though she should have had matching Wellies with ladybugs on them, and inside the red hood were huge brown eyes and rain-spiked lashes and a face like a kitten’s. I wanted to dry her gently with a big fluffy towel, in front of a roaring fire. But then she said, “Here, let me—you have to know how to twist the thingy,” and I raised an eyebrow and said, “The thingy? Honestly, girls.” I immediately regretted it—I have never been talented at banter, and you never know, she could have been some earnest droning feminist extremist who would lecture me in the rain about Amelia Earhart. But Cassie gave me a deliberate, sideways look, and then clasped her hands with a wet spat and said in a breathy Marilyn voice, “Ohhh, I’ve always dreamed of a knight in shining armor coming along and rescuing little me! Only in my dreams he was good-looking.” What I saw transformed with a click like a shaken kaleidoscope. I stopped falling in love with her and started to like her immensely. I looked at her hoodie jacket and said, “Oh my God, they’re about to kill Kenny.” Then I loaded the Golf Cart into the back of my Land Rover and drove her home.
”
”
Tana French (In the Woods (Dublin Murder Squad #1))
“
The cross that my Lord calls me to carry may assume many different shapes. I may have to be content with mundane tasks in a limited area of service, when I may balieve my abilities are suited for much greater work. I may be required to continually cultivate the same field year after year, even though it yields no harvest whatsoever. I may be asked of God to nurture kind and loving thoughts about the very person who has wronged me and to speak gently to him, take his side when others oppose him, and bestow sympathy and comfort to him. I may have to openly testify of my Master before those who do not want to be reminded of Him or His claims. And I may be called to walk through this world with a bright, smiling face while my heart is breaking... "I grow under the load." -Alexander Smellie
”
”
Lettie B. Cowman (Streams in the Desert®)
“
Right now, you and I are crossing a deep, dark river. Every time that enormous weight presses down on us and the waters of the river rise over our throats and we want to give up and slip beneath the surface, remember: as heavy as the load we shoulder is the world that we tread upon. Earthbound beings unfortunately cannot break free of gravity. Life demands sacrifice and difficult decisions from us at every moment. Living does not mean passing through a void of nothingness but rather through a web of relationships among beings, each with their own weight and volume and texture. Insofar as everything is always changing, so our sense of hope shall never die out. Therefore, I leave you all with one final thought: Live. Until you are down to your final breath, love and fight and rage and grieve and live.
”
”
Kyung-Sook Shin (I'll Be Right There)
“
In an age of religious violence like ours, people care much less about what you believe, and much more about whether you will kill for what you believe. So if you haven’t figured out what you’re going to do with passages like Deuteronomy 7 and 1 Samuel 15 and Psalms 137:9, you still have some important work to do.3 If you haven’t grappled with these passages and others like them, your Bible is like a loaded gun and your theology is like a license to kill. You have to find a way to disarm your faith as a potential instrument of hate and convert it into an instrument of love.4 You have to convert Christianity from a warrior religion to a reconciling religion. Otherwise, your neighbors around this seminary will tolerate you the way they might tolerate a chemical plant that could at any moment blow up and kill them all.
”
”
Brian D. McLaren (The Great Spiritual Migration: How the World's Largest Religion Is Seeking a Better Way to Be Christian)
“
Telegraph Road
A long time ago came a man on a track
Walking thirty miles with a pack on his back
And he put down his load where he thought it was the best
Made a home in the wilderness
He built a cabin and a winter store
And he ploughed up the ground by the cold lake shore
And the other travellers came riding down the track
And they never went further, no, they never went back
Then came the churches, then came the schools
Then came the lawyers, then came the rules
Then came the trains and the trucks with their loads
And the dirty old track was the telegraph road
Then came the mines - then came the ore
Then there was the hard times, then there was a war
Telegraph sang a song about the world outside
Telegraph road got so deep and so wide
Like a rolling river ...
And my radio says tonight it's gonna freeze
People driving home from the factories
There's six lanes of traffic
Three lanes moving slow ...
I used to like to go to work but they shut it down
I got a right to go to work but there's no work here to be found
Yes and they say we're gonna have to pay what's owed
We're gonna have to reap from some seed that's been sowed
And the birds up on the wires and the telegraph poles
They can always fly away from this rain and this cold
You can hear them singing out their telegraph code
All the way down the telegraph road
You know I'd sooner forget but I remember those nights
When life was just a bet on a race between the lights
You had your head on my shoulder, you had your hand in my hair
Now you act a little colder like you don't seem to care
But believe in me baby and I'll take you away
From out of this darkness and into the day
From these rivers of headlights, these rivers of rain
From the anger that lives on the streets with these names
'Cos I've run every red light on memory lane
I've seen desperation explode into flames
And I don't want to see it again ...
From all of these signs saying sorry but we're closed
All the way down the telegraph road
”
”
Mark Knopfler (Dire Straits - 1982-91)
“
If you sit in the darkness, nobody can see the tears stripping away at your bright smile. They won't even know you're there, and even if they did they would ignore you, because who cares, my love? If it does not affect us, then why should we do anything? It'd be just as easy not to. Well, sweet, if someone sticks a knife in your back, you are going to want someone to pull it out, and bandage it, right? You and I must be the ones to pull them out and bandage them up. And, sweet, we must do it for each other as well, because I'd sooner go down than let someone who does not care pull out the thorns. And because I am sure that you wouldn't like a heart breaker coming and pulling off the weight from your shoulders, because they will only give back a heavier load. If you sit in the darkness, no-one can see the tears stripping away at your smile...
Except for me.
