Lisbon Travel Quotes

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We leave something of ourselves behind when we leave a place, we stay there, even though we go away. And there are things in us that we can find again only by going back there.
Pascal Mercier (Night Train to Lisbon)
Why do we feel sorry for people who can't travel? Because, unable to expand externally, they are not able to expand internally either, they can't multiply and so they are deprived of the possibility of undertaking expansive excursions in themselves and discovering who and what else they could have become.
Pascal Mercier (Night Train to Lisbon)
Encounters between people, it often seems to me, are like trains passing at breakneck speed in the night. We cast fleeting looks at the passengers sitting behind dull glass in dim light, who disappear from our field of vision almost before we perceive them. Was it really a man and a woman who flashed past like phantoms, who came out of nothing into the empty dark, without meaning or purpose? Did they know each other? Did they talk? Laugh? Cry? People will say: That's how it is when strangers pass one another in rain and wind and there might be something in the comparison. But we sit opposite people for longer, we eat and work together, lie next to each other, live under the same roof. Where is the haste? Yet everything that gives the illusion of permanence, familiarity, and intimate knowledge: isn't it a deception invented to reassure, with which we try to conceal and ward off the flickering, disturbing haste because it could be impossible to live with all the time. Isn't every exchange of looks between people like the ghostly brief meeting of eyes between travellers passing one another, intoxicated by the inhuman speed and the shock of air pressure that makes everything shudder and clatter? Don't our looks bounce off others, as in the hasty encounter of the night, and leave us with nothing but conjectures, slivers of thoughts and imagined qualities? Isn't it true that it's not people who meet, but rather the shadows cast by their imaginations?
Pascal Mercier (Night Train to Lisbon)
I never told you about the trip to Portugal 3 years ago when I read Fernando Pessoa at 1 a.m. outside a small family-run restaurant by the harbour. If I close my eyes I can still smell the salt water and the fish, some sort of cleaning powder scent from the kitchen, can still feel the heat, a soft wind and me sitting with wide open eyes on my own at 1 a.m. writing what I thought was profound and excellent. I felt like a writer then. I was not a girlfriend or a daughter or a songwriter who never got signed—I was a writer in the truest sense and I lived in my own flames.
Charlotte Eriksson (He loved me some days. I'm sure he did: 99 essays on growth through loss)
Why do we feel sorry for people who can’t travel? Because, unable to expand externally, they are not able to expand internally either, they can’t multiply and so they are deprived of the possibility of undertaking expansive excursions in themselves and discovering who and what else they could have become.
Pascal Mercier (Night Train to Lisbon)
Later, this desire will invade and overwhelm me. It will begin, in the classic way, with an urge to travel to new places, destinations selected from maps and picture postcards. I will take trains, boats, planes, I will embrace Europe, discover London, a youth hostel next to Paddington Station, a Bronski Beat concert, thrift stores, the speakers of Hyde Park, beer gardens, darts, tawdry nights, Rome, walks among the ruins, finding shelter under the umbrella pines, tossing coins into fountains, watching boys with slicked-back hair whistle at passing girls. Barcelona, drunken wanderings along La Rambla and accidental meetings late on the waterfront. Lisbon and the sadness that’s inevitable before such faded splendor. Amsterdam with her mesmerizing volutes and red neon. All the things you do when you’re twenty years old. The desire for constant movement will come after, the impossibility of staying in one place, the hatred of the roots that hold you there, Doesn’t matter where you go, just change the scenery,
Philippe Besson (Lie With Me)
Thegirls also ordered catalogues for items they could never buy, and theLisbons' mailbox filled up once again: furniture catalogues fromScottshruptine, high-end clothing, exotic vacations. Unable to goanywhere, the girls traveled in their imaginations to goldtipped Siamesetemples, or past an old man with bucket and leaf broom tidying amoss-carpeted speck of Japan. As soon as we learned the names of thesebrochures we sent for them ourselves to see where the girls wanted togo. Far East Adventures. Footloose Tours. Tunnel to China Tours. OrientExpress. We got them all. And, flipping pages, hiked through dustypasses with the girls, stopping every now and then to help them take offtheir backpacks, placing our hands on their warm, moist shoulders andgazing off at papaya sunsets. We drank tea with them in a waterpavilion, above blazing goldfish. We did whatever we wanted to, andCecilia hadn't killed herself: she was a bride in Calcutta, with a redveil and the soles of her feet dyed with henna. The only way we couldfeel close to the girls was through these impossible excursions, whichhave scarred us forever, making us happier with dreams than wives.
