Lit Birthday Quotes

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I’m reminded of Orville Tethington, inventor of the world’s first steam-powered fog machine. He’s also the guy who, after the Germans invented the flame thrower in WWI, decided to counteract it with his own creation, the candle thrower. The candle thrower was only battle tested once, and after fifteen minutes the war zone was littered with lit candles. Upon returning home after the war, some of the soldiers suffered such extreme and bizarre cases of PTSD that anytime a civilian lit a match or used their lighter, the soldiers would hit the ground and start singing “Happy Birthday.
Jarod Kintz (I Should Have Renamed This)
So it’s your death suit.” “Correct. Don’t you have a death outfit?” “Yeah,” I said. “It’s a dress I bought for my fifteenth birthday party. But I don’t wear it on dates.” His eyes lit up. “We’re on a date?” he asked. I looked down, feeling bashful. “Don’t push it.
John Green
Her death the dividing mark: Before and After. And though it’s a bleak thing to admit all these years later, still I’ve never met anyone who made me feel loved the way she did. Everything came alive in her company; she cast a charmed theatrical light about her so that to see anything through her eyes was to see it in brighter colours than ordinary – I remember a few weeks before she died, eating a late supper with her in an Italian restaurant down in the Village, and how she grasped my sleeve at the sudden, almost painful loveliness of a birthday cake with lit candles being carried in procession from the kitchen, faint circle of light wavering in across the dark ceiling and then the cake set down to blaze amidst the family, beatifying an old lady’s face, smiles all round, waiters stepping away with their hands behind their backs – just an ordinary birthday dinner you might see anywhere in an inexpensive downtown restaurant, and I’m sure I wouldn’t even remember it had she not died so soon after, but I thought about it again and again after her death and indeed I’ll probably think about it all my life: that candlelit circle, a tableau vivant of the daily, commonplace happiness that was lost when I lost her
Donna Tartt (The Goldfinch)
I KNEW IT WAS OVER when tonight you couldn't make the phone ring when you used to make the sun rise when trees used to throw themselves in front of you to be paper for love letters that was how i knew i had to do it swaddle the kids we never had against january's cold slice bundle them in winter clothes they never needed so i could drop them off at my mom's even though she lives on the other side of the country and at this late west coast hour is assuredly east coast sleeping peacefully her house was lit like a candle the way homes should be warm and golden and home and the kids ran in and jumped at the bichon frise named lucky that she never had they hugged the dog it wriggled and the kids were happy yours and mine the ones we never had and my mom was grand maternal, which is to say, with style that only comes when you've seen enough to know grace like when to pretend it's christmas or a birthday so she lit her voice with tiny lights and pretended she didn't see me crying as i drove away to the hotel connected to the bar where i ordered the cheapest whisky they had just because it shares your first name because they don't make a whisky called baby and i only thought what i got was what i ordered i toasted the hangover inevitable as sun that used to rise in your name i toasted the carnivals we never went to and the things you never won for me the ferris wheels we never kissed on and all the dreams between us that sat there like balloons on a carney's board waiting to explode with passion but slowly deflated hung slave under the pin- prick of a tack hung heads down like lovers when it doesn't work, like me at last call after too many cheap too many sweet too much whisky makes me sick, like the smell of cheap, like the smell of the dead like the cheap, dead flowers you never sent that i never threw out of the window of a car i never really owned
Daphne Gottlieb (Final Girl)
My love is a dandelion in a tornado, and hers is a lit birthday candle in a hurricane. That's why my Duck Soup has that slight taste of WindFlower.
Jarod Kintz (BearPaw Duck And Meme Farm presents: Two Ducks Brawling Is A Pre-Pillow Fight)
The glow of my birthday candles and the fairy lights would have been more than enough. But Jonah Daniels? He lit up my whole world.
Emery Lord (When We Collided)
[M]y mother read a horror novel every night. She had read every one in the library. When birthdays and Christmas would come, I would consider buying her a new one, the latest Dean R. Koontz or Stephen King or whatever, but I couldn't. I didn't want to encourage her. I couldn't touch my father's cigarettes, couldn't look at the Pall Mall cartons in the pantry. I was the sort of child who couldn't even watch commercials for horror movies - the ad for Magic, the movie where marionette kills people. sent me into a six-month nightmare frenzy. So I couldn't look at her books, would turn them over so their covers wouldn't show, the raised lettering and splotches of blood - especially the V.C. Andrews oeuvre, those turgid pictures of those terrible kids, standing so still, all lit in blue.
Dave Eggers (A Heartbreaking Work of Staggering Genius)
Cimil’s eyes lit. “The Niccolo DiConti? What an honor!” Niccolo stood a little taller then. “Yes, I seek your assistance.” Cimil rolled her eyes. “Well, no duh. You didn’t abandon your queen’s side, risking her wrath, to see me in my fabulous birthday suit.
