Liquid Sky Quotes

‎Pleasure is wild and sweet. She likes purple flowers. She loves the sun and the wind and the night sky. She carries a silver bowl full of liquid moonlight. She has a cat named Midnight with stars on his paws. Many people mistrust Pleasure, and even more misunderstand her. For a long time I could barely stand to be in ...the same room with her...

It's wonderful to climb the liquid mountains of the sky. Behind me and before me is God and I have no fears

Everything changes. Everything is temporary, except for the sky. When you find yourself caught up in the horrors or heroes of a lifetime, look up. Don't look down. That which is beneath our feet is liquid, but the sky, the sky is solid, constant, ever ready and ever hopeful that the sun will rise in the morning and the moon will rise at night. They don't really set, you know. They're always rising, just rising for someone else.

The water is still and smooth. Polished glass. Not a ripple of wind disturbs the dark surface. Low-rising mist drifts off liquid mountains floating against a purple-bruised sky. An eager breath shudders past my lips. Soon the sun will break.

The sun is setting in a burnt orange sky; the cliffs are black silhouettes; the sea, liquid silver.

Just that. A pleasant daze. My body was full of sunlight. No blood, just liquid blue sky.

As the sky prepares to settle its tired, aching feet into the night’s velvet slippers I settle, into my armchair, soaking the teabag, of my thoughts, into warm liquidy stars.

But genius, and even great talent, springs less from seeds of intellect and social refinement superior to those of other people than from the faculty of transforming and transposing them. To heat a liquid with an electric lamp requires not the strongest lamp possible, but one of which the current can cease to illuminate, can be diverted so as to give heat instead of light. To mount the skies it is not necessary to have the most powerful of motors, one must have a motor which, instead of continuing to run along the earth's surface, intersecting with a vertical line the horizontal line which it began by following, is capable of converting its speed into lifting power. Similarly, the men who produce works of genius are not those who live in the most delicate atmosphere, whose conversation is the most brilliant or their culture the most extensive, but those who have had the power, ceasing suddenly to live only for themselves, to transform their personality into a sort of mirror, in such a way that their life, however mediocre it may be socially and even, in a sense, intellectually, is reflected by it, genius consisting in reflecting power and not int he intrinsic quality of the scene reflected.

I still remember the day my father took me to the Cemetery of Forgotten Books for the first time. It was the early summer of 1945, and we walked through the streets of a Barcelona trapped beneath ashen skies as dawn poured over Rambla de Santa Monica in a wreath of liquid copper.

Her mighty lakes, like oceans of liquid silver; her mountains, with bright aerial tints; her valleys, teeming with wild fertility; her tremendous cataracts, thundering in their solitudes; her boundless plains, waving with spontaneous verdure; her broad, deep rivers, rolling in solemn silence to the ocean; her trackless forests, where vegetation puts forth all its magnificence; her skies, kindling with the magic of summer clouds and glorious sunshine - no, never need an American look beyond his own country for the sublime and beautiful of natural scenery.

The water you kids were playing in, he said, had probably been to Africa and the North Pole. Genghis Khan or Saint Peter or even Jesus may have drunk it. Cleopatra might have bathed in it. Crazy Horse might have watered his pony with it. Sometimes water was liquid. Sometimes it was rock hard- ice. Sometimes it was soft- snow. Sometimes it was visible but weightless- clouds. And sometimes it was completely invisible- vapor- floating up into the the sky like the soals of dead people. There was nothing like water in the world, Jim said. It made the desert bloom but also turned rich bottomland into swamp. Without it we'd die, but it could also kill us, and that was why we loved it, even craved it, but also feared it. Never take water forgranted, Jim said. Always cherish it. Always beware of it.

Nothing like love to put blood back in the language, the difference between the beach and its discrete rocks and shards, a hard cuneiform, and the tender cursive of waves; bone and liquid fishegg, desert and saltmarsh, a green push out of death. The vowels plump again like lips or soaked fingers, and the fingers themselves move around these softening pebbles as around skin. The sky's not vacant and over there but close against your eyes, molten, so near you can taste it. It tastes of salt. What touches you is what you touch.

Her nausea increased, the dialect had become unfamiliar, the way our wet throats bathed the words in the liquid of saliva was intolerable. A sense of repulsion had invested all the bodies in movement, their bone structure, the frenzy that shook them. How poorly made we are, she thought, how insufficient. The broad shoulders, the arms, the legs, the ears, noses, eyes, seemed to her attributes of monstrous beings who had fallen from some corner of the black sky.

Look up, greet sparks of fire with salted eyes, For he’s a burning atmospheric sigh: One blaze of liquid flame on midnight sky, Soft orbital decay, and last goodbye.

I sit here before my computer, Amiguita, my altar on top of the monitor with the Virgen de Coatlalopeuh candle and copal incense burning. My companion, a wooden serpent staff with feathers, is to my right while I ponder the ways metaphor and symbol concretize the spirit and etherealize the body. The Writing is my whole life, it is my obsession. This vampire which is my talent does not suffer other suitors. Daily I court it, offer my neck to its teeth. This is the sacrifice that the act of creation requires, a blood sacrifice. For only through the body, through the pulling of flesh, can the human soul be transformed. And for images, words, stories to have this transformative power, they must arise from the human body--flesh and bone--and from the Earth's body--stone, sky, liquid, soil. This work, these images, piercing tongue or ear lobes with cactus needle, are my offerings, are my Aztecan blood sacrifices.

It is easy to forget that you live in the sky - not beneath it, but within it. Our atmosphere is an enormous ocean, and you inhabit it. This ocean is made up of the gases of air rather than liquid water, but it is as much of an ocean as the Atlantic or the Pacific. You may think of yourself as living on the ground, but all that means is that you are a creature of the ocean bed. You still inhabit the atmosphere like a sea creature does the water.

FOR HEAVEN'S SAKE, MY HEART! For heaven's sake, my heart, keep secret your love, and hide the secret from those you see and you will have better fortune. He who reveals secrets is considered a fool; silence and secrecy are much better for him who falls in love. For heaven's sake, my heart, if someone asks, "What has happened?", do not answer. If you are asked, "Who is she?"; Say she is in love with another And pretend that it is of no consequence. For heaven's sake, my love, conceal your passion; your sickness is also your medicine because love to the soul is as wine in a glass - what you see is liquid, what is hidden is its spirit. For heaven's sake, my heart, conceal your troubles; then, should the seas roar and the skies fall, you will be safe.

The night had a nearly liquid quality, was like sliding into a warm swimming pool, a pool filled with buoyant darkenss instead of water.

That night's dream: a narrow column of dark liquid in a tall glass; a blue-black waterspout plunging from the sky; a swirl of black-fruit icing piped over a pastry hot from the oven; a long, feminine finger laid over lips; a torrent of whispers that that finger cannot hush.

The sky darkened, the liquid singing of the blackbirds diminished and ceased, mud hens swam back to shore, climbed up the banks and huddled in the willows. The lights of a farm came on in the brown distance where patches of tule fog lay on the barren muddy fields. A wind came with the darkness, rattling the license plate, and a low, honking flight of geese passed.

The gunslinger turned his eyes up to the faces in the leaves. A play was being enacted there for his amusement Worlds rose and fell before him. Empires were built across shining sands where forever machines toiled in abstract electronic frenzies. Empires declined and fell. Wheels that had spun like silent liquid moved more slowly, began to squeak, began to scream, stopped. Sand choked the stainless steel gutters of concentric streets below dark skies full of stars like beds of cold jewels. And through it all, a dying wind of change blew, bringing with it the cinnamon smell of late October. The gunslinger watched as the world moved on.

Darcy looked at Graham for the first time in months, and realized that her memory had not done him justice. He was gold and bronze, perfect like a statue. His eyes were ice blue. They were eyes that could pierce a man's resolve, and probably had many times. But not now. Now they assessed her, ice fading to liquid sky...

Most people are afflicted with an inability to say what they see or think. They say there’s nothing more difficult than to define a spiral in words; they claim it is necessary to use the unliterary hand, twirling it in a steadily upward direction, so that human eyes will perceive the abstract figure immanent in wire spring and a certain type of staircase. But if we remember that to say is to renew, we will have no trouble defining a spiral; it’s a circle that rises without ever closing. I realize that most people would never dare to define it this way, for they suppose that defining is to say what others want us to say rather than what’s required for the definition. I’ll say it more accurately: a spiral is a potential circle that winds round as it rises, without ever completing itself. But no, the definition is still abstract. I’ll resort to the concrete, and all will become clear: a spiral is a snake without a snake, vertically wound around nothing. All literature is an attempt to make life real. All of us know, even when we act on what we don’t know, life is absolutely unreal in its directly real form; the country, the city and our ideas are absolutely fictitious things, the offspring of our complex sensation of our own selves. Impressions are incommunicable unless we make them literary. Children are particularly literary, for they say what they feel not what someone has taught them to feel. Once I heard a child, who wished to say that he was on the verge of tears, say not ‘I feel like crying’, which is what an adult, i.e., an idiot, would say but rather, ’ I feel like tears.’ And this phrase -so literary it would seem affected in a well-known poet, if he could ever invent it - decisively refers to the warm presence of tears about to burst from eyelids that feel the liquid bitterness. ‘I feel like tears’! The small child aptly defined his spiral. To say! To know how to say! To know how to exist via the written voice and the intellectual image! This is all that matters in life; the rest is men and women, imagined loves and factitious vanities, the wiles of our digestion and forgetfulness, people squirming- like worms when a rock is lifted - under the huge abstract boulder of the meaningless blue sky.

