Lipstick Red Quotes

We've searched our database for all the quotes and captions related to Lipstick Red. Here they are! All 200 of them:

Beauty, to me, is about being comfortable in your own skin. That, or a kick-ass red lipstick.
Gwyneth Paltrow
I laugh, and my lipstick leaves a red stain like a bloody crescent moon on the top of the beer can.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
I am going to a conference tomorrow," she said. "In Portland. Dr. Melissa Sanchez will speak. She says you think your way to a sexier you. Hormones are powerful drugs. Unless we tell them what we want, they backfire. They work against us." Dorothea turned, pointing the Ajax can at me for emphasis. "Now I wake in the morning and take red lipstick to my mirror. 'I am sexy,' I write. 'Men want me. Sixty-five is the new twenty-five.
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
She's applying her lipstick; I've always believed that the universe invented the color red solely for Latinas.
Junot Díaz (This Is How You Lose Her)
You don’t have any friends, your sister dumped you, you’re a freak eater..and you’ve got some weird thing about Simon Snow." "I object to every single thing you just said." Reagan chewed. And frowned. She was wearing dark red lipstick. "I have lots of friends," Cath said. "I never see them." "I just got here. Most of my friends went to other schools. Or they’re online." "Internet friends don’t count." "Why not?" Reagan shrugged disdainfully. "And I don’t have a weird thing with Simon Snow," Cath said. "I’m just really active in the fandom." "What the fuck is ‘the fandom’?
Rainbow Rowell (Fangirl)
you must wear it like she wears disappointment on her face you must hide the surprise of tasting other men on your lips your mother is a woman and women like her cannot be contained. you find the black tube inside her beauty case, where she keeps your fathers old prison letters, you desperately want to look like her film star beauty, you hold your hand against your throat your mother was most beautiful when sprawled out on the floor half naked and bleeding. you go to the bathroom to apply the lipstick, somewhere no one can find you your teeth look brittle against the deep red slickness you smile like an infant, your mouth is a wound you look nothing like your mother you look everything like your mother. you call your ex boyfriend, sit on the toilet seat and listen to the phone ring, when he picks up you say his name slow he says i thought i told you to stop calling me you lick your lips, you taste like years of being alone.
Warsan Shire
Tal told me he loved me, and told me and told me, but you don't tell someone that and then tell them they're not experienced enough in bed and should read a book or something to learn, or they should try wearing deep-red lipstick and tight skirts to look hot like their best friend once in a while. If Tal hadn't lied to me when he said he loved me, I might not be without a future right now, a sucker who was so chickenshit she allowed herself to believe a false dream from a false god. I'm not sure I ever even liked Tal, much less loved him.
Rachel Cohn (Nick & Norah's Infinite Playlist)
Trying to change the outside by making changes to the outside, is like trying to make your lips red in your reflection by putting lipstick on the mirror!
Odille Rault
Being a Christian isn’t what most think it is—all rules and regulations.” She clinked her glass with the red lipstick stain on the rim against mine. “It is all trust and surrender and transformation, at its best.
Patti Callahan Henry (Becoming Mrs. Lewis)
A lady friend once told me that when a woman wears red lipstick to meet a man, it’s for two possible reasons. Either she wants him to fuck her, or she wants to tell him to fuck off.
Kristen Callihan (Dear Enemy)
For you she learned to wear a short black slip and red lipstick, how to order a glass of red wine and finish it. She learned to reach out as if to touch your arm and then not touch it, changing the subject. Didn't you think, she'd begin, or Weren't you sorry. . . . To call your best friends by their schoolboy names and give them kisses good-bye, to look away when they say Your wife! So your confidence grows. She doesn't ask what you want because she knows. Isn't that what you think? When actually she was only waiting to be told Take off your dress--- to be stunned, and then do this, never rehearsed, but perfectly obvious: in one motion up, over, and gone, the X of her arms crossing and uncrossing, her face flashing away from you in the fabric so that you couldn't say if she was appearing or disappearing.
Deborah Garrison (A Working Girl Can't Win)
I need to prolong this moment; it’s not often I gain the upper hand. I put on lipstick using the wall as a mirror. The color is called Flamethrower and it’s my trademark. Vicious, violent, poisonous red. Slit-wrists red. The color of the devil’s underpants,according to Dad. I have so many tubes that I always have a tube within a three-foot radius. I am black and white, but thanks to Flamethrower, I can be Technicolor. I live in terror of it being discontinued by the manufacturer, hence my hoarding.
Sally Thorne (The Hating Game)
red lipstick: an external sign of internal fire.-we tried to warn you.
Amanda Lovelace (The Witch Doesn't Burn in This One)
She wore red lipstick the next time that I saw her, though her hair was more voluminous with dirt than before. Owing, like everything else about these girls, to the fertility of rats.
Kathy Acker (Pussy, King of the Pirates)
The lipstick is a dark, dark red. The kind Hollywood stars wear. Not a shade good girls in Davisburg wear to the movies. I try it on anyway and gaze at my reflection in the mirror. I don't look sick. I certainly don't look like that kind of girl. What does that kind of girl look like, anyway?
Robin Talley (Lies We Tell Ourselves)
Happiness. A better life. Red lipstick and those sunglasses. The
Sally Thorne (The Hating Game)
You’re going to get all the things you think you can’t have,” she says quietly, reaching out to rub red lipstick from my cheek. “You just don’t know it yet.
Holly Black (Red Glove (Curse Workers, #2))
Stormy, who was larger than life, who taught me how to apply red lipstick “so it lasts even after a night of kisses and champagne,” she said. I
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
Just because she is choosing a different life path from you does not give you the right to belittle her. She’s not doing anything wrong. She’s not hurting anyone. She simply wants a little red lipstick and a nice boy to notice her.’ ‘But should’t she want more for her life than that?’ ‘Why any woman wants for herself is not for you to decide. You would do well to remember this.
Sydney J. Shields (The Honey Witch)
Sofia,” I said, lowering my sandwich from my mouth. The edge of the bread had a red mark on it from my lipstick. “If you don’t take that man’s jacket, I’m going to set something on fire.” Cole immediately came to life. Jeremy shook his head slowly. “No man. Not here.” He said it with such lazy, muted humor that it suddenly seemed obvious that they’d been in a band together. That he, anyway, knew Cole in a way those fangirls did not.
Maggie Stiefvater (Sinner (The Wolves of Mercy Falls, #4))
One historical note that I just love: When the suffragettes were marching, at one point they started wearing red lipstick so they would all be wearing the same bold color and stand in solidarity with one another. I love how this little thing many women had in their purses became a powerful political symbol. It's a reminder that we don't have to diminish ourselves as women to be seen as strong. You can push for societal change and you can love getting dressed up. You don't have to choose.
Reese Witherspoon (Whiskey in a Teacup: What Growing Up in the South Taught Me About Life, Love, and Baking Biscuits)
I'm waiting for her to say "Craig, what you need to do is X" and for the Shift to occur. I want there to be a Shift so bad. I want to feel my brain slide back into the slot it was meant to be in, rest there the way it did before the fall of last year, back when I was young, and witty, and my teachers said I had incredible promise, and I had incredible promise, and I spoke up in class because I was excited and smart about the world. I want the Shift so bad. I'm waiting for the phrase that will invoke it. It'll be like a miracle within my life. But is Dr. Minerva a miracle worker? No. She's a thin, tan lady from Greece with red lipstick.
Ned Vizzini (It's Kind of a Funny Story)
I only believe in the easy things, like red lipstick and coffee before noon and writing essays in pen. I make my mind up about boys and then I unmake it, compare us to continental drift, two ships passing. I hit the snooze button too often. Write disposable poems on napkins and old homework, try to discipline myself when it comes to removing my makeup before bed. I am trying to understand men better, cut them some slack, write about them less. I dream about oceans and mountains and wolves. I do not always love myself. I do not always forgive myself. I write apology letters and do not send them. Usually, I do not mean it when I tell someone goodbye.
Kristina Haynes
She oozes the kind of over-confidence that only comes to people who wear deep red lipstick and sparkly tissue sarees in bright daylight.
Aditi Mathur Kumar (Soldier and Spice - An Army Wife's Life)
Her huge blue eyes and toothy red-lipsticked grin suggested a woman who might be only minutes away from a catastrophic mental breakdown.
Stephen King (11/22/63)
She wore her vulnerability like red lipstick, with nothing else.
Jacqueline Simon Gunn
I see dead dead dead red and burgundy and maroon and the richest shade of your mother's favorite lipstick all smeared into the earth.
Tahereh Mafi (Shatter Me (Shatter Me, #1))
She was wearing her new purple miniskirt with the split up the side and an incredibly bright red lipstick she had bought off the internet that was guaranteed to drive boys wild
Colin Thompson (The Floods #1: Good Neighbors)
As I grow in age, I value women who are over forty most of all. Here are just a few reasons why: A woman over forty will never wake you in the middle of the night to ask, “What are you thinking?” She doesn’t care what you think. If a woman over forty doesn’t want to watch the game, she doesn’t sit around whining about it. She does something she wants to do. And, it’s usually something more interesting. A woman over forty knows herself well enough to be assured in who she is, what she is, what she wants and from whom. Few women past the age of forty give a hoot what you might think about her or what she’s doing. Women over forty are dignified. They seldom have a screaming match with you at the opera or in the middle of an expensive restaurant. Of course, if you deserve it, they won’t hesitate to shoot you, if they think they can get away with it. Older women are generous with praise, often undeserved. They know what it’s like to be unappreciated. A woman over forty has the self-assurance to introduce you to her women friends. A younger woman with a man will often ignore even her best friend because she doesn’t trust the guy with other women. Women over forty couldn’t care less if you’re attracted to her friends because she knows her friends won’t betray her. Women get psychic as they age. You never have to confess your sins to a woman over forty. They always know. A woman over forty looks good wearing bright red lipstick. This is not true of younger women. Once you get past a wrinkle or two, a woman over forty is far sexier than her younger counterpart. Older women are forthright and honest. They’ll tell you right off if you are a jerk, if you are acting like one! You don’t ever have to wonder where you stand with her. Yes, we praise women over forty for a multitude of reasons. Unfortunately, it’s not reciprocal. For every stunning, smart, well-coiffed hot woman of forty-plus, there is a bald, paunchy relic in yellow pants making a fool of himself with some twenty-two-year-old waitress. Ladies, I apologize. For all those men who say, “Why buy the cow when you can get the milk for free,” here’s an update for you. Now 80 percent of women are against marriage, why? Because women realize it’s not worth buying an entire pig, just to get a little sausage.
Andy Rooney
Three weeks and I hadn't slept. Three weeks without sleep, and everything becomes an out-of-body-experience. My doctor said, "Insomnia is just the symptom of something larger. Find out what's actually wrong. Listen to your body." I just wanted to sleep. I wanted little blue Amytal Sodium capsules, 200-milligram-sized. I wanted red-and-blue Tuinal bullet capsules, lipstick-red Seconal.
Chuck Palahniuk (Fight Club)
I’m a ho. I’m a ho. The thought popped into my head before I’d even opened my eyes the next morning. It was the same thought I had when I tried to wear red lipstick.
Corrine Jackson (Ignited (Sense Thieves #3))
She was teetering on the cusp of adulthood. Three-quarters child, one-quarter yearning. Her dreams were confused kaleidoscopes of swanning through the sets of TV shows, drinking cocktails that looked like vodka martinis and tasted like Sprite, wearing lipstick and pumps covered in red craft glitter, and marrying someone who was half pop star and half stuffed animal.
Holly Black (Book of Night (Book of Night, #1))
I grazed her from head to toe: black high heels, dark red lipstick, sleek brown pony and those tyrannical yellow-green eyes, burning holes into the glass. I was sharing an elevator with a tempestuous, electric storm that I refused to calm. I always wished to be swept into madness, if only for a moment, to truncate the mundane, ordinary moments of my existence.
Krista Ritchie (Fuel the Fire (Calloway Sisters #3))
When Amy returned to London she told me excitedly about some of the Hispanic women she’d seen in Miami, and how she wanted to blend their look – thick eyebrows, heavy eye-liner, bright red lipstick – with her passion for the sixties ‘beehive’.
Mitch Winehouse
There's power in the words that come out of your mouth. Now imagine those words coming out of your red lipsticked mouth. They have even more power.
Lebo Grand
Even as a child, I knew what I didn't want. I didn't want to wear red lipstick.
Patti Smith
Nothing beats a little red lipstick for banishing the blues.
Heather Babcock (Filthy Sugar)
do ur squats eat ur vegetables wear red lipstick don't let boys be mean to u
INTERNET
You are not something special to me. You are not something I want to love.” He reached up to her lips and smeared her red lipstick with his thumb. “You are something I want to ruin.
Alex Aster (Nightbane (Lightlark, #2))
The things she wanted the baby to know seemed small, so small. How it felt to go to a grocery store on vacation; to wake at three a.m. and run your whole life through your fingertips; first library card; new lipstick; a toe going numb for two months because you wore borrowed shoes to a friend’s wedding; Thursday; October; “She’s Like the Wind” in a dentist’s office; driver’s license picture where you look like a killer; getting your bathing suit back on after you go to the bathroom; touching a cymbal for sound and then touching it again for silence; playing house in the refrigerator box; letting a match burn down to the fingerprints; one hand in the Scrabble bag and then I I I O U E A; eyes racing to the end of Villette (skip the parts about the crétin, sweetheart); hamburger wrappers on a road trip; the twist of a heavy red apple in an orchard; word on the tip of the tongue; the portal, but just for a minute.
