“
In those days, I didn't understand anything. I should have judged her according to her actions, not her words. She perfumed my planet and lit up my life. I should never have run away! I ought to have realized the tenderness underlying her silly pretensions. Flowers are so contradictory! But I was too young to know how to love her.
”
”
Antoine de Saint-Exupéry (The Little Prince)
“
So," I said. "Seems you're going to be stuck with me for a while."
He smiled. A real smile that lit up his whole face.
"Good,
”
”
Kelley Armstrong (The Reckoning (Darkest Powers, #3))
“
Arthur Dent: What happens if I press this button?
Ford Prefect: I wouldn't-
Arthur Dent: Oh.
Ford Prefect: What happened?
Arthur Dent: A sign lit up, saying 'Please do not press this button again.
”
”
Douglas Adams (The Original Hitchhiker Radio Scripts)
“
Running out the anchor line, the pirates babbled to one another, and in the tangle of their barbaric language, Aspasia listened for one word—Athens. It lit up the darkness in her mind, like the single glint her eyes fixed on above the distant gray-green hills.
”
”
Yvonne Korshak (Pericles and Aspasia: A Story of Ancient Greece)
“
The Future is, of all things, the thing least like eternity. It is the most temporal part of time--for the Past is frozen and no longer flows, and the Present is all lit up with eternal rays.
”
”
C.S. Lewis (The Screwtape Letters)
“
Hark, now hear the sailors cry,
Smell the sea, and feel the sky,
Let your soul & spirit fly, into the mystic.
- Into the Mystic
”
”
Van Morrison (Lit Up Inside: Selected Lyrics)
“
If I had my life to live over...
Someone asked me the other day if I had my life to live over would I change anything.
My answer was no, but then I thought about it and changed my mind.
If I had my life to live over again I would have waxed less and listened more.
Instead of wishing away nine months of pregnancy and complaining about the shadow over my feet, I'd have cherished every minute of it and realized that the wonderment growing inside me was to be my only chance in life to assist God in a miracle.
I would never have insisted the car windows be rolled up on a summer day because my hair had just been teased and sprayed.
I would have invited friends over to dinner even if the carpet was stained and the sofa faded.
I would have eaten popcorn in the "good" living room and worried less about the dirt when you lit the fireplace.
I would have taken the time to listen to my grandfather ramble about his youth.
I would have burnt the pink candle that was sculptured like a rose before it melted while being stored.
I would have sat cross-legged on the lawn with my children and never worried about grass stains.
I would have cried and laughed less while watching television ... and more while watching real life.
I would have shared more of the responsibility carried by my husband which I took for granted.
I would have eaten less cottage cheese and more ice cream.
I would have gone to bed when I was sick, instead of pretending the Earth would go into a holding pattern if I weren't there for a day.
I would never have bought ANYTHING just because it was practical/wouldn't show soil/ guaranteed to last a lifetime.
When my child kissed me impetuously, I would never have said, "Later. Now, go get washed up for dinner."
There would have been more I love yous ... more I'm sorrys ... more I'm listenings ... but mostly, given another shot at life, I would seize every minute of it ... look at it and really see it ... try it on ... live it ... exhaust it ... and never give that minute back until there was nothing left of it.
”
”
Erma Bombeck (Eat Less Cottage Cheese And More Ice Cream Thoughts On Life From Erma Bombeck)
“
And besides . . . I don’t want to leave you. Er, you guys.”
He smiled, and it lit up his whole face. “Well, ‘we’ are certainly happy to hear that. Oh, and I’m also happy to watch our darling little love child dragon while you’re in St. Louis.”
I grinned back.
”
”
Richelle Mead (The Indigo Spell (Bloodlines, #3))
“
Your smile and your laughter lit my whole world.
”
”
Ranata Suzuki
“
But how could anyone who's ever seen a summer - big explosion of green and skies lit up electric with splashy sunsets, a riot of flowers and wind that smells like honey - pick the snow?
”
”
Lauren Oliver (Requiem (Delirium, #3))
“
The continuous narrative of existence is a lie. There is no continuous narrative, there are lit-up moments, and the rest is dark.
”
”
Jeanette Winterson
“
If I should have a daughter…“Instead of “Mom”, she’s gonna call me “Point B.” Because that way, she knows that no matter what happens, at least she can always find her way to me. And I’m going to paint the solar system on the back of her hands so that she has to learn the entire universe before she can say “Oh, I know that like the back of my hand.”
She’s gonna learn that this life will hit you, hard, in the face, wait for you to get back up so it can kick you in the stomach. But getting the wind knocked out of you is the only way to remind your lungs how much they like the taste of air. There is hurt, here, that cannot be fixed by band-aids or poetry, so the first time she realizes that Wonder-woman isn’t coming, I’ll make sure she knows she doesn’t have to wear the cape all by herself. Because no matter how wide you stretch your fingers, your hands will always be too small to catch all the pain you want to heal. Believe me, I’ve tried.
And “Baby,” I’ll tell her “don’t keep your nose up in the air like that, I know that trick, you’re just smelling for smoke so you can follow the trail back to a burning house so you can find the boy who lost everything in the fire to see if you can save him. Or else, find the boy who lit the fire in the first place to see if you can change him.”
But I know that she will anyway, so instead I’ll always keep an extra supply of chocolate and rain boats nearby, ‘cause there is no heartbreak that chocolate can’t fix. Okay, there’s a few heartbreaks chocolate can’t fix. But that’s what the rain boots are for, because rain will wash away everything if you let it.
I want her to see the world through the underside of a glass bottom boat, to look through a magnifying glass at the galaxies that exist on the pin point of a human mind. Because that’s how my mom taught me. That there’ll be days like this, “There’ll be days like this my momma said” when you open your hands to catch and wind up with only blisters and bruises. When you step out of the phone booth and try to fly and the very people you wanna save are the ones standing on your cape. When your boots will fill with rain and you’ll be up to your knees in disappointment and those are the very days you have all the more reason to say “thank you,” ‘cause there is nothing more beautiful than the way the ocean refuses to stop kissing the shoreline no matter how many times it’s sent away.
You will put the “wind” in win some lose some, you will put the “star” in starting over and over, and no matter how many land mines erupt in a minute be sure your mind lands on the beauty of this funny place called life.
And yes, on a scale from one to over-trusting I am pretty damn naive but I want her to know that this world is made out of sugar. It can crumble so easily but don’t be afraid to stick your tongue out and taste it.
“Baby,” I’ll tell her “remember your mama is a worrier but your papa is a warrior and you are the girl with small hands and big eyes who never stops asking for more.”
Remember that good things come in threes and so do bad things and always apologize when you’ve done something wrong but don’t you ever apologize for the way your eyes refuse to stop shining.
Your voice is small but don’t ever stop singing and when they finally hand you heartbreak, slip hatred and war under your doorstep and hand you hand-outs on street corners of cynicism and defeat, you tell them that they really ought to meet your mother.
”
”
Sarah Kay
“
He pulled the envelope out of his pocket and ripped it open, then took out the slip of paper. The soft lights that ringed the mirror lit up the message in a warm glow. It was two short sentences:
" KILL ME. IF YOU'VE EVER BEEN MY FRIEND, KILL ME.
”
”
James Dashner (The Death Cure (The Maze Runner, #3))
“
It lit up like a Christmas Tree Hazel Grace...
”
”
John Green (The Fault in Our Stars)
“
You lit me up like Vegas
”
”
Joss Stirling (Finding Sky (Benedicts, #1))
“
Why did she do it? Nobody dared to ask. Because - what courage! Who had the courage to burn herself? Twenty aspirin, a little slit alongside the veins of the arm, maybe even a bad half hour standing on a roof: We've all had those. And somewhat more dangerous things, like putting a gun in your mouth. But you put it there, you taste it, it's cold and greasy, your finger is on the trigger, and you find that a whole world lies between this moment and the moment you've been planning, when you'll pull the trigger. That world defeats you. You put the gun back in the drawer. You'll have to find another way.
What was that moment like for her? The moment she lit the match. Had she already tried roofs and guns and aspirins? Or was it just an inspiration?
I had an inspiration once. I woke up one morning and I knew that today I had to swallow fifty aspirin. It was my task: my job for the day. I lined them up on my desk and took them one by one, counting. But it's not the same as what she did. I could have stopped, at ten, or at thirty. And I could have done what I did do, which was go onto the street and faint. Fifty aspirin is a lot of aspirin, but going onto the street and fainting is like putting the gun back in the drawer.
She lit the match.
”
”
Susanna Kaysen (Girl, Interrupted)
“
Somebody better be dead or dying."
He froze mid-step when he saw her. It might have been wishful thinking but she could've sworn his face lit up.
"Or just sitting there looking pretty," he finished with a heart-stopping grin.