Mimi Jean Pamfiloff (Accidentally Married to...a Vampire? (Accidentally Yours, #2))
She lit another cigarette and smiled. “And that, kid, is when they added the S to the end of my last name.” I laughed right through the kumquats. I miss her. She died early on the morning of my birthday in 1989, and I got my flowers and the card from her that afternoon.
Carol Burnett (This Time Together: Laughter and Reflection)
Reminiscing in the drizzle of Portland, I notice the ring that’s landed on your finger, a massive insect of glitter, a chandelier shining at the end of a long tunnel. Thirteen years ago, you hid the hurt in your voice under a blanket and said there’s two kinds of women—those you write poems about and those you don’t. It’s true. I never brought you a bouquet of sonnets, or served you haiku in bed. My idea of courtship was tapping Jane’s Addiction lyrics in Morse code on your window at three A.M., whiskey doing push-ups on my breath. But I worked within the confines of my character, cast as the bad boy in your life, the Magellan of your dark side. We don’t have a past so much as a bunch of electricity and liquor, power never put to good use. What we had together makes it sound like a virus, as if we caught one another like colds, and desire was merely a symptom that could be treated with soup and lots of sex. Gliding beside you now, I feel like the Benjamin Franklin of monogamy, as if I invented it, but I’m still not immune to your waterfall scent, still haven’t developed antibodies for your smile. I don’t know how long regret existed before humans stuck a word on it. I don’t know how many paper towels it would take to wipe up the Pacific Ocean, or why the light of a candle being blown out travels faster than the luminescence of one that’s just been lit, but I do know that all our huffing and puffing into each other’s ears—as if the brain was a trick birthday candle—didn’t make the silence any easier to navigate. I’m sorry all the kisses I scrawled on your neck were written in disappearing ink. Sometimes I thought of you so hard one of your legs would pop out of my ear hole, and when I was sleeping, you’d press your face against the porthole of my submarine. I’m sorry this poem has taken thirteen years to reach you. I wish that just once, instead of skidding off the shoulder blade’s precipice and joyriding over flesh, we’d put our hands away like chocolate to be saved for later, and deciphered the calligraphy of each other’s eyelashes, translated a paragraph from the volumes of what couldn’t be said.
Jeffrey McDaniel
Okay," she said as he lit the candle and hummed the birthday song. "You know,this is all very Jake Ryan of you." "Who's Jake Ryan?" "The hottie from Sixteen Candles—the best teenage movie ever made. The last scene looks just like this," she said, looking around the room. "All right, well, don't you go wishing for him when you blow out the candle." "I love you,Jace. You're the only thing I want.
Phoebe Lane (Cursive)
All lonely, beautifully silent and so very enchanting the city seems at night when every tourist, hotelier and tour guide have gone to bed, almost like a ghost town if it weren’t for the one or other lit window and a few lonely insomniac people walking the alleys here and there.
Ryan Gelpke (Nietzsche’s Birthday Party: A Short Story Collection)
I turn to Peter and say, “I can’t believe you did this.” “I baked that cake myself,” he brags. “Box, but still.” He takes off his jacket and pulls a lighter out of his jacket pocket and starts lighting the candles. Gabe pulls out a lit candle and helps him. Then Peter hops his butt on the table and sits down, his legs hanging off the edge. “Come on.” I look around. “Um…” That’s when I hear the opening notes of “If You Were Here” by the Thompson Twins. My hands fly to my cheeks. I can’t believe it. Peter’s recreating the end scene from Sixteen Candles, when Molly Ringwald and Jake Ryan sit on a table with a birthday cake in between them. When we watched the movie a few months ago, I said it was the most romantic thing I’d ever seen. And now he’s doing it for me. “Hurry up and get up there before all the candles melt, Lara Jean,” Chris calls out. Darrell and Gabe help hoist me onto the table, careful not to set my dress on fire. Peter says, “Okay, now you look at me adoringly, and I lean forward like this.” Chris comes forward and puffs out my skirt a bit. “Roll up your sleeve a little higher,” she instructs Peter, looking from her phone to us. Peter obeys, and she nods. “Looks good, looks good.” Then she runs back to her spot and starts to snap. It takes no effort on my part at all to look at Peter adoringly tonight. When I blow out the candles and make my wish, I wish that I will always feel for Peter the way I do right now.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
, and how she grasped my sleeve at the sudden, almost painful loveliness of a birthday cake with lit candles being carried in procession from the kitchen, faint circle of light wavering in across the dark ceiling and then the cake set down to blaze amidst the family, beatifying an old lady's face, smiles all round, waiters stepping away with their hands behind their backs—just an ordinary birthday dinner you might see anywhere in an inexpensive downtown restaurant, and I'm sure I wouldn't even remember it had she not died so soon after, but I thought about it again and again after her death and indeed I'll probably think about it all my life: that candlelit circle, a tableau vivant of the daily, commonplace happiness that was lost when I lost her.