Patricia Lockwood (No One Is Talking About This)
America, is there lipstick on my teeth?" Zoe asked. I turned to my left and found her smiling maniacally, exposing all her pearly whites. "No, you're good," I answered, seeing out of the corner of my eye that Marlee was nodding in confirmation. "Thanks. How is he so calm?" Zoe asked, pointing over at Maxon, who was talking to a member of the crew. She then bent down and put her head between her legs and started doing controlled breathing. Marlee and I looked at each other, eyes wide with amusement, and tried not to laugh. It was hard if we looked at Zoe, so we surveyed the room and chatted about what others were wearing. There were several girls in seductive reds and lively greens, but no one else in blue. Olivia had gone so far as to wear orange. I'd admit that I didn't know that much about fashion, but Marlee and I both agreed that someone should have intervened on her behalf. The color made her skin look kind of green. Two minutes before the cameras turned on, we realized it wasn't the dress making her look green. Olivia vomited into the closest trash can very loudly and collapsed on the floor. Silvia swooped in, and a fuss was made to wipe the sweat off her and get her into a seat. She was placed in the back row with a small receptacle at her feet, just in case. Bariel was in the seat in front of her. I couldn't hear what she muttered to the poor girl from where I was, but it looked like Bariel was prepared to injure Olivia should she have another episode near her. I guessed that Maxon had seen or heard some of the commotion, and I looked over to see if he was having any sort of reaction to it all. But he wasn't looking toward the disturbance; he was looking at me. Quickly-so quickly it would look like nothing but scratching an itch to anyone else-Maxon reached up and tugged on his ear. I repeated the action back, and we both turned away. I was excited to know that tonight, after dinner, Maxon would be stopping by my room.
Kiera Cass (The Selection (The Selection, #1))
I see women and children starving to death, homes destroyed and buried in rubble, the countryside a burnt landscape, its only fruit the rotting flesh of casualties. I see dead dead dead red and burgundy and maroon and the richest shade of your mother’s favorite lipstick all smeared into the earth.
Tahereh Mafi (Shatter Me (Shatter Me, #1))
You make out with a boy because he’s cute, but he has no substance, no words to offer you. His mouth tastes like stale beer and false promises. When he touches your chin, you offer your mouth up like a flower to to be plucked, all covered in red lipstick to attract his eye. When he reaches his hand down your shirt, he stops, hand on boob, and squeezes, like you’re a fruit he’s trying to juice. He doesn’t touch anything but skin, does not feel what’s within. In the morning, he texts you only to say, “I think I left the rest of my beer at your place, but it’s cool, you can drink it. Last night was fun.” You kiss a girl because she’s new. Because she’s different and you’re twenty two, trying something else out because it’s all failed before. After spending six weekends together, you call her, only to be answered by a harsh beep informing you that her number has been disconnected. You learn that success doesn’t come through experimenting with your sexuality, and you’re left with a mouth full of ruin and more evidence that you are out of tune. You fall for a boy who is so nice, you don’t think he can do any harm. When he mentions marriage and murder in the same sentence, you say, “Okay, okay, okay.” When you make a joke he does not laugh, but tilts his head and asks you how many drinks you’ve had in such a loving tone that you sober up immediately. He leaves bullet in your blood and disappears, saying, “Who wants a girl that’s filled with holes?” You find out that a med student does. He spots you reading in a bar and compliments you on the dust spilling from your mouth. When you see his black doctor’s bag posed loyally at his side, you ask him if he’s got the tools to fix a mangled nervous system. He smiles at you, all teeth, and tells you to come with him. In the back of his car, he covers you in teethmarks and says, “There, now don’t you feel whole again.” But all the incisions do is let more cold air into your bones. You wonder how many times you will collapse into ruins before you give up on rebuilding. You wonder if maybe you’d have more luck living amongst your rubble instead of looking for someone to repair it. The next time someone promises to flood you with light to erase your dark, you insist them you’re fine the way you are. They tell you there’s hope, that they had holes in their chest too, that they know how to patch them up. When they offer you a bottle in exchange for your mouth, you tell them you’re not looking for a way out. No, thank you, you tell them. Even though you are filled with ruins and rubble, you are as much your light as you are your dark.
Lora Mathis
Jay just blinked at me. “Let me get this straight. You were talking to a gorgeous blonde woman in a tight red skirt and heels, with a chest that has Playboy ringing her once a month for an interview, who was smiling and flirting with you like crazy and all you noticed was that she looked cold and her lipstick was bright?” Oh. Whoops. We were talking about breasts. Straight men usually notice breasts, don’t they? Shit!
Renae Kaye (Loving Jay (Loving You, #1))
Then his look turned more familiar. “You look incredible tonight.” She felt herself go warm at the compliment. “Thanks. We had a spa day earlier that included hair and makeup. I’m not sure about the lipstick, though. Too red?” Belatedly, she realized that this question brought his attention to her mouth. His eyes lingered as he gazed down at her lips. “I like the red.
Julie James (It Happened One Wedding (FBI/US Attorney, #5))
I have one memory that catches in me like a nasty clump of blood. Marian was dead about two years, and my mother had a cluster of friends over for afternoon drinks. One of them brought a baby. For hours, the child was cooed over, smothered with red-lipstick kisses, tidied up with tissues, then lipstick smacked again. I was supposed to be reading in my room, but I sat at the top of the stairs watching. My mother finally was handed the baby, and she cuddled it ferociously. Oh, how wonderful it is to hold a baby again! Adora jiggled it on her knee, walked it around the rooms, whispered to it, and I looked down from above like a spiteful little god, the back of my hand placed against my face, imagining how it felt to be cheek to cheek with my mother. When the ladies went into the kitchen to help tidy up the dishes, something changed. I remember my mother, alone in the living room, staring at the baby almost lasciviously. She pressed her lips hard against the baby's apple slice of a cheek. Then she opened her mouth just slightly, took a tiny bit of flesh between her teeth, and gave it a little bite. The baby wailed. The blotch faded as Adora snuggled the child, and told the other women it was just being fussy. I ran to Marian's room and got under the covers.
Gillian Flynn (Sharp Objects)
For example today I was wearing a black corset with matching lace around it and a black leather miniskirt, pink fishnets and black combat boots. I was wearing black lipstick, white foundation, black eyeliner and red eye shadow. I was walking outside Hogwarts. It was snowing and raining so there was no sun, which I was very happy about. A lot of preps stared at me. I put up my middle finger at them.
Tara Gilesbie (My Immortal)
There are no words, not in English, Spanish, Arabic, or Hebrew, that have been invented to explain what it’s like to lose a child. The nightmarish heartache of it. The unexplainable trepidation that follows. No mother loses a child without believing she failed as a parent. No father loses a child without believing he failed to protect his family from pain. The child may be gone, but the yearsthe child were meant to live remain behind, solid in the mind like an aging ghost. The birthdays, the holidays, the last days of school—they all remain, circled in red lipstick on a calendar nailed to the wall. A constant shadow that grows, even in the dark. As I was saying…there are no words.
D.E. Eliot (Ruined)
And here’s what I realize: she would never wear mittens shaped like kittens or a dress with a Peter Pan collar. She would never say, Love your dress, if she fucking hated your dress. She would never say, How are you? if she didn’t care how you were. She would never eat a lavender cupcake that tasted like perfume or wear a perfume that made her smell like a cupcake. She would never wear lip balm for cosmetic purposes. She would never wear it unless her lips were seriously, seriously cracked. And even if they were, she’d still put Lady Danger on them, which is the name of her lipstick, this bright blue-red that looks surreally beautiful on her but when I tried it on once made me look insane. Her perfume smells like rain and smoke and her eye makeup scares small children and she wears pumps even though she’s at least two inches taller than I am and I’m a freak.
Mona Awad (Bunny (Bunny, #1))
Some women are born with sadness etched into their bones. I am one of those women.
Dolores Lane (Bloody Fingers & Red Lipstick)
I put my hijab back on, not because a man told me to, but because it’s symbolic of my identity as a Muslim woman, and of my efforts towards humbling myself before God.
Yousra Imran (Hijab and Red Lipstick)
Faith is complete and absolute. Faith cannot be shaken. Faith believes, even when what you see betrays what you know.
Staci Hart (Work in Progress (Red Lipstick Coalition, #3))
Chris gives me a new lipstick: red for when I want to be bad, she says.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
I need to make a playlist of acoustic covers from tonight and carry it in my pocket. Songs that will remind me of winding up in a coffee shop in lace sleeves and red lipstick
Marisa Kanter (What I Like About You)
Every single moment I spent with you, I fell deeper. It felt like falling into an abyss, because I knew I could never find my way back. There would be nothing to life without you anymore.
Dolores Lane (Bloody Fingers & Red Lipstick)
The red lipstick? It's supposed to signal fertility and readiness to mate. Just like the swollen red butt of a baboon. That tight-fitting little dress that shows off your curves? From the standpoint of evolutionary biology, big breasts represent a healthy mate who can feed a lot of offspring. That's why men are programmed to like big tits. When you show off your curves, what you're really doing is advertising to the whole world: "Look at me! I'm a healthy female! I'd be a perfect mate! Come mount me!
Oliver Markus (Why Men And Women Can't Be Friends)
The Trophy Wife wore a red dress four measured inches above the knee, and lipstick in a shade to match; this plus the kind of face that usually came with a slogan slapped above it, and a figure men would pay money to see with staples through the middle.
Mick Herron (Down Cemetery Road (The Oxford Investigations, #1))
I’m mesmerized by lipstick prints on coffee cups. By the lines of lips against white pottery. By the color chosen by the woman who sat and sipped and lived life. By the mark she leaves behind. Some people read tea leaves and others can tell your future through the lines on your palm. I think I’d like to read lipstick marks on coffee mugs. To learn how to differentiate yearning from satiation. To know the curve of a deep-rooted joy or the line of bottomless grief. To be able to say, this deep blue red you chose and how firmly you planted your lips, this speaks of love on the horizon. But, darling, you must be sure to stand in your own truth. That barely-there nude that circles the entire rim? You are exploding into lightness and possibilities beyond what you currently know. The way the gloss only shows when the light hits it and the coffee has sloshed all over the saucer? people need to take the time to see you whole but my god, you’re glorious and messy and wonderful and free. The deep purple bruise almost etched in a single spot and most of the cup left unconsumed? Oh love. Let me hold the depth of your ache. It is true. He’s not coming back. I know you already know this, but do you also know this is not the end? Love. This is not the end. I imagine that I can know entire stories by these marks on discarded mugs. Imagine that I know something intimate and true of the woman who left them. That I could take those mugs home one day and an entire novel worth of characters would pour out, just like that.
Jeanette LeBlanc
I was brand-new in San Francisco, right out of college, and I thought it was thrilling, a guy buying me a drink. I didn’t think, how tacky, this creep is buying me a drink. I thought, how amazing, I put on lipstick and a short skirt and look what can happen.
Marcy Dermansky (The Red Car)
I can make you feel so, so good, sweetheart. Just give in to your desires. I know your sweet little cunt is throbbing so hard right now, it’s almost like it’s calling out for me like a siren’s song.
Dolores Lane (Bloody Fingers & Red Lipstick)
You know which part of you drives me the craziest?” He brings his fingers to my mouth and traces my smile. “These,” he says. “Your lips. I love how they’re as red as your hair and you don’t even have to wear lipstick.” I grin and kiss his fingers. “I better watch you around my mom, then, because everyone says we have the same mouth.
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
I’m going to take this perfect candy ass and you’re going to take each and every painful slam of my cock as I force myself balls deep inside. And you’re going to be a good lass and scream out for more.
Dolores Lane (Bloody Fingers & Red Lipstick)
The grassy park was lined with dozens of kissing booths. Twinkle lights draped back-and-forth between tall trees, making a canopy of stars above the red and pink tables below. People were lined up at each booth, applying lipstick and perfume as they readied for their purchased kisses. Behind the booths stood a large white gazebo housing a group of musicians. As a love song filled the air, couples intertwined their bodies and swayed to the melody. Here and there, children ran about wearing red hats and eating lip-shaped chocolates, while women waited impatiently for quickie makeovers under a flashy pink tent. The park was littered with couples kissing behind trees and making out on park benches. And paper stars were everywhere; in trees, on the ground, above heads, inside mouths…. It was like Valentine’s Day. On crack.
Chelsea Fine
It wasn’t her hypnotic eyes that drew him in or the wild sway of her hips; it was that devil’s blood-red lipstick smeared all over her chubby angel lips. He shivered with the magnitude of impending heaven and hell in one woman. He crashed into heaven while crossing the thresholds of hell.
Melody Lee (Moon Gypsy)
Did you notice?” “Notice what?” “How small she is? Even her hands are tiny, but her fingers are long. I don’t even know how that’s possible.” He was still making that face. "I mean, I guess it’s her fingers. They’re longer than her palms, so it gives the illusion that they’re long in general. Pretty sure one of her hands would fit on my palm. Like in Beauty and the Beast when he holds her hand and it’s just a wrist disappearing into his big, hairy fist.” He added blinking to the face. “Did you just compare yourself to a Disney movie?