”
”
Infinity E. Frazier (Previously Lillian)
“
After a while you learn the subtle difference Between holding a hand And chaining a soul. And you learn that love doesn’t mean leaning And company doesn’t mean security. And you begin to learn That kisses aren’t compromises And presents aren’t promises. And you begin to accept your defeats With your head up and your eyes ahead With the grace of a woman or a man Not the grief of a child. And you learn to build all your loads on today Because tomorrow’s ground is too uncertain for plans And futures have a way of falling down in midnight. After a while you learn that even sunshine burns if you ask too much. So you plant your own garden And decorate your own soul Instead of waiting for someone to buy you flowers. And you learn that you really can endure That you really are strong. And you really do have worth. And you learn. And you learn. With every failure you learn. —Anonymous
”
”
Maggie Oman Shannon (Prayers for Healing: 365 Blessings, Poems, & Meditations from Around the World (365 Blessings, Poems & Meditations from Around the World))
“
California during the 1940s had Hollywood and the bright lights of Los Angeles, but on the other coast was Florida, land of sunshine and glamour, Miami and Miami Beach. If you weren't already near California's Pacific Coast you headed for Florida during the winter. One of the things which made Miami such a mix of glitter and sunshine was the plethora of movie stars who flocked there to play, rubbing shoulders with tycoons and gangsters. Sometimes it was hard to tell the difference between the latter two.
Miami and everything that surrounded it hadn't happened by accident. Carl Fisher had set out to make Miami Beach a playground destination during the 1930s and had succeeded far beyond his dreams. The promenade behind the Roney Plaza Hotel was a block-long lovers' lane of palm trees and promise that began rather than ended in the blue waters of the Atlantic.
Florida was more than simply Miami and Miami Beach, however. When George Merrick opened the Biltmore Hotel in Coral Gables papers across the country couldn't wait to gush about the growing aura of Florida. They tore down Collins Bridge in the Gables and replaced it with the beautiful Venetian Causeway. You could plop down a fiver if you had one and take your best girl — or the girl you wanted to score with — for a gondola ride there before the depression, or so I'd been told.
You see, I'd never actually been to Florida before the war, much less Miami. I was a newspaper reporter from Chicago before the war and had never even seen the ocean until I was flying over the Pacific for the Air Corp. There wasn't much time for admiring the waves when Japanese Zeroes were trying to shoot you out of the sky and bury you at the bottom of that deep blue sea.
It was because of my friend Pete that I knew so much about Miami. Florida was his home, so when we both got leave in '42 I followed him to the warm waters of Miami to see what all the fuss was about. It would be easy to say that I skipped Chicago for Miami after the war ended because Pete and I were such good pals and I'd had such a great time there on leave. But in truth I decided to stay on in Miami because of Veronica Lake.
I'd better explain that. Veronica Lake never knew she was the reason I came back with Pete to Miami after the war. But she had been there in '42 while Pete and I were enjoying the sand, sun, and the sweet kisses of more than a few love-starved girls desperate to remember what it felt like to have a man's arm around them — not to mention a few other sensations. Lake had been there promoting war bonds on Florida's first radio station, WQAM. It was a big outdoor event and Pete and I were among those listening with relish to Lake's sultry voice as she urged everyone to pitch-in for our boys overseas.
We were in those dark early days of the war at the time, and the outcome was very much in question. Lake's appearance at the event was a morale booster for civilians and servicemen alike. She was standing behind a microphone that sat on a table draped in the American flag. I'd never seen a Hollywood star up-close and though I liked the movies as much as any other guy, I had always attributed most of what I saw on-screen to smoke and mirrors. I doubted I'd be impressed seeing a star off-screen. A girl was a girl, after all, and there were loads of real dolls in Miami, as I'd already discovered. Boy, was I wrong." - Where Flamingos Fly
”
”
Bobby Underwood (Where Flamingos Fly (Nostalgic Crime #2))
“
In the end the real wealth of the Hungarian Jewish community had not been packed in crates and boxes and loaded onto that train. What is the value to a daughter of a single pair of Sabbath candlesticks passed down from her mother and grandmother before her, generation behind generation, for a hundred, even a thousand, years? Beyond price, beyond measure. And what of ten thousand pairs of similar candlesticks, when all the grandmothers, mothers, and daughters are dead? No more than the smelted weight of the silver. The wealth of the Jews of Hungary, of all of Europe, was to be found not in the laden boxcars of the Gold Train but in the grandmothers and mothers and daughters themselves, in the doctors and lawyers, the grain dealers and psychiatrists, the writers and artists who had created a culture of sophistication, of intellectual and artistic achievement. And that wealth, everything of real value, was all but extinguished.
”
”
Ayelet Waldman (Love & Treasure)
“
What did I want? I wanted a Roc's egg. I wanted a harem loaded with lovely odalisques less than the dust beneath my chariot wheels, the rust that never stained my sword. I wanted raw red gold in nuggets the size of your fist, and feed that lousy claim jumper to the huskies! I wanted to get up feeling brisk and go out and break some lances, then pick a likely wench for my droit du seigneur - I wanted to stand up to the Baron and dare him to touch my wench! I wanted to hear the purple water chuckling against the skin of the Nancy Lee in the cool of the morning watch and not another sound, nor any movement save the slow tilting of the wings of the albatross that had been pacing us the last thousand miles. I wanted the hurtling moons of Barsoom. I wanted Storisende and Poictesme, and Holmes shaking me awake to tell me, "The game's afoot!" I wanted to float down the Mississippi on a raft and elude a mob in company with the Duke of Bilgewater and Lost Dauphin. I wanted Prester John, and Excalibur held by a moon-white arm out of a silent lake. I wanted to sail with Ulysses and with Tros of Samothrace and to eat the lotus in a land that seemed always afternoon. I wanted the feeling of romance and the sense of wonder I had known as a kid. I wanted the world to be the way they had promised me it was going to be, instead of the tawdry, lousy, fouled-up mess it is. I had had one chance - for ten minutes yesterday afternoon. Helen of Troy, whatever your true name may be - and I had known it and I had let it slip away. Maybe one chance is all you ever get.
