Literally Tired Quotes

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It gets so tiring, this strong-picking-on-the-weak stuff. It was the story of my life -literally- and it seemed to be a big part of the outside world too. I was sick of it, sick of guys like these, stupid and bullying.
James Patterson (The Angel Experiment (Maximum Ride, #1))
This is an ode to all of those that have never asked for one. A thank you in words to all of those that do not do what they do so well for the thanking. This is to the mothers. This is to the ones who match our first scream with their loudest scream; who harmonize in our shared pain and joy and terrified wonder when life begins. This is to the mothers. To the ones who stay up late and wake up early and always know the distance between their soft humming song and our tired ears. To the lips that find their way to our foreheads and know, somehow always know, if too much heat is living in our skin. To the hands that spread the jam on the bread and the mesmerizing patient removal of the crust we just cannot stomach. This is to the mothers. To the ones who shout the loudest and fight the hardest and sacrifice the most to keep the smiles glued to our faces and the magic spinning through our days. To the pride they have for us that cannot fit inside after all they have endured. To the leaking of it out their eyes and onto the backs of their hands, to the trails of makeup left behind as they smile through those tears and somehow always manage a laugh. This is to the patience and perseverance and unyielding promise that at any moment they would give up their lives to protect ours. This is to the mothers. To the single mom’s working four jobs to put the cheese in the mac and the apple back into the juice so their children, like birds in a nest, can find food in their mouths and pillows under their heads. To the dreams put on hold and the complete and total rearrangement of all priority. This is to the stay-at-home moms and those that find the energy to go to work every day; to the widows and the happily married. To the young mothers and those that deal with the unexpected announcement of a new arrival far later than they ever anticipated. This is to the mothers. This is to the sack lunches and sleepover parties, to the soccer games and oranges slices at halftime. This is to the hot chocolate after snowy walks and the arguing with the umpire at the little league game. To the frosting ofbirthday cakes and the candles that are always lit on time; to the Easter egg hunts, the slip-n-slides and the iced tea on summer days. This is to the ones that show us the way to finding our own way. To the cutting of the cord, quite literally the first time and even more painfully and metaphorically the second time around. To the mothers who become grandmothers and great-grandmothers and if time is gentle enough, live to see the children of their children have children of their own. To the love. My goodness to the love that never stops and comes from somewhere only mothers have seen and know the secret location of. To the love that grows stronger as their hands grow weaker and the spread of jam becomes slower and the Easter eggs get easier to find and sack lunches no longer need making. This is to the way the tears look falling from the smile lines around their eyes and the mascara that just might always be smeared with the remains of their pride for all they have created. This is to the mothers.
Tyler Knott Gregson
With the birth of Akash, in his sudden, perfect presence, Ruma had felt awe for the first time in her life. He still had the power to stagger her at times--simply the fact that he was breathing, that all his organs were in their proper places, that blood flowed quietly and effectively through his small, sturdy limbs. He was her flesh and blood, her mother had told her in the hospital the day Akash was born. Only the words her mother used were more literal, enriching the tired phrase with meaning: "He is made from your meat and bone." It had caused Ruma to acknowledge the supernatural in everyday life. But death, too, had the power to awe, she knew this now-that a human being could be alive for years and years, thinking and breathing and eating, full of a million worries and feelings and thoughts, taking up space in the world, and then, in an instant, become absent, invisible.
Jhumpa Lahiri (Unaccustomed Earth)
One of the things that happens is that during sleep, your brain cleans itself of waste that has accumulated during the day. “During slow-wave sleep, your cerebral spinal fluid channels open up more and remove metabolic waste from your brain,” Roxanne explained to me. Every night, when you go to sleep, your brain is rinsed with a watery fluid. This cerebrospinal fluid washes through your brain, flushing out toxic proteins and carrying them down to your liver to get rid of them. “So when I’m talking to college students, I call this brain-cell poop. If you can’t focus well, it might be you have too much brain-cell poop circulating.” That can explain why, when you are tired, “you get a hung-over sort of feeling”—you are literally clogged up with toxins. This positive kind of brainwashing can only happen when you are asleep.
Johann Hari (Stolen Focus: Why You Can't Pay Attention—and How to Think Deeply Again)
Christians claim their faith gave rise to modern science even though the Bible literally contains talk of a six-day creation, a three-tired universe, a worldwide flood let loose from the firmament above, nine-hundred-year-old men, talking snakes and donkeys, a sun that stood still, and a hell in the deepest parts of the earth, and they still want to claim their faith gave rise to science?
John W. Loftus (Why I Became an Atheist: A Former Preacher Rejects Christianity)
I want to live in a liberated intersectional society. As long as inequality and discrimination exists, I cannot be satisfied with the life that we are forced to live. Everyone deserves to lead the life they want to and not what is prescribed for them. We must be who we want to be. In this we must be happy. I am also tired of seeing black people fight to live. This is what drives my activism. I literally (as clichéd as it sounds), dream of a moment where we can be free to exist as we want to.
Malebo Sephodi
i need you to french me into the fucking dirt. need you to actually care about me and ineed you to know that i just get tired sometimes. need to think that you are a betterperson than i am and never say it. need you here with me, on our literal death mattress,lying perfectly still in the middle of every single consecutive and increasingly sober night thats all i need, because i know no one ever really says what they really mean and iknow that there exists a world beneath this one where all the things that get left unsaidbecome all the things you really want. its my moms basement, but i cant go back
Heiko Julien (I Am Ready to Die a Violent Death)
To pragmatists, the letter Z is nothing more than a phonetically symbolic glyph, a minor sign easily learned, readily assimilated, and occasionally deployed in the course of a literate life. To cynics, Z is just an S with a stick up its butt. Well, true enough, any word worth repeating is greater than the sum of its parts; and the particular word-part Z can, from a certain perspective, appear anally wired. On those of us neither prosaic nor jaded, however, those whom the Fates have chosen to monitor such things, Z has had an impact above and beyond its signifying function. A presence in its own right, it’s the most distant and elusive of our twenty-six linguistic atoms; a mysterious, dark figure in an otherwise fairly innocuous lineup, and the sleekest little swimmer ever to take laps in a bowl of alphabet soup. Scarcely a day of my life has gone by when I’ve not stirred the alphabetical ant nest, yet every time I type or pen the letter Z, I still feel a secret tingle, a tiny thrill… Z is a whip crack of a letter, a striking viper of a letter, an open jackknife ever ready to cut the cords of convention or peel the peach of lust. A Z is slick, quick, arcane, eccentric, and always faintly sinister - although its very elegance separates it from the brutish X, that character traditionally associated with all forms of extinction. If X wields a tire iron, Z packs a laser gun. Zap! If X is Mike Hammer, Z is James Bond. If X marks the spot, Z avoids the spot, being too fluid, too cosmopolitan, to remain in one place. In contrast to that prim, trim, self-absorbed supermodel, I, or to O, the voluptuous, orgasmic, bighearted slut, were Z a woman, she would be a femme fatale, the consonant we love to fear and fear to love.
Tom Robbins
It is not true that the world is too tired and exhausted to produce anything worth praising.
Pliny the Younger (The Letters of the Younger Pliny; Literally Translated by John Delaware Lewis)
lower her to my side and pull her against me so that her head is resting on my jacket. Her breath tastes like starburst and it makes me want to keep kissing her until I can identify every single flavor. Her hand touches my arm and she gives it a tight squeeze just as my tongue slips inside her mouth. That would be strawberry on the tip of her tongue. She keeps her hand on my arm, periodically moving it to the back of my head, then returning it to my arm. I keep my hand on her waist, never once moving it to touch any other part of her. The only thing we explore is each other’s mouths. We kiss without making another sound. We kiss until the alarm sounds off on my phone. Despite the noise, neither of us stops kissing. We don’t even hesitate. We kiss for another solid minute until the bell rings in the hallway outside and suddenly lockers are slamming shut and people are talking and everything about our moment is stolen from us by all the inconvenient external factors of school. I still my lips against hers, then slowly pull back. “I have to get to class,” she whispers. I nod, even though she can’t see me. “Me, too,” I reply. She begins to scoot out from beneath me. When I roll onto my back, I feel her move closer to me. Her mouth briefly meets mine one more time, then she pulls away and stands up. The second she opens the door, the light from the hallway pours in and I squeeze my eyes shut, throwing my arm over my face. I hear the door shut behind her and by the time I adjust to the brightness, the light is gone again. I sigh heavily. I also remain on the floor until my physical reaction to her subsides. I don’t know who the hell she was or why the hell she ended up here, but I hope to God she comes back. I need a whole hell of a lot more of that. • • • She didn’t come back the next day. Or the day after that. In fact, today marks exactly a week since she literally fell into my arms, and I’ve convinced myself that maybe that whole day was a dream. I did stay up most of the night before watching zombie movies with Chunk, but even though I was going on two hours of sleep, I don’t know that I would have been able to imagine that. My fantasies aren’t that fun. Whether she comes back or not, I still don’t have a fifth period and until someone calls me out on it, I’ll keep hiding out in here. I actually slept way too much last night, so I’m not tired. I pull my phone out to text Holder when the door to the closet begins to open. “Are you in here, kid?” I hear her whisper. My heart immediately picks up pace and I can’t tell if it’s that she came back or if it’s because the
Colleen Hoover (Finding Cinderella (Hopeless, #2.5))
Monkeys" "You can buy cooler, more humdrum pets-- a monkey deprived of his mother in the cradle feels the want of her affection so keenly he either pines away or masters you by literally hanging on your neck-- no ounce of your patience or courage is misplaced; the worst is his air of boredom and neglect, manifested in tail-chewing and fur plucking. The whole species is vulnerable to killing colds, likes straw, hay or bits of a torn blanket, a floortray thinly covered with sawdust, they need trapezes, shelves, old rubber tires-- any string or beam will do to set them swinging-- these charming youngsters tend to sour with age
Robert Lowell
A sedentary lifestyle—too much time spent on couches or at desks and not enough movement—is the most common trigger for muscular atrophy. When we move our muscles as little as possible, with a sedentary lifestyle, we turn down our furnaces and literally cause our muscles to atrophy. When the cells atrophy, we feel even more tired because we have fewer mitochondria generating ATP. A vicious circle begins: less energy leading to less movement, which leads to less energy, which leads to less movement. Atrophy from a sedentary lifestyle leads to weight gain, loss of energy, and chronic aches and pains. But atrophy can be easily prevented, stopped, and even reversed with daily gentle full-body exercise.
