Little Lad Quotes

We've searched our database for all the quotes and captions related to Little Lad. Here they are! All 100 of them:

Science, my lad, is made up of mistakes, but they are mistakes which it is useful to make, because they lead little by little to the truth.
Jules Verne (A Journey to the Center of the Earth (Great Illustrated Classics))
A line comes back to Marie-Laure from Jules Verne: Science, my lad, is made up of mistakes, but they are mistakes which it is useful to make, because they lead little by little to the truth.
Anthony Doerr (All the Light We Cannot See)
Science, my lad, is made up of mistakes, but they are mistakes which it is useful to make, because they lead little by little to the truth.
Anthony Doerr (All the Light We Cannot See)
Liam made a low whistling sound through the device in Zane’s ear. “Little touch and go there, lads. Who do I shoot first if things go to hell?
Abigail Roux (Touch & Geaux (Cut & Run, #7))
Where are you going, Master?' cried Sam, though at last he understood what was happening. 'To the Havens, Sam,' said Frodo. 'And I can't come.' 'No, Sam. Not yet, anyway, not further than the Havens. Though you too were a Ring-bearer, if only for a little while. Your time may come. Do not be too sad, Sam. You cannot always be torn in two. You will have to be one and whole, for many years. You have so much to enjoy and to be, and to do.' 'But,' said Sam, and tears started in his eyes, 'I thought you were going to enjoy the Shire, too, for years and years, after all you have done.' 'So I thought too, once. But I have been too deeply hurt, Sam. I tried to save the Shire, and it has been saved, but not for me. It must often be so, Sam, when things are in danger: some one has to give them up, lose them, so that others may keep them. But you are my heir: all that I had and might have had I leave to you. And also you have Rose, and Elanor; and Frodo-lad will come, and Rosie-lass, and Merry, and Goldilocks, and Pippin; and perhaps more that I cannot see. Your hands and your wits will be needed everywhere. You will be the Mayor, of course, as long as you want to be, and the most famous gardener in history; and you will read things out of the Red Book, and keep alive the memory of the age that is gone, so that people will remember the Great Danger, and so love their beloved land all the more. And that will keep you as busy and as happy as anyone can be, as long as your part in the Story goes on. 'Come now, ride with me!
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
You smile upon your friend to-day, To-day his ills are over; You hearken to the lover's say, And happy is the lover. 'Tis late to hearken, late to smile, But better late than never: I shall have lived a little while Before I die for ever.
A.E. Housman (A Shropshire Lad)
Two lads an’ a little lass just lookin’ on at th’ springtime. I warrant it’d be better than doctor’s stuff.
Frances Hodgson Burnett (The Secret Garden)
Were these boys in their right minds? Here were two boys with good intellect, one eighteen and one nineteen. They had all the prospects that life could hold out for any of the young; one a graduate of Chicago and another of Ann Arbor; one who had passed his examination for the Harvard Law School and was about to take a trip in Europe,--another who had passed at Ann Arbor, the youngest in his class, with three thousand dollars in the bank. Boys who never knew what it was to want a dollar; boys who could reach any position that was to boys of that kind to reach; boys of distinguished and honorable families, families of wealth and position, with all the world before them. And they gave it all up for nothing, for nothing! They took a little companion of one of them, on a crowded street, and killed him, for nothing, and sacrificed everything that could be of value in human life upon the crazy scheme of a couple of immature lads. Now, your Honor, you have been a boy; I have been a boy. And we have known other boys. The best way to understand somebody else is to put yourself in his place. Is it within the realm of your imagination that a boy who was right, with all the prospects of life before him, who could choose what he wanted, without the slightest reason in the world would lure a young companion to his death, and take his place in the shadow of the gallows? ...No one who has the process of reasoning could doubt that a boy who would do that is not right. How insane they are I care not, whether medically or legally. They did not reason; they could not reason; they committed the most foolish, most unprovoked, most purposeless, most causeless act that any two boys ever committed, and they put themselves where the rope is dangling above their heads.... Why did they kill little Bobby Franks? Not for money, not for spite; not for hate. They killed him as they might kill a spider or a fly, for the experience. They killed him because they were made that way. Because somewhere in the infinite processes that go to the making up of the boy or the man something slipped, and those unfortunate lads sit here hated, despised, outcasts, with the community shouting for their blood. . . . I know, Your Honor, that every atom of life in all this universe is bound up together. I know that a pebble cannot be thrown into the ocean without disturbing every drop of water in the sea. I know that every life is inextricably mixed and woven with every other life. I know that every influence, conscious and unconscious, acts and reacts on every living organism, and that no one can fix the blame. I know that all life is a series of infinite chances, which sometimes result one way and sometimes another. I have not the infinite wisdom that can fathom it, neither has any other human brain
Clarence Darrow (Attorney for the Damned: Clarence Darrow in the Courtroom)
I ain’t going to kiss ye, poppet. Just keep still like a good little lad.
Bey Deckard (Caged: Love and Treachery on the High Seas (Baal's Heart, #1))
Loveliest of Trees Loveliest of trees, the cherry now Is hung with bloom along the bough, And stands about the woodland ride Wearing white for Eastertide. Now, of my threescore years and ten, Twenty will not come again, And take from seventy springs a score, It only leaves me fifty more. And since to look at things in bloom Fifty springs are little room, About the woodlands I will go To see the cherry hung with snow.
A.E. Housman (A Shropshire Lad)
Oh, now my Erin, she'd smile down on me no matter where I walked." Grandpop smiled that little smile again. "But I'd be separated from her, and I'd feel that separation in my soul, you see?" Nathan shook his head. Grandpop sighed. "You have the Irish eyes, boy. One of these days, you'll see from eyes, not your own, feel with a heart outside your chest. Wild Irish eyes. Nathan. When you love, love well and love true, and take care, lad, because those Irish eyes are windows into not just your own soul, but the soul of the one you love." Grandpop looked out at his Erin's grave. "And when you lose that heart, you can't leave the places where your memories are the best. And if I left her, I'd not be buried beside her.
Lora Leigh (Wild Card (Elite Ops, #1))
Song in the Manner of Housman" O woe, woe, People are born and die, We also shall be dead pretty soon Therefore let us act as if we were dead already. The bird sits on the hawthorn tree But he dies also, presently. Some lads get hung, and some get shot. Woeful is this human lot. Woe! woe, etcetera.... London is a woeful place, Shropshire is much pleasanter. Then let us smile a little space Upon fond nature's morbid grace. Oh, Woe, woe, woe, etcetera....
Ezra Pound
And what do they talk about beyond the barricade, my little lad?” “Um…well, Justice an' Truth an' Freedom and stuff,” said Nobby. “Aha. Rebel talk!” said Carcer, straightening up. “Is it?” said the major. “Take it from me, major,” said Carcer. “When you get a bunch of people using words like that, they're up to no good.
Terry Pratchett
A refurbished Star Wars is on somewhere or everywhere. I have no intention of revisiting any galaxy. I shrivel inside each time it is mentioned. Twenty years ago, when the film was first shown, it had a freshness, also a sense of moral good and fun. Then I began to be uneasy at the influence it might be having. The first bad penny dropped in San Francisco when a sweet-faced boy of twelve told me proudly that he had seen Star Wars over a hundred times. His elegant mother nodded with approval. Looking into the boy's eyes I thought I detected little star-shells of madness beginning to form and I guessed that one day they would explode. 'I would love you to do something for me,' I said. 'Anything! Anything!' the boy said rapturously. 'You won't like what I'm going to ask you to do,' I said. 'Anything, sir, anything!' 'Well,' I said, 'do you think you could promise never to see Star Wars again?' He burst into tears. His mother drew herself up to an immense height. 'What a dreadful thing to say to a child!' she barked, and dragged the poor kid away. Maybe she was right but I just hope the lad, now in his thirties, is not living in a fantasy world of secondhand, childish banalities.
Alec Guinness (A Positively Final Appearance)
On the Place she met Lestivoudois on his way back, for, in order not to shorten his day's labour, he preferred interrupting his work, then beginning it again, so that he rang the Angelus to suit his own convenience. Besides, the ringing over a little earlier warned the lads of catechism hour.
Gustave Flaubert (Madame Bovary)
But you said I had to spend some time with them!" "A few hours, lad," Grandpa Smedry said, "to apologize for the trouble you'd given them. What did you expect? That I'd leave you here all summer, in the exact place where your enemies know where to look? With people that aren't even your family? In a place you don't really like, and that is depressingly normal compared to the world you've grown to love? Doesn't that sound a little stupid and contrived to you?
Brandon Sanderson (Alcatraz Versus the Evil Librarians (Alcatraz, #1))
So long as Colin shut himself up in his room and thought only of his fears and weakness and his detestation of people who looked at him and reflected hourly on humps and early death, he was a hysterical half-crazy little hypochondriac who knew nothing of the sunshine and the spring and also did not know that he could get well and could stand upon his feet if he tried to do it. When new beautiful thoughts began to push out the old hideous ones, life began to come back to him, his blood ran healthily through his veins and strength poured into him like a flood. His scientific experiment was quite practical and simple and there was nothing weird about it at all. Much more surprising things can happen to any one who, when a disagreeable or discouraged thought comes into his mind, just has the sense to remember in time and push it out by putting in an agreeable determinedly courageous one. Two things cannot be in one place. "Where, you tend a rose, my lad, A thistle cannot grow.
Frances Hodgson Burnett (The Secret Garden)
When I watch the living meet, And the moving pageant file Warm and breathing through the street Where I lodge a little while, If the heats of hate and lust In the house of flesh are strong, Let me mind the house of dust Where my sojourn shall be long. In the nation that is not Nothing stands that stood before; There revenges are forgot, And the hater hates no more; Lovers lying two and two Ask not whom they sleep beside, And the bridegroom all night through Never turns him to the bride.
A.E. Housman (A Shropshire Lad)
(Background: Morgan is a female warrior looking for a fight. Adhémar is your garden variety male.) A man near the door leered at her. Adhémar immediately stepped in front of her, but Morgan pushed him aside. She looked at the man and smiled pleasantly. Ah, something to take her mind off her coming journey. "Did you say something?" she asked. "Aye," he said, "I asked it you were occupied tonight, but I can see you have a collection of lads here to keep you busy—" Adhémar apparently couldn't control his chivalry. He took the man by the front of the shirt and threw him out the door. The man crawled to his feet and started bellowing. Adhémar planted his fist into the man's face. The stranger slumped to the ground, senseless. Morgan glared at Adhémar. "You owe me a brawl," she said. "What?" he asked incredulously. "A brawl," Morgan said. "And it had best be a good one." "With me?" he asked, blinking in surprise. "I'd prefer someone with more skill, that I might not sleep through it, but you'll do." Paien laughed out loud and pulled him away. "Adhémar, my friend, you cannot win this one. Next time, allow Morgan her little pleasures. She cannot help the attention her face attracts, and thus she has opportunities to teach ignorant men manners. In truth, it is a service she offers, bettering our kind wherever she goes.
Lynn Kurland (Star of the Morning (Nine Kingdoms, #1))
It’s been my experience (learned when I was just a wee lad with infected ears) that if a medical person tells you you’re going to feel a little pinch, they’re going to hurt you really bad.
Stephen King (On Writing: A Memoir of the Craft)
Ye gods and fishes, lad, every town has its resident witch. Every town hides some old Greek pagan priest, some Roman worshipper of tiny gods who ran up the roads, hid in culverts, sank in caves to escape the Christians! In every tiny village, boy, in every scrubby farm the old religions hide out . . . all the little lollygaggin' cults, all flavors and types, scramble to survive. See how they run, boys!
Ray Bradbury
The next day on the far side of the mountain we encountered the two lads that had deserted us. Hangin upside down in a tree. They'd been skinned and I can tell ye it does very little for a man's appearance.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
The next day on the far side of the mountain we encountered the two lads that had deserted us. Hangin upside down in a tree. They’d been skinned and I can tell ye it does very little for a man’s appearance.
Cormac McCarthy (Blood Meridian: Or the Evening Redness in the West)
As I said, I don’t expect you to understand—” “And I don’t,” he cut in. “Ye ask how I can live a life that I know will end with the hangman’s noose. Well, at least I am alive. Ye might as well have climbed inside yer husband’s coffin and let yerself be buried with his corpse.” Her hand flashed out before she’d thought about it, the smack against his cheek loud in the little courtyard. Silence had her eyes locked with Michael’s, her chest rising and falling swiftly, but she was aware that Bert and Harry had looked up. Even Mary and Lad had paused in their play. Without taking his gaze from hers, Michael reached out and grasped her hand. He raised her hand to his lips and softly kissed the center of her palm. He looked at her, her hand still at his lips. “Don’t take to yer grave afore yer time, Silence, m’love.