From the exoplanet data, astronomers can now say with confidence that one out of every five stars hosts a world where life as we know it could form. So, when you’re standing out there under the night sky, choose five random stars. Chances are, one of them has a world in its Goldilocks zone where liquid water could be flowing across its surface and life might already exist.

A Wild Woman Is Not A Girlfriend. She Is A Relationship With Nature. But can you love me in the deep? In the dark? In the thick of it? Can you love me when I drink from the wrong bottle and slip through the crack in the floorboard? Can you love me when I’m bigger than you, when my presence blazes like the sun does, when it hurts to look directly at me? Can you love me then too? Can you love me under the starry sky, shaved and smooth, my skin like liquid moonlight? Can you love me when I am howling and furry, standing on my haunches, my lower lip stained with the blood of my last kill? When I call down the lightning, when the sidewalks are singed by the soles of my feet, can you still love me then? What happens when I freeze the land, and cause the dirt to harden over all the pomegranate seeds we’ve planted? Will you trust that Spring will return? Will you still believe me when I tell you I will become a raging river, and spill myself upon your dreams and call them to the surface of your life? Can you trust me, even though you cannot tame me? Can you love me, even though I am all that you fear and admire? Will you fear my shifting shape? Does it frighten you, when my eyes flash like your camera does? Do you fear they will capture your soul? Are you afraid to step into me? The meat-eating plants and flowers armed with poisonous darts are not in my jungle to stop you from coming. Not you. So do not worry. They belong to me, and I have invited you here. Stay to the path revealed in the moonlight and arrive safely to the hut of Baba Yaga: the wild old wise one… she will not lead you astray if you are pure of heart. You cannot be with the wild one if you fear the rumbling of the ground, the roar of a cascading river, the startling clap of thunder in the sky. If you want to be safe, go back to your tiny room — the night sky is not for you. If you want to be torn apart, come in. Be broken open and devoured. Be set ablaze in my fire. I will not leave you as you have come: well dressed, in finely-threaded sweaters that keep out the cold. I will leave you naked and biting. Leave you clawing at the sheets. Leave you surrounded by owls and hawks and flowers that only bloom when no one is watching. So, come to me, and be healed in the unbearable lightness and darkness of all that you are. There is nothing in you that can scare me. Nothing in you I will not use to make you great. A wild woman is not a girlfriend. She is a relationship with nature. She is the source of all your primal desires, and she is the wild whipping wind that uproots the poisonous corn stalks on your neatly tilled farm. She will plant pear trees in the wake of your disaster. She will see to it that you shall rise again. She is the lover who restores you to your own wild nature.

The sunset competes with the red glow over Johnstown. And I know, at any given moment, metal is liquid fire lighting the night sky, becoming steel that will build tracks to anywhere she might be. It will build bridges between the glittering stars and the likes of me.

A soft liquid joy like the noise of many waters flowed over his memory and he felt in his heart the soft peace of silent spaces of fading tenuous skies above the waters, of oceanic silence, of swallows flying through the seadusk over the flowing waters. A soft liquid joy flowed through the words where the soft long vowels hurtled noiselessly and fell away, lapping and flowing back and ever shaking the white bells of their waves in mute chime and mute peal and soft low swooning cry; and he felt that the augury he had sought in the wheeling darting birds and in the pale space of sky above him had come forth from his heart like a bird from a turret quietly and swiftly.

They poured out the lower doors and windows of the castle, howling to the skies. They evolved into a kind of cohesive moving liquid, flowing down the hillside as one silvered blob, like mercury on a scientist’s palm.

She notices the unyielding ruthlessness of the storm; the crashing waves, the bitter sky kissing the water on the horizon, the keening laments of the sharp, cutting wind, and the relentless liquid deliverance of its somber showers. She’ll never forgive the audacity of the storm’s neglect.

S IS THE SOUND of the sea. Her surge and suck, her spray and surf. Sometimes she seethes. She knows the sound of smooth. With her s, the sea marries the shore, and then there is scamper and slush in the sand. With curling s’s the sea rises to stroke the side of her superior, the sky, who loves and meets her in the s of spray, spawned in liquid and air.

The sexual eagle exults he will gild the earth once more his descending wing his ascending wing sways imperceptibly the sleeves of the peppermint and all the water's adorable undress Days are counted so clearly that the mirror has yielded to a froth of fronds of the sky i see but one star now around us there is only the milk describing its dizzy ellipsis from which sometimes soft intuition with pupils of eyed agate rises to poke its umbrella tip in the mud of the electric light then great reaches cast anchor stretch out in the depths of my closed eyes icebergs radiating the customs of all the worlds yet to come bron from a fragment of you fragment unkown and iced on the wing your existence the giant bouquet escaping fr4om my arms is badly tied it didgs out walls unrolls the stairs of houses loses its leaves in the show windows of the street to gether the news i am always leaving to gather the news the newspaper is glass today and if letters no longer arrive it's that the train has been consumed the great incision of the emerald which gaave birth to the foliage is scarred for always the sawdust of blinding snow and the quarries of flesh are sounding along on the first shelf reversed on this shelf i take the impression of death and life to the liquid air

I sit down by the river. Its incessant flow has polished the rocks carried from the top of the mountain. The aqueous caress, that has unrolled for millions of years the liquid ribbon from the summits towards the plains, keeps the freshness of the youth. The July sun heats the trees on the shore, while the stream of water refreshes the air; Two breaths which mingle without opposing one another. The foliage softly sways under the summer breeze, tuning its movement to that of the fiery wave. Won by a palpable peace, thank you Mother Nature, I dive into my book. A time later, which seems infinite to me, the sky becomes darker, I raise my head. How many hours have passed during which, indifferent to the human time, the cascading water has descended from the mountain? How much water has passed in front of me? How many beings have quenched their thirst there, and get their lives out from it? How long after my small passage on Earth will have been forgotten, the river will continue to flow, to carry its rocks, to erode the mountain until it becomes a plain, to spread life like a vein of the Earth ?

They say mountains don't really move when you fall in love. I don't believe them, because I swear I saw mountains move the moment I fell in love with you. And I swear I feel the ground shake every single time we touch. And when we kiss, hot liquid stars tumble from the sky, searing my skin. Don't tell me there is no such thing as magic. Our love has proven them wrong.

And all the sky was teeming and tearing along, a vast disorder of flying shapes and darkness and ragged fumes of light and a great brown circling halo, then the terror of a moon running liquid-brilliant into the open for a moment, hurting the eyes before she plunged under cover of cloud again.

This is what it's like to drown: You take a last look at the sky, a last breath, slowly. Air goes into your lungs and then you are under water. You let the air out molecule by molecule, realizing for the first time how precious it is, this thing that feels so much like nothing, neither liquid nor solid. Your eyes are open wide. The world goes cool and green and you keep falling. There are shapes in the darkness, fronds of river weed waving, dark indescribable things that float and then sink with you. You never knew you were so heavy. The density of your flesh has never been of such prime importance. The air leaks out of you in spite of your mightiest attempts to hold it. You need more but there is none. Leafy things flail. The water's coolness is no longer soothing. You gasp. Water rushes into your lungs and floods them. Your eyes stare wider. You thrash. You want more than anything to live, to be able to rise again, but you keep falling. The river is bottomless. It pushes you along in the direction of its current like an impatient auntie, but it won't let you to the surface. Your eyes are wide open, but slowly everything goes black. You begin to float beneath the surface. You are conscious of the coolness again, of how green everything is. You move with the water and through it. You have left your body far behind. The river has become a part of you.

A lark sailed out of a grassy plot and soared high into the sky, and seeing it, he waited for the trill of liquid song to spray out of its throat and drip out of the blue. But there was no song, as there would have been in spring. He

The clung to me as I dug through my bag of the keys to the house, it was a warm rain, and it looked gray as it came down from the sky. I imagined it to be liquid armor, shaping itself to my body where it made contact. Shielding me from everything

Officer Pike took off his dark glasses, and looked at her. She felt her breath catch. His eyes were the most liquid blue, the blue of the sky over the high deserts of Sonora, the blue of the ocean where it has no bottom and is infinitely clean. But it wasn’t the blue that stopped her breath. For just a moment when the glasses were first pulled away, she could have sworn that those eyes were filled with the most terrible and long-endured pain. Then the pain was gone and there was only the blue.