Miranda Esmonde-White (Aging Backwards: Reverse the Aging Process and Look 10 Years Younger in 30 Minutes a Day)
(...) in eating disorder recovery, you’re literally trying to recover a whole person, the one who was there before the eating disorder, the one you didn’t like and tried to bury, the one who fades into the background and who people stop seeing the more the anorexia intensifies. You’re trying to recover this person to the surface, this person who is slipping down and down into ever darker depths, further and further away from the sun. The deeper she slips, the harder the battle will be to recover her. But to recover that person, you have to have a very good reason to pull her back to the surface, because the battle is brutal, and you get so tired of fighting. It is sometimes just easier to give up and let her sink.
Evanna Lynch (The Opposite of Butterfly Hunting: The Tragedy and The Glory of Growing Up (A Memoir))
She’d noticed before how middle-aged women were obsessed with the topic of age, always laughing about it, moaning about it, going on and on about it, as if the process of aging were a tricky puzzle they were trying to solve. Why were they so mystified by it? Jane’s mother’s friends seemed to literally have no other topic of conversation, or they didn’t when they spoke to Jane. “Oh, you’re so young and beautiful, Jane.” (When she clearly wasn’t; it was like they thought one followed the other: If you were young, you were automatically beautiful!) “Oh, you’re so young, Jane, you’ll be able to fix my phone/computer/camera.” (When in fact a lot of her mother’s friends were more technologically savvy than Jane.) “Oh, you’re so young, Jane, you have so much energy.” (When she was so tired, so very, very tired.) “And
Liane Moriarty (Big Little Lies)
The whole affair was the precise opposite of what I figured it would be: slow and patient and quiet and neither particularly painful nor particularly ecstatic. There were a lot of condomy problems that I did not get a particularly good look at. No headboards were broken. No screaming. Honestly, it was probably the longest time we’d ever spent together without talking. Only one thing followed type: Afterward, when I had my face resting against Augustus’s chest, listening to his heart pound, Augustus said, “Hazel Grace, I literally cannot keep my eyes open.” “Misuse of literality,” I said. “No,” he said. “So. Tired.” His face turned away from me, my ear pressed to his chest, listening to his lungs settle into the rhythm of sleep. After a while, I got up, dressed, found the Hotel Filosoof stationery, and wrote him a love letter:
John Green (The Fault in Our Stars)
Christians should be the most affirming people in the world. Rather than rushing to find fault, we should proactively seek opportunities to catch others doing good and to encourage (literally, “put courage into”) others by verbalizing the ways that we are “happy at them”—whether they believe as we do or not[...] Non-Christians as well as Christians create beauty, speak words that are true, and perform deeds that serve the common good. This should be celebrated.
Scott Sauls (Jesus Outside the Lines: A Way Forward for Those Who Are Tired of Taking Sides)
The current had not given me a curse. And I had become strong under its teaching. But there was no denying another thing Dr. Fadlan had said--that on some level, I felt like I, and everyone else, deserved pain. One thing I knew, deep in my bones, was that Akos Kereseth did not deserve it. Holding on to that thought, I reached for him, and touched my hand to his chest, feeling fabric. I opened my eyes. The shadows were still traveling over my body, since I wasn’t touching his skin, but my entire left arm, from shoulder to the fingertips that touched him, was bare. Even if he had been able to feel my currentgift, I still would not have been hurting him. Akos’s eyes, usually so wary, were wide with wonder. “When I kill people with a touch, it’s because I decide to give them all the pain and keep none of it for myself. It’s because I get so tired of bearing it that all I want to do is set it down for a while,” I said. “But during the interrogation, it occurred to me that maybe I was strong enough to bear it all myself. That maybe no one else but me could. And I never would have thought of that without you.” I blinked tears from my eyes. “You saw me as someone better than I was,” I said. “You told me that I could choose to be different than I had been, that my condition was not permanent. And I began to believe you. Taking in all the pain nearly killed me, but when I woke up again, the gift was different. It doesn’t hurt as much. Sometimes I can control it.” I took my hand away. “I don’t know what you want to call it, what we are to each other now,” I said. “But I wanted you to know that your friendship has...quite literally altered me.
Veronica Roth (Carve the Mark (Carve the Mark, #1))
Force is that which makes a thing of whoever submits to it. Exercised to the extreme, it makes the human being a thing quite literally, that is, a dead body. Someone was there and, the next moment, no one. The Iliad never tires of presenting us this tableau [...] The force that kills is summary and crude. How much more varied in operation, how much more stunning in effect is that other sort of force, that which does not kill, or rather does not kill just yet. It will kill for a certainty, or it will kill perhaps, or it may merely hang over the being it can kill at any instant; in all cases, it changes the human being into stone. From the power to change a human being into a thing by making him die there comes another power, in its way more momentous, that of making a still living human being into a thing. He is living, he has a soul; he is nonetheless a thing. Strange being—a thing with a soul; strange situation for the soul! Who can say how it must each moment conform itself, twist and contort itself? It was not created to inhabit a thing; when it compels itself to do so, it endures violence through and through.
Simone Weil (War and the Iliad)
Hey Pete. So why the leave from social media? You are an activist, right? It seems like this decision is counterproductive to your message and work." A: The short answer is I’m tired of the endless narcissism inherent to the medium. In the commercial society we have, coupled with the consequential sense of insecurity people feel, as they impulsively “package themselves” for public consumption, the expression most dominant in all of this - is vanity. And I find that disheartening, annoying and dangerous. It is a form of cultural violence in many respects. However, please note the difference - that I work to promote just that – a message/idea – not myself… and I honestly loath people who today just promote themselves for the sake of themselves. A sea of humans who have been conditioned into viewing who they are – as how they are seen online. Think about that for a moment. Social identity theory run amok. People have been conditioned to think “they are” how “others see them”. We live in an increasing fictional reality where people are now not only people – they are digital symbols. And those symbols become more important as a matter of “marketing” than people’s true personality. Now, one could argue that social perception has always had a communicative symbolism, even before the computer age. But nooooooothing like today. Social media has become a social prison and a strong means of social control, in fact. Beyond that, as most know, social media is literally designed like a drug. And it acts like it as people get more and more addicted to being seen and addicted to molding the way they want the world to view them – no matter how false the image (If there is any word that defines peoples’ behavior here – it is pretention). Dopamine fires upon recognition and, coupled with cell phone culture, we now have a sea of people in zombie like trances looking at their phones (literally) thousands of times a day, merging their direct, true interpersonal social reality with a virtual “social media” one. No one can read anymore... they just swipe a stream of 200 character headlines/posts/tweets. understanding the world as an aggregate of those fragmented sentences. Massive loss of comprehension happening, replaced by usually agreeable, "in-bubble" views - hence an actual loss of variety. So again, this isn’t to say non-commercial focused social media doesn’t have positive purposes, such as with activism at times. But, on the whole, it merely amplifies a general value system disorder of a “LOOK AT ME! LOOK AT HOW GREAT I AM!” – rooted in systemic insecurity. People lying to themselves, drawing meaningless satisfaction from superficial responses from a sea of avatars. And it’s no surprise. Market economics demands people self promote shamelessly, coupled with the arbitrary constructs of beauty and success that have also resulted. People see status in certain things and, directly or pathologically, use those things for their own narcissistic advantage. Think of those endless status pics of people rock climbing, or hanging out on a stunning beach or showing off their new trophy girl-friend, etc. It goes on and on and worse the general public generally likes it, seeking to imitate those images/symbols to amplify their own false status. Hence the endless feedback loop of superficiality. And people wonder why youth suicides have risen… a young woman looking at a model of perfection set by her peers, without proper knowledge of the medium, can be made to feel inferior far more dramatically than the typical body image problems associated to traditional advertising. That is just one example of the cultural violence inherent. The entire industry of social media is BASED on narcissistic status promotion and narrow self-interest. That is the emotion/intent that creates the billions and billions in revenue these platforms experience, as they in turn sell off people’s personal data to advertisers and governments. You are the product, of course.