”
”
Cherrie Lynn (Rock Me (Ross Siblings, #2))
“
The city centre was still crawling with Christmas shoppers looking to add to their already burgeoning piles of gifts. To Scott they were like ants at a picnic, teeming from store to store, trailing oversized carrier bags and infants behind them as they went. Scott felt alien in this environment; pulling up his hood he hurried through the crowds, dodging pushchairs, lit cigarettes and charity collection tins.
”
”
R.D. Ronald (The Elephant Tree)
“
You smiled then, and your whole face changed with it. It kind of lit up, like there were sunbeams coming from inside you.
”
”
Lucy Christopher
“
One of the most calming and powerful actions you can do to intervene in a stormy world is to stand up and show your soul. Struggling souls catch light from other souls who are fully lit and willing to show it.
”
”
Clarissa Pinkola Estés
“
Piper gave Lit a friendly sorry-about-that smile. Even with her hair messed up and wearing two-day-old clothes, she looked extremely cute, and Jason felt a little jealous she was giving Lit that smile.
”
”
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
“
If your parents’ faces never lit up when they looked at you, it’s hard to know what it feels like to be loved and cherished. If you come from an incomprehensible world filled with secrecy and fear, it’s almost impossible to find the words to express what you have endured. If you grew up unwanted and ignored, it is a major challenge to develop a visceral sense of agency and self-worth.
”
”
Bessel van der Kolk (The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma)
“
As a kid, I would count backwards from ten and imagine at one, there would be an explosion–perhaps caused by a rogue planet crashing into Earth or some other major catastrophe. When nothing happened, I'd feel relieved and at the same time, a little disappointed.
I think of you at ten; the first time I saw you. Your smile at nine and how it lit up something inside me I had thought long dead. Your lips at eight pressed against mine and at seven, your warm breath in my ear and your hands everywhere. You tell me you love me at six and at five we have our first real fight. At four we have our second and three, our third. At two you tell me you can't go on any longer and then at one, you ask me to stay.
And I am relieved, so relieved–and a little disappointed.
”
”
Lang Leav (Love & Misadventure)
“
You destroy me."
"Juliette," he says and he mouths the name, barely speaking at all, and he's pouring molten lava into my limbs and I never even knew I could melt straight to death.
"I want you," he says. He says "I want all of you. I want you inside and out and catching your breath and aching for me like I ache for you." He says it like it's a lit cigarette lodged in his throat, like he wants to dip me in warm honey and he says "It's never been a secret. I've never tried to hide that from you. I've never pretended I wanted anything less."
"You-you said you wanted f-friendship-"
"Yes," he says, he swallows, "I did. I do. I do want to be your friend. He nods and I register the slight movement in the air between us. "I want to be the friend you fall hopelessly in love with. The one you take into your arms and into your bed and into the private world you keep trapped in your head. I want to be that kind of friend," he says. "The one who will memorize the things you say as well as the shape of your lips when you say them. I want to know every curve, every freckle, every shiver of your body, Juliette-"
"No," I gasp. "Don't-don't s-say that-"
"I want to know where to touch you," he says. "I want to know how to touch you. I want to know how to convince you to design a smile just for me." I feel his chest rising, falling, up and down and up and down and "Yes," he says. "I do want to be your friend." He says "I want to be your best friend in the entire world."
"I want so many things," he whispers. "I want your mind. Your strength. I want to be worth your time." His fingers graze the hem of my top and he says "I want this up." He tugs on the waist of my pants and says "I want these down." He touches the tips of his fingers to the sides of my body and says, "I want to feel your skin on fire. I want to feel your heart racing next to mine and I want to know it's racing because of me, because you want me. Because you never," he says, he breathes, "never want me to stop. I want every second. Every inch of you. I want all of it."
And I drop dead, all over the floor.
"Juliette."
I can't understand why I can still hear him speaking because I'm dead, I'm already dead, I've died over and over and over again.
He swallows, hard, his chest heaving, his words a breathless, shaky whisper when he says "I'm so-I'm so desperately in love with you-
”
”
Tahereh Mafi (Unravel Me (Shatter Me, #2))
“
He knew she was there by the joy and terror that took possession of his heart [...] Everything was lit up by her. She was the smile that brightened everything around.
”
”
Leo Tolstoy (Anna Karenina)
“
I smiled at the giant. “Actually, Cacus, I have another secret weapon.”
The giant’s eyes lit up with greed. “Another weapon? I will steal it! I will copy it and sell the knockoffs for a profit! What is this secret weapon?”
“Her name is Annabeth,” I said. “And she’s one of a kind.
”
”
Rick Riordan (The Demigod Diaries (The Heroes of Olympus))
“
Peter glanced up at the stars and a wicked smile lit his face. "Time to play," he whispered to the stars and winked. And the stars winked back, for Peter's smile is a most contagious thing.
”
”
Brom (The Child Thief)
“
And I shall watch the ferry boats, and they'll get high,
On a bluer ocean against tomorrow's sky,
And I will never grow so old again,
And I will walk and talk, in gardens all wet with rain.
- Sweet Thing
”
”
Van Morrison (Lit Up Inside: Selected Lyrics)
“
And what else is she?" Jerome asked. Jazza didn't offer any reply so I chimed in with, "A bitchweasel?"
"A bitchweasel!" Jazza's face lit up. "She's a bitchweasel! I love my new roommate.
”
”
Maureen Johnson (The Name of the Star (Shades of London, #1))
“
Escape through travel works. Almost from the moment I boarded my flight, life in England became meaningless. Seat-belt signs lit up, problems switched off. Broken armrests took precedence over broken hearts. By the time the plane was airborne I'd forgotten England even existed.
”
”
Alex Garland (The Beach)
“
I was in my house, alone in the living room, anxious about you, watching the flashes of lightning. And a flash of lightning lit up this truth for me, right in front of my eye. That night i lost you, I lost something inside me. Or perhaps several things. Something central to my existence, the very support for who I am as a person
”
”
Haruki Murakami (1Q84 (1Q84, #1-3))
“
I needed to say something. Something romantic! Something to sweep her off her feet.
"You’re like a potato!" I shouted after her. "In a minefield."
She froze in place. Then she spun on me, her face lit by a half-grown fruit. “A potato,” she said flatly. “That’s the best you can do? Seriously?”
“It makes sense,” I said. “Listen. You’re strolling through a minefield, worried about getting blown up. And then you step on something, and you think, ‘I’m dead.’ But it’s just a potato. And you’re so relieved to find something so wonderful when you expected something so awful. That’s what you are. To me.”
“A potato.”
“Sure. French fries? Mashed potatoes? Who doesn’t like potatoes?”
“Plenty of people. Why can’t I be something sweet, like a cake?”
“Because cake wouldn’t grow in a minefield. Obviously.”
She stared down the hallway at me for a few moments, then sat on an overgrown set of roots.
Sparks. She seemed to be crying. Idiot! I thought at myself, scrambling through the foliage. Romantic. You were supposed to be romantic, you slontze! Potatoes weren’t romantic. I should have gone with a carrot.
”
”
Brandon Sanderson (Firefight (The Reckoners, #2))
“
She smiled again and the sun came back out. Raced backward up from the sea and lit her face. He told himself to ignore it. It wasn’t that special. Not really. He couldn’t be sure, but if his display of ignorance could make her do it again, it might be worth checking out.
”
”
William Kely McClung (Black Fire)
“
I’ll begin with the most basic. What are you?”
“Pussy Cat Doll?” she asked, immediately doing a slow headshake at his look. “Judge, jury and executioner.” He scowled. Her eyes lit up. “Transient! What? Really. No? Babe in Toyland?
”
”
Kresley Cole (The Warlord Wants Forever (Immortals After Dark, #0.5))
“
Can human nature be so entirely transformed inside and out? Can man, created by God, be made wicked by man? Can a soul be so completely changed by its destiny, and turn evil when its fate is evil? Can the heart become distorted, contract incurable deformities and incurable infirmities, under the pressure of disproportionate grief, like the spinal column under a low ceiling? Is there not in every human soul a primitive spark, a divine element, incorruptible in this world and immortal in the next, which can be developed by goodness, kindled, lit up, and made to radiate, and which evil can never entirely extinguish.
”
”
Victor Hugo (Les Misérables)
“
It's like he's training you for battle or something." Her eyes lit up. "Hey, maybe he has some underground fight club and he's grooming you!"
"That's it, Steph. Definitely.
”
”
Jessica Shirvington (Embrace (The Violet Eden Chapters, #1))
“
I dreamed you were standing in this dark place and you touched these dead flowers and they lit up like they were electric or something. Electric lilies. Lighting up the Valley.
”
”
Francesca Lia Block (Girl Goddess #9: Nine Stories)
“
... so this is for us.
