“
In that case" Tessa said, feeling hot blood rise to her face,"I think I would prefer it if you called me by my Christian name, as you do with Miss Lovelace.
Will look at her, slow and hard, then smiled. His blue eyes lit when he smiled. "Then you must do the same for me," he said. "Tessa."
She had never thought about her name much before, but when he said it, it was as if she were hearing if for the first time-the hard T, the caress of the double S, the way it seemed to end on a breath. Her own breath was very short when he said, softly, "Will."
"Yes?" Amusement glittered his eyes.
With a sort of horror Tessa realized that she had simply said his name for the sake of saying it; she hadn't actually had a question.
”
”
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
“
He pulled the envelope out of his pocket and ripped it open, then took out the slip of paper. The soft lights that ringed the mirror lit up the message in a warm glow. It was two short sentences:
" KILL ME. IF YOU'VE EVER BEEN MY FRIEND, KILL ME.
”
”
James Dashner (The Death Cure (The Maze Runner, #3))
“
History had shown again and again that ignoring evil because it did not affect you was a short-sighted and often deadly mistake.
”
”
Aleron Kong (The Land: Raiders (Chaos Seeds, #6))
“
He looked like every glossy frat boy in every nerd movie ever made, like every popular town boy who’d ever looked right through her in high school, like every rotten rich kid who’d ever belonged where she hadn’t.
My mama warned me about guys like you.
He turned to her as if he’d heard her and took off his sunglasses, and she went down the steps to meet him, wiping her sweaty palms on her dust-smeared khaki shorts. “Hi, I’m Sophie Dempsey,” she said, flashing the Dempsey gotta-love-me grin as she held out her hot, grimy hand, and after a moment he took it.
His hand was clean and cool and dry, and her heart pounded harder as she looked into his remote, gray eyes.
“Hello, Sophie Dempsey,” her worst nightmare said. “Welcome to Temptation.
”
”
Jennifer Crusie (Welcome to Temptation (Dempseys, #1))
“
With time to think, the full reality of what had happened hit Thomas like a falling boulder. Ever since Thomas had entered the Maze, Newt had been there for him. Thomas hadn’t realized just how much of a friend he’d become until now. His heart hurt.
He tried to remind himself that Newt wasn’t dead. But in some ways this was worse. In most ways. He’d fallen down the slope of insanity, and he was surrounded by bloodthirsty Cranks. And the prospect of never seeing him again was almost unbearable. [...]
He pulled the envelope out of his pocket and ripped it open, then took out the slip of paper. The soft lights that ringed the mirror lit up the message in a warm glow. It was two short sentences:
Kill me. If you’ve ever been my friend, kill me.
Thomas read it over and over, wishing the words would change. To think that his friend had been so scared that he’d had the foresight to write those words made him sick to his stomach. And he remembered how angry Newt had been at Thomas specifically when they’d found him in the bowling alley. He’d just wanted to avoid the inevitable fate of becoming a Crank.
And Thomas had failed him. [...]
“Newt suddenly twisted around and grabbed Thomas by the hand holding the gun. He yanked it toward himself, forcing it up until the end of the pistol was pressed against his own forehead. “Now make amends! Kill me before I become one of those cannibal monsters! Kill me! I trusted you with the note! No one else. Now do it!”
Thomas tried to pull his hand away, but Newt was too strong. “I can’t, Newt, I can’t.”
“Make amends! Repent for what you did!” The words tore out of him, his whole body trembling. Then his voice dropped to an urgent, harsh whisper. “Kill me, you shuck coward. Prove you can do the right thing. Put me out of my misery.”
The words horrified Thomas. “Newt, maybe we can—”
“Shut up! Just shut up! I trusted you! Now do it!”
“I can’t.”
“Do it!”
“I can’t!” How could Newt ask him to do something like this? How could he possibly kill one of his best friends?
“Kill me or I’ll kill you. Kill me! Do it!”
“Newt …”
“Do it before I become one of them!”
“I …”
“KILL ME!” And then Newt’s eyes cleared, as if he’d gained one last trembling gasp of sanity, and his voice softened. “Please, Tommy. Please.”
With his heart falling into a black abyss, Thomas pulled the trigger.
”
”
James Dashner (The Death Cure (The Maze Runner, #3))
“
Three things lit her match without fail—abusive assholes, idiots who didn’t use their turn signals, and unannounced shifters moving in on her territory.
”
”
Katherine McIntyre (Forged Alliances (Tribal Spirits #1))
“
One day you will wake up and everything, the stones by the driveway, the brick houses, each brick, each leaf of each tree, your own body, will be glowing from within, lit up, so bright you can hardly look. You will reach out in any direction and you will touch the light itself.
”
”
Margaret Atwood (Murder in the Dark: Short Fictions and Prose Poems)
“
I remember clearly the afternoon that she stood at the corner beside the door of the tourist centre in Gdansk.
”
”
You Jin (In Time, Out of Place)
“
There’s nothing to be scared of.”
Instead of taking Charlie’s pulse – there was really no point – he took one of the old man’s hands in his. He saw Charlie’s wife pulling down a shade in the bedroom, wearing nothing but the slip of Belgian lace he’d bought her for their first anniversary; saw how the ponytail swung over one shoulder when she turned to look at him, her face lit in a smile that was all yes. He saw a Farmall tractor with a striped umbrella raised over the seat. He smelled bacon and heard Frank Sinatra singing ‘Come Fly with Me’ from a cracked Motorola radio sitting on a worktable littered with tools. He saw a hubcap full of rain reflecting a red barn. He tasted blueberries and gutted a deer and fished in some distant lake whose surface was dappled by steady autumn rain. He was sixty, dancing with his wife in the American Legion hall. He was thirty, splitting wood. He was five, wearing shorts and pulling a red wagon. Then the pictures blurred together, the way cards do when they’re shuffled in the hands of an expert, and the wind was blowing big snow down from the mountains, and in here was the silence and Azzie’s solemn watching eyes.
”
”
Stephen King (Doctor Sleep (The Shining, #2))
“
I sit on the bench in front of Bell's Market and think about Homer Buckland and about the beautiful girl who leaned over to open his door when he come down that path with the full red gasoline can in his right hand - she looked like a girl of no more than sixteen, a girl on her learner's permit, and her beauty was terrible, but I believe it would no longer kill the man it turned itself on; for a moment her eyes lit on me, I was not killed, although a part of me died at her feet." (from the short story Mrs. Todd's Shortcut)
”
”
Stephen King (Skeleton Crew)
“
They walked in silence through the little streets of Chinatown. Women from all over the world smiled at them from open windows, stood on the doorsteps inviting them in. Some of the rooms were exposed to the street. Only a curtain concealed the beds. One could see couples embracing. There were Syrian women wearing their native costume, Arabian women with jewelry covering their half-naked bodies, Japanese and Chinese women beckoning slyly, big African women squatting in circles, chatting together. One house was filled with French whores wearing short pink chemises and knitting and sewing as if they were at home. They always hailed the passers-by with promises of specialities. The houses were small, dimly lit, dusty, foggy with smoke, filled with dusky voices, the murmurs of drunkards, of lovemaking. The Chinese adorned the setting and made it more confused with screens and curtains, lanterns, burning incense, Buddhas of gold. It was a maze of jewels, paper flowers, silk hangings, and rugs, with women as varied as the designs and colors, inviting men who passed by to sleep with them.
”
”
Anaïs Nin (Delta of Venus)
“
I had travelled from Spain into Morocco and from there south to the Atlas Mountains, at the edge of the Sahara Desert…one night, in a youth hostel that was more like a stable, I woke and walked out into a snowstorm. But it wasn’t the snow I was used to in Minnesota, or anywhere else I had been. Standing bare chest to cool night, wearing flip-flops and shorts, I let a storm of stars swirl around me. I remember no light pollution, heck, I remember no lights. But I remember the light around me-the sense of being lit by starlight- and that I could see the ground to which the stars seemed to be floating down. I saw the sky that night in three dimensions- the sky had depth, some stars seemingly close and some much farther away, the Milky Way so well defined it had what astronomers call “structure”, that sense of its twisting depths. I remember stars from one horizon to another, making a night sky so plush it still seems like a dream.
It was a time in my life when I was every day experiencing something new. I felt open to everything, as though I was made of clay, and the world was imprinting on me its breathtaking beauty (and terrible reality.) Standing nearly naked under that Moroccan sky, skin against the air, the dark, the stars, the night pressed its impression, and my lifelong connection was sealed.
”
”
Paul Bogard (The End of Night: Searching for Natural Darkness in an Age of Artificial Light)
“
When my son David was a high school senior in 2003, his graduating class went on a camping trip in the desert. A creative writing educator visited the camp and led the group through an exercise designed to develop their sensitivity and imaginations. Each student was given a pen, a notebook, a candle, and matches. They were told to walk a short distance into the desert, sit down alone, and “discover themselves.” The girls followed instructions. The boys, baffled by the assignment, gathered together, threw the notebooks into a pile, lit them with the matches, and made a little bonfire.
”
”
Christina Hoff Sommers (The War Against Boys: How Misguided Policies are Harming Our Young Men)
“
Today you are encouraged to work towards your dream! Each of us has a fire in our hearts burning for something. It’s our responsibility in life to find it and keep it lit. This is your life and it’s a short one. Don’t let others extinguish your flame. You must follow your heart. Try what you want to try. Go where you want to go. Follow your own intuition. Dream with your eyes open until you know exactly what it looks like. Then do at least one thing every day to make it a reality. Don’t waste your life fulfilling someone else’s dreams and desires. Believe in yourself and your abilities!
”
”
John Geiger
“
Yet only minutes before, on the roof, a cold Havana between his lips, he had been silent, both he and his wife bundled in winter coats and hats as if about to set out on a journey. Dark against the sky. A statuesque couple. For a while the Brandenburg Gate was only a black mass, scanned off and on by police searchlights. But then the torchlight procession arrived, spreading like a stream of lava which, separated for a short time by the pylons, eventually flowed together again, unremitting, unstoppable, solemn, portentous, lighting up the night, lighting up the Gate to the quadriga of stallions, to the goddess's sign of victory. We too on the roof of Liebermann's house were lit by that fatal glow, even as we were hit with the smoke and stench of a hundred thousand and more torches.
”
”
Günter Grass (My Century)
“
The problem is, most people get frustrated when they do not find what they are looking for or don’t do what they are trying to do easily and in a short period of time. They give up after a couple of failures or a couple of years of struggle. The dream that once lit up their heart now begins to darken it, and their thinking changes.
”
”
Mark T. Sullivan (The Last Green Valley)
“
As late as the 1930s, almost half of London streets were still lit by gas.
”
”
Bill Bryson (At Home: A Short History of Private Life)
“
The serious writer was aware of a paradox at the heart of his art: his inner world, the place of the strongest stories, was infinite, but it was also embedded in – if this was possible! – an even more infinite universe of all things to write about. It was like seeing the Grand Canyon from outer space – a huge gorge that looked like a thin trickle, impossible to miss, hard to hit.
”
”
Marcus Speh (Get Lit, Round 1: Short Fiction)
“
The four of us got back into the car. In an instant, I distinctly heard a “soundless music”. It was the melody of friendship, the sound of a perfectly tuned quartet who got together by chance, four hearts playing in harmony.
”
”
You Jin (In Time, Out of Place)
“
I once dreamt that the man in the moon took an interest in me and reflected the sun’s light directly in my path, lighting the way for my footsteps to sink themselves into the ground. It was wonderful to have my course illuminated by one with a grander perspective than my own. But when I awoke, realizing I could not call on the moon for guidance, my spirit sank until it occurred to me I could talk to the one who had created the moon. And He has lit my path ever since.
”
”
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)
“
The snow that has been falling for some time has finally lifted, and a fierce wind blows. Long icicles hang from everything, heaps of glittering snow lie here and there on the ground, and all the roofs are white with it... The landscape is brightly lit by a pre-dawn moon, and the whole scene is utterly delightful. The houses seem roofed in sheets of silver, while icicles hanging everywhere along the eaves, some long, some short, as if specially arranged there for display, put one in mind of waterfalls of crystal.
”
”
Sei Shōnagon (The Pillow Book)
“
You know the type—will give herself to the first nobleman in a uniform who comes calling with a couple of eggs and a piece of rat meat.”
“You’re selling yourself short.”
“I’ve just sold myself for rat meat,” she said, and she turned from him and lit the stove.
”
”
Chris Bohjalian (The Light in the Ruins)
“
He placed a slender red bottle on his desk.
"It's nasty. Affects the body immediately." Valek's eyes lit up as he admired the poison.
"It's called Have a Drink, My Love, or My Love for short because the poison has a history of being used by disheartened wives.
”
”
Maria V. Snyder (Poison Study (Study, #1))
“
All lonely, beautifully silent and so very enchanting the city seems at night when every tourist, hotelier and tour guide have gone to bed, almost like a ghost town if it weren’t for the one or other lit window and a few lonely insomniac people walking the alleys here and there.
”
”
Ryan Gelpke (Nietzsche’s Birthday Party: A Short Story Collection)
“
The areas of the brain that lit up when they read about an activity were identical to those that light up when they actually experience it... In short, when we read a story, we really do slip into the protagonist’s skin, feeling what she feels, experiencing what she experiences.
”
”
Michael Margolis (Story 10x: Turn the Impossible Into the Inevitable)
“
The problem is, most people get frustrated when they do not find what they are looking for or don’t do what they are trying to do easily and in a short period of time. They give up after a couple of failures or a couple of years of struggle. The dream that once lit up their heart now begins to darken it, and their thinking changes. They lose faith far too early. They believe far too early that their dream can never exist. The problem is they haven’t stayed true to their heart long enough for the Almighty One to move the moon and stars so the dream they seek can come into being. Once disbelief takes hold in their heart and thoughts, the Almighty hears it and gives up trying to help them. That’s why dreams don’t come true. It’s why you have not become more in your life, Martel. It’s why you haven’t lived up to your name. And it is why I will become a beekeeper.
”
”
Mark T. Sullivan (The Last Green Valley)
“
Miss me?" she asks with her usual wryness, tossing her backpack on the floor and dropping down on the bed beside me like she comes over all the time. "I feel like a rebel just knowing you. Everyone keeps asking me if you really lit Brooklyn on fire."
I arch a brow. "On fire?"
Catherine pumps up a pillow beneath her head. "The actual event has gotten a bit exaggerated." Her lips twitch. "Maybe I had something to do with that."
"Nice. Thanks."
"No problem."
"So I guess I'm pretty much done for at school." For the first time, it matters to me. If I'm to stay here and make a go of it, it wouldn't hurt to have a few friends. To not be a social outcast. Especially since it seems pretty important for Tamra's success at school, too.
"Are you kidding? You're a hero." Her lips twist with a smile. "I think you've got a shot at homecoming queen next fall."
I give a short laugh, and then her words sink. Next fall. Might I be here then? With Will? It's almost too sweet to believe.
"So," Catherine beings, picking at the loose paper edging my spiral. "Rutledge was absent today."
"Yeah?" I try for nonchalance.
"Yeah." She stretches the word, her blue-green eyes cutting meaningfully into mine. "And his cousins were around, so he's not off somewhere with them. I wonder..." She cocks her head, her long, choppy bangs, sliding low across her forehead. "Wherever could he have been?"