Peter Joseph
Christ, I’m tired. I need sleep. I need peace. I need for my balls to not be so blue they’re practically purple. As purple as Sarah Von Titebottum’s— My mind comes to a screeching halt with the unexpected thought. And the image that accompanies it—the odd, blushing lass with her glasses and her books and very tight bottom. Sarah’s not a contestant on the show, so I’m willing to bet both my indigo balls that there’s not a camera in her room. And, I can’t believe I’m fucking thinking this, but, even better—none of the other girls will know where to find me—including Elizabeth. I let the cameras noisily track me to the lavatory, but then, like an elite operative of the Secret Intelligence Service, I plaster myself to the wall beneath their range and slide my way out the door. Less than five minutes later, I’m in my sleeping pants and a white T-shirt, barefoot with my guitar in hand, knocking on Sarah’s bedroom door. I checked the map Vanessa gave me earlier. Her room is on the third floor, in the corner of the east wing, removed from the main part of the castle. The door opens just a crack and dark brown eyes peer out. “Sanctuary,” I plead. Her brow crinkles and the door opens just a bit wider. “I beg your pardon?” “I haven’t slept in almost forty-eight hours. My best friend’s girlfriend is trying to praying-mantis me and the sound of the cameras following me around my room is literally driving me mad. I’m asking you to take me in.” And she blushes. Great. “You want to sleep in here? With me?” I scoff. “No, not with you—just in your room, love.” I don’t think about how callous the words sound—insulting—until they’re out of my mouth. Could I be any more of a dick? Thankfully, Sarah doesn’t look offended. “Why here?” she asks. “Back in the day, the religious orders used to give sanctuary to anyone who asked. And since you dress like a nun, it seemed like the logical choice.” I don’t know why I said that. I don’t know what’s wrong with me. Somebody just fucking shoot me and be done with it. Sarah’s lips tighten, her head tilts, and her eyes take on a dangerous glint. I think Scooby-Doo put it best when he said, Ruh-roh. “Let me make sure I’ve got this right—you need my help?” “Correct.” “You need shelter, protection, sanctuary that only I can give?” “Yes.” “And you think teasing me about my clothes is a wise strategy?” I hold up my palms. “I never said I was wise. Exhausted, defenseless, and desperate.” I pout . . . but in a manly kind of way. “Pity me.” A smile tugs at her lips. And that’s when I know she’s done for. With a sigh, she opens the door wide. “Well, it is your castle. Come in.” Huh. She’s right—it is my castle. I really need to start remembering that
Emma Chase (Royally Matched (Royally, #2))
I began to notice that when I was tired or anxious, there were certain sentences I would say in my head that lead me to a very familiar place. The journey to this place would often start with me walking around disturbed, feeling as if there was something deep inside that I needed to put into words but couldn't quite capture. I felt the "something" as an anxiety, a loneliness, and a need for connection with someone. If no connection came, I would start to say things like, "Life really stinks. Why is it always so hard? It's never going to change." If no one noticed that I was struggling and asked me what was wrong, I found my sentences shifting again to a more cynical level, "Who cares? Life really is a joke." Surprisingly, I noticed by the time I was saying these last sentences, I was feeling better. The anxiety had greatly diminished. My "comforter", my abiding place, was cynicism and rebellion. From this abiding place, I would feel free to use some soul - cocaine - a violence video with maybe a little sexual titillation thrown in, perhaps having a little more alcohol with a meal than I might normally drink - things that would allow me to feel better for just a little while. I had always thought of these things as just bad habits. I began to see that they were much more; they were spiritual abiding places that were my comforters and friends in a very spiritual way; literally, other lovers.
John Eldredge (The Sacred Romance: Drawing Closer to the Heart of God)
It was a sad fact that the commonest complaint in the outpatient department was “Rasehn . . . libehn . . . hodehn,” literally, “My head . . . my heart . . . and my stomach,” with the patient’s hand touching each part as she pronounced the words. Ghosh called it the RLH syndrome. The RLH sufferers were often young women or the elderly. If pressed to be more specific, the patients might offer that their heads were spinning (rasehn yazoregnal) or burning (yakatelegnal ), or their hearts were tired (lib dekam), or they had abdominal discomfort or cramps (hod kurteth), but these symptoms were reported as an aside and grudgingly, because rasehn-libehn-hodehn should have been enough for any doctor worth his salt. It had taken Matron her first year in Addis to understand that this was how stress, anxiety, marital strife, and depression were expressed in Ethiopia—somatization was what Ghosh said the experts called this phenomenon. Psychic distress was projected onto a body part, because culturally it was the way to express that kind of suffering. Patients might see no connection between the abusive husband, or meddlesome mother-in-law, or the recent death of their infant, and their dizziness or palpitations. And they all knew just the cure for what ailed them: an injection. They might settle for mistura carminativa or else a magnesium trisilicate and belladonna mixture, or some other mixture that came to the doctor’s mind, but nothing cured like the marfey—the needle. Ghosh was dead against injections of vitamin B for the RLH syndrome, but Matron had convinced him it was better for Missing to do it than have the dissatisfied patient get an unsterilized hypodermic from a quack in the Merkato. The orange B-complex injection was cheap, and its effect was instantaneous, with patients grinning and skipping down the hill. T
Abraham Verghese (Cutting for Stone)
The idea of personal space, which seems so natural to us now, was a revelation. People couldn’t get enough of it. Soon it wasn’t merely sufficient to live apart from one’s inferiors, it was necessary to have time apart from one’s equals, too. As houses sprouted wings and spread, and domestic arrangements grew more complex, words were created or adapted to describe all the new room types: study, bedchamber, privy chamber, closet, oratory (for a place of prayer), parlour, withdrawing chamber and library (in a domestic as opposed to institutional sense) all date from the fourteenth century or a little earlier. Others followed soon after: gallery, long gallery, presence chamber, tiring (for attiring) chamber, salon or saloon, apartment, lodgings and suite. ‘How widely different is all this from the ancient custom of the whole household living by day and night in the great hall!’ wrote Gotch in a moment of rare exuberance. One new type not mentioned by Gotch was boudoir, literally ‘a room to sulk in’, which from its earliest days was associated with sexual intrigue. Even with the growth of comparative privacy, life remained much more communal and exposed than today. Toilets often had multiple seats, for ease of conversation, and paintings regularly showed couples in bed or a bath in an attitude of casual friskiness while attendants waited on them and their friends sat amiably nearby, playing cards or conversing but comfortably within sight and earshot.
Bill Bryson (At Home: A Short History of Private Life)
AN ALKALINE DIET The pH level measures how acid or alkaline something is. Your blood is slightly alkaline, with a pH between 7.35 and 7.45, and your stomach is very acidic, with a pH of 3.5 or below, so it can break down food. Most of the foods we eat release either an acid or an alkaline base in the blood. Acidified body cells become weak, which can lead to unhealthy conditions and diseases. They are robbed of the oxygen and energy needed to support a strong and healthy immune system. I incorporate alkaline foods into my diet every day, and I feel like my energy is soaring. Food literally acts like a battery for the body. Every living thing on this planet is made up of energy, and this includes your food. This energy can be measured in megahertz. Chocolate cake only provides 1 to 3 MHz of energy, while raw almonds have 40 to 50 MHz and green vegetables have 70 to 90 MHz. So if you need 70 MHz of energy on a daily basis to function and you live off junk food and soda, you are creating an energy-deficit crisis in your body. People say it’s expensive to eat healthily. Here’s how I see it: you’re going to pay either way. Either you’re going to pay now for the good foods and feel alive and have a clear mind. Or you’ll save some money now and pay for medicine and hospital bills later. I used to make excuses: I’m getting older, that’s why I feel so tired all the time. But now I know it doesn’t have to be that way. You have to make the conscious decision to nourish your body. Value yourself enough to eat well.