”
”
Robert A. Heinlein (Glory Road)
“
THE VOICE YOU HEAR WHEN YOU READ SILENTLY
is not silent, it is a speaking-
out-loud voice in your head; it is *spoken*,
a voice is *saying* it
as you read. It's the writer's words,
of course, in a literary sense
his or her "voice" but the sound
of that voice is the sound of *your* voice.
Not the sound your friends know
or the sound of a tape played back
but your voice
caught in the dark cathedral
of your skull, your voice heard
by an internal ear informed by internal abstracts
and what you know by feeling,
having felt. It is your voice
saying, for example, the word "barn"
that the writer wrote
but the "barn" you say
is a barn you know or knew. The voice
in your head, speaking as you read,
never says anything neutrally- some people
hated the barn they knew,
some people love the barn they know
so you hear the word loaded
and a sensory constellation
is lit: horse-gnawed stalls,
hayloft, black heat tape wrapping
a water pipe, a slippery
spilled *chirr* of oats from a split sack,
the bony, filthy haunches of cows...
And "barn" is only a noun- no verb
or subject has entered into the sentence yet!
The voice you hear when you read to yourself
is the clearest voice: you speak it
speaking to you.
~~-Thomas Lux
”
”
Thomas Lux
“
What passed in the mind of this man at the supreme moment of his agony cannot be told in words. He was still comparatively young, he was surrounded by the loving care of a devoted family, but he had convinced himself by a course of reasoning, illogical perhaps, yet certainly plausible, that he must separate himself from all he held dear in the world, even life itself. To form the slightest idea of his feelings, one must have seen his face with its expression of enforced resignation and its tear-moistened eyes raised to heaven. The minute hand moved on. The pistols were loaded; he stretched forth his hand, took one up, and murmured his daughter's name. Then he laid it down seized his pen, and wrote a few words. It seemed to him as if he had not taken a sufficient farewell of his beloved daughter. Then he turned again to the clock, counting time now not by minutes, but by seconds. He took up the deadly weapon again, his lips parted and his eyes fixed on the clock, and then shuddered at the click of the trigger as he cocked the pistol. At this moment of mortal anguish the cold sweat came forth upon his brow, a pang stronger than death clutched at his heart-strings. He heard the door of the staircase creak on its hinges—the clock gave its warning to strike eleven—the door of his study opened; Morrel did not turn round—he expected these words of Cocles, "The agent of Thomson & French."
He placed the muzzle of the pistol between his teeth. Suddenly he heard a cry—it was his daughter's voice. He turned and saw Julie. The pistol fell from his hands. "My father!" cried the young girl, out of breath, and half dead with joy—"saved, you are saved!" And she threw herself into his arms, holding in her extended hand a red, netted silk purse.
”
”
Alexandre Dumas (The Count of Monte Cristo)
“
Christ is all in the entire work of salvation. Let me just take you back to the period before this world was made. There was a time when this great world, the sun, the moon, the stars, and all which now exist throughout the whole of the vast universe, lay in the mind of God, like unborn forests in an acorn cup. There was a time when the Great Creator lived alone, and yet he could foresee that he would make a world, and that men would be born to people it; and in that vast eternity a great scheme was devised, whereby he might save a fallen race. Do you know who devised it? God planned it from first to last. Neither Gabriel nor any of the holy angels had anything to do with it. I question whether they were even told how God might be just, and yet save the transgressors. God was all in the drawing up of the scheme, and Christ was all in carrying it out. There was a dark and doleful night! Jesus was in the garden, sweating great drops of blood, which fell to the ground; nobody then came to bear the load that had been laid upon him. An angel stood there to strengthen him, but not to bear the sentence. The cup was put into his hands, and Jesus said, "Father, must I drink it?" and his Father replied, "If thou dost not drink, sinners cannot be saved"; and he took the cup and drained it to its very dregs. No man helped him. And when he hung upon that accursed tree of Calvary, when his precious hands were pierced, when: "From his head, his hands, his feet, Sorrow and love flowed mingled down," there was nobody to help him. He was "all" in the work of salvation. And, my friends, if any of you shall be saved, it must be by Christ alone. There must be no patchwork; Christ did it all, and will not be helped in the matter. Christ will not allow you, as some say, to do what you can, and leave him to make up the rest. What can you do that is not sinful? Christ has done all for us; the work of redemption is all finished. Christ planned it all, and worked out all; and we, therefore, preach a full salvation through Jesus Christ.
”
”
Charles Haddon Spurgeon
“
To talk about this level of inequality between a woman and a man who live together doing the work of care and love was for a long time taboo: you risk being seen as ‘complaining’ or, because this work has insidiously been made part of what it is to be a ‘good’ woman, a bad one. Reams of women’s magazines offer advice to overburdened women on ‘self-care’ or ‘juggling the load’, as if the problem is personal, and can be solved by yet more effort on our part – leaving the system that makes us and takes from us untouched. I am married to a man who’s emotionally astute, deeply engaged with our children. Craig and I share the financial load, we think we share most things in our lives. This was not enough to protect me. The patriarchy is too huge, and I too small or stupid, or just not up for the fight. The individual man can be the loveliest; the system will still benefit him without his having to lift a finger or a whip, or change the sheets. This is a story I tell against myself. And against the system that made this self, as well as my husband’s, and put her into his service. Wifedom is a wicked magic trick we have learned to play on ourselves. I want to expose how it is done and so take its wicked, tricking power away.
”
”
Anna Funder (Wifedom: Mrs Orwell’s Invisible Life)
“
The monstrous versions of himself and Hermione were gone: There was only Ron, standing there with the sword held slackly in his hand, looking down at the shattered remains of the locket on the flat rock.
Slowly, Harry walked back to him, hardly knowing what to say or do. Ron was breathing heavily: His eyes were no longer red at all, but their normal blue; they were also wet.
Harry stooped, pretending he had not seen, and picked up the broken Horcrux. Ron had pierced the glass in both windows: Riddle’s eyes were gone, and the stained silk lining of the locket was smoking slightly. The thing that had lived in the Horcrux had vanished; torturing Ron had been its final act.