This is for us who sing, write, dance, act, study, run and love
and this is for doing it even if no one will ever know
because the beauty is in the act of doing it.
Not what it can lead to.
This is for the times I lose myself while writing, singing, playing
and no one is around and they will never know
but I will forever remember
and that shines brighter than any praise or fame or glory I will ever have,
and this is for you who write or play or read or sing
by yourself with the light off and door closed
when the world is asleep and the stars are aligned
and maybe no one will ever hear it
or read your words
or know your thoughts
but it doesn’t make it less glorious.
It makes it ethereal. Mysterious.
Infinite.
For it belongs to you and whatever God or spirit you believe in
and only you can decide how much it meant
and means
and will forever mean
and other people will experience it too
through you.
Through your spirit. Through the way you talk.
Through the way you walk and love and laugh and care
and I never meant to write this long
but what I want to say is:
Don’t try to present your art by making other people read or hear or see or touch it; make them feel it. Wear your art like your heart on your sleeve and keep it alive by making people feel a little better. Feel a little lighter. Create art in order for yourself to become yourself
and let your very existence be your song, your poem, your story.
Let your very identity be your book.
Let the way people say your name sound like the sweetest melody.
So go create. Take photographs in the wood, run alone in the rain and sing your heart out high up on a mountain
where no one will ever hear
and your very existence will be the most hypnotising scar.
Make your life be your art
and you will never be forgotten.
”
”
Charlotte Eriksson (Another Vagabond Lost To Love: Berlin Stories on Leaving & Arriving)
“
Woulda made a deal with the devil to get my wife and daughter back." He was still whispering and my breath stilled.
"Don't have that chance so nothin' I can do about that. But I darkened your door, baby, and you lit up my life again so I'm not lettin' that go.
”
”
Kristen Ashley (Mystery Man (Dream Man, #1))
“
I felt the fangs against my neck and knew I was going to die. It was horrible. I wanted to live so, so badly...but this was how it would end. With my last moments, I started to yell at Christian to run, but then the Strigoi above my suddenly lit up like a torch. He jerked back, and I rolled out from underneath him.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
I turned to Christian, who was crouched on the ground.
"Wow," I said, helping him up. Obviously, he was the one who had saved me.
"No shit," he said. "Didn't know I had that much power.
”
”
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
“
How did you tell a man that you'd grown up, that you'd learned true love wasn't a night of passionate sex under a sky lit up by fireworks, but an ordinary Sunday morning when your husband brought you a glass of water, two aspirins, and a heating pad for your cramps?
”
”
Kristin Hannah (Angel Falls)
“
Do you really expect me to fall apart every time another woman throws herself at you? Because, if that's so, I'll be a nervous wreck before the honeymoon's over. Although, if they do it in front of me..."
He went still. "Did you just propose to me?"
She bristled. "Do you have a problem with that?"
The scoreboard lit up, and he gave the world a high five. "God, I love you.
”
”
Susan Elizabeth Phillips (Natural Born Charmer (Chicago Stars, #7))
“
Happiest day of my life when my dad made him human. (Devyn)
Happy for you, bonebag…It cost me my girlfriend. (Vik)
It was a lamp, Vik, not a girlfriend. (Devyn)
I really loved that lamp. She lit up my entire world. (Vik)
”
”
Sherrilyn Kenyon (Born of Ice (The League: Nemesis Rising, #3; The League: Nemesis Legacy, #2))
“
He loves me. Inside his head, his every thought and reaction was born of love, love inside and out, crazy, irrational (and sure, a bit lustful) love. He loves me, and that's also what terrified him when he saw me all lit up like a Christmas tree. He doesn't know what I am, but he loves me.
”
”
Cynthia Hand
“
Your... Your aura. It's... amazing. It's shining. I mean, it always shines, but today... Well I've never seen anything like it. I didn't expect that after everything that happened.'
I shifted around uncomfortably. If I lit up around Dimitri normally, what on earth happened to my aura post-sex?
”
”
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
“
Zia," I said, "that's a goddess. She defeated Bast. What chance do you have?"
Zia held up her staff and the carved lion's head burst into flames - a small red fireball so bright, it lit the entire room. "I am a scribe in the House of Life, Sadie Kane. I am trained to fight gods.
”
”
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
“
Twice in one day?" I asked. "And how'd you even get up here?”
He flashed his easy smile. "Someone put a lit match in one of the bathroom's garbage cans. Damn shame. The staff's kind of busy. Come on, I'm springing you.”
I shook my head. Setting fires was apparently a new sign of affection. Christian had done it and now Mason.
”
”
Richelle Mead (Vampire Academy (Vampire Academy, #1))
“
Clary shut her eyes. You didn't say no to an angel, no matter what it had in mind. Her heart pounding, she sat floating in the darkness behind her eyelids, resolutely trying not to think of Jace. But his face appear against the blank screen of her closed eyelids anyway - not smiling at her but looking sidelong, and she could see the scar at his temple, the uneven curl at the corner of his mouth, and the silver line on his throat where Simon had bitten him - all the marks and flaws and imperfections that made up the person she loved most in the world. Jace. A bright light lit her vision to scarlet, and she fell back against the sand, wondering if she was going to pass out - or maybe she was dying - but she didn't want to die, not now that she could see Jace's face so clearly in front of her. She could almost hear his voice, too, saying her name, the way he'd whispered it at Renwick's, over and over again. Clary. Clary. Clary.
"Clary," Jace said. "Open your eyes.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
Well, can you tell her that?"
He looked down at his feet. "I will. I will."
Guy-speak for, "I plan to keep avoiding her until she gives up.
”
”
Priya Ardis (My Merlin Awakening (My Merlin, #2))
“
Honey, that man would do anything to keep you. Lie, steal, cheat, kill, clean up after himself, and do laundry.
”
”
Alisa Sheckley (Moonburn (Abra Barrow #2))
“
Sitting on the floor, I'd replay the past in my head. Funny, that's all I did, day after day after day for half a year, and I never tired of it. What I'd been through seemed so vast, with so many facets. Vast, but real, very real, which was why the experience persisted in towering before me, like a monument lit up at night. And the thing was, it was a monument to me.
”
”
Haruki Murakami (Dance Dance Dance)
“
Phury lit a blunt and eyed the sixteen cans of Aqua Net that were lined up on Butch and V's coffee table.
"What's doing with the hair spray? You boys going drag on us?"
Butch held up the lenght of PVC pipe he was punching a hole in.
"Potato launcher, my man. Big fun."
"Excuse me ?"
"Didn't you ever go to summer camp ?"
"Basket weaving and woodcarving are for humans. No offense, but we have better things to teach our youngs.
”
”
J.R. Ward (Lover Awakened (Black Dagger Brotherhood, #3))
“
Van Houten,
I’m a good person but a shitty writer. You’re a shitty person but a good writer. We’d make a good team. I don’t want to ask you any favors, but if you have time – and from what I saw, you have plenty – I was wondering if you could write a eulogy for Hazel. I’ve got notes and everything, but if you could just make it into a coherent whole or whatever? Or even just tell me what I should say differently.
Here’s the thing about Hazel: Almost everyone is obsessed with leaving a mark upon the world. Bequeathing a legacy. Outlasting death. We all want to be remembered. I do, too. That’s what bothers me most, is being another unremembered casualty in the ancient and inglorious war against disease.
I want to leave a mark.
But Van Houten: The marks humans leave are too often scars. You build a hideous minimall or start a coup or try to become a rock star and you think, “They’ll remember me now,” but (a) they don’t remember you, and (b) all you leave behind are more scars. Your coup becomes a dictatorship. Your minimall becomes a lesion.
(Okay, maybe I’m not such a shitty writer. But I can’t pull my ideas together, Van Houten. My thoughts are stars I can’t fathom into constellations.)
We are like a bunch of dogs squirting on fire hydrants. We poison the groundwater with our toxic piss, marking everything MINE in a ridiculous attempt to survive our deaths. I can’t stop pissing on fire hydrants. I know it’s silly and useless – epically useless in my current state – but I am an animal like any other.
Hazel is different. She walks lightly, old man. She walks lightly upon the earth. Hazel knows the truth: We’re as likely to hurt the universe as we are to help it, and we’re not likely to do either.
People will say it’s sad that she leaves a lesser scar, that fewer remember her, that she was loved deeply but not widely. But it’s not sad, Van Houten. It’s triumphant. It’s heroic. Isn’t that the real heroism? Like the doctors say: First, do no harm.
The real heroes anyway aren’t the people doing things; the real heroes are the people NOTICING things, paying attention. The guy who invented the smallpox vaccine didn’t actually invented anything. He just noticed that people with cowpox didn’t get smallpox.