Derek Hough (Taking the Lead: Lessons from a Life in Motion)
Over a three-month period in 1995, Holbrooke alternately cajoled and harangued the parties to the conflict. For one month, he all but imprisoned them at Wright-Patterson Air Force Base in Dayton, Ohio—a stage where he could precisely direct the diplomatic theater. At the negotiations’ opening dinner, he seated Miloševic´ under a B-2 bomber—literally in the shadow of Western might. At a low point in the negotiations, he announced that they were over, and had luggage placed outside the Americans’ doors. Miloševic´ saw the bags and asked Holbrooke to extend the talks. The showmanship worked—the parties, several of them mortal enemies, signed the Dayton Agreement. It was an imperfect document. It ceded almost half of Bosnia to Miloševic´ and the Serbian aggressors, essentially rewarding their atrocities. And some felt leaving Miloševicć in power made the agreement untenable. A few years later, he continued his aggressions in Kosovo and finally provoked NATO airstrikes and his removal from power, to face trial at The Hague. The night before the strikes, Miloševic´ had a final conversation with Holbrooke. “Don’t you have anything more to say to me?” he pleaded. To which Holbrooke replied: “Hasta la vista, baby.” (Being menaced by a tired Schwarzenegger catchphrase was not the greatest indignity Miloševic´ faced that week.) But the agreement succeeded in ending three and a half years of bloody war. In a sense, Holbrooke had been preparing for it since his days witnessing the Paris talks with the Vietnamese fall apart, and he worked hard to avoid repeating the same mistakes. Crucial to the success of the talks was his broad grant of power from Washington, free of micromanagement and insulated from domestic political whims. And with NATO strikes authorized, military force was at the ready to back up his diplomacy—not the other way around. Those were elements he would grasp at, and fail to put in place, in his next and final mission.
Ronan Farrow (War on Peace: The End of Diplomacy and the Decline of American Influence)
Pastor Joel Osteen Oprah: I heard a sermon that you preached on the power of “I am.” And that sermon literally changed how I spoke power into my own life. I was shooting The Butler. I had heard that sermon. I was exhausted. We’d been shooting and shooting and shooting. And your voice came into my head—that whatever follows “I am” will determine what your experience will be. And so I literally thought, I’m going to try that because I’m exhausted. And I started saying, “I am getting my second wind. I am going to feel so much better by midnight, I’m going to want to shoot all night.” And I’m telling you, I started to feel differently. And I couldn’t believe that it happened so quickly. Pastor Joel Osteen: It’s an incredible principle, I don’t think we realize that what follows “I am,” we’re inviting into our life. You know, you say, “I am tired,” “I am frustrated,” “I am lonely,” you’ve invited that in. So the principle is to turn it around and invite what you want into your life. Oprah: So whatever follows “I am” will eventually find you. Joel: Yeah. I think a lot of times you’re going to say how you feel. I am lonely. I am tired. There’s a balance to it. I don’t think you’re denying the facts. Otherwise, I’m just hiding my head in the sand. It’s not so much that, it’s just not magnifying the negative. I talk about “I am the masterpiece,” “I am fearfully and wonderfully made,” “I am strong,” “I am talented.” That is speaking more to the core of what God put in each one of us. He has equipped us, he has empowered us. We have what we need to fulfill our destiny. But I do think that we have to bring it out. And you can’t bring it out being against yourself. And I think that is what keeps us from our destiny. Oprah: So we’ve heard that phrase, “Speaking truth to power.” It feels like when you understand that whatever follows “I am” is going to eventually find you, that if you start speaking all the positive aspects of yourself—“I am secure,” “I am valuable,” “I am approved,” “I am determined,” “I am generous”—when you start allowing what you want to be your truth, you begin to speak truth, the truth of “I am” to the power of what can be.
Oprah Winfrey (The Wisdom of Sundays: Life-Changing Insights from Super Soul Conversations)
Chip and I were both exhausted when we finally pulled up in front of that house, but we were still riding the glow of our honeymoon, and I was so excited as he carried me over the threshold--until the smell nearly knocked us over. “Oh my word,” I said, pinching my nose and trying to hold my breath so I wouldn’t gag. “What is that?” Chip flicked the light switch, and the light didn’t come on. He flicked it up and down a few times, then felt his way forward in the darkness and tried another switch. “The electricity’s off,” he said. “The girls must’ve had it shut off when they moved out.” “Didn’t you transfer it back into your name?” I asked. “I guess not. I’m sorry, babe,” Chip said. “Chip, what is that smell?” It was the middle of June in Waco, Texas. The temperature had been up over a hundred degrees for days on end, and the humidity was stifling, amplifying whatever that rotten smell was coming from the kitchen. Chip always carries a knife and a flashlight, and it sure came in handy that night. Chip made his way back there and found that the fridge still had a bunch of food left in it, including a bunch of ground beef that had just sat there rotting since whenever the electricity went out. The food was literally just smoldering in this hundred-degree house. So we went from living in a swanky hotel room on Park Avenue in New York City to this disgusting, humid stink of a place that felt more like the site of a crime scene than a home at this point. Honestly, I hadn’t thought it through very well. But it was late, and we were tired, and I just focused on making the most of this awful situation. So we opened some windows and brought our bags in, and I told Jo we’d just tough it out and sleep on the floor and clean it all up in the morning. That’s when she started crying. I lay down on the floor thinking, Is his what my life is going to look like now that I married Chip? Is this my new normal? That’s when another smell hit me. It was in the carpet. “Chip, did those girls have a dog here?” I asked. “They had a couple of dogs,” he answered. “Why?” You could smell it. In the carpet. It was nasty. I was just lying there with my head next to some old dog urine stain that had been heated by the Texas summer heat. It was like microwaved dog pee. It was. It was awful. It was three in the morning. And I finally said, “Chip, I’m not sleeping in this house.
Joanna Gaines (The Magnolia Story)
You want to kiss her, right?” “What?” I have lost track of our conversation. I was thinking about how if Kit called me her friend, then I would have multiplied my number of them by a factor of two. And then I considered the word flirting, how it sounds like fluttering, which is what butterflies do. Which of course looped me back to chaos theory and my realization that I’d like to have more information to provide Kit on the topic. “Do. You. Want. To. Kiss. Her?” Miney asks again. “Yes, of course I do. Who wouldn’t want to kiss Kit?” “I don’t want to kiss Kit,” Miney says, doing that thing where she imitates me and how I answer rhetorical questions. Though her intention is to mock rather than to educate, it’s actually been a rather informative technique to demonstrate my tendency toward taking people too literally. “Mom doesn’t want to kiss Kit. I don’t know about Dad, but I doubt it.” My father doesn’t look up. His face is buried in a book about the mating patterns of migratory birds. It’s too bad our scholarly interests have never overlapped. Breakfast would be so much more interesting if we could discuss our work. “So if you want to kiss Kit, that means you want her to see you like a real guy,” Miney says, and points at me with her cup of coffee. She’s drinking it black. Maybe there’s nothing wrong with Miney. Maybe she’s just tired. “I am a real guy.” How come even my own sister sees me as something not quite human? Something other. “I have a penis.” “And just when I think we’ve made progress you go and mention your penis.” “What? Fact: I have a penis. That makes me a guy. Though technically there are some trans people who have penises but self-identify as girls.” “Please stop saying that word.” “What word? Penis?” “Yes.” “Do you prefer member? Shlong? Wang? Johnson?” I ask. “Dongle, perhaps?” “I would prefer we not discuss your man parts at all.” “Wait, should I text Kit immediately and clarify that I do in fact have man parts?” I pick up my phone and start typing. “Dear Kit. Just to be clear. I have a penis.” “Oh my God. Do not text her. Seriously, stop.” Miney puts her coffee down hard. She’ll climb over the table and tackle me if she has to. “Ha! Totally got you!” I smile, as proud as I was the other day for my that’s what she said joke. “Who are you?” Miney asks, but she’s grinning too. I’ll admit it takes a second—something about the disconnect between her confused tone and her happy face—and I almost, almost say out loud: Duh, I’m Little D. Instead I let her rhetorical question hang, just like I’m supposed to
Julie Buxbaum (What to Say Next)
Spaghetti alla puttanesca is typically made with tomatoes, olives, anchovies, capers, and garlic. It means, literally, "spaghetti in the style of a prostitute." It is a sloppy dish, the tomatoes and oil making the spaghetti lubricated and slippery. It is the sort of sauce that demands you slurp the noodles Goodfellas style, staining your cheeks with flecks of orange and red. It is very salty and very tangy and altogether very strong; after a small plate, you feel like you've had a visceral and significant experience. There are varying accounts as to when and how the dish originated- but the most likely explanation is that it became popular in the mid-twentieth century. The first documented mention of it is in Raffaele La Capria's 1961 novel, Ferito a Morte. According to the Italian Pasta Makers Union, spaghetti alla puttanesca was a very popular dish throughout the sixties, but its exact genesis is not quite known. Sandro Petti, a famous Napoli chef and co-owner of Ischian restaurant Rangio Fellone, claims to be its creator. Near closing time one evening, a group of customers sat at one of his tables and demanded to be served a meal. Running low on ingredients, Petti told them he didn't have enough to make anything, but they insisted. They were tired, and they were hungry, and they wanted pasta. "Facci una puttanata qualsiasi!" they cried. "Make any kind of garbage!" The late-night eater is not usually the most discerning. Petti raided the kitchen, finding four tomatoes, two olives, and a jar of capers, the base of the now-famous spaghetti dish; he included it on his menu the next day under the name spaghetti alla puttanesca. Others have their own origin myths. But the most common theory is that it was a quick, satisfying dish that the working girls of Naples could knock up with just a few key ingredients found at the back of the fridge- after a long and unforgiving night. As with all dishes containing tomatoes, there are lots of variations in technique. Some use a combination of tinned and fresh tomatoes, while others opt for a squirt of puree. Some require specifically cherry or plum tomatoes, while others go for a smooth, premade pasta. Many suggest that a teaspoon of sugar will "open up the flavor," though that has never really worked for me. I prefer fresh, chopped, and very ripe, cooked for a really long time. Tomatoes always take longer to cook than you think they will- I rarely go for anything less than an hour. This will make the sauce stronger, thicker, and less watery. Most recipes include onions, but I prefer to infuse the oil with onions, frying them until brown, then chucking them out. I like a little kick in most things, but especially in pasta, so I usually go for a generous dousing of chili flakes. I crush three or four cloves of garlic into the oil, then add any extras. The classic is olives, anchovies, and capers, though sometimes I add a handful of fresh spinach, which nicely soaks up any excess water- and the strange, metallic taste of cooked spinach adds an interesting extra dimension. The sauce is naturally quite salty, but I like to add a pinch of sea or Himalayan salt, too, which gives it a slightly more buttery taste, as opposed to the sharp, acrid salt of olives and anchovies. I once made this for a vegetarian friend, substituting braised tofu for anchovies. Usually a solid fish replacement, braised tofu is more like tuna than anchovy, so it was a mistake for puttanesca. It gave the dish an unpleasant solidity and heft. You want a fish that slips and melts into the pasta, not one that dominates it. In terms of garnishing, I go for dried oregano or fresh basil (never fresh oregano or dried basil) and a modest sprinkle of cheese. Oh, and I always use spaghetti. Not fettuccine. Not penne. Not farfalle. Not rigatoni. Not even linguine. Always spaghetti.