The sword clanged as Ron dropped it. He had sunk to his knees, his head in his arms. He was shaking, but not, Harry realized, from cold. Harry crammed the broken locket into his pocket, knelt down beside Ron, and placed a hand cautiously on his shoulder. He took it as a good sign that Ron did not throw it off.
“After you left,” he said in a low voice, grateful for the fact that Ron’s face was hidden, “she cried for a week. Probably longer, only she didn’t want me to see. There were loads of nights when we never even spoke to each other. With you gone…”
He could not finish; it was only now that Ron was here again that Harry fully realized how much his absence had cost them.
“She’s like my sister,” he went on. “I love her like a sister and I reckon she feels the same way about me. It’s always been like that. I thought you knew.”
Ron did not respond, but turned his face away from Harry and wiped his nose noisily on his sleeve. Harry got to his feet again and walked to where Ron’s enormous rucksack lay yards away, discarded as Ron had run toward the pool to save Harry from drowning. He hoisted it onto his own back and walked back to Ron, who clambered to his feet as Harry approached, eyes bloodshot but otherwise composed.
“I’m sorry,” he said in a thick voice. “I’m sorry I left. I know I was a--a--”
He looked around at the darkness, as if hoping a bad enough word would swoop down upon him and claim him.
“You’ve sort of made up for it tonight,” said Harry. “Getting the sword. Finishing off the Horcrux. Saving my life.”
“That makes me sound a lot cooler than I was,” Ron mumbled.
“Stuff like that always sounds cooler than it really was,” said Harry. “I’ve been trying to tell you that for years.”
Simultaneously they walked forward and hugged, Harry gripping the still-sopping back of Ron’s jacket.
“And now,” said Harry as they broke apart, “all we’ve got to do is find the tent again.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
I knew that Amy couldn’t have died from a drug overdose, as she had been drug-free since 2008. But although she had been so brave and had fought so hard in her recovery from alcoholism, I knew she must have lapsed once again. I thought that Amy hadn’t had a drink for three weeks. But she had actually started drinking at Dionne’s Roundhouse gig the previous Wednesday. I didn’t know that at the time. The following morning Janis, Jane, Richard Collins (Janis’s fiancé), Raye, Reg and I went to St Pancras mortuary to officially identify Amy. Alex couldn’t bring himself to go, which I fully understood. When we arrived there were loads of paps outside the court, but they were all very respectful. We were shown into a room and saw Amy behind a window. She looked very, very peaceful, as if she was just asleep, which in a way made it a lot harder. She looked lovely. There was a slight red blotchiness to her skin, which was why, at the time, I thought she might have had a seizure: she looked as she had done when she had had seizures in the past. Eventually the others left Janis and me to say goodbye to Amy by ourselves. We were with her for about fifteen minutes. We put our hands on the glass partition and spoke to her. We told her that Mummy and Daddy were with her and that we would always love her. I can’t express what it was like. It was the worst feeling in the world.
”
”
Mitch Winehouse
“
The English word Atonement comes from the ancient Hebrew word kaphar, which means to cover. When Adam and Eve partook of the fruit and discovered their nakedness in the Garden of Eden, God sent Jesus to make coats of skins to cover them. Coats of skins don’t grow on trees. They had to be made from an animal, which meant an animal had to be killed. Perhaps that was the very first animal sacrifice. Because of that sacrifice, Adam and Eve were covered physically. In the same way, through Jesus’ sacrifice we are also covered emotionally and spiritually. When Adam and Eve left the garden, the only things they could take to remind them of Eden were the coats of skins. The one physical thing we take with us out of the temple to remind us of that heavenly place is a similar covering. The garment reminds us of our covenants, protects us, and even promotes modesty. However, it is also a powerful and personal symbol of the Atonement—a continuous reminder both night and day that because of Jesus’ sacrifice, we are covered. (I am indebted to Guinevere Woolstenhulme, a religion teacher at BYU, for insights about kaphar.)
Jesus covers us (see Alma 7) when we feel worthless and inadequate. Christ referred to himself as “Alpha and Omega” (3 Nephi 9:18). Alpha and omega are the first and last letters of the Greek alphabet. Christ is surely the beginning and the end. Those who study statistics learn that the letter alpha is used to represent the level of significance in a research study. Jesus is also the one who gives value and significance to everything. Robert L. Millet writes, “In a world that offers flimsy and fleeting remedies for mortal despair, Jesus comes to us in our moments of need with a ‘more excellent hope’ (Ether 12:32)” (Grace Works, 62).
Jesus covers us when we feel lost and discouraged. Christ referred to Himself as the “light” (3 Nephi 18:16). He doesn’t always clear the path, but He does illuminate it. Along with being the light, He also lightens our loads. “For my yoke is easy,” He said, “and my burden is light” (Matthew 11:30). He doesn’t always take burdens away from us, but He strengthens us for the task of carrying them and promises they will be for our good.
Jesus covers us when we feel abused and hurt. Joseph Smith taught that because Christ met the demands of justice, all injustices will be made right for the faithful in the eternal scheme of things (see Teachings, 296). Marie K. Hafen has said, “The gospel of Jesus Christ was not given us to prevent our pain. The gospel was given us to heal our pain” (“Eve Heard All These Things,” 27).
Jesus covers us when we feel defenseless and abandoned. Christ referred to Himself as our “advocate” (D&C 29:5): one who believes in us and stands up to defend us. We read, “The Lord is my rock, and my fortress, and my deliverer; my God, my strength, in whom I will trust; my buckler” (Psalm 18:2). A buckler is a shield used to divert blows. Jesus doesn’t always protect us from unpleasant consequences of illness or the choices of others, since they are all part of what we are here on earth to experience. However, He does shield us from fear in those dark times and delivers us from having to face those difficulties alone. …
We’ve already learned that the Hebrew word that is translated into English as Atonement means “to cover.” In Arabic or Aramaic, the verb meaning to atone is kafat, which means “to embrace.” Not only can we be covered, helped, and comforted by the Savior, but we can be “encircled about eternally in the arms of his love” (2 Nephi 1:15). We can be “clasped in the arms of Jesus” (Mormon 5:11). In our day the Savior has said, “Be faithful and diligent in keeping the commandments of God, and I will encircle thee in the arms of my love” (D&C 6:20).