After my PET scan lit up, I snuck into the ICU and saw her while she was unconscious. I just walked in behind a nurse with a badge and I got to sit next to her for like ten minutes before I got caught. I really thought she was going to die, too. It was brutal: the incessant mechanized haranguing of intensive care. She had this dark cancer water dripping out of her chest. Eyes closed. Intubated. But her hand was still her hand, still warm and the nails painted this almost black dark blue and I just held her hand and tried to imagine the world without us and for about one second I was a good enough person to hope she died so she would never know that I was going, too. But then I wanted more time so we could fall in love. I got my wish, I suppose. I left my scar.
A nurse guy came in and told me I had to leave, that visitors weren’t allowed, and I asked if she was doing okay, and the guy said, “She’s still taking on water.” A desert blessing, an ocean curse.
What else? She is so beautiful. You don’t get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten. You don’t get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers.
”
”
John Green (The Fault in Our Stars)
“
Well...what did you promise exactly? Not to tell anyone that Eric Dragomir had a mistress and baby?"
Sonya nodded.
"And not to tell who they were?"
Sonya nodded again.
Sydney gave Sonya the warmest, friendliest smile i'd ever seen on the Alchemist. "Did you promise not to tell anyone where they are?" Sonya nodded, and Sydney's smile faltered a little. Then her eyes lit up. "Did you promise not to LEAD anyone to where they are?
”
”
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
“
I wanted adventures. I wanted to go up the Nung river to the heart of darkness in Cambodia. I wanted to ride out into a desert on camelback, sand and dunes in every direction, eat whole roasted lamb with my fingers. I wanted to kick snow off my boots in a Mafiya nightclub in Russia. I wanted to play with automatic weapons in Phnom Penh, recapture the past in a small oyster village in France, step into a seedy neon-lit pulqueria in rural Mexico. I wanted to run roadblocks in the middle of the night, blowing past angry militia with a handful of hurled Marlboro packs, experience fear, excitement, wonder. I wanted kicks – the kind of melodramatic thrills and chills I’d yearned for since childhood, the kind of adventure I’d found as a little boy in the pages of my Tintin comic books. I wanted to see the world – and I wanted the world to be just like the movies
”
”
Anthony Bourdain (A Cook's Tour: Global Adventures in Extreme Cuisines)
“
Walks are never as good during the day. At night, when everyone's apartments are lit up and you can see inside, that's where the action is. Everything about this fascinates me. Windows, lampposts, building facades. Looking into other people's lives. The way it all comes together, this entity greater than the sum of its parts. I feel inspired. I'm excited about my future life.
”
”
Susane Colasanti (Take Me There)
“
He grimaced and went after her. “I’m not a trainer. Just spent a lot of time working out.”
“Misspent youth, clearly.” She held the door open, standing just outside.
“My application to princess school was rejected.” Callan exited the building and fell into step alongside her. “Working out was how I coped.”
Sunlight peeked out from behind striped clouds and lit the early-morning sky. Autumn weather chilled the perspiration on his skin.
“Such a shame.” Meridian glanced up at him out of the corner of her eye.
“What is?”
“That you didn’t go to princess school. Could have learned some manners.” Her blue-green eyes sparked in the sunlight. And her mouth . . . Her lips set in some smart-looking, lopsided grin, with a small dimple.
I should definitely kiss that look off her face.
“Overrated. Inefficient. And I look terrible in a tiara.
”
”
J. Rose Black (Losing My Breath)
“
The kid curled his fingers inward, like he was motioning them to come play with him, and in a total Magneto way, the guns flew from the officers' hands, zinging toward the kid. They, too, stopped in midair and lit up in vibrant shades of blue. A second later the guns were dust.
Kat's hands dug into my back. "Holy..."
"Shit," I finished.
”
”
Jennifer L. Armentrout (Origin (Lux, #4))
“
The Coming of Light
Even this late it happens:
the coming of love, the coming of light.
You wake and the candles are lit as if by themselves,
stars gather, dreams pour into your pillows,
sending up warm bouquets of air.
Even this late the bones of the body shine
and tomorrow’s dust flares into breath.
”
”
Mark Strand (The Late Hour)
“
Franz Kafka is Dead
He died in a tree from which he wouldn't come down. "Come down!" they cried to him. "Come down! Come down!" Silence filled the night, and the night filled the silence, while they waited for Kafka to speak. "I can't," he finally said, with a note of wistfulness. "Why?" they cried. Stars spilled across the black sky. "Because then you'll stop asking for me." The people whispered and nodded among themselves. They put their arms around each other, and touched their children's hair. They took off their hats and raised them to the small, sickly man with the ears of a strange animal, sitting in his black velvet suit in the dark tree. Then they turned and started for home under the canopy of leaves. Children were carried on their fathers' shoulders, sleepy from having been taken to see who wrote his books on pieces of bark he tore off the tree from which he refused to come down. In his delicate, beautiful, illegible handwriting. And they admired those books, and they admired his will and stamina. After all: who doesn't wish to make a spectacle of his loneliness? One by one families broke off with a good night and a squeeze of the hands, suddenly grateful for the company of neighbors. Doors closed to warm houses. Candles were lit in windows. Far off, in his perch in the trees , Kafka listened to it all: the rustle of the clothes being dropped to the floor, or lips fluttering along naked shoulders, beds creaking along the weight of tenderness. It all caught in the delicate pointed shells of his ears and rolled like pinballs through the great hall of his mind.
That night a freezing wind blew in. When the children woke up, they went to the window and found the world encased in ice. One child, the smallest, shrieked out in delight and her cry tore through the silence and exploded the ice of a giant oak tree. The world shone.
They found him frozen on the ground like a bird. It's said that when they put their ears to the shell of his ears, they could hear themselves.
”
”
Nicole Krauss (The History of Love)
“
William leaned forward and pointed at the river. “I don’t know why you rolled in spaghetti sauce,” he said in a confidential voice. “I don’t really care. But that water over there won’t hurt you. Try washing it off.”
She stuck her tongue out.
“Maybe after you’re clean,” he said.
Her eyes widened. She stared at him for a long moment. A little crazy spark lit up in her dark irises.
She raised her finger, licked it, and rubbed some dirt off her forehead.
Now what?
The girl showed him her stained finger and reached toward him slowly, aiming for his face.
“No,” William said. “Bad hobo.
”
”
Ilona Andrews (Bayou Moon (The Edge, #2))
“
If I were to lock you up in a dungeon, I guarantee you would not be bored.
”
”
Priya Ardis (My Merlin Awakening (My Merlin, #2))
“
But I'm not ready to stop listening to the screwed-up inner voice that's been ordering me around for a lifetime. My head thinks it can kill me... and go on living without me.
”
”
Mary Karr (Lit)
“
Derek and I went out for our walk after dinner. Alone.
There was an open field behind the motel and we headed there. Finally, when we were far enough from the motel, Derek led me into a little patch of woods. He hesitated then, unsure, still just holding my hand. When I stepped in front of him, though, his free hand went around my waist.
"So," I said. "Seems you're going to be stuck with me for a while."
He smiled. A real smile that lit up his whole face.
"Good," he said.
He pulled me against him. Then he bent down, breath warming my lips. My pulse was racing so fast I could barely breathe. I was sure he'd stop again and I tensed, waiting for that hesitation, stomach twisting. His lips touched mine, and still I kept waiting for him to pull back.
His lips pressed against mine, then parted. And he kissed me. Really kissed me- arms tightening around me, mouth moving against mine, firm, like he'd made up his mind that this was what he wanted and he wasn't backing down again.
I slid my arms around his neck. His tightened around me and he scooped me up, lifting me off his feet, kissing me like he was never going to stop, and I kissed him back the same way, like I didn't want him to ever stop.
It was a perfect moment, one where nothing else mattered. All I could feel was him. All I could taste was his kiss. All I could hear was the pounding of his heart. All I could think about was him, and how much I wanted this, and how incredibly lucky I was to get it, and how tight I was going to hold onto it.
This was what I wanted. This guy. This life. This me. I was never getting my old life back, and I didn't care. I was happy. I was safe. I was right where I wanted to be.
”
”
Kelley Armstrong (The Reckoning (Darkest Powers, #3))
“
One thing I've learnt through writing is this: with everything in life, you have to look down deep into your heart! That fact is true with all things! If you have Jesus inside, He will give you all you need to say, and all the actions you need to do! It's not mere imagination the things I write; they are composed from the words lit up inside of me, from my Creator, who made all things bright!
”
”
NOT A BOOK
“
Starting over can be the scariest thing in the entire world, whether it’s leaving a lover, a school, a team, a friend or anything else that feels like a core part of our identity but when your gut is telling you that something here isn’t right or feels unsafe, I really want you to listen and trust in that voice.