I shrug and pick at the flaking tip of my pencil.
She continues, "I know where Xander thinks he was."
My gaze swings back to her face. "Xander talked to you?"
"I know, right? Can my days as a pariah be coming to an end?"
"Where does he think Will was?"
"With you, of course.
”
”
Sophie Jordan (Firelight (Firelight, #1))
“
And while he spoke of my mother often and fondly to me, he always did so incompletely, in a strangely peripheral way, so that I grew up with a picture of her that was really little more than an outline. Was this unfair, an injustice to me? It must seem so, and I suppose in a way it was. And yet we all have within ourselves those private spaces that are uniquely our own and that we cannot share. This was my father's: the heart of his grief, which he chose not to expose. It was only now, in these last months before his death, that the outline was filled in, that without preliminary or explanation, my father suddenly began to talk of my mother as he had never talked before, in words and phrases lit with a bursting lyrical warmth and love that had been stored up and held within him all this time, and that was now released because, I think, he knew his own time was so short, and because he did not for a moment doubt that very soon now he would be joined to her again...
So there was a feeling of joy here.
”
”
Edwin O'Connor (The Edge of Sadness)
“
But Pauline would not take advice,
She lit a match, it was so nice!
It crackled so, it burned so clear,—
Exactly like the picture here
She jumped for joy and ran about,
And was too pleased to put it out. Now see! Oh see! What a dreadful thing
The fire has caught her apron-string;
Her apron burns, her arms, her hair;
She burns all over, everywhere.
”
”
Bill Bryson (At Home: A Short History of Private Life)
“
rotted down from manhood by their hopeless misery on the isle; wonted to cringe in all things to their lord, himself the worst of slaves; these wretches were now become wholly corrupted to his hands. He used them as creatures of an interior race; in short, he gaffles his four animals, and makes murderers of them; out of cowards fitly manufacturing bravoes.
”
”
Herman Melville (The Encantadas and Other Stories (Dover Thrift Editions: Short Stories))
“
She was too compelling to look at directly. Bright like the sun, bright and terrible. Only one other being could look upon her, and that was Death. And so…they became lovers.”
He said the word like a caress, like velvet again, and my face began to heat.
“Together they forged great and hellish things,” Jesse murmured. “Lightning and waterfalls that churned into clouds off the tip of the world. Chasms so winding deep that daylight never traced their endings. They dreamed through golden days and silvered nights. All the other creatures envied or adored them, because Death and the Elemental were destruction and creation joined as One. In the natural order of things, they should not have been stronger joined. And yet they were.”
He shifted, coming closer to me. A hand settled lightly atop my chest, directly over my heart. At our feet the seawater splashed a little, as if disturbed by something rolling over in the dark, distant deep.
“Centuries passed, and mankind began to devour the earth, even the wildest places. They had tools to invent and wars to fight and grubby, short lives. Nothing about them dwelled in the magic of the ancient spirits. So although Death, the Great Hunter, prospered as he sieved through their villages, the Elemental, strong as she once was, thinned into a web of gossamer. Human lives simply tore her apart.”
His hand was so warm. Warmer than I, warmer than the air, and still just barely touching me. The light behind my lids never lifted, so I knew he wasn’t glowing, but it felt as if he held a tame coal to my skin. It felt like something painless and ablaze, drawing my heart upward into it.
“The time had come for them to divide. Like all the rest of her kind, the goddess would cease to exist; she had no other course. So Death and the Elemental severed their joined hearts. For a few generations more, she drifted alone through the last of the sacred places, deserts, and fjords, lands so savage no human had yet desecrated them.”
Jesse’s voice dropped to a whisper. Without moving his hand, he bent down, his breath in my ear. “And Death, who had tasted her brightness, who would never cease to crave it-who knew her better than all the collected souls of all mankind’s weeping dead-became her Hunter.”
I was hot and strange. I was light and lighter, and curiously my breath came so slow.
“Until at last, one starry night beneath the desert moon, she surrendered to him. She allowed him to come to her, to make love to her. To unravel her…”
It was happening. He sat next to her and bore witness to her change, her pulse slowing, her skin blanching, the fans of her lashes stark against the contours of her face. He kept his palm there against her chest, up and down with her respiration, and watched the smoke begin to curl around his fingers.
“And by his hand, in the bliss of her unraveling, she touched the stars…”
Lora’s breath hitched. Her heart skipped-then stopped.
If I could take this from you, Jesse thought fiercely. If I could take this one moment away from you and keep the agony for myself-
Her eyes opened, went instantly to his. Panic lit her gaze.
Then she was gone.
His fingers sank to the floor through her empty blouse, and the blue dragon smoke that was all of Eleanore Jones rose into strands above him.
”
”
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
“
We walk inside, and I stop short. Our booth, the one we always sit in, has pale pink balloons tied around it. There’s a round cake in the center of the table, tons of candles, pink frosting with sprinkles and Happy Birthday, Lara Jean scrawled in white frosting. Suddenly I see people’s heads pop up from under the booths and from behind menus--all of our friends, still in their prom finery: Lucas, Gabe, Gabe’s date Keisha, Darrell, Pammy, Chris. “Surprise!” everyone screams.
I spin around. “Oh my God, Peter!”
He’s still grinning. He looks at his watch. “It’s midnight. Happy birthday, Lara Jean.”
I leap up and hug him. “This is just exactly what I wanted to do on my prom night birthday and I didn’t even know it.” Then I let go of him and run over to the booth.
Everyone gets out and hugs me. “I didn’t even know people knew it was my birthday tomorrow! I mean today!” I say.
“Of course we knew it was your birthday,” Lucas says.
Darrell says, “My boy’s been planning this for weeks.”
“It was so endearing,” Pammy says. “We called me to ask what kind of pan he should use for the cake.”
Chris says, “He called me, too. I was like, how the hell should I know?”
“And you!” I hit Chris on the arm. “I thought you were leaving to go clubbing!”
“I still might after I steal some fries. My night’s just getting started, babe.” She pulls me in for a hug and gives me a kiss on the cheek. “Happy birthday, girl.”
I turn to Peter and say, “I can’t believe you did this.”
“I baked that cake myself,” he brags. “Box, but still.” He takes off his jacket and pulls a lighter out of his jacket pocket and starts lighting the candles. Gabe pulls out a lit candle and helps him. Then Peter hops his butt on the table and sits down, his legs hanging off the edge. “Come on.”
I look around. “Um…”
That’s when I hear the opening notes of “If You Were Here” by the Thompson Twins. My hands fly to my cheeks. I can’t believe it. Peter’s recreating the end scene from Sixteen Candles, when Molly Ringwald and Jake Ryan sit on a table with a birthday cake in between them. When we watched the movie a few months ago, I said it was the most romantic thing I’d ever seen. And now he’s doing it for me.
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
we try looking there?” “Good idea,” Rachel said, walking toward it. “Oh, aren’t the trees beautiful with all their blossoms?” The others agreed. Delicate sprays of pinky-white flowers lined the branches of the apple trees. “And that one is even prettier than the others,” Kirsty said, pointing out a tree a short distance away. It was covered in blossoms. “I wonder why it’s flowering so well?” A thought struck her and she stopped. Kirsty looked excitedly at Tia. “You don’t think it has anything to do with your petal’s magic powers, do you?” Tia’s eyes lit up.
”
”
Daisy Meadows (The Petal Fairies: #1-7)
“
Life, any life, is very short. But if you’ve managed to be happy for at least an instant, it will have been worth living.” “An instant! How short is that?” “Very short. It’s enough to be happy for as long as it takes a match to be lit and go out.” Dita is silent as she weighs up how many matches have been lit and gone out in her life—and there have been lots. Many brief moments in which a flame has shone, even in the midst of the deepest darkness. Some of those moments have occurred when, in the middle of some huge disaster, she has opened a book and buried herself in it. Her small library is a box of matches.
”
”
Antonio Iturbe (The Librarian of Auschwitz: Based on the True Story of Dita Kraus)
“
But between them and the foot of the sky there was something so white on the green grass that even with their eagles’ eyes they could hardly look at it. They came on and saw that it was a Lamb.
“Come and have breakfast,” said the Lamb in its sweet milky voice.
Then they noticed for the first time that there was a fire lit on the grass and fish roasting on it. They sat down and ate the fish, hungry now for the first time for many days. And it was the most delicious food they had ever tasted.
“Please, Lamb,” said Lucy, “is this the way to Aslan’s country?”
“Not for you,” said the Lamb. “For you the door into Aslan’s country is from your own world.”
“What!” said Edmund. “Is there a way into Aslan’s country from our world too?”
“There is a way into my country from all the worlds,” said the Lamb; but as he spoke his snowy white flushed into tawny gold and his size changed and he was Aslan himself, towering above them and scattering light from his mane.
Oh, Aslan,” said Lucy. “Will you tell us how to get into your country from our world?”
“I shall be telling you all the time,” said Aslan. “But I will not tell you how long or short the way will be; only that it lies across a river. But do not fear that, for I am the great Bridge Builder.
”
”
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
“
The sorceress walked a short distance away, her rounded hips swaying. She lifted her hands, fingers moving as if plucking invisible strings. Bitter cold flooded out, the sand crackling as if lit by lightning, and the gate that erupted was massive, yawning, towering. Through the billowing icy air flowed out a sweeter, rank smell. The smell of death. A figure stood on the threshold of the gate. Tall, hunched, a withered, lifeless face of greenish grey, yellowed tusks thrusting up from the lower jaw. Pitted eyes regarded them from beneath a tattered woollen cowl. The power cascading from this apparition sent Equity stumbling back. Abyss! A Jaghut, yes, but not just any Jaghut! Calm – can you hear me? Through this howl? Can you hear me? An ally stands before me – an ally of ancient – so ancient – power! This one could have been an Elder God. This one could have been…anything! Gasping, fighting to keep from falling to one knee, from bowing before this terrible creature, Equity forced herself to lift her gaze, to meet the empty hollows of his eyes. ‘I know you,’ she said. ‘You are Hood.’ The Jaghut stepped forward, the gate swirling closed behind him. Hood paused, regarding each witness in turn, and then walked towards Equity. ‘They made you their king,’ she whispered. ‘They who followed no one chose to follow you. They who refused every war fought your war. And what you did then – what you did—’ As he reached her, his desiccated hands caught her. He lifted her from her feet, and then, mouth stretching, he bit into the side of her face. The tusks drove up beneath her cheek bone, burst the eye on that side. In a welter of blood, he tore away half of her face, and then bit a second time, up under the orbitals, the tusks driving into her brain. Equity hung in his grip, feeling her life drain away. Her head felt strangely unbalanced. She seemed to be weeping from only one eye, and from her throat no words were possible. I once dreamed of peace. As a child, I dreamed of—
”
”
Steven Erikson (The Crippled God (Malazan Book of the Fallen, #10))
“
If You're Gonna Be Dumb, You Gotta Be Tough"
If your gonna be dumb, you gotta be tough
When you get knocked down you gotta get back up,
If your gonna be dumb, you gotta be tough
When you get knocked down you gotta get back up,
I ain't the sharpest knife in the drawer but I know enough, to know,
If your gonna be dumb, you gotta be tough
I lit my brain with Rot-Gut whiskey
'Till all my pain was chicken fried
And I had dudes with badges frisk me
Teach me how to swallow pride
I took advice no fool would take
I got some habits I can't shake
I ain't the sharpest knife in the drawer, but I know enough to know
If you're gonna be dumb, you gotta be tough
If you're gonna be dumb, you gotta be tough
When you get knocked down, you gotta get back up
That's the way it is in life and love
If you're gonna be dumb, you gotta be tough
I've been up and down and down and out
I've been left and right and wrong
Well I've walked the walk and I've run my mouth
I've been on the short end for too long
But if they gave medals for honky tonk wars
Hell, I'd keep mine in my chest of drawers
With my IRS bills and divorce papers and all that stuff
If you're gonna be dumb, you gotta be tough
If you're gonna be dumb, you gotta be tough
When you get knocked down, you gotta get back up
I ain't the sharpest knife in the drawer, but I know enough to know
If you're gonna be dumb, you gotta be tough
If you're gonna be dumb you gotta be tough
”
”
Karen O
“
In April, he perched on a witch hazel branch, shivering, one eye closed, waiting for the sun to warm his wings. The night had been particularly cold, the winter long, the fishing scarce.
He'd been alone all the time.
When the sun appeared, the warmth felt good on his wings. he lifted from his perch, wheeled, then cackled over the river, studying the surface for the slightest flash: a trout, a small shad, a frog. He lit on a willow snag downriver and sunned himself, raised his tail, shat, and called again. The days were growing longer now, the alewives ascending the streams. The year before, he'd built his nest near the estuary in a seam of clay, and soon - if she returned - the time would come for a new nest along the bank.
The kingfisher fished all morning. He returned to the willow snag at noon; slept, then woke shortly after, startled by the call. Was it she? They hadn't seen each other since the summer before.
He dropped from the branch, called, winged downriver, his image doubled in the water. He heard the call again, closer now. If she returned, he'd dive into the river, greet her with a fish, fly around her, feed her beak to beak. If she returned, he'd begin to exxcavate a new nest, claw clay out of the earth, arrange the perfect pile of fish bones to lay their eggs upon.
He pumped his wings harder now. He heard the cackle closer, louder more insistent. he recognized her voice. She was hurling her way upriver.
Any moment now: she'd fly into his vision.
”
”
Brad Kessler (Birds in Fall)
“
He remembered an old tale which his father was fond of telling him—the story of Eos Amherawdur (the Emperor Nightingale). Very long ago, the story began, the greatest and the finest court in all the realms of faery was the court of the Emperor Eos, who was above all the kings of the Tylwydd Têg, as the Emperor of Rome is head over all the kings of the earth. So that even Gwyn ap Nudd, whom they now call lord over all the fair folk of the Isle of Britain, was but the man of Eos, and no splendour such as his was ever seen in all the regions of enchantment and faery. Eos had his court in a vast forest, called Wentwood, in the deepest depths of the green-wood between Caerwent and Caermaen, which is also called the City of the Legions; though some men say that we should rather name it the city of the Waterfloods. Here, then, was the Palace of Eos, built of the finest stones after the Roman manner, and within it were the most glorious chambers that eye has ever seen, and there was no end to the number of them, for they could not be counted. For the stones of the palace being immortal, they were at the pleasure of the Emperor. If he had willed, all the hosts of the world could stand in his greatest hall, and, if he had willed, not so much as an ant could enter into it, since it could not be discerned. But on common days they spread the Emperor's banquet in nine great halls, each nine times larger than any that are in the lands of the men of Normandi. And Sir Caw was the seneschal who marshalled the feast; and if you would count those under his command—go, count the drops of water that are in the Uske River. But if you would learn the splendour of this castle it is an easy matter, for Eos hung the walls of it with Dawn and Sunset. He lit it with the sun and moon. There was a well in it called Ocean. And nine churches of twisted boughs were set apart in which Eos might hear Mass; and when his clerks sang before him all the jewels rose shining out of the earth, and all the stars bent shining down from heaven, so enchanting was the melody. Then was great bliss in all the regions of the fair folk. But Eos was grieved because mortal ears could not hear nor comprehend the enchantment of their song. What, then, did he do? Nothing less than this. He divested himself of all his glories and of his kingdom, and transformed himself into the shape of a little brown bird, and went flying about the woods, desirous of teaching men the sweetness of the faery melody. And all the other birds said: "This is a contemptible stranger." The eagle found him not even worthy to be a prey; the raven and the magpie called him simpleton; the pheasant asked where he had got that ugly livery; the lark wondered why he hid himself in the darkness of the wood; the peacock would not suffer his name to be uttered. In short never was anyone so despised as was Eos by all the chorus of the birds. But wise men heard that song from the faery regions and listened all night beneath the bough, and these were the first who were bards in the Isle of Britain.