Elizabeth Hoyt (Scandalous Desires (Maiden Lane, #3))
In a village of La Mancha, the name of which I have no desire to call to mind, there lived not long since one of those gentlemen that keep a lance in the lance-rack, an old buckler, a lean hack, and a greyhound for coursing. An olla of rather more beef than mutton, a salad on most nights, scraps on Saturdays, lentils on Fridays, and a pigeon or so extra on Sundays, made away with three-quarters of his income. The rest of it went in a doublet of fine cloth and velvet breeches and shoes to match for holidays, while on week-days he made a brave figure in his best homespun. He had in his house a housekeeper past forty, a niece under twenty, and a lad for the field and market-place, who used to saddle the hack as well as handle the bill-hook. The age of this gentleman of ours was bordering on fifty; he was of a hardy habit, spare, gaunt-featured, a very early riser and a great sportsman. They will have it his surname was Quixada or Quesada (for here there is some difference of opinion among the authors who write on the subject), although from reasonable conjectures it seems plain that he was called Quexana. This, however, is of but little importance to our tale; it will be enough not to stray a hair's breadth from the truth in the telling of it.
Miguel de Cervantes Saavedra (Don Quixote)
Are we labouring at some Work too vast for us to perceive? Are our passions and desires mere whips and traces by the help of which we are driven? Any theory seems more hopeful than the thought that all our eager, fretful lives are but the turning of a useless prison crank. Looking back the little distance that our dim eyes can penetrate the past, what do we find? Civilizations, built up with infinite care, swept aside and lost. Beliefs for which men lived and died, proved to be mockeries. Greek Art crushed to the dust by Gothic bludgeons. Dreams of fraternity, drowned in blood by a Napoleon. What is left to us, but the hope that the work itself, not the result, is the real monument? Maybe, we are as children, asking, "Of what use are these lessons? What good will they ever be to us?" But there comes a day when the lad understands why he learnt grammar and geography, when even dates have a meaning for him. But this is not until he has left school, and gone out into the wider world. So, perhaps, when we are a little more grown up, we too may begin to understand the reason for our living
Jerome K. Jerome
Rain falling on water… Ah, yes…When he was a little lad he’d pretended that the raindrops splashing in the running gutters were soldiers. Millions of soldiers. And the bubbles that sometimes went floating by were men on horseback. Right now he couldn’t remember what the occasional dead dog had been. Some kind of siege weapon, possibly.
Terry Pratchett (Jingo (Discworld, #21))
Tenways showed his rotten teeth. ‘Fucking make me.’ ‘I’ll give it a try.’ A man came strolling out of the dark, just his sharp jaw showing in the shadows of his hood, boots crunching heedless through the corner of the fire and sending a flurry of sparks up around his legs. Very tall, very lean and he looked like he was carved out of wood. He was chewing meat from a chicken bone in one greasy hand and in the other, held loose under the crosspiece, he had the biggest sword Beck had ever seen, shoulder-high maybe from point to pommel, its sheath scuffed as a beggar’s boot but the wire on its hilt glinting with the colours of the fire-pit. He sucked the last shred of meat off his bone with a noisy slurp, and he poked at all the drawn steel with the pommel of his sword, long grip clattering against all those blades. ‘Tell me you lot weren’t working up to a fight without me. You know how much I love killing folk. I shouldn’t, but a man has to stick to what he’s good at. So how’s this for a recipe…’ He worked the bone around between finger and thumb, then flicked it at Tenways so it bounced off his chain mail coat. ‘You go back to fucking sheep and I’ll fill the graves.’ Tenways licked his bloody top lip. ‘My fight ain’t with you, Whirrun.’ And it all came together. Beck had heard songs enough about Whirrun of Bligh, and even hummed a few himself as he fought his way through the logpile. Cracknut Whirrun. How he’d been given the Father of Swords. How he’d killed his five brothers. How he’d hunted the Shimbul Wolf in the endless winter of the utmost North, held a pass against the countless Shanka with only two boys and a woman for company, bested the sorcerer Daroum-ap-Yaught in a battle of wits and bound him to a rock for the eagles. How he’d done all the tasks worthy of a hero in the valleys, and so come south to seek his destiny on the battlefield. Songs to make the blood run hot, and cold too. Might be his was the hardest name in the whole North these days, and standing right there in front of Beck, close enough to lay a hand on. Though that probably weren’t a good idea. ‘Your fight ain’t with me?’ Whirrun glanced about like he was looking for who it might be with. ‘You sure? Fights are twisty little bastards, you draw steel it’s always hard to say where they’ll lead you. You drew on Calder, but when you drew on Calder you drew on Curnden Craw, and when you drew on Craw you drew on me, and Jolly Yon Cumber, and Wonderful there, and Flood – though he’s gone for a wee, I think, and also this lad here whose name I’ve forgotten.’ Sticking his thumb over his shoulder at Beck. ‘You should’ve seen it coming. No excuse for it, a proper War Chief fumbling about in the dark like you’ve nothing in your head but shit. So my fight ain’t with you either, Brodd Tenways, but I’ll still kill you if it’s called for, and add your name to my songs, and I’ll still laugh afterwards. So?’ ‘So what?’ ‘So shall I draw?
Joe Abercrombie (The Heroes)
Hallo, my fine fellow!” “Hallo!” returned the boy. “Do you know the Poulterer’s, in the next street but one, at the corner?” Scrooge inquired. “I should hope I did,” replied the lad. “An intelligent boy!” said Scrooge. “A remarkable boy! Do you know whether they’ve sold the prize Turkey that was hanging up there?—Not the little prize Turkey: the big one?” “What, the one as big as me?” returned the boy. “What a delightful boy!” said Scrooge. “It’s a pleasure to talk to him. Yes, my buck!” “It’s hanging there now,” replied the boy. “Is it?” said Scrooge. “Go and buy it.” “Walk-er!” exclaimed the boy. “No, no,” said Scrooge, “I am in earnest. Go and buy it, and tell ’em to bring it here, that I may give them the direction where to take it. Come back with the man, and I’ll give you a shilling. Come back with him in less than five minutes and I’ll give you half-a-crown!
Charles Dickens (A Christmas Carol)
Napoleon was not really worse than many, not to say most, men. He was possessed of the very ordinary egoism that seeks its welfare at the expense of others. What distinguished him was merely the greater power he had of satisfying his will, and greater intelligence, reason and courage; added to which, chance gave him a favourable scope for his operations. By means of all this he did for his egoism what a thousand other men would like to do for theirs, but cannot. Every feeble lad who by little acts of villainy gains a small advantage for himself by putting others to some disadvantage, although it may be equally small, is just as bad as Napoleon.
Arthur Schopenhauer (On Human Nature)
He seems, in manner and rank, above the class of young men who take that turn; but I remember hearing them say, that the little theatre at Fairport was to open with the performance of a young gentleman, being his first appearance on any stage.—If this should be thee, Lovel!—Lovel? yes, Lovel or Belville are just the names which youngsters are apt to assume on such occasions—on my life, I am sorry for the lad.
Walter Scott (The Antiquary)
He is all my art to me now," said the painter gravely. "I sometimes think, Harry, that there are only two eras of any importance in the world's history. The first is the appearance of a new medium for art, and the second is the appearance of a new personality for art also. What the invention of oil-painting was to the Venetians, the face of Antinous was to late Greek sculpture, and the face of Dorian Gray will some day be to me. It is not merely that I paint from him, draw from him, sketch from him. Of course, I have done all that. But he is much more to me than a model or a sitter. I won't tell you that I am dissatisfied with what I have done of him, or that his beauty is such that art cannot express it. There is nothing that art cannot express, and I know that the work I have done, since I met Dorian Gray, is good work, is the best work of my life. But in some curious way—I wonder will you understand me?—his personality has suggested to me an entirely new manner in art, an entirely new mode of style. I see things differently, I think of them differently. I can now recreate life in a way that was hidden from me before. 'A dream of form in days of thought'—who is it who says that? I forget; but it is what Dorian Gray has been to me. The merely visible presence of this lad—for he seems to me little more than a lad, though he is really over twenty— his merely visible presence—ah! I wonder can you realize all that that means? Unconsciously he defines for me the lines of a fresh school, a school that is to have in it all the passion of the romantic spirit, all the perfection of the spirit that is Greek. The harmony of soul and body— how much that is! We in our madness have separated the two, and have invented a realism that is vulgar, an ideality that is void. Harry! if you only knew what Dorian Gray is to me! You remember that landscape of mine, for which Agnew offered me such a huge price but which I would not part with? It is one of the best things I have ever done. And why is it so? Because, while I was painting it, Dorian Gray sat beside me. Some subtle influence passed from him to me, and for the first time in my life I saw in the plain woodland the wonder I had always looked for and always missed.
Oscar Wilde (The Picture of Dorian Gray)
And cried for mamma, at every turn'-I added, 'and trembled if a country lad heaved his fist against you, and sat at home all day for a shower of rain.-Oh, Heathcliff, you are showing a poor spirit! Come to the glass, and I'll let you see what you should wish. Do you mark those two lines between your eyes, and those thick brows, that instead of rising arched, sink in the middle, and that couple of black fiends, so deeply buried, who never open their windows boldly, but lurk glinting under them, like devil's spies? Wish and learn to smooth away the surly wrinkles, to raise your lids frankly, and change the fiends to confident, innocent angels, suspecting and doubting nothing, and always seeing friends where they are not sure of foes-Don't get the expression of a vicious cur that appears to know the kicks it gets are its desert, and yet, hates all the world, as well as the kicker, for what it suffers.' 'In other words, I must wish for Edgar Linton's great blue eyes, and even forehead,' he replied. 'I do - and that won't help me to them.' 'A good heart will help you to a bonny face, my lad,' I continued, 'if you were a regular black; and a bad one will turn the bonniest into something worse than ugly. And now that we've done washing, and combing, and sulking - tell me whether you don't think yourself rather handsome? I'll tell you, I do. You're fit for a prince in disguise. Who knows, but your father was Emperor of China, and your mother an Indian queen, each of them able to buy up, with one week's income, Wuthering Heights and Thrushcross Grange together? And you were kidnapped by wicked sailors, and brought to England. Were I in your place, I would frame high notions of my birth; and the thoughts of what I was should give me courage and dignity to support the oppressions of a little farmer!
Emily Brontë (Wuthering Heights)
Jules Verne: Science, my lad, is made up of mistakes, but they are mistakes which it is useful to make, because they lead little by little to the truth.
Anthony Doerr (All the Light We Cannot See)
audience, not interrupting once, only darting a few disbelieving looks at him. ‘God Almighty,’ Painter said when Ryan finished. Davenport just stared poker-faced as he contemplated the possibility of examining a Soviet missile sub from the inside. Jack decided he’d be a formidable opponent over cards. Painter went on, ‘Do you really believe this?’ ‘Yes, sir, I do.’ Ryan poured himself another cup of coffee. He would have preferred a beer to go with his corned beef. It hadn’t been bad at all, and good kosher corned beef was something he’d been unable to find in London. Painter leaned back and looked at Davenport. ‘Charlie, you tell Greer to teach this lad a few lessons – like how a bureaucrat ain’t supposed to stick his neck this far out on the block. Don’t you think this is a little far-fetched?’ ‘Josh, Ryan here’s the guy who did the report last June on Soviet missile-sub patrol patterns.’ ‘Oh? That was a nice piece of work. It confirmed something I’ve been saying for two or three years.’ Painter rose and walked to the corner to look out at the stormy sea. ‘So, what are we supposed to do about all this?
Tom Clancy (The Hunt for Red October (Jack Ryan, #3))
By the time she'd finished with him, with a little encouraging pat and a request that he rest quiet like a good lad, there was no point in denying it: Holly Evernight would be the death of him.
Kristen Callihan (Evernight (Darkest London, #5))
Be still, my soul, be still; the arms you bear are brittle, Earth and high heaven are fixt of old and founded strong. Think rather,--call to thought, if now you grieve a little, The days when we had rest, O soul, for they were long. Men loved unkindness then, but lightless in the quarry I slept and saw not; tears fell down, I did not mourn; Sweat ran and blood sprang out and I was never sorry: Then it was well with me, in days ere I was born. Now, and I muse for why and never find the reason, I pace the earth, and drink the air, and feel the sun. Be still, be still, my soul; it is but for a season: Let us endure an hour and see injustice done. Ay, look: high heaven and earth ail from the prime foundation; All thoughts to rive the heart are here, and all are vain: Horror and scorn and hate and fear and indignation-- Oh why did I awake? when shall I sleep again?