The rain clung to me as I dug through my bag of the keys to the house, it was a warm rain, and it looked gray as it came down from the sky. I imagined it to be liquid armor, shaping itself to my body where it made contact. Shielding me from everything

The face that Moses had begged to see – was forbidden to see – was slapped bloody (Exodus 33:19-20) The thorns that God had sent to curse the earth’s rebellion now twisted around his brow… “On your back with you!” One raises a mallet to sink the spike. But the soldier’s heart must continue pumping as he readies the prisoner’s wrist. Someone must sustain the soldier’s life minute by minute, for no man has this power on his own. Who supplies breath to his lungs? Who gives energy to his cells? Who holds his molecules together? Only by the Son do “all things hold together” (Colossians 1:17). The victim wills that the soldier live on – he grants the warrior’s continued existence. The man swings. As the man swings, the Son recalls how he and the Father first designed the medial nerve of the human forearm – the sensations it would be capable of. The design proves flawless – the nerves perform exquisitely. “Up you go!” They lift the cross. God is on display in his underwear and can scarcely breathe. But these pains are a mere warm-up to his other and growing dread. He begins to feel a foreign sensation. Somewhere during this day an unearthly foul odor began to waft, not around his nose, but his heart. He feels dirty. Human wickedness starts to crawl upon his spotless being – the living excrement from our souls. The apple of his Father’s eye turns brown with rot. His Father! He must face his Father like this! From heaven the Father now rouses himself like a lion disturbed, shakes His mane, and roars against the shriveling remnant of a man hanging on a cross.Never has the Son seen the Father look at him so, never felt even the least of his hot breath. But the roar shakes the unseen world and darkens the visible sky. The Son does not recognize these eyes. “Son of Man! Why have you behaved so? You have cheated, lusted, stolen, gossiped – murdered, envied, hated, lied. You have cursed, robbed, over-spent, overeaten – fornicated, disobeyed, embezzled, and blasphemed. Oh the duties you have shirked, the children you have abandoned! Who has ever so ignored the poor, so played the coward, so belittled my name? Have you ever held a razor tongue? What a self-righteous, pitiful drunk – you, who moles young boys, peddle killer drugs, travel in cliques, and mock your parents. Who gave you the boldness to rig elections, foment revolutions, torture animals, and worship demons? Does the list never end! Splitting families, raping virgins, acting smugly, playing the pimp – buying politicians, practicing exhortation, filming pornography, accepting bribes. You have burned down buildings, perfected terrorist tactics, founded false religions, traded in slaves – relishing each morsel and bragging about it all. I hate, loathe these things in you! Disgust for everything about you consumes me! Can you not feel my wrath? Of course the Son is innocent He is blamelessness itself. The Father knows this. But the divine pair have an agreement, and the unthinkable must now take place. Jesus will be treated as if personally responsible for every sin ever committed. The Father watches as his heart’s treasure, the mirror image of himself, sinks drowning into raw, liquid sin. Jehovah’s stored rage against humankind from every century explodes in a single direction. “Father! Father! Why have you forsaken me?!” But heaven stops its ears. The Son stares up at the One who cannot, who will not, reach down or reply. The Trinity had planned it. The Son had endured it. The Spirit enabled Him. The Father rejected the Son whom He loved. Jesus, the God-man from Nazareth, perished. The Father accepted His sacrifice for sin and was satisfied. The Rescue was accomplished.

Firmly planted. Not fallen from on high: sprung up from below. Ochre, the color of burnt honey. The color of a sun buried a thousand years ago and dug up only yesterday. Fresh green and orange stripes running across its still-warm body. Circles, Greek frets: scattered traces of a lost alphabet? The belly of a woman heavy with child, the neck of a bird. If you cover and uncover its mouth with the palm of your hand, it answers you with a deep murmur, the sound of bubbling water welling up from its depths; if you tap its sides with your knuckles, it gives a tinkling laugh of little silver coins falling on stones. It has many tongues: it speaks of the language of clay and minerals, of air currents flowing between canyon walls, of washerwomen as they scrub, of angry skies, of rain. A vessel of baked clay: do not put it in a glass case alongside rare precious objects. It would look quite out of place. Its beauty is related to the liquid that it contains and to the thirst that it quenches. Its beauty is corporal: I see it, I touch it, I smell it, I hear it. If it is empty, It must be filled; if it is full, it must be emptied. I take it by the shaped handle as I would take a woman by the arm, I lift it up, I tip over a pitcher into which I pour milk or pulque - lunar liquids that open and close the doors of dawn and dark, waking a sleeping.

Reluctant to return to the empty rooms of Bluebell Cottage, Olivia ate fish and chips on the harbor wall, dangling her legs over the side just like she used to as a little girl, even though it made her mam anxious. The breeze nipped at the back of her neck and whipped up a fine sea spray that settled on her hands, leaving sparkling salt crystals as it dried. Fairy dust, she used to call it. She breathed in the fresh air and absorbed the view: tangerine sky and dove-gray sea, ripples on the surface of both, like dragon scales. She savored the sharp tang of vinegar on her tongue, letting her thoughts wander as the sun slowly melted into the sea, turning it to liquid gold.

What are arms in the water if not wings? I slice through the liquid sky. Push the water behind me. I move with speed I've never moved with before. Out into the ocean & back. Until my wings again become arms that are aching & my lungs need big gulps of air. I push onto my back and float. The curved spoon of moon peeks through the clouds.

The road swerved left. The crash of waves morphed into the rumble of thunder, and the black asphalt tapered to become a slender stretch of rope. She followed it up into the darkness, night spilling around and below her as someone knocked over the ink-jar of the sky and scattered its liquid to the furthest corners, dislodging silver shards of moon that bounced off her umbrella.

He poured, properly this time, even a little heavy. The dark liquid looked black in the glass, and she had to restrain herself from gulping it. Fresh tobacco. Black currants. God, it was so good. She kept it in her mouth for a count of ten before she swallowed. If there was any magic in this world that was not magic, it was wine. She smelled wet hay from a tumbledown field in Tuscany in the early morning, after the sky turned light, but before the sun burned off the dew. It reminded her of somewhere else too, a place she’d never seen, let alone smelled—someplace green and unspoiled and far away, which she knew well even though she’d never been there, just as it knew her well. She felt its pull on her, as she always had. But for the moment she let its name escape her.

Tell me something. If you could have one thing in the world, what would it be? Something material,” he adds. “I…” My brain goes blank. “I don’t know.” “Don’t lie.” He palms his wine glass, making the liquid within swish, matching motions of the unreadable emotion flickering in his eyes. “Name it.” “Someplace that’s mine, I guess,” I stammer. “Where no one could kick me out, or overrun, or rip away.

Very often in our culture, you are treated as though you have little spiritual capacity, as though you have no inherent power, and that people ‘in the know’ have to always liquidize your food in order for you to grow. But it is important that the true seeker understands that they must be open enough to be deeply challenged to awaken the living aspiration necessary for true freedom. To be free you are going to have to break out of the mold of personal conditioning, out of your cocoon. Each sincere seeker must be willing to undergo the necessary transformation from caterpillar consciousness to the butterfly of freedom!

River" Whole days would go by, and later their years, while I thought of nothing but its darkness drifting like a bridge against the sky. Day after day I dreamily sought its melancholy, its searchings, its soft banks enfolded me, and upon my lengthening neck its kiss was murmuring like a wound. My very life became the inhalation of its weedy ponderings and sometimes in the sunlight my eyes, walled in water, would glimpse the pathway to the green sea. For it was there I was being borne. Then for a moment my strengthening arms would cry out upon the leafy crest of air like whitecaps, and lightning, swift as pain, would go through me on its way to the forest, and I’d sink back upon the brutal tenderness that bore me on, that held me like a slave in its liquid distances of eyes, and one day, though weeping for my caresses, would abandon me, moment of infinitely salty air! Sun fluttering like a signal! Upon the open flesh of the world.

Sirius Sojourn by Stewart Stafford Cottage in an aromatic meadow, Summer's languid haze hanging, The old windmill's sundial stilled, Chirping birds and insect drones. Flowing brooks at a funereal pace, A bloated lull duels exiguous energy, Thick air's blanketing somnolence, Liquid refreshment soothes inertia. Salmon sundown slithers to a siesta, In a clear purple sky nodding assent, The intense day imperceptibly eased, As the night's humid embrace begins. © Stewart Stafford, 2022. All rights reserved.

By the time they had called at the baker's and climbed to the top of Cap Diamant, the sun, dropping with incredible quickness, had already disappeared. They sat down in the blue twilight to eat their bread and await the turbid afterglow which is peculiar to Quebec in autumn; the slow, rich, prolonged flowing-back of crimson across the sky, after the sun has sunk behind the dark ridges of the west. Because of the haze in the air the colour seems thick, like a heavy liquid, welling up wave after wave, a substance that throbs, rather than a light.

Silver The liquid ebony stretches out and mingles with the midnight sky where high above, as on a throne, is perched that perfect sphere of silver. She looks upon the lapping waves, the calm, all serene; She looks upon the rocky shore, watching dark nothing break in two and become tiny globs of light. The soft white foam creeps upon the smooth beige land to darken it but for a moment, only to retreat back to its blackened home and hide among the vastness. The silver moon smiles openly, casting a healthy grin upon the rippled water below, sending gifts of silver to float on seas of woe.

The liquid sound of the flute began. As the girl's thin fingers moved over the seven holes of the instrument, her knuckles look like tiny gnomes absorbed in a slow dance. It was a low sound, like the gurgling of a brook. Takuan felt that he himself had turned into flowing water, splashing through a ravine, playing in the shallows. When the high notes sounded, he felt his spirit wafted into the sky to gambol with the clouds. The sound of the earth and the reverberations of heaven mingled and were transformed into the wistful sighs of the breeze blowing through the pines, lamenting the impermanence of this world.