Lara Williams (Supper Club)
What are they really trying to accomplish and why isn’t what they’re doing now working? What is causing their desire for something new? One simple way to think about these questions is through storyboarding. Talk to consumers as if you’re capturing their struggle in order to storyboard it later. Pixar has this down to a science: as you piece together your customers’ struggle, you can literally sketch out their story: Once upon a time . . . Every day . . . One day . . . Because of that, we did this . . . Because of this, we did that . . . Finally I did . . . You’re building their story, because through that you can begin to understand how the competing forces and context of the job play out for them. Airbnb’s founders clearly understood this. Before launching, the company meticulously identified and then storyboarded forty-five different emotional moments for Airbnb hosts (people willing to rent out their spare room or entire home) and guests. Together, those storyboards almost make up a minidocumentary of the jobs people are hiring Airbnb to do. “When you storyboard something, the more realistic it is, the more decisions you have to make,” CEO Brian Chesky told Fast Company. “Are these hosts men or women? Are they young, are they old? Where do they live? The city or the countryside? Why are they hosting? Are they nervous? It’s not that they [the guests] show up to the house. They show up to the house, how many bags do they have? How are they feeling? Are they tired? At that point you start designing for stuff for a very particular use case.
Clayton M. Christensen (Competing Against Luck: The Story of Innovation and Customer Choice)
He was tired and his dick was actually sore. Since being released from prison, Kiss had been on a sex escapade; he was literally fucking pussy from sun up to sun down.
Nako (The Connect's Wife 3: The Finale)
William Perkins (1558–1602) likewise aims several polemical shots at the Church of Rome for using the quadriga. He looks at how those using this device interpret Melchizedek offering bread and wine to Abraham (Gen. 14:18): “The literal sense is, that the King of Salem with meat which he brought, refreshed the soldiers of Abraham being tired with travel. The allegorical is, that the Priest doth offer up Christ in ye Mass. The tropological is, therefore something is to be given to the poor. The anagogical is, that Christ in like manner being in heaven, shall be the bread of life to the faithful.”32 However, Perkins strongly asserts that such a method of interpretation “must be exploded and rejected [because] there is one only sense, and the same is the literal.”33 A text may demand an allegorical interpretation because it literally is an allegory, but theologians are not to go to the text with the fourfold method in mind as a basic presupposition for interpreting the Bible. The Scriptures themselves must dictate how they are to be interpreted.
Joel R. Beeke (A Puritan Theology: Doctrine for Life)
Temperature affects behavior. Diet affects behavior. Religion affects behavior. Gender affects behavior. Race affects behavior. Time of day affects behavior. Recent social interactions affect behavior. Weather affects behavior. People doing the same bad things commonly and a single judge, being tired of seeing it over and over, deals out harsher penalties to see if it can make a difference also happens. Everything matters. Yes, literally everything matters.
Richard Heart (sciVive)
When I kill people with a touch, it’s because I decide to give them all the pain and keep none of it for myself. It’s because I get so tired of bearing it that all I want to do is set it down for a while,” I said. “But during the interrogation, it occurred to me that maybe I was strong enough to bear it all myself. That maybe no one else but me could. And I never would have thought of that without you.” I blinked tears from my eyes. “You saw me as someone better than I was,” I said. “You told me that I could choose to be different than I had been, that my condition was not permanent. And I began to believe you. Taking in all the pain nearly killed me, but when I woke up again, the gift was different. It doesn’t hurt as much. Sometimes I can control it.” I took my hand away. “I don’t know what you want to call it, what we are to each other now,” I said. “But I wanted you to know that your friendship has . . . quite literally altered me.
Veronica Roth (Carve the Mark (Carve the Mark, #1))
I’m just too tired to go through with it. I’m literally too tired to kill myself.
Freida McFadden (Do Not Disturb)
Ultimately, I’m just too tired to go through with it. I’m literally too tired to kill myself.
Freida McFadden (Do Not Disturb)
After contracting Lyme disease and operating at ~10% capacity for 9 months in 2014, I made health #1. Prior to Lyme, I’d worked out and eaten well, but when push came to shove, “health #1” was negotiable. Now, it’s literally #1. What does this mean? If I sleep poorly and have an early morning meeting, I’ll cancel the meeting last-minute if needed and catch up on sleep. If I’ve missed a workout and have a conference call coming up in 30 minutes? Same. Late-night birthday party with a close friend? Not unless I can sleep in the next morning. In practice, strictly making health #1 has real social and business ramifications. That’s a price I’ve realized I MUST be fine with paying, or I will lose weeks or months to sickness and fatigue. Making health #1 50% of the time doesn’t work. It’s absolutely all-or-nothing. If it’s #1 50% of the time, you’ll compromise precisely when it’s most important not to. The artificial urgency common to startups makes mental and physical health a rarity. I’m tired of unwarranted last-minute “hurry up and sign” emergencies and related fire drills. It’s a culture of cortisol.