Donna Tartt (The Goldfinch)
The next question is, why are you trying to rush things between us?” “Perhaps I’m just interested in what’s in your pants.” “Why didn’t you say so earlier? I’d be delighted to send you a dick pic.” He passes me a beer with a grin. “Dad always said to ensure our digital footprint was a light and legal as possible. But what with me having missed your last twenty-two birthdays, a nicely lit shot of my junk is the least I can do. I’ll even pick out an arty filter for you.
Kylie Scott (The Rich Boy)
Another time, the power cut out and we dug up a headlamp and a few candles from one of the still-unpacked moving boxes. While the storm went on outside, we went round and placed the candles at various guiding points throughout the house. When I lit them in the kitchen, it smelled briefly of birthday cakes. I remember cooking a simple dinner, pulling the skins off the tomatoes in the near darkness, going by feel rather than by sight. Laurie had put the record player on, and danced slowly and achingly in front of the cat, who continued to glower from her cushion on the floor. We could barely see the food on the table, noticing only the shapes and textures of the vegetables in their bowls. I had taken the washing in and sheets were hung and draped over the rack, a ladder, a glass door. Outside, we could hear that the wind was strong, but inside it was still. I remembered thinking, as we ate, how such happiness could come from such simple things." (71)
Jessica Au (Cold Enough for Snow)
On this bald hill the new year hones its edge. Faceless and pale as china The round sky goes on minding its business. Your absence is inconspicuous; Nobody can tell what I lack. Gulls have threaded the river’s mud bed back To this crest of grass. Inland, they argue, Settling and stirring like blown paper Or the hands of an invalid. The wan Sun manages to strike such tin glints From the linked ponds that my eyes wince And brim; the city melts like sugar. A crocodile of small girls Knotting and stopping, ill-assorted, in blue uniforms, Opens to swallow me. I’m a stone, a stick, One child drops a carrette of pink plastic; None of them seem to notice. Their shrill, gravelly gossip’s funneled off. Now silence after silence offers itself. The wind stops my breath like a bandage. Southward, over Kentish Town, an ashen smudge Swaddles roof and tree. It could be a snowfield or a cloudbank. I suppose it’s pointless to think of you at all. Already your doll grip lets go. The tumulus, even at noon, guargs its black shadow: You know me less constant, Ghost of a leaf, ghost of a bird. I circle the writhen trees. I am too happy. These faithful dark-boughed cypresses Brood, rooted in their heaped losses. Your cry fades like the cry of a gnat. I lose sight of you on your blind journey, While the heath grass glitters and the spindling rivulets Unpool and spend themselves. My mind runs with them, Pooling in heel-prints, fumbling pebble and stem. The day empties its images Like a cup of a room. The moon’s crook whitens, Thin as the skin seaming a scar. Now, on the nursery wall, The blue night plants, the little pale blue hill In your sister’s birthday picture start to glow. The orange pompons, the Egyptian papyrus Light up. Each rabbit-eared Blue shrub behind the glass Exhales an indigo nimbus, A sort of cellophane balloon. The old dregs, the old difficulties take me to wife. Gulls stiffen to their chill vigil in the drafty half-light; I enter the lit house.