(Brad Wilcox, The Continuous Atonement, pp. 47-49, 60).
”
”
Brad Wilcox
“
Anyway, as I was saying, marriage sucks. It sucks the life and soul out of you. There are days I want to kill him, and there are days I want to torture him before I kill him.” Lizzy is working so hard at containing her laughter that she almost falls out of her chair. “There are days I wish he’d never been born. There are days I wish I’d never been born. But, listen to this carefully. They are just thoughts. Random fleeting thoughts that cross my mind when I’m upset about accidentally burning supper. Did he make me burn supper? No, he didn’t, but I heaped that blame on him. Or when I forgot about a load of his underpants in the washer and they soured. He bore the brunt of that blame, too. What about the abuse he got when I gave birth to our child? Twelve hours of non-stop name calling during labor, and that man took every last bit of it and fed me words of love and encouragement to boot!” Lizzy and I are now captivated by her speech. “When and if you get married, those thoughts will come to you. You’re going to fight. You’re going to have resentful moments. You’re going to wonder if it’s worth it all. My Stanley is eighty-six years old, and he was diagnosed with terminal cancer four weeks ago. If we’re lucky, I might have another couple of months with him the doctors say. All that complaining I did earlier… all that truth I gave you… you’d think I regretted marrying him, wouldn’t you? Well, I don’t. I’d give anything to have sixty-eight more years with him.
”
”
Rhonda R. Dennis (Yours Always)
“
That something I cannot yet define completely but the feeling comes when you write well and truly of something and know impersonally you have written in that way and those who are paid to read it and report on it do not like the subject so they say it is all a fake, yet you know its value absolutely; or when you do something which people do not consider a serious occupation and yet you know, truly, that it is as important and has always been as important as all th things that are in fashion, and when, on the sea, you are alone with it and know that this Gulf Stream you are living with, knowing, learning about, and loving, has moved, as it moves, since before man and that it has gone by the shoreline of that long, beautiful, unhappy island since before Columbus sighted it and that the things you find out about it, and those that have always lived in it are permanent and of value because that stream will flow, as it has flowed, after the Indians, after the Spaniards, after the British, after the Americans and after all the Cubans and all the systems of governments, the richness, the poverty, the martyrdom, the sacrifice and the venality and the cruelty are all gone as the high-piled scow of garbage, bright-colored, white-flecked, ill-smelling, now tilted on its side, spills off its load into the blue water, turning it a pale green to a depth of four or five fathoms as the load spreads across the surface, the sinkable part going down and the flotsam of palm fronds, corks, bottles, and used electric light globes, seasoned with an occasional condom or a deep floating corset, the torn leaves of a student's exercise book, a well-inflated dog, the occasional rat, the no-longer-distinguished cat; well shepherded by the boats of the garbage pickers who pluck their prizes with long poles, as interested, as intelligent, and as accurate as historians; they have the viewpoint; the stream, with no visible flow, takes five loads of this a day when things are going well in La Habana and in ten miles along the coast it is as clear and blue and unimpressed as it was ever before the tug hauled out the scow; and the palm fronds of our victories, the worn light bulbs of our discoveries and the empty condoms of our great loves float with no significance against one single, lasting thing - the stream.
”
”
Ernest Hemingway
“
I do love Oregon." My gaze wanders over the quiet, natural beauty surrounding us, which isn't limited to just this garden. "Being near the river, and the ocean, and the rocky mountains, and all this nature ... the weather."
He chuckles. "I've never met anyone who actually loves rain. It's kind of weird. But cool, too," he adds quickly, as if afraid to offend me. "I just don't get it."
I shrug. "It's not so much that I love rain. I just have a healthy respect for what if does. People hate it, but the world needs rain. It washes away dirt, dilutes the toxins in the air, feeds drought. It keeps everything around us alive."
"Well, I have a healthy respect for what the sun does," he counters with a smile."
"I'd rather have the sun after a good, hard rainfall."
He just shakes his head at me but he's smiling. "The good with the bad?"
"Isn't that life?"
He frowns. "Why do I sense a metaphor behind that?"
"Maybe there is a metaphor behind that." One I can't very well explain to him without describing the kinds of things I see every day in my life. The underbelly of society - where twisted morals reign and predators lurk, preying on the lost, the broken, the weak, the innocent. Where a thirteen-year-old sells her body rather than live under the same roof as her abusive parents, where punks gang-rape a drunk girl and then post pictures of it all over the internet so the world can relive it with her. Where a junkie mom's drug addiction is readily fed while her children sit back and watch.
Where a father is murdered bacause he made the mistake of wanting a van for his family.
In that world, it seems like it's raining all the time. A cold, hard rain that seeps into clothes, chills bones, and makes people feel utterly wretched.
Many times, I see people on the worst day of their lives, when they feel like they're drowing. I don't enjoy seeing people suffer. I just know that if they make good choices, and accept the right help, they'll come out of it all the stronger for it.
What I do enjoy comes after. Three months later, when I see that thirteen-year-old former prostitute pushing a mower across the front lawn of her foster home, a quiet smile on her face. Eight months later, when I see the girl who was raped walking home from school with a guy who wants nothing from her but to make her laugh. Two years later, when I see the junkie mom clean and sober and loading a shopping cart for the kids that the State finally gave back to her.
Those people have seen the sun again after the harshest rain, and they appreciate it so much more.