Staci Hart (Work in Progress (Red Lipstick Coalition, #3))
My eyes close in a subconscious effort to block out the bad memories, but the effort backfires. Protests. Rallies. Screams for survival. I see women and children starving to death, homes destroyed and buried in rubble, the countryside a burnt landscape, its only fruit the rotting flesh of casualties. I see dead dead dead red and burgundy and maroon and the richest shade of your mother’s favorite lipstick all smeared into the earth. So much everything all the things dead.
Tahereh Mafi (Shatter Me (Shatter Me, #1))
A girl’s red lips imitate the hot blood coursing through the lips of her labia, a sign that she is healthy and ready for breeding. She may not know that. He may not know that. But this is the design, the primeval impulse to redden our lips.
Chloe Thurlow (Katie in Love)
I want to fuck you like my personal whore. Then I want to pet you like a puppy and hold you warm against my chest. Treat you so soft and sweet, like a princess. You make me crazy, little brute. You make me feral and wild and insane. And I thought I already was all of those things. But it was nothing compared to when I met you.
Dolores Lane (Bloody Fingers & Red Lipstick)
Livia, I’m going to be okay. You have to believe it.” The nape of his neck was just inches from her lips. The only things stopping her from tasting it were red lipstick and one hundred pairs of eyes. “I’ve always believed it.” Livia tilted her head so she could see him. Blake held his lips close to hers. They were lost in each other.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
Vida Winter's appearance was not calculated for concealment. She was an ancient queen, sorceress or goddess. Her stiff figure rose regally out of a profusion of fat purple and red cushions. Draped around her shoulders, the folds of the turquoise-and-green cloth that had cloaked her body did not soften the rigidity of her frame. Her bright copper hair had been arranged into an elaborate confection of twists, curls and coils. Her face, as intricately lined as a map, was powdered white and finished with bold scarlet lipstick. In her lap, her hands were a cluster of rubies, emeralds and white, bony knuckles; only her nails, unvarnished, cut short and square like my own, struck an incongruous tone.
Diane Setterfield (The Thirteenth Tale)
Now that you’re all stretched and ready…” he croons. “I’m going to fuck you and make true on my promise. You’re not going to be able to walk by the time I’m done with you.
Dolores Lane (Bloody Fingers & Red Lipstick)
My vagina is a treacherous bitch. She can’t be trusted.
Dolores Lane (Bloody Fingers & Red Lipstick)
Every brush of your hand prickles my skin,” I continue. “Every kiss you give me sets my soul on fire. Every single second I spend without you is agony.
Dolores Lane (Bloody Fingers & Red Lipstick)
Lust, I suspect, wears repatent stilettos, that feather boa and not much else. Maybe glossy red lipstick.
Claire Cross (Double Trouble (The Coxwells, #2))
I’m not a better Muslim woman because of my hijab and I’m no worse of a Muslim woman without it. I’ll continue to wear my hijab with red lipstick. I’m finally free.
Yousra Imran (Hijab and Red Lipstick)
The heavy scent of perfume and the red slashes of lipstick, so strong in the fifties, revolted me. For a time I resented her. She was the messenger and also the message
Patti Smith (Just Kids)
there was a general impression of imminent catastrophe and red lipstick.
Michael Chabon (The Amazing Adventures of Kavalier & Clay)
The flames rose bright on everyone's screens, flickering lipstick red and traffic-cone orange and Lord knows what else, depending on how your television's colour was.
Daniel Handler (The Basic Eight)
Her red lipstick leaving an imprint on the skin. Marking the place for the future tattoo. I lift her chin so I can get a good look at her face.
E. Rebiuh (Bewitched (Hexes and Fangs: Holiday editions))
the world could be divided into two kinds of people: the ones who could wear red lipstick and not spend the day thinking, Is everyone staring at my mouth?, and the ones who could not.
Julie Buxbaum (Year on Fire)
I’m going to put my cock inside you now, little brute. I’ll let you adjust to it first, but after that, I’m going to fuck the absolute shit out of you like you’re my personal little harlot.
Dolores Lane (Bloody Fingers & Red Lipstick)
Do you think I am a foo, Masha? All this time, and you speak to me as though I were a flighty pinprick of a girl. I am a magician! Did you ever think, even once, that I loved lipstick and rouge for more than their color alone? I am a student of their lore, and it is arcane and hermetic beyond the dreams of alchemists. Did you ever wonder why I gave you so many pots, so many creams, so much perfume? ... Cosmetics are an extension of the will. Why do you think all men paint themselves when they go to fight? When I paint my eyes to match my soup, it is not because I have nothing better to do than worry over trifles. It says, I belong here, and you will not deny me. When I streak my lips red as foxgloves, I say, Come here, male. I am your mate, and you will not deny me. When I pinch my cheeks and dust them with mother-of-pearl, I say, Death, keep off, I am your enemy and you will not deny me. I say these things, and the world listens, Masha. Because my magic is as strong as an arm. I am never denied.
Catherynne M. Valente (Deathless)
Welcome to Lorelei's." A saleslady glided up to us. She had white foundation pancaked skin, and went heavy on the eyeliner and red lipstick. She wore a corset that barely contained...I'm gonna say it...her swelling bosom. If she had to sneeze, I was covering my eyes because even a slight cough could pop one of those suckers free.
Kim Harrington (Perception (Clarity, #2))
She has that voraciousness about children. She swoops in on them. Even I, in public was a beloved child. She'd parade me into town, smiling and teasing me, tickling me as she spoke with people on the sidewalks. When we got home, she'd trail off to her room like an unfinished sentence, and I would sit outside with my face pressed against her door, and replay the day in my head, searching for clues to what I had done to displease her. I have one memory that catches in me like a nasty clump of blood. Marian was dead about two years, and my mother had a cluster of friends come over for afternoon drinks. For hours, the child was cooed over, smothered with red lipstick kisses, tidied up with tissues, then lipstick smacked again. I was suppose to be reading in my room, but I sat at the top of the stairs watching. My mother finally was handed the baby, and she cuddled it ferociously. Oh, how, wonderful it is to hold a baby again! Adora jiggled it on her knee, walked it around the rooms, whispered to it, and I looked down from above like a spiteful little god, the back of my hand placed against my face, imagining how it felt to be cheek to cheek with my mother.
Gillian Flynn (Sharp Objects)
Our story ends happily ever after. It has to. We escape Battle Creek, pile into the car, and burn a strip of rubber down the highway. Fly away west, to the promised land. Our rooms will be lit by lava lamps and Christmas lights. Our lives will glow. Consciousness will rise and minds will expand, and beautiful boys in flannel shirts will make snow angels on our floor and write love letters on our ceiling with black polish and red lipstick. We will be their muses, and they will strum their guitars beneath our window, calling to us with a siren song. Come down come away with me. We will lean out of our tower, our hair swinging like Rapunzel's, and laugh, because nothing will carry us away from each other.
Robin Wasserman (Girls on Fire)
There are three universal facts of Lola everyone knows. I never wear red lipstick or white pants, it’s far too cliché and super tacky. You don’t mess with my best friend, and I never, EVER get nervous in front of men. I eat them for breakfast.
Devon Herrera (Dark Universe (The Universe Series #2))
Doc awakened very slowly and clumsily like a fat man getting out of a swimming pool. His mind broke the surface and fell back several times. There was red lipstick on his beard. He opened one eye, saw the brilliant colors of the quilt and closed his eye quickly. But after a while he looked again. His eye went past the quilt to the floor, to the broken plate in the corner, to the glasses standing on the table turned over on the floor, to the spilled wine and the books like heavy fallen butterflies. There were little bits of curled red paper all over the place and the sharp smell of firecrackers. He could see through the kitchen door to the steak plates stacked high and the skillets deep in grease. Hundreds of cigarette butts were stamped out on the floor. And under the firecracker smell was a fine combination of wine and whiskey perfume. His eye stopped for a moment on a little pile of hairpins in the middle of the floor. He rolled over slowly and supporting himself on one elbow he looked out the broken window. Cannery Row was quiet and sunny. The boiler was open. The door of the Palace Flophouse was closed. A man slept peacefully among the weeds in the vacant lot. The Bear Flag was shut up tight.
John Steinbeck
When she’d stepped from the red bus, the porch had crowded her with their eyes. Hair pressed and gleaming like polished black walnut. Lipstick red and thick, her cornflower blue sundress darted and stitched tight to her waist. Ephram had watched her light a cigarette and glare down at the crowd on the market porch in such a way that made folks feel embarrassed for breathing. Chauncy Rankin had said later, “Not only do her shit not stink, way she act, she ready to sell it by the ounce.
Cynthia Bond (Ruby)
Shadow loved Emma. She was an innocent. She was a girl without a crack in her heart. He wore the space helmet. He wore the red lipstick. Largely, the lipstick was scrawled onto his old teeth, for Emma had not yet learned to color inside the lines.
Steven James Taylor (the dog)
You’ll never regret a vacation, a night out, a night in, or buying the flowers. Show up for your friends. Wear the red lipstick. Savor the lack of responsibility. Everything will work out as it’s meant to, as long as you keep reaching for what you want.
Sophie Cousens (The Good Part)
Yes, he is very pretty. I especially like the purple ribbons on his horns, but the red, yellow and blue ones are pretty, too. And you did an especially nice job with the red lipstick on his lips this time — you only got a touch on his fangs. Great job, baby.
Sandra R. Neeley (Destroy (Whispers from the Bayou, #2))
I smiled as our hands pressed against one another in midair, as though we were pretending to touch through invisible glass. We managed a long stare before Jack finally blushed, retracting his hands. “How old are you, Jack Patrick?” “I turned fourteen this summer,” he said. I gave an impressed nod, indicating this was no small accomplishment. “Well you’re certainly old enough to know what you like.” Principal Deegan’s first-day speech came back to mind; I had to bite my lip not to jokingly add in, Am I right? “Here, let me give you some examples. Do you like it when girls wear lipstick?” He blushed and nodded. “Yeah.” His voice had an embarrassed tone, like he’d just made a vile confession. “Good—do you like lighter lipstick? Darker lipstick? Red?” I wanted to grab his hand again. It took every ounce of self-control I had not to slide my fingers beneath the desk and touch the bare skin of his leg. “Um,” he said. His hand began to scratch at his scalp. “Wait,” I said. “I have an idea.” I walked up to my desk and grabbed my purse and a box of Kleenex. “So what I’m wearing now is called fuchsia. Kind of a bright pink.” I sat and wiped it off, then took the fuchsia tube of lipstick out of my purse along with two others. “Okay, ready?” He nodded with sudden animation—we were about to play a game.
Alissa Nutting (Tampa)
Want to know what else I heard you did at the bar?” “I don’t think I do.” “You used your red lipstick to scribble ‘Alethea is a skanky hoe’ on the bathroom mirror.” In her opinion, truer words had never been spoken – well, scribbled. Her demon agreed. “You almost yacked in the Bentley.” Oh, God. She squeezed her eyes tightly shut. “Stop.” “We had to pull over so you could vomit in a bush.” “Stop.” “Then you got back in the car and said, ‘Taco Bell, anyone?’” “Stop.”  Knox chuckled. “But I haven’t told you what you did when you got home yet.” She buried her face deeper into the pillow. “I don’t want to hear it.” He spoke into her ear. “You told me you love me, you’d always love me, and that you even love my demon… which would have been really sweet if you weren’t bent over the toilet with vomit in your hair.
Suzanne Wright (Blaze (Dark in You, #2))
What Jessica said—hair much shorter, wearing a darker mouth of different outline, harder lipstick, her typewriter banking in a phalanx of letters between them—was: "We're going to be married. We're trying very hard to have a baby." All at once there is nothing but his asshole between Gravity and Roger. "I don't care. Have his baby. I'll love you both—just come with me Jess, please... I need you...." She flips a red lever on her intercom. Far away a buzzer goes off. "Security." Her voice is perfectly hard, the word still clap-echoing in the air as in through the screen door of the Quonset office wth a smell of tide flats come the coppers, looking grim. Security. Her magic word, her spell against demons.
Thomas Pynchon (Gravity’s Rainbow)
Do that thing you always wanted to do “someday” in the future: get on a plane in your Jackie O shift dress and shades, take a train across Europe wearing red lipstick, buy that sporty two-seater car, spend your money on perfume. Otherwise you might wake up one day with a husband and kids and wonder what you did with all that free time you once had. And if you’re already experiencing the domestic bliss of family life, savour every moment.
Rosie Blythe (The Princess Guide to Life)
Darius yanked me back by my hair so that he could look me in the eye and he swiped a thumb across my mouth where my red lipstick had been smudged. “I don’t want you on your knees. I want you fighting me and hating me and fucking me like you mean it. You’re Roxanya Vega and you weren’t built to bow to anyone,” he growled passionately. “You want me to hate you?” I asked in surprise. “I want you to feel for me. And I’ll take hate if that’s all you’re offering.” He kissed me again and this time I didn’t hesitate as I kissed him back, my hands finding his shirt buttons as I began to yank them open.