Sylvia Plath
congenial life. Her death the dividing mark: Before and After. And though it’s a bleak thing to admit all these years later, still I’ve never met anyone who made me feel loved the way she did. Everything came alive in her company; she cast a charmed theatrical light about her so that to see anything through her eyes was to see it in brighter colors than ordinary—I remember a few weeks before she died, eating a late supper with her in an Italian restaurant down in the Village, and how she grasped my sleeve at the sudden, almost painful loveliness of a birthday cake with lit candles being carried in procession from the kitchen, faint circle of light wavering in across the dark ceiling and then the cake set down
Donna Tartt (The Goldfinch)
We walk inside, and I stop short. Our booth, the one we always sit in, has pale pink balloons tied around it. There’s a round cake in the center of the table, tons of candles, pink frosting with sprinkles and Happy Birthday, Lara Jean scrawled in white frosting. Suddenly I see people’s heads pop up from under the booths and from behind menus--all of our friends, still in their prom finery: Lucas, Gabe, Gabe’s date Keisha, Darrell, Pammy, Chris. “Surprise!” everyone screams. I spin around. “Oh my God, Peter!” He’s still grinning. He looks at his watch. “It’s midnight. Happy birthday, Lara Jean.” I leap up and hug him. “This is just exactly what I wanted to do on my prom night birthday and I didn’t even know it.” Then I let go of him and run over to the booth. Everyone gets out and hugs me. “I didn’t even know people knew it was my birthday tomorrow! I mean today!” I say. “Of course we knew it was your birthday,” Lucas says. Darrell says, “My boy’s been planning this for weeks.” “It was so endearing,” Pammy says. “We called me to ask what kind of pan he should use for the cake.” Chris says, “He called me, too. I was like, how the hell should I know?” “And you!” I hit Chris on the arm. “I thought you were leaving to go clubbing!” “I still might after I steal some fries. My night’s just getting started, babe.” She pulls me in for a hug and gives me a kiss on the cheek. “Happy birthday, girl.” I turn to Peter and say, “I can’t believe you did this.” “I baked that cake myself,” he brags. “Box, but still.” He takes off his jacket and pulls a lighter out of his jacket pocket and starts lighting the candles. Gabe pulls out a lit candle and helps him. Then Peter hops his butt on the table and sits down, his legs hanging off the edge. “Come on.” I look around. “Um…” That’s when I hear the opening notes of “If You Were Here” by the Thompson Twins. My hands fly to my cheeks. I can’t believe it. Peter’s recreating the end scene from Sixteen Candles, when Molly Ringwald and Jake Ryan sit on a table with a birthday cake in between them. When we watched the movie a few months ago, I said it was the most romantic thing I’d ever seen. And now he’s doing it for me.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
Lillian lifted the cake pans from the oven and rested them on metal racks on the counter. The layers rose level and smooth from the pans; the scent, tinged with vanilla, traveled across the room in soft, heavy waves, filling the space with whispers of other kitchens, other loves. The students food themselves leaning forward in their chairs to greet the smells and the memories that came with them. Breakfast cake baking on a snow day off from school, all the world on holiday. The sound of cookie sheets clanging against the metal oven racks. The bakery that was the reason to get up on cold, dark mornings; a croissant placed warm in a young woman's hand on her way to the job she never meant to have. Christmas, Valentine's, birthdays, flowing together, one cake after another, lit by eyes bright with love.
Erica Bauermeister (The School of Essential Ingredients)
I followed Aiden into the kitchen. My steps slowed as I saw everyone gathered around the table. “What’s going…?” Deacon and Luke stepped to the side. “Happy Birthday!” they cried in unison. My gaze fell to the table. There sat a birthday cake, decorated with eighteen burning candles and… Spider-man? Yep, it was Spider-man. Red and blue tights and all. “It was either that or My Little Pony,” Luke said, grinning. “We figured you’d appreciate Spider-man more.” “Plus he’s all wicked cool with the whole climbing buildings stuff,” Deacon added. “Maybe one day, when you decide to Awaken, you’ll be just as cool.” “I lit the candles,” Solos said, shrugging. “All by myself.” “I gave them the money.” Marcus folded his arms. “Therefore I was the key part of all of this.” “And we got grape soda.” Luke gestured at the bottles of soda. “It’s your favorite.” “This… this is… wow.
Jennifer L. Armentrout (Deity (Covenant, #3))
-Wait, Anna, do you hear it? Listen" "-What is it?" It sounds like barking. "-Look- seals." She points about thirty feet down the share where a dozen or so brown lumps wriggle and play in the sand, barking like some kind of water dogs, "-Wow", I breath. "I'm changing my answer." "Anna, What's the number one coolest thing you've ever seen in your life?" He asked me on night, about a week after my birthday, when We saw three shooting stars in a row behind his house. It was after midnight, and everyone was asleep but the crickets. I remember telling him about this crazy lighting storm I saw when I was ten. It was far away but I could see the rain billowing out in sails and sheets, all the dark blue-gray sky lit up in flash after flash after flash. "What's yours?" "It's always been the ocean. but I'm thinking about changing my answer." He didn't say anything after that. He just looked at my eyes for a long, long time, missing all the stars above Us until it was too light to see them anyway. "-What answer?" Frankie asks. "-Seals. The seals are officially the number one coolest thing I've ever seen in my life.
Sarah Ockler
When you buy from an independent, locally owned business, as opposed to nationally owned businesses, you strengthen the economic base of our city. And of course there’s no doubt that you’ll receive a better quality product or service. I share John Roeser’s amazement that people today tend to prefer saving a dollar or too two on a birthday cake, for example, by purchasing a sub-par cake made with artificial, cheap ingredients from a mass retailer, when Roeser’s Bakery offers some of the most delectable, housemade cakes in the world. How could anyone step into a fast food joint when we live in a city that has Lem’s barbecque rib tips, Kurowski’s kielbasa, Manny’s matzo ball soup, and Lindy’s chili within reach? You can’t even compare the products and services of the businesses featured in this book with those of mass retailers, either: Jjust try putting an Optimo hat on your head—you’ll ooze with elegance. Burn a beeswax lambathe from Athenian Candle and watch it glow longer than any candle you’ve ever lit. Bite into an Andersonville coffeecake from the Swedish Bakery—and you’ll have a hard time returning to the artificial ingredient– laden cakes found at most grocers. Equally important, local, family- owned businesses keep our city unique. In our increasingly homogenized and globalized world, cities that hold on tightly to their family-owned, distinctive businesses are more likely to attract visitors, entrepreneurs, and new investment. Chicago just wouldn’t be Chicago without these historic, one-of-a-kind places, and the people that run them from behind the scenes with nothing but love, hard work, and pride.