Her eyes were liquid silver as they narrowed at him, swirling with as many mysteries as the stars in the night sky. "I want a family," she murmured. "And I'll do what I must to get it." The naked, aching honesty in her voice pierced him with a poisoned arrow, and he could feel the toxins spreading through his blood. Soon he would be completely paralyzed, a victim of the opposing forces now quarreling inside him like two wolves fighting for dominance. The two strongest emotions known to man. He took in a deep breath, the scent of her honey soap and the lavender water evading his senses with the subtlety of a Roman legion.

Two things," the wise man said, "fill me with awe: The starry heavens and the moral law." Nay, add another wonder to thy roll, -- The living marvel of the human soul! Born in the dust and cradled in the dark, It feels the fire of an immortal spark, And learns to read, with patient, searching eyes, The splendid secret of the unconscious skies. For God thought Light before He spoke the word; The darkness understood not, though it heard: But man looks up to where the planets swim, And thinks God's thoughts of glory after Him. What knows the star that guides the sailor's way, Or lights the lover's bower with liquid ray, Of toil and passion, danger and distress, Brave hope, true love, and utter faithfulness? But human hearts that suffer good and ill, And hold to virtue with a loyal will, Adorn the law that rules our mortal strife With star-surpassing victories of life. So take our thanks, dear reader of the skies, Devout astronomer, most humbly wise, For lessons brighter than the stars can give, And inward light that helps us all to live. The world has brought the laurel-leaves to crown The star-discoverer's name with high renown; Accept the flower of love we lay with these For influence sweeter than the Pleiades

It wasn’t until Clay felt the sand under his talons and heard the roaring of the dragons in the stands that he realized he hadn’t quite thought this plan through. He had no idea what his fighting skills would be like against an unknown dragon. His mind went blank as the SkyWing guards dropped a hissing IceWing onto the ground opposite him. Did he know anything about IceWings? The sun was high in the sky, and it was much warmer in the arena than up on their prison spires. Clay could see beads of silvery liquid dripping through the IceWing’s glacier-blue scales. Above them, Queen Scarlet smirked from her balcony, with Glory sleeping serenely beside her. The same SkyWing announcer from the day before strutted to the center of the arena and bellowed at the crowd. “After last month’s battle with Blaze’s army, our queen’s dungeons were stuffed with IceWing prisoners of war. Only nine have survived. After two wins, I give you — Fjord of the IceWings!” Fjord lashed his tail and snarled at Clay. “And in this corner, an unusual case — a MudWing, but not one of our allies. No, this dragonet was found hiding under our mountains, protected by the Talons of Peace. Is he one of the dragonets of destiny? Not if he loses this battle!” A murmur of laughter rippled around the seats, but in the closest faces Clay could see expressions of uneasiness and, he thought, concern. He spotted a large MudWing in one of the balconies, frowning down at him. Try to stop this, Clay thought at him, praying hard. Do something! I’m one of you! But the MudWing shifted his gaze away, as if he didn’t want to watch but couldn’t afford to leave. The SkyWing announcer went on. “If these prophesied dragonets are as wonderful and legendary as they’re supposed to be, this should be a showdown to remember. I hope you’re prepared to impress us, dragon of the mud. I present to you … Clay of the MudWings! Claws up, teeth ready! Fight!” Clay

The night was pitch dark, with a fresh breeze.— The sea from its extreme luminousness presented a wonderful & most beautiful appearance; every part of the water, which by day is seen as foam, glowed with a pale light. The vessel drove before her bows two billows of liquid phosphorus, & in her wake was a milky train.— As far as the eye reached, the crest of every wave was bright; & from the reflected light, the sky just above the horizon was not so utterly dark as the rest of the Heavens.— It was impossible to behold this plain of matter, as it were melted & consuming by heat, without being reminded of Miltons description of the regions of Chaos & Anarchy.

Another bottle was brought out and poured into the reservoir. Once more I climbed inside the car and pressed the spurter button. Once more nothing happened--and once more, when we looked inside the reservoir, we found it empty. "Two litres!" I said. "Where has it all gone?" They'd vaporized, evaporated. And do you know what? It felt wonderful. Don't ask me why: it just did. It was as though I'd just witnessed a miracle: matter--these two litres of liquid--becoming un-matter--not surplus matter, mess or clutter, but pure, bodiless blueness. Transubstantiated. I looked up at the sky: it was blue and endless. I looked back at the boy. His overalls and face were covered in smears. He'd taken on these smears so that the miracle could happen, like a Christian martyr being flagellated, crucified, scrawled over with stigmata. I felt elated--elated and inspired. "If only..." I started, but paused. "What?" he asked. "If only everything could..." I trailed off. I knew what I meant. I stood there looking at his grubby face and told him: "Thank you." Then I got into the car and turned the ignition key in its slot. The engine caught--and as it did, a torrent of blue liquid burst out of the dashboard and cascaded down. It gushed from the radio, the heating panel, the hazard-lights switch and the speedometer and mileage counter. It gushed all over me: my shirt, my legs, my groin.

I visited various parts of my own country; and had I been merely a lover of fine scenery, I should have felt little desire to seek elsewhere its gratification, for on no country had the charms of nature been more prodigally lavished. Her mighty lakes, her oceans of liquid silver; her mountains, with their bright aerial tints; her valleys, teeming with wild fertility; her tremendous cataracts, thundering in their solitudes; her boundless plains, waving with spontaneous verdure; her broad, deep rivers, rolling in solemn silence to the ocean; her trackless forests, where vegetation puts forth all its magnificence; her skies, kindling with the magic of summer clouds and glorious sunshine;—no, never need an American look beyond his own country for the sublime and beautiful of natural scenery.

Time stops. He lies on his shattered back, looking upward. The dome above him hovers, a cracked shell about to fall in shards all around him. A thousand - a thousand thousand - green-tipped, splitting fingerlings fold over him, praying and threatening. Bark disintegrates; wood clarifies. The trunk turns into stacks of spreading metropolis, networks of conjoined cells pulsing with energy and liquid sun, water rising through long thin reeds, through the narrowing tunnels of transparent twigs and out through their waving tips, while sun-made sustenance drops down in tubes just inside them. A colossal, rising, reaching, stretching space elevator of a billion independent parts, shuttling the air into the sky and storing the sky deep underground, sorting possibility from out of nothing: the most perfect piece of self-writing code that his eyes could hope to see. Then his eyes close in shock and Neelay shuts down.

From east to west, in fact, her gaze swept slowly, without encountering a single obstacle, along a perfect curve. Beneath her, the blue-and-white terraces of the Arab town overlapped one another, splattered with the dark-red spots of the peppers drying in the sun. Not a soul could be seen, but from the inner courts, together with the aroma of roasting coffee, there rose laughing voices or incomprehensible stamping of feet. Father off, the palm grove, divided into uneven squares by clay walls, rustled its upper foliage in a wind that could not be felt up on the terace. Still farther off and all the way to the horizon extended the ocher-and-gray realm of stones, in which no life was visible. At some distance from the oasis, however, near the wadi that bordered the palm grove on the west could be seen broad black tents. All around them a flock of motionless dromedaries, tiny at the distance, formed against the gray ground the black signs of a strange handwriting, the meaning of which had to be deciphered. Above the desert, the silence was as vast as the space. Janine, leaning her whole body against the parapet, was speechless, unable to tear herself away from the void opening before her. Beside her, Marcel was getting restless. He was cold; he wanted to go back down. What was there to see here, after all? But she could not take her gaze from the horizon. Over yonder, still farther south, at that point where sky and earth met in a pure line - over yonder it suddenly seemed there was awaiting her something of which, though it had always been lacking, she had never been aware until now. In the advancing afternoon the light relaxed and softened; it was passing from the crystalline to the liquid. Simultaneously, in the heart of a woman brought there by pure chance a knot tightened by the years, habit, and boredom was slowly loosening. She was looking at the nomads' encampment. She had not even seen the men living in it' nothing was stirring among the black tents, and yet she could think only of them whose existence she had barely known until this day. Homeless, cut off from the world, they were a handful wandering over the vast territory she could see, which however was but a paltry part of an even greater expanse whose dizzying course stopped only thousands of miles farther south, where the first river finally waters the forest. Since the beginning of time, on the dry earth of this limitless land scraped to bone, a few men had been ceaselessly trudging, possessing nothing but serving no one, poverty-stricken but free lords of a strange kingdom. Janine did not know why this thought filled her with such a sweet, vast melancholy that it closed her eyes. She knew that this kingdom had been eternally promised her and yet that it would never be hers, never again, except in this fleeting moment perhaps when she opened her eyes again on the suddenly motionless sky and on its waves of steady light, while the voices rising from the Arab town suddenly fell silent. It seemed to her that the world's course had just stopped and that, from that moment on, no one would ever age any more or die. Everywhere, henceforth, life was suspended - except in her heart, where, at the same moment, someone was weeping with affliction and wonder.