”
”
Jennifer Elisabeth (Born Ready: Unleash Your Inner Dream Girl)
“
The Romans move east from New York. They advance in your camp, and nothing can slow them down.
"Nothing can slow them down," Leo mused. "I wonder..."
"What?" Jason asked.
Leo looked at the dwarfs. "I'll make you a deal."
Akmon's eyes lit up. "Thirty percent?"
"We'll leave you all the treasure," Leo said, "except the stuff that belongs to us, and the astrolabe, and this book, which we'll take back to the dude in Venice."
"But he'll destroy us!" Passolos wailed.
"We won't say where we got it," Leo promised. "And we won't kill you. We'll let you go free."
"Uh, Leo...?" Jason asked nervously.
Akmon squealed in delight. "I knew you were as smart at Hercules! I will call you Black Bottom, the Sequel!"
"You, no thanks," Leo said. "But in return for us sparing your lives, you have to do something for us. I'm going to send you somewhere to steal from some people, harass them, make life hard for them any way you can. You have to follow my directions exactly. You have to swear on the River Styx."
"We swear!" Passalos said. "Stealing from people is our specialty!"
"I love harassment!" Akmon agreed. "Where are we going?"
Leo grinned. "Ever heard of New York?
”
”
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
“
And Victor, who was so good at picking things apart, at understanding how they worked, how he worked, looked at the photo, and felt … conflicted. Hate was too simple a word. He and Eli were bonded, by blood and death and science. They were alike, more so now than ever. And he had missed Eli. He wanted to see him. And he wanted to see him suffer. He wanted to see the look in Eli’s eyes when he lit them up with pain. He wanted his attention.
”
”
Victoria E. Schwab (Vicious (Villains, #1))
“
There's nothing quite as good as folding up into a book and shutting the world outside.If I pick the right one I can be beautiful, or fall in love, or live happily ever after. Maybe even all three.
”
”
Bill Condon
“
I moaned then, tilting my head back to give him better access. His hands clamped on my waist, then moved—one going to cup my rear, the other sliding between us.
This—this moment, when it was him and me and nothing between our bodies …
His tongue scraped the roof of my mouth as he dragged a finger down the center of me, and I gasped, my back arching. “Feyre,” he said against my lips, my name like a prayer more devout than any Ianthe had offered up to the Cauldron on that dark solstice morning.
His tongue swept my mouth again, in time to the finger that he slipped inside of me. My hips undulated, demanding more, craving the fullness of him, and his growl reverberated in my chest as he added another finger.
I moved on him. Lightning lashed through my veins, and my focus narrowed to his fingers, his mouth, his body on mine. His palm pushed against the bundle of nerves at the apex of my thighs, and I groaned his name as I shattered
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
We have the same symptoms as tuberculosis, especially in the eyes of the Romantic Poets. Pale, tired, coughing up blood.”
“That’s romantic?”
I had to smile. “Romantic with a capital ‘R.’ You know, like Byron and Coleridge.”
He gave a mock shudder. “Please, stop. I barely passed English Lit.”
I snorted. “I didn’t have that option. One of my aunts took Byron as a lover.”
“Get out.”
“Seriously. It makes Lucy insanely jealous.”
“That girl is . . .”
“My best friend,” I filled in sternly.
“I was only going to say she’s unique.
”
”
Alyxandra Harvey (My Love Lies Bleeding (Drake Chronicles, #1))
“
This is your life – not your parents’, teachers’ or significant other’s. If you ever find yourself on a path that just doesn’t feel safe anymore, you have every right to stop the car, get out – change your shoes and start walking.
”
”
Jennifer Elisabeth (Born Ready: Unleash Your Inner Dream Girl)
“
Don’t try to present your art by making other people read or hear or see or touch it; make them feel it. Wear your art like your heart on your sleeve and keep it alive by making people feel a little better. Feel a little lighter. Create art in order for yourself to become yourself
and let your very existence be your song, your poem, your story.
Let your very identity be your book.
Let the way people say your name sound like the sweetest melody.
”
”
Charlotte Eriksson
“
You've walked those streets a thousand times and still
you end up here. Regret none of it, not one
of the wasted days you wanted to know nothing,
when the lights from the carnival rides
were the only stars you believed in, loving them
for their uselessness, not wanting to be saved.
You've traveled this far on the back of every mistake,
ridden in dark-eyed and morose but calm as a house
after the TV set has been pitched out the upstairs
window. Harmless as a broken ax. Emptied
of expectation. Relax. Don't bother remembering
any of it. Let's stop here, under the lit sign
on the corner, and watch all the people walk by.
”
”
Dorianne Laux
“
I nodded, disappointed, but then I got an idea. "Hey, Grover. You want a magic item?"
His eyes lit up. "Me?"
Pretty soon we'd laced the sneakers over his fake feet, and the world's first flying goat boy was ready for launch.
"Maia!" he shouted.
He got off the ground okay, but then fell over sideways so his backpack dragged through the grass. The winged shoes kept bucking up and down like tiny broncos.
"Practice," Chiron called after him. "You just need practice!"
"Aaaaa!" Grover went flying sideways down the hill like a possessed lawn mower, heading toward the van.
”
”
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
“
It seems only fair," Matthew continued. "A bit of karma, if you will." He twirled the stake again. "Shall we see how long you scream?"
"Are you ever going to shut up?" I snapped, fear and irritation filling me in equal measures. "This isn't your monologue, Hamlet. It's the battle scene, in case you've forgotten."
His eyes narrowed so fast they nearly sparked. They were the color of honey on fire. One of the others growled like an animal, low in his throat. It made all the hairs on my arms stand straight up.
I was going to die for making fun of Shakespeare.
My English Lit professor would be so proud.
”
”
Alyxandra Harvey (Out for Blood (Drake Chronicles, #3))
“
She turned and walked towards Krupp. She moved like smoke from the end of a cigarette in a still room, languorous, smooth. Her beauty stopped the conversation of the few people she walked past. Eyes of envy, lust, admiration, longing, followed her every move as she glided through the sumptuously furnished, dimly lit Champagne Bar. Krupp realised she was moving through the room deliberately towards him. He held his breath again as she approached him. His heart thumped against his lungs, making it hard to breathe out. Krupp sat up and he gulped when she saw him and looked straight into his eyes. He felt a tingle up his spine as she seemed to float, slowly, like a ghostly spirit between the tables. He wondered if she was real or a spectre. This could not possibly be Freya, he thought, and yet there was something …
She arrived at the table. She relaxed a knee. Their eyes met, a small smile on her lips. Krupp suddenly remembered his manners and stood, hauling himself up with the aid of his stick and the arm of the sofa. It could not have been an elegant move, he thought with annoyance. He should have remained seated.
“May I join you?” she said in perfect German.
”
”
Hugo Woolley (The Wasp Trap (The Charlotte's War Trilogy Book 3))
“
Nate called out, “Team Meeting!” and pointed a finger in the air.
When he had everyone’s attention, Nate cleared his throat. “There are a few Team Awesome things we need to discuss.”
Tristan leaned over to Gabriel. “What’s Team Awesome?”
“It’s our team name,” Heather smiled.
“We’re not a team,” Gabriel said.
“We are a team,” Nate corrected. “We’re Team Awesome and I’m team captain.” He looked at Tristan. “You can call me Captain. Or Captain America, if you’d like. I’m even willing to settle for Captain Jack.”
Tristan crossed his arms. “Yeah, that’s not going to happen.”
Heather’s eyes lit up. “Ooh! Can we choose code names? Can I be Catwoman?”
“We’re not choosing code names.” Gabriel looked incredibly annoyed and Tristan almost smiled.
”
”
Chelsea Fine (Awry (The Archers of Avalon, #2))
“
A little present from my run-in with a sword. Or should I say from when the sword had a run-in with me?” His eyes lit up.
“Want to see the scar? It’s cool.” He started pulling his shirt out of his pants.
“Janco,” Ari warned. “We’re not supposed to be fraternizing with the Sitians.”
“But she’s not Sitian. Right, Yelena? You haven’t gone south on us, have you?” Janco’s voice held mock horror.
“Because if you have I can’t give you your present.”
I took my switchblade out, showing the inscription to Janco. “What about ‘Sieges weathered, fight together, friends forever’? Does that change if I become an official southerner?”
Janco rubbed the hair on his chin, considering.
“No,” Ari said. “You could change into a goat and it would still apply.
”
”
Maria V. Snyder (Magic Study (Study, #2))
“
A floorboard cracked; knuckles tapped once on the open door. Adam looked up to see Niall Lynch standing in the doorway. No, it was Ronan, face lit bright on one side, in stark shadow on the other, looking powerful and at ease with his thumbs tucked in the pockets of his jeans, leather bracelets looped over his wrist, feet bare.