Amy Bizzarri (Discovering Vintage Chicago: A Guide to the City's Timeless Shops, Bars, Delis & More)
It’s weird when you think about, isn’t it? What if the Rider had a more positive orientation? Imagine a world in which you experienced a rush of gratitude every single time you flipped a light switch and the room lit up. Imagine a world in which after a husband forgot his wife’s birthday, she gave him a big kiss and said, “For thirteen of the last fourteen years you remembered my birthday! That’s wonderful!” This is not our world. But in times of change, it needs to be. Our Rider has a problem focus when he needs a solution focus.
Chip Heath (Switch: How to Change Things When Change Is Hard)
Excusing myself to the restroom, I decide Coal could use a little fun in his life. Returning to the table, I’m nervous, thinking he may not like my surprise after all. Before I can think of a way to back out, though, the waitress comes out with two more following her and a whole pecan pie lit up with candles burning. Approaching our table, they begin to sing as Ice, Hammer, Coal, Des, and Morgan all look around in surprise. They sit the pie in front of Coal who looks wide-eyed. I give his thigh a squeeze, and his eyes meet mine. “Happy birthday,” I say barely above a whisper. “Today is your new day.” He smiles. A real, genuine smile crosses his face before a laugh escapes. “Pixie, what the fuck am I supposed to do with you?” I shrug. “Make a wish.” Coal laughs again, and I feel an invisible weight lift off my shoulders. When the waitresses leave, Hammer is the first to comment. “You two have obviously learned the art of silent communication.” “Ethan,” Des interrupts him. “What? They shared a look, and suddenly, Coal knows she got him good and laughed. Coal never fuckin’ laughs. They obviously got something goin’ on.” “Drop it,” Coal tells Hammer, and they share a look. Then I lick my lips and lean into him. Surprising even myself, I press my lips against his. With a slight opening, I slide my tongue in. Coal’s hands cup either side of my face as he takes control. He’s gentle in a way I didn’t imagine would come from a large man like him. Just when I think we will untangle ourselves from each other, we are somehow in deeper than before.
Chelsea Camaron (Coal (Regulators MC, #3))
At the sight of the dozen assorted cupcakes, as bright and optimistic as party hats, Louise's eyes lit up. "How wonderful!" she said, clapping her hands together again. I handed her one of the red velvet cupcakes that I'd made in the old-fashioned style, using beets instead of food coloring. I'd had to scrub my fingers raw for twenty minutes to get the crimson beet stain off them, but the result was worth it: a rich chocolate cake cut with a lighter, nearly unidentifiable, earthy sweetness, and topped with cream cheese icing and a feathery cap of coconut shavings. For Ogden, I selected a Moroccan vanilla bean and pumpkin spice cupcake that I'd been developing with Halloween in mind. It was not for the faint of heart, and I saw the exact moment in Ogden's eyes that the dash of heat- courtesy of a healthy pinch of cayenne- hit his tongue, and the moment a split-second later that the sugary vanilla swept away the heat, like salve on a wound. "Oh," he said, after swallowing. He looked at me, and I could see it was his turn to be at a loss for words. I smiled. Louise, on the other hand, was half giggling, half moaning her way through a second cupcake, this time a lemonade pound cake with a layer of hot pink Swiss meringue buttercream icing curling into countless tiny waves as festive and feminine as a little girl's birthday tiara. "Exquisite!" she said, mouth full. And then, shrugging in her son's direction, her eyes twinkling. "What? I didn't eat lunch.
Meg Donohue (How to Eat a Cupcake)
The Christ Child in a nation is like the presence of the child in the house: everything centres upon his youth; and he fills everything with his life. If he goes away, the child's values go, too, such as the sense of wonder, mystery, beauty, and adventure: the poetry which, free from materialism, is the most complete realism. In England there are traces of where the Child once lived: there are remnants of the Faith; but not the certainty of the Faith that there once was. There is a wistful longing to believe; but not the joyful freedom of living in belief. There is the desire to set up laws of justice for everyone's happiness; but not the spirit of the Child's obedience to God's Law in the heart of all men: and indeed without that no codes and laws can have value; because those who make them have not the capacity to keep them. The absence of supernatural joy on our feast days shows more than anything else that the Divine Child is absent. Christmas is no longer Christ's birthday, except to a few people. It is no longer the time in which everyone, young and old, is born again; no longer the time when the instinct is to find a home where there is a Christmas tree, lit up with tinsel and little candles and with a crowned bambino on top of it; and children standing at the foot of the tree, looking at it with faces suffused with joy.