A.E. Housman (A Shropshire Lad)
Because you took advantage of a sinner because you took advantage because you took because you took advantage of my disadvantage … “That’s good, you know. That’s damned good.” … when I stood Adam-naked before a federal law and all its stinging stars “Oh, grand stuff!” … Because you took advantage of a sin when I was helpless moulting moist and tender hoping for the best dreaming of marriage in a mountain state aye of a litter of Lolitas … “Didn’t get that.” Because you took advantage of my inner essential innocence because you cheated me— “A little repetitious, what? Where was I?” Because you cheated me of my redemption because you took her at the age when lads play with erector sets “Getting smutty, eh?” a little downy girl still wearing poppies still eating popcorn in the colored gloam where tawny Indians took paid croppers because you stole her from her wax-browed and dignified protector spitting into his heavy-lidded eye ripping his flavid toga and at dawn leaving the hog to roll upon his new discomfort the awfulness of love and violets remorse despair while you took a dull doll to pieces and threw its head away because of all you did because of all I did not you have to die
Vladimir Nabokov (Lolita)
July had come, and haying begun; the little gardens were doing finely and the long summer days were full of pleasant hours. The house stood open from morning till night, and the lads lived out of doors, except at school time. The lessons were short, and there were many holidays, for the Bhaers believed in cultivating healthy bodies by much exercise, and our short summers are best used in out-of-door work. Such a rosy, sunburnt, hearty set as the boys became; such appetites as they had; such sturdy arms and legs, as outgrew jackets and trousers; such laughing and racing all over the place; such antics in house and barn; such adventures in the tramps over hill and dale; and such satisfaction in the hearts of the worthy Bhaers, as they saw their flock prospering in mind and body, I cannot begin to describe.
Louisa May Alcott (Little Men [with Biographical Introduction])
Michelangelo continually had trouble with his assistants and had to sack several for poor workmanship, laziness, or even - in one particular case - because the lad in question was ‘a stuck-up little turd’.
Alexander Lee (The Ugly Renaissance: Sex, Greed, Violence and Depravity in an Age of Beauty)
18. Your life is before you. Be careful of the choices you make now that you could regret later. This regret is the subject of an old poem whose author has been forgotten. I hope you’ll never have reason to apply it to yourself. Across the fields of yesterday, He sometimes comes to me A little lad just back from play— The boy I used to be. He looks at me so wistfully When once he’s crept within; It is as if he hoped to see The man I might have been.
James C. Dobson (Life on the Edge: The Next Generation's Guide to a Meaningful Future)
One looks back to what was called a 'wine-party' with a sort of wonder. Thirty lads round a table covered with bad sweetmeats, drinking bad wines, telling bad stories, singing bad songs over and over again. Milk punch-- smoking--ghastly headache-- frightful spectacle of dessert-table next morning, and smell of tobacco--your guardian, the clergyman, dropping in, in the midst of this--expecting to find you deep in Algebra, and discovering the Gyp administering soda-water. There were young men who despised the lads who indulged in the coarse hospitalities of wine-parties, who prided themselves in giving recherche little French dinners. Both wine-party-givers and dinner-givers were Snobs.
William Makepeace Thackeray
The drinking dens are spilling out There's staggering in the square There's lads and lasses falling about And a crackling in the air Down around the dungeon doors The shelters and the queues Everybody's looking for Somebody's arms to fall into And it's what it is It's what it is now There's frost on the graves and the monuments But the taverns are warm in town People curse the government And shovel hot food down The lights are out in the city hall The castle and the keep The moon shines down upon it all The legless and asleep And it's cold on the tollgate With the wagons creeping through Cold on the tollgate God knows what I could do with you And it's what it is It's what it is now The garrison sleeps in the citadel With the ghosts and the ancient stones High up on the parapet A Scottish piper stands alone And high on the wind The highland drums begin to roll And something from the past just comes And stares into my soul And it's cold on the tollgate With the Caledonian Blues Cold on the tollgate God knows what I could do with you And it's what it is It's what it is now What it is It's what it is now There's a chink of light, there's a burning wick There's a lantern in the tower Wee Willie Winkie with a candlestick Still writing songs in the wee wee hours On Charlotte Street I take A walking stick from my hotel The ghost of Dirty Dick Is still in search of Little Nell And it's what it is It's what it is now Oh what it is What it is now
Mark Knopfler (Sailing to Philadelphia)
Communication between people of different nationalities enriches human society and makes it more colourful.. Imagine our Russian intellectuals, the kind, merry, perceptive old women in our villages, our elderly workers, our young lads, our little girls being free to enter the melting pot of ordinary human intercourse with the people of North and South America, of China, France, India, Britain and the Congo. What a rich variety of customs, fashion, cuisine and labour would then be revealed! what a wonderful human community would then come into being, emerging out of so many peculiarities of national characters and ways of life. And the beggarliness, blindness and inhumanity of narrow nationalism and hostility between states would be clearly demonstrated.
Vasily Grossman (An Armenian Sketchbook)
Very likely some Mrs. Grundy will observe, "I don't believe it, boys will be boys, young men must sow their wild oats, and women must not expect miracles." I dare say you don't, Mrs. Grundy, but it's true nevertheless. Women work a good many miracles, and I have a persuasion that they may perform even that of raising the standard of manhood by refusing to echo such sayings. Let the boys be boys, the longer the better, and let the young men sow their wild oats if they must. But mothers, sisters, and friends may help to make the crop a small one, and keep many tares from spoiling the harvest, by believing, and showing that they believe, in the possibility of loyalty to the virtues which make men manliest in good women's eyes. If it is a feminine delusion, leave us to enjoy it while we may, for without it half the beauty and the romance of life is lost, and sorrowful forebodings would embitter all our hopes of the brave, tenderhearted little lads, who still love their mothers better than themselves and are not ashamed to own it. Laurie
Louisa May Alcott (Little Women (Little Women #1))
My schoolfellows were mostly stiff, illiterate lads, who, with a little bad Latin and worse Greek, plumed themselves mightily on their scholarship; and I had little inducement to form any intimacies among them; for, of all men, the ignorant scholar is the least amusing.
Hugh Miller (Tales and Sketches)
It’s funny, but when I talk about this business of my father and Valentina with my women friends, they’re absolutely appalled. They see a vulnerable old man who’s being exploited. Yet all the men I talk to—without any exception, Mike” (I wag my finger) “they respond with these wry knowing smiles, these little admiring chuckles. Oh, what a lad he is. What an achievement, pulling this much younger bird. Best of luck to him. Let him have his bit of fun.” “You must admit, it’s done him good.” “I don’t admit anything.” (It’s much less satisfying arguing with Mike than with Vera or Pappa. He’s always so irritatingly reasonable.) “Are you sure you’re not just being a bit puritanical?” “Of course I’m not!” (So what if I am?) “It’s because he’s my father—I just want him to be grown up.” “He is being grown up, in his way.” “No he’s not, he’s being a lad. An eighty-four-year-old lad. You’re all being lads together. Wink wink. Nudge nudge. What a great pair of knockers. For goodness’ sake!” My voice has risen to a shriek. “But you can see it’s doing him good, this new relationship. It’s breathed new life into him. Just goes to show that you’re never too old for love.” “You mean for sex.” “Well, maybe that as well. Your Dad is just hoping to fulfil every man’s dream—to lie in the arms of a beautiful younger woman.” “Every man’s dream?” That night Mike and I sleep in separate beds.
Marina Lewycka (A Short History of Tractors in Ukrainian)
It was a relief to see his father, who'd always been an unfailing source of reassurance and comfort. They clasped hands in a firm shake, and used their free arms to pull close for a moment. Such demonstrations of affection weren't common among fathers and sons of their rank, but then, they'd never been a conventional family. After a few hearty thumps on the back, Sebastian drew back and glanced over him with the attentive concern that hearkened to Gabriel's earliest memories. Not missing the traces of weariness on his face, his father lightly tousled his hair the way he had when he was a boy. "You haven't been sleeping." "I went carousing with friends for most of last night," Gabriel admitted. "It ended when we were all too drunk to see a hole through a ladder." Sebastian grinned and removed his coat, tossing the exquisitely tailored garment to a nearby chair. "Reveling in the waning days of bachelorhood, are we?" "It would be more accurate to say I'm thrashing like a drowning rat." "Same thing." Sebastian unfastened his cuffs and began to roll up his shirtsleeves. An active life at Heron's Point, the family estate in Sussex, had kept him as fit and limber as a man half his age. Frequent exposure to the sunlight had gilded his hair and darkened his complexion, making his pale blue eyes startling in their brightness. While other men of his generation had become staid and settled, the duke was more vigorous than ever, in part because his youngest son was still only eleven. The duchess, Evie, had conceived unexpectedly long after she had assumed her childbearing years were past. As a result there were eight years between the baby's birth and that of the next oldest sibling, Seraphina. Evie had been more than a little embarrassed to find herself with child at her age, especially in the face of her husband's teasing claims that she was a walking advertisement of his potency. And indeed, there have been a hint of extra swagger in Sebastian's step all through his wife's last pregnancy. Their fifth child was a handsome boy with hair the deep auburn red of an Irish setter. He'd been christened Michael Ivo, but somehow the pugnacious middle name suited him more than his given name. Now a lively, cheerful lad, Ivo accompanied his father nearly everywhere.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
But you said I had to spend some time with them!” “A few hours, lad,” Grandpa Smedry said, “to apologize for the trouble you’d given them. What did you expect? That I’d leave you here all summer, in the exact place where your enemies know where to look? With people that aren’t even your family? In a place you don’t really like, and that is depressingly normal compared to the world you’ve grown to love? Doesn’t that sound a little stupid and contrived to you?” I raised a relieved hand to my head. “Yeah,” I noted, “now that you mention it, who would do something silly like that?
Brandon Sanderson (Alcatraz vs. the Evil Librarians (Alcatraz, #1))
Slowly the lights of the torches in front of Merry flicked and went out, and he was walking in a darkness; and he thought: ‘This is a tunnel leading to a tomb; there we shall stay forever.’ But suddenly into his dream there fell a living voice. ‘Well, Merry! Thank goodness I have found you!’ He looked up and the mist before his eyes cleared a little. There was Pippin! They were face to face in a narrow lane, but for themselves it was empty. He rubbed his eyes. ‘Where is the king?’ He said. ‘And Eowyn?’ Then he stumbled and sat down on a doorstep and began to weep again. ‘They must have gone up into the Citadel,’ said Pippin. ‘I think you must have fallen asleep on your feet and taken the wrong turning. When we found out you were not with them, Gandalf sent me to look for you. Poor old Merry! How glad I am to see you again! But you are worn out, and I won’t bother you with any talk. But tell me, are you hurt, or wounded?’ ‘No,’ said Merry. ‘Well, no, I don’t think so. But I can’t use my right arm, Pippin, not since I stabbed him. And my sword burned away like a piece of wood.’ Pippin’s face was anxious. ‘Well, you had better come with me as quick as you can,’ he said. ‘I wish I could carry you. You aren’t fit to walk any further. They shouldn’t have let you walk at all; but you must forgive them. So many dreadful things have happened in the City, Merry, that one poor hobbit coming in from battle is easily overlooked.’ ‘It’s not always a misfortune being overlooked,’ said Merry. ‘I was overlooked just now by—no, no, I can’t speak of it. Help me, Pippin! It’s all going dark again, and my arm is so cold.’ ‘Lean on me, Merry lad!” said Pippin. ‘Come now. Foot by foot. It’s not far.’ ‘Are you going to bury me?’ said Merry. ‘No, indeed!’ said Pippin, trying to sound cheerful, though his heart was wrung with fear and pity. ‘No, we are going to the Houses of Healing.