Caroline Peckham (Shadow Princess (Zodiac Academy, #4))
They lost their sense of reality, the notion of time, the rhythm of daily habits. They closed the doors and windows again so as not to waste time getting undressed and they walked about the house as Remedios the Beauty had wanted to do and they would roll around naked in the mud of the courtyard, and one afternoon they almost drowned as they made love in the cistern. In a short time they did more damage than the red ants: they destroyed the furniture in the parlor, in their madness they tore to shreds the hammock that had resisted the sad bivouac loves of Colonel Aureliano Buendía and they disemboweled the mattresses and emptied them on the floor as they suffocated in storms of cotton. Although Aureliano was just as ferocious a lover as his rival, it was Amaranta ?rsula who ruled in that paradise of disaster with her mad genius and her lyrical voracity, as if she had concentrated in her love the unconquerable energy that her great-great-grandmother had given to the making of little candy animals. And yet, while she was singing with pleasure and dying with laughter over her own inventions, Aureliano was becoming more and more absorbed and silent, for his passion was self-centered and burning. Nevertheless, they both reached such extremes of virtuosity that when they became exhausted from excitement, they would take advantage of their fatigue. They would give themselves over to the worship of their bodies, discovering that the rest periods of love had unexplored possibilities, much richer than those of desire. While he would rub Amaranta ?rsula’s erect breasts with egg whites or smooth her elastic thighs and peach-like stomach with cocoa butter, she would play with Aureliano’s portentous creature as if it were a doll and would paint clown’s eyes on it with her lipstick and give it a Turk’s mustache with her eyebrow pencil, and would put on organza bow ties and little tinfoil hats. One night they daubed themselves from head to toe with peach jam and licked each other like dogs and made mad love on the floor of the porch, and they were awakened by a torrent of carnivorous ants who were ready to eat them alive.
Gabriel García Márquez (One Hundred Years of Solitude)
The picture of her and her younger sister, which normally sat on her nightstand, was face down on the floor.... She pointed to the frame and looked at Steve. "Can I pick this up?" "I'll do it."... Ice slid through her veins when he turned it over. Written across the glass in her red lipstick were the words "you're next.
Savannah Stuart (Dangerous Deception)
Pippa’s hair was down and fell over her shoulders. Beneath her jersey dress, her body was easy to imagine, and I reached forward, sliding a hand around her waist to pull her just a little closer. I wanted to kiss her. I knew that in part it was the wine, and the beer, and the heady sense of freedom in a small town where I knew no one, but I also knew that in no part was that feeling about Becky. Pippa bounced against me, singing terribly into the mic—perfect for the song, really. Her earrings cascaded down from her ears, nearly touching her shoulders. Her bracelets clanged on her wrist. Her lipstick stained her lips a seductive fire-red, and it made her happy smile seem boundless.
Christina Lauren (Beautiful (Beautiful Bastard, #5))
Every time I saw Lacey, she'd gained five more pounds. She was turning into the kind of obese girl who does her hair like a forties pinup and wears bright red lipstick, a blue polka-dot dress with a white doily collar, colorful tattoos across her huge, smushed cleavage, as if these considerations would distract us from how fat and miserable she'd become.
Ottessa Moshfegh (Homesick for Another World)
You are remarkable, mo chreach bheag.
Dolores Lane (Bloody Fingers & Red Lipstick)
Keep your eyes on me. Let me look at you while I ruin you.
Dolores Lane (Bloody Fingers & Red Lipstick)
I feel like a helpless deer running away from a terrible fate. I’m Bambi’s fucking mother, and he is the hunter ready to shoot me just so he can eat me. Devour me.
Dolores Lane (Bloody Fingers & Red Lipstick)
My mind is a mess. I’m sucking off a homicidal lunatic in the middle of the fucking forest.
Dolores Lane (Bloody Fingers & Red Lipstick)
You’re so fucking wet. Goddamnit, sweetheart. Look at you, all exposed and ready for me, with no way to escape.
Dolores Lane (Bloody Fingers & Red Lipstick)
Spread your legs for me, mo chreach bheag.
Dolores Lane (Bloody Fingers & Red Lipstick)
I’m going to fuck you so brutally, I’ll turn you inside out, Lucille. And don’t think I have forgotten about your little asshole. I’m going to destroy that, too.
Dolores Lane (Bloody Fingers & Red Lipstick)
I’ll give you a reminder in case you have forgotten that I own you now just as much as you own me.
Dolores Lane (Bloody Fingers & Red Lipstick)
Look at me, sweetheart,” he growls, every muscle in his arms flexing. “Look at me as my blood drips all over you. Watch me paint every inch of your skin with my life’s essence.
Dolores Lane (Bloody Fingers & Red Lipstick)
She had a daisy in her hair, but it had been dyed red to match her lipstick. Her
Kiera Cass (The Selection (The Selection, #1))
Beauty, to me, is about being comfortable in your own skin. That, or a kick-ass red lipstick
Gwyneth Paltrow (The Big Book of Girl Stuff)
growled and shook my head,vetoing the whore red tube of lipstick
Kalayna Price (Grave Witch (Alex Craft, #1))
A valet pulled up in a sleek-lined sports car painted that particular shade of red peculiar to expensive vehicles and hookers’ lipstick.
Seanan McGuire (Rosemary and Rue (October Daye, #1))
She didn’t use any makeup but lipstick, a bright carmine red that emphasized everything she said.
Louise Erdrich (The Night Watchman)
I want you to run and hide. And when I find you, I’m going to shove my cock into your pretty mouth and make you swallow every last goddamn drop of my cum.
Dolores Lane (Bloody Fingers & Red Lipstick)
You have the prettiest little pussy I have ever seen.” My hips involuntarily thrust upward at that and he chuckles tauntingly. “Widen those legs for me.
Dolores Lane (Bloody Fingers & Red Lipstick)
i wore red lipstick to the grocery store last Monday to buy a carton off eggs and so when the cashier told me that my eyes reminded him of the ocean, i asked if he’s ever drowned in his own sadness, he said my total was $1.89 and that he didn’t know what i meant, i payed in quarters and told him i was an Art major, i told him my boyfriend was a musician and we were saving up for an apartment in the city and how i’d use the walls as canvases and how he’d play his piano on Sunday mornings when the rain tasted like salt, and i told him that i had my first art opening in three weeks and he should stop by and i’d introduce him to this friend i had named Lolita who was really good in bed, he thought i was insane and i wonder if he knew how many times i’ve cried in the shower with my make up smeared and my eyes swollen shut, he said “yeah, yeah, sounds good, have a nice day” and i wonder if he’ll ever know i wanted to really be a poet and that’s why when some man in the parking lot asked if i had a lighter, i dropped my eggs while stumbling to find one, and cried on the way home
irynka
He was fully anticipating her lips being bright red to go with her toenail polish. Damn, he loved red lipstick. But before he could get to those lips, she used them, to say, “Oh, dammit, it’s you.” Owen’s gaze bypassed her mouth to fly to her eyes. Because he’d know that voice anywhere. Madison Allain was home. A day early. Not that an extra day would have helped him prepare. He’d been thinking about her visit for a week and was still as wound tight about it as he’d been when Sawyer had told him that she was coming home. For a month. Owen stood just watching her, fighting back all of the first words that he was tempted to say. Like, “Damn, you’re even more gorgeous than the last time I saw you.” Or, “I haven’t put anyone in the hospital lately.” Or, “I’ve missed you so damned much.” Just for instance. He wiped his hands on his jeans. Okay, he was supposed to be nice to her. That meant treating her like she was one of the tourists who frequented this dock. Polite. Friendly, But not I’ve-known-you-my-whole-life-and-kissed-you-a-whole-bunch friendly. Just mildly hey-how’s-it-goin’ friendly. Nice. Polite. A little friendly—but not too much. He could do that. Though it probably meant not saying things like, “I still remember how your nipples taste.
Erin Nicholas (Sweet Home Louisiana (Boys of the Bayou, #2))
The beer tastes good to my throat, cold and bitter, and the three boys and the beer and the queer freeness of the situation make me feel like laughing forever. So I laugh, and my lipstick leaves a red stain like a bloody crescent moon on the top of the beer can. I am looking very healthy and flushed and bright eyed, having both a good tan and a rather excellent fever.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
It’s so easy, though, having you tied and ready like this. Like my own personal fucktoy.” Her mouth opens slightly in a gasp and I see the way the muscles in her thighs tighten. “You like that, huh?” I hum, brushing the skin with my hand close to her pussy, which is dripping with my cum. “You like it when I tell you that you’re for me to take―for me to use? Dirty lass.
Dolores Lane (Bloody Fingers & Red Lipstick)
Because flushed cheeks and high color are cues that men use to gauge a woman’s health, women rouge their cheeks artificially to trigger men’s attraction. Because smooth, clear skin is one of men’s evolved desires, women cover up blemishes, use moisture cream, apply astringents, and get facelifts. Because lustrous hair is one of men’s evolved desires, women highlight, bleach, tint, or dye their hair, and they give it extra body with conditioners, egg yolks, beer, or weaves. Because full red lips trigger men’s evolved desires, women apply lipstick skillfully and even get injections to enlarge their lips for the “bee-stung” look. And because firm, youthful breasts stimulate men’s desires, women obtain breast implants and wear push-up bras.
David M. Buss (The Evolution of Desire: Strategies of Human Mating)
Then let me show you how to live. Let me show you how to find pleasure in pain. To find pleasure in fear. Let me show you that hurting doesn’t always have to be a bad thing. Give yourself over to me. And afterward, you can go to sleep knowing that hubby dearest is in as much agony as you’ve been in for years. Even more so, because I take my torture methods very seriously.
Dolores Lane (Bloody Fingers & Red Lipstick)
I want to feel you squeeze around my fingers. I want to taste you on my fucking tongue. And fuck, sweetheart… I want to be inside you. I want to pound into you until you’re a sobbing little mess.
Dolores Lane (Bloody Fingers & Red Lipstick)
That was fucking incredible, Lucy. I would’ve died a happy man if you’d sat on me a little longer with those thick thighs of yours squeezing my face. With your pussy soaking my nose and my mouth.
Dolores Lane (Bloody Fingers & Red Lipstick)
Today's one of those days where I wish I had something different in my lunchbox, my hair just couldn't get it's shit together, and all I wanted to do was curl up and be in a quiet place. Butttt...today was also a day where I tried a new snack, my red lipstick smeared on just right, and I laughed really hard from all who surrounded me...all-in-all pretty good balance and that's all we need.
Marissa Jo Barner
There was a knock on the door and another nurse came bouncing in. She had short red hair, milky skin, and was wearing pale pink lipstick. She was about the same age as my dad. Her nametag read Sadie.
Zoe Arden (A Drop of Witch (Sweetland Witch, #3))
I can give no adequate description of the Horror Camp in which my men and myself were to spend the next month of our lives. It was just a barren wilderness, as bare as a chicken run. Corpses lay everywhere, some in huge piles, sometimes they lay singly or in pairs where they had fallen. It took a little time to get used to seeing men women and children collapse as you walked by them and to restrain oneself from going to their assistance. One had to get used early to the idea that the individual just did not count. One knew that five hundred a day were dying and that five hundred a day were going on dying for weeks before anything we could do would have the slightest effect. It was, however, not easy to watch a child choking to death from diphtheria when you knew a tracheotomy and nursing would save it, one saw women drowning in their own vomit because they were too weak to turn over, and men eating worms as they clutched a half loaf of bread purely because they had to eat worms to live and now could scarcely tell the difference. Piles of corpses, naked and obscene, with a woman too weak to stand propping herself against them as she cooked the food we had given her over an open fire; men and women crouching down just anywhere in the open relieving themselves of the dysentery which was scouring their bowels, a woman standing stark naked washing herself with some issue soap in water from a tank in which the remains of a child floated. It was shortly after the British Red Cross arrived, though it may have no connection, that a very large quantity of lipstick arrived. This was not at all what we men wanted, we were screaming for hundreds and thousands of other things and I don't know who asked for lipstick. I wish so much that I could discover who did it, it was the action of genius, sheer unadulterated brilliance. I believe nothing did more for these internees than the lipstick. Women lay in bed with no sheets and no nightie but with scarlet red lips, you saw them wandering about with nothing but a blanket over their shoulders, but with scarlet red lips. I saw a woman dead on the postmortem table and clutched in her hand was a piece of lipstick. At last someone had done something to make them individuals again, they were someone, no longer merely the number tattooed on the arm. At last they could take an interest in their appearance. That lipstick started to give them back their humanity.
Imperial War Museum
I’m going to tear this sweet little cunt apart. I’m going to use it over and over again for my own needs,” he growls. “But I’m also going to make it feel good. Make it come on my tongue and my cock. Make it feel so good that you’ll never spend another day without begging for it. It’s what I’ve been dreaming of ever since I saw your picture in your book. My beautiful lass, put on this world just for me.
Dolores Lane (Bloody Fingers & Red Lipstick)
His heart slammed against his ribs, and joy flooded him, followed almost instantly by distress. Even from fifteen yards away he could see that she wore no makeup, and lines of fatigue were etched on her face. Her hair was restrained with a clip at the nape of her neck, and for the first time since he'd known her, she looked almost plain. Where was the Daisy who loved to primp and fuzz with her perfumes and powder? The Daisy who took such joy in dabbing herself with apricot scented lotion and raspberry red lipstick? Where was the daisy who used up all the hot water taking her showers and left a sticky film of hair spray on the bathroom door? Dry mouthed, he drank in the sight of her, and something broke apart inside him. This was Daisy as he'd made her. This was Daisy with her love light extinguished.