Caryll Houselander (The Reed of God: A New Edition of a Spiritual Classic)
Ramos drank a shot, then he lit up and dragged the smoke deep into his lungs. 'Ahh," he said on the exhale. Sometimes I envy people who smoke. They always look so happy when they suck in that first lungful of tar. I can't think of many things that make me that happy. Maybe birthday cake.
Janet Evanovich (Hot Six (Stephanie Plum, #6))
A lit candle contains all five elements: fire, earth, air, water, and spirit. The flame itself is fire, the base of the candle that holds it steady is earth, the oxygen that sustains it is air, the wax that pools is water, and when you infuse your energy into the candle, you are spirit. When you perform candle magic, you are invoking the elements and merging them with your intention.
Hannah Hawthorn (The Magick of Birthdays: Rituals, Spells, and Recipes for Honoring Your Solar Return)
Tania,” Alexander said amiably, “I promise, I will just feed you and send you home. Let me feed you, all right?” Holding the bags in one hand, he placed the other hand on her hair. “It’s for your birthday. Come on.” She couldn’t go, and she knew it. Did Alexander know it, too? That was even worse. Did he know what a bind she found herself in, what unspeakable flux of feeling and confusion? They crossed the Field of Mars on their way to the Summer Garden. Down the street the river Neva glowed in the sunlight, though it was nearly nine o’clock in the evening. The Summer Garden was the wrong place for them. Alexander and Tatiana couldn’t find an empty bench amid the long paths, the Greek statues, the towering elms, and the intertwined lovers, like tangled rose branches all. As they walked, her head was lowered. They finally found a spot near the statue of Saturn. It was not the ideal place for them to sit, Tatiana thought, since Saturn’s mouth was wide open and he was stuffing a child into it with derelict zeal. Alexander had brought a little vodka and some bologna ham and some white bread. He had also brought a jar of black caviar and a bar of chocolate. Tatiana was quite hungry. Alexander told her to have all the caviar. She protested at first, but not vigorously. After she had eaten more than half, scooping the caviar out with the small spoon he had brought, she handed him the rest. “Please,” she said, “finish it. I insist.” She had a gulp of vodka straight from the bottle and shuddered involuntarily; she hated vodka but didn’t want him to know what a baby she was. Alexander laughed at her shuddering, taking the bottle from her and having a swig. “Listen, you don’t have to drink it. I brought it to celebrate your birthday. Forgot the glasses, though.” He was spread out all over the bench and sitting conspicuously close. If she breathed, a part of her would touch a part of him. Tatiana was too overwhelmed to speak, as her intense feelings dropped into the brightly lit well inside her. “Tania?” Alexander asked gently. “Tania, is the food all right?” “Yes, fine.” After a small throat clearing, she said, “I mean, it’s very nice, thank you.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
She also discovered that he was attracted by the dreadful, among the galactic wares cramming the narrow shops into which they ducked. He actually appeared to seriously consider for several minutes what was claimed to be a genuine twentieth-century reproduction lamp, of Jacksonian manufacture, consisting of a sealed glass vessel containing two immiscible liquids which slowly rose and fell in the convection currents. “It looks just like red blood corpuscles floating in plasma,” Vorkosigan opined, staring in fascination at the under-lit blobs. “But as a wedding present?” she choked, half amused, half appalled. “What kind of message would people take it for?” “It would make Gregor laugh,” he replied. “Not a gift he gets much. But you’re right, the wedding present proper needs to be, er, proper. Public and political, not personal.” With a regretful sigh, he returned the lamp to its shelf. After another moment, he changed his mind again, bought it, and had it shipped. “I’ll get him another present for the wedding. This can be for his birthday.” After
Lois McMaster Bujold (Komarr (Vorkosigan Saga, #11))