”
”
Arthur Machen (The Secret Glory)
“
Snowbound up here with you. Without books or business to occupy my time, I wonder what I’ll do,” he added with a leer.
She blushed gorgeously, but her voice was serious as she studied his face. “If things hadn’t gone so well for you-if you hadn’t accumulated so much wealth-you could have been happy up here, couldn’t you?”
“With you?”
“Of course.”
His smile was as somber as hers. “Absolutely.”
“Although,” he added, linking her hands behind her back and drawing her a little closer, “you may not want to remain up here when you learn your emeralds are back in their cases at Montmayne.”
Her head snapped up, and her eyes shone with love and relief. “I’m so glad. When I realized Robert’s story had been fabrication, it hurt beyond belief to realize I’d sold them.”
“It’s going to hurt more,” he teased outrageously, “when you realize your bank draft to cover their cost was a little bit short. It cost me $45,000 to buy back the pieces that had already been sold, and $5,000 to buy the rest back from the jeweler you sold them to.”
“That-that unconscionable thief!” she burst out. “He only gave me $5,000 for all of them!” She shook her head in despair at Ian’s lack of bargaining prowess. “He took dreadful advantage of you.”
“I wasn’t concerned, however,” Ian continued teasing, enjoying himself hugely, “because I knew I’d get it all back out of your allowance. With interest, of course. According to my figures,” he said, pausing to calculate in his mind what it would have taken Elizabeth several minutes to figure out on paper, “as of today, you now owe me roughly $151,126.”
“One hundred and- what?” she cried, half laughing and half irate.
“There’s the little matter of the cost of Havenhurst. I added that in to the figure.”
Tears of joy clouded her magnificent eyes. “You bought it back from that horrid Mr. Demarcus?”
“Yes. And he is ‘horrid.’ He and your uncle ought to be partners. They both possess the instincts of camel traders. I paid $100,000 for it.”
Her mouth fell open, and admiration lit her face. “$100,000! Oh, Ian-“
“I love it when you say my name.”
She smiled at that, but her mind was still on the splendid bargain he’d gotten. “I could not have done a bit better!” she generously admitted. “That’s exactly what he paid for it, and he told me after the papers were signed that he was certain he could get $150,000 if he waited a year or so.”
“He probably could have.”
“But not from you!” she announced proudly.
“Not from me,” he agreed, grinning.
“Did he try?”
“He tried for $200,000 as soon as he realized how important it was to me to buy it back for you.”
“You must have been very clever and skillful to make him agree to accept so much less.”
Trying desperately not to laugh, Ian put his forehead against hers and nodded. “Very skillful,” he agreed in a suffocated voice.
“Still, I wonder why he was so agreeable?”
Swallowing a surge of laughter, Ian said, “I imagine it was because I showed him that I had something he needed more than he needed an exorbitant profit.”
“Really?” she said, fascinated and impressed. “What did you have?”
“His throat.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Never before have I had such dreams at dawn. They're double dreams.
What's more, the principal one, I'd say, is made of glass. It's transparent.
And so, then -- I dream of an eerily lit lamp, and out of it blazes a multicolored ribbon of lights. Amneris is waving a green feather and singing. The orchestra, utterly unearthly, is extraordinarily sonorous. I can't convey it in words, though. In short, in a normal dream music is soundless ... (in a normal one? That's another question, which dream is more normal?! I'm joking, though...") soundless, but in my dream it's quite sublimely audible. And the main thing is that, using my will, I can amplify or soften the music. I seem to recall in War and Peace there's a description of Petya Rosrov, when half asleep, experienced the same state. Leo Tolstoy's a remarkable writer!
”
”
Mikhail Bulgakov (Morphine)
“
The door creaked open and there he was.
“My star-touched queen,” he said. “I missed you.”
He walked toward me. In the candle-lit glow of our bedroom, every feature was more pronounced. The sweep of his shoulders, the short hair that curled at his neck. The glow of his skin, honey-drenched and russet. My beautiful nightmare.
I caught his hand in mine, my fingers trailing over the band of leather around his wrist. The noose. Against my skin, the noose was a cold pulse. There was a small knot at its base, lazily tied. He probably hadn’t expected it was in any danger.
“We lost an entire day together,” he said.
I loosened the silk around my waist and Amar raised an eyebrow. Around him, the shadows rippled silkily. I met his gaze and he stared at me, his breath shallow and waiting. The silk fell noiselessly to the floor.
“We still have the night.
”
”
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
“
Where are we going?” Arin stared out the carriage window at the trees of the Garden District, their bare branches slim and violet in the dusk.
Kestrel fidgeted with her skirts. “Arin. You know that we are going to Irex’s party.”
“Yes,” he said shortly, but didn’t tear his gaze away from the passing trees.
Better he look at them than at her. The velvet dress was a deep red, the skirts deliberately crushed in a pattern highlighted by golden embroidered leaves that twined up toward the bodice, where they interlaced and would catch the light. Conspicuous. The dress made her conspicuous. Kestrel sank into her corner of the carriage, feeling her dagger dig into her side. This evening at Irex’s wouldn’t be easy.
Arin seemed to think the same. He held himself so rigidly on the carriage seat across from her that he looked wooden. Tension seeped into the air between them.
When torches lit the darkness outside the windows and the driver lined up behind other carriage waiting to access the pathway to Irex’s villa, Kestrel said, “Perhaps we should return home.”
“No,” said Arin. “I want to see the house.” He opened the door.
They were silent as they walked up the path to the villa. Though not as large as Kestrel’s, it was also a former Herrani home: elegant, prettily designed. Arin fell behind Kestrel, as was expected of slaves, but this made her uneasy. It was unsettling to feel him close and not see his face.
They entered the house with the other guests and made their way into the receiving room, which was lined with Valorian weapons.
“They don’t belong there,” she heard Arin say. She turned to see him staring in shock at the walls.
“Irex is an exceptional fighter,” said Kestrel. “And not very modest.”
Arin said nothing, so neither did Kestrel.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
What I cannot understand is how your uncle could consider these two men suitable when they aren’t. Not one whit!”
“We know that,” Elizabeth said wryly, bending down to pull a blade of grass from between the flagstones beneath the bench, “but evidently my ‘suitors’ do not, and that’s the problem.” As she said the words a thought began to form in her mind; her fingers touched the blade, and she went perfectly still. Beside her on the bench Alex drew a breath as if to speak, then stopped short, and in that pulsebeat of still silence the same idea was born in both their fertile minds.
“Alex,” Elizabeth breathed, “all I have to-“
“Elizabeth,” Alex whispered, “it’s not as bad as it seems. All you have to-“
Elizabeth straightened slowly and turned.
In that prolonged moment of silence two longtime friends sat in a rose garden, looking raptly at each other while time rolled back and they were girls again-lying awake in the dark, confiding their dreams and troubles and inventing schemes to solve them that always began with “If only…”
“If only,” Elizabeth said as a smile dawned across her face and was matched by the one on Alex’s, “I could convince them that we don’t suit-“
“Which shouldn’t be hard to do,” Alex cried enthusiastically, “because it’s true!”
The joyous relief of having a plan, of being able to take control of a situation that minutes before had threatened her entire life, sent Elizabeth to her feet, her face aglow with laughter. “Poor Sir Francis,” she chuckled, looking delightedly from Bentner to Alex as both grinned at her. “I greatly fear he’s in for the most disagreeable surprise when he realizes what a-a” she hesitated, thinking of everything an old roué would most dislike in his future wife-“a complete prude I am!”
“And,” Alex added, “what a shocking spendthrift you are!”
“Exactly!” Elizabeth agreed, almost twirling around in her glee. Sunlight danced off her gilded hair and lit her green eyes as she looked delightedly at her friends. “I shall make perfectly certain to give him glaring evidence I am both. Now then, as to the Earl of Canford…”
“What a pity,” Alex said in a voice of exaggerated gloom, “you won’t be able to show him what a capital hand you are with a fishing pole.
“Fish?” Elizabeth returned with a mock shudder. “Why, the mere thought of those scaly creatures positively makes me swoon!”
“Except for that prime one you caught yesterday,” Bentner put in wryly.
“You’re right,” she returned with an affectionate grin at the man who’d taught her to fish. “Will you find Berta and break the news to her about going with me? By the time we come back to the house she ought to be over her hysterics, and I’ll reason with her.” Bentner trotted off, his threadbare black coattails flapping behind him.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
There was one story that anger certainly lit the fuse of. In the 1960's, in my home town of Jackson, the civil rights leader Medgar Evers was murdered on night in darkness and I wrote a story that same night about the murderer (identity unknown) called "Where Is The Voice Coming From?" But all that absorbed me, though it started as outrage, was the necessity I felt for entering into the mind and inside the skin of a character who could hardly have been more alien or repugnant to me. Trying for my utmost, I wrote in the first person. I was wholly vaunting the prerogative of the short-story writer. It is always vaunting, of course, to imagine yourself inside another person, but it is what a story writer does in every piece of work; it is his first step, and his last too, I suppose. I'm not sure this story was brought off; and I don't believe that my anger showed me anything about human character that my sympathy and rapport never had.
”
”
Eudora Welty (On Writing (Modern Library))
“
Couldn't I come along with you? I've been trapped inside for days now and I need some sunshine and exercise. If you're really busy today, maybe I could hhelp. It's not as if I'm a greenhorn who'd get in your way."
"This isn't a good idea, Freckles, and you know it."
The feisty redhead grinned. "I admit I'm somewhat ignorant on the subject, but I've never heard of doing "it" on the back of a horse."
A roguish grin dangled from the corner of his mouth. "Sweetheart, you'd be surprised where...Never mind."
Though he'd tried to sound gruff, Willow detected a slight wavering in his determination. "I'll promise not to attack your body, if that's what you're worried about." She started laughing.
Moving closer, she backed him against the door. Then tilting her head, she hit him full force with her big blue-green sparklers. Her lips parted in a very seductive, very naughty smile.
"Please, just a short ride?" She toyed with the edge of his black leather vest, the backs of her fingers sliding up and down his chest.
Rider sucked in a gulp of air. "Dammit, woman,what's Mrs. Brigham been teaching you? Stop that!" He batted her hand away, laughing despite himself. He was beaten and he knew it.
"Well?" She smiled slyly.
He grasped her arms and set her away to a safer distance. "All right, all right. I give up. I'll take you for a ride." When her face lit up,he raised a cautioning finger and hastened to add, "On one condition. You have to keep yours hands to yourself. No touching!"
"Yes! I promise!" Willow threw herself into his arms and pulled his face close for a brisk buss on the cheek. Then she sprang free and skipped past him to the door. "I kow, no touching. That was just a thank you. Hurry up, I'm all ready to go."
Following in her wake, Rider groaned, "Yeah,so am I-in more ways than one."
"What did you say?" she called back.
"I said you were a little flirt!"
She gave him an innocent smile over her shoulder and sprinted off to saddle Sugar.
”
”
Charlotte McPherren (Song of the Willow)
“
Have you ever been in a place where history becomes tangible? Where you stand motionless, feeling time and importance press around you, press into you? That was how I felt the first time I stood in the astronaut garden at OCA PNW. Is it still there? Do you know it? Every OCA campus had – has, please let it be has – one: a circular enclave, walled by smooth white stone that towered up and up until it abruptly cut off, definitive as the end of an atmosphere, making room for the sky above. Stretching up from the ground, standing in neat rows and with an equally neat carpet of microclover in between, were trees, one for every person who’d taken a trip off Earth on an OCA rocket. It didn’t matter where you from, where you trained, where your spacecraft launched. When someone went up, every OCA campus planted a sapling. The trees are an awesome sight, but bear in mind: the forest above is not the garden’s entry point. You enter from underground. I remember walking through a short tunnel and into a low-lit domed chamber that possessed nothing but a spiral staircase leading upward. The walls were made of thick glass, and behind it was the dense network you find below every forest. Roots interlocking like fingers, with gossamer fungus sprawled symbiotically between, allowing for the peaceful exchange of carbon and nutrients. Worms traversed roads of their own making. Pockets of water and pebbles decorated the scene. This is what a forest is, after all. Don’t believe the lie of individual trees, each a monument to its own self-made success. A forest is an interdependent community. Resources are shared, and life in isolation is a death sentence. As I stood contemplating the roots, a hidden timer triggered, and the lights faded out. My breath went with it. The glass was etched with some kind of luminescent colourant, invisible when the lights were on, but glowing boldly in the dark. I moved closer, and I saw names – thousands upon thousands of names, printed as small as possible. I understood what I was seeing without being told. The idea behind Open Cluster Astronautics was simple: citizen-funded spaceflight. Exploration for exploration’s sake. Apolitical, international, non-profit. Donations accepted from anyone, with no kickbacks or concessions or promises of anything beyond a fervent attempt to bring astronauts back from extinction. It began in a post thread kicked off in 2052, a literal moonshot by a collective of frustrated friends from all corners – former thinkers for big names gone bankrupt, starry-eyed academics who wanted to do more than teach the past, government bureau members whose governments no longer existed. If you want to do good science with clean money and clean hands, they argued, if you want to keep the fire burning even as flags and logos came down, if you understand that space exploration is best when it’s done in the name of the people, then the people are the ones who have to make it happen.
”
”
Becky Chambers (To Be Taught, If Fortunate)
“
Angels! Halt and listen to me! I am the witch Ruta Skadi, and I want to talk to you!” They turned. Their great wings beat inward, slowing them, and their bodies swung downward till they were standing upright in the air, holding their position by the beating of their wings. They surrounded her, five huge forms glowing in the dark air, lit by an invisible sun. She looked around, sitting on her pine branch proud and unafraid, though her heart was beating with the strangeness of it, and her dæmon fluttered to sit close to the warmth of her body. Each angel-being was distinctly an individual, and yet they had more in common with one another than with any human she had seen. What they shared was a shimmering, darting play of intelligence and feeling that seemed to sweep over them all simultaneously. They were naked, but she felt naked in front of their glance, it was so piercing and went so deep. Still, she was unashamed of what she was, and she returned their gaze with head held high. “So you are angels,” she said, “or Watchers, or bene elim. Where are you going?” “We are following a call,” said one. She was not sure which one had spoken. It might have been any or all of them at once. “Whose call?” she said. “A man’s.” “Lord Asriel’s?” “It may be.” “Why are you following his call?” “Because we are willing to,” came the reply. “Then wherever he is, you can guide me to him as well,” she ordered them. Ruta Skadi was four hundred and sixteen years old, with all the pride and knowledge of an adult witch queen. She was wiser by far than any short-lived human, but she had not the slightest idea of how like a child she seemed beside these ancient beings. Nor did she know how far their awareness spread out beyond her like filamentary tentacles to the remotest corners of universes she had never dreamed of; nor that she saw them as human-formed only because her eyes expected to. If she were to perceive their true form, they would seem more like architecture than organism, like huge structures composed of intelligence and feeling. But they expected nothing else: she was very young.