”
”
K.A. Tucker (Becoming Rain (Burying Water, #2))
“
February 10 "I know how to abound." Philippians 4:12 There are many who know "how to be abased" who have not learned "how to abound." When they are set upon the top of a pinnacle their heads grow dizzy, and they are ready to fall. The Christian far oftener disgraces his profession in prosperity than in adversity. It is a dangerous thing to be prosperous. The crucible of adversity is a less severe trial to the Christian than the refining pot of prosperity. Oh, what leanness of soul and neglect of spiritual things have been brought on through the very mercies and bounties of God! Yet this is not a matter of necessity, for the apostle tells us that he knew how to abound. When he had much he knew how to use it. Abundant grace enabled him to bear abundant prosperity. When he had a full sail he was loaded with much ballast, and so floated safely. It needs more than human skill to carry the brimming cup of mortal joy with a steady hand, yet Paul had learned that skill, for he declares, "In all things I am instructed both to be full and to be hungry." It is a divine lesson to know how to be full, for the Israelites were full once, but while the flesh was yet in their mouth, the wrath of God came upon them. Many have asked for mercies that they might satisfy their own hearts' lust. Fulness of bread has often made fulness of blood, and that has brought on wantonness of spirit. When we have much of God's providential mercies, it often happens that we have but little of God's grace, and little gratitude for the bounties we have received. We are full and we forget God: satisfied with earth, we are content to do without heaven. Rest assured it is harder to know how to be full than it is to know how to be hungry--so desperate is the tendency of human nature to pride and forgetfulness of God. Take care that you ask in your prayers that God would teach you "how to be full." "Let not the gifts thy love bestows Estrange our hearts from thee.
”
”
Charles Haddon Spurgeon (Christian Classics: Six books by Charles Spurgeon in a single collection, with active table of contents)
“
After all, a kiss between real lovers is not some type of contract, a neatly defined moment of pleasure, something obtained by greedy conquest, or any kind of clear saying of how it is. It is a grief-drenched hatching of two hearts into some ecstatic never-before-seen bird whose new uncategorizable form, unrecognized by the status quo, gives the slip to Death's sure rational deal. For love is a delicious and always messy extension of life that unfrantically outgrows mortality's rigid insistence on precise and efficient definition. Having all the answers means you haven't really ecstatically kissed or lived, thereby declaring the world defined and already finished. Loving all the questions on the other hand is a vitality that makes any length of life worth living. Loving doesn't mean you know all the notes and that you have to play all the notes, it just means you have to play the few notes you have long and beautifully.
Like the sight of a truly beautiful young woman, smooth and gliding, melting hearts at even a distant glimpse, that no words, no matter how capable, can truly describe; a woman whose beauty is only really known by those who take a perch on the vista of time to watch the years of life speak out their long ornate sentences of grooves as they slowly stretch into her smoothness, wrinkling her as she glides struggling, decade by decade, her gait mitigated by a long trail of heavy loads, joys, losses, and suffering whose joint-aching years of traveling into a mastery of her own artistry of living, becomes even more than beauty something about which though we are even now no more capable of addressing than before, our admiration as original Earth-loving human beings should nonetheless never remain silent. And for that beauty we should never sing about, but only sing directly to it. Straightforward, cold, and inornate description in the presence of such living evidence of the flowering speech of the Holy in the Seed would be death of both the beauty and the speaker. Even if we always fail when we speak, we must be willing to fail magnificently, for even an eloquent failure, if in the service of life, feeds the Divine.
Is it not a magical thing, this life, when just a little ash, cinder, and unclear water can arrange themselves into a beautiful old woman who sways, lifts, kisses, loves, sickens, argues, loses, bears up under it all, and, wrinkling, still lives under all that and yet feeds the Holy in Nature by just the way she moves barefoot down a path?
If we can find the hearts, tongues, and brightness of our original souls, broken or not, then no matter from what mess we might have sprung today, we would be like those old-time speakers of life; every one of us would have it in our nature to feel obligated by such true living beauty as to know we have to say something in its presence if only for our utter feeling of awe. For, finally learning to approach something respectfully with love, slowly with the courtesy of an ornate indirectness, not describing what we see but praising the magnificence of her half-smiles of grief and persistent radiance rolling up from the weight-bearing thumping of her fine, well-oiled dusty old feet shuffling toward the dawn reeds at the edge of her part of the lake to fetch a head-balanced little clay jar of water to cook the family breakfast, we would know why the powerful Father Sun himself hurries to get his daily glimpse of her, only rising early because she does.
”
”
Martin Prechtel (The Unlikely Peace at Cuchumaquic: The Parallel Lives of People as Plants: Keeping the Seeds Alive)
“
Many people approach Tolstoy with mixed feelings. They love the artist in him and are intensely bored by the preacher; but at the same time it is rather difficult to separate Tolstoy the preacher from Tolstoy the artist—it is the same deep slow voice, the same robust shoulder pushing up a cloud of visions or a load of ideas. What one would like to do, would be to kick the glorified soapbox from under his sandalled feet and then lock him up in a stone house on a desert island with gallons of ink and reams of paper—far away from the things, ethical and pedagogical, that diverted his attention from observing the way the dark hair curled above Anna's white neck. But the thing cannot be done : Tolstoy is homogeneous, is one, and the struggle which, especially in the later years, went on between the man who gloated over the beauty of black earth, white flesh, blue snow, green fields, purple thunderclouds, and the man who maintained that fiction is sinful and art immoral—this struggle was still confined within the same man. Whether painting or preaching, Tolstoy was striving, in spite of all obstacles, to get at the truth. As the author of Anna Karenin, he used one method of discovering truth; in his sermons, he used another; but somehow, no matter how subtle his art was and no matter how dull some of his other attitudes were, truth which he was ponderously groping for or magically finding just around the corner, was always the same truth — this truth was he and this he was an art.
What troubles one, is merely that he did not always recognize his own self when confronted with truth. I like the story of his picking up a book one dreary day in his old age, many years after he had stopped writing novels, and starting to read in the middle, and getting interested and very much pleased, and then looking at the title—and seeing: Anna Karenin by Leo Tolstoy.