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
him." "Oh, I wish we had the old days back again," exclaimed Jem. "I'd love to be a soldier—a great, triumphant general. I'd give EVERYTHING to see a big battle." Well, Jem was to be a soldier and see a greater battle than had ever been fought in the world; but that was as yet far in the future; and the mother, whose first-born son he was, was wont to look on her boys and thank God that the "brave days of old," which Jem longed for, were gone for ever, and that never would it be necessary for the sons of Canada to ride forth to battle "for the ashes of their fathers and the temples of their gods." The shadow of the Great Conflict had not yet made felt any forerunner of its chill. The lads who were to fight, and perhaps fall, on the fields of France and Flanders, Gallipoli and Palestine, were still roguish schoolboys with a fair life in prospect before them: the girls whose hearts were to be wrung were yet fair little maidens a-star with hopes and dreams. Slowly the banners of the sunset city gave up their crimson and gold; slowly the conqueror's pageant faded out. Twilight crept over the valley and the little group grew silent. Walter had been reading again that day in his beloved book of myths and he remembered how he had once fancied the Pied Piper coming down the valley on an evening just like this. He began to speak dreamily, partly because he wanted to thrill his companions a little, partly because something apart from him seemed to be speaking through his lips. "The Piper is coming nearer," he said, "he is nearer than he was that evening I saw him before. His long, shadowy cloak is blowing around him. He pipes—he pipes—and we must follow—Jem and Carl and Jerry and I—round and round the world. Listen— listen—can't you hear his wild music?" The girls shivered. "You know you're only pretending," protested Mary Vance, "and I wish you wouldn't. You make it too real. I hate that old Piper of yours." But Jem sprang up with a gay laugh. He stood up on a little hillock, tall and splendid, with his open brow and his fearless eyes. There were thousands like him all over the land of the maple. "Let the Piper come and welcome," he cried, waving
L.M. Montgomery (Rainbow Valley (Anne of Green Gables #7))
The shadow of the Great Conflict had not yet made felt any forerunner of its chill. The lads who were to fight, and perhaps fall, on the fields of France and Flanders, Gallipoli and Palestine, were still roguish schoolboys with a fair life in prospect before them: the girls whose hearts were to be wrung were yet fair little maidens a-star with hopes and dreams. Slowly
L.M. Montgomery (Rainbow Valley (Anne of Green Gables #7))
You saw some lad with a face that’d got camels written all over it, and when he opened his mouth it’d turn out he had an Ankhian accent so thick you could float rocks. Oh, there’s all the jokes about funny food and foreigners, but surely . . . Not very funny jokes, come to think of it. When you hear the bang, there’s no time to wonder how long the little fuse has been fizzing.
Terry Pratchett (Jingo (Discworld, #21))
She waited for some time without hearing anything more: at last came a rumbling of little cart-wheels, and the sound of a good many voices all talking together: she made out the words: “Where’s the other ladder?—Why, I hadn’t to bring but one. Bill's got the other—Bill! Fetch it here, lad!—Here, put ’em up at this corner—No, tie ’em together first—they don't reach half high enough yet—Oh! they’ll do well enough. Don’t be particular—Here, Bill! catch hold of this rope—Will the roof bear?—Mind that loose slate—Oh, it’s coming down! Heads below!” (a loud crash)—“Now, who did that?—It was Bill, I fancy—Who’s to go down the chimney?—Nay, I shan’t! You do it!—That I wo’n’t, then!—Bill’s got to go down—Here, Bill! The master says you’ve got to go down the chimney!
Lewis Carroll (Alice's Adventures in Wonderland / Through the Looking Glass)
In the possibility of a loyalty to the virtues which makes men manliest in good women's eyes. If it is a feminine delusion, leave us to enjoy it while we may, for without it half the beauty and the romance of life is lost, and sorrowful forebodings would embitter all our hopes of the brave, tenderhearted little lads, who still love their mothers better than themselves and are not ashamed to own it.
Louisa May Alcott (Little Women)
What is prayer?” Looking for no reply, he expected to give the answer himself. To his amazement, scores of little hands shot up all over the hall. He asked one lad to reply, and the answer came at once, clear and correct: “Prayer is an offering up of our desires unto God for things agreeable to His will, in the name of Christ, with confession of our sins and thankful acknowledgment of His mercies.” Mr.
An Unknown Christian (The Kneeling Christian: If ye have faith and doubt not ... all things, whatsoever ye shall ask in prayer, believing, ye shall receive.)
They were those tiresome double passwords in which one word has to be answered by another. Usually they were of an elevating and revolutionary nature, such as Cultura—progreso, or Seremos—invencibles, and it was often impossible to get illiterate sentries to remember these highfalutin’ words. One night, I remember, the password was Cataluña—heroica, and a moon-faced peasant lad named Jaime Domenech approached me, greatly puzzled, and asked me to explain. ‘Heroica—what does heroica mean?’ I told him that it meant the same as valiente. A little while later he was stumbling up the trench in the darkness, and the sentry challenged him: ‘Alto! Cataluña!’ ‘Valiente!’ yelled Jaime, certain that he was saying the right thing. Bang! However, the sentry missed him. In this war everyone always did miss everyone else, when it was humanly possible.
George Orwell (Homage to Catalonia)
Get away from the door." she whispered. "Both of you get out of here NOW." "Miss," said Alf. "We don't mean no..." "You don't know what you're getting into." she said. "You must leave here this instant." Alf, his face worried said to Peter. "Maybe we should..." "No," sad Peter, furious. "We've come this far, and we're going to go in there, and she can't stop us." "Yes I can." said Molly, her voice dead calm. Peter and Alf both looked at her. "I can scream." she said. "You wouldn't." Peter said. "Yes I would." "You don't dare." said Peter. "You're not supposed to be here, either. You'd be in as much trouble as us." "I could say I heard a noise," she said. "I heard something fall." she pointed to the padlcok. "I came to investigate, and when I saw you I screamed." "All right miss. said Alf. "No need for that." he put a hand on Peter's shoulder. "Come on lad." "No," said Peter, shrugging off the hand, glaring at Molly. "You go if you want. She doesn't scare me." "I'm going to count," said Molly. "If you're not gone when I get to ten, I WILL scream." "You're bluffing." said Peter." said Peter. "One." said Molly. On the floor Leatherface stirred, rolling over, resumed snoring. "Little friend." whispered Alf, his tone urgent now. "I'm going." "Go then." said Peter. "Two." "Please little friend." "NO." "Three" "All right, then." said Alf, shaking his head. "Good luck, then." "Four" Alf was up the ladder and gone. "Five" "Why are you doing this?" hissed Peter. "Six. Because I have to." Her face was grim. "But why?" "Seven. I can't tell you." "Tell me WHAT? Why can't you tell me anyway? How do you know if you don't try?" "Nine. Because I... Because it... it's so..." Molly's voice broke. Peter saw she was crying. "Molly, please, whatever it is, JUST TELL ME.. Maybe...maybe I can help you." For several seconds, Molly looked at him, a look of lonely desperation, tears brimming in her luminescent green eyes. Then she made a decision- Peter saw it happen- and her expression was grim again. She's going to say ten, thought Peter. She's going to scream. Molly opened her mouth. "All right, then." she said. "I'll tell you.
Dave Barry
We come to God in little steps, not a leap, and that love of police-court truth you think so much of comes very late on the way, if it comes at all. What is truth? as Pilate asked; I've never pretended that I could have told him. I'm just glad when a boozer sobers up, or a man stops beating his woman, or a crooked lad tries to go straight. If it makes him boast a bit, that's not the worst harm it can do. You unbelieving people apply cruel, hard standards to us who believe.
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
Your short understanding, your clipped mind, your hollow heart, will make more of mankind than it has the power to become. Make of a man what you will, yet he cannot be more than this I say to you, with the leave of all pure women: a human is conceived in sin, nourished with impure, unspeakable feculence in the maternal body, born naked and smeared like a beehive; a mass of refuse, a churn of filth, a dish for worms, a stinkhouse, a repulsive washtub, a rancid carcass, a mildewed crate, a bottomless sack, a perforated pocket, a bellows, a rapacious maw, a reeking flagon of urine, a malodorous pail, a deceptive marionette-show, a loamy robber’s den, an insatiably slaking trough, a painted delusion. Let recognise who will: every human created to completion has nine holes in his body; out of all these there flows such repellent filth that nothing could be more impure. You would never see human beauty, if you had the eyes of a lynx, and your gaze could penetrate to the innards; you would shudder at the sight. Strip the dressmaker’s colouring from the loveliest of ladies, and you will see a shameful puppet, a hastily withering flower, a sparkle of little durance and a soon decomposing clod of earth! Show me a handful of beauty of all the belles who lived a hundred years ago, excluding those painted on the wall, and you shall have the Kaiser’s crown! Let love flow away, let grief flow away! Let the Rhine run its course like other waters, you wise lad from Assville!
Johannes von Saaz (Death and the Ploughman)
Go on and educate me, then,” Senan says to Cal. “What’s a yeet?” “A what?” Cal says. “A yeet. I’m sitting on the sofa tonight after my tea, doing a bit of digesting, and my youngest lad comes running in, launches himself onto my feckin’ belly like he’s been shot from a cannon, yells ‘Yeet!’ out of him right in my face, and legs it out again. I asked one of my other fellas what he was on about, but he only laughed his arse off and told me I’m getting old. Then he asked me for twenty quid to go into town.” “Did you give it to him?” Cal asks. “I did not. I told him to fuck off and get a job. What the hell is a yeet?” “You never saw a yeet?” Cal says. He finds himself fed up to the back teeth with being tossed around by these guys like a beach ball. “They’re pet animals. Like hamsters, only bigger and uglier. Great big fat faces and little piggy eyes.” “I haven’t got a fat fuckin’ face. You’re telling me my young lad’s after calling me a hamster?” “Well,” Cal says, “that word’s used for something else, too, but I hope your boy wouldn’t know about that. How old is he?” “Ten.” “He got the internet?” Senan is swelling up and turning red. “If that little fecker’s been looking at porn, he can say good-bye to his drum kit, and his Xbox, and his—everything. What’s a yeet? Did he call his own father a prick?” “He’s only winding you up, ye eejit,” the buck-naked window guy tells him. “He’s no more notion of yeets than you have.” Senan glares at Cal. “Never heard of ’em,” Cal says. “But you’re cute when you’re angry.
Tana French (The Searcher)
Because you took advantage of a sinner because you took advantage because you took because you took advantage of my disadvantage when I stood Adam-naked before a federal law and all its stinging stars Because you took advantage of a sin when I was helpless moultng moist and tender hoping for the best dreaming of marriage in a mountain state aye of a litter of Lolitas Because you took advantage of my inner essential innocence because you cheated me-- Because you cheated me of my redemption because you took her at the age when lads play with erector sets a little downy girl still wearing poppies still eating popcorn in the colored gloam where tawny Indians took paid croppers because you stole her from her wax-browed and dignified protector spitting into his heavy-lidded eye ripping his flavid toga and at dawn leaving the hog to roll upon his new discomfort the awfulness of love and violets remorse despair while you took a dull doll to pieces and threw its head away because of all you did because of all I did not you have to die
Vladimir Nabokov (Lolita)
But before I go, I want to tell you a little story. “A certain shopkeeper sent his son to learn about the secret of happiness from the wisest man in the world. The lad wandered through the desert for forty days, and finally came upon a beautiful castle, high atop a mountain. It was there that the wise man lived. “Rather than finding a saintly man, though, our hero, on entering the main room of the castle, saw a hive of activity: tradesmen came and went, people were conversing in the corners, a small orchestra was playing soft music, and there was a table covered with platters of the most delicious food in that part of the world. The wise man conversed with everyone, and the boy had to wait for two hours before it was his turn to be given the man’s attention. “The wise man listened attentively to the boy’s explanation of why he had come, but told him that he didn’t have time just then to explain the secret of happiness. He suggested that the boy look around the palace and return in two hours. “‘Meanwhile, I want to ask you to do something,’ said the wise man, handing the boy a teaspoon that held two drops of oil. ‘As you wander around, carry this spoon with you without allowing the oil to spill.’ “The boy began climbing and descending the many stairways of the palace, keeping his eyes fixed on the spoon. After two hours, he returned to the room where the wise man was. “‘Well,’ asked the wise man, ‘did you see the Persian tapestries that are hanging in my dining hall? Did you see the garden that it took the master gardener ten years to create? Did you notice the beautiful parchments in my library?’ “The boy was embarrassed, and confessed that he had observed nothing. His only concern had been not to spill the oil that the wise man had entrusted to him. “‘Then go back and observe the marvels of my world,’ said the wise man. ‘You cannot trust a man if you don’t know his house.’ “Relieved, the boy picked up the spoon and returned to his exploration of the palace, this time observing all of the works of art on the ceilings and the walls. He saw the gardens, the mountains all around him, the beauty of the flowers, and the taste with which everything had been selected. Upon returning to the wise man, he related in detail everything he had seen. “‘But where are the drops of oil I entrusted to you?’ asked the wise man. “Looking down at the spoon he held, the boy saw that the oil was gone. “‘Well, there is only one piece of advice I can give you,’ said the wisest of wise men. ‘The secret of happiness is to see all the marvels of the world, and never to forget the drops of oil on the spoon.
Paulo Coelho (The Alchemist)
You ought to know better, a clever lad like you,’ I expect she said. People were always saying things like that to me when I was young. My parents, my uncles, my schoolmasters—all the various adults who interested themselves in my career. The words used to drive me into secret rages, because on the one hand I wanted desperately to live up to my own reputation for cleverness, and on the other it seemed very unfair, that that cleverness, which I had never asked for, could be turned into something with which to cut me down.