He wordlessly crossed the floor and sat beside Adam on the mattress. When he held out his hand, Adam put the model into it.
“This old thing,” Ronan said. He turned the front tyre, and again the music played out of it. They sat like that for a few minutes, as Ronan examined the car and turned each wheel to play a different tune. Adam watched how intently Ronan studied the seams, his eyelashes low over his light eyes. Ronan let out a breath, put the model down on the bed beside him, and kissed Adam.
Once, when Adam had still lived in the trailer park, he had been pushing the lawn mower around the scraggly side yard when he realized that it was raining a mile away. He could smell it, the earthy scent of rain on dirt, but also the electric, restless smell of ozone. And he could see it: a hazy gray sheet of water blocking his view of the mountains. He could track the line of rain travelling across the vast dry field towards him. It was heavy and dark, and he knew he would get drenched if he stayed outside. It was coming from so far away that he had plenty of time to put the mower away and get under cover. Instead, though, he just stood there and watched it approach. Even at the last minute, as he heard the rain pounding the grass flat, he just stood there. He closed his eyes and let the storm soak him.
That was this kiss.
They kissed again. Adam felt it in more than his lips.
Ronan sat back, his eyes closed, swallowing. Adam watched his chest rise and fall, his eyebrows furrow. He felt as bright and dreamy and imaginary as the light through the window.
He did not understand anything.
It was a long moment before Ronan opened his eyes, and when he did, his expression was complicated. He stood up. He was still looking at Adam, and Adam was looking back, but neither said anything. Probably Ronan wanted something from him, but Adam didn’t know what to say. He was a magician, Persephone had said, and his magic was making connections between disparate things. Only now he was too full of white, fuzzy light to make any sort of logical connections. He knew that of all the options in the world, Ronan Lynch was the most difficult version of any of them. He knew that Ronan was not a thing to be experimented with. He knew his mouth still felt warm. He knew he had started his entire time at Aglionby certain that all he wanted to do was get as far away from this state and everything in it as possible.
He was pretty sure he had just been Ronan’s first kiss.
“I’m gonna go downstairs,” Ronan said.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
Karṇa walks, his back is straight, he is lit up by his divine earings; yet his feet drag. He turns into an alley. His head droops and falls to his chest. He stops. Mist swirls around him, becomes motionless, parts. From between his ribs steps a young woman. Her eyes and face and tongue are brown like old blood and she is decked in old things and she wears upon her wrists two burnt black bracelets. She places the point of a knife under Karṇa’s chest plate and cuts, a gentle sawing motion, the blade moving beneath the skin, a slicing of the quick: nerves, blood vessels, sinews. I feel his pain; not a stab; it is insistent, enduring, but sharp nonetheless, as with any loss.
”
”
Michael Tobert (Karna's Wheel)
“
You're a dumb shit. There's a million first girls for a million different first things.
There's the first girl you slow-dance with, and the first girl you go to bed with. There's the first girl to give you a kiss, and then the first one you take home to mama." His amber eyes lit up with humor.
"There's the first girl you fight with and the first girl you fight for. There's also the first girl you have to let go of. There's the first girl you love, obviously, and the first girl to break your heart.
There's always a first girl, Rowdy, but there is also the girl that is going to come after her until you get to the last girl.
The last girl is the one that really matters.
”
”
Jay Crownover (Rowdy (Marked Men, #5))
“
Sad Songs
Once there was a boy who couldn't speak but owned a music box that held every song in all the world. One day he met a girl who had never heard a single melody in her entire life and so he played her his favorite song. He watched while her face lit up with wonder as the music filled the sky and the poetry of lyrics moved her in a way she had never felt before.
He would play his songs for her day after day and she would sit by him quietly—never seeming to mind that he could only speak to her through song. She loved everything he played for her, but of them all—she loved the sad songs best. So he began to play them more and more until eventually, sad songs were all she would hear.
One day, he noticed it had been a very long time since her last smile. When he asked her why, she took both his hands in hers and kissed them warmly. She thanked him for his gift of music and poetry but above all else—for showing her sadness because she had known neither of these things before him. But it was now time for her to go away—to find someone who could show her what happiness was.
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Do you remember the song that was playing the night we met?
No, but I remember every song I have heard since you left.
”
”
Lang Leav (Love & Misadventure)
“
Go out with me tomorow night," Perry went on. "Let me prove to you that I'm the guy you want."
"I...I guess I coul go out tomorrow night," Miranda sounded shocked and a little swept off her feet.
Then, from the corner of her eyes. Kylie saw something move at the office window. When she looked back, she spotted Burnett and Holiday standing there high-fiving each other. No doubt Burnett was listening to the coversation and sharing the details with Holiday.
Perry nodded, stepped closer, and then pressed a quick kiss on Miranda's cheek. It had to be the most romantic thing Kylie had ever seen.
..."What?" Miranda asked. "You're happy my date [with Todd] wasn't exciting?"
"No," Kylie said. "Let's just say we're more excited about tomorrow night's date."
A bright smile lit up Miranda's face. "Me too. Can you believ Perry did that? I mean, he was so..."
"Romantic," Kylie said.
"Hot," Della added.
"Sweet," Miranda whispered. "I couldn't stop thinkibng about him all night."
And that was the best news Kylie had gotten all day.
”
”
C.C. Hunter (Taken at Dusk (Shadow Falls, #3))
“
Patch's eyes grazed me with silent heat. My reflection swirled in them, red hair and lips aflame. I was connected to him by a force I couldn't control, a tiny thread that tethered my soul to his. With the moon at his back, shadows painted the faint hollows beneath his eyes and cheekbones, making him look breathtakingly handsome and equally diabolical. His hands steadied my face, holding me still before him. The wind tangled my hair around his wrists, twining us together. His thumbs moved across my cheekbones in a slow, intimate caress. Despite the cold, a steady burn coiled up inside me, vulnerable to his touch. His fingers traced lower, lower, leaving behind a hot, delicious ache. I closed my eyes, my joints melting. He lit me up like a flame, light and heat burning at a depth I'd never fathomed. His thumb stroked my lip, a soft, seductive tease. I gave a sharp sigh of pleasure.
"Kiss you now?" he asked.
I couldn't speak; a wilted no was my reply.
His mouth, hot and daring, met mine. All play had left him, and he kissed me with his own black fire, deep and possessive, consuming my body, my soul, and laying waste to all past notions of what it meant to be kissed.
”
”
Becca Fitzpatrick (Finale (Hush, Hush, #4))
“
When I see her,” I said, “it’s like - I don’t know what it’s like. It’s like I never saw anything at all before. It’s like I am filling up, like a wine-glass when it’s filled with wine. I watch the acts before her and they are like nothing - they’re like dust. Then she walks on the stage and - she is so pretty; and her suit is so nice; and her voice is so sweet… She makes me want to smile and weep, at once. She makes me sore, here.” I placed a hand upon my chest, upon the breast-bone. “I never saw a girl like her before. I never knew that there were girls like her…” My voice became a trembling whisper then, and I found that I could say no more. There was another silence. I opened my eyes and looked at Alice - and knew at once that I shouldn’t have spoken; that I should have been as dumb and as cunning with her as with the rest of them. There was a look on her face - it was not ambiguous at all now - a look of mingled shock, and nervousness, and embarrassment or shame. I had said too much. I felt as if my admiration for Kitty Butler had lit a beacon inside me, and opening my unguarded mouth had sent a shaft of light into the darkened room, illuminating all. I had said too much - but it was that, or say nothing.
”
”
Sarah Waters (Tipping the Velvet)
“
I have hope
in who I am becoming.
I have belief in every scar and disgraceful word
I have ever spoken
or been told
because it is still teaching me
and I have hope in who I am becoming.
They say it takes 756 days to run to someone you love
and they also say that the only romance worth fighting for
is the one with yourself
and I know by now
that they say a lot of things,
people talking everywhere
without saying a word,
but if it took me all those years to learn myself
or teach myself
how to look into the mirror
without breaking it
I know for a fact that it was a fight worth fighting.
I stood up for my own head and so did my heart
and we are coming to terms with ourselves.
Shaking hands, saying ”let’s make this work
for we have places to go
and people to see
and we will need each other”
So I have hope
in who I am becoming.
It’s July
and I have hope in who I am becoming.
”
”
Charlotte Eriksson
“
She bent forward to look, then gave a startled little cry and drew back. There was indeed a seed lying in the palm of his hand, but it was shaped exactly like a long, sharply-pointed thorn… ‘The seed looks very sharp,’ she said shrinkingly. ’Won’t it hurt if you put it into my heart?’
He answered gently, ‘It is so sharp that it slips in very quickly. But, Much-Afraid, I have already warned you that Love and Pain go together, for a time at least. If you would know Love, you must know pain too.’
