Lm Montgomery Winter Quotes

The beauty of winter is that it makes you appreciate spring.

Anne came dancing home in the purple winter twilight across the snowy places.

March came in that winter like the meekest and mildest of lambs, bringing days that were crisp and golden and tingling, each followed by a frosty pink twilight which gradually lost itself in an elfland of moonshine.

She had dreamed some brilliant dreams during the past winter and now they lay in the dust around her. In her present mood of self-disgust, she could not immediately begin dreaming again. And she discovered that, while solitude with dreams is glorious, solitude without them has few charms.

The year is a book, isn’t it, Marilla? Spring’s pages are written in Mayflowers and violets, summer’s in roses, autumn’s in red maple leaves, and winter in holly and evergreen.

But now she loved winter. Winter was beautiful "up back" - almost intolerably beautiful. Days of clear brilliance. Evenings that were like cups of glamour - the purest vintage of winter's wine. Nights with their fire of stars. Cold, exquisite winter sunrises. Lovely ferns of ice all over the windows of the Blue Castle. Moonlight on birches in a silver thaw. Ragged shadows on windy evenings - torn, twisted, fantastic shadows. Great silences, austere and searching. Jewelled, barbaric hills. The sun suddenly breaking through grey clouds over long, white Mistawis. Ice-grey twilights, broken by snow-squalls, when their cosy living-room, with its goblins of firelight and inscrutable cats, seemed cosier than ever. Every hour brought a new revalation and wonder.

They captured in their ramble all the mysteries and magics of a March evening. Very still and mild it was, wrapped in a great, white, brooding silence -- a silence which was yet threaded through with many little silvery sounds which you could hear if you hearkened as much with your soul as your ears. The girls wandered down a long pineland aisle that seemed to lead right out into the heart of a deep-red, overflowing winter sunset.

Oh, aren't you glad it is spring? The beauty of winter is that it makes you appreciate spring.

You never knew how beautiful a tree really was until you saw it leafless against a pearl-grey winter sky.

Anne sewed and planned little winter wardrobes..."Nan must have a red dress, since she is so set on it"...and sometimes thought of Hannah, weaving her little coat every year for the small Samuel. Mothers were the same all through the centuries...a great sisterhood of love and service...the remembered and the unremembered alike.

The last day of the old year was one of those bright, cold dazzling winter days, which bombard us with their brilliancy, and command our admiration but never our love.

The woods are so human," wrote John Foster, "that to know them one must live with them. An occasional saunter through them, keeping to the well-trodden paths, will never admit us to their intimacy. If we wish to be friends we must seek them out and win them by frequent, reverent visits at all hours; by morning, by noon, and by night; and at all seasons, in spring, in summer, in autumn, in winter. Otherwise we can never really know them and any pretence we may make to the contrary will never impose on them. They have their own effective way of keeping aliens at a distance and shutting their hearts to mere casual sightseers. It is of no use to seek the woods from any motive except sheer love of them; they will find us out at once and hide all their sweet, old-world secrets from us. But if they know we come to them because we love them they will be very kind to us and give us such treasures of beauty and delight as are not bought or sold in any market-place. For the woods, when they give at all, give unstintedly and hold nothing back from their true worshippers. We must go to them lovingly, humbly, patiently, watchfully, and we shall learn what poignant loveliness lurks in the wild places and silent intervales, lying under starshine and sunset, what cadences of unearthly music are harped on aged pine boughs or crooned in copses of fir, what delicate savours exhale from mosses and ferns in sunny corners or on damp brooklands, what dreams and myths and legends of an older time haunt them. Then the immortal heart of the woods will beat against ours and its subtle life will steal into our veins and make us its own forever, so that no matter where we go or how widely we wander we shall yet be drawn back to the forest to find our most enduring kinship.