Susan Elizabeth Phillips (Kiss an Angel)
Our room is trashed. Clothes are thrown everywhere and our dresser drawers are broken with pieces of it lying all over the room. Cosmetics and make up are wrecked and spilled on the floor. Magazine pages are ripped and thrown around. The glass on the only picture of my mom and me is shattered and the picture is crumpled on my bed. I walk across the room and pick up the broken frame from the ground. With tears in my eyes, I unwrinkle the photo. Creases mar our smiling faces. I bite my lip to keep the tears at bay. There has to be an explanation. Something red catches my eye in the bathroom. I carefully walk over to the bathroom, avoiding pieces of wood on the floor. On the mirror, written in red lipstick are the words: GET OUT OF MY WAY. HE’S MINE. “Natasha,” I whisper as I turn toward Emma again. “Natasha did this.
Kaitlyn Hoyt (BlackMoon Beginnings (Prophesized #1))
Sofiowka was found the next morning, swinging by the neck from the wooden bridge. His severed hands were hanging from strings tied to his feet, and across his chest was written, in Brod's red lipstick, ANIMAL
Jonathan Safran Foer
I could get a fedora and a trench coat and a wisecracking sense of humor; she could sit poised at hotel bars with a slinky red dress and a camera in her lipstick, to snare cheating businessmen…. I almost laughed out loud.
Tana French (In the Woods (Dublin Murder Squad #1))
It’s like diving into a goddamn swimming pool, sweetheart. That’s how wet you are down here. Your mind can fight me all it wants, but your cunt is desperate for my touch,” I taunt, smugness dripping off me like beads of sweat.
Dolores Lane (Bloody Fingers & Red Lipstick)
I still felt like she was up to something down there, bitter and suffering as the flesh on her body withered and sank away from her bones. Did she blame me? We buried her in a carnation pink Thierry Mugler suit. Her hair was perfect. Her lipstick was perfect, blood red, Christian Dior 999. If I unearthed her now, would the lipstick have faded? Either way, she'd be a stiff husk, like the sloughed-off exoskeleton of a huge insect. That was what my mother was.
Ottessa Moshfegh (My Year of Rest and Relaxation)
VISIONS OF GRANDEUR I'm walking through a sheet of glass instead of the door, Flying over a giant candlestick lighting up Central Park, Repeating two courses at Hard Knock's College, And swimming through the Red Sea with silky jelly fish. I'm hopping over an empty row house in Philadelphia, Getting a seventy dollar manicure on a gondola in Venice, Wearing a white pearl necklace stolen from Goodwill, And running my first New York City marathon. I'm discussing the meaning of life with my late cat Charlie. Dating John Doe- the thirty-third chef at the White House, Running non-stop on a broken leg through a bomb-blasted city, And keeping a multi-lingual monkey named Alfredo as my pet. I'm spying on two hundred and twenty-two homegrown terrorists from Iowa, Worshiped by a red-headed gorilla named Salamander, Sleeping with a giant teddy bear dressed in black leather, And wearing hot pink lipstick over a shade of midnight blue.
Giorge Leedy (Uninhibited From Lust To Love)
I have killed with this man. I have done something with him that has connected us in a way that most human beings can’t ever comprehend. We’ve been through the darkness together, and we somehow are finding each other in the light, too.
Dolores Lane (Bloody Fingers & Red Lipstick)
Zoey had later found a few of her mother's things mistakingly tangled in her own---a pair of lavender-colored leather gloves, a twisted and knotted gold bracelet, and a tube of saucy red lipstick, the color of which was called Bye Bye Birdie.
Sarah Addison Allen (Other Birds: A Novel)
I am going to fuck this soaked little cunt with my fingers now. And I won’t stop until I’ve abused the poor thing so bad, your cum will run down your thighs. And then I’m going to lick it up until you’ve satiated my thirst. And I. Am. Thirsty.
Dolores Lane (Bloody Fingers & Red Lipstick)
God, she’ll hate me, even more so than she already does. She’ll struggle and rage at me, and I’m going to have so much fun. And in the end, she’s going to fall in love with me. That I know with all the certainty in the world. She will be mine.
Dolores Lane (Bloody Fingers & Red Lipstick)
I see. And do you have this client’s room number?” “Nah.” “Do you have his Gizmo ID?” “Nah.” I pulled a compact out of my handbag and checked my ruby-red lipstick. “I’m sorry, madam”—she looked me up and down—“I’m unable to help you if you don’t have his room number or some other proof that you’ve been invited.” I shot her a bitchy glare (I’m good at that). “Oh, he wants me here all right. For an hour.” I set the compact on her desk and fished around in my handbag. She leaned away from the compact like she might catch a disease from it. I pulled out a piece of paper and read: “Jin Chu. Canton Artemis. Arcade District. Aldrin Bubble.” I put the paper away. “Just call the fuckin’ guy, okay? I got other customers after this.
Andy Weir (Artemis)
I was wearing another of Saffy’s dresses and a touch of red lipstick. I looked nice. I even liked my hair. I felt like I had been in hiding for years, and now, for the first time, I felt I was coming out of the cave. Right as my time was running out.
C J Cooke
Tell me, Lucy. Do you want this? Do you want to come all over my fingers while you watch your husband slowly die? Watch him writhe in agony with the realization that he once had the most remarkable woman on the planet for a wife and he fucked it all up?
Dolores Lane (Bloody Fingers & Red Lipstick)
His name spills from my lips in a chant, like I’m singing for Jesus in church. I’m not in church, though. Nor am I singing for a higher power. I’m singing for him. For my stalker. For the man who helped me get the thing I’ve always wished for. Revenge.
Dolores Lane (Bloody Fingers & Red Lipstick)
I don’t want to die. Please don’t kill me,” she begs, her cheeks flushed, her makeup running, and her lips parted as she cries. “Haven’t you been listening? I don’t want to kill you. I don’t want you to die. I want to do the opposite. I want to make you live.
Dolores Lane (Bloody Fingers & Red Lipstick)
He leaned forward and bit her bottom lip. It was just the right size. He hated women with thin, judgmental lips. Smeared with dark red lipstick. Stingy and manipulative. Bev’s mouth looked ripe and vulnerable. He sucked on that soft lower lip for a few seconds.
Penny Watson (Apples Should Be Red)
I have a habit of telling myself that my head is a blur. That my mind is scrambled like my morning eggs. That I’m losing my marbles again and again. But I somehow have never seen anything clearer. I want him. I want Dubh. God… I want to be with my damn stalker.
Dolores Lane (Bloody Fingers & Red Lipstick)
God… I’m asking my stalker to come to my rescue. You are making me lose my goddamn mind, Dubh.” “It’s only fair; you made me lose mine, too.” I smirk as I brush my hand over her head. “Oh, stop it, you bastard. You were already crazy before you ever knew I existed.
Dolores Lane (Bloody Fingers & Red Lipstick)
power to inspire braveness, boldness, and courage. We promise to jump when it’s scary, to stand tall when we want to hide, to scream our truth instead of whisper our fears. May we be mistresses of our destinies, and to hell with anyone who tries to tell us otherwise.
Staci Hart (Piece of Work (Red Lipstick Coalition, #1))
You fucking bastard,” she groans then. “You actually did it. You made me fall for you. I wish I could hate you for it. But I can’t. Because you’re the only one who has ever made me feel this way. Who has made me feel those butterflies like in the movies and the novels.
Dolores Lane (Bloody Fingers & Red Lipstick)
The jug of wine, the ashtray, the cigarette nubs with their faint ring of red lipstick. The vase of wisteria clusters, the sticky tidemark around the espresso cups, the image muted by the haze of dust falling from the makeshift trellis. A story of lunch, yes; but also a story of them.
Sarah Winman (Still Life)
Moving my hand from his throat to his hair, I grasp the dark brown strands with an unrelenting tug and move my clit over his mouth, using his face as my seat. I start riding him, grinding my pussy over his lips. He sticks out his tongue for me to use and use it, I do. It feels almost barbaric. I’m fucking his face. But it’s invigorating, and it’s not something he hasn’t done to me before. “Making me say ‘please’,” I mutter, growling. “Making me beg for it. You bloody man. I’ll make you beg for air. I’ll make you beg me to let you breathe. How about that, fucker.
Dolores Lane (Bloody Fingers & Red Lipstick)
You are the most beautiful woman I have ever seen. I fell for you instantly, the second I saw those unique eyes of yours in the back of your book. A piece of paper with a printed photograph on it―that was all it took. Then it was your words, your ability to make me feel, just by the way you write.
Dolores Lane (Bloody Fingers & Red Lipstick)
Tell me, Lucy. Did your husband ever spank you?” Dubh asks as he gets on his knees behind me, still not relenting with the gun. “Yes,” I choke out. Painful memories fill my head and a tear slips out of my eye, landing on the ground. He hums as if he already knew the answer well. “Your husband only did it to bring you pain. To force you into obedience. I will never do that, sweetheart. I’ll bring you pain, but I’ll show you there is ecstasy to be found in it. So what I want you to do right now is bring your fingers to your sweet little pussy and push them inside. I am going to spank you and you are going to come.
Dolores Lane (Bloody Fingers & Red Lipstick)
One day, you’re 19 And the boy who broke your heart a year ago, is now off in some parallel lifetime from you, breaking someone else’s heart. It’s not you this time But you understand how she will hurt. You’re still wearing your red lipstick Still squatting Still blossoming. And you cut your hair off because you didn’t want to be defined by your looks. You make drastic changes And end up wearing more black Than you did before. You’re beautiful. You started telling yourself that in the mirror because you started recognizing your worth. You slick your short hair back And smile. You’re happy. And for once, that’s all that matters.
Zienab Hamdan (For The Other Halves Of Me)
There, just as she'd known they would be, were the ancestors. Sadie, the redheaded matriarch, dressed as the huntress in a short white tunic and sandals. Ivy and Rose, the golden twins, one fair and one feral. Lilith, the dark, in her somber tweeds and red lipstick. And Flora, in a gown of flowers that left an alluring scent in her wake.
Kirsten Miller (The Women of Wild Hill)
On one such day, limping back to the home front beneath the anvil of the sun, I was accosted by my mother. "Patricia," my mother scolded, "put a shirt on!" "It's too hot," I moaned. "No one else has one on." "Hot or not, it's time you started wearing a shirt. You're about to become a young lady." I protested vehemently and announced that I was never going to become anything but myself, that I was of the clan of Peter Pan and we did not grow up. My mother won the argument and I put on a shirt, but I cannot exaggerate the betrayal I felt at that moment. I ruefully watched my mother performing her female tasks, noting herwell-endowed female body. It all seemed against my nature. The heavy scent of perfume and the red slashes of lipstick, so strong in the fifties, revolted me. For a time I resented her. She was the messenger and also the message. Stunned and defiant, with y dog at my feet, I dreamed of travel. Or running away and join the Foreign Legion, climbing the ranks and trekking the desert with my men.' p.10
Patti Smith (Just Kids)
The women teeter on their spiked feet as if on stilts, but off balance; their backs arch at the waist, thrusting the buttocks out. Their heads are uncovered and their hair too is exposed, in all its darkness and sexuality. They wear lipstick, red, outlining the damp cavities of their mouths, like scrawls on a washroom wall, of the time before.
Margaret Atwood (The Handmaid's Tale)
My parents were going out to dinner when I was six or so, and before they left, I felt instantly desperate and went to the bathroom and grabbed my mom's lipstick and put red dots all over my body and then begged them not to go. "I have chicken pox, you can't leave," I said. I remember they both laughed and laughed and then they left. And I cried and couldn't stop. They laughed at me like a was a wacky little child pulling a wacky stunt: kids say the darnedest things, etc. But I think about that night all the time, that little kid desperate for someone to love her, take care of her, spend any time at all with her, make her feel connected to literally anyone or anything and they just laughed. And left.
Lane Moore (How to Be Alone: If You Want To, and Even If You Don't)
I have the window seat. In the two seats beside me are two old ladies, old women, each with a knitted cardigan, each with yellowy-white hair and thick-lensed glasses with a chain for around the neck, each with a desiccated mouth lipsticked bright red with bravado... They seem to me amazingly carefree. They have saved up for this trip and they are damn well going to enjoy it, despite the arthritis of one, the swollen legs of the other. They're rambunctious, they're full of beans; they're tough as thirteen, they're innocent and dirty, they don't give a hoot. Responsibilities have fallen away from them, obligations, old hates and grievances; now for a short while they can play again like children, but this time without the pain.
Margaret Atwood (Cat’s Eye)
I took the jar of weed from its hiding place and started rolling a joint. I’d been smoking marijuana since university. I first encountered it during my first term, alone and friendless at a fresher party, too paralyzed with fear to initiate a conversation with any of the good-looking and confident young people around me. I was planning my escape when the girl standing next to me offered me something. I thought it was a cigarette until I smelled the spicy, pungent, curling black smoke. Too shy to refuse, I accepted it and brought the joint to my lips. It was badly rolled and coming unstuck, unraveling at the end. The tip was wet and stained red from her lipstick. It tasted different from a cigarette; it was richer, rawer, more exotic.