Sarah Waters (The Little Stranger)
Wilbury, my dear,” Caroline said, “would you mind taking the children and keeping them occupied for a bit?” "Twould be the high point of my golden years, my lady,” he replied with frigid politeness. “The culmination of a lifelong dream I had nearly abandoned in favour of waiting peacefully for the Grim Reaper to come and relieve me of my earthly duties.” Immune to his sarcasm, Caroline beamed fondly at him. “Thank you, Wilbury. I thought that’s what you would say.” Shuffling toward the hearth, the butler muttered under his breath, “I just love children, you know. I simply dote upon the overindulged little darlings with their grasping little hands and their sticky little fingers that foul up every freshly polished surface in the house”. As he leaned toward the hearth, the twins paused in play to gape at him. Baring his pointed yellowing teeth in a grimace of a smile, he rasped, “Come now, lads. I’ll take you to the kitchen for some nice hot chocolate.” Eyes widening in terror, the two boys leapt to their feet and ran shrieking from the room. Wilbury straightened as much as his hunched back would allow, rolling his eyes. “Wilbuwy!” Eloisa crowed, scrambling from her mother’s lap and toddling across the room. Wrapping her arms around one of the butler’s scrawny legs, she looked up and batted her long eyelashes at him. “Me want cocoa!” With a long-suffering sigh, he scooped the plump child into his arms, every one of his ancient bones creaking in protest. She joyfully tugged at his misshapen ears as he carried her toward the door. His curdled expression never varied, but as he passed Portia he gave her a nearly imperceptible wink.
Teresa Medeiros (The Vampire Who Loved Me (Cabot, #2))
I think back to those days after the Bastille fell, the Mercure Nationale run from the back of the shop, that little Louise sticking her well-bred nose in the air and flouncing off to bawl out their printer—and you know, he was a good lad, François. I’d say, ‘Go and do this, this, this, go and tie some bricks to your boots and jump in the Seine,’ and he‘d”— Danton touched an imaginary forelock—‘right away, Georges-Jacques, and do you need any shopping while I’m out?’ Jesus, what a way to end up. When you see him, tell him I’d be obliged if he forgets he knows me.
Hilary Mantel (A Place of Greater Safety)
Must we believe those who tell us that a hand foul with the filth of a shameful life is the only one a young girl cares to be caressed by? That is the teaching that is bawled out day by day from between those yellow covers. Do they ever pause to think, I wonder, those devil's lady-helps, what mischief they are doing crawling about God's garden, and telling childish Eves and silly Adams that sin is sweet, and that decency is ridiculous and vulgar? How many an innocent girl do they not degrade into an evil-minded woman? To how many a weak lad do they not point out the dirty by-path as the shortest cut to a maiden's heart? It is not as if they wrote of life as it really is. Speak truth, and right will take care of itself. But their pictures are coarse daubs painted from the sickly fancies of their own diseased imaginations. We want to think of women not--as their own sex would show them--as Loreleis luring us to destruction, but as good angels beckoning us upward. They have more power for good or evil than they dream of. It is just at the very age when a man's character is forming that he tumbles into love, and then the lass he loves has the making or marring of him. Unconsciously he molds himself to what she would have him, good or bad. I am sorry to have to be ungallant enough to say that I do not think they always use their influence for the best. . . . And yet, women, you could make us so much better, if you only would. It rests with you more than with all the preachers, to roll this world a little nearer heaven. Chivalry is not dead; it only sleeps for want of work to do. It is you who must wake it to noble deeds. You must be worthy of knightly worship. You must be higher than ourselves. [1886]
Jerome K. Jerome (Idle Thoughts of an Idle Fellow)
Terence, this is stupid stuff: You eat your victuals fast enough; There can’t be much amiss, ’tis clear, To see the rate you drink your beer. But oh, good Lord, the verse you make, It gives a chap the belly-ache. The cow, the old cow, she is dead; It sleeps well, the horned head: We poor lads, ’tis our turn now To hear such tunes as killed the cow. Pretty friendship ’tis to rhyme Your friends to death before their time Moping melancholy mad: Come, pipe a tune to dance to, lad.’ Why, if ’tis dancing you would be, There’s brisker pipes than poetry. Say, for what were hop-yards meant, Or why was Burton built on Trent? Oh many a peer of England brews Livelier liquor than the Muse, And malt does more than Milton can To justify God’s ways to man. Ale, man, ale’s the stuff to drink For fellows whom it hurts to think: Look into the pewter pot To see the world as the world’s not. And faith, ’tis pleasant till ’tis past: The mischief is that ’twill not last. Oh I have been to Ludlow fair And left my necktie God knows where, And carried half way home, or near, Pints and quarts of Ludlow beer: Then the world seemed none so bad, And I myself a sterling lad; And down in lovely muck I’ve lain, Happy till I woke again. Then I saw the morning sky: Heigho, the tale was all a lie; The world, it was the old world yet, I was I, my things were wet, And nothing now remained to do But begin the game anew. Therefore, since the world has still Much good, but much less good than ill, And while the sun and moon endure Luck’s a chance, but trouble’s sure, I’d face it as a wise man would, And train for ill and not for good. ’Tis true, the stuff I bring for sale Is not so brisk a brew as ale: Out of a stem that scored the hand I wrung it in a weary land. But take it: if the smack is sour, The better for the embittered hour; It should do good to heart and head When your soul is in my soul’s stead; And I will friend you, if I may, In the dark and cloudy day. There was a king reigned in the East: There, when kings will sit to feast, They get their fill before they think With poisoned meat and poisoned drink. He gathered all that springs to birth From the many-venomed earth; First a little, thence to more, He sampled all her killing store; And easy, smiling, seasoned sound, Sate the king when healths went round. They put arsenic in his meat And stared aghast to watch him eat; They poured strychnine in his cup And shook to see him drink it up: They shook, they stared as white’s their shirt: Them it was their poison hurt. —I tell the tale that I heard told. Mithridates, he died old.
A.E. Housman (A Shropshire Lad)
Lord Emsworth was a man with little of the aggressor in his spiritual make-up. He believed in living and letting live. Except for his sister Constance, his secretary Lavender Briggs, the Duke of Dunstable and his younger son Frederick, now fortunately residing in America, few things were able to ruffle him. Placid is the word that springs to the lips. But the Church Lads had pierced his armour, and he found resentment growing within him like some shrub that has been treated with a patent fertilizer. He brooded bleakly on the injuries he had suffered at the hands of these juvenile delinquents. The
P.G. Wodehouse (Service With a Smile)
He was a what?” The earl was still frowning and still pondering the duke’s revelations regarding Anna’s decline. “Eight-months’ wonder.” The duke nodded sagely. “Ask any papa, and he’ll tell you a proper baby takes nine and half months to come full term, first babies sometimes longer. Bart was a little early, as Her Grace could not contain her enthusiasm for me.” “Her Grace could not…?” The earl felt his ears turn red as the significance of his father’s words sunk in. “Fine basis for a marriage,” the duke went on blithely. “What? You think all ten children were exclusively my fault? You have much to learn, my lad. Much to learn.
Grace Burrowes (The Heir (Duke's Obsession, #1; Windham, #1))
An incredulous scowl crossed his face as he saw a gathering of dockworkers, porters, and cabmen near his wife. A navvy called out to her- "Gi' me a smile, ye sweet tidbit! One little smile! What's yer name?" Cassandra tried to ignore the catcalls, while the coast guard stood by, doing nothing to shield her. "Now, now, Mr. Severin-" the old harbormaster said, following as Tom headed toward Cassandra with swift, ground-eating strides. Tom reached his wife, blocked her from view, and sent a chilling glance at the navvy. "My wife doesn't feel like smiling. Is there something you'd like to say to me?" The catcalls faded, and the navvy met his gaze, taking his measure... deciding to back down. "Only that you're the luckiest bastard alive," the navvy said cheekily. The crowd broke up with a mixture of chuckles and guffaws. "On your way now, lads," the harbormaster said, briskly dispersing the gathering. "Time to go about your business." As Tom turned to Cassandra, he was relieved to see that she didn't seem upset. "Are you all right?" he asked. She nodded immediately. "No harm done." The officer looked sheepish. "I thought they would tire of their sport if we ignored them long enough." "Ignoring doesn't work," Tom said curtly. "It's the same as permission. Next time, pick the ringleader and go for him." "He was twice my size," the officer protested. Tom shot him an exasperated glance. "The world expects a man to have a backbone. Especially when a woman is being harassed.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
Small wonder, then, that an institution like the Library found space to take root. It was presented as a good cause, created in the hope of encouraging people to be more open with one another. Its creators were little more than boys: perky, smiling youngsters, well groomed and well dressed, without a trace of facial hair. They looked designed to win people's trust. And who wouldn't trust a cheerful, articulate young man who came calling at your door, inviting you to chat with him about this and that, about the meaning of life, about all the hunger and suffering in the world? It's true; it was whispered that dark forces acted behind them, national and international groups hungry for vengeance after certain recent defeats. But who could believe such things in front of polite young lads who always looked you in the eyes and shook your hand.
Giorgio De Maria (The Twenty Days of Turin)
From the bonny bells of heather, They brewed a drink long syne, Was sweeter far than honey, Was stronger far than wine. They brewed it and they drank it, And lay in blessed swound, For days and days together, In their dwellings underground. There rose a King in Scotland, A fell man to his foes, He smote the Picts in battle, He hunted them like roes. Over miles of the red mountain He hunted as they fled, And strewed the dwarfish bodies Of the dying and the dead. Summer came in the country, Red was the heather bell, But the manner of the brewing, Was none alive to tell. In graves that were like children’s On many a mountain’s head, The Brewsters of the Heather Lay numbered with the dead. The king in the red moorland Rode on a summer’s day; And the bees hummed and the curlews Cried beside the way. The King rode and was angry, Black was his brow and pale, To rule in a land of heather, And lack the Heather Ale. It fortuned that his vassals, Riding free upon the heath, Came on a stone that was fallen And vermin hid beneath. Roughly plucked from their hiding, Never a word they spoke: A son and his aged father – Last of the dwarfish folk. The king sat high on his charger, He looked down on the little men; And the dwarfish and swarthy couple Looked at the king again. Down by the shore he had them: And there on the giddy brink – “I will give thee life ye vermin, For the secret of the drink.” There stood the son and father And they looked high and low; The heather was red around them, The sea rumbled below. And up spoke the father, Shrill was his voice to hear: “I have a word in private, A word for the royal ear. “Life is dear to the aged, And honour a little thing; I would gladly sell the secret”, Quoth the Pict to the King. His voice was small as a sparrow’s, And shrill and wonderful clear: “I would gladly sell my secret, Only my son I fear. “For life is a little matter, And death is nought to the young; And I dare not sell my honour, Under the eye of my son. Take him, O king, and bind him, And cast him far in the deep; And it’s I will tell the secret That I have sworn to keep.” They took the son and bound him, Neck and heels in a thong, And a lad took him and swung him, And flung him far and strong And the sea swallowed his body, Like that of a child of ten; And there on the cliff stood the father, Last of the dwarfish men. “True was the word I told you: Only my son I feared; For I doubt the sapling courage, That goes without the beard. But now in vain is the torture, Fire shall not avail: Here dies in my bosom The secret of the Heather Ale.
Robert Louis Stevenson
In due course I would learn how to cover up for this event, but on that awful day I knew of nothing to say but: 'Well, I guess they aren't going to do that either, heh, heh." FINALLY Hoku and Kiko stopped staring suspiciously through the glass long enough to go over the six bars, gracefully arcing in and out of the water against the glass, making the beautiful picture they were supposed to. I waved frantically at Chris to stop right there, to quit while we were ahead. I thanked the politely clapping audience and suggested they come back in a month and see what Hoku and Kiko could really do (I didn't have the courage to order them to KEEP clapping, and louder, please, so that Hoku and Kiko would do the applause jump). Then I yanked out the mike plug, raced down the ladder into the trainers' little sitting room underneath the stage, and took up smoking again.
Karen Pryor (Lads Before the Wind: Diary of a Dolphin Trainer)
I sometimes think, Harry, that there are only two eras of any importance in the world's history. The first is the appearance of a new medium for art, and the second is the appearance of a new personality for art also. What the invention of oil-painting was to the Venetians, the face of Antinous was to late Greek sculpture, and the face of Dorian Gray will some day be to me. It is not merely that I paint from him, draw from him, sketch from him. Of course, I have done all that. But he is much more to me than a model or a sitter. I won't tell you that I am dissatisfied with what I have done of him, or that his beauty is such that art cannot express it. There is nothing that art cannot express, and I know that the work I have done, since I met Dorian Gray, is good work, is the best work of my life. But in some curious way--I wonder will you understand me?--his personality has suggested to me an entirely new manner in art, an entirely new mode of style. I see things differently, I think of them differently. I can now recreate life in a way that was hidden from me before. 'A dream of form in days of thought'--who is it who says that? I forget; but it is what Dorian Gray has been to me. The merely visible presence of this lad--for he seems to me little more than a lad, though he is really over twenty--his merely visible presence--ah! I wonder can you realize all that that means? Unconsciously he defines for me the lines of a fresh school, a school that is to have in it all the passion of the romantic spirit, all the perfection of the spirit that is Greek. The harmony of soul and body--how much that is! We in our madness have separated the two, and have invented a realism that is vulgar, an ideality that is void. Harry! if you only knew what Dorian Gray is to me!