Jeffrey Eugenides (The Virgin Suicides)
...I am sitting on the wall of the castle, looking out over the city, the river, the dish of sea beyond. Oleander, frangipani, laurel, great elm trees. A girl is sitting nearby, writing. The word "goodbye" is drifting in the air around me and I can't seem to catch hold of it. This entire city is a goodbye. The fringe of Europe, the last shore of the first world, it is there that the corroded continent sinks into the sea, dissolves into the infinite mist which the ocean resembles today. This city does not belong to the present, it is earlier here because it is later. The banal has not yet arrived. Lisbon is reluctant. That must be the word, this city puts off the moment of parting, this is where Europe says goodbye to itself. Lethargic songs, gentle decay, great beauty. Memory, postponement of metamorphosis. Not one of those things would find its way into Dr Strabo's Travel Guide. I send the fools to the fado taverns, for their dose of processed saudade. Slauerhoff and Pessoa I keep to myself...
Cees Nooteboom (The Following Story)
If, for example, you and I were anteaters, rather than two people sitting in the corner of a bar, I might feel more comfortable with your silence, with your motionless hands holding your glass, with your glazed fish eyes fixing now on my balding head and now on my navel, we might be able to understand each other better in a meeting of restless snouts sniffing halfheartedly at the concrete for nonexistent insects, we might come together, under cover of darkness, in acts of sexual coitus as sad as Lisbon nights, when the Neptunes in the lakes slough off the mud and slime and scan the deserted squares with blank, eager, rust-colored eyes. Perhaps you would finally tell me about yourself. Perhaps behind your Cranach brow there lies sleeping a secret fondness for rhinoceroses. Perhaps, if you felt my body, you would discover that I had been suddenly transformed into a unicorn, and I would embrace you, and you would flap startled arms, like a butterfly transfixed by a pin, your voice grown husky with desire. We would buy tickets for the train that travels around the zoo, from creature to creature, with its clockwork engine, an escapee from some provincial haunted castle, and we would wave, as we passed, at the grotto-cum-crib of those recycled carpets—the polar bears. We would observe with an ophthalmological eye the baboons' anal conjunctivitis, like eyelids inflamed with combustible hemorrhoids. We would kiss outside the lions' den, where the lions—moth-eaten old overcoats—would curl their lips to reveal toothless gums. I would stroke your breasts in the oblique shade cast by the foxes, you would buy me an ice cream on a stick from the clowns' enclosure, where they, eyebrows permanently arched, exchanged blows to the tragic accompaniment of a saxophone. And that way we would have recovered a little of the childhood that belongs to neither of us and that insists on whizzing down the children's slide with a laugh that reaches us now as an occasional faint, almost angry echo.
António Lobo Antunes (Os Cus de Judas)
Except for Lisbon, Berlin is the cheapest capital in Western Europe. This despite being the capital of the Continent’s richest country. Its population is still lower than it was at the outset of the Second World War. It’s a little like a mountain town with ski bums and trustafarians cycling through. The kids come to play, not to stay.
Andrew McCarthy (The Best American Travel Writing 2015 (The Best American Series))
gastronomic flavours and traditions on display to tease and seduce the senses.
Atsons (Top 20 Places You Must Visit in Portugal - Top 20 Portugal Travel Guide (Includes Lisbon, Porto, Algarve, Sintra, Madeira, Obidos, Azores, Cascais & More) (Europe Travel Series Book 11))
The scope of exploration, and distances, involved in the vehicles’ respective journeys were scarcely comparable: Armstrong and Aldrin’s trip to the lunar surface required them to break entirely free of Earth’s gravity and embark on an eight-day round trip through more than 900,000 miles of outer space; the Space Shuttle would be required merely to travel into low Earth orbit—between 190 and 330 miles above sea level—where it would circle the planet for up to a week before returning home. In some ways, it was as if the sixteenth-century explorer Ferdinand Magellan had proposed to follow up the first circumnavigation of the world by rowing across Lisbon harbor and back.
Adam Higginbotham (Challenger: A True Story of Heroism and Disaster on the Edge of Space)
we travel to our souls when we go to a place, that we have covered a stretch of our life, no matter how brief it may have been.
Pascal Mercier (Night Train to Lisbon)
Odessa è insieme Istanbul e Lisbona, Pietroburgo e Trieste.
Paolo Rumiz (The Fault Line: Traveling the Other Europe, From Finland to Ukraine)