Alex Michaelides (The Silent Patient)
She wore jeans, red boots, a black leather jacket and a hefty splash of sweet gardenia perfume. Her hair looked like that crayon called maroon, the one that’s not purple and not red, but something in between and for some reason, I couldn’t take my eyes off her lipstick. It was the exact same color as her hair and went up and down in a perfect rounded “M” on her top lip.
Pam Muñoz Ryan (Becoming Naomi León)
You’re sexy. You’re innocent. Or at least, you come across that way. But there’s more to you than that. Behind all that sweetness, all that pretty hair and cute outfits and red lipstick, there’s a power. You’re sure of yourself. You know what you’re doing. And you don’t compromise, you don’t back down. It’s what makes you irresistible to my clients. And irresistible to me.
Chance Carter (Love in New York (American Boyfriend, #5))
functionally useless features for a bioform, then link them to sexual selection and fast-forward to see what the evolution machine would churn out. Cats with rooster-like wattles on their foreheads, lizards with big red lipstick-kiss lips, men with enormous left eyes – whatever the females chose was favoured, and you could manipulate their bad taste in male attributes, just like real life.
Margaret Atwood (MaddAddam (MaddAddam, #3))
You saved me, Dubhie,” she chokes out when I sink to my knees in the mud beside the building, her body still tight against my chest. “No, you saved yourself. I just gave you revenge,” I answer, smoothing my sweaty palms over her hair. A tear slips out when our eyes meet. “I don’t just mean now. I mean… You’ve saved me, Dubh. You saved me the moment we met. The moment you crashed into my life like a strike of lighting. You didn’t just save me from my husband, but from myself. From the demons that inhabited my body, the terrors that crawled around inside me, threatening to take over completely. You are the greatest thing that has ever happened to me.” She pauses, seeming to have an internal battle with herself, as if the next thing she’s going to say is going to change our lives forever. “And I… I love you.
Dolores Lane (Bloody Fingers & Red Lipstick)
He’s right. I’ve lived like a ghost. But even after everyone took turns in trying to blow out my fire, I somehow still managed to find a lighter. With that last bit of fight inside me, I wrote my novel. And look what has come of it. A psychopath in the skin of the most beautiful man I have ever seen. One who is torturing my husband as we speak. A bad man who murdered at least three men and was in the fucking mafia. And he wants me.
Dolores Lane (Bloody Fingers & Red Lipstick)
Serena Killingsworth walked toward them, carrying her cello in a brown case. Her short hair, currently colored Crayola-red, was twisted into bobby-pin curls. A nose ring glistened on the side of her nose. She wore purple lipstick, red-brown shadow around her green eyes, and a smile that seemed to hold a secret. She was new at school. Vanessa liked her look and especially admired the way she seemed so oblivious to what other people thought about her.
Lynne Ewing (Goddess of the Night)
No lady she had had to do with had ever had such a thing on her dressing-table. Powder was different, because one needed powder sometimes for other things besides one’s face, and also one powdered babies, and they, poor lambs, couldn’t be suspected of wanting to appear different from what God had made them. But a lip-stick! Red stuff. What actresses put on, and those who were no better than they should be. Her mistress and a lip-stick—what would Miss Virginia say?
Elizabeth von Arnim (Love)
By December 1975, a year had passed since Mr. Harvey had packed his bags, but there was still no sign of him. For a while, until the tape dirtied or the paper tore, store owners kept a scratchy sketch of him taped to their windows. Lindsey and Samuel walked in the neighboorhood or hung out at Hal's bike shop. She wouldn't go to the diner where the other kids went. The owner of the diner was a law and order man. He had blown up the sketch of George Harvey to twice its size and taped it to the front door. He willingly gave the grisly details to any customer who asked- young girl, cornfield, found only an elbow. Finallly Lindsey asked Hal to give her a ride to the police station. She wanted to know what exactly they were doing. They bid farewell to Samuel at the bike shop and Hal gave Lindsey a ride through a wet December snow. From the start, Lindsey's youth and purpose had caught the police off guard. As more and more of them realized who she was, they gave her a wider and wider berth. Here was this girl, focused, mad, fifteen... When Lindsey and Hal waited outside the captain's office on a wooden bench, she thought she saw something across the room that she recognized. It was on Detective Fenerman's desk and it stood out in the room because of its color. What her mother had always distinguished as Chinese red, a harsher red than rose red, it was the red of classic red lipsticks, rarely found in nature. Our mother was proud of her ability fo wear Chinese red, noting each time she tied a particular scarf around her neck that it was a color even Grandma Lynn dared not wear. Hal,' she said, every muscle tense as she stared at the increasingly familiar object on Fenerman's desk. Yes.' Do you see that red cloth?' Yes.' Can you go and get it for me?' When Hal looked at her, she said: 'I think it's my mother's.' As Hal stood to retrieve it, Len entered the squad room from behind where Lindsey sat. He tapped her on the shoulder just as he realized what Hal was doing. Lindsey and Detective Ferman stared at each other. Why do you have my mother's scarf?' He stumbled. 'She might have left it in my car one day.' Lindsey stood and faced him. She was clear-eyed and driving fast towards the worst news yet. 'What was she doing in your car?' Hello, Hal,' Len said. Hal held the scarf in his head. Lindsey grabbed it away, her voice growing angry. 'Why do you have m mother's scarf?' And though Len was the detective, Hal saw it first- it arched over her like a rainbow- Prismacolor understanding. The way it happened in algebra class or English when my sister was the first person to figure out the sum of x or point out the double entendres to her peers. Hal put his hand on Lindsey's shoulder to guide her. 'We should go,' he said. And later she cried out her disbelief to Samuel in the backroom of the bike shop.
Alice Sebold
I headed to the church at five-thirty, wearing jeans, flip-flops, and brick red lipstick. My mom, calm and cool as a mountain lake, carried my white dress--plain and romantic, with a bodice that laced up corset-style in the back and delicate sheer sleeves. I carted in my shoes…my earrings…my makeup…and my exfoliating scrub, in case my face decided to pull a last-minute sloughing. I wasn’t about to roll over and take a last-minute sloughing without a fight. Not on my wedding day.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
He grabs the back of my neck and forces me down onto my knees. I yelp when he grabs hold of my hair and brings my head up to look at him. “I’ve made you feel good multiple times now. I’ve made you come and I’ve treated you real nice.” Nice? Fucking nice? “Now it’s time to return the favor.” “If you even dare to stick your disgusting prick inside of my mouth, I swear I will bite it off!” I grit out between clenched teeth. “Sure, you could try that. Then I will just kill your husband myself.
Dolores Lane (Bloody Fingers & Red Lipstick)
One of the biggest battles that second-wave feminists of the seventies had with third wave feminists of the nineties was over the place of sex and beauty in feminism. Second wavers critiqued high heels and lipstick as oppressive expectations of the patriarchy. Third-wave white girls brought heels and fly red lips back into the mix. Black feminists gave the side eye to white girls and their feminist waves, because looking fierce and fly has always been a part of the Black-girl credo. (And also because Black feminism didn’t fit neatly within the historical trajectory of waves.) Our embrace of femininity was its own armor in a world where white women said that Black women should never be called ladies. If I have to pick a side, I’d say I’m third wave enough to affirm that beauty and the desire to be wanted still matter. When you go for months or years without a dude (or any love interest) ever noticing you, you can begin to feel invisible. And feminist principles about how the patriarchy has made us beholden to beauty culture do nothing to assuage the desire we all have to be seen and affirmed.
Brittney Cooper (Eloquent Rage: A Black Feminist Discovers Her Superpower)
There is no one disabled future. But in mine, there is guaranteed income, housing, access, food, water, and education for all—or money has been abolished. I get paid to write from my bed. The births of disabled, Autistic, Mad, Neurodivergent, Deaf, and sick kids are celebrated, and there are memorials and healing and reparation sites on every psych ward, institution, nursing home, youth lockup, and “autistic treatment center” where our people have been locked up and abused. Anyone who needs care gets it, with respect and autonomy, not abuse. Caregivers are paid well for the work we do and are often disabled ourselves. Disabled folks are the ones teaching medical school students about our bodies. Schools have been taken apart and remade so that there’s not one idea of “smart” and “stupid,” but many ways of learning. There is a disability justice section in every bookstore and a million examples of sick and disabled and Deaf and autistic and Mad folks thriving. I have a really sick lipstick-red spiral ramp curving around my house. Because it’s beautiful. Because I want it. Because I get to live free. -LEAH
Leah Lakshmi Piepzna-Samarasinha (The Future Is Disabled: Prophecies, Love Notes, and Mourning Songs)
Did I make you fall hopelessly in love with me?” Isla gasped as he pinned her against the wall. His hands were rough against her hips. His fingers traveled up the sides of her stomach, to her ribs, to her breasts. She arched her back, groaning as his thumbs made wide sweeps across them. She knew he could feel her emotions, her want. “No,” he said against her parted lips. “You are not something special to me. You are not something I want to love.” He reached up to her lips and smeared her red lipstick with his thumb. “You are something I want to ruin.” Then he ducked his head to her throat and bit her. It was a light bite, just a scraping of his teeth, but Isla gasped, which turned into a moan as his tongue swiped across the same spot. She wanted him so much—she wanted everything. In a single motion, he turned her around, so her chest was pressed to the wall. His hands raked up her thighs, until he gripped her hips. Before she could move against him or do any of the millions of things that were racing through her mind, he made a portal with her starstick against the wall in front of her and pushed her through it.
Alex Aster (Nightbane (Lightlark, #2))
Do you ever feel like you are giving far fewer fucks and yet still caring so much it sometimes feels like there is only the most tissue-thin layer separating your soul from this world? Like your heart may be broken but your spirit is still rising? Are you refusing to conform and somehow still fitting just right? Able to look people right in the eye without apology and also like you’re a teenager again, bashful and blushing and off-kilter, like that moment when lips unexpectedly pressed against your head and face buried in your hair fingers trailed down y our arm, the way your stomach can flip-flop like that, even now. Do you ever walk on purpose even when you have nowhere to go? Do you notice things deeply, like dark red lipstick prints on pristine white coffee mugs? Like the way whiskey burns and cool white sheets feel against your skin at the end of the day? Are you claiming your identity, clear and strong and true, and also sinking into the vast unknowable mystery of your all? Do your days feel like longing and acquiescence and learning to stop grasping at things that are ready to leave or that choose not to come closer? Are you making a home of your own skin and inviting the world inside? Are you learning that cultivating solid boundaries and driving into a wide open horizon both feel like freedom, like the harsh desert mountains and the soft ocean wisdom and the road to healing that joins the two? Does it all feels like solidity, like truth, like forgiveness and recklessness and heat and sexy and holy, all rolled up together? Do you crave the burn of heat from another and the for nothing to be louder than sound of your own heartbeat, all at once? Do you finally know that you can choose a love and a life that does not break you? That you can claim a softer beauty and a kinder want. That even your animal hunger can soften its rough edges and say a full-throated yes to what is good and kind and holy. Do you remember that insanity is not a prerequisite for passion and that there is another pathway to your art, one that does not demand your pain as payment for its own becoming? Are you learning to show up? To take up space? To feel the power? Is it full of contradiction, does it feel like fire underwater, are you rising to sing?
Jeanette LeBlanc
You’re in control, mo leannan. You’ve controlled me from the second we met. Not in the way you meant it, surely.” He huffs out a laugh because we both know I didn’t want him to stalk me. All I wanted was for him to leave me alone. “But you own me now. You own my heart. My soul.” He starts pumping his fingers in and out of me in a faster rhythm. “My cock.” He lifts an eyebrow and smirks. I wish I could come up with a snarky comment, but all I can do is whimper from his touch. “You have my protection. And hopefully soon, my name, too. Lucille Burton has a nice ring to it, does it not?
Dolores Lane (Bloody Fingers & Red Lipstick)
I have killed for work, for money. I have killed for revenge when I went after the men who murdered my mother. I have killed for Lucille, for my lass. My Lucy. My little brute. Mo chreach bheag. So many names I have for her, yet none of them can truly capture my feelings for her. How strong and fiery and all-consuming they are. And I know without a doubt I’d do it again. I’d tear someone to pieces with my bare teeth if they tried to come close. I’d burn down the entire world if someone dared to take her from me or dared to hurt her. And I wouldn’t stop there. No, I would give my life.
Dolores Lane (Bloody Fingers & Red Lipstick)
By attractive, you mean young and thin?” “What else would I mean?” “When someone calls you attractive, it means you draw people to you,” Harriett said. “You think a tiny waist and wrinkle-free skin are the only things that can do that?” “Yes, I know. I have a lovely personality.” “I’m not joking. Do you know how beautiful it is to be alive? Do you have any idea how few people really are? You’ve got a spark. And even now, after everything you’ve been through, it’s as strong as ever. That’s what keeps Franklin fluttering around you like a lovesick moth.” “You’re high, Harriett.” “True,” she said. “I am indeed very stoned. But I was also in advertising for twenty-five years. Ad people like me are the ones who convinced women that being attractive was all about rosy cheeks and red lips. You know why? Because we could sell lipstick and bronzer and Botox and juice plans. There was no way to make money off the kind of allure that I’m talking about. So we sold a version of attractiveness you could buy instead. And over time, people forgot there was any other type. But some of us don’t need all the crap at Sephora to draw others to us. And like it or not, you are one of those people, my friend.