”
”
Philip Pullman (The Subtle Knife (His Dark Materials, #2))
“
Robert gestured Lydia ahead of him across the threshold of number nineteen. Once inside, the atmosphere was entirely different from his previous visits. Silent calm had been replaced by chatter, laughter, and scolding that bounced into the three-story entrance from various regions of the house. There was a smell of newly lit fires, and the accompanying puffs of smoke, as well as the enticing aroma of cooking wafting up from the kitchens. It was a bustling, busy household.
Shodster stepped into the hall and rushed toward Robert, hands outstretched ready to take Robert’s hat and cane.
“Thank you, no. Miss Whitfield and I are going for a walk.” Robert took a half step back. “We will be leaving shortly.”
Looking to Lydia for confirmation, Shodster nodded. “I do beg your pardon, Miss Whitfield. I was not here for the door. It will not happen again.”
“Worry not, Shodster.” Lydia shrugged. “I learned how to open a door some time ago. The trick is to turn the handle.”
The butler blinked at Lydia’s lightheartedness. “Yes. That would, indeed, be the trick.
”
”
Cindy Anstey (Duels & Deception)
“
The tiger crept through the tangled jungle ... He put one paw softly before the next, barely disturbing the song of the magpies far above ... But when the tiger reached the edge of the forest, he stopped short. The goat was walking along the shore, his white hooves prancing at the very edge of the tumbling azure waves of the Indian Ocean ... He stopped in the speckled shade of a bongo-bongo tree-'
'But, Miss Gabby,' Phoebe broke in anxiously, 'what did the tiger have for supper that night if he didn't eat the goat? Wouldn't he be hungry?'
Gabby's brown eyes lit with amusement. 'Perhaps the tiger was so mortified by his own lack of courage that he went to a far-off mountaintop and lived on nothing but fruits and vegetables.'
'I don't think so.' Phoebe was a very practical little girl. 'I think it's more likely that the tiger would have gone after that goat and eaten him up.'
'The tiger had a cat's natural abhorrence for water,' Gabby said. 'He didn't see the beauty of the waves as they danced into shore. To him the curling waves looked like the claws of tiny crabs, reaching out to nibble his bones!
”
”
Eloisa James (Enchanting Pleasures (Pleasures, #3))
“
Do you have any ritual things you do before a race?”
My dad did. He always had to wear black boxer shorts and socks. Before every race, he would also have a plain egg omelet for breakfast. I never did learn why.
“Yep.”
I wait, but he doesn’t expand.
“Well…are you gonna tell me what it is?”
Arms on the table, he leans forward. “Okay.” He lets out a breath. “I have to eat a bar of Galaxy chocolate before each race.”
“Really?” I smile. “Why?”
Eyes on me, he rests back in his seat, keeping his hands on the table. “After we first moved to England, I don’t know if it was the pressure or being in a different country or what, but I wasn’t winning races. I was coming in fourth at best. I was panicking because Dad had given up so much by moving us to England, and I was getting frustrated because I knew I was capable of more.
“Anyway, on this particular day, I was hungry because I’d forgotten to eat, and my dad was all, ‘You will lose this race on an empty stomach.’ So, he went off to get me something to eat. Anyway, he came back, telling me there was only this shitty vending machine. Then, he held out a bar of Galaxy chocolate, and I was like, ‘What the hell is that? I’m not eating that. It’s women’s chocolate. Men don’t eat Galaxy. They eat Yorkie.’ You remember the adverts?”
“I do.” I laugh, loving the way he’s telling the story.
He’s so animated with his eyes all lit up.
“So, my dad got pissed off and said, ‘Well, they haven’t got any men’s chocolate, so eat the bloody women’s chocolate, and shut the hell up!’”
I snort out a laugh. “So, what did you do?”
“Sulked for about a minute, and then I ate the fucking bar of Galaxy, and it was the best chocolate I’d ever tasted—not that I admitted that to my dad at the time. Then, I got in my kart and won my first ever race in England.”
He smiles fondly, and I can see the memory in his eyes.
“And since then, before every race, my dad buys me a bar of Galaxy from a vending machine, and I eat it. It’s my one weird thing.”
“But what if there isn’t any Galaxy chocolate in a vending machine? Or worse, there isn’t a vending machine?”
He leans forward, a sexy-arse smile on his face. “There’s always a vending machine, Andressa, and there’s always a bar of Galaxy in it.”
“Ah.” The power of being Carrick Ryan.
”
”
Samantha Towle (Revved (Revved, #1))
“
I still don’t see why we couldn’t sleep in that cave,” Mari said as MacRieve led her out into the night.
“Because my cave’s better than their cave.”
“You know, that really figures.” After the rain, the din of cicadas and frogs resounded in the underbrush all around them, forcing her to raise her voice. “Is it far?” When he shook his head, she said, “Then why do I have to hold your hand through the jungle? This path looks like a tractor busted through here.”
“I went back this way while you ate to make sure everything was clear. Brought your things here, too,” he said as he steered her toward a lit cave entrance.
When they crossed the threshold, wings flapped in the shadows, building to a furor before settling. Inside, a fire burned. Beside it, she saw he’d unpacked some of his things, and had made up one pallet. “Well, no one can call you a pessimist, MacRieve.” She yanked her hand from his. “Deluded fits, though.”
He merely leaned back against the wall, seeming content to watch her as she explored on her own. She’d read about this part of Guatemala and knew that here limestone caverns spread out underground like a vast web. Above them a cathedral ceiling soared, with stalactites jutting down. “What’s so special about this cave?”
“Mine has bats.”
She breathed, “If I stick with you, I’ll have nothing but the best.”
“Bats mean fewer mosquitoes. And then there’s also the bathtub for you to enjoy.” He waved her attention to an area deeper within. A subterranean stream with a sandy beach meandered through the cavern. Her eyes widened. A small pool sat off to the side, not much larger than an oversize Jacuzzi, and laid out along its edge were her toiletries, her washcloth, and her towel. Her bag—filled with all of her clean clothes—was off just to the side.
Mari cried out at the sight, doubling over to yank at her bootlaces. Freed of her boots, she hopped forward on one foot then the other as she snatched off her socks. She didn’t pause until she was about to start on the button fly of her shorts.
She glanced up to find him watching her with a gleam of expectation in his eyes. “You will be leaving, of course.”
“Or I could help you.”
“I’ve had a bit of practice bathing myself and think I can stumble my way through this.”
“But you’re tired. Why no’ let me help? Now that I’ve two hands again, I’m eager to use them.”
“You give me privacy or I go without.”
“Verra well.” He shrugged. “I’ll leave—because your going without is no’ an option. Call me if you need me.
”
”
Kresley Cole (Wicked Deeds on a Winter's Night (Immortals After Dark, #3))
“
Saying goodbye to everyone, I picked up my bag and began walking away as a deep husky voice called my name. I didn’t stop walking, but looked over my shoulder in time to see Brandon walking around the table toward me, and Chase holding the brunette’s head away from his as he watched us, she just continued onto his neck. Falling into step with me, he held out a hand, “We haven’t met yet, I’m Brandon Taylor.” Dear Lord that voice could warm me on the coldest day of the year. “Harper Jackson, nice to meet you.” He smiled as he held the door open for me, “You too. You seem to know the rest of the guys pretty well though we’re just meeting, they said you’re Bree’s roommate?” “Uh, yeah. I am, but I don’t really know them well. I’ve only talked to them for a total of about ten minutes before today.” “Really?” The corners of his mouth twitched up, “You seem to make quite an impression in a short amount of time then.” “Oh I definitely made an impression with them.” I muttered. He looked at me quizzically but I shook my head so he wouldn’t push it. We stopped walking when we got to the path that would take me to the dorms and him to his next class. I turned towards him and shamelessly took in his worn jeans resting low on his narrow hips and fitted black shirt before going back to his face. I hadn’t realized how tall he was when we were walking out, but he had to be at least a foot taller than me. His height and muscled body made me want to curl up in his arms, it looked like I’d fit perfectly there. I nervously bit my bottom lip while I watched his cloudy eyes slowly take in my small frame. It didn’t feel like the guys at the party, looking at me like I was something to eat. His eyes made me feel beautiful, and it thrilled me that they were on me. Thrilled me that they were on me? Get a grip Harper you just met him two seconds ago. “Come on PG, let’s go.” Chase grabbed my arm and started dragging me away. “Chase! Stop!” I yanked my arm out and shot him a dirty look. “What is your problem?” “I’m taking you and Bree to the house, and you need to pack for the weekend so let’s go.” He grabbed for me again but I dodged his hand. “The weekend, what?” “You’re staying with me, go pack.” I narrowed my eyes and started to turn towards Brandon, “Fine, hold on.” “Harper.” “Go away Chase, I’ll meet you in the room in a minute. Go find Bree.” He moved to stand closer behind me so I just sighed and gave Brandon a lame smile. “Sorry, apparently I have to go. I’ll see you tonight?” I don’t know why I asked, he actually lived there. A sexy smile lit up his face as his hand reached out to quickly brush against my arm, “See you then.” With a hard nod directed towards Chase, he turned and walked away.
”
”
Molly McAdams (Taking Chances (Taking Chances, #1))
“
It is often said that the separation of the present reality from transcendence, so commonplace today, is pernicious in that it undermines the universe of fixed values. Because life on Earth is the only thing that exists, because it is only in this life that we can seek fulfillment, the only kind of happiness that can be offered to us is purely carnal. Heavens have not revealed anything to us; there are no signs that would indicate the need to devote ourselves to some higher, nonmaterial goals. We furnish our lives ever more comfortably; we build ever more beautiful buildings; we invent ever more ephemeral trends, dances, one-season stars; we enjoy ourselves. Entertainment derived from a nineteenth-century funfair is today becoming an industry underpinned by an ever more perfect technology. We are celebrating a cult of machines—which are replacing us at work, in the kitchen, in the field—as if we were pursuing the idealized ambience of the royal court (with its bustling yet idle courtiers) and wished to extend it across the whole world. In fifty years, or at most a hundred, four to five billion people will become such courtiers.
At the same time, a feeling of emptiness, superficiality, and sham sets in, one that is particularly dominant in civilizations that have left the majority of primitive troubles, such as hunger and poverty, behind them. Surrounded by underwater-lit swimming pools and chrome and plastic surfaces, we are suddenly struck by the thought that the last remaining beggar, having accepted his fate willingly, thus turning it into an ascetic act, was incomparably richer than man is today, with his mind fed TV nonsense and his stomach feasting on delicatessen from exotic lands. The beggar believed in eternal happiness, the arrival of which he awaited during his short-term dwelling in this vale of tears, looking as he did into the vast transcendence ahead of him. Free time is now becoming a space that needs to be filled in, but it is actually a vacuum, because dreams can be divided into those that can be realized immediately—which is when they stop being dreams—and those that cannot be realized by any means. Our own body, with its youth, is the last remaining god on the ever-emptying altars; no one else needs to be obeyed and served.
Unless something changes, our numerous Western intellectuals say, man is going to drown in the hedonism of consumption. If only it was accompanied by some deep pleasure! Yet there is none: submerged into this slavish comfort, man is more and more bored and empty. Through inertia, the obsession with the accumulation of money and shiny objects is still with us, yet even those wonders of civilization turn out to be of no use. Nothing shows him what to do, what to aim for, what to dream about, what hope to have. What is man left with then? The fear of old age and illness and the pills that restore mental balance—which he is losing, inbeing irrevocably separated from transcendence.
”
”
Stanisław Lem (Summa technologiae)
“
On the other hand, some of the family’s impatience with the public is justified. When I use Federal Express, I accept as a condition of business that its standardized forms must be filled out in printed letters. An e-mail address off by a single character goes nowhere. Transposing two digits in a phone number gets me somebody speaking heatedly in Portuguese. Electronic media tell you instantly when you’ve made an error; with the post office, you have to wait. Haven’t we all at some point tested its humanity? I send mail to friends in Upper Molar, New York (they live in Upper Nyack), and expect a stranger to laugh and deliver it in forty-eight hours. More often than not, the stranger does. With its mission of universal service, the Postal Service is like an urban emergency room contractually obligated to accept every sore throat, pregnancy, and demented parent that comes its way. You may have to wait for hours in a dimly lit corridor. The staff may be short-tempered and dilatory. But eventually you will get treated. In the Central Post Office’s Nixie unit—where mail arrives that has been illegibly or incorrectly addressed—I see street numbers in the seventy thousands; impossible pairings of zip codes and streets; addresses without a name, without a street, without a city; addresses that consist of the description of a building; addresses written in water-based ink that rain has blurred. Skilled Nixie clerks study the orphans one at a time. Either they find a home for them or they apply that most expressive of postal markings, the vermilion finger of accusation that lays the blame squarely on you, the sender.
”
”
Jonathan Franzen (How to Be Alone)
“
A shudder went through me at the thought of what I should still learn in this hour. How awry, altered and distorted everything and everyone was in these mirrors, how mockingly and unattainably did the face of truth hide itself behind all these reports, counter-reports and legends! What was still truth? What was still credible? And what would remain when I also learned about myself, about my own character and history from the knowledge stored in these archives?
I must be prepared for anything. Suddenly I could bear the uncertainty and suspense no longer. I hastened to the section Chattorum res gestas, looked for my sub-division and number and stood in front of the part marked with my name. This was a niche, and when I drew the thin curtains aside I saw that it contained nothing written. It contained nothing but a figure, an old and worn-looking model made from wood or wax, in pale colours. It appeared to be a kind of deity or barbaric idol. At first glance it was entirely incomprehensible to me. It was a figure that really consisted of two; it had a common back. I stared at it for a while, disappointed and surprised. Then I noticed a candle in a metal candlestick fixed to the wall of the niche. A match-box lay there. I lit the candle and the strange double figure was now brightly illuminated.
Only slowly did it dawn upon me. Only slowly and gradually did I begin to suspect and then perceive what it was intended to represent. It represented a figure which was myself, and this likeness of myself was unpleasantly weak and half-real; it had blurred features, and in its whole expression there was something unstable, weak, dying or wishing to die, and looked rather like a piece of sculpture which could be called "Transitoriness" or "Decay," or something similar. On the other hand, the other figure which was joined to mine to make one, was strong in colour and form, and just as I began to realise whom it resembled, namely, the servant and President Leo, I discovered a second candle in the wall and lit this also. I now saw the double figure representing Leo and myself, not only becoming clearer and each image more alike, but I also saw that the surface of the figures was transparent and that one could look inside as one can look through the glass of a bottle or vase. Inside the figures I saw something moving, slowly, extremely slowly, in the same way that a snake moves which has fallen asleep. Something was taking place there, something like a very slow, smooth but continuous flowing or melting; indeed, something melted or poured across from my image to that of Leo's. I perceived that my image was in the process of adding to and flowing into Leo's, nourishing and strengthening it. It seemed that, in time, all the substance from one image would flow into the other and only one would remain: Leo. He must grow, I must disappear.