What obsessed Tolstoy, what obscured his genius, what now distresses the good reader, was that, somehow, the process of seeking the Truth seemed more important to him than the easy, vivid, brilliant discovery of the illusion of truth through the medium of his artistic genius. Old Russian Truth was never a comfortable companion; it had a violent temper and a heavy tread. It was not simply truth, not merely everyday pravda but immortal istina—not truth but the inner light of truth. When Tolstoy did happen to find it in himself, in the splendor of his creative imagination, then, almost unconsciously, he was on the right path. What does his tussle with the ruling Greek-Catholic Church matter, what importance do his ethical opinions have, in the light of this or that imaginative passage in any of his novels?
Essential truth, istina, is one of the few words in the Russian language that cannot be rhymed. It has no verbal mate, no verbal associations, it stands alone and aloof, with only a vague suggestion of the root "to stand" in the dark brilliancy of its immemorial rock. Most Russian writers have been tremendously interested in Truth's exact whereabouts and essential properties. To Pushkin it was of marble under a noble sun ; Dostoevski, a much inferior artist, saw it as a thing of blood and tears and hysterical and topical politics and sweat; and Chekhov kept a quizzical eye upon it, while seemingly engrossed in the hazy scenery all around. Tolstoy marched straight at it, head bent and fists clenched, and found the place where the cross had once stood, or found—the image of his own self.
”
”
Vladimir Nabokov (Lectures on Russian Literature)
“
Thought Control
* Require members to internalize the group’s doctrine as truth
* Adopt the group’s “map of reality” as reality
* Instill black and white thinking
* Decide between good versus evil
* Organize people into us versus them (insiders versus outsiders)
* Change a person’s name and identity
* Use loaded language and clichés to constrict knowledge, stop critical thoughts, and reduce complexities into platitudinous buzzwords
* Encourage only “good and proper” thoughts
* Use hypnotic techniques to alter mental states, undermine critical thinking, and even to age-regress the member to childhood states
* Manipulate memories to create false ones
* Teach thought stopping techniques that shut down reality testing by stopping negative thoughts and allowing only positive thoughts. These techniques include:
* Denial, rationalization, justification, wishful thinking
* Chanting
* Meditating
* Praying
* Speaking in tongues
* Singing or humming
* Reject rational analysis, critical thinking, constructive criticism
* Forbid critical questions about leader, doctrine, or policy
* Label alternative belief systems as illegitimate, evil, or not useful
* Instill new “map of reality”
Emotional Control
* Manipulate and narrow the range of feelings—some emotions and/or needs are deemed as evil, wrong, or selfish
* Teach emotion stopping techniques to block feelings of hopelessness, anger, or doubt
* Make the person feel that problems are always their own fault, never the leader’s or the group’s fault
* Promote feelings of guilt or unworthiness, such as:
* Identity guilt
* You are not living up to your potential
* Your family is deficient
* Your past is suspect
* Your affiliations are unwise
* Your thoughts, feelings, actions are irrelevant or selfish
* Social guilt
* Historical guilt
* Instill fear, such as fear of:
* Thinking independently
* The outside world
* Enemies
* Losing one’s salvation
* Leaving
* Orchestrate emotional highs and lows through love bombing and by offering praise one moment, and then declaring a person is a horrible sinner
* Ritualistic and sometimes public confession of sins
* Phobia indoctrination: inculcate irrational fears about leaving the group or questioning the leader’s authority
* No happiness or fulfillment possible outside the group
* Terrible consequences if you leave: hell, demon possession, incurable diseases, accidents, suicide, insanity, 10,000 reincarnations, etc.
* Shun those who leave and inspire fear of being rejected by friends and family
* Never a legitimate reason to leave; those who leave are weak, undisciplined, unspiritual, worldly, brainwashed by family or counselor, or seduced by money, sex, or rock and roll
* Threaten harm to ex-member and family (threats of cutting off friends/family)
”
”
Steven Hassan
“
While thus engaged, I heard in a side-room the softest possible jingle of bracelets, crackle of dress, and footfall; and I felt certain that two curious eyes were watching me through a small opening of the window. All at once there flashed upon my memory a pair of eyes,—a pair of large eyes, beaming with trust, simplicity, and girlhood's love,—black pupils,—thick dark eyelashes,—a calm fixed gaze. Suddenly some unseen force squeezed my heart in an iron grip, and it throbbed with intense pain. I returned to my house, but the pain clung to me. Whether I read, wrote, or did any other work, I could not shake that weight off my heart; a heavy load seemed to be always swinging from my heart-strings. In the evening, calming myself a little, I began to reflect: ‘What ails me?’ From within came the question: ‘Where is your Surabala now?’ I replied: ‘I gave her up of my free will. Surely I did not expect her to wait for me for ever.’ But something kept saying: ‘Then you could have got her merely for the asking. Now you have not the right to look at her even once, do what you will. That Surabala of your boyhood may come very close to you; you may hear the jingle of her bracelets; you may breathe the air embalmed by the essence of her hair,—but there will always be a wall between you two.’ I answered: ‘Be it so. What is Surabala to me?’ My heart rejoined: ‘To-day Surabala is nobody to you. But what might she not have been to you?’ Ah! that's true. What might she not have been to me? Dearest to me of all things, closer to me than the world besides, the sharer of all my life's joys and sorrows,—she might have been. And now, she is so distant, so much of a stranger, that to look on her is forbidden, to talk with her is improper, and to think of her is a sin!—while this Ram Lochan, coming suddenly from nowhere, has muttered a few set religious texts, and in one swoop has carried off Surabala from the rest of mankind! I have not come to preach a new ethical code, or to revolutionise society; I have no wish to tear asunder domestic ties. I am only expressing the exact working of my mind, though it may not be reasonable. I could not by any means banish from my mind the sense that Surabala, reigning there within shelter of Ram Lochan's home, was mine far more than his. The thought was, I admit, unreasonable and improper,—but it was not unnatural.