Kirsten Miller (The Change)
as in the Islamic Republic of Iran, where large numbers of women turned out during the June 2009 post-election demonstrations. Clearly, these women’s grievances went far beyond a single rigged election. One explained, “I see lots of girls and women in these demonstrations. They are all angry, ready to explode, scream out and let the world hear their voice. I want the world to know that as a woman in this country, I have no freedom.” This was not surprising, since Iranian law was formulated in scrupulous adherence to the Koran and Islamic tradition and law. Even the Ayatollah Khomeini’s granddaughter, Zahra Eshraghi, declared that under Islamic law, “a woman is there to fill her husband’s stomach and raise children.” And just weeks after President Barack Obama defended the right of women in non-Muslim countries to cover their heads, brave Iranian women were throwing off their head coverings as a sign of protest against the Islamic regime—with no peep of support from Obama. Journalist Azadeh Moaveni, author of the feminist book Lipstick Jihad, noted that “while it’s not at the top of women’s grievances, the hijab is symbolic. Taking it off is like waving a red flag. Women are saying they are a force to be reckoned with.”10
Robert Spencer (The Complete Infidel's Guide to the Koran)
I rolled my eyes at him and pulled the sweatshirt over my head, adjusting the deep sweetheart neckline of my dress. I'd secretly and specifically purchased the gorgeous cherry-red vintage cocktail dress for this party. I had found a pair of black cat-eye glasses at a retro clothing store near Pike Place Market to go with the dress, and the combination made me feel confident and sophisticated. "Don't look for a minute," I instructed, shimmying out of my jeans and smoothing the hemline down. The dress nipped in at the waist and flared out in a high hemline that showed off my legs. "Okay, I'm good." Rory gave me a sideways glance and did a double take. "Wow." He pulled up to a stop sign and turned, taking me in head to toe. "You look...wow." He shook his head, seemingly at a loss for words. I felt a flush of triumph. I'd never seen him look at me like that, admiration mixed with astonishment. He seemed genuinely stunned. I slicked on some red lipstick and examined my reflection in the tiny square of Rory's passenger mirror, aware of his eyes on me. I looked glamorous, surprisingly sexy. Like a movie starlet from the 1950s, a bombshell ingenue. I sat back, feeling almost giddy with triumph. I'd worn the dress for only one person. And he had finally noticed me.
Rachel Linden (The Magic of Lemon Drop Pie)
Intimacy The woman in the cafe making my cappuccino — dark eyes, dyed red hair, sleeveless black turtleneck — used to be lovers with the man I’m seeing now. She doesn’t know me; we’re strangers, but still I can’t glance at her casually, as I used to, before I knew. She stands at the machine, sinking the nozzle into a froth of milk, staring at nothing — I don’t know what she’s thinking. For all I know she might be remembering my lover, remembering whatever happened between them — he’s never told me, except to say that it wasn’t important, and then he changed the subject quickly, too quickly now that I think about it; might he, after all, have been lying, didn’t an expression of pain cross his face for just and instant? I can’t be sure. And really it was nothing, I tell myself; there’s no reason for me to feel awkward standing here, or complicitous, as though there’s something significant between us. She could be thinking of anything; why, now, do I have the sudden suspicion that she knows, that she feels me studying her, trying to imagine them together?— her lipstick’s dark red, darker than her hair — trying to see him kissing her, turning her over in bed the way he likes to have me. I wonder if maybe there were things about her he preferred, things he misses now that we’re together; sometimes, when he and I are making love, there are moments I’m overwhelmed by sadness, and though I’m there with him I can’t help thinking of my ex-husband’s hands, which I especially loved, and I want to go back to that old intimacy, which often felt like the purest happiness I’d ever known, or would. But all that’s over; and besides, weren’t there other lovers who left no trace? When I see them now, I can barely remember what they looked like undressed, or how it felt to have them inside me. So what is it I feel as she pours the black espresso into the milk, and pushes the cup toward me, and I give her the money, and our eyes meet for just a second, and our fingers touch?
Kim Addonizio (Tell Me)
The term "good girl" is a reward slapped onto women who do not pose a threat to the status quo. If it makes you feel nice to be called a "good girl", I want you to sit down and think hard. The women who stood up and voted when it was illegal for them to do so, when it was a "sin" for them to vote, were not "good girls". They were the bad girls. The women who ran in marathons disguised as men when women were an abomination to sports, were not "good girls". They were the bad girls. The first female pilot, the first female engineer, the first ever woman who wore red lipstick. All bad girls. Sit down and think hard. If you want to receive rewards from people for falling into their lines, then move out of the way for the women who blaze paths that you will one day walk on.
C. JoyBell C.
How had she ended up like this, imprisoned in the role of harridan? Once upon a time, her brash manner had been a mere posture - a convenient and amusing way for an insecure teenage bride, newly arrived in America, to disguise her crippling shyness. People had actually enjoyed her vituperation back then, encouraged it and celebrated it. She had carved out a minor distinction for herself as a 'character': the cute little English girl with the chutzpah and the longshoreman's mouth. 'Get Audrey in here,' they used to cry whenever someone was being an ass. 'Audrey'll take him down a peg or two.' But somewhere along the way, when she hadn't been paying attention, her temper had ceased to be a beguiling party at that could be switched on and off at will. It had begun to express authentic resentments: boredom with motherhood, fury at her husband's philandering, despair at the pettiness of her domestic fate. She hadn't noticed the change at first. Like an old lady who persists in wearing the Jungle Red lipstick of her glory days, she had gone on for a long time, fondly believing that the stratagems of her youth were just as appealing as they had ever been. By the time she woke up and discovered that people had taken to making faces at her behind her back - that she was no longer a sexy young woman with a charmingly short fuse but a middle-aged termagant - it was too late. Her anger had become a part of her. It was a knotted thicket in her gut, too dense to be cut down and too deeply entrenched in the loamy soil of her disappointments to be uprooted.
Zoë Heller (The Believers)
Girls seemed to have it easy in comparison. They mostly stood there in blue frocks or tight jeans or frilly skirts or whatever and handed out judgement, like flocks of Caesars in lipstick, crushing my fledging ego with their precious thumbs. And just like Caesar, they never seemed to earn the right to do that, it was theirs by birth. Who had decided this? I sure was never consulted. I had no choice, forced to bury my head in a game I had never agreed to join. I resented girls for it, and that cost me dearly. It nearly crippled me for life. But the winds of power were beginning to shift now. Just as those girls were becoming women, approaching the big 30 and being overtaken by a new batch of free riders, I was starting to get noticed. Time was a great leveller, and time was here.
MT Burell
Our supposed leader was Miss Joyce, who had been working as a civil servant in the department since its foundation forty-five years earlier in 1921. She was sixty-three years old and, like my late adoptive mother Maude, was a compulsive smoker, favouring Chesterfield Regulars (Red), which she imported from the United States in boxes of one hundred at a time and stored in an elegantly carved wooden box on her desk with an illustration of the King of Siam on the lid. Although our office was not much given to personal memorabilia, she kept two posters pinned to the wall beside her in defence of her addiction. The first showed Rita Hayworth in a pinstriped blazer and white blouse, her voluminous red hair tumbling down around her shoulders, professing that ‘ALL MY FRIENDS KNOW THAT CHESTERFIELD IS MY BRAND’ while holding an unlit cigarette in her left hand and staring off into the distance, where Frank Sinatra or Dean Martin were presumably pleasuring themselves in anticipation of erotic adventures to come. The second, slightly peeling at the edges and with a noticeable lipstick stain on the subject’s face, portrayed Ronald Reagan seated behind a desk that was covered in cigarette boxes, a Chesterfield hanging jauntily from the Gipper’s mouth. ‘I’M SENDING CHESTERFIELDS TO ALL MY FRIENDS. THAT’S THE MERRIEST CHRISTMAS ANY SMOKER CAN HAVE – CHESTERFIELD MILDNESS PLUS NO UNPLEASANT AFTER-TASTE’ it said, and sure enough he appeared to be wrapping boxes in festive paper for the likes of Barry Goldwater and Richard Nixon, who, I’m sure, were only thrilled to receive them
John Boyne (The Heart's Invisible Furies)
Very slowly, I stalk closer toward the large window, and all of a sudden, I see a small flicker of orange light in the distance. I quint my eyes as I move closer to the glass, and then two eyes crash with mine. “Ah!” I screech as I fall backward onto the ground. “Oh, God. Oh, no!” It’s him. I crawl backward on my hands, my shoulder busting against a piece of wooden furniture before I knock over a lamp. He’s closer to the window now, and I see that he’s smoking a cigarette, blowing out the smoke against the glass as he watches me. Fog forms on the window from his hot breath, and he writes something in it. A warning. Run. But I’m frozen in place on the ground like a fucking idiot. And when my eyes rove down as I see something move, I realize that his hand is down his pants. Oh my God. He’s stroking himself!
Dolores Lane (Bloody Fingers & Red Lipstick)
Owen felt his mouth curve into a grin as he heard the familiar clap, clap, clap behind him. That was one of his favorite sounds—high heels on the wooden dock of the Boys of the Bayou swamp boat tour company. He took his time turning and once he did, he started at the shoes. They were black and showed off bright red toenails. The straps wrapped sexily around trim ankles and led the eye right up to smooth, toned calves. The heels matched the black polka dots on the white skirt that thankfully didn’t start until mid-thigh, and showed off more tanned skin. He straightened from his kneeling position in one of the boats as his eyes kept moving up past the skirt to the bright red belt that accentuated a narrow waist and then to the silky black tank that molded to a pair of perfect breasts. He was fully anticipating her lips being bright red to go with that belt and her toenail polish. God, he loved red lipstick. And high heels. In any color. But before he could get to those lips, she used them, to say, “Oh, dammit, it’s you.” Owen’s gaze bypassed her mouth to fly to her eyes. Because he’d know that voice anywhere. Madison Allain was home. A day early. Not that an extra day would have helped him prepare. He’d been thinking about her visit for a week and was still as wound tight about it as he’d been when Sawyer, his business partner and cousin, had told him that she was coming home. For a month. Owen stood just watching her, fighting back all of the first words that he was tempted to say. Like, “Damn, you’re even more gorgeous than the last time I saw you.” Or, “I haven’t put anyone in the hospital lately.” Or, “I’ve missed you so fucking much.” Just for instance.
Erin Nicholas (Sweet Home Louisiana (Boys of the Bayou, #2))
Down every aisle a single thought follows me like a shadow: Brand Italy is strong. When it comes to cultural currency, there is no brand more valuable than this one. From lipstick-red sports cars to svelte runway figures to enigmatic opera singers, Italian culture means something to everyone in the world. But nowhere does the name Italy mean more than in and around the kitchen. Peruse a pantry in London, Osaka, or Kalamazoo, and you're likely to find it spilling over with the fruits of this country: dried pasta, San Marzano tomatoes, olive oil, balsamic vinegar, jars of pesto, Nutella. Tucked into the northwest corner of Italy, sharing a border with France and Switzerland, Piedmont may be as far from the country's political and geographical center as possible, but it is ground zero for Brand Italy. This is the land of Slow Food. Of white truffles. Barolo. Vermouth. Campari. Breadsticks. Nutella. Fittingly, it's also the home of Eataly, the supermarket juggernaut delivering a taste of the entire country to domestic and international shoppers alike. This is the Eataly mother ship, the first and most symbolically important store for a company with plans for covering the globe in peppery Umbrian oil, and shavings of Parmigiano-Reggiano Vacche Rosse. We start with the essentials: bottle opener, mini wooden cutting board, hard-plastic wineglasses. From there, we move on to more exciting terrain: a wild-boar sausage from Tuscany. A semiaged goat's-milk cheese from Molise. A tray of lacy, pistachio-pocked mortadella. Some soft, spicy spreadable 'nduja from Calabria. A jar of gianduja, the hazelnut-chocolate spread that inspired Nutella- just in case we have any sudden blood sugar crashes on the trail.
Matt Goulding (Pasta, Pane, Vino: Deep Travels Through Italy's Food Culture (Roads & Kingdoms Presents))
Hello, little man,’ I said and kissed his cheek. ‘Urgh.’ He wiped the kiss off. ‘I hate lipstick.’ I laughed as if he were joking and kissed him again. ‘You’ll love it when you’re older.’ ‘When I’m older,’ he asked, ‘will you be dead?’ Though there was nothing in his tone but interest, the question floored me completely. Stunned, I opened my mouth to reply, but could think of nothing to say. ‘The mum of one of the kids in Ben’s class is dead,’ Red said, his tone neutral. ‘Ever since he found out, he’s been obsessed.’ ‘Will you?’ Ben pressed. ‘Mummy will die when she’s old,’ his father answered, and I had to bite my tongue, because I knew better than anyone that death did not pre-book appointments decades in advance. Its approach was random, based on whimsy, often violent. I came from a line of women who bore a single child and were dead before its eighteenth birthday. ‘You’ve got nothing to worry about,’ Red said.