Timothy Ferriss (Tools of Titans: The Tactics, Routines, and Habits of Billionaires, Icons, and World-Class Performers)
ombre /ɔ̃bʀ/ I. nm (poisson) grayling II. nf 1. (ombrage) shade • 30° à l'~ | 30° in the shade • rester à l'~ | to stay in the shade • à l'~ d'un figuier | in the shade of a fig tree • l'arbre (nous) fait or donne de l'~ | the tree provides shade • tu leur fais de l'~ | (lit) you're (standing) in their light; (fig) you're putting them in the shade • à l'~ de qn/qch (fig) (tout près) near sb/sth; (protégé par) under the protection of sb/sth • rester dans l'~ de qn | to be in sb's shadow 2. (forme portée) shadow • faire/projeter des ~s sur le mur | to make/cast shadows on the wall • avoir peur de son ~ | to be scared of one's own shadow • suivre qn comme une ~ | to be sb's shadow • n'être plus que or être l'~ de soi-même | to be the shadow of one's former self voir aussi: proie 3. [liter] (pénombre) darkness 4. (anonymat, clandestinité) • peintres réputés ou dans l'~ | renowned or obscure painters • laisser certains détails dans l'~ | to be deliberately vague about certain details • agir dans l'~ | to operate behind the scenes • rester dans l'~ | [manipulateur] to stay behind the scenes; [poète] to remain in obscurity; [détail] to be left vague • combattants de l'~ | underground fighters 5. [liter] (trace) hint • une ombre de moustache a hint of a moustache • l'~ d'un reproche/d'un accord | a hint of reproach/of an agreement • une ~ de regret/tristesse passa dans son regard | a shadow of regret/a look of sadness crossed his/her face • sans l'~ d'un doute | without a shadow of a doubt • sans l'~ d'une preuve | without the slightest shred of evidence 6. • l'~ (procédé) shading [u] • faire des ~s | to shade 7. (silhouette indécise) shadowy figure • le royaume or séjour des ~s | the Kingdom of the Shades III. Idiomes 1. mettre qn/être à l'ombre○ | (euph) to put sb/be behind bars (familier) 2. marcher à l'ombre○ | to keep out of the limelight 3. l'homme qui tire plus vite que son ombre | the fastest gun in the West 4. passer comme une ombre | to be ephemeral 5. courir après une ombre | to chase rainbows 6. il y a une ombre au tableau | there is only one thing wrong 7. jeter une ombre au tableau | to spoil the picture (fig) 8. la seule ombre au tableau | the only snag
Synapse Développement (Oxford Hachette French - English Dictionary (French Edition))
I have a shameful confession to make: Secretly, I am not lazy. I’ve learned that if I do literally nothing for more than a year, two at most, I start to get depressed. I’m not recanting my old manifesto. I still hope to make it to my grave without ever getting a job job — showing up for eight or more hours a day to a place with fluorescent lighting where I’m expected to feign bushido devotion to a company that could fire me tomorrow and someone’s allowed to yell at you but you’re not allowed to yell back. But once I become genuinely engaged in a project, I can become fanatically absorbed, spending hundreds of hours on it, no matter how useless and unremunerative. As a teacher, I edit my students’ writing with a nit-picking precision and big-picture ambition they may likely never experience again. And I don’t believe most people are lazy. They would love to be fully, deeply engaged in something worthwhile, something that actually mattered, instead of forfeiting their limited hours on Earth to make a little more money for men they’d rather throw fruit at as they pass by in tumbrels. It’s no coincidence that so many social movements arose during the enforced idleness of quarantine. One important function of jobs is to keep you too preoccupied and tired to do anything else. Grade school teachers called it “busywork” — pointless, time-wasting tasks to keep you from acting up and bothering them. ("It’s Time to Stop Living the American Scam", The New York Times)
Tim Kreider
It does nothing for me to see people 'talking' to other people, while meanwhile turning all possibles into impossibles for me. Back in '20 I was able to do college level math no problem, and now I need to use my fingers to subtract 5 from 10 and I still lose track. You literally made me into a retard. All my work and articulations are mocked and ridiculed as a result. What can a retard do? Is it even possible for a retard to connect with others? I am going to school when I struggle to do simple arithmetic? Now that essential human need for connection is completely screwed. You know as well as I do they would have to know _what happened_ before I'd have any hope with that in my state. I know the scoop. It doesn't matter. If you needed or wanted anything from me, you wouldn't have retarded me. At the start of '21, I found someone who went from 2k to 20k a month and a mil in 2 years, starting from $10k saved. I paid them $1k to help me not shoot myself in the foot. You did a wonderful job tearing me and possibilities down, and with perfect timing too! I'm tired of being in pain all the time. Tired of not being capable of doing anything meaningful. Tired of not being able to enjoy anything because it's too foggy and hurts too much to be awake. I guess I'll do like Elon and have my own big local giveaway, at least I'll get to make some difference in someone's life before the end of me. I could never move on a griefer who makes me continuously feel like I am not worth existing.
Anonymous
Then, impossibly, another figure ran toward her. The sideburns and stiff-collared jacket looked ridiculous out of the context of Pembrook Park, though he’d stuck on a baseball cap and trench coat, trying to blend. His face was flushed from running, and when he saw Jane, he sighed with relief. Jane dropped her jaw. Literally. She had never, even in her most ridiculous daydreaming, imagined that Mr. Nobley would come after her. She took a step back, hit something slick with her boot heel, and tottered almost to the ground. Mr. Nobley caught her and set her back up on her feet. Is this why women wear heels? thought Jane. We hobble ourselves so we can still be rescued by men? She annoyed herself by having enjoyed it. Briefly. “You haven’t left yet,” Nobley said. He seemed reluctant to let go of her, but he did and took a few steps back. “I’ve been panicked that…” He saw Martin. “What are you doing here?” The brunette was watching with hungry intensity, though she kept tapping at a keyboard as though actually very busy at work. “Jane and I got close these past weeks and--” Martin began. “Got close. That’s a load of duff. It’s one thing when you’re toying with the dowagers who guess what you are, but Jane should be off limits.” He took her arm. “You can’t believe a word he says. I’m sorry I couldn’t tell you earlier, but you must know now that he’s an actor.” “I know,” Jane said. Nobley blinked. “Oh.” “So, what are you doing here?” She couldn’t help it if her tone sounded a little tired. This was becoming farcical. “I came to tell you that I--” he rushed to speak, then composed himself, looked around, and stepped closer to her so he did not need to raise his voice to be heard. The brunette leaned forward just a tad. “I apologize for having to tell you here, in this busy, dirty…this is not the scene I would set, but you must know that I…” He took off his cap and rubbed his hair ragged. “I’ve been working at Pembrook Park for nearly four years. All the women I see, week after week, they’re the same. Nearly from the first, that morning when we were alone in the park, I guessed that you might be different. You were sincere.” He reached for her hand. He seemed to gain confidence, his lips started to smile, and he looked at her as though he never wished to look away.
Shannon Hale (Austenland (Austenland, #1))
He was not talking about literally drinking water. He was talking about how, for years, she had tried to quench her soul’s thirst with men and sex. Jesus alone could give her what five cohabitations had promised but repeatedly failed to deliver. Jesus alone could satisfy her soul’s thirst with a love that stays and is stronger than death.
Scott Sauls (Jesus Outside the Lines: A Way Forward for Those Who Are Tired of Taking Sides)
Consider, for instance, Jill Hubbard Bowman, an intellectual property (IP) attorney in Austin, Texas, who publishes a legal blog, IP Law for Startups, iplawforstartups.com, and an inspiring career website for young women, lookilulu.com. Jill Hubbard Bowman: Unexpected Twists and Turns I had a dream to be a trial attorney who would fight big legal battles and win. And then my dream was derailed by a twin pregnancy that almost killed me. Literally. It was a shock and awe pregnancy. It caused the death, destruction, and rebirth of my identity and legal career. I was working as an intellectual property litigation attorney for a large law firm in Chicago when a pregnancy with twins caused my heart to fail. After fifteen years of infertility, the twin pregnancy was an unexpected surprise. Heart failure because of the pregnancy was an even bigger shock. The toll on my legal career was even more unexpected. Although I was fortunate to survive without a heart transplant, I eventually realized that I needed a career transplant. As my heart function recovered, I valiantly tried to cling to my career dream and do the hard work I loved. But the long hours and travel necessary for trial work were too much for my physical self. I was exhausted with chronic chest pain, two clinging toddlers, and a disgruntled husband. I was tired of being tired. My law firm was exceptionally supportive but I didn’t have the stamina to keep all of the pieces of my life together. Overwhelmed, I let go of my original dream. I backed down, retrenched, and regrouped. I took a year off from legal work to rest, recover, spend time with my toddlers, and open myself to new possibilities.
Whitney Johnson (Dare, Dream, Do: Remarkable Things Happen When You Dare to Dream)
The day after our wedding, we flew off on honeymoon. I had recklessly waited until two days before our wedding to book the holiday, in the hope that I would get some great last-minute deal somewhere. Always a dangerous tactic. I pretended to Shara that it was a surprise. But, predictably, those “great deals” were a bit thin on the ground that week. The best I could find was a one-star package holiday, at a resort near Cancun in Mexico. It was bliss being together, but there was no hiding the fact that the hotel sucked. We got put in a room right next to the sewer outlet--which gave us a cracking smell to enjoy every evening as we sat looking out at the…maintenance shed opposite. As lunch wasn’t included in the one-star package, we started stockpiling the breakfasts. A couple of rolls down the jersey sleeve, and a yogurt and banana in Shara’s handbag. Then back to the hammock for books, kissing, and another whiff of sewage. When we returned to the UK it was a freezing cold January day. Shara was tired, but we were both excited to get onto our nice, warm, centrally heated barge. It was to be our first night in our own home. I had asked Annabel, Shara’s sister, to put the heating on before we arrived, and some food in the fridge. She had done so perfectly. What she didn’t know, though, was that the boiler packed in soon after she left. By the time Shara and I made it to the quayside on the Thames, it was dark. Our breath was coming out as clouds of vapor in the freezing air. I picked Shara up and carried her up the steps onto the boat. We opened the door and looked at each other. Surprised. It was literally like stepping into a deep freeze. Old iron boats are like that in winter. The cold water around them means that, without heating, they are Baltically cold. We fumbled our way, still all wrapped up, into the bowels of the boat and the boiler room. Shara looked at me, then at the silent, cold boiler. No doubt she questioned how smart both choices had really been. So there we were. No money, and freezing cold--but happy and together. That night, all wrapped up in blankets, I made a simple promise to Shara: I would love her and look after her, every day of our life together--and along the way we would have one hell of an adventure. Little did either of us realize, but this was really just the beginning.