Sometimes, she said, she could recognize a place just by the quality of the light. In Lisbon, the light at the end of spring leans madly over the houses, white and humid, and just a little bit salty. In Rio de Janeiro, in the season that the locals instinctively call ‘autumn’, and that the Europeans insist disdainfully is just a figment of their imagination, the light becomes gentler, like a shimmer of silk, sometimes accompanied by a humid grayness, which hangs over the streets, and then sinks down gently into the squares and gardens. In the drenched land of the Pantanal in Mato Grosso, really early in the morning, the blue parrots cross the sky and they shake a clear, slow light from their wings, a light that little by little settles on the waters, grows and spreads and seems to sing. In the forests of Taman Negara in Malaysia, the light is like a liquid, which sticks to your skin, and has a taste and a smell. It’s noisy in Goa, and harsh. In Berlin the sun is always laughing, at least during those moments when it manages to break through the clouds, like in those ecological stickers against nuclear power. Even in the most unlikely skies, Ângela Lúcia is able to discern shines that mustn’t be forgotten; until she visited Scandinavia she’d believed that in that part of the world during the winter months light was nothing but the figment of people’s imagination. But no, the clouds would occasionally light up with great flashes of hope. She said this, and stood up, adopting a dramatic pose: ‘And Egypt? In Cairo? Have you ever been to Cairo?… To the pyramids of Giza?…’ She lifted her hands and declaimed: ‘The light, majestic, falls; so potent, so alive, that it seems to settle on everything like a sort of luminous mist.

Onomasticians and toponymists have a field day with this book. Of particular interest to language fiends, and to this translator, is Zamyatin’s relationship to the sounds of words. He told the artist Yuri Annenkov of the qualities he ascribes to certain sounds and letters. L is pale, cold, light blue, liquid, light. R is loud, bright, red, hot, fast. N is tender, snow, sky, night. D or T is stifling, grave, foggy, obscuring, stagnant. M is kind, soft, motherly, sea-like. A is wide, distant, ocean, misty mirage, breadth of scope. O is high, deep, sea-like, bosom. I is close, low, pressing.

All of the combat was stirring up the magic. It filled the air like steam. But that wasn’t all. There was magic in the trampled grass of the courtyard, in trees surrounding the fort like sentinels, and in the moon and starlight streaming down from the sky. It was all swirling down into the courtyard and down into the earth. There was more magic available than Raziel could have possibly taken in. But that didn’t mean he couldn’t try. Raziel drew in everything he could, pulling magic from every direction. It was like trying to continuously inhale without exhaling. He burst into sweat as his whole body began to burn with the effort of containing the magic. The air around him was swirling, turbulent and constantly shifting directions. Soon it felt like his veins were filled with liquid fire and thunder pounded in his head. When he couldn’t take anymore, he began to force the energy up his shoulder and down his arm into his right hand. Everywhere the magic left felt like it was freezing, but his arm felt like it was being dipped in molten metal. Raziel opened his eyes to find his hand engulfed in a blazing ball of blue light. Hoeru was transfixed by it. There were a few gremlin bodies on the ground nearby, but they weren’t attacking anymore. They were running from the light Raziel held.

Please approach with care these figures in black. Regard with care the weight they bear, the scars that mark their hearts. Do you think you can handle these bodies of graphite & coal dust? This color might rub off. A drop of this red liquid could stain your skin. This black powder could blow you sky high. No ordinary pigments blacken our blues. Would you mop the floor with this bucket of blood? Would you rinse your soiled laundry in this basin of tears? Would you suckle hot milk from this cracked vessel? Would you be baptized in this fountain of funky sweat? Please approach with care these bodies still waiting to be touched. We invite you to come closer. We permit you to touch & be touched. We hope you will engage with care.

Dottie: I miss being across the hall from you. Jason: Words I never thought you’d say. Dottie: I know, I surprised myself, but despite your annoying tendencies and non-stop chattering, I miss it. Jason: You’re making my heart soar like a fucking falcon. A goddamn FALCON, Dottie. Dottie: Falcon. That’s pretty serious. Do you know what would have been more serious? An albatross. Jason: Pfft, no way. They might have a ten-foot wingspan, but they’re seabirds, so they shit in the ocean. Where’s the fun in that? Dottie: As opposed to . . . Jason: Shitting on people’s heads, of course. If I was a bird, that would be my main purpose in life, shitting on unsuspecting people’s heads. Think about it, being targeted by a bird bowel movement is detrimental as a human being. You’re just going about your normal business when all of a sudden, WHACK, white goop drips from your forehead down your cheek. What is that, you think? You carefully touch it, your fingers immediately wet with semi-warm liquid. And when you realize it’s an anal secretion from a flying vertebrate, all hell breaks loose. The horror! The disgust! The SHAME OF BEING SHIT ON. There’s no coming back from that. #DayRuined And as the maniacal bird, there you are, floating around in the peaceful skies, watching idiot humans running around in circles, trying to get rid of the poo-poo. With one flip of the feather—or the bird, hey-o—you’re off to the bird feeder, filling up so you can drop turd once again. A vicious cycle of humans feeding birds only to get shit on unsuspectedly, I AM HERE FOR THAT! Dottie: I was wrong. I don’t have to be across the hall to be annoyed by you.

I have always been a teller of stories. When I was a young girl, my mother carried me out of a grocery store as I screamed about toes in the produce aisle. Concerned women turned and watched as I kicked the air and pounded my mother’s slender back. “Potatoes!” she corrected when we got back to the house. “Not toes!” She told me to sit in my chair—a child-sized thing, built for me—until my father returned. But no, I had seen the toes, pale and bloody stumps, mixed in among those russet tubers. One of them, the one that I had poked with the tip of my index finger, was cold as ice, and yielded beneath my touch the way a blister did. When I repeated this detail to my mother, something behind the liquid of her eyes shifted quick as a startled cat. “You stay right there,” she said. My father returned from work that evening, and listened to my story, each detail. “You’ve met Mr. Barns, have you not?” he asked me, referring to the elderly man who ran this particular market. I had met him once, and I said so. He had hair white as a sky before snow, and a wife who drew the signs for the store windows. “Why would Mr. Barns sell toes?” my father asked. “Where would he get them?” Being young, and having no understanding of graveyards or mortuaries, I could not answer. “And even if he got them somewhere,” my father continued, “what would he have to gain by selling them amongst the potatoes?” They had been there. I had seen them with my own eyes. But beneath the sunbeam of my father’s logic, I felt my doubt unfurl. “Most importantly,” my father said, arriving triumphantly at his final piece of evidence, “why did no one notice the toes except for you?” As a grown woman, I would have said to my father that there are true things in this world observed only by a single set of eyes. As a girl, I consented to his account of the story, and laughed when he scooped me from the chair to kiss me and send me on my way.

He eases himself down to die. He thinks, others can do it and so can I. He inhales something: sweet raw smell of sawdust; from some-where, the scent of the Frescobaldi kitchen, wild garlic and cloves. He sees the movement from the corner of his eye as the spectators kneel and avert their faces. His mouth is dry, but he thinks, while I breathe I pray. 'All my confidence hope and trust, is in thy most merciful goodness...’ In the sky he senses movement. A shadow falls across his view. His father Walter is here, voice in the air. 'So now get up.' He lies broken on the cobbles of the yard of the house where he was born. His whole body is shuddering. 'So now get up. So now get up.' The pain is acute, a raw stinging, a ripping, a throb. He can taste his death: slow, metallic, not come yet. In his terror he tries to obey his father, but his hands cannot get a purchase, nor can he crawl. He is an eel, he is a worm on a hook, his strength has ebbed and leaked away beneath him and it seems a long time ago now since he gave his permission to be dead; no one has told his heart, and he feels it writhe in his chest, trying to beat. His cheek rests on nothing, it rests on red. He thinks, follow. Walter says, ‘That's right, boy, spew everywhere, spew everywhere on my good cobbles. Come on, boy, get up. By the blood of creeping Christ, stand on your feet?' He is very cold. People imagine the cold comes after but it is now. He thinks, winter is here. I am at Launde. I have stumbled deep into the crisp white snow. I flail my arms in angel shape, but now I am crystal, I am ice and sinking deep: now I am water. Beneath him the ground upheaves. The river tugs him; he looks for the quick-moving Pattern, for the flitting, liquid scarlet. Between a pulse-beat and the next he shifts, going out on crimson with the tide of his inner sea. He is far from England now, far from these islands, from the waters salt and fresh. He has vanished; he is the slippery stones underfoot, he is the last faint ripple in the wake of himself. He feels for an opening, blinded, looking for a door: tracking the light along the wall.

Planted rows went turning past like giant spokes one by one as they ranged the roads. The skies were interrupted by dark gray storm clouds with a flow like molten stone, swept and liquid, and light that found its way through them was lost in the dark fields but gathered shining along the pale road, so that sometimes all you could see was the road, and the horizon it ran to. Sometimes she was overwhelmed by the green life passing in such high turbulence, too much to see, all clamoring to have its way. Leaves sawtooth, spade-shaped, long and thin, blunt-fingered, downy and veined, oiled and dusty with the day—flowers in bells and clusters, purple and white or yellow as butter, star-shaped ferns in the wet and dark places, millions of green veilings before the bridal secrets in the moss and under the deadfalls, went on by the wheels creaking and struck by rocks in the ruts, sparks visible only in what shadow it might pass over, a busy development of small trailside shapes tumbling in what had to be deliberately arranged precision, herbs the wildcrafters knew the names and market prices of and which the silent women up in the foothills, counterparts whom they most often never got even to meet, knew the magic uses for. They lived for different futures, but they were each other’s unrecognized halves, and what fascination between them did come to pass was lit up, beyond question, with grace.