Oscar Wilde (The Picture of Dorian Gray)
The train scooted along the fried coast. We made solid headway into the Marston's. Mo was down a testicle since the spring. We'd called in at the Royal the night of his operation. We'd stopped at the Ship and Mitre on the way—they'd a handsome bitter from Clitheroe on guest tap. We needed the fortification: when Real Ale Club boys parade down hospital wards, we tend to draw worried glances from the whitecoats. We are shaped like those chaps in the warning illustrations on cardiac charts. We gathered around Mo and breathed a nice fog of bitter over the lad and we joshed him gently. “Sounding a little high-pitched, Mo?” “Other lad's going to be worked overtime.” “Diseased bugger you'll want in a glass jar, Mo. One for the mantelpiece.” Love is a strong word, but. We were family to Mo when he was up the Royal having the bollock out. We passed Flint Castle and Everett Bell piped up.
Kevin Barry (Beer Trip to Llandudno)
The father and mother themselves talk before the children in the most disparaging way about the teacher and the school and they are much more inclined to insult the teachers than to put their offspring across the knee and knock sound reason into him. What the little fellow hears at home does not tend to increase respect for his human surroundings. Here nothing good is said of human nature as a whole and every institution, from the school to the government, is reviled. Whether religion and morals are concerned or the State and the social order, it is all the same; they are all scoffed at. When the young lad leaves school, at the age of fourteen, it would be difficult to say what are the most striking features of his character, incredible ignorance in so far as real knowledge is concerned or cynical impudence combined with an attitude towards morality which is really startling at so young an age.
Adolf Hitler (Mein Kampf - My Struggle: Unabridged edition of Hitlers original book - Four and a Half Years of Struggle against Lies, Stupidity, and Cowardice)
One would have said that modest John Brooke, in his busy, quiet, humble life, had had little time to make friends; but now they seemed to start up everywhere, old and young, rich and poor, high and low; for all unconsciously his influence had made itself widely felt, his virtues were remembered, and his hidden charities rose up to bless him. The group about his coffin was a far more eloquent eulogy than any Mr. March could utter. There were the rich men whom he had served faithfully for years; the poor old women whom he cherished with his little store, in memory of his mother; the wife to whom he had given such happiness that death could not mar it utterly; the brothers and sisters in whose hearts he had made a place for ever; the little son and daughter, who already felt the loss of his strong arm and tender voice; the young children, sobbing for their kindest playmate, and the tall lads, watching with softened faces a scene which they never could forget.
Louisa May Alcott (Little Men (Little Women, #2))
All kinds of folly.” He paused to meet the man’s curious gaze. “I commend her to you, Mr. Meers. Take her to the ship.” “Beg pardon?” He scowled fiercely. “What she be this?” The captain screwed his face up at him. “Are you dafter than a doornail, son? Our little Cameron Jack here be a lass as sure as I be your devil’s bastard seed.” Both of his companions gaped at him, then her. And she returned their slack-jawed stares without blinking or flinching. “How did you know that?” No one could ever tell she was female whenever she disguised herself as a lad. It was a ploy she’d been using ever since her parents had orphaned them when she was a small girl. A ruse Patrick had insisted on to keep her safe from harm, and under his nose so that he could watch after her. Bane scoffed as he reached for his ale. “Never try to fool the devil, love. I can see right through you. Besides, no man has an ass that fine. If he did, he’d serve to be changing my religion on certain things.” He
Sherrilyn Kenyon (Deadmen Walking (Deadman's Cross #1))
Do you remember the old story of the house with the golden windows? It tells of a little boy who would look across the sprawling meadows outside his house every morning and see in the distance a house with golden windows. He would stare and revel in the radiant beams streaming his way from far away. He asked his father one day if they could visit the house with the golden windows. The father obliged, and they started to walk. They walked and walked until they approached the house. The young lad stood perplexed. He saw no windows of gold. But a little girl inside saw them staring at her home and came out to ask if they were looking for something. “Yes, ” replied the boy, “I wanted to see the house with the golden windows that I see every morning.” “Oh, you’ve come to the wrong place, ” she quickly said. “If you wait here a little while until sunset, I will show you the house with the golden windows that I see every evening.” She then pointed to a house in the distance — the home of the little boy.
Ravi Zacharias (The Grand Weaver: How God Shapes Us Through the Events of Our Lives)
So that is how we came to be standing in a sparse room, in a nondescript building in the barracks at SAS HQ--just a handful out of all those who had started out so many months earlier. We shuffled around impatiently. We were ready. Ready, finally, to get badged as SAS soldiers. The colonel of the regiment walked in, dressed casually in lightweight camo trousers, shirt, beret, and blue SAS belt. He smiled at us. “Well done, lads. Hard work, isn’t it?” We smiled back. “You should be proud today. But remember: this is only the beginning. The real hard work starts now, when you return to your squadron. Many are called, few are chosen. Live up to that.” He paused. “And from now on for the rest of your life remember this: you are part of the SAS family. You’ve earned that. And it is the finest family in the world. But what makes our work here extraordinary is that everyone here goes that little bit extra. When everyone else gives up, we give more. That is what sets us apart.” It is a speech I have never forgotten.
Bear Grylls (Mud, Sweat and Tears)
I want to see Milo,” I replied. “He’s going to come with me while I look around Delphi.” “Milo?” the other soldier echoed as we left the sanctuary grounds. “You know, the little Calydonian,” his comrade said. “How stupid are you? It’s not like he blends in with the rest of us. A good lad, but fretful. He was up half the night worrying about how he’d ever know whether Lady Helen would need him to run errands for her while we’re at Delphi.” “Is that right?” I asked. The soldier nodded. “Yes, Lady Helen. It was a great kindness you did, freeing him from slavery, but now gratitude’s made him enslave himself to you. You’ve got a fine servant in that boy.” “Not forever,” I said. “Right now there’s no choice about it--he’s got no family, no way to feed himself--but once we get home I’ll apprentice him to one of the palace craftsmen. Then he can live his own life.” “A jug of wine says he’ll only be happy if he can live it close to her,” the first soldier muttered to the other, but when I demanded he repeat his words to my face, he claimed he’d said nothing at all.
Esther M. Friesner (Nobody's Princess (Nobody's Princess, #1))
I am lucky, Master Gill,” Mat said. “You just have a good meal waiting when I come back.” As he stood, he picked up the dice cup and spun the dice out beside the stones board for luck. The calico cat leaped down, hissing at him with her back arched. The five spotted dice came to rest, each showing a single pip. The Dark One’s Eyes. “That’s the best toss or the worst,” Gill said. “It depends on the game you are playing, doesn’t it. Lad, I think you mean to play a dangerous game. Why don’t you take that cup out into the common room and lose a few coppers? You look to me like a fellow who might like a little gamble. I will see the letter gets to the Palace safely.” “Coline wants you to clean the drains,” Mat told him, and turned to Thom while the innkeeper was still blinking and muttering to himself. “It doesn’t seem to make any odds whether I get an arrow in me trying to deliver that letter or a knife in my back waiting. It’s six up, and a half dozen down. Just you have that meal waiting, Thom.” He tossed a gold mark on the table in front of Gill. “Have my things put in a room, innkeeper. If it takes more coin, you will have it. Be careful of the big roll; it frightens Thom something awful.
Robert Jordan
The Hamians!' The centurion‟s voice was little better than a squeak. Julius snorted his disdain. 'What about the Hamians? Useless bow-waving women. All they‟re good for is hunting game. There‟s a war on, in case you hadn‟t noticed. We need infantrymen, big lads with spears and shields to strengthen our line. Archers are no bloody use in an infantry cohort.' He raised his meaty fist. 'No, mate, you‟re going to get what‟s coming your way.' The other man gabbled desperately, staring helplessly at the poised fist. 'There‟s two centuries of them, two centuries. Take them and the Tungrians and that‟s two hundred and fifty men.' Marcus spoke, having stood quietly in the background so far. 'So we could make a century of the best of them, dump the rest on the Second Cohort when we catch up with them and take back the century he sold them in return.' Julius turned his head to look at the younger man, keeping the transit officer clamped in place with seemingly effortless strength. 'Are you mad? There won‟t be a decent man among them. They‟ll be arse-poking, make-up-wearing faggots, the lot of them. All those easterners are, it‟s in the blood. They‟ll mince round the camp holding hands and tossing each other off in the bathhouse.
Anthony Riches (Arrows of Fury (Empire, #2))
So, boy, how does it feel to be pouring out a never-ending stream of--?” “Stop that!” I scowled at my brothers as I shooed them away from Milo. “How can you make such jokes in front of him?” “To be honest, the only thing in front of him right now is the sea and the supper he ate three days ago.” Castor’s grin got wider. Polydeuces was contrite. “We mean well, Helen. We’re only trying to make him laugh. A good laugh might take his mind off being so ill.” “It’s a shame we’re bound straight for Corinth,” the old sailor said, rubbing the back of his neck. “Since nothing else seems to be working for this lad, could be that a short rest on dry land would steady his stomach.” “You think we’d ever be able to get him back on board afterward?” Castor asked. The sailor shrugged. “What would he have to say about it? He’s your slave, isn’t he?” “He’s our sister’s slave, or was,” Castor replied. “She freed him as soon as she bought him.” “And still he came onto this ship with you, sick as seafaring makes him?” “This is his first voyage,” I said, stooping beside Milo to place one arm protectively around him. “He didn’t know he’d get sick.” “Oh, he’d have come along even if he’d known that a sea monster was waiting to gobble him up,” Castor said, with another of those annoying, conspiratorial winks to his twin. “Anything rather than be separated from you, little sister.” Polydeuces eagerly took up his brother’s game. “That’s true,” he hastened to tell the old sailor. “If you could have seen the way he’s been gazing at her, all the way from Calydon!” “Can we blame him, Polydeuces?” Castor asked with mock sincerity. “Our little sister is the most beautiful woman in the world.” They collapsed laughing into each other’s arms. Milo made a great effort and pushed himself away from the rail, away from me. He took two staggering steps, fists clenched. “She is.” Then he spun around and lurched for the ship’s side once more. My brothers exchanged a look of pure astonishment. The old sailor chuckled. “He may have been a slave, Lady Helen, but he’s braver than many a free man, to talk back to princes that way! But it wouldn’t be the first time a man found courage he never knew he had until he met the right woman.” My face flamed. I wanted to thank Milo for putting an end to my brothers’ teasing--whether or not it was all in fun, I still found it annoying--but I was strangely tongue-tied. Fortunately for me, the old sailor chose that moment to say, “That’s not something you see every day, a mouse trying to take a bite from a lion’s tail. Mark my words, this lad has the makings of a great hero. Why, if I had it my way, I’d put in at the next port and carry him all the way to Apollo’s temple at Delphi, just to see what marvels the Pythia would have to predict about his future.
Esther M. Friesner (Nobody's Princess (Nobody's Princess, #1))
He curled his fingers around the lip of the pot, and under the sick gelding they began a vicious little tug-of-war. He would have laughed, was on the point of it, when he looked at her face and saw that her eyes were wet. He let go of the pot so abruptly, Keeley fell back on her butt. "What are you doing?" he demanded. "I'm applying a non-irritating blister to a knee spavin.Now go away and let me get on with it.." "There's no reason to start that up. None at all." Panic jingled straight to his head, nearly made him dizzy. "This is no place for crying." "I'm upset.It's my stable.I can cry when and where I choose." "All right,all right,all right." Desperately he dug into his pockets for a bandanna. "Here, just blow your nose or something." "Just go to hell or something." Rather grandly, she turned her shoulder on him and continued to apply the blister. "Keeley,I'm sorry." He wasn't sure for exactly what,but that wasn't here nor there. "Dry your eyes now, a ghra, and we'll make this lad comfortable for the night." "Don't take that placating tone with me. I'm not a child or a sick horse." Brian dragged his hands through his hair, gave it one good yank. "Which tone would you prefer?" "An honest one." Satisfied the blister was properly applied,she rose. "But I'm afraid the derisive one you've used since we got here fits that category. In your opinion,I'm spoiled, stubborn and too proud to accept help." Though the tears appeared to have passed, he thought it wise to be cautious. "That's pretty close to the truth," he agreed, getting to his feet. "But it's an interesting mixture, and I've grown fond of it.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
have loved her more than the light of these eyes that the earth will one day devour, I have not seen her as many as four times; and it is possible that on those four occasions she has not even once noticed that I was looking at her, such is the reserve and seclusion in which her father Lorenzo Corchuelo and her mother Aldonza Nogales have brought her up.’ ‘Oho!’ said Sancho. ‘So Lorenzo Corchuelo’s daughter is the lady Dulcinea del Toboso, also known as Aldonza Lorenzo, is she?’ ‘She is,’ said Don Quixote, ‘and she it is who deserves to be the mistress of the entire universe.’ ‘I know her well,’ said Sancho, ‘and let me tell you she pitches a bar as far as the strongest lad in all the village. Good God, she’s a lusty lass all right, hale and hearty, strong as an ox, and any knight errant who has her as his lady now or in the future can count on her to pull him out of the mire! The little baggage, what muscles she’s got on her, and what a voice! Let me tell you she climbed up one day to the top of the church belfry to call to some lads of hers who were in a fallow field of her father’s, and even though they were a good couple of miles off they could hear her just as if they’d been standing at the foot of the tower. And the best thing about her is she isn’t at all priggish, she’s a real courtly lass, enjoys a joke with everyone and turns everything into a good laugh. And now I can say, Sir Knight of the Sorry Face, that not only is it very right and proper for you to get up to your mad tricks for her sake – you’ve got every reason to give way to despair and hang yourself, too, and nobody who knows about it will say you weren’t justified, even if it does send you to the devil.