Bear Grylls (Mud, Sweat and Tears)
What I learned is that of all the creatures that I can see in this landscape, the geese best represent the communion of saints. They depend on one another. The lead goose does the most work, but when it is tired, it falls back and another takes its place. To be able to rely on others is a deep trust that does not come easily. The geese fly in the wake of one another’s wings. They literally get a lift from one another. I want to be with others this way. Geese tell me that it is, indeed, possible to fly with equals. GUNILLA NORRIS
June Cotner (Animal Blessings: Prayers and Poems Celebrating our Pets)
John 4 tells about Jesus’ encounter with a Samaritan woman at Jacob’s well. This woman was promiscuous, and Jesus pointed out that she had been with five men and that the man she was currently with was not her husband. He directly challenged her departure from God’s ideal for sex and marriage as a dead-end street. Yet he did not scold her for her “lifestyle.” Nor did he use the Bible as a weapon against her. Instead, he saw beneath her distorted behavior to the need and emptiness that were driving it. Without a shred of “I disapprove of you” in his words or tone, Jesus told her that he could give her water that, if she would drink it, would quench her thirst forever. He was not talking about literally drinking water. He was talking about how, for years, she had tried to quench her soul’s thirst with men and sex. Jesus
Scott Sauls (Jesus Outside the Lines: A Way Forward for Those Who Are Tired of Taking Sides)
for the Director had brought back with him from Venus some shadow of man’s lost prerogative to ennoble beasts. In his presence Mr Bultitude trembled on the very borders of personality, thought the unthinkable and did the impossible, was troubled and enraptured with gleams from beyond his own woolly world, and came away tired. But with Ivy he was perfectly at home – as a savage who believes in some remote High God is more at home with the little deities of wood and water. It was Ivy who fed him, chased him out of forbidden places, cuffed him, and talked to him all day long. It was her firm conviction that the creature ‘understood every word she said’. If you took this literally it was untrue; but in another sense it was not so wide of the mark. For much of Ivy’s conversation was the expression not of thought but of feeling and of feelings Mr Bultitude almost shared – feelings of alacrity, snugness, and physical affection. In their own way they understood one another pretty well.
C.S. Lewis (The Space Trilogy)
L'eau de vie est bonne, lorsqu'on ne tire de deux seaux de quetsches qu'un seul litre. Pas plus. [Eine Zuika ist gut, wenn man aus zwei Eimern Zwetschken nur einen Litern gewinnen will. Nicht mehr.]
Paul Schuster (Fünf Liter Zuika, Erster Teil: Die Hochzeit)
The difference between a PR time and second place, between hitting that PR lift and missing it halfway, or making your last two sets or going home tired can, literally, lie inside your own mental estimations and your desire to get it done.
Matt Perryman (Squat Every Day)
Elyed used that word often, unreasonable, in a literal sense: what cannot be understood by thinking. Once when Sutty was trying to find a coherent line of thought connecting several different tellings, Elyed said, “What we do is unreasonable, yoz.” “But there is a reason for it.” “Probably.” “What I don’t understand is the pattern. The place, the importance of things in the pattern. Yesterday you were telling the story about Iaman and Deberren, but you didn’t finish it, and today you read the descriptions of the leaves of the trees of the grove at the Golden Mountain. I don’t understand what they have to do with each other. Or is it that on certain days a certain kind of material is proper? Or are my questions just stupid?” “No,” the maz said, and laughed her small laugh that had no teeth to show. “I get tired remembering. So I read. It doesn’t matter. It’s all the leaves of the tree.” “So . . . anything—anything that’s in the books is equally important?” Elyed considered. “No,” she said. “Yes.” She drew a shaky breath. She tired quickly when she could not rest in the stream of ritual act and language, but she never dismissed Sutty, never evaded her questions. “It’s all we have. You see? It’s the way we have the world. Without the telling, we don’t have anything at all. The moment goes by like the water of the river. We’d tumble and spin and be helpless if we tried to live in the moment. We’d be like a baby. A baby can do it, but we’d drown. Our minds need to tell, need the telling. To hold. The past has passed, and there’s nothing in the future to catch hold of. The future is nothing yet. How could anybody live there? So what we have is the words that tell what happened and what happens. What was and is.” “Memory?” Sutty said. “History?” Elyed nodded, dubious, not satisfied by these terms. She sat thinking for some time and finally said, “We’re not outside the world, yoz. You know? We are the world. We’re its language. So we live and it lives. You see? If we don’t say the words, what is there in our world?
Ursula K. Le Guin (The Telling (Hainish Cycle Book 8))
These Temple members felt that they were exhibiting the proper socialist attitude, living the way everyone else should—and someday would, thanks to them. They were better than anyone else because they proved that everyone was equal. None had either the leisure time or the inclination to consider the contradiction. Observing with satisfaction what had literally become his kingdom, Jones observed to Terri Buford, “Keep them poor and keep them tired, and they’ll never leave.” How well he understood his people.
Jeff Guinn (The Road to Jonestown: Jim Jones and Peoples Temple)
I’ve survived and I am not stronger for it. I am not proud to wear the scars, they are a reminder of the pain I've endured. although my body has healed, my mind still bleeds like they are fresh. people around me have become so tired of the same story and I don't even tell it anymore. I wish they understood that I'm tired too. tired of pretending that I’m okay, and that "time heals all wounds" (it doesn’t) the trauma literally changed my brain. overstimulated amygdala, underactive hippocampus, weak prefrontal cortex. I’ve survived and I am not stronger for it.
Rose Brik (My Father's Eyes, My Mother's Rage)
Staring out of the windows on public trains and buses saved my sanity during the height of my exhaustion. White supremacy and capitalism have been using bodies for evil for centuries. They violently push literal bone-crushing labor while ignoring any limits. The body, to those agents of grind culture, is not a divine dwelling and instead a vehicle for profit. Dragging my tired body out onto the streets to walk
Tricia Hersey (Rest Is Resistance: A Manifesto)
I found out later that some of the Amish allow Rollerblades. Rubber tires are forbidden, so bikes are out, but Rollerblade wheels are made of plastic. Likewise, though electricity is banned, tools using batteries, solar power, or gas are sometimes OK. Hence the leaf blower. The lesson from my weekend with the Amish is this: You cannot stop religion from evolving.
A.J. Jacobs (The Year of Living Biblically: One Man's Humble Quest to Follow the Bible As Literally As Possible)
I used to be a dairy farmer, but I don’t do so much anymore. I’m not retired. I’m just tired.” I think Amos just made another joke. You haven’t seen deadpan delivery till you’ve seen the Amish.
A.J. Jacobs (The Year of Living Biblically: One Man's Humble Quest to Follow the Bible As Literally As Possible)
Dear Miss Know-It-All, I worked really hard to make the eighth-grade cheerleading team this year, but the other cheerleaders treat me like I don’t belong. I never get to do much cheering or dancing like they do. The only time the team captain needs me is when we do the human pyramid, and she always puts me at the bottom! I have to hold the most people on my back, which is totally excruciating, and if I lose my balance, the whole pyramid collapses and everyone bullies me about it! I’m tired of those girls walking all over me. Literally! I don’t know what I did to deserve this kind of treatment, but it’s pretty obvious they all hate my guts. ! I’m majorly frustrated! I don’t know if I should quit the team, confront my teammates, or just keep quiet so I don’t make things worse. I really don’t want to give up my dream of making varsity! What would you do?? —Cheerless Cheerleader * * * * * * * * * * * * * * * Dear Cheerless Cheerleader, Hon . . . I think you’re kidding yourself if you think you made the cheerleading team based on your awesome moves. My reliable source on the team told me your tryout routine was HOR-REN-DOUS. She said she couldn’t tell if you were trying to dance or going into convulsions! Your backflips were BACKFLOPS, your cartwheels were FLAT TIRES, and your dismount was totally DISGUSTING! Get the picture? You were chosen for one reason, and one reason alone—you look like a sturdy ogre who can carry a lot of weight! It’s been a long tradition for cheerleading captains to hand-pick strong, ugly girls for the bottom of the pyramid. Didn’t you know that?? Quit taking everything so personally! Just accept that the bottom is where you belong, sweetie! You should hold your green, Shrek-looking head high that someone actually wants you for something. Bet that doesn’t happen often! Yay you! Sincerely, Miss Know-It-All P.S. My source wants you to stop dancing. She says you’re giving the squad NIGHT TERRORS!