As I stood there and looked and tried to understand what I saw, I recalled a short conversation that I had once had with Leo during the festive days at Bremgarten. We had talked about the creations of poetry being more vivid and real than the poets themselves.
The candles burned low and went out. I was overcome by an infinite weariness and desire to sleep, and I turned away to find a place where I could lie down and sleep.
”
”
Hermann Hesse (The Journey To The East)
“
A faint singing seemed to issue from the walls... yes, it was as though the walls themselves were singing!... The song became plainer... the words were now distinguishable... he heard a voice, a very beautiful, very soft, very captivating voice... but, for all its softness, it remained a male voice... The voice came nearer and nearer... it came through the wall... it approached... and now the voice was in the room, in front of Christine. Christine rose and addressed the voice, as though speaking to some one:
"Here I am, Erik," she said. "I am ready. But you are late."
Raoul, peeping from behind the curtain, could not believe his eyes, which showed him nothing. Christine's face lit up. A smile of happiness appeared upon her bloodless lips, a smile like that of sick people when they receive the first hope of recovery.
The voice without a body went on singing; and certainly Raoul had never in his life heard anything more absolutely and heroically sweet, more gloriously insidious, more delicate, more powerful, in short, irresistibly triumphant. He listened to it in a fever and he now began to understand how Christine Daaé was able to appear one evening, before the stupefied audience, with accents of a beauty hitherto unknown, of a superhuman exaltation, while doubtless still under the influence of the mysterious and invisible master.
The voice was singing the Wedding-night Song from Romeo and Juliet. Raoul saw Christine stretch out her arms to the voice as she had done, in Perros church-yard, to the invisible violin playing The Resurrection of Lazarus and nothing could describe the passion with which the voice sang:
"Fate links thee to me for ever and a day!"
The strains went through Raoul's heart.
”
”
Gaston Leroux (Phantom of the Opera)
“
Saphira? he asked. Flecks of purple light danced around the interior of the pavilion as she twisted her neck and fixed her eyes upon Eragon’s. Little one? Should I go? I think you must. He pressed his lips together in a rigid line. And what of you? You know I hate to be separated from you, but Nasuada’s arguments are well reasoned. If I can help keep Murtagh and Thorn away by remaining with the Varden, then perhaps I should. His emotions and hers washed between their minds, tidal surges in a shared pool of anger, anticipation, reluctance, and tenderness. From him flowed the anger and reluctance; from her other, gentler sentiments—as rich in scope as his own—that moderated his choleric passion and lent him perspectives he would not otherwise have. Nevertheless, he clung with stubborn insistence to his opposition to Nasuada’s scheme. If you flew me to Farthen Dûr, I would not be gone for as long, meaning Galbatorix would have less of an opportunity to mount a new assault. But his spies would tell him the Varden were vulnerable the moment we left. I do not want to part with you again so soon after Helgrind. Our own desires cannot take precedence over the needs of the Varden, but no, I do not want to part with you either. Still, remember what Oromis said, that the prowess of a dragon and Rider is measured not only by how well they work together but also by how well they can function when apart. We are both mature enough to operate independently of each other, Eragon, however much we may dislike the prospect. You proved that yourself during your trip from Helgrind. Would it bother you fighting with Arya on your back, as Nasuada mentioned? Her I would mind least of all. We have fought together before, and it was she who ferried me across Alagaësia for nigh on twenty years when I was in my egg. You know that, little one. Why pose this question? Are you jealous? What if I am? An amused twinkle lit her sapphire eyes. She flicked her tongue at him. Then it is very sweet of you…. Would you I should stay or go? It is your choice to make, not mine. But it affects us both. Eragon dug at the ground with the tip of his boot. Then he said, If we must participate in this mad scheme, we should do everything we can to help it succeed. Stay, and see if you can keep Nasuada from losing her head over this thrice-blasted plan of hers. Be of good cheer, little one. Run fast, and we shall be reunited in short order. Eragon looked up at Nasuada. “Very well,” he said, “I will go.
”
”
Christopher Paolini (Brisingr)
“
refuge imagine how it feels to be chased out of home.
to have your grip ripped. loosened from your
fingertips, something you so dearly held on to.
like a lover’s hand that slips when pulled away
you are always reaching. my father would speak of home. reaching.
speaking of familiar faces. girl next door
who would eventually grow up to be my mother.
the fruit seller at the market. the lonely man
at the top of the road who nobody spoke to.
and our house at the bottom of the street
lit up by a single flickering lamp
where beyond was only darkness. there
they would sit and tell stories
of monsters that lurked and came only at night
to catch the children who sat and listened to
stories of monsters that lurked.
this is how they lived. each memory buried.
an artefact left to be discovered by archaeologists.
the last words on a dying family member’s lips. this
was sacred. not even monsters could taint it.
but there were monsters that came during the day.
monsters that tore families apart with their giant hands.
and fingers that slept on triggers. the sound of gunshots
ripping through the sky became familiar like the tapping
of rain fall on a window sill. monsters that would kill
and hide behind speeches, suits and ties. monsters
that would chase families away forcing them to leave
everything behind. i remember
when we first stepped off the plane.
everything was foreign. unfamiliar. uninviting.
even the air in my lungs left me short of breath. we came here to find refuge. they called us refugees
so, we hid ourselves in their language
until we sounded just like them.
changed the way we dressed to look just like them.
made this our home until we lived just like them
and began to speak of familiar faces. girl next door
who would grow up to be a mother. the fruit seller
at the market. the lonely man at the top of the road
who nobody spoke to. and our house
at the bottom of the street lit up by a flickering lamp
to keep away the darkness. there
we would sit and watch police that lurked
and came only at night to arrest the youths who sat
and watched police that lurked and came only at night.
this is how we lived. i remember one day i heard them say to me
they come here to take our jobs
they need to go back to where they came from
not knowing that i was one of the ones who came.
i told them that a refugee is simply
someone who is trying to make a home.
so next time when you go home
tuck your children in and kiss your families
goodnight, be glad that the monsters
never came for you.
in their suits and ties.
never came for you.
in the newspapers with the media lies.
never came for you.
that you are not despised. and know that deep inside
the hearts of each and every one of us
we are all always reaching
for a place that we can call home.
”
”
J.J. Bola (REFUGE: The Collected Poetry of JJ Bola)
“
After nightfall, when most of the American planes had been taken aboard, a new formation of planes arrived over the task force. First, the drone of their engines could be heard above the cloud cover; then they slipped into view, at about the height of the Lexington’s masts. “These planes were in very good formation,” recalled Lieutenant Commander Stroop. They had their navigation lights on, indicating that they intended to land. But many observers on both carriers and several of the screening vessels noted that something was awry. Captain Sherman of the Lexington counted nine planes, more than could be accounted for among the American planes that were still aloft. They were flying down the Yorktown’s port side, a counterclockwise approach, the reverse of the American landing routine. They were flashing their blinker lights, but none of the Americans could decipher the signal. Electrician’s mate Peter Newberg, stationed on the Yorktown’s flight deck, noticed that the aircraft exhausts were a strange shape and color, and Stroop noted that the running lights were a peculiar shade of red and blue. The TBS (short-range radio circuit) came alive with chatter. One of the nearby destroyers asked, “Have any of our planes got rounded wingtips?” Another voice said, “Damned if those are our planes.” When the first of the strangers made his final turn, he was too low, and the Yorktown’s landing signal officer frantically signaled him to throttle up. “In the last few seconds,” Newberg recalled, “when the pilot was about to plow into the stern under the flight deck, he poured the coal to his engine and pulled up and off to port. The signal light flicked briefly on red circles painted on his wings.” One of the screening destroyers opened fire, and red tracers reached up toward the leading plane. A voice on the Lexington radioed to all ships in the task force, ordering them to hold fire, but the captain of the destroyer replied, “I know Japanese planes when I see them.” Antiaircraft gunners on ships throughout the task force opened fire, and suddenly the night sky lit up as if it was the Fourth of July. But there were friendly planes in the air as well; one of the Yorktown fighter pilots complained: “What are you shooting at me for? What have I done now?” On the Yorktown, SBD pilot Harold Buell scrambled out to the port-side catwalk to see what was happening. “In the frenzy of the moment, with gunners firing at both friend and foe, some of us got caught up in the excitement and drew our .45 Colt automatics to join in, blasting away at the red meatballs as they flew past the ship—an offensive gesture about as effective as throwing rocks.” The intruders and the Americans all doused their lights and zoomed back into the cloud cover; none was shot down. It was not the last time in the war that confused Japanese pilots would attempt to land on an American carrier.
”
”
Ian W. Toll (Pacific Crucible: War at Sea in the Pacific, 1941–1942)
“
The funny thing: I’d worried, if anything, that Boris was the one who was a little too affectionate, if affectionate is the right word. The first time he’d turned in bed and draped an arm over my waist, I lay there half-asleep for a moment, not knowing what to do: staring at my old socks on the floor, empty beer bottles, my paperbacked copy of The Red Badge of Courage. At last—embarrassed—I faked a yawn and tried to roll away, but instead he sighed and pulled me closer, with a sleepy, snuggling motion.
Ssh, Potter, he whispered, into the back of my neck. Is only me.
It was weird. Was it weird? It was; and it wasn’t. I’d fallen back to sleep shortly after, lulled by his bitter, beery unwashed smell and his breath easy in my ear. I was aware I couldn’t explain it without making it sound like more than it was. On nights when I woke strangled with fear there he was, catching me when I started up terrified from the bed, pulling me back down in the covers beside him, muttering in nonsense Polish, his voice throaty and strange with sleep. We’d drowse off in each other’s arms, listening to music from my iPod (Thelonious Monk, the Velvet Underground, music my mother had liked) and sometimes wake clutching each other like castaways or much younger children.
And yet (this was the murky part, this was what bothered me) there had also been other, way more confusing and fucked-up nights, grappling around half-dressed, weak light sliding in from the bathroom and everything haloed and unstable without my glasses: hands on each other, rough and fast, kicked-over beers foaming on the carpet—fun and not that big of a deal when it was actually happening, more than worth it for the sharp gasp when my eyes rolled back and I forgot about everything; but when we woke the next morning stomach-down and groaning on opposite sides of the bed it receded into an incoherence of backlit flickers, choppy and poorly lit like some experimental film, the unfamiliar twist of Boris’s features fading from memory already and none of it with any more bearing on our actual lives than a dream. We never spoke of it; it wasn’t quite real; getting ready for school we threw shoes, splashed water at each other, chewed aspirin for our hangovers, laughed and joked around all the way to the bus stop. I knew people would think the wrong thing if they knew, I didn’t want anyone to find out and I knew Boris didn’t either, but all the same he seemed so completely untroubled by it that I was fairly sure it was just a laugh, nothing to take too seriously or get worked up about. And yet, more than once, I had wondered if I should step up my nerve and say something: draw some kind of line, make things clear, just to make absolutely sure he didn’t have the wrong idea. But the moment had never come. Now there was no point in speaking up and being awkward about the whole thing, though I scarcely took comfort in the fact.
”
”
Donna Tartt (The Goldfinch)
“
A Tale of Two Parking Requirements The impact of parking requirements becomes clearer when we compare the parking requirements of San Francisco and Los Angeles. San Francisco limits off-street parking, while LA requires it. Take, for example, the different parking requirements for concert halls. For a downtown concert hall, Los Angeles requires, as a minimum, fifty times more parking than San Francisco allows as its maximum. Thus the San Francisco Symphony built its home, Louise Davies Hall, without a parking garage, while Disney Hall, the new home of the Los Angeles Philharmonic, did not open until seven years after its parking garage was built. Disney Hall's six-level, 2,188-space underground garage cost $110 million to build (about $50,000 per space). Financially troubled Los Angeles County, which built the garage, went into debt to finance it, expecting that parking revenues would repay the borrowed money. But the garage was completed in 1996, and Disney Hall—which suffered from a budget less grand than its vision—became knotted in delays and didn't open until late 2003. During the seven years in between, parking revenue fell far short of debt payments (few people park in an underground structure if there is nothing above it) and the county, by that point nearly bankrupt, had to subsidize the garage even as it laid employees off. The money spent on parking shifted Disney Hall's design toward drivers and away from pedestrians. The presence of a six-story subterranean garage means most concert patrons arrive from underneath the hall, rather than from the sidewalk. The hall's designers clearly understood this, and so while the hall has a fairly impressive street entrance, its more magisterial gateway is an "escalator cascade" that flows up from the parking structure and ends in the foyer. This has profound implications for street life. A concertgoer can now drive to Disney Hall, park beneath it, ride up into it, see a show, and then reverse the whole process—and never set foot on a sidewalk in downtown LA. The full experience of an iconic Los Angeles building begins and ends in its parking garage, not in the city itself. Visitors to downtown San Francisco have a different experience. When a concert or theater performance lets out in San Francisco, people stream onto the sidewalks, strolling past the restaurants, bars, bookstores, and flower shops that are open and well-lit. For those who have driven, it is a long walk to the car, which is probably in a public facility unattached to any specific restaurant or shop. The presence of open shops and people on the street encourages other people to be out as well. People want to be on streets with other people on them, and they avoid streets that are empty, because empty streets are eerie and menacing at night. Although the absence of parking requirements does not guarantee a vibrant area, their presence certainly inhibits it. "The more downtown is broken up and interspersed with parking lots and garages," Jane Jacobs argued in 1961, "the duller and deader it becomes ... and there is nothing more repellent than a dead downtown.
”
”
Donald C. Shoup (There Ain't No Such Thing as Free Parking (Cato Unbound Book 42011))
“
Like,” he repeats with distaste. “How about I tell you what I don’t like? I do not like postmodernism, postapocalyptic settings, postmortem narrators, or magic realism. I rarely respond to supposedly clever formal devices, multiple fonts, pictures where they shouldn’t be—basically, gimmicks of any kind. I find literary fiction about the Holocaust or any other major world tragedy to be distasteful—nonfiction only, please. I do not like genre mash-ups à la the literary detective novel or the literary fantasy. Literary should be literary, and genre should be genre, and crossbreeding rarely results in anything satisfying. I do not like children’s books, especially ones with orphans, and I prefer not to clutter my shelves with young adult. I do not like anything over four hundred pages or under one hundred fifty pages. I am repulsed by ghostwritten novels by reality television stars, celebrity picture books, sports memoirs, movie tie-in editions, novelty items, and—I imagine this goes without saying—vampires. I rarely stock debuts, chick lit, poetry, or translations. I would prefer not to stock series, but the demands of my pocketbook require me to. For your part, you needn’t tell me about the ‘next big series’ until it is ensconced on the New York Times Best Sellers list. Above all, Ms. Loman, I find slim literary memoirs about little old men whose little old wives have died from cancer to be absolutely intolerable. No matter how well written the sales rep claims they are. No matter how many copies you promise I’ll sell on Mother’s Day.” Amelia blushes, though she is angry more than embarrassed. She agrees with some of what A.J. has said, but his manner is unnecessarily insulting. Knightley Press doesn’t even sell half of that stuff anyway. She studies him. He is older than Amelia but not by much, not by more than ten years. He is too young to like so little. “What do you like?” she asks. “Everything else,” he says. “I will also admit to an occasional weakness for short-story collections. Customers never want to buy them though.” There is only one short-story collection on Amelia’s list, a debut. Amelia hasn’t read the whole thing, and time dictates that she probably won’t, but she liked the first story. An American sixth-grade class and an Indian sixth-grade class participate in an international pen pal program. The narrator is an Indian kid in the American class who keeps feeding comical misinformation about Indian culture to the Americans. She clears her throat, which is still terribly dry. “The Year Bombay Became Mumbai. I think it will have special int—” “No,” he says. “I haven’t even told you what it’s about yet.” “Just no.” “But why?” “If you’re honest with yourself, you’ll admit that you’re only telling me about it because I’m partially Indian and you think this will be my special interest. Am I right?” Amelia imagines smashing the ancient computer over his head. “I’m telling you about this because you said you liked short stories! And it’s the only one on my list. And for the record”—here, she lies—“it’s completely wonderful from start to finish. Even if it is a debut. “And do you know what else? I love debuts. I love discovering something new. It’s part of the whole reason I do this job.” Amelia rises. Her head is pounding. Maybe she does drink too much? Her head is pounding and her heart is, too. “Do you want my opinion?” “Not particularly,” he says. “What are you, twenty-five?” “Mr. Fikry, this is a lovely store, but if you continue in this this this”—as a child, she stuttered and it occasionally returns when she is upset; she clears her throat—“this backward way of thinking, there won’t be an Island Books before too long.