Miguel de Cervantes Saavedra (Don Quixote)
What’s going on, Helen?” Polydeuces came up behind us, followed closely by Castor. They’d been working hard down among the oarsmen again, and it was no pleasure to stand too near them on that windless day. “The usual, from the look of things,” Castor said, glancing at Milo’s sagging body at the rail. He gave the boy an encouraging pat on the back. “Try to drink something, even if you can’t keep your food down, lad,” he said. “Shall I bring you a little watered wine?” Milo lifted his sallow, haggard face and tried to thank my brother for his kindness but had to turn away quickly and spew over the side again. Polydeuces sighed. “How can he still do that? I haven’t seen him eat a bite of food since we boarded. You’d think his gut would be empty by now.” “Maybe it’s a sacred mystery and only the gods know the answer,” Castor said, smiling. “Like the horn of the she-goat who suckled the infant Zeus, the horn he broke off and blessed as soon as he was king of the gods so that it poured out a never-ending stream of food and drink.” “I always thought it was a strange way to thank the poor beast, breaking off one of her horns, Polydeuces said. “But it’s not my place to question the gods.” He, too, patted Milo’s shivering back and added, “So, boy, how does it feel to be pouring out a never-ending stream of--?” “Stop that!” I scowled at my brothers as I shooed them away from Milo. “How can you make such jokes in front of him?” “To be honest, the only thing in front of him right now is the sea and the supper he ate three days ago.” Castor’s grin got wider. Polydeuces was contrite. “We mean well, Helen. We’re only trying to make him laugh. A good laugh might take his mind off being so ill.
Esther M. Friesner (Nobody's Princess (Nobody's Princess, #1))
My brave husband came back from fighting the Turks and brought me a robe of silk and a necklace of human teeth. He sat up at night by his hearth telling tales of battle. Apparently the Turks are ten times more ferocious and fearless than the Scots. 'Perhaps we should invite them here to drive the Scots back,' I suggested, and he laughed, but he didn't kiss me. That's when I learned the truth about scars. A man with a battle scar is a veteran, a hero, given an honoured place at the fire. Small boys gaze up fascinated, dreaming of winning such badges of courage. Maids caress his thighs with their buttocks as they bend over to mull his ale. Women cluck and cosset, and if in time other men grow a little weary of that tale of honour, then they call for his cup to be filled again and again until he is fuddled and dozes quietly in the warmth of the embers. But a scarred woman is not encouraged to tell her story. Boys jeer and mothers cross themselves. Pregnant women will not come close for fear that if they look upon such a sight, the infant in their belly will be marked. You've heard of the tales of Beauty and the Beast no doubt. How a fair maid falls in love with a monster and sees the beauty of his soul beneath the hideous visage. But you've never heard the tale of the handsome man falling for the monstrous woman and finding joy in her love, because it doesn't happen, not even in fairytales. The truth is that the scarred woman's husband buys her a good thick veil and enquires about nunneries for the good of her health. He spends his days with his falcons and his nights instructing pageboys in their duties. For if nothing else, the wars taught him how to be a diligent master to such pretty lads.
Karen Maitland (Company of Liars)
The Master Hand looked at the jewel that glittered on Ged's palm, bright as the prize of a dragon's hoard. The old Master murmured one word, "Tolk," and there lay the pebble, no jewel but a rough grey bit of rock. The Master took it and held it out on his own hand. "This is a rock; tolk in the True Speech," he said, looking mildly up at Ged now. "A bit of the stone of which Roke Isle is made, a little bit of the dry land on which men live. It is itself. It is part of the world. By the Illusion-Change you can make it look like a diamond – or a flower or a fly or an eye or a flame – " The rock flickered from shape to shape as he named them, and returned to rock. "But that is mere seeming. Illusion fools the beholder's senses; it makes him see and hear and feel that the thing is changed. But it does not change the thing. To change this rock into a jewel, you must change its true name. And to do that, my son, even to so small a scrap of the world, is to change the world. It can be done. Indeed it can be done. It is the art of the Master Changer, and you will learn it, when you are ready to learn it. But you must not change one thing, one pebble, one grain of sand, until you know what good and evil will follow on that act. The world is in balance, in Equilibrium. A wizard's power of Changing and of Summoning can shake the balance of the world. It is dangerous, that power. It is most perilous. It must follow knowledge, and serve need. To light a candle is to cast a shadow..." He looked down at the pebble again. "A rock is a good thing, too, you know," he said, speaking less gravely. "If the Isles of Eartbsea were all made of diamond, we'd lead a hard life here. Enjoy illusions, lad, and let the rocks be rocks.
Ursula K. Le Guin (A Wizard of Earthsea (Earthsea Cycle, #1))
It was a feeling that I could be a little different from everyone else of my age, and that, if pushed, I could battle against the forces of nature and prevail. Adventure felt the most natural thing in the world, and it was where I came alive. It is what made me feel, for the first time, really myself. As I got older and the rest of my world got more complicated and unnatural, I sought more and more the identity and wholeness that adventure gave me. In short, when I was wet, muddy, and cold, I felt like a million dollars, and when I was with the lads, with everyone desperately trying to be “cool,” I felt more awkward and unsure of myself. I could do mud, but trying to be cool was never a success. So I learned to love the former and shy away from the latter. (Although I gave “cool” a brief, good go as a young teenager, buying winklepicker boots and listening to heavy metal records all through one long winter, both of which were wholly unsatisfying, and subsequently dropped as “boring.”) Instead, I would often dress up in my “worst” (aka my best) and dirtiest clothes, stand under the hosepipe in the garden, get soaking wet--in December--and then go off for a run on my own in the hills. The locals thought me a bit bonkers, but my dog loved it, and I loved it. It felt wild, and it was a feeling that captured me more and more. Once, I returned from one such run caked in mud and ran past a girl I quite fancied. I wondered if she might like the muddy look. It was at least original, I thought. Instead, she crossed the road very quickly, looking at me as if I were just weird. It took me a while to begin to learn that girls don’t always like people who are totally scruffy and covered in mud. And what I considered natural, raw, and wild didn’t necessarily equal sexy. Lesson still in progress.
Bear Grylls (Mud, Sweat and Tears)
So that is how we came to be standing in a sparse room, in a nondescript building in the barracks at SAS HQ--just a handful out of all those who had started out so many months earlier. We shuffled around impatiently. We were ready. Ready, finally, to get badged as SAS soldiers. The colonel of the regiment walked in, dressed casually in lightweight camo trousers, shirt, beret, and blue SAS belt. He smiled at us. “Well done, lads. Hard work, isn’t it?” We smiled back. “You should be proud today. But remember: this is only the beginning. The real hard work starts now, when you return to your squadron. Many are called, few are chosen. Live up to that.” He paused. “And from now on for the rest of your life remember this: you are part of the SAS family. You’ve earned that. And it is the finest family in the world. But what makes our work here extraordinary is that everyone here goes that little bit extra. When everyone else gives up, we give more. That is what sets us apart.” It is a speech I have never forgotten. I stood there, my boots worn, cracked, and muddy, my trousers ripped, and wearing a sweaty black T-shirt. I felt prouder than I had ever felt in my life. We all came to attention--no pomp and ceremony. We each shook the colonel’s hand and were handed the coveted SAS sandy beret. Along the way, I had come to learn that it was never about the beret--it was about what it stood for: camaraderie, sweat, skill, humility, endurance, and character. I molded the beret carefully onto my head as he finished down the line. Then he turned and said: “Welcome to the SAS. My door is always open if you need anything--that’s how things work around here. Now go and have a beer or two on me.” Trucker and I had done it, together, against all the odds. So that was SAS Selection. And as the colonel had said, really it was just the beginning.
Bear Grylls (Mud, Sweat and Tears)
Moreland sired some decent sons,” Rothgreb remarked. “And that’s a pretty filly they have for a sister. Not as brainless as the younger girls, either.” “Lady Sophia is very pretty.” Also kind, intelligent, sweet, and capable of enough passion to burn a man’s reason to cinders. “She’s mighty attached to the lad, though.” His uncle shot him a look unreadable in the gloom of the chilly hallways. “Women take on over babies.” “He’s a charming little fellow, but he’s a foundling. I believe she intends to foster him. Watch your step.” He took his uncle’s bony elbow at the stairs, only to have his hand shaken off. “For God’s sake, boy. I can navigate my own home unaided. So if you’re attracted to the lady, why don’t you provide for the boy? You can spare the blunt.” Vim paused at the first landing and held the candle a little closer to his uncle’s face. “What makes you say I’m attracted to Lady Sophia? And how would providing for the child endear me to her?” “Women set store by orphans, especially wee lads still in swaddling clothes. Never hurts to put yourself in a good light when you want to impress a lady.” His uncle went up the steps, leaning heavily on the banister railing. “And why would I want to impress Lady Sophia?” “You ogle her,” Rothgreb said, pausing halfway up the second flight. “I do not ogle a guest under our roof.” “You watch her, then, when you don’t think anybody’s looking. In my day, we called that ogling. You fret over her, which I can tell you as a man married for more than fifty years, is a sure sign a fellow is more than infatuated with his lady.” Vim remained silent, because he did, indeed, fret over Sophie Windham. “And you have those great, strapping brothers of hers falling all over themselves to put the two of you together.” Rothgreb paused again at the top of the steps. Vim paused too, considering his uncle’s words. “They aren’t any more strapping than I am.” Except St. Just was more muscular. Lord Val was probably quicker with his fists than Vim, and Westhaven had a calculating, scientific quality to him that suggested each of his blows would count. “They were all but dancing with each other to see that you sat next to their sister.