Much-Afraid looked at the thorn and shrank from it. Then she looked at the Shepherd’s face and repeated his words to herself. ’When the seed of Love in your heart is ready to bloom, you will be loved in return,’ and a strange new courage entered her. She suddenly stepped forward, bared her heart, and said, ‘Please plant the seed here in my heart.’
His face lit up with a glad smile and he said with a note of joy in his voice, ‘Now you will be able to go with me to the High Places and be a citizen in the Kingdom of my Father.’
Then he pressed the thorn into her heart. It was true, just as he had said, it did cause a piercing pain, but it slipped in quickly and then, suddenly, a sweetness she had never felt or imagined before tingled through her. It was bittersweet, but the sweetness was the stronger. She thought of the Shepherd’s words, ‘It is so happy to love,’ and her pale, sallow cheeks suddenly glowed pink and her eyes shown. For a moment Much-Afraid did not look afraid at all.
”
”
Hannah Hurnard (Hinds' Feet on High Places)
“
An incomplete list:
No more diving into pools of chlorinated water lit green from below. No more ball games played out under floodlights. No more porch lights with moths fluttering on summer nights. No more trains running under the surface of cities on the dazzling power of the electric third rail. No more cities. No more films, except rarely, except with a generator drowning out half the dialogue, and only then for the first little while until the fuel for the generators ran out, because automobile gas goes stale after two or three years. Aviation gas lasts longer, but it was difficult to come by.
No more screens shining in the half-light as people raise their phones above the crowd to take pictures of concert states. No more concert stages lit by candy-colored halogens, no more electronica, punk, electric guitars.
No more pharmaceuticals. No more certainty of surviving a scratch on one's hand, a cut on a finger while chopping vegetables for dinner, a dog bite.
No more flight. No more towns glimpsed from the sky through airplane windows, points of glimmering light; no more looking down from thirty thousand feet and imagining the lives lit up by those lights at that moment. No more airplanes, no more requests to put your tray table in its upright and locked position – but no, this wasn't true, there were still airplanes here and there. They stood dormant on runways and in hangars. They collected snow on their wings. In the cold months, they were ideal for food storage. In summer the ones near orchards were filled with trays of fruit that dehydrated in the heat. Teenagers snuck into them to have sex. Rust blossomed and streaked.
No more countries, all borders unmanned.
No more fire departments, no more police. No more road maintenance or garbage pickup. No more spacecraft rising up from Cape Canaveral, from the Baikonur Cosmodrome, from Vandenburg, Plesetsk, Tanegashima, burning paths through the atmosphere into space.
No more Internet. No more social media, no more scrolling through litanies of dreams and nervous hopes and photographs of lunches, cries for help and expressions of contentment and relationship-status updates with heart icons whole or broken, plans to meet up later, pleas, complaints, desires, pictures of babies dressed as bears or peppers for Halloween. No more reading and commenting on the lives of others, and in so doing, feeling slightly less alone in the room. No more avatars.
”
”
Emily St. John Mandel (Station Eleven)
“
Tiffany got up early and lit the fires. When her mother came down, she was scrubbing the kitchen floor, very hard.
“Er…aren’t you supposed to do that sort of thing by magic, dear?” said her mother, who’d never really got the hang of what witchcraft was all about.
“No, Mum, I’m supposed not to,” said Tiffany, still scrubbing.
“But can’t you just wave your hand and make all the dirt fly away, then?”
“The trouble is getting the magic to understand what dirt is,” said Tiffany, scrubbing hard at a stain. “I heard of a witch over in Escrow who got it wrong and ended up losing the entire floor and her sandals and nearly a toe.”
Mrs. Aching backed away. “I thought you just had to wave your hands about,” she mumbled nervously.
“That works,” said Tiffany, “but only if you wave them about on the floor with a scrubbing brush.
”
”
Terry Pratchett (Wintersmith (Discworld, #35; Tiffany Aching, #3))
“
The study was slowly lit up as the candle was brought in. The familiar details came out: the stag's horns, the bookshelves, the looking-glass, the stove with its ventilator, which had long wanted mending, his father's sofa, a large table, on the table an open book, a broken ash-tray, a manuscript-book with his handwriting. As he saw all this, there came over him for an instant a doubt of the possibility of arranging this new life, of which he had been dreaming on the road. All these traces of his life seemed to clutch him, and to say to him: 'No, you're not going to get away from us, and you're not going to be different, but you're going to be the same as you've always been; with doubts, everlasting dissatisfaction with yourself, vain efforts to amend, and falls, and everlasting expectations, of a happiness which you won't get, and which isn't possible for you.
”
”
Leo Tolstoy (Anna Karenina)
“
This is an ode to all of those that have never asked for one.
A thank you in words to all of those that do not do
what they do so well for the thanking.
This is to the mothers.
This is to the ones who match our first scream
with their loudest scream; who harmonize in our shared pain
and joy and terrified wonder when life begins.
This is to the mothers.
To the ones who stay up late and wake up early and always know
the distance between their soft humming song and our tired ears.
To the lips that find their way to our foreheads and know,
somehow always know, if too much heat is living in our skin.
To the hands that spread the jam on the bread and the mesmerizing
patient removal of the crust we just cannot stomach.
This is to the mothers.
To the ones who shout the loudest and fight the hardest and sacrifice
the most to keep the smiles glued to our faces and the magic
spinning through our days. To the pride they have for us
that cannot fit inside after all they have endured.
To the leaking of it out their eyes and onto the backs of their
hands, to the trails of makeup left behind as they smile
through those tears and somehow always manage a laugh.
This is to the patience and perseverance and unyielding promise
that at any moment they would give up their lives to protect ours.
This is to the mothers.
To the single mom’s working four jobs to put the cheese in the mac
and the apple back into the juice so their children, like birds in
a nest, can find food in their mouths and pillows under their heads.
To the dreams put on hold and the complete and total rearrangement
of all priority. This is to the stay-at-home moms and those that
find the energy to go to work every day; to the widows and the
happily married.
To the young mothers and those that deal with the unexpected
announcement of a new arrival far later than they ever anticipated.
This is to the mothers.
This is to the sack lunches and sleepover parties, to the soccer games
and oranges slices at halftime. This is to the hot chocolate
after snowy walks and the arguing with the umpire
at the little league game. To the frosting ofbirthday cakes
and the candles that are always lit on time; to the Easter egg hunts,
the slip-n-slides and the iced tea on summer days.
This is to the ones that show us the way to finding our own way.
To the cutting of the cord, quite literally the first time
and even more painfully and metaphorically the second time around.
To the mothers who become grandmothers and great-grandmothers
and if time is gentle enough, live to see the children of their children
have children of their own. To the love.
My goodness to the love that never stops and comes from somewhere
only mothers have seen and know the secret location of.
To the love that grows stronger as their hands grow weaker
and the spread of jam becomes slower and the Easter eggs get easier
to find and sack lunches no longer need making.
This is to the way the tears look falling from the smile lines
around their eyes and the mascara that just might always be
smeared with the remains of their pride for all they have created.
This is to the mothers.
”
”
Tyler Knott Gregson
“
It was a very ordinary day, the day I realised that my becoming is my life and my home and that I don't have to do anything but trust the process, trust my story and enjoy the journey. It doesn't really matter who I've become by the finish line, the important things are the changes from this morning to when I fall asleep again, and how they happened, and who they happened with. An hour watching the stars, a coffee in the morning with someone beautiful, intelligent conversations at 5am while sharing the last cigarette. Taking trains to nowhere, walking hand in hand through foreign cities with someone you love. Oceans and poetry.
It was all very ordinary until my identity appeared, until my body and mind became one being. The day I saw the flowers and learned how to turn my daily struggles into the most extraordinary moments. Moments worth writing about. For so long I let my life slip through my fingers, like water.
I'm holding on to it now,
and I'm not letting go.
”
”
Charlotte Eriksson (Empty Roads & Broken Bottles: in search for The Great Perhaps)
“
Well,” said a very amused voice. “This is unexpected.”
Tessa sat bolt upright, pulling the heavy coverlet around her. Beside her, Will stirred, propping himself up on his elbows, eyelids fluttering open slowly. “What—”
The room was filled with bright light. The torches had come on at full strength, and it was like the place was lit with daylight. Tessa could see the wreck of the room that they had made: their clothes scattered across the floor and the bed, the rug before the fireplace rucked up, the bedclothes wound about them. On the other side of the invisible wall was lounging a familiar figure in an elegant dark suit, one thumb hooked into the waistband of his trousers. His cat-pupilled eyes glimmered with mirth.
Magnus Bane.