”
”
Gabrielle Zevin (The Storied Life of A.J. Fikry)
“
wake up now. Wake up and get out of the house. Run. NOW.” Shooting bolt upright, Rebecca gasped awake. All was black around her, lit only by the faintest sliver of moonlight through a gap in the curtains. Breath coming in short gasps; she tried to breathe, to swallow. She heard the familiar creak of the wooden floorboards outside her bedroom door. Eyes wide and heart pounding, she slid out of bed. The words from her dream thundered through her brain “—get out of the house. Run. NOW.” Moving quickly in a half-crouch, she crossed to the window.
”
”
Dianne J. Wilson (Shackles: The truth will set you free)
“
its ornate gilded frame it presented a magical image, lit by candlelight in the family chapel.
”
”
Dana Arnold (Art History: A Very Short Introduction (Very Short Introductions Book 102))
“
Taking quick looks behind him on the trail, Lew Basnight was apt to see things that weren’t necessarily there. Mounted figure in a black duster and hat, always still, turned sidewise in the hard, sunlit distance, horse bent to the barren ground. No real beam of attention, if anything a withdrawal into its own lopsided star-shaped silhouette, as if that were all it had ever aspired to. It did not take long to convince himself that the presence behind him now, always just out of eyeball range, belonged to one and the same subject, the notorious dynamiter of the San Juans known as the Kieselguhr Kid. The Kid happened to be of prime interest to White City Investigations. Just around the time Lew was stepping off the train at the Union Station in Denver, and the troubles up in the Coeur d’Alene were starting to bleed over everywhere in the mining country, where already hardly a day passed without an unscheduled dynamite blast in it someplace, the philosophy among larger, city-based detective agencies like Pinkerton’s and Thiel’s began to change, being as they now found themselves with far too much work on their hands. On the theory that they could look at their unsolved cases the way a banker might at instruments of debt, they began selling off to less-established and accordingly hungrier outfits like White City their higher-risk tickets, including that of the long-sought Kieselguhr Kid. It was the only name anybody seemed to know him by, “Kieselguhr” being a kind of fine clay, used to soak up nitroglycerine and stabilize it into dynamite. The Kid’s family had supposedly come over as refugees from Germany shortly after the reaction of 1849, settling at first near San Antonio, which the Kid-to-be, having developed a restlessness for higher ground, soon left, and then after a spell in the Sangre de Cristos, so it went, heading west again, the San Juans his dream, though not for the silver-mine money, nor the trouble he could get into, both of those, he was old enough by then to appreciate, easy enough to come by. No, it was for something else. Different tellers of the tale had different thoughts on what. “Don’t carry pistols, don’t own a shotgun nor a rifle—no, his trade-mark, what you’ll find him packing in those tooled holsters, is always these twin sticks of dynamite, with a dozen more—” “Couple dozen, in big bandoliers across his chest.” “Easy fellow to recognize, then.” “You’d think so, but no two eyewitnesses have ever agreed. It’s like all that blasting rattles it loose from everybody’s memory.” “But say, couldn’t even a slow hand just gun him before he could get a fuse lit?” “Wouldn’t bet on it. Got this clever wind-proof kind of striker rig on to each holster, like a safety match, so all’s he has to do’s draw, and the ‘sucker’s all lit and ready to throw.” “Fast fuses, too. Some boys down the Uncompahgre found out about that just last August, nothin left to bury but spurs and belt buckles. Even old Butch Cassidy and them’ll begin to coo like a barn full of pigeons whenever the Kid’s in the county.” Of course, nobody ever’d been sure about who was in Butch Cassidy’s gang either. No shortage of legendary deeds up here, but eyewitnesses could never swear beyond a doubt who in each case, exactly, had done which, and, more than fear of retaliation—it was as if physical appearance actually shifted, causing not only aliases to be inconsistently assigned but identity itself to change. Did something, something essential, happen to human personality above a certain removal from sea level? Many quoted Dr. Lombroso’s observation about how lowland folks tended to be placid and law-abiding while mountain country bred revolutionaries and outlaws. That was over in Italy, of course. Theorizers about the recently discovered subconscious mind, reluctant to leave out any variable that might seem helpful, couldn’t avoid the altitude, and the barometric pressure that went with it. This was spirit, after all.
”
”
Thomas Pynchon (Against the Day)
“
I asked her where the posters in his room came from. She told me she had found some magazines in the forest at a spot where some soldiers had camped and had brought them home. This was shortly before the sexual murders started. I believe those pin-ups were the catalyst that triggered the fantasy that had been brewing inside Zikode since his childhood. His mother had unwittingly lit the tinder which had erupted into a blaze and cost many women their lives.
”
”
Micki Pistorius (Catch me a Killer: Serial murders – a profiler's true story)
“
Is RECON another acronym?” asked Mudflap. (RECON is not an acronym. It’s short for reconnaissance, because reconnaissance is a tough word to spell correctly.) “Um,” said Josh. “Yes. Yes, RECON is an acronym. Now—” “What does it stand for?” asked Splinters. Josh sighed. “Well . . . it . . . stands for . . .” Josh stared at the ceiling of his barracks. He felt instinctively that this was an important test of his leadership. Josh firmly believed that good leaders never admit when they don’t know something. And the fact was, Josh didn’t know what this acronym stood for. (Again, it wasn’t an acronym.) He began to blush a pale plum color. This was a tough spot. What could he do? “RECON stands for . . . Really . . .” He was off to a good start! “Enormous . . . Counterstrike . . .” O. O. O. “On . . .” Aha! Josh was almost there. He screwed up his eyes and willed all his blood to his brain. Josh’s face darkened and became the shade of a turnip. Just one letter left! His eyes lit up. The word came to him like a gift from his ancestors, inscribed in his mind with the ballpoint pen of principals past. “NIMBUSES!
”
”
Mac Barnett (The Terrible Two Go Wild)
“
À ceux que l’on abat tous les jours dans des endroits et des circonstances variés, il manque la masse critique et la dimension tragique qui attirent les médias nationaux à la manière des tueries dans les écoles et les églises. Loin de mériter l’attention médiatique, ces coups du sort quotidiens ne sont qu’une mort tout à fait banale. C’est un bruit blanc maintenu suffisamment bas pour que le pays entier puisse poursuivre tranquillement ses occupations : c’est une confluence entre culture, politique et économie qui garantit chaque jour à plusieurs enfants américains de sortir de leur lit mais de ne jamais s’y recoucher, tandis que le reste de la nation dormira sur ses deux oreilles.
”
”
Gary Younge (Another Day in the Death of America: A Chronicle of Ten Short Lives)
“
This is how it goes in life: sometimes you’re born with a cleft palette or rickets, like my bow-legged Granddaddy, or a touch short on brains, like my Great Aunt Cal who everyone called ‘Stool.’ Me? I’m a double hitter. In addition to being what folks call “large boned,” I came into this world with homosexual tendencies—though back then I thought of it only as my strange, strong affections for some female friends, having no such notion of “homosexual tendencies” as a thing, at least not in Midland, Texas.
Notions of this nature found footing in me eight months before I ran away to work in the kitchen at Sugarland Prison, when I got a job at the egg store. The egg store was all wood. Wood floors, wood ceiling beams, wood shelves—that rugged, knotty, reddish wood. The simple kind of wood they used to bury folks in before the floods, when rotting coffins popped from the ground like splinters and dead bodies dropped out in maggoty heaps.
The egg store smelled like wood, too, which I liked. That and just the tiniest hint of smoke from Bibby’s metal pork smoker two streets over. I swear he ran that thing day and night, crazy redneck. And that’s where I fell in love for the first time, there in the egg store that smelled like wood and smoked pig fat.
”
”
Tammy Lynne Stoner (Sugar Land)
“
I apologize for my intrusion, but in your distress, your mind summoned me to you. First, let me say you have no need to fear for Avenger or the lives of your crew. Our destiny—yours and mine—is starting to become clearer to me. I have glimpsed future events that, for the time being, assure your safety. I believe this ability is one of the herculean gifts to which Tynabo alluded. I thank you for sharing Tynabo’s recording with me. Even that small glimpse of the man I called father has been a comfort.” Then, in a tone that bespoke a more intimate connection between them, she said, “As regards us, these last weeks apart have been extremely difficult—as much for you as they are for me. So please know that you have not been alone in your suffering. In your mind, I also saw your desire to know exactly what it is that has been happening to you, to us, each night. In short, what you see, I see. What you feel, I feel. The fugue is creating its own reality for us, albeit on a more esoteric plane. I think you will agree that there is nothing lost in the translation between the fugue state—and a true physical reality. However, as Tynabo had warned us, it is becoming harder to hold on. Each day we’re apart is more unbearable than the one before. Because of this growing need, I fear it will not be long before the fugue creates situations that would be quite embarrassing were they to happen in public. Because of this I ask you not to delay your return to Sea Base any longer than necessary.” Her tone softened empathetically, an acknowledgement of the crisis facing Steven. “I am also aware of the personal hurdles you face as regards Renee and your family, and that you are in desperate need of a solution. I want you to know that you do not bear this burden alone. You have my full support on any decision that you make. It will always be so. “Until we meet again—sweet dreams.” As Ashlyn’s image dissipated, her sensual smile stole his breath. *** As the wave subsided, the bridge suddenly lit up like Times Square on New Year’s Eve, chimes and klaxons sounding everywhere.
”
”
Glenn Van Dyke (2287 A.D. - After Destruction (The Ashlyn Chronicles, #1))
“
When everyone had been dispatched, he turned to Loretta, one dark eyebrow cocked, his indigo eyes twinkling with laughter.
“One wife and only one wife, forever with no horizon?”
Loretta’s gaze chased off, and her cheeks went scarlet. Clasping her hands behind her, she rocked back on her heels, then forward onto her toes, pursing her lips. “I told you, Hunter, I refuse to play second fiddle.”
He smiled--a slow, dangerous smile that made her nerves leap. His heated gaze drifted slowly down the length of her. He grasped her arm and led her toward his lodge. “Now you will show this Comanche how good you play number one fiddle, yes?”
“I--” Loretta’s mouth went as dry as dust as she tripped along beside him, her arm vised in his grip. “Surely you don’t mean right now.” Her startled gaze focused on the lodge door. “It’s not even dark yet. People are still awake. You haven’t eaten. There’s no fire built. We can’t just--”
He lifted the door flap and drew her into the dark lodge. “Blue Eyes, I have no hunger for food,” he said huskily. “But I will make a fire if you wish for one.”
Any delay, no matter how short, appealed to Loretta. “Oh, yes, it’s sort of chilly, don’t you think?” It was a particularly muggy evening, the kind that made clothing stick to the skin, but that hardly seemed important. “Yes, a fire would be lovely.”
He left her standing alone in the shadows to haul in some wood, which he quickly arranged in the firepit. Moments later golden flames lit the room, the light dancing and flickering on the tan walls. Remaining crouched by the flames, he tipped his head back and gave her a lazy perusal, his eyes touching on her dress, eyebrows lifting in a silent question.
“Do you hunger for food?” he asked her softly.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
Discrimination succeeds ‘Nivritti’ (Lit, mind without any occupation)”. Nivritti is a cool, composite, and even condition of mind. No Nivritti can be had until and unless God-the-Preceptor appears within the body. Then the yoga starts. Life Power or Kundalini gets awakened and in the course of the upward progress of the Life Power a man gets Samadhi and then real Nivritti comes. In short, the more the divinity appears within, the more the Nivritti grows. Furthermore, there is a kind of Samadhi known as Nirvija Samadhi which literally means burning up the seeds of desire.
”
”
Jibankrishna or Diamond
“
Francis hesitated. “I’m sure I ought to refuse to let you come with me.” Her eyes lit with mischief. “And I am just as sure you ought not. How can you prevent me?” As he eyed her, he was aware of disturbance in the rate of his heartbeat and an unsettling shortness of breath. “I can think of several ways,” he responded without thinking. Colour fluctuated in Ottilia’s cheek. With an effort, Francis wrenched his attention away from the images crawling in his head.
”
”
Elizabeth Bailey (The Gilded Shroud (Lady Fan Mystery, #1))
“
In the seminar room, Helen had lit the chalice and given a short speech about not focusing on one kind of minister—a man, a woman, a person of color, or someone within a certain age range—when the person who most needed to hear this slipped in.
”
”
Michelle Huneven (Search)
“
I was there long before you were born, he wanted to say. I've known this kanamaluka [River Tamar] longer than I've known your mother. And as he cast around for what that meant, how important his connection to the river was, his mind snagged on the little boat he'd once owned. How he'd freed it from a prison of thick lead paint. He wanted to tell is daughters about the glory he'd restored it to. How intoxicating the sight of it had been. How the scent of its timber had put him under a spell he had never truly recovered from. What discovering Huon pine does to a person. How it had rode the river so cleanly, so joyously, like a wish come true. How short his time with it was, how hard the summer had been, how he'd sold the boat to a rich little man, a stranger whose name he soon forgot. How it never carried him to the river mouth. I didn't get to go back, he wanted to tell his daughters. I didn't get to return to the place my father took us, your uncles and me, where the mad whale - do you remember the mad whale, do you remember the stories, did anyone ever tell you? - raised its twelve-foot tail above our borrowed boat, hiding the moon's light, poised to smash us into red flotsam. Only it didn't, he wanted to say. It could've, but it didn't. With colossal gentleness it lowered its flukes into the water beside us. Loosed a spray of vapour from its blowhole. Rolled onto its back and exposed to us the creamy striations of its belly. Twisted through the water so that the hugeness of its eye was close to us, a couple of yards from the boat. An eye shockingly familiar in its mammalian warmth. An eye filled with starlight: an eye lit by a half-dark heaven. (p.199)
”
”
Robbie Arnott (Limberlost)
“
Hunt shook his head, cutting off Pippa before she could retort. “We’re talking machines that can make brimstone missiles within seconds and unleash them at short range.” His lightning now sizzled at his hands. “Yes,” Pippa said, eyes still lit with predatory bloodlust. “No Vanir will stand a chance.” She lifted her attention to the ship above them, and Hunt followed her focus in time to see the crew appearing at the rails. Backs to them. Five mer, two shifter-types. None in an Ophion uniform. Rebel sympathizers, then, who’d likely volunteered their boat and services to the cause. They raised their hands. “What the fuck are you doing?” Hunt growled, just as Pippa lifted her arm in a signal to the human Lightfall squadron standing atop the ship. Herding the Vanir crew to the rails. Guns cracked. Blood sprayed, and Hunt flung out a wing, shading Bryce from the mist of red. The Vanir crumpled, and Ruhn and Cormac began shouting, but Hunt watched, frozen, as the Lightfall squadron on deck approached the fallen crew, pumping their heads full of bullets.