Mr. Leavitt did put a stop to it, but Fiske kept on with his meetings until Charley Douglas put an end to his career in the Glen. Mrs. Charley had been out in California all winter. She’d been real melancholy in the fall—religious melancholy—it ran in her family. Her father worried so much over believing that he had committed the unpardonable sin that he died in the asylum. So when Rose Douglas got that way Charley packed her off to visit her sister in Los Angeles. She got perfectly well and came home just when the Fiske revival was in full swing. She stepped off the train at the Glen, real smiling and chipper, and the first thing she saw staring her in the face on the black, gable-end of the freight shed, was the question, in big white letters, two feet high, ‘Wither goest thou—to heaven or hell?’ That had been one of Fiske’s ideas, and he had got Henry Hammond to paint it. Rose just gave a shriek and fainted; and when they got her home she was worse than ever. Charley Douglas went to Mr. Leavitt and told him that every Douglas would leave the church if Fiske was kept there any longer. Mr. Leavitt had to give in, for the Douglases paid half his salary, so Fiske departed, and we had to depend on our Bibles once more for instructions on how to get to heaven.

It's lovely in the woods now. All the little wood things—the ferns and the satin leaves and the crackerberries—have gone to sleep, just as if somebody had tucked them away until spring under a blanket of leaves. I think it was a little gray fairy with a rainbow scarf that came tiptoeing along the last moonlight night and did it.

Marilla, walking home one late April evening from an Aid meeting, realized that the winter was over and gone with the thrill of delight that spring never fails to bring to the oldest and saddest as well as to the youngest and merriest.

The night was cool; soon the sharper, cooler nights of autumn would come; then the deep snow... the deep white snow... the deep cold snow of winter... nights wild with wind and storm. But who would care? There would be the magic of firelight in gracious rooms... hadn’t Gilbert spoken not long ago of apple logs he was getting to burn in the fireplace? They would glorify the grey days that were bound to come. What would matter drifted snow and biting wind when love burned clear and bright, with spring beyond? And all the little sweetnesses of life sprinkling the road.

One dim wet evening in early spring, when a shabby old world was trying to wash the winter grime from its face before it must welcome April, there was wild music among the birches

MY HOUSE I have built me a house at the end of the street Where the tall fir trees stand in a row, With a garden beside it where, purple and gold, The pansies and daffodils grow: It has dear little windows, a wide, friendly door Looking down the long road from the hill, Whence the light can shine out through the blue summer dusk And the winter nights, windy and chill To beckon a welcome for all who may roam ... ‘Tis a darling wee house but it’s not yet a home. It wants moonlight about it all silver and dim, It wants mist and a cloak of grey rain, It wants dew of the twilight and wind of the dawn And the magic of frost on its pane: It wants a small dog with a bark and a tail, It wants kittens to frolic and purr, It wants saucy red robins to whistle and call At dusk from the tassels of fir: It wants storm and sunshine as day follows day, And people to love it in work and in play. It wants faces like flowers at the windows and doors, It wants secrets and follies and fun, It wants love by the hearthstone and friends by the gate, And good sleep when the long day is done: It wants laughter and joy, it wants gay trills of song On the stairs, in the hall, everywhere, It wants wooings and weddings and funerals and births, It wants tears, it wants sorrow and prayer, Content with itself as the years go and come ... Oh, it needs many things for a house to be home! Walter Blythe

I hate this war," said Rilla bitterly, as she gazed out into the maple grove that was a chill glory of pink and gold in the winter sunset. "Nineteen-fourteen has gone," said Dr. Blythe on New Year's Day. "Its sun, which rose fairly, has set in blood. What will nineteen-fifteen bring?" "Victory!" said Susan, for once laconic.

...as time went on and autumn passed and winter came with its beautiful bare-limbed trees, and soft pearl-grey skies the were slashed with rifts of gold in the afternoons, and cleared to a jewelled pageantry of stars over the wide white hills and valleys around New Moon.

Everything speaks of the autumn now. The sea roars hollowly day and night, the fields are bare and sere, bordered by strips of deep-dyed golden-rod, asters, and life-everlasting; and the ponds are blue – blue – not the steely blue of winter or the deep azure of summer, but a clear, steadfast serene blue, as if the water were past all the moods and tenses of passion and had settled down to tranquility.

time went on and autumn passed and winter came with its beautiful bare-limbed trees, and soft pearl-grey skies that were slashed with rifts of gold in the afternoons, and cleared to a jewelled pageantry of stars over the wide white hills and valleys around New Moon.