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
As Oliver and Freddy pulled away from the Blue Swan, Oliver paid little heed to the lad’s chatter about his spectacular meal. All he could hear was Maria calling him my lord, as if she hadn’t just been trembling in his arms. And the look on her face! Had she been insulted? Or just ashamed? How the devil had she stayed so collected, when he’d felt ready to explode after seeing her find her pleasure so sweetly in his arms? He’d actually come in his trousers, like a randy lad with no control over his urges. Now he had to keep his cloak buttoned up until he could reach Halstead Hall and change his clothes. She’d made light of their encounter, damn her. Though I thank you for the lesson in passion…Had it meant nothing more to her? Apparently not, since she’d said, It isn’t something we should repeat. Though the idea grated, she was right. They should stay apart, for his sake as well as hers. He’d actually offered to make her his mistress! He, who’d never kept a mistress in his life, who’d joked to his friends that mistresses were more trouble than they were worth since one woman was as good as another. He’d always been driven by the fear that a mistress might tempt him to let down his guard and reveal his secrets. Then even his family would desert him, and he couldn’t bear that. Even with his friends, he kept the strongbox of his secrets firmly closed. But with Maria… He stared out the window, trying to figure out at what point in their conversation he’d lost all good sense. Had it been when she’d said she didn’t believe the gossip about him? Or before that, when she’d chastised Pinter for telling it to her? No. Astonishing as those things had been, what had prompted his rash offer was the lost look on her face after he’d pointed out that Hyatt might not wish to be found. Even now he could see the fear rising in her eyes, much like the fear he’d seen in Mother’s eyes-of being inconsequential, unwanted. And suddenly he’d desired nothing more than to make Maria feel wanted. Not that he’d succeeded very well. She could hardly be flattered that he wanted her only for a mistress. He hadn’t meant it to insult her-he’d just been utterly swept up in the idea of her and him in a cottage together somewhere, without the rest of the rest of the world to muddy their lives.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
You may find this hard to believe, Mr. Pinter," she went on defensively, "but some men enjoy my company. They consider me easy to talk to." A ghost of a smile touched his handsome face. "You're right. I do find that hard to believe." Arrogant wretch. "All the same, there are three men who might consider marrying me, and I could use your help in securing them." She hated having to ask him for that, but he was necessary to her plan. She just needed one good offer of marriage, one impressive offer that would show Gran she was capable of gaining a decent husband. Gran didn't believe she could, or she wouldn't be holding to that blasted ultimatum. If Celia could prove her wrong, Gran might allow her to choose a husband in her own good time. And if that plan didn't work, Celia would at least have a man she could marry to fulfill Gran's terms. "So you've finally decided to meet Mrs. Plumtree's demands," he said, his expression unreadable. She wasn't about to let him in on her secret plan. Oliver might have employed him, but she was sure Mr. Pinter also spied for Gran. He would run right off and tell her. "It's not as if I have a choice." Bitterness crept into her tone. "In less than two months, if I remain unmarried, my siblings will be cut off. I can't do that to them, no matter how much I resent Gran's meddling." Something that looked oddly like sympathy flickered in his gaze. "Don't you want to marry?" "Of course I want to marry. Doesn't every woman?" "You've shown little interest in it before," he said skeptically. That's because men had shown little interest in her. Oh, Gab's friends loved to stand about with her at balls and discuss the latest developments in cartridges, but they rarely asked her to dance, and if they did, it was only to consult her on rifles. She'd tried flirting, but she was terrible at it. It seemed so...false. So did men's compliments, the few that there were. It was easier to laugh them off than to figure out which ones were genuine, easier to pretend to be one of the lads. She secretly wished she could find a man she could love, who would ignore the scandals attached to he family's name and indulge her hobby of target shooting. One who could shoot as well as she, since she could never respect a man who couldn't hit what he aimed at. I'll bet Mr. Pinter knows his way around a rifle.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Mrs Vane glanced at her [daughter], and with one of those false theatrical gestures that so often become a mode of second nature to a stage-player, clasped her in her arms. At this moment the door opened, and a young lad with rough brown hair came into the room… Mrs Vane fixed her eyes on him, and intensified the smile. She mentally elevated her son to the dignity of an audience. She felt sure that the tableau was interesting. ‘You might keep some of your kisses for me, Sibyl, I think,’ said the lad, with a good-natured grumble… James Vane looked into his sister’s face with tenderness. ‘I want you to come out with me for a walk, Sibyl. I don’t suppose I shall ever see this horrid London again. I am sure I don’t want to.’ ‘My son, don’t say such dreadful things,’ murmured Mrs Vane, taking up a tawdry theatrical dress, with a sigh, and beginning to patch it. She felt a little disappointed that he had not joined the group. It would have increased the theatrical picturesqueness of the situation… ‘Come, Sibyl,’ said her brother, impatiently. He hated his mother’s affectations… He was conscious also of the shallowness and vanity of his mother’s nature, and in that saw infinite peril for Sibyl and Sibyl’s happiness. Children being by loving their parents; as they grow older they judge them; sometimes they forgive them… After some time, he thrust away his plate, and put his head in his hands. He felt that he had a right to know. It should have been told to him before, if it was as he suspected. Leaden with fear, his mother watched him. Words dropped mechanically from her lips. A tattered lace handkerchief twitched in her fingers. When the clock struck six, he got up, and went to the door. Then he turned back, and looked at her. Their eyes met. In hers he saw a wild appeal for mercy. It enraged him. ‘Mother, I have something to ask you,’ he said. Her eyes wandered vaguely about the room. She made no answer. ‘Tell me the truth. I have a right to know. Were you married to my father?’ She heaved a deep sigh. It was a sigh of relief. The terrible moment, the moment that night and day, for weeks and months, she had dreaded, had come at last, and yet she felt no terror. Indeed in some measure it was a disappointment to her. The vulgar directness of the question called for a direct answer. The situation had not been gradually led up to. It was crude. It reminded her of a bad rehearsal.
Oscar Wilde (The Picture of Dorian Gray)
Would you say that that man is at leisure who arranges with finical care his Corinthian bronzes, that the mania of a few makes costly, and spends the greater part of each day upon rusty bits of copper? Who sits in a public wrestling-place (for, to our shame I we labour with vices that are not even Roman) watching the wrangling of lads? Who sorts out the herds of his pack-mules into pairs of the same age and colour? Who feeds all the newest athletes? Tell me, would you say that those men are at leisure who pass many hours at the barber’s while they are being stripped of whatever grew out the night before? while a solemn debate is held over each separate hair? while either disarranged locks are restored to their place or thinning ones drawn from this side and that toward the forehead? How angry they get if the barber has been a bit too careless, just as if he were shearing a real man! How they flare up if any of their mane is lopped off, if any of it lies out of order, if it does not all fall into its proper ringlets! Who of these would not rather have the state disordered than his hair? Who is not more concerned to have his head trim rather than safe? Who would not rather be well barbered than upright? Would you say that these are at leisure who are occupied with the comb and the mirror? And what of those who are engaged in composing, hearing, and learning songs, while they twist the voice, whose best and simplest movement Nature designed to be straightforward, into the meanderings of some indolent tune, who are always snapping their fingers as they beat time to some song they have in their head, who are overheard humming a tune when they have been summoned to serious, often even melancholy, matters? These have not leisure, but idle occupation. And their banquets, Heaven knows! I cannot reckon among their unoccupied hours, since I see how anxiously they set out their silver plate, how diligently they tie up the tunics of their pretty slave-boys, how breathlessly they watch to see in what style the wild boar issues from the hands of the cook, with what speed at a given signal smooth-faced boys hurry to perform their duties, with what skill the birds are carved into portions all according to rule, how carefully unhappy little lads wipe up the spittle of drunkards. By such means they seek the reputation for elegance and good taste, and to such an extent do their evils follow them into all the privacies of life that they can neither eat nor drink without ostentation. And
Seneca (On The Shortness of Life)
That was the whole trouble with police work. You come plunging in. a jagged Stone Age knife, to probe the delicate tissues of people's relationships, and of course you destroy far more than you discover. And even what you discover will never be the same as it was before you came; the nubbly scars of your passage will remain. At the very least. you have asked questions that expose to the destroying air fibers that can only exist and fulfill their function in coddling darkness. Cousin Amy, now, mousing about in back passages or trilling with feverish shyness at sherry parties—was she really made all the way through of dust and fluff and unused ends of cotton and rusty needles and unmatching buttons and all the detritus at the bottom of God's sewing basket? Or did He put a machine in there to tick away and keep her will stern and her back straight as she picks out of a vase of brown-at-the-edges dahlias the few blooms that have another day's life in them? Or another machine, one of His chemistry sets, that slowly mixes itself into an apparently uncaused explosion, poof!, and there the survivors are sitting covered with plaster dust among the rubble of their lives. It's always been the explosion by the time the police come stamping in with ignorant heels on the last unbroken bit of Bristol glass; with luck they can trace the explosion back to harmless little Amy, but as to what set her off—what were the ingredients of the chemistry set and what joggled them together—it was like trying to reconstruct a civilization from three broken pots and a seven-inch lump of baked clay which might, if you looked at its swellings and hollows the right way, have been the Great Earth Mother. What's more. people who've always lived together think that they are still the same—oh, older of course and a bit more snappish, but underneath still the same laughing lad of thirty years gone by. "My Jim couldn't have done that." they say. "I know him. Course he's been a bit depressed lately, funny like. but he sometimes goes that way for a bit and then it passes off. But setting fire to the lingerie department at the Army and Navy, Inspector—such a thought wouldn't enter into my Jim's head. I know him." Tears diminishing into hiccuping snivels as doubt spreads like a coffee stain across the threadbare warp of decades. A different Jim? Different as a Martian, growing inside the ever-shedding skin? A whole lot of different Jims. a new one every seven years? "Course not. I'm the same. aren't I, same as I always was—that holiday we took hiking in the Peak District in August thirty-eight—the same inside?" Pibble sighed and shook himself. You couldn't build a court case out of delicate tissues. Facts were the one foundation.
Peter Dickinson (The Glass-Sided Ant's Nest (Jimmy Pibble #1))
That settles it,” said Mr. Trapwood. “We’re going back to the pension. We’re going to pack. We’re going to be on the Bishop first thing tomorrow. Sir Aubrey will have to send someone else out. Nothing is worth another day in this hellhole.” Mr. Low did not answer. He had caught a fever and was lying in the bottom of a large canoe owned by the Brothers of the São Gabriel Mission, who had arranged for the crows to be taken back to Manaus. His eyes were closed and he was wandering a little in his mind, mumbling about a boy with hair the color of the belly of the golden toad which squatted on the lily leaves of the Mamari River. There had, of course, been no golden-haired boys; there hadn’t been any boys at all. What there had been was a leper colony, run by the Brothers of Saint Patrick, a group of Irish missionaries to whom the crows had been sent. “They’re good men, the Brothers,” a man on the docks had told them as they set off on their last search for Taverner’s son. “They take in all sorts of strays--orphans, boys with no homes. If anyone knows where Taverner’s lad might be, it’ll be them.” Then he had spat cheerfully into the river because he was a crony of the chief of police and liked the idea of Mr. Low and Mr. Trapwood spending time with the Brothers, who were very holy men indeed and slept on the hard ground, and ate porridge made from manioc roots, and got up four times in the night to pray. The Brothers’ mission was on a swampy part of the river and very unhealthy, but the Brothers thought only about God and helping their fellowmen. They welcomed Mr. Trapwood and Mr. Low and said they could look over the leper colony to see if they could find anyone who might turn out to be the boy they were looking for. “They’re a jolly lot, the lepers,” said Father Liam. “People who’ve suffered don’t have time to grumble.” But the crows, turning green, thought there wouldn’t be much point. Even if there was a boy there the right age, Sir Aubrey probably wouldn’t think that a boy who was a leper could manage Westwood. Later a group of pilgrims arrived who had been walking on foot from the Andes and were on their way to a shrine on the Madeira River, and the Brothers knelt and washed their feet. “We know you’ll be proud to share the sleeping hut with our friends here,” they said to Mr. Low and Mr. Trapwood, and the crows spent the night on the floor with twelve snoring, grunting men--and woke to find two large and hungry-looking vultures squatting in the doorway. By the time they returned to Manaus the crows were beaten men. They didn’t care any longer about Taverner’s son or Sir Aubrey, or even the hundred-pound bonus they had lost. All they cared about was getting onto the Bishop and steaming away as fast as it could be done.
Eva Ibbotson (Journey to the River Sea)
He felt it. Misery, we must insist, had been good to him. Poverty in youth, when it succeeds, is so far magnificent that it turns the whole will towards effort, and the whole soul towards aspiration. Poverty strips the material life entirely bare, and makes it hideous; thence arise inexpressible yearnings towards the ideal life. The rich young man has a hundred brilliant and coarse amusements, racing, hunting, dogs, cigars, gaming, feasting, and the rest; busying the lower portions of the soul at the expense of its higher and delicate portions. The poor young man must work for his bread; he eats; when he has eaten, he has nothing more but reverie. He goes free to the play which God gives; he beholds the sky, space, the stars, the flowers, the children, the humanity in which he suffers, the creation in which he shines. He looks at humanity so much that he sees the soul, he looks at creation so much that he sees God. He dreams, he feels that he is great; he dreams again, and he feels that he is tender. From the egotism of the suffering man, he passes to the compassion of the contemplating man. A wonderful feeling springs up within him, forgetfulness of self, and pity for all. In thinking of the numberless enjoyments which nature offers, gives, and gives lavishly to open souls, and refuses to closed souls, he, a millionaire of intelligence, comes to grieve for the millionaires of money. All hatred goes out of his heart in proportion as all light enters his mind. And then is he unhappy? No. The misery of a young man is never miserable. The first lad you meet, poor as he may be, with his health, his strength, his quick step, his shining eyes, his blood which circulates warmly, his black locks, his fresh cheeks, his rosy lips, his white teeth, his pure breath, will always be envied by an old emperor. And then every morning he sets about earning his bread; and while his hands are earning his living, his backbone is gaining firmness, his brain is gaining ideas. When his work is done, he returns to ineffable ecstasies, to contemplation, to joy; he sees his feet in difficulties, in obstacle, on the pavement, in thorns, sometimes in the mire; his head is in the light. He is firm, serene, gentle, peaceful, attentive, serious, content with little, benevolent; and he blesses God for having given him these two estates which many of the rich are without; labour which makes him free, and thought which makes him noble. This is what had taken place in Marius.
Victor Hugo (Les Misérables)