Hello,” he said. “…hello,” she replied, perplexed. “I thought I should start off with hello, seeing as I neglected to say it earlier.” Her brow came down in confusion. Where was he going with this? “Not because you took me by surprise,” he continued. “Although you did. But because I didn’t think I needed to have a beginning with you. Since we began so long ago, you see.” One eyebrow rose. “But I was wrong, and for that, I apologize.” His eyes became suddenly sad, and it was all Susannah could do to not reach out and touch his cheek. But she restrained herself. “I was away too long,” he whispered. “Three Christmases, six birthdays. However many weeks…” “One hundred fifty-six.” She found the corner of her mouth ticking up. “You were missed,” she concurred. “At home.” “Did you miss me?” he asked suddenly, and a thrill of heat ran through her. Between them. “Yes.” Her answer was frank. Calm. “Did you miss me?” “I missed far too much of you,” he answered. “I did not even realize how much until I came here and found the little girl that I knew had gone.” “She’s not gone,” Susannah conceded. “Not entirely. I still ride Clarabelle at home.” “Do you now?” The corner of his mouth ticked up. “In breeches,” she whispered. Something lit in his eyes. Some kind of… anticipation. And now she knew why her Aunt Julia had ordered her to not wear breeches while riding with other people. Not because they would offend. But because they could entice. She blushed at the thought, broke his gaze, looked at her shoes, at the little bench, and the candles dripping festive red wax in the wall sconce, looked at the eave they stood under, and the vines of ivy and garland that hung there. “I want the chance to start again with you, Susannah,” Sebastian whispered. “This new Susannah. I am a bit off-kilter here, and if you would simply give me the opportunity to catch up, I think you and I… I think we could…” He let that sentence drift off. Left her breathless at what he might have said. “Oh, I’m making a complete bungle of it, aren’t I?” He dropped her hand – had he been holding it this whole time? Ever since he pulled her in here? – and crossed his arms over his chest. “No, you’re not.” She reached out and put her hand on his arm, unwilling to break the connection. “And yes, I suppose a fresh start is fair.” After all, she reasoned, she’d had years to nurse her feelings. He’d had approximately ten minutes. A grin spread across his face, sending her heart into a hummingbird’s pace. She found herself smiling too. No, it was not him falling to his knees professing his love. But it was a start. “Then perhaps I should ask the beautiful Miss Westforth to dance.” The fast-paced reel was in its final notes now. A new dance would start up in minutes. “I would love to.” After
Anna Campbell (A Grosvenor Square Christmas)
Yesterday, we lit a Yahrzeit candle that sat on the kitchen counter and burned brightly in memory of you. We will light a Yahrzeit candle every year on this day. And every year, it will burn out on my birthday. And every year, that cruel juxtaposition will remind me that life is moving on without you. This is how it is now: equal parts joy and sorrow. Everything all at once. I have this vivid memory of driving with Iris to the grocery store last summer on a particularly dark day. It’s one of those seemingly insignificant moments that made a permanent mark. “You Are My Sunshine” shuffled onto Pandora Toddler Radio. Glancing at Iris in the rearview mirror, I was simultaneously overwhelmed with pure joy as I saw her singing and clapping along and sorrow that you would never get to see such a spectacular view. You are my sunshine, my only sunshine. You make me happy when skies are gray. You’ll never know, dear, how much I love you. Please don’t take my sunshine away. The other night dear when I lay sleeping, I dreamed I held you in my arms. When I awoke dear, I was mistaken, So I hung my head and cried. This song is so happy and sad at once. It’s what it feels like to be alive. It’s what it feels like to lose someone you love but still be surrounded by so much light.
Stephanie Wittels Wach (Everything is Horrible and Wonderful: A Tragicomic Memoir of Genius, Heroin, Love, and Loss)
If too much time is spent up above, we become uncharacteristically curt with our colleagues, we slip up on our programs, we are rude to waiters, even though one of us (lane seven, little black Speedo, enormous flipper like feet), is a waiter himself. We cease to delight our mates... and even though we resist the urge to descent, it will pass, we tell ourselves. We can feel our panic beginning to rise, as though we were somehow missing out on our own lives. Just a quick dip and everything will be alright. And when we can stand it no longer, we politely excuse ourselves from whatever it is we're doing: discussing this month's book with our book club, celebrating an office birthday, ending an affair, wandering aimlessly up and down the florescent lit aisles of the local Safeway, trying to remember what it is was we came in to buy, (Mallomars, Lorna Doones), and go down for a swim, because there's no place on earth we'd rather be than the pool. Its wide roped off lanes, clearly numbered 1 through 8, its deep, well-designed gutters, its cheerful yellow buoys spaced at pleasingly predictable intervals, its separate, but equal entrances for women and men, the warm ambient glow of its recessed, overhead lights, all provide us with a sense of comfort and order that's missing from our above ground lives.
Julie Otsuka (The Swimmers)
The world is lit by pink and blue birthday candles. Your heart is a three-tiered white-frosted cake studded with Junior Mints.