The hot humid day had followed the sun westward, leaving a cool midnight breeze. The sky, God’s special gift to the sailor, was free of city lights and urban pollution. Placed on display, all of creation was set on the night’s canopy of blue-black velvet adorned with the glistening diamond dust of billions of lesser stars and the sparkling one-point diamonds of the major stars. A deep golden harvest moon hung low on the eastern horizon. Its glow cut a pewter path from moon to ship across shifting liquid swells rolling forward to meet the Farnley’s bow. The bow, rocking gently, rose, then floated gently down to embrace the next swell.

Camera three zoomed in at the right angle showing in graphic HD quality the minister’s tongue falling on the floor with blood spraying his $2,000 Armani shirt and $2,000 tie. Camera four zoomed in to film Bobby’s eyes bulging from their sockets until they exploded into a viscous cloud of grisly liquid. More blood began to stream from his nose and ears as the meteor shower ended, and the sky began to brighten. Finally, the beleaguered religious icon teetered in his Gucci loafers, then toppled to the floor.

Further reading and thinking, though they brought this vague inclination into more reasonable bounds, only served to make it more decided. I visited various parts of my own country; and had I been merely a lover of fine scenery, I should have felt little desire to seek elsewhere its gratification, for on no country had the charms of nature been more prodigally lavished. Her mighty lakes, her oceans of liquid silver; her mountains, with their bright aerial tints; her valleys, teeming with wild fertility; her tremendous cataracts, thundering in their solitudes; her boundless plains, waving with spontaneous verdure; her broad, deep rivers, rolling in solemn silence to the ocean; her trackless forests, where vegetation puts forth all its magnificence; her skies, kindling with the magic of summer clouds and glorious sunshine;—no, never need an American look beyond his own country for the sublime and beautiful of natural scenery.

Now, on August 9, 2151, just six days short of Mercury’s fearsome perihelion, a bloated Sun three times the diameter of the one seen from Earth crawls towards its searing noon. The day has lasted over nine hundred hours from sunrise, baking the surface of Mercury to temperatures that would turn many metals to pools of shimmering liquid. There is no air in Mercury’s jet-black sky to carry the heat away to cooler climes; the atmosphere escaped into space long ago, forced away by the intense heat and silent solar wind. The

I wondered if this was how vampires felt, like they’d lost their humanity and could never get it back. The scientists had practically turned me into a vampire. Only a monthly shot of liquid blue prevented that from happening.

A rather controversial example of this is the idea that ancient humans had a vastly more muted visual spectrum than we do today. The color blue, for instance, was not something that ancient man could distinguish from other colors. Only a select few people were born with the ability to identify the color spectrum that we all accept today, but it wasn’t until the written word was developed that this became startlingly apparent. In ancient texts, oceans are referred to as great black or green swathes of liquid, not because the author took artistic liberties, but because they simply couldn’t see a difference. Then, when people with a wider color spectrum began to describe the color blue, and differentiate it, the rest of the world took notice. It wasn’t an evolutionary change, but a societal one. The human race altered their perception of a color based solely on the desire to experience what others knew as a truth. The next time you look at the blue sky above, realize that it is colored by your adherence to what you think is true. Truth and lies do more than simply guide us through our social lives; they literally shape the world around us. I wonder if those researchers ever got funding for their experiment.

The night had darkened to the murky sort where the air hung like descending clouds and the overhead branches made the liquid darkness even more impenetrable.

Real Fact about Angles: Angels are material but ethereal (Latif), more ethereal than the gaseous phase of matter. They are Nurani( Luminous, Spiritual). They are alive. They have reason ( ). Evils peculiar to human beings do not exist of angles. They can take any shape. As gases turn into liquid and solid and take any shape when becoming solid, likewise angles can form beautiful shapes, Angles are not souls that have parted from the bodies of great men. Christians presume that the angles are such spirits. Unlike energy and power, they are not immaterial. Some ancient philosophers supposed so. all of them are called Malaika "Malak" (angel) means 'envoy, messenger' or 'power.' Angles were created before all other living creatures. Therefore, we were commanded to believe in them before believing in the heavenly books, which come before belief in prophets; and in the Holly Quran the names of these tenets of belief are given in thes succession. Belief in angles has to be as follows: angels are creatures of Allahu Talal (God). They are not His Partners, nor are they His daughters as disbelievers and polytheists suppose. They Obey His Commands (God's Commands) and never commit sins or disobey the commands. They are neither male or Female. They are do not get married. They do not have children. They have life; that is, they are alive. When Allah (the God) announced the He was going to create human beings, angels asked, "Ya Rabbi! (Oh God) Are You going to create creatures who will corrupt the world and shed blood?" Such questions, called Dhella, from angles do not changes the fact the they are innocent. Of all creatures, angels are the most plentiful. No one but Allah (the God) knows their number. There is no empty space in the skies where angels do not worship. Every place in the skies is occupied by angels in Ruku (blowing during Namaz) " a kind of worship or pray" or in the Sujda (Prostrating) " a kind of worship or pray to God". In the skies, on the earth, in grass, on stars, in every living and lifeless creature, in every rain-drop, plant leaf, atom molecule, in every reaction, motion, in everything, angels have duties. They carry out Allahu Tala's (the God) commands everywhere. They are intermediaries between Allahu tala (The God) and creatures. Some of them are the commanders of other angels. Some of them brought messages to Prophets among human beings. Some angels bring good thoughts, called "Ilham" (inspiration), to the human heart. Some others are unaware of all human beings and creatures and have lost consciousness upon feeling Allah Tala's (The God) beauty. Each of theses angels stays in a certain place and connot leave its place. Some angels have two wings and some have four or more. Angels belonging in Paradise stay in Paradise. Their superior is Ridwan. Angels of Hell, Zabanis carry out in Hell what they are commanded. The fire of Hell does not harm them, as the sea is not harmful to fish. There are nineteen leading Zabanis. Their chief Is Malik. For each human being, there are four angels who record all their good and bad acts. Two of them come at night and the other two come during the day. They are called Kiram Katibin or angels or Hafaza. There is another scholarly report stating that the on one’s right side is superior to the one on the left and records the good deeds. The one on the left writes down the evil deeds. There are angels who will torment disbelievers and disobedient Muslims in their graves, and angels who will ask questions in graves. The questioning angles are called Munkar and Nakir. Angels who will question Muslims are also Called mubashshir and Bashir. At the first sound of the “Sur”, all angels except the Hamalat al-Arsh and the four archangel’s will be annihilated. Then the Hamalat al-Arsh and then the four archangels will be annihilated. At the second sound all angels will be annihilated after all the living creatures, as they were created before all.

The sound of slapping water, the deep swallows made only by large masses of liquid, was almost too much to bear. I stood at the edge of the waterpocket, where much of the desert dropped off below, showing pockets of even greater size, and lifted my arms straight into the sky. Beads came down my body. This was abundance.

My dreams took me many places. Sometimes I would be in a pirogue with my father, deep in the Atchafalaya swamp, the fog thick in the black trees, and just as the sun broke on the earth’s rim, I’d troll my Mepps spinner next to the cypress stumps and a largemouth bass would sock into it and burst from the quiet water, rattling with green-gold light. But tonight I dreamed of Hueys flying low over jungle canopy and milky-brown rivers. In the dream they made no sound. They looked like insects against the lavender sky, and as they drew closer I could see the door-gunners firing into the trees. The down-drafts from the helicopter blades churned the treetops into a frenzy, and the machine-gun bullets blew water out of the rivers, raked through empty fishing villages, danced in geometrical lines across dikes and rice paddies. But there was no sound and there were no people down below. I saw a door-gunner’s face, and it was stretched tight with fear, whipped with wind, throbbing with the action of the gun. I could see only one of his eyes—squinted, cordite-bitten, liquid with the reflected images of dead water buffalo in the heat, smoking villages, and glassy countryside, where the people had scurried into the earth like mice. His hands were swollen and red, his finger wrapped in a knot around the trigger, the flying brass cartridge casings kaleidoscopic in the light. There were no people to shoot at anymore, but no matter—his charter was clear. He was forever wedded and addicted to this piece of earth that he’d helped make desolate, this land that was his drug and nemesis. The silence in the dream was like a scream.