”
”
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
“
I really have no experience,” he began. “No one has any experience,” said the other, “of the Battle of Armageddon.” “But I am really unfit—” “You are willing, that is enough,” said the unknown. “Well, really,” said Syme, “I don’t know any profession of which mere willingness is the final test.” “I do,” said the other—“martyrs. I am condemning you to death. Good day.” Thus it was that when Gabriel Syme came out again into the crimson light of evening, in his shabby black hat and shabby, lawless cloak, he came out a member of the New Detective Corps for the frustration of the great conspiracy. Acting under the advice of his friend the policeman (who was professionally inclined to neatness), he trimmed his hair and beard, bought a good hat, clad himself in an exquisite summer suit of light blue-grey, with a pale yellow flower in the button-hole, and, in short, became that elegant and rather insupportable person whom Gregory had first encountered in the little garden of Saffron Park. Before he finally left the police premises his friend provided him with a small blue card, on which was written, “The Last Crusade,” and a number, the sign of his official authority. He put this carefully in his upper waistcoat pocket, lit a cigarette, and went forth to track and fight the enemy in all the drawing-rooms of London. Where his adventure ultimately led him we have already seen. At about half-past one on a February night he found himself steaming in a small tug up the silent Thames, armed with swordstick and revolver, the duly elected Thursday of the Central Council of Anarchists.
”
”
G.K. Chesterton (The Man Who Was Thursday)
“
I felt vaguely uneasy, though I couldn’t say why. It did not seem all that unusual to be drinking with a White Rabbit, a short guy who resembled Betrand Russell, a grinning Cat, and my old friend Luke Raynard, who was singing Irish ballads while a peculiar landscape shifted from mural to reality at his back. Well, I was impressed by the huge blue Caterpillar smoking the hookah atop the giant mushroom because I know how hard it is to keep a water pipe lit. Still, that wasn’t it. It was a convivial scene, and Luke was known to keep pretty strange company on occasion. So why should I feel uneasy?
”
”
Roger Zelazny (Sign of Chaos (The Chronicles of Amber, #8))
“
But every parent will know that it makes perfect sense. After his birth, the logic is different. Instantly it became clear that the life of the child has infinite dignity. Of course it is worth the grief, even if the candle is only lit for such a short time. Once a kid is born you’ve been seized by a commitment, the strength of which you couldn’t even have imagined beforehand. It brings you to the doorstep of disciplined service. When a parent falls in love with a child, the love arouses amazing energy levels; we lose sleep caring for the infant. The love impels us to make vows to the thing we love; parents vow to always be there for their kid. Fulfilling those vows requires us to perform specific self-sacrificial practices; we push the baby in a stroller when maybe we’d rather go out alone for a run. Over time those practices become habits, and those habits engrave a certain disposition; by the time the kid is three, the habit of putting the child’s needs first has become second nature to most parents. Slowly, slowly, by steady dedication, you’ve transformed a central part of yourself into something a little more giving, more in harmony with others and more in harmony with what is good than it was before. Gradually the big loves overshadow the little ones: Why would I spend my weekends playing golf when I could spend my weekends playing ball with my children? In my experience, people repress bad desires only when they are able to turn their attention to a better desire. When you’re deep in a commitment, the distinction between altruism and selfishness begins to fade away. When you serve your child it feels like you are serving a piece of yourself. That disposition to do good is what having good character is all about. In this way, moral formation is not individual; it is relational. Character is not something you build sitting in a room thinking about the difference between right and wrong and about your own willpower. Character emerges from our commitments. If you want to inculcate character in someone else, teach them how to form commitments—temporary ones in childhood, provisional ones in youth, permanent ones in adulthood. Commitments are the school for moral formation.
”
”
David Brooks (The Second Mountain: The Quest for a Moral Life)
“
Lust and love. They both put a fire in your damn shorts.
”
”
Lois Greiman (Unplugged (A Chrissy McMullen Mystery, #2))
“
The theory of relativity doesn't amount to a hill of beans when there's a bonfire in your shorts.
”
”
Lois Greiman (Unzipped (A Chrissy McMullen Mystery, #1))
“
Thomas took a torch from the wall, lit it in the fire, then led them to the antechamber of the church. He lifted the corner of a bright red tapestry that depicted Christ rising from the cross, to show a door behind it. The old door hadn’t been opened in quite some time and it took both Phantom and Christian to shoulder it back into working order.
Lutian was “kind” enough to hold the tapestry out for them and verbally encourage them.
“He could hurt himself,” Adara said when Phantom commented on the fool’s lack of use.
“Better him than me,” Phantom muttered as they finally managed to get the door open.
Christian rubbed his sore shoulder as he stepped back from the opening. “Might I make a comment, Thomas? In the event of the monastery being attacked, this would prove a most useless escape route if it takes the monks an hour to open it.”
“Aye,” Phantom concurred. In a feigned ancient voice that sounded much like an old monk, he added, “Wait, good and decent attackers, don’t burn us out yet. We’ve still got a little more pushing to do. We’ll be through with it shortly. Here, pull up a seat and give us a few so that we might escape you. God will bless you for it.”
Adara squelched her laughter, while Lutian and Christian gave full rein to theirs.
Thomas looked less than pleased. “You really are a heathen, aren’t you?”
Phantom shrugged as if it concerned him not at all. “To the farthest depths of my damned and rotted soul.”
-Adara, Phantom, Christian, & Thomas
”
”
Kinley MacGregor (Return of the Warrior (Brotherhood of the Sword, #6))
“
I rolled away from him with a gasp of laughter and hopped out of bed. “I need a shower.”
Jack followed readily. I stopped short as I flipped on the switch in his bathroom, an immaculate well-lit space with contemporary cabinetry and modern stone vessel sinks.
But it was the shower that left me speechless, a room made of glass and slate and granite, with rows of dials and knobs and thermostats. “Why is there a car wash in your bathroom?”
Jack went past me, opened the glass door, and went inside. As he turned knobs and adjusted the temperature on digital screens, jets sprouted from every conceivable place, and steam collected in white drifts. Three rainfall streams came directly from the ceiling.
“Aren’t you going to come in?” Jack’s voice filtered through the sound of abundant falling water.
I went to the glass doorway and peeked inside. Jack was a magnificent sight, all bronzy and lean, a sheet of water glimmering over his skin. His stomach was drum-tight, his back gorgeous and sleekly muscled.
“I hate to be the one to tell you this,” I said, “but you need to start exercising. A man your age shouldn’t let himself go.”
He grinned and gestured for me to come to him.
I ventured into the maelstrom of competing sprays, battered with heat from all directions. “I’m drowning,” I said, spluttering, and he pulled me out of the direct downpour of an overhead spray. “I wonder how much water we’re wasting.”
“You know, Ella, you’re not the first woman who’s ever been in this shower with me—”
“I’m shocked.” I leaned against him as he soaped my back.
“— but you’re for damn sure the first one who’s ever worried about wasting water.”
“How much, would you say?”
“Ten gallons per minute, give or take.”
“Oh my God. Hurry. We can’t stay in here long. We’ll throw the entire ecological system out of balance.”
“This is Houston, Ella. The ecological system won’t notice.
”
”
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
“
Your life is just a bird’s flight through a lit room. You pass from infinite darkness into endless night, with only a short time in between.
”
”
Conn Iggulden (Genghis: Bones of the Hills (Conqueror, #3))
“
In this instance, she’d not heard him count. He’d not hit a wall, unless the brick-headed stubbornness of Dmitri’s face counted.
Thwack!
“Yay.” Yes, that was her cheering for her Pookie aloud. Since it seemed he hadn’t heard, she said it louder, yodeled it as a matter of fact. “You get him, Pookie. Show him who’s the biggest, baddest pussy around.”
Leo turned his head at that, narrowing his blue gaze on her. Totally annoyed. Totally adrenalized. Totally hot. “Vex!” How sexy her nickname sounded when he growled it. She could tell he totally dug the encouragement. She waggled her fingers at him and meant to say, “You’re welcome,” but instead shouted, “Behind you!”
During that moment of inattention— which really Leo should have known better than to indulge in— Dmitri threw a mighty hook.
Had she mentioned just how sigh-worthy big her Pookie was? The perfectly aimed blow hit Leo in the jaw, and the force snapped his head to the side. But it certainly didn’t fell him. Not even close.
On the contrary, the punch brought the predator in him alive. As he rotated his jaw, Leo’s gaze flicked her way, his eyes lit with a wildness, his lip quirked, almost in amusement, and then he acted. His fist retaliated then his elbow, snapping Dmitri in the nose.
Any other man, even shifter, might have quickly succumbed, but the Russian Siberian tiger was more than a match for the hybrid lion/ tiger.
Put them in a ring and they’d have brought in a fortune. They certainly put on a good show.
Blood trailed from Dmitri’s lip from where Leo’s fist struck him. However, that didn’t stop the Russian from giving as good as he got.
Size-wise, Leo held a slight edge, but what Dmitri lacked in girth, he made up for in skill.
Even if Meena wasn’t interested in marrying him, it didn’t mean she couldn’t admire the grace of Dmitri’s movement and his uncanny intuition when it came to dodging blows.
Leo wasn’t too shabby either. While he’d obviously not grown up on the mean streets of Russia, he knew how to throw a punch, wrestle a man, and look totally hot in defense of his woman. Sigh. A man coming to her rescue.
Just like one of those romance novels Teena likes to read.
Luna sidled up alongside her. “What did you do this time?”
Why did everyone assume it was her fault? “I didn’t do anything.”
Luna snorted. “Sure you didn’t. And it also wasn’t you who put Kool-Aid in Arik’s mom’s shampoo bottle and turned her hair pink at the family picnic a few years ago.”
“I thought the short spikes she sported after she got it shaved looked awesome.”
“Never said the outcome wasn’t worth it. Just like I’m totally intrigued about what’s happening here. That is Leo laying a smackdown on that Russian diplomat, right? Since I highly doubt they’re sparring over who makes the better vodka or who deserved the gold medal in hockey at the last winter Olympics, then that leaves only one other possibility.” Luna fixed her with a gaze. “This is your fault.”
Meena’s shoulders hunched. “Okay, so maybe I’m a teensy tiny bit responsible. Like maybe I made sure my ex-fiancé and current fiancé got to meet.”
“Duh. I already knew about that part. What I’m talking about is, how the hell did you get Leo to lose his shit? I mean when he gets his serious on, you couldn’t melt an ice cube in his mouth. Leo never loses control because to lose control is to lose one’s way, or some such bullshit. He’s always spouting these funny little sayings in the hopes of curbing our wild tendencies.”
Pookie had the cutest personality. “What can I say?” Meena shrugged. “I guess he got jealous. Totally normal, given we’re soul mates.
”
”
Eve Langlais (When an Omega Snaps (A Lion's Pride, #3))
“
Officer Gurney ran a strip of yellow tape around the back area of the café, roping it off so no one could disturb the site. Then he scanned the crowd. His eyes lit on a comfortably plump woman wearing a red down jacket that made her look even plumper. She had a short brownish-blond ponytail that stuck out through a hole in her red baseball hat. “Brenda,” said Officer Gurney. “What do you think?” Grover was in danger of being late for school by this time. He’d already been late twice this month. If he was late again, he might get a note sent home to his parents. But he had to risk it. This was too interesting to miss. The woman stepped forward. Grover knew her, of course; everyone did. Mrs. Brenda Beeson was the one who had figured out the Prophet’s mumbled words and explained what they meant. She and her committee—the Reverend Loomis, Mayor Orville Milton, Police Chief Ralph Gurney, and a few others—were the most important people in the town. Officer Gurney raised the yellow tape so Mrs. Beeson could duck under it. She stood before the window a long time, her back to the crowd, while everyone waited to see what she would say. Clouds sailed slowly across the sun, turning everything dark and light and dark again. To Grover, it seemed like ages they all stood there, holding their breath. He resigned himself to being late for school and started thinking up creative excuses. The front door of his house had stuck and he couldn’t get it open? His father needed him to help fish drowned rats out of flooded basements? His knee had popped out of joint and stayed out for half an hour? Finally Mrs. Beeson turned to face them. “Well, it just goes to show,” she said. “We never used to have people breaking windows and stealing things. For all our hard work, we’ve still got bad eggs among us.” She gave an exasperated sigh, and her breath made a puff of fog in the chilly air. “If this is someone’s idea of fun, that person should be very, very ashamed of himself. This is no time for wild, stupid behavior.” “It’s probably kids,” said a man standing near Grover. Why did people always blame kids for things like this? As far as Grover could tell, grown-ups caused a lot more trouble in the world than kids. “On the other hand,” said Mrs. Beeson, “it could be a threat, or a warning. We’ve heard the reports about someone wandering around in the hills.” She glanced back at the bloody rag hanging in the window. “It might even be a message of some sort. It looks to me like that stain could be a letter, maybe an S, or an R.” Grover squinted at the stain on the cloth. To him it looked more like an A, or maybe even just a random blotch. “It might be a B,” said someone standing near him. “Or an H,” said someone else. Mrs. Beeson nodded. “Could be,” she said. “The S could stand for sin. Or if it’s an R it could stand for ruin. If you’ll let me have that piece of cloth, Ralph, I’ll show it to Althea and see if she has anything to say about it.” Just then Wayne Hollister happened to pass by, saw the crowd, and chimed in about what he’d seen in the night. His story frightened people even more than the blood and the broken glass. All around him, Grover heard them murmuring: Someone’s out there. He’s given us a warning. What does he mean to do? He’s trying to scare us. One woman began to cry. Hoyt McCoy, as usual, said that Brenda Beeson should not pronounce upon things until she was in full possession of the facts, which she was not, and that to him the
”
”
Jeanne DuPrau (The Prophet of Yonwood)
“
They’re not even lovers,’ said Dolby. ‘They told the news. They’re just very best friends who have found that the person they each want to be is a combination of the two of them.’ I was lagging several beats behind them. ‘“Compatible.” Why do you think they’re compatible?’ ‘Are you kidding? Aren’t you compatible with yourself?’ I gave a short laugh. ‘Depends on who you ask.’ ‘Well, you can’t imagine. The Joy of Congruence is completely beyond you.’ ‘I hope you won’t be offended if I take that as a compliment.’ As soon as I said it, the word lit up in my head. Except it was spelled complement.