Mary O'Connell (Living with Saints)
When I was a child, charlottes--- French desserts made traditionally out of brioche, ladyfingers, or sponge and baked in a charlotte mold--- were everywhere. Charlotte au chocolat wasn't the only variety, though being chocolate, it had the edge on my mother's autumn-season apple charlotte braised with brioche and poached in clarified butter, and even on the magnificent charlotte Malakoff she used to serve in the summer: raspberries, slivered almonds, and Grand Marnier in valleys of vanilla custard. But it is charlotte au chocolat, being my namesake dessert, that I remember most, for we offered it on the menu all year long. I walked into the pastry station and saw them cooling in their rusted tin molds on the counter. I saw them scooped onto lace doilies and smothered in Chantilly cream, starred with candied violets and sprigs of wet mint. I saw them lit by birthday candles. I saw them arranged, by the dozens, on silver trays for private parties. I saw them on customers' plates, destroyed, the Chantilly cream like a tumbled snowbank streaked with soot from the chocolate. And charlottes smelled delightful: they smelled richer, I thought, than any dessert in the world. The smell made me think of black velvet holiday dresses and grown-up perfumes in crystal flasks. It made me want to collapse and never eat again.
Charlotte Silver (Charlotte Au Chocolat: Memories of a Restaurant Girlhood)
PETE TOWNSHEND WROTE a lengthy essay, “A Discourse on Mick Jagger’s Fortieth Birthday,” and sent us a picture of himself holding a lit candle with “Happy Birthday Mick” written across his chest.
Jann S. Wenner (Like a Rolling Stone: A Memoir)
From the moment our ancestors first danced around a fire, cinders flickering in the darkened sky, celebrations have inspired us to light up the night. With fireworks and lanterns, birthday candles and bonfires, festive occasions chase away the shadows and carve out a space for joy within the darkness. It’s hard to imagine now, in a world that glows with electric light, how rare and special it once was to see the world lit up at night. But until the advent of gas-lit streetlamps in the early nineteenth century, most cities were completely dark after sunset.
Ingrid Fetell Lee (Joyful: The Surprising Power of Ordinary Things to Create Extraordinary Happiness)
Sitting excitedly on my dad’s lap, I watched Mom light the candles one by one, mesmerized by the sparkling glow in front of me. Then, after waiting patiently for my parents to sing happy birthday, I attempted to blow out each of the four little flames. But they were quite stubborn and continued to remain lit. All the while, the room was filled with happy laughter at my feeble attempts.
Katrina Kahler (My New Life (Mind Reader, #1))
‘What’s that?’ Alex asks.‘Today, we’re going to make a chocolate cake. You like chocolate cake, don’t you?’‘I don’t know,’ he smiles. ‘Probably.’I start unpacking the food I’ve brought with me onto the table while Alex sits on a high stool and watches my every move with a smile. His eyes are an ocean of warmth, tenderness and love. ‘Have you got a blender?’ I ask.‘I don’t even know what that is,’ he replies, without taking his beautiful eyes off me, his face one big smile.There is so much awe in his gaze that I feel like a Christmas tree.‘Just as I thought,’ I tell him. ‘That’s why you’re going to help me.’ And I hand him a whisk.He perks up and it even seems as if the shadow of sadness in his eyes evaporates. They are lit up with enthusiasm and the desire to learn something new, which Alex loves like nothing else.I separate the egg whites from the yolks, hand him the bowl and say, ‘Whisk!’He is at a loss for a while, but I deliberately don’t show him what to do and he quickly works it out and starts beating the soon-to-be sponge cake.
Victoria Sobolev (Monogamy Book One. Lover (Monogamy, #1))
At five o’clock Tatiana took off her coat and her mask and goggles, splashed water on her face, retied her hair into a neat ponytail, and left the building. She walked on Prospekt Stachek, along the famous Kirov wall, a concrete structure seven meters tall that ran fifteen city blocks. She walked three of those blocks to her bus stop. And waiting for her at the bus stop was Alexander. When she saw him—Tatiana couldn’t help herself—her face lit up. Putting her hand on her chest, she stopped walking for a moment, but he smiled at her and she blushed and, gulping down whatever was in her throat, walked toward him. She noticed that his officer’s cap was in his hands. She wished she had scrubbed her face harder. The presence of so many words inside her head made her incapable of small talk, just at the time when she needed small talk most. “What are you doing here?” she asked timidly. “We’re at war with Germany,” Alexander said. “I have no time for pretenses.” Tatiana wanted to say something, anything, not to let his words linger in the air. So she said, “Oh.” “Happy birthday.” “Thank you.” “Are you doing something special tonight?” “I don’t know. Today is Monday, so everyone will be tired. We’ll have dinner. A drink.” She sighed. In a different world, perhaps, she might have invited him over for dinner on her birthday. Not in this world. They waited. Somber people stood all around them. Tatiana did not feel somber. She thought, but is this what I’m going to look like when I’m here by myself, waiting for the bus like them? Is this what I am going to look like for the rest of my life?
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))