Ode to Bees Multitude of bees! in and out of the crimson, the blue, the yellow, of the softest softness in the world; you tumble headlong into a corolla to conduct your business, and emerge wearing a golden suit and quantities of yellow boots. The waist, perfect, the abdomen striped with dark bars, the tiny, ever-busy head, the wings, newly made of water; you enter every sweet-scented window, open silken doors, penetrate the bridal chamber of the most fragrant love, discover a drop of diamond dew, and from every house you visit you remove honey, mysterious, rich and heavy honey, thick aroma, liquid, guttering light, until you return to your communal palace and on its gothic parapets deposit the product of flower and flight, the seraphic and secret nuptial sun! Multitude of bees! Sacred elevation of unity, seething schoolhouse. Buzzing, noisy workers process the nectar, swiftly exchanging drops of ambrosia; it is summer siesta in the green solitudes of Osorno. High above, the sun casts its spears into the snow, volcanoes glisten, land stretches endless as the sea, space is blue, but something trembles, it is the fiery, heart of summer, the honeyed heart multiplied, the buzzing bee, the crackling honeycomb of flight and gold! Bees, purest laborers, ogival workers fine, flashing proletariat, perfect, daring militia that in combat attack with suicidal sting; buzz, buzz above the earth's endowments, family of gold, multitude of the wind, shake the fire from the flowers, thirst from the stamens, the sharp, aromatic thread that stitches together the days, and propagate honey, passing over humid continents, the most distant islands of the western sky. Yes: let the wax erect green statues, let honey spill in infinite tongues, let the ocean be a beehive, the earth tower and tunic of flowers, and the world a waterfall, a comet's tail, a never-ending wealth of honeycombs! Pablo Neruda, Odes to Common Things. (Bulfinch; Illustrated edition, May 1, 1994)

Planted rows went turning past like giant spokes one by one as they ranged the roads. The skies were interrupted by dark gray storm clouds with a flow like molten stone, swept and liquid, and light that found its way through them was lost in the dark fields but gathered shining along the pale road, so that sometimes all you could see was the road, and the horizon it ran to. Sometimes she was overwhelmed by the green life passing in such high turbulence, too much to see, all clamoring to have its way. Leaves sawtooth, spade-shaped, long and thin, blunt-fingered, downy and veined, oiled and dusty with the day—flowers in bells and clusters, purple and white or yellow as butter, star-shaped ferns in the wet and dark places, millions of green veilings before the bridal secrets in the moss and under the deadfalls, went on by the wheels creaking and struck by rocks in the ruts, sparks visible only in what shadow it might pass over, a busy development of small trailside shapes tumbling in what had to be deliberately arranged precision, herbs the wildcrafters knew the names and market prices of and which the silent women up in the foothills, counterparts whom they most often never got even to meet, knew the magic uses for. They lived for different futures, but they were each other’s unrecognized halves, and what fascination between them did come to pass was lit up, beyond question, with grace. Merle

The rays of sun spilled Like coffee into a pot Gently, warmly flowing Almost as an afterthought. The morning dew melted to vapor Rising into a morning mist As the supple steam rose from the cup And with the breeze, was dismissed. I took my mocha with extra cream As clouds drifted across the sky Forming thick, bushy clumps Becoming one with the liquid nearby. I took my first sip As sun crested horizon The heat nearly burnt my lips As blue sky began to lighten. I sighed with contentment Enjoying the myriad flavors The coffee swirled and mixed Rhythmically as the light wavered.

I saw the massive stone altar first begin to glow like a ruby; then it was a heart of liquid gold like a solid single-crystal chrysoprase: the gold intensified into ice-cold emerald and passed into the dark sapphire of an arctic sky; this again withdrew into a violet so deep that the visual purple of the eye itself seemed absorbed in that depth, that abyss of color in which sight was being drowned. And as this intensification of vibrancy seemed to sweep across the visible spectrum up to those ranges where energy absorbs all mass and that which can pierce the most solid is itself fine beyond all substance, so it seemed with hearing. That abyss of sound which I had been thinking of as only depth, it, too, seemed to rise or, rather, I suppose I was carried up on some rising wave which explored the deep of the height. As the light drew toward the invisible, I experienced a sound so acute that I can only remember feeling to myself that this was the note emitted when the visible universe returns to the unmanifest—this was the consummatum est of creation. I knew that an aperture was opening in the solid manifold. The things of sense were passing with the music of their own transmutation, out of sight. Veil after veil was evaporating under the blaze of the final Radiance. Suddenly I knew terror as never before. The only words which will go near to recreating in me some hint of that actual mode are those which feebly point toward the periphery of panic by saying that all things men dread are made actually friendly by this ultimate awfulness. Every human horror, every evil that the physical body may suffer, seemed, beside this that loomed before me, friendly, homely, safe. The rage of a leaping tiger would have been a warm embrace. The hell of a forest wrapped in a hurricane of fire, the subzero desolation of the antarctic blizzard, would have been only the familiar motions of a simple well-known world. Yes, even the worst, most cunning and cruel evil would only be the normal reassuring behavior of a well-understood, much-sympathized-with child. Against This, the ultimate Absolute, how friendly became anything less, anything relative.

Every aspect of every minute of the day--rain without surcease spilling out of the black and liquid sky; sloughed, fierce sweeps of wind; the swollen, silt-ridden, ever-swiftening river; the torturing midges; the ghostly mists like amorphous shifts of sorrow--all had acted in perfect scheme to chasten desire. Nought, though, can ever fully dry the angler's heart of it.

Singularity (after Stephen Hawking) Do you sometimes want to wake up to the singularity we once were? so compact nobody needed a bed, or food or money— nobody hiding in the school bathroom or home alone pulling open the drawer where the pills are kept. For every atom belonging to me as good Belongs to you. Remember? There was no Nature. No them. No tests to determine if the elephant grieves her calf or if the coral reef feels pain. Trashed oceans don’t speak English or Farsi or French; would that we could wake up to what we were —when we were ocean and before that to when sky was earth, and animal was energy, and rock was liquid and stars were space and space was not at all—nothing before we came to believe humans were so important before this awful loneliness. Can molecules recall it? what once was? before anything happened? No I, no We, no one. No was No verb no noun only a tiny tiny dot brimming with is is is is is All everything home

My cock lay against her stomach, smearing my liquid against her belly button. He expelled plenty of lubrication, but I never needed it.

And yet, though his eyes shone with the thrill of his discovery, he suffered at the same time a pang of resentment - a resentment that this alien realm should be able to exist in a world that appeared to have no reference to his home and which seemed, in fact, supremely self-sufficient. A region that had never heard of Fuchsia and her death, nor of her father, the melancholy earl, nor of his mother the countess with her strange liquid whistle that brought wild birds to her from distant spinneys. Were they coeval; were they simultaneous? These worlds; these realms - could they both be true? Were there no bridges? Was there no common land? Did the same sun shine upon them? Had they the constellations of the night in common? When the storm came down upon these crystal structures, and the sky was black with rain, what of Gormenghast? Was Gormenghast dry? And when the thunder growled in his ancient home was there never any echo hereabouts? What of the rivers? Were they separate? Was there no tributary, even, to feel its way into another world? Where lay the long horizons? Where throbbed the frontiers? O terrible division! The near and the far. The night and the day. The yes and the no.

[Uranus] is a world of mists, " said Mother wistfully. "It has no surface, you know; the wet gases of its sky thicken imperceptibly into the wetter ocean, and the liquid ocean thickens similarly into a solid core. It is a place of soft and ceaseless main, and eternal mist. Not unlike Scotland.

For clothes, I prefer black, but I love all shades of blue, especially peacock, navy, and teal." He pauses. "I also like the color of your eyes, clear like the sky---" I stumble, tripping over my own two feet. "You noticed my eyes?" "Of course, we were together for most of the day." He nudges my side with his elbow. "They're much prettier when you're not glaring at me. And you?" I'm thrown for a loop. Is he asking if I like his liquid-brown with a hint of green and completely hypnotic eyes?

The Pythagoreans say that the triangle is the absolute principle of generation of begotten things, and of their form; that is why Timaeus says that the reasons of physical being, and of the regular formation of the elements are triangular; indeed, they have the three dimensions, in unity they gather the elements which in themselves are absolutely divided and changing; they are filled with the infinity characteristic of matter, and above the material beings they form bonds that indeed are frail. That is why triangles are bounded by straight lines, and have angles which unite the lines, and are their bonds. Philolaus was therefore right in devoting the angle of the triangle to four divinities, Kronos, Hades, Ares, and Bacchus, under these four names combining the fourfold disposition of the elements, which refers to the superior part of the universe, starting from the sky, or sections of the zodiac. Indeed, Kronos presides over everything humid and cold in essence; Ares, over everything fiery; Hades contains everything terrestrial, and Dionysus directs the generation of wet and warm things, represented by wine, which is liquid and warm. These four divinities divide their secondary operations, but they remain united; that is why Philolaus, by attributing to them one angle only, wished to express this power of unification.

Stormy Sunday by Stewart Stafford Coffee offsets the stormy Sunday, Thundery fingers scratch the drum, The coal-black sky stares unamused, A dim rainbow stripe upon its back. The understudy sun punches through, Slamming into a house's white gable, Blinding against the dark backdrop, The shushing showers rage angrier. Liquid beading on the window pane, Translucent insects marching slipshod, Weather duellists go back and forth, A primal rolling flux rumbling on. © Stewart Stafford, 2023. All rights reserved.

The ancient chasms of liquid stone had since cooled their violence to became a sedate ring of dented mountains that encircled a great basin. A hot spring bubbled in the center of the valley, a lingering token of the life-giving fire that had first spewed sentience into the skies on leather wings. The dracora were said to still carry that fire within their bellies, both a price and a boon as the island's eldest children.