Rachel Renée Russell (Dork Diaries: Drama Queen)
There is no old age like anxiety,” said one of the monks I met in India. “And there is no freedom from old age like the freedom from anxiety.” In desperate love, we always invent the characters of our partners, demanding that they be what we need of them, and then feeling devastated when they refuse to perform the role we created in the first place. Generally speaking, though, Americans have an inability to relax into sheer pleasure. Ours is an entertainment-seeking nation, but not necessarily a pleasure-seeking one. Americans spend billions to keep themselves amused with everything from porn to theme parks to wars, but that’s not exactly the same thing as quiet enjoyment. The beauty of doing nothing is the goal of all your work, the final accomplishment for which you are most highly congratulated. The more exquisitely and delightfully you can do nothing, the higher your life’s achievement. You don’t necessarily need to be rich in order to experience this, either. I am having a relationship with this pizza, almost an affair. Without seeing Sicily one cannot get a clear idea of what Italy is. “No town can live peacefully, whatever its laws,” Plato wrote, “when its citizens…do nothing but feast and drink and tire themselves out in the cares of love.” In a world of disorder and disaster and fraud, sometimes only beauty can be trusted. Only artistic excellence is incorruptible. Pleasure cannot be bargained down. And sometimes the meal is the only currency that is real. The idea that the appreciation of pleasure can be an anchor of one’s humanity. You should never give yourself a chance to fall apart because, when you do, it becomes a tendency and it happens over and over again. You must practice staying strong, instead. People think a soul mate is your perfect fit, and that’s what everyone wants. But a true soul mate is a mirror, the person who shows you everything that’s holding you back, the person who brings you to your own attention so you can change your life. A true soul mate is probably the most important person you’ll ever meet, because they tear down your walls and smack you awake. But to live with a soul mate forever? Nah. Too painful. Soul mates, they come into your life just to reveal another layer of yourself to you, and then they leave. They break your heart open so new light could get in, make you so desperate and out of control that you had to transform your life. The Zen masters always say that you cannot see your reflection in running water, only in still water. Your treasure—your perfection—is within you already. But to claim it, you must leave the busy commotion of the mind and abandon the desires of the ego and enter into the silence of the heart. Balinese families are always allowed to eat their own donations to the gods, since the offering is more metaphysical than literal. The way the Balinese see it, God takes what belongs to God—the gesture—while man takes what belongs to man—the food itself.) To meditate, only you must smile. Smile with face, smile with mind, and good energy will come to you and clean away dirty energy. Even smile in your liver. Practice tonight at hotel. Not to hurry, not to try too hard. Too serious, you make you sick. You can calling the good energy with a smile. The word paradise, by the way, which comes to us from the Persian, means literally “a walled garden.” The four virtues a person needs in order to be safe and happy in life: intelligence, friendship, strength and (I love this one) poetry. Happiness is the consequence of personal effort. You fight for it, strive for it, insist upon it, and sometimes even travel around the world looking for it. Once you have achieved a state of happiness, you must never become lax about maintaining it, you must make a mighty effort to keep swimming upward into that happiness forever, to stay afloat on top of it.
Elizabeth Gilbert (Eat, Pray, Love)
As Father, the authority he claims for himself is the authority of compassion. That authority comes from letting the sins of his children pierce his heart. There is no lust, greed, anger, resentment, jealousy, or vengeance in his lost children that has not cause immense grief to his heart. The grief is so deep because the heart is so pure. From the deep inner place where love embraces all human grief, the Father reaches out to his children. The touch of his hands, radiating inner light, seeks only to heal. Here is the God I want to believe in: a Father who, from the beginning of creation, has stretched out his arms in merciful blessing, never forcing himself on anyone, but always waiting; never letting his arms drop down in despair, but always hoping that his children will return so that he can speak words of love to them and let his tired arms rest on their shoulders. His only desire is to bless. In Latin, to bless is benedicere, which means literally: saying good things. The Father wants to say, more with his touch than with his voice, good things of his children. He has no desire to punish them. They have always been punished excessively by their own inner or outer waywardness. The Father wants simply to let them know that the love they have searched for in such distorted ways has been, is, and always will be there for them. The Father wants to say, more with his hands than with his mouth: 'You are my Beloved, on you my favor rests.' He is the shepherd, 'feeding his flock, gathering lambs in his arms, holding them against his breast.' The true center of Rembrandt's painting is the hands of the father.
Henri J.M. Nouwen (The Return of the Prodigal Son: A Story of Homecoming)
Seriously, how many times was she going to do that routine before she got tired of it? She’d literally repeated those words and that action four times in the past hour. At least, it felt like an hour. It could’ve been ten minutes. My patience was pretty thin.
Honor Raconteur (Magic and the Shinigami Detective (The Case Files of Henri Davenforth, #1))
It will be a she, too. I am tired of that “I,” the weak I, the over-audacious I, the aggressive I, the timid I, the I of the Chinese language signs. I swallowing all my letters. Swallowing some of the notes.
Anaïs Nin (A Literate Passion: Letters of Anais Nin & Henry Miller, 1932-1953)
Because I don’t trust people,” Pip said. “Even my mom, who I do trust, has things she doesn’t tell me, really important things, and it would be nice to have a way to find them out without her having to tell me. I’d know the stuff I need to know, but she’d still be OK. And then, with everyone else, literally everyone, I can never be sure of what they’re thinking about me, and I don’t seem to be very good at guessing what it is. So, it’d be nice to be able to just dip inside their heads, just for like two seconds, and make sure everything’s OK—just be sure that they’re not thinking some horrible thought about me that I have no clue about—and then I could trust them. I wouldn’t abuse it or anything. It’s just so hard not to ever trust people. It makes me have to work so hard to figure out what they want from me. It gets to be so tiring.
Jonathan Franzen (Purity)
Creating Sacred Space Sacred space is a way to separate your time of meditation from the rest of your day. It's not going to have to be a literal place you never use for anything else. Sacred space can be an energetic, sacred time now. While you don't have to, you may find that just for your meditation practice you want to have a special room or corner. Creating one is fun, and it is very personal. It also makes meditation easy to start as all your items can stay in one place: your cushion or chair for meditation, your blanket, and any crystals, props, candles, pictures, etc. When you meditate, sacred space is essential. It will encourage you to be actively free. Be mindful that during meditation, you may become delicate. Harsh noise or words could have an easier effect on you right after you're done. You're going to let down your guard. You're going to be. And, that's why it's important to have time to meditate to concentrate and time after to absorb the practice so that the effects of meditation will impact you at the cellular level. Listening to Your Body’s Wisdom You're preparing to be with what comes up when you're silent when you create the space or time as sacred. You're preparing to spend time with the parts you're dealing with when you're outwardly focused on others, or what you're going to do next. You're going to be here right now when you create sacred space. For chakra healing, it's time to check in and see how you feel when you come to this quiet place. These are the answers to which chakras are out of control as you consider how you look. Become Attuned to How You Feel You may have an immediate and reliable answer when someone asks how you are, "I'm fine," "I'm sleepy," or "I'm fantastic! It's helpful to know how you are instantly; it indicates you're linked to the common understanding of how you feel. It's good to know this instant, and then take time to go deeper. Take time to watch. Taking time to feel how you feel physically, emotionally, mentally, and energetically gives you a more comprehensive picture of how you are right now. It can help you to know what to balance in your energy centers if you notice how you feel, so you feel even better. An instant response, "I'm tired," indicates that there are chakras out of balance that you may want to look into so that you feel alert and well-rested.
Adrian Satyam (Energy Healing: 6 in 1: Medicine for Body, Mind and Spirit. An extraordinary guide to Chakra and Quantum Healing, Kundalini and Third Eye Awakening, Reiki and Meditation and Mindfulness.)
Father,’ he said, ’I would like to see you privately for a few minutes.’ Old Paisios waved at him and said, ’Go on my son. Go with the others. It is late and I am very tired.’ ’But Father, please!’ the man implored him. ’I have something very serious to tell you.’ ’Go my son, go. There is nothing to worry about.’ The man insisted and old Paisios seemed impatient. ’For God’s sake, go before the monastery closes its doors.’ ’But Father, my wife is very ill. She is dying from cancer.’ Father Paisios paused, placed his arm around the man, and gently reassured him, ’Go, my dear and have no fears. Your wife is fine.’ “That fellow looked very despondent,” Father Maximos went on to say while we walked towards old Paisios’s hermitage. “With a heavy heart he walked back to the monastery with the others, feeling that he had accomplished nothing. That his journey, coming all the way from Athens to remote Mount Athos, hundreds of miles away, was a waste of time. He had heard that elder Paisios was a holy man whose prayers and intercessions often cured people from serious illnesses. Now his last hope had evaporated. “You can imagine his amazement and great delight when upon entering his home he found his wife walking about and looking surprisingly well,” Father Maximos continued as we approached the hermitage. “His wife claimed that while she was bedridden, a cold sweat took over her body and, after perspiring profusely, she felt completely healed. Her doctor later confirmed that her cancer had mysteriously and literally gotten washed away. Her husband asked about the time the perspiration and the changes in her condition began to happen and she replied that it was on Friday at about four in the afternoon. When her husband heard that he felt a chill. That was the time when elder Paisios had reassured him that his wife was fine.
Kyriacos C. Markides (The Mountain of Silence: A Search for Orthodox Spirituality)
Just because Tony didn’t have the sense to see what he had in you ten years ago doesn’t mean I don’t see it right now. I’ve always seen it, Mackenzie, just like I’ve always wanted you. I’m tired of wasting time being single when the woman I want is literally in front of me right now. If you want me to stop I will, but I will never stop shooting my shot with you. So what you wanna do?
B. Love (In Due Time)