“You might want to get up,” he said. “Everyone will be here quite soon to rescue you, and you may prefer to have clothes on when they arrive.” He shrugged. “I would, at any rate, but then, I am well known to be remarkably shy.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
God is the comic shepherd who gets more of a kick out of that one lost sheep once he finds it again than out of the ninety and nine who had the good sense not to get lost in the first place. God is the eccentric host who, when the country-club crowd all turned out to have other things more important to do than come live it up with him, goes out into the skid rows and soup kitchens and charity wards and brings home a freak show. The man with no legs who sells shoelaces at the corner. The old woman in the moth-eaten fur coat who makes her daily rounds of the garbage cans. The old wino with his pint in a brown paper bag. The pusher, the whore, the village idiot who stands at the blinker light waving his hand as the cars go by. They are seated at the damask-laid table in the great hall. The candles are all lit and the champagne glasses filled. At a sign from the host, the musicians in their gallery strike up "Amazing Grace.
”
”
Frederick Buechner (Telling the Truth: The Gospel as Tragedy, Comedy, and Fairy Tale)
“
Colin's chuckles grew more heartfelt. "You really ought to have more faith in your favorite brother, dear sis."
"He’s your favorite brother?" Simon asked, one dark brow raised in disbelief.
"Only because Gregory put a toad in my bed last night," Daphne bit off, "and Benedict's standing has never recovered from the time he beheaded my favorite doll."
"Makes me wonder what Anthony's done to deny him even an honorable mention," Colin murmured.
"Don't you have somewhere else to be?" Daphne asked pointedly.
Colin shrugged. "Not really."
"Didn't," she asked through clenched teeth, "you just tell me you promised a dance to Prudence Featherington?"
"Gads, no. You must have misheard."
"Perhaps Mother is looking for you, then. In fact, I'm certain I hear her calling your name."
Colin grinned at her discomfort. "You're not supposed to be so obvious," he said in a stage whisper, purposely loud enough for Simon to hear. "He'll figure out that you like him."
Simon's entire body jerked with barely contained mirth.
"It's not his company I'm trying to secure," Daphne said acidly. "It's yours I'm trying to avoid."
Colin clapped a hand over his heart. "You wound me, Daff." He turned to Simon. "Oh, how she wounds me."
"You missed your calling, Bridgerton," Simon said genially. "You should have been on the stage."
"An interesting idea," Colin replied, "but one that would surely give my mother the vapors." His eyes lit up. "Now that's an idea. And just when the party was growing tedious. Good eve to you both." He executed a smart bow and walked off.
”
”
Julia Quinn (The Duke and I (Bridgertons, #1))
“
I can't really remember the days. The light of the sun blurred and annihilated all color. But the nights, I remember them. The blue was more distant than the sky, beyond all depths, covering the bounds of the world. The sky, for me, was the stretch of pure brilliance crossing the blue, that cold coalescence beyond all color. Sometimes, it was in Vinh Long, when my mother was sad she'd order the gig and we'd drive out into the country to see the nighta s it was in the dry season. I had that good fortune- those nights, that mother. The light fell from the sky in cataracts of pure transparency, in torrents of silence and immobility. The air was blue, you could hold it in your hand. Blue. The sky was the continual throbbing of the brilliance of the light. The night lit up everything, all the country on either bank of the river as far as the eye could reach. Every night was different, each one had a name as long as it lasted. Their sound was that of the dogs, the country dogs baying at mystery. They answered on another from village to village, until the time and space of the night were utterly consumed.
”
”
Marguerite Duras (The Lover)
“
Man is unhappy because he doesn't know he's happy; only because of that. It's everything, everything, Whoever learns will at once immediately become happy, that same moment...
"And when did you find out that you were so happy?"
"Last week, on Tuesday, no, Wednesday, because it was Wednesday by then, in the night."
"And what was the occasion?"
"I don't remember, just so; I was pacing the room...it makes no difference. I stopped my clock, it was two thirty-seven."
"As an emblem that time should stop?"
Kirillov did not reply.
"They're not good," he suddenly began again, "because they don't know they're good. When they find out, they won't violate the girl. They must find out that they're good, then they'll all become good at once, all, to a man.
"Well, you did find out, so you must be good?"
"I am good."
"With that I agree, incidentally," Stavrogin muttered frowningly.
"He who teaches that all are good, will end the world."
"He who taught it was crucified."
"He will come, and his name is the man-god."
"The God-man?"
"The man-god--that's the whole difference."
"Can it be you who lights the icon lamp?"
"Yes, I lit it."
"You've become a believer?"
"The old woman likes the icon lamp...she's busy today," Kirillov muttered.
"But you don't pray yet?"
"I pray to everything. See, there's a spider crawling on the wall, I look and am thankful to it for crawling."
His eyes lit up again. He kept looking straight at Stavrogin, his gaze firm and unflinching. Stavrogin watched him frowningly and squeamishly, but there was no mockery in his eyes.
"I bet when I come the next time you'll already believe in God," he said, getting up and grabbing his hat.
"Why?" Kirillov also rose.
"If you found out that you believe in God, you would believe; but since you don't know yet that you believe in God, you don't believe," Nikolai Vsevolodovich grinned.
”
”
Fyodor Dostoevsky (Demons)
“
You make concessions when you're married a long time that you don't believe you'll ever make when you're beginning. You say to yourself when you're young, oh, I wouldn't tolerate this or that or the other thing, you say love is the most important thing in the world and there's only one kind of love and it makes you feel different than you feel the rest of the time, like you're all lit up. But time goes by and you've slept together a thousand nights and smelled like spit-up when babies are sick and seen your body droop and get soft. And some nights you say to yourself, it's not enough, I won't put up with another minute. And then the next morning you wake up and the kitchen smells like coffee and the children have their hair all brushed and the birds are eating out of the feeder and you look at your husband and he's not the person you used to think he was but he's your life. The house and the children and so much more of what you do is built around him and your life, too, your history. If you take him out it's like cutting his face out of all the pictures, there's a big hole and it's ugly. It would ruin everything. It's more than love, it's more important than love...
It's hard. And it's hard to understand unless you're in it. And it's hard for you to understand now because of where you are and what you're feeling. But I wanted to say it...because I won't be able to say it when I need to, when it's one of those nights and you're locking the front door because of foolishness about romance, about how things are supposed to be. You can be hard, and you can be judgmental, and with those two things alone you can make a mess of your life the likes of which you won't believe. It's so much easier...the being happy. It's so much easier, to learn to love what you have instead of yearning always for what you're missing, or what you imagine you're missing. It's so much more peaceful.
”
”
Anna Quindlen (One True Thing)
“
With time to think, the full reality of what had happened hit Thomas like a falling boulder. Ever since Thomas had entered the Maze, Newt had been there for him. Thomas hadn’t realized just how much of a friend he’d become until now. His heart hurt.
He tried to remind himself that Newt wasn’t dead. But in some ways this was worse. In most ways. He’d fallen down the slope of insanity, and he was surrounded by bloodthirsty Cranks. And the prospect of never seeing him again was almost unbearable. [...]
He pulled the envelope out of his pocket and ripped it open, then took out the slip of paper. The soft lights that ringed the mirror lit up the message in a warm glow. It was two short sentences:
Kill me. If you’ve ever been my friend, kill me.
Thomas read it over and over, wishing the words would change. To think that his friend had been so scared that he’d had the foresight to write those words made him sick to his stomach. And he remembered how angry Newt had been at Thomas specifically when they’d found him in the bowling alley. He’d just wanted to avoid the inevitable fate of becoming a Crank.
And Thomas had failed him. [...]
“Newt suddenly twisted around and grabbed Thomas by the hand holding the gun. He yanked it toward himself, forcing it up until the end of the pistol was pressed against his own forehead. “Now make amends! Kill me before I become one of those cannibal monsters! Kill me! I trusted you with the note! No one else. Now do it!”
Thomas tried to pull his hand away, but Newt was too strong. “I can’t, Newt, I can’t.”
“Make amends! Repent for what you did!” The words tore out of him, his whole body trembling. Then his voice dropped to an urgent, harsh whisper. “Kill me, you shuck coward. Prove you can do the right thing. Put me out of my misery.”
The words horrified Thomas. “Newt, maybe we can—”
“Shut up! Just shut up! I trusted you! Now do it!”
“I can’t.”
“Do it!”
“I can’t!” How could Newt ask him to do something like this? How could he possibly kill one of his best friends?
“Kill me or I’ll kill you. Kill me! Do it!”
“Newt …”
“Do it before I become one of them!”
“I …”
“KILL ME!” And then Newt’s eyes cleared, as if he’d gained one last trembling gasp of sanity, and his voice softened. “Please, Tommy. Please.”
With his heart falling into a black abyss, Thomas pulled the trigger.
”
”
James Dashner (The Death Cure (The Maze Runner, #3))