Whoever you are! motion and reflection are especially for you, The divine ship sails the divine sea for you. Whoever you are! you are he or she for whom the earth is solid or liquid, You are he or she for whom the sun and moon hang in the sky, For none more than you are the present and the past, For none more than you is immortality. —WALT WHITMAN, “A SONG OF THE ROLLING EARTH

I wonder what would happen if the days were not pushed? What would happen if the time flowed in its natural sequence? The sky edging from darkness to gray, rising like a tide of light, pushing the flotsam of cloud upward. And then the sun’s rim, liquid gold, the slant of light through twigs and leaf. What would happen if you watched time’s river rise and flow, lifting you on its back and carrying you on its crest, until, lying back, you rested on the receding light, languishing in the slow pools of afternoon, the tips of the firs trembling and lifting, the ropes of birch leaves swaying in the light like sea kelp. To the west, the evening glow would linger, holding on to color. What if you could watch until the last drops spilled from the edge and then you came to know the night? Oh, but what would be served by such a life? Observation. Contemplation. Deliberation. What if your life came unplugged, disconnected, out of sync with the rest of the world? What if you rode this planet on one full circle round its star paying attention to light and plants and water? Seeing the way rain gathers in puddles or dew beads on grass, noticing the day violets open under the firs or ants appear in the bathroom? You could, you know. Shut off the bells. You could cut loose, unplug, begin. You could improve the nick of time.

And then it was like he had been punched hard in the chest. He wasn't running anymore. He looked down. there was a silver bolt sticking out of him.no, that couldn't be. He couldn't have shot himself. He tried to augh, but it hurt to much. What was gong on? He had fallen. He was sitting down, his legs out in front of him. dead grown-ups lay all around him. Nothing moved. he couldn't breathe. His lungs were full of liquid. He looked up. The sky was flickering.

The reality of combat always exceeds the boundaries of imagination. Every battle is an amalgamation of a thousand personal battles, and each man's fight a kaleidoscope of sights, sounds, and smells that burn into his consciousness and echo for as long as his life lasts. A man excited to rage runs across a smoky stubble field. One moment he is bounding ahead on eager legs. A second later he is shocked to find the ground leaping up to dash him rudely in the mouth. His teeth clack, he tastes the gritty soil. He gasps for air. Hot liquid seeps ominously from his belly. Sounds echo and recede. An idea quivers on the edge of his mind. A word forms on his dry tongue. No breath to voice it. The sun shines on him from a night sky.

Goethe had actually performed an extraordinary set of experiments in his investigation of colors. Goethe began as Newton had, with a prism. Newton had held a prism before a light, casting the divided beam onto a white surface. Goethe held the prism to his eye and looked through it. He perceived no color at all, neither a rainbow nor individual hues. Looking at a clear white surface or a clear blue sky through the prism produced the same effect: uniformity. But if a slight spot interrupted the white surface or a cloud appeared in the sky, then he would see a burst of color. It is “the interchange of light and shadow,” Goethe concluded, that causes color. He went on to explore the way people perceive shadows cast by different sources of colored light. He used candles and pencils, mirrors and colored glass, moonlight and sunlight, crystals, liquids, and color wheels in a thorough range of experiments. For example, he lit a candle before a piece of white paper at twilight and held up a pencil. The shadow in the candlelight was a brilliant blue. Why? The white paper alone is perceived as white, either in the declining daylight or in the added light of the warmer candle. How does a shadow divide the white into a region of blue and a region of reddish-yellow? Color is “a degree of darkness,” Goethe argued, “allied to shadow.” Above all, in a more modern language, color comes from boundary conditions and singularities.

If Weierstrass is a rock climber, inching his way methodically up the cliff face, Riemann is a trapeze artist, launching himself boldly into space in the confidence—which to the observer often seems dangerously misplaced—that when he arrives at his destination in the middle of the sky, there will be something there for him to grab. It is plain that Riemann had a strongly visual imagination, and also that his mind leaped to results so powerful, elegant, and fruitful that he could not always force himself to pause to prove them. He was keenly interested in philosophy and physics, and notions gathered from long, deep contemplation of those two disciplines—the flow of sensations through our senses, the organizing of those sensations into forms and concepts, the flow of electricity through a conductor, the movements of liquids and gases— can be glimpsed beneath the surface of his mathematics.

Often Khaster heard noises in the night he could not identify. They were the sounds made by animals, but had a human resonance to them. Sometimes gouts of light would spurt into the sky-red, turquoise, gold-and some moments later thunder would come, but from beneath the earth rather than the heavens. Strange smells, bitter yet musky and sweet, would occasionally come in through an open window to haunt a room. Khaster knew that the priest-mages of Madragore employed a regiment of alchemists who worked in a shuttered citadel on the east of the city. Its huge domed roof, which was covered in flaky verdigis scales rose up from an area of factories and tanning shops. Stories leaked out of the citadel along with the fumes. Creatures were made there, homunculi, golems, beasts of war. Sometimes the creatures escaped or were let out to roam the city by their keepers. That accounted for the strange nocturnal noises. But perhaps these were only stories after all. Perhaps the citadel hid secrets of a more mundane yet brutal nature. Prisoners could be interrogated there, tortured with corrosive steams. The alchemists made killing perfumes for use on the battlefield. Khaster had heard tales of a liquid that when released into the air corroded all the flesh from anyone who smelled its delicate aroma. The alchemists made weapons; if not magical beasts, then mordant potions and poisons. They had to test them on someone.

Stamets went off to Kenyon College, where, as a freshman, he had “a profound psychedelic experience” that set his course in life. As long as he could remember, Stamets had been stymied by a debilitating stutter. “This was a huge issue for me. I was always looking down at the ground because I was afraid people would try to speak to me. In fact, one of the reasons I got so good at finding mushrooms was because I was always looking down.” One spring afternoon toward the end of his freshman year, walking alone along the wooded ridgeline above campus, Stamets ate a whole bag of mushrooms, perhaps ten grams, thinking that was a proper dose. (Four grams is a lot.) As the psilocybin was coming on, Stamets spied a particularly beautiful oak tree and decided he would climb it. “As I’m climbing the tree, I’m literally getting higher as I’m climbing higher.” Just then the sky begins to darken, and a thunderstorm lights up the horizon. The wind surges as the storm approaches, and the tree begins to sway. “I’m getting vertigo but I can’t climb down, I’m too high, so I just wrapped my arms around the tree and held on, hugging it tightly. The tree became the axis mundi, rooting me to the earth. ‘This is the tree of life,’ I thought; it was expanding into the sky and connecting me to the universe. And then it hits me: I’m going to be struck by lightning! Every few seconds there’s another strike, here, then there, all around me. On the verge of enlightenment, I’m going to be electrocuted. This is my destiny! The whole time, I’m being washed by warm rains. I am crying now, there is liquid everywhere, but I also feel one with the universe. “And then I say to myself, what are my issues if I survive this? Paul, I said, you’re not stupid, but stuttering is holding you back. You can’t look women in the eyes. What should I do? Stop stuttering now—that became my mantra. Stop stuttering now, I said it over and over and over. “The storm eventually passed. I climbed down from the tree and walked back to my room and went to sleep. That was the most important experience of my life to that point, and here’s why: The next morning, I’m walking down the sidewalk, and here comes this girl I was attracted to. She’s way beyond my reach. She’s walking toward me, and she says, ‘Good morning, Paul. How are you?’ I look at her and say, ‘I’m doing great.’ I wasn’t stuttering! And I have hardly ever stuttered since.

them a debt of gratitude.” Stamets went off to Kenyon College, where, as a freshman, he had “a profound psychedelic experience” that set his course in life. As long as he could remember, Stamets had been stymied by a debilitating stutter. “This was a huge issue for me. I was always looking down at the ground because I was afraid people would try to speak to me. In fact, one of the reasons I got so good at finding mushrooms was because I was always looking down.” One spring afternoon toward the end of his freshman year, walking alone along the wooded ridgeline above campus, Stamets ate a whole bag of mushrooms, perhaps ten grams, thinking that was a proper dose. (Four grams is a lot.) As the psilocybin was coming on, Stamets spied a particularly beautiful oak tree and decided he would climb it. “As I’m climbing the tree, I’m literally getting higher as I’m climbing higher.” Just then the sky begins to darken, and a thunderstorm lights up the horizon. The wind surges as the storm approaches, and the tree begins to sway. “I’m getting vertigo but I can’t climb down, I’m too high, so I just wrapped my arms around the tree and held on, hugging it tightly. The tree became the axis mundi, rooting me to the earth. ‘This is the tree of life,’ I thought; it was expanding into the sky and connecting me to the universe. And then it hits me: I’m going to be struck by lightning! Every few seconds there’s another strike, here, then there, all around me. On the verge of enlightenment, I’m going to be electrocuted. This is my destiny! The whole time, I’m being washed by warm rains. I am crying now, there is liquid everywhere, but I also feel one with the universe. “And then I say to myself, what are my issues if I survive this? Paul, I said, you’re not stupid, but stuttering is holding you back. You can’t look women in the eyes. What should I do? Stop stuttering now—that became my mantra. Stop stuttering now, I said it over and over and over. “The storm eventually passed. I climbed down from the tree and walked back to my room and went to sleep. That was the most important experience of my life to that point, and here’s why: The next morning, I’m walking down the sidewalk, and here comes this girl I was attracted to. She’s way beyond my reach. She’s walking toward me, and she says, ‘Good morning, Paul. How are you?’ I look at her and say, ‘I’m doing great.’ I wasn’t stuttering! And I have hardly ever stuttered since.