”
”
Rabindranath Tagore (Mashi and Other Stories)
“
On the bus, I pull out my book.
It's the best book I've ever read, even if I'm only halfway through. It's called Jane Eyre by Charlotte Brontë, with two dots over the e.
Jane Eyre lives in England in Queen Victoria's time. She's an orphan who's taken in by a horrid rich aunt who locks her in a haunted room to punish her for lying, even though she didn't lie.
Then Jane is sent to a charity school, where all she gets to eat is burnt porridge and brown stew for many years. But she grows up to be clever, slender, and wise anyway.
Then she finds work as a governess in a huge manor called Thornfield, because in England houses have names. At Thornfield, the stew is less brown and the people less simple.
That's as far as I've gotten...
Diving back into Jane Eyre...
Because she grew up to be clever, slender and wise, no one calls Jane Eyre a liar, a thief or an ugly duckling again. She tutors a young girl, Adèle, who loves her, even though all she has to her name are three plain dresses. Adèle thinks Jane Eyre's smart and always tells her so.
Even Mr. Rochester agrees. He's the master of the house, slightly older and mysterious with his feverish eyebrows. He's always asking Jane to come and talk to him in the evenings, by the fire. Because she grew up to be clever, slender, and wise, Jane Eyre isn't even all that taken aback to find out she isn't a monster after all...
Jane Eyre soon realizes that she's in love with Mr. Rochester, the master of Thornfield. To stop loving him so much, she first forces herself to draw a self-portrait, then a portrait of Miss Ingram, a haughty young woman with loads of money who has set her sights on marrying Mr. Rochester.
Miss Ingram's portrait is soft and pink and silky.
Jane draws herself: no beauty, no money, no relatives, no future. She show no mercy. All in brown.
Then, on purpose, she spends all night studying both portraits to burn the images into her brain for all time.
Everyone needs a strategy, even Jane Eyre...
Mr. Rochester loves Jane Eyre and asks her to marry him.
Strange and serious, brown dress and all, he loves her.
How wonderful, how impossible.
Any boy who'd love a sailboat-patterned, swimsuited sausage who tames rabid foxes would be wonderful. And impossible.
Just like in Jane Eyre, the story would end badly.
Just like in Jane Eyre, she'd learn the boy already has a wife as crazy as a kite, shut up in the manor tower, and that even if he loves the swimsuited sausage, he can't marry her.
Then the sausage would have to leave the manor in shame and travel to the ends of the earth, her heart in a thousand pieces...
Oh right, I forgot.
Jane Eyre returns to Thornfield one day and discovers the crazy-as-a-kite wife set the manor on fire and did Mr. Rochester some serious harm before dying herself.
When Jane shows up at the manor, she discovers Mr. Rochester in the dark, surrounded by the ruins of his castle.
He is maimed, blind, unkempt.
And she still loves him.
He can't believe it.
Neither can I.
Something like that would never happen in real life.
Would it?
... You'll see, the story ends well.
”
”
Fanny Britt (Jane, the Fox & Me)
“
She wasn’t sure when she realized that she wasn’t alone. She’d heard a louder murmur from the crowd outside, but she hadn’t connected it with the door opening. She looked over her shoulder and saw Tate standing against the back wall. He was wearing one of those Armani suits that looked so splendid on his lithe build, and he had his trenchcoat over one arm. He was leaning back, glaring at the ceremony. Something was different about him, but Cecily couldn’t think what. It wasn’t the vivid bruise high up on his cheek where Matt had hit him. But it was something…Then it dawned on her. His hair was cut short, like her own. He glared at her.
Cecily wasn’t going to cower in her seat and let him think she was afraid to face him. Mindful of the solemnity of the occasion, she got up and joined Tate by the door.
“So you actually came. Bruises and all,” she whispered with a faintly mocking smile, eyeing the very prominent green-and-yellow patch on his jaw that Matt Holden had put there.
He looked down at her from turbulent black eyes. He didn’t reply for a minute while he studied her, taking in the differences in her appearance, too. His eyes narrowed on her short hair. She thought his eyelids flinched, but it might have been the light.
His eyes went back to the ceremony. He didn’t say another word. He didn’t really need to. He’d cut his hair. In his culture-the one that part of him still belonged to-cutting the hair was a sign of grief.
She could feel the way it was hurting him to know that the people he loved most in the world had lied to him. She wanted to tell him that the pain would ease day by day, that it was better to know the truth than go through life living a lie. She wanted to tell him that having a foot in two cultures wasn’t the end of the world. But he stood there like a painted stone statue, his jaw so tense that the muscles in it were noticeable. He refused to acknowledge her presence at all.
“Congratulations on your engagement, by the way,” she said without a trace of bitterness in her tone. “I’m very happy for you.”
His eyes met hers evenly. “That isn’t what you told the press,” he said in a cold undertone. “I’m amazed that you’d go to such lengths to get back at me.”
“What lengths?” she asked.
“Planting that story in the tabloids,” he returned. “I could hate you for that.”
The teenage sex slave story, she guessed. She glared back at him. “And I could hate you, for believing I would do something so underhanded,” she returned.
He scowled down at her. The anger he felt was almost tangible. She’d sold him out in every way possible and now she’d embarrassed him publicly, again, first by confessing to the media that she’d been his teenage lover-a load of bull if ever there was one. Then she’d compounded it by adding that he was marrying Audrey at Christmas. He wondered how she could be so vindictive. Audrey was sticking to him like glue and she’d told everyone about the wedding. Not that many people hadn’t read it already in the papers. He felt sick all over. He wouldn’t have Audrey at any price. Not that he was about to confess that to Cecily now, after she’d sold him out.
He started to speak, but he thought better of it, and turned his angry eyes back toward the couple at the altar.
After a minute, Cecily turned and went back to her seat. She didn’t look at him again.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))