”
”
Pat Cadigan (Mindplayers)
“
Growing up is not easy for anyone but for anyone to deliberately block the path of the child from their family, it is nothing short of a sin.” Lowering her voice a little she quietly said, “I believe she has done us all an injustice.” The smile that she gave Melanie lit up her entire face as she patted the scrapbook. “Please look over the book and call me anytime. I don't sleep much and I will be here for you.
”
”
Sojourner McConnell (The Path of the Child)
“
She stepped over two small girls (she wasn't certain who they belonged to) playing with tanks in the middle of the hall and snuck past a sort of possible second cousin carrying two lit candles. The Gray Man lifted his arms above his head to avoid being ignited by the second cousin, who clucked at him.
"Life's short."
"And getting shorter every day."
"So you see my point."
"I never disputed it.
”
”
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
“
Don’t think I’m getting on that thing.”
His left eyebrow raises a fraction. “Why not? Julio’s not good enough for you?”
“Julio? You named your motorcycle Julio?”
“After my great uncle who helped my parents move here from Mexico.”
“I like Julio just fine. I just don’t want to ride on him wearing this short dress. Unless you want everyone riding behind us to see my undies.”
He rubs his chin, thinking about it. “Now that would be a sight for sore eyes.”
I cross my arms over my chest.
“I’m jokin’. We’re takin’ my cousin’s car.” We get in a black Camry parked across the street.
After driving a few minutes he pulls a cigarette from a pack lying on the dashboard. The click of the lighter makes me cringe.
“What?” he asks, the lit cigarette dangling from his lips.
He can smoke if he wants. This might be an official date, but I’m not his official girlfriend or anything. I shake my head. “Nothing.”
I hear him exhale, and the cigarette smoke burns my nostrils more than my mom’s perfume. As I lower my window all the way, I suppress a cough.
When he stops at a stoplight, he looks over at me. “If you’ve got a problem with me smokin’, tell me.”
“Okay, I’ve got a problem with you smoking,” I tell him.
“Why didn’t you just say so?” he says, then smashes it into the car’s ashtray.
“I can’t believe you actually like it,” I say when he starts driving again.
“It relaxes me.”
“Do I make you nervous?”
His gaze travels from my eyes to my breasts and down to where my dress meets my thighs. “In that dress you do.
”
”
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
“
But surely, if Fergus had actually spoken to Cooper, he wouldn’t have kept mum on that little detail. Who are you kidding? The man thrived on meddling, especially where his beloved McCrae girls were concerned. That would also explain why he’d so conveniently disappeared once Cooper had taken the floor. And why he hadn’t come back out carrying the shotgun they kept handy in the back. “Uncle Gus” was all she said.
He smiled briefly. “I thought that was a better bet than your chief-of-police brother. I’ve already guessed Fergus didn’t tell you about our little conversation.”
She shook her head. “How long ago?”
“A week. Not so long as all that.”
Long enough, she thought, already mentally rehearsing the conversation she’d be having with her uncle the minute she got back to the pub.
“We only had the one chat.”
“One was apparently all that was needed. What else did he share with you?” She immediately held up her hand. “On second thought, don’t tell me. I’ll have that little chat with him directly.”
“He wants you to be happy,” Cooper said.
“And he thought encouraging a man I haven’t seen in over a year, a man who was my former employer and nothing more, to hop on a plane and bop on up this side of the equator to see me was what would make me happy?”
Cooper’s smile deepened, and that twinkle sparked to life in his eyes again, making them so fiercely blue it caught at her breath. “He might have mentioned that you’d be less than welcoming of a surprise visit. He also said if I had a prayer of your still being here when I arrived, a surprise visit was pretty much my only shot. And how the frosty reception I was sure to receive was simply your automatic defense system, and how I should just ignore all that and ‘press my suit’ anyway, as I believed he called it.”
Kerry closed her eyes, willed her short fuse to wink out before it had the chance to get dangerously lit up. Yep, too late. She turned abruptly and moved to go around Cooper, aiming herself back toward the lot where the truck was parked. Cooper’s hand shot out and took hold of her arm, releasing it the moment she stopped and turned to look at him, her balance intact.
“His heart was in the right place, Starfish. He warned me. It was my choice to come here and risk it anyway. Don’t go unloading all the frustration you’re feeling about my unexpected arrival, not to mention the unfortunate public spectacle I made of this whole thing, on your poor uncle.
”
”
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
“
traditional weapons of the samurai Dim Mak Death Touch doku poison dōshin Edo-period police officers of samurai origin (low rank) endan ninja smoke bombs fugu blowfish or puffer fish Fuma Wind Demons gaijin foreigner, outsider (derogatory term) geisha a Japanese girl trained to entertain men with conversation, dance and song haiku Japanese short poem hamon artistic pattern created on a samurai sword blade during tempering process hashi chopsticks horagai conch-shell trumpet horoku a spherical bomb thrown by hand using a short rope itadakimasu let’s eat! kagemusha a Shadow Warrior kamikaze lit. ‘divine wind’, or ‘Wind of the Gods’ kanji Chinese characters that are used also by the Japanese katana long sword ki energy flow or life force (Chinese: chi) kiai literally ‘concentrated spirit’ – used in martial arts as a shout for focusing energy when executing a technique kimono traditional Japanese clothing kissaki tip of sword koban Japanese oval gold coin
”
”
Chris Bradford (The Ring of Wind (Young Samurai, #7))
“
I had just climbed on top of the counter when Konrad reached over me and grabbed the bowls, smirking when I glared at him. He didn’t even have to go on the balls of his feet. “Damn tall people.” I muttered under my breath. “Hey sis! Hey Bree,” Jeremy hugged her quick, and turned to do a “guy hug” with Konrad, “Konrad, what’s up man?” He stepped over to where I was still sitting on the counter and I frowned when I realized he was still taller than me even when I was up here, “Trying to reach the bowls again Harper?” He wrapped his arms around me and kissed me on the cheek before whispering, “Congrats sis. I’m really happy for you guys.” I hugged him tightly back, “Thanks Jer, and thanks for coming.” “I brought my girlfriend, is that okay?” “Jeremy, you have a girlfriend?!” His face lit up and he had a huge grin, “Are you even old enough for one of those yet?” I laughed when he playfully punched my arm. “I’m seventeen, not twelve.” I got all serious, “Oh yes, of course. How could I ever forget?” I looked around him, “Well where is she? I want to meet this girl who stole my brother-in-law’s heart.” “She’s with Laura and Kate, but she’s really shy, so Bree” he turned to look at her, “go easy on her, okay?” Bree put a hand to her chest, “Who me? Shy people are my specialty. Just ask Harper.” We all laughed and Jeremy eyed me curiously, “Sis, what the fuck are you doing?” “Language!” I chastised him but started giggling uncontrollably when I still couldn’t get down, “I can’t get back down. I usually can’t even jump up here. How the hell did I get up here Konrad?” “Language!” Jeremy tried to mimic my pitch as he scooped me off the counter. “God you’re so short.” “No, the rest of you are just freakishly tall.” I pushed him away from me and went to stand by Bree, since she was much closer to my height. “Aww, are they making fun of you again sweetheart?” Brandon was grinning when he rounded the corner, “I can’t believe anyone would ever make fun of your height. Because you’re average height, right?” I glared at him until he wrapped his arms around me with my favorite smile and his dimple flashing at me, “Exactly.
”
”
Molly McAdams (Taking Chances (Taking Chances, #1))
“
JAMIE'S SONG 'August and November':
They say it was a beautiful summer.
I say I felt so cold the whole short while.
I heard that it rained for days,
Between August and November.
Well I didn’t see it rain on the enslaved river.
I am the river no more (x2)
And the rain is just acid water from their cloudy black smoke.
And now I’m at a standstill on the streets,
That are lit up like a funfair from some forgotten dream.
Yet faces, headlights, and the whole world passes by me.
Without taking a step, I’m down in the hole too.
And if it rains this coming
Dark and lonely December,
I will never watch it fall on the entrapped river.
I am the river no more (x2)
And the rain is acid water from their cloudy black smoke.
”
”
Neha Yazmin (Chasing Pavements (The Soulmates Saga #1))
“
Her face lit up in welcome as she saw me, and taking prompt, if cowardly, action in the face of emergency I smiled, waved and ducked out through a side door.
As I hurried around the side of the building into a handy patch of deep shadow (Briar being a persistent sort of girl), I tripped over someone’s legs stretched across the path. I lurched forward, and a big hand grasped me firmly by the jersey and heaved me back upright.
‘Thank you,’ I said breathlessly.
‘Helen?’ Briar called, and I shrank back into the shadows beside the owner of the legs.
‘Avoiding someone?’ he asked.
‘Shh!’ I hissed, and he was obediently quiet. There was a short silence, happily unbroken by approaching footsteps, and I sighed with relief.
‘Not very sociable, are you?’
‘You can hardly talk,’ I pointed out.
‘True,’ he said.
‘Who are you hiding from?’
‘Everyone,’ he said morosely.
‘Fair enough. I’ll leave you to it.’
‘Better give it a minute,’ he advised. ‘She might still be lying in wait.’
That was a good point, and I leant back against the brick wall beside him. ‘You don’t have to talk to me,’ I said.
‘Thank you.’
There was another silence, but it felt friendly rather than uncomfortable. There’s nothing like lurking together in the shadows for giving you a sense of comradeship. I looked sideways at the stranger and discovered that he was about twice as big as any normal person. He was at least a foot taller than me, and built like a tank. But he had a nice voice, so with any luck he was a gentle giant rather than the sort who would tear you limb from limb as soon as look at you.
‘So,’ asked the giant, ‘why are you hiding from this girl?’
‘She’s the most boring person on the surface of the planet,’ I said.
‘That’s a big call. There’s some serious competition for that spot.’
‘I may be exaggerating. But she’d definitely make the top fifty. Why did you come to a party to skulk around a corner?’
‘I was dragged,’ he said. ‘Kicking and screaming.’ He turned his head to look at me, smiling.
‘Ah,’ I said wisely. ‘That’d be how you got the black eye.’ Even in the near-darkness it was a beauty – tight and shiny and purple. There was also a row of butterfly tapes holding together a split through his right eyebrow, and it occurred to me suddenly that chatting in dark corners to large unsociable strangers with black eyes probably wasn’t all that clever.
‘Nah,’ he said. ‘I collided with a big hairy Tongan knee.’
‘That was careless.’
‘It was, wasn’t it?’
I pushed myself off the wall to stand straight. ‘I’ll leave you in peace. Nice to meet you.’
‘You too,’ he said, and held out a hand. ‘I’m Mark.’
I took it and we shook solemnly. ‘Helen.’
‘What do you do when you’re not hiding from the most boring girl on the planet?’ he asked.
‘I’m a vet,’ I said. ‘What about you?’
‘I play rugby.’
‘Oh!’ That was a nice, legitimate reason for running into a Tongan knee – I had assumed it was the type of injury sustained during a pub fight.
”
”
Danielle Hawkins (Chocolate Cake for Breakfast)
“
She’d located the junk drawer and it bore fruit: a short candle stub, the remnant, no doubt, of some intimate dîner tête à tête. A little more exploring turned up a mostly empty matchbook and a squat, wax-encrusted glass candlestick. She crammed the candle in the holder and touched a lit match to the blackened wick.
”
”
Pamela Burford (In the Dark)
“
When we were out of the room Michael stood watch as Gabriel filled me in. “The king of Babylon is at the gate.” “This I know,” I said shortly. “By morning, Nebuchadnezzar will break through the gates and deliver the Children of Israel to Babylon, fear not for you and mother will be well cared for Iam has prepared the way. Iam does not wish for the Mercy Seat to fall into the hands of a pagan king and sit before a pagan altar.” Gabriel finished, I merely thought of the temple and we were there in the “Holy of Holies” the smell of incense thick in the air, the Glory of Iam lit the room.
”
”
J. Michael Morgan (Yeshua Cup: The Melchizedek Journals)
“
Crimewave
Eyes lit
I want short breaths
I found dark eye lids
Nice breasts
Like the summer into rough hands
Eyes lit
I want short breaths
I found dark eyelids
Nice breasts
Like the summer into rough hands
Eyes lit
I want short breaths
I found dark eyelids
Nice breasts
Like the summer into rough hands
Eyes lit
I want short breaths
I found dark eye lids
Nice breasts
Like the summer into rough hands
Eyes lit
I want short breaths
I found dark eye lids
Nice breasts
Like the summer into rough hands
Eyes lit
I want short breaths
I found dark eye lids
Nice breasts
Like the summer into rough hands
Eyes lit
I want short breaths
I found dark eye lids
Nice breasts
Like the summer into rough hands
Eyes lit
I want short breaths
I found dark eye lids
Nice breasts
Like the summer into rough hands
Eyes lit
I want short breaths
I found dark eye lids
Nice breasts
Like the summer into rough hands
Eyes lit
On short breaths
From dark lids
Firm nice breasts
Up the summer into rough hands
”
”
Crystal Castles
“
SpottieOttieDopaliscious
[Hook]
Damn damn damn James
[Verse 1: Sleepy Brown]
Dickie shorts and Lincoln's clean
Leanin', checking out the scene
Gangsta boys, blizzes lit
Ridin' out, talkin' shit
Nigga where you wanna go?
You know the club don't close 'til four
Let's party 'til we can't no more
Watch out here come the folks (Damn - oh lord)
[Verse 2: André 3000]
As the plot thickens it gives me the dickens
Reminiscent of Charles a lil' discotheque
Nestled in the ghettos of Niggaville, USA
Via Atlanta, Georgia a lil' spot where
Young men and young women go to experience
They first li'l taste of the night life
Me? Well I've never been there; well perhaps once
But I was so engulfed in the Olde E
I never made it to the door you speak of, hardcore
While the DJ sweatin' out all the problems
And the troubles of the day
While this fine bow-legged girl fine as all outdoors
Lulls lukewarm lullabies in your left ear
Competing with "Set it Off," in the right
But it all blends perfectly let the liquor tell it
"Hey hey look baby they playin' our song"
And the crowd goes wild as if
Holyfield has just won the fight
But in actuality it's only about 3 A.M
And three niggas just don' got hauled
Off in the ambulance (sliced up)
Two niggas don' start bustin' (wham wham)
And one nigga don' took his shirt off talkin' 'bout
"Now who else wanna fuck with Hollywood Courts?"
It's just my interpretation of the situation
[Hook]
[Verse 3: Big Boi]
Yes, when I first met my SpottieOttieDopalicious Angel
I can remember that damn thing like yesterday
The way she moved reminded me of a Brown Stallion
Horse with skates on, ya know
Smooth like a hot comb on nappy ass hair
I walked up on her and was almost paralyzed
Her neck was smelling sweeter
Than a plate of yams with extra syrup
Eyes beaming like four karats apiece just blindin' a nigga
Felt like I chiefed a whole O of that Presidential
My heart was beating so damn fast
Never knowing this moment would bring another
Life into this world
Funny how shit come together sometimes (ya dig)
One moment you frequent the booty clubs and
The next four years you & somebody's daughter
Raisin' y'all own young'n now that's a beautiful thang
That's if you're on top of your game
And man enough to handle real life situations (that is)
Can't gamble feeding baby on that dope money
Might not always be sufficient but the
United Parcel Service & the people at the Post Office
Didn't call you back because you had cloudy piss
So now you back in the trap just that, trapped
Go on and marinate on that for a minute
”
”
OutKast