Yvvette Edwards (A Cupboard Full of Coats)
Where the hell were the sales ladies? The ones every store had to help relieve customers of guys with panic stricken eyes and the sudden need to drink away the pain of the credit card swipe. Ah! Nice. A female employee turned towards us and started walking. Thank god someone finally recognized the look of horror. She paused in front of us. "Do you need help?" "Yes!" I damn near shouted in the poor thing's face. She was only around five foot and that was with the tallest red heels I'd ever seen. Her face was clean of makeup except for bright red lipstick. She looked like she knew what she was doing. So I did what any sane man would do. I pushed Amy towards her and said, "Can you dress her?" The ladies eyes narrowed. "That came out wrong." I grumbled. "Can you help her find some clothes? She needs a whole new wardrobe. Shoes, under things." I coughed into my hand and looked away. Bar. Bar. Where was a freaking bar?
Rachel Van Dyken (Bang Bang (Eagle Elite, #4.6))
And here’s what I realize: she would never wear mittens shaped like kittens or a dress with a Peter Pan collar. She would never say, Love your dress, if she fucking hated your dress. She would never say, How are you? if she didn’t care how you were. She would never eat a lavender cupcake that tasted like perfume or wear a perfume that made her smell like a cupcake. She would never wear lip balm for cosmetic purposes. She would never wear it unless her lips were seriously, seriously cracked. And even if they were, she’d still put Lady Danger on them, which is the name of her lipstick, this bright blue-red that looks surreally beautiful on her but when I tried it on once made me look insane. Her perfume smells like rain and smoke and her eye makeup scares small children and she wears pumps even though she’s at least two inches taller than I am and I’m a freak. Why? Because life is shorter than we are, she says, so why beat around the bush?
Mona Awad (Bunny (Bunny, #1))
It was my father who called the city the Mansion on the River. He was talking about Charleston, South Carolina, and he was a native son, peacock proud of a town so pretty it makes your eyes ache with pleasure just to walk down its spellbinding, narrow streets. Charleston was my father’s ministry, his hobbyhorse, his quiet obsession, and the great love of his life. His bloodstream lit up my own with a passion for the city that I’ve never lost nor ever will. I’m Charleston-born, and bred. The city’s two rivers, the Ashley and the Cooper, have flooded and shaped all the days of my life on this storied peninsula. I carry the delicate porcelain beauty of Charleston like the hinged shell of some soft-tissued mollusk. My soul is peninsula-shaped and sun-hardened and river-swollen. The high tides of the city flood my consciousness each day, subject to the whims and harmonies of full moons rising out of the Atlantic. I grow calm when I see the ranks of palmetto trees pulling guard duty on the banks of Colonial Lake or hear the bells of St. Michael’s calling cadence in the cicada-filled trees along Meeting Street. Deep in my bones, I knew early that I was one of those incorrigible creatures known as Charlestonians. It comes to me as a surprising form of knowledge that my time in the city is more vocation than gift; it is my destiny, not my choice. I consider it a high privilege to be a native of one of the loveliest American cities, not a high-kicking, glossy, or lipsticked city, not a city with bells on its fingers or brightly painted toenails, but a ruffled, low-slung city, understated and tolerant of nothing mismade or ostentatious. Though Charleston feels a seersuckered, tuxedoed view of itself, it approves of restraint far more than vainglory. As a boy, in my own backyard I could catch a basket of blue crabs, a string of flounder, a dozen redfish, or a net full of white shrimp. All this I could do in a city enchanting enough to charm cobras out of baskets, one so corniced and filigreed and elaborate that it leaves strangers awed and natives self-satisfied. In its shadows you can find metalwork as delicate as lace and spiral staircases as elaborate as yachts. In the secrecy of its gardens you can discover jasmine and camellias and hundreds of other plants that look embroidered and stolen from the Garden of Eden for the sheer love of richness and the joy of stealing from the gods. In its kitchens, the stoves are lit up in happiness as the lamb is marinating in red wine sauce, vinaigrette is prepared for the salad, crabmeat is anointed with sherry, custards are baked in the oven, and buttermilk biscuits cool on the counter.
Pat Conroy (South of Broad)
Tina was hosting. She's a thirty-five-year-old version of Sienne, only bottle blonde.Same blind-you lipstick, same taste in clothes,same complete disregard for anyone else's opinion on anything. They hate each other. "You hate me!" Sienna wailed. It wasn't Tina's voice that snapped back, but Dad's, "Oh,no. I am not playing that game with you. Do you have any idea what a hundred pounds of filet is gonna cost me? And now you want lobster?" "But it's my wedding! Daddy-" "Don't you Daddy me, princess! I'm already five grand in the hole for the damned hotel,not to mention two for the dress, and every time I turn around, you and your mother have added a new guest, bridesmaid,or crustacean!" First of all,Dad was yelling.Almost. Second,he was swearing.Even damn is fighting talk for him.I set down my pizza and debated the best route for a sealthy escape. I'd seen the dress.Pretty, in a Disney-princess, twenty-yards-of-tulle, boobs-shaped-into-missiles sort of way. Sienne looked deliriously happy in it. She looked beautiful.The less said about the bridesmaids' dressed, I'd decided, on seeing the purple sateen,the better. "No lobster!" he yelled. There was a dramatic howl, followed by the bang of the back door. When I peeked out,it was like a photo. Everything was frozen.Dad was standing over the massive pasta pot, red-faced and scowling, wooden spoon brandished like a sword. Leo and Ricky had retreated to the doorway of the freezer. Nonna had her eyes turned heavenward, and Tina was halfway through the dining room door, smirking a little.
Melissa Jensen (The Fine Art of Truth or Dare)
Everywhere you look with this young lady, there’s a purity of motivation,” Shultz told him. “I mean she really is trying to make the world better, and this is her way of doing it.” Mattis went out of his way to praise her integrity. “She has probably one of the most mature and well-honed sense of ethics—personal ethics, managerial ethics, business ethics, medical ethics that I’ve ever heard articulated,” the retired general gushed. Parloff didn’t end up using those quotes in his article, but the ringing endorsements he heard in interview after interview from the luminaries on Theranos’s board gave him confidence that Elizabeth was the real deal. He also liked to think of himself as a pretty good judge of character. After all, he’d dealt with his share of dishonest people over the years, having worked in a prison during law school and later writing at length about such fraudsters as the carpet-cleaning entrepreneur Barry Minkow and the lawyer Marc Dreier, both of whom went to prison for masterminding Ponzi schemes. Sure, Elizabeth had a secretive streak when it came to discussing certain specifics about her company, but he found her for the most part to be genuine and sincere. Since his angle was no longer the patent case, he didn’t bother to reach out to the Fuiszes. — WHEN PARLOFF’S COVER STORY was published in the June 12, 2014, issue of Fortune, it vaulted Elizabeth to instant stardom. Her Journal interview had gotten some notice and there had also been a piece in Wired, but there was nothing like a magazine cover to grab people’s attention. Especially when that cover featured an attractive young woman wearing a black turtleneck, dark mascara around her piercing blue eyes, and bright red lipstick next to the catchy headline “THIS CEO IS OUT FOR BLOOD.” The story disclosed Theranos’s valuation for the first time as well as the fact that Elizabeth owned more than half of the company. There was also the now-familiar comparison to Steve Jobs and Bill Gates. This time it came not from George Shultz but from her old Stanford professor Channing Robertson. (Had Parloff read Robertson’s testimony in the Fuisz trial, he would have learned that Theranos was paying him $500,000 a year, ostensibly as a consultant.) Parloff also included a passage about Elizabeth’s phobia of needles—a detail that would be repeated over and over in the ensuing flurry of coverage his story unleashed and become central to her myth. When the editors at Forbes saw the Fortune article, they immediately assigned reporters to confirm the company’s valuation and the size of Elizabeth’s ownership stake and ran a story about her in their next issue. Under the headline “Bloody Amazing,” the article pronounced her “the youngest woman to become a self-made billionaire.” Two months later, she graced one of the covers of the magazine’s annual Forbes 400 issue on the richest people in America. More fawning stories followed in USA Today, Inc., Fast Company, and Glamour, along with segments on NPR, Fox Business, CNBC, CNN, and CBS News. With the explosion of media coverage came invitations to numerous conferences and a cascade of accolades. Elizabeth became the youngest person to win the Horatio Alger Award. Time magazine named her one of the one hundred most influential people in the world. President Obama appointed her a U.S. ambassador for global entrepreneurship, and Harvard Medical School invited her to join its prestigious board of fellows.
John Carreyrou (Bad Blood: Secrets and Lies in a Silicon Valley Startup)
Overall look: Soft and delicate   Hair: Most often blonde or golden grey   Skintone: Light, ivory to soft beige, peachy tones. Very little contrast between hair and skin   Eyes: Blue, blue-green, aqua, light green IF you are a Light Spring you should avoid dark and dusty colors, which would make you look pale, tired and even pathetic. Spring women who need to look strong, for example chairing a meeting, can do so by wearing mid-tone grey or light navy, not deeper shades. If you are a Light Spring and you wear too much contrast, say a light blouse and dark jacket, or a dress with lots of bold colors against a white background, you ‘disappear’ because our eye is drawn to the colors you are wearing. See your Light Spring palette opposite. Your neutrals can be worn singly or mixed with others in a print or weave. The ivory, camel and blue-greys are good investment shades that will work with any others in your palette. Your best pinks will be warm—see the peaches, corals and apricots—but also rose pink. Never go as far as fuchsia, which is too strong and would drain all the life from your skin. Periwinkle blue toned with a light blue blouse is a smart, striking alternative to navy and white for work. Why wear black in the evening when you will sparkle in violet (also, warm pink and emerald turquoise will turn heads)? For leisure wear, team camel with clear bright red or khaki with salmon.   Make-Up Tips Foundation: Ivory, porcelain Lipstick: Peach, salmon, coral, clear red Blush: Salmon, peach Eyeshadow for blue eyes: Highlighter Champagne, melon, apricot, soft pink Contour Soft grey, violet, teal blue, soft blues, cocoa Eyeshadow for blue-green and aqua eyes: Highlighter Apricot, lemon, champagne Contour Cocoa or honey brown, spruce or moss green, teal blue Eyeshadow for green eyes: Highlighter Pale aqua, apricot, champagne Contour Cocoa or honey brown, teal blue, violet, spruce.
Mary Spillane (Color Me Beautiful's Looking Your Best: Color, Makeup and Style)
I turn to see what she’s looking at, and it’s a red convertible Mustang driving down our street, top down--with John McClaren at the wheel. My jaw drops at the sight of him. He is in full uniform: tan dress shirt with tan tie, tan slacks, tan belt and hat. His hair is parted to the side. He looks dashing, like a real soldier. He grins at me and waves. “Whoa,” I breathe. “Whoa is right,” Ms. Rothschild says, googly-eyed beside me. Daddy and his Ken Burns DVD are forgotten; we are all staring at John in this uniform, in this car. It’s like I dreamed him up. He parks the car in front of the house, and all of us rush up to it. “Whose car is this?” Kitty demands. “It’s my dad’s,” John says. “I borrowed it. I had to promise to park really far away from any other car, though, so I hope your shoes are comfortable, Lara Jean--” He breaks off and looks me up and down. “Wow. You look amazing.” He gestures at my cinnamon bun. “I mean, your hair looks so…real.” “It is real!” I touch it gingerly, I’m suddenly feeling self-conscious about my cinnamon-bun head and red lipstick. “I know--I mean, it looks authentic.” “So do you,” I say. “Can I sit in it?” Kitty butts in, her hand on the passenger-side door. “Sure,” John says. He climbs out of the car. “But don’t you want to get in the driver’s seat?” Kitty nods quickly. Ms. Rothschild gets in too, and Daddy takes a picture of them together. Kitty poses with one arm casually draped over the steering wheel. John and I stand off to the side, and I ask him, “Where did you ever get that uniform?” “I ordered it off of eBay.” He frowns. “Am I wearing the hat right? Do you think it’s too small for my head?” “No way. I think it looks exactly the way it’s supposed to look.” I’m touched that he went to the trouble of ordering a uniform for this. I can’t think of many boys who would do that. “Stormy is going to flip out when she sees you.” He studies my face. “What about you? Do you like it?” I flush. “I do. I think you look…super.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
As he sat up, he heard soft dripping sounds from the bathroom, little plips like water slipping over the edges of the tub and into the floor. The hairs on the back of his neck rose as he realized where he‟d last heard that sound. His muscles tight with strain from his earlier exertions, he stood and walked warily toward the half open bathroom door and the tub beyond it. Slipping quietly past the door, he saw that the curtain was drawn, and again the shadowed figure lay behind it. One long, slim, leg dangled from the end of the tub, beads of water gliding down its length and off the polished toes. At the other end he saw a mass of auburn curls, matted deep red near the porcelain of the tub. It was the dream and the vision again, more real now, too strong to deny. Shaking, he moved toward the curtain, gagging on the sickly smell of rust and roses, feeling the thin nylon glide between thumb and palm as he pulled it back to reveal his darkest nightmare and deepest regret. He could see the crimson water now, blood bubbles gliding over its surface and clinging to the legs dangling over the tub‟s edge. When he‟d pulled the curtain completely away from the tub and around to its opposite side, he saw her face. Her eyes were closed and he saw that her lids were bruised and purple against the translucent paleness of her face, drained completely dead white under the makeup she‟d brushed on before she‟d died. Staggering by the sight of her, he knelt by the tub and extended one shaking hand to touch her cheek. It all seemed as if he‟d walked into a horror film and once again he needed to prove to his mind that this wasn‟t real. His hand shook as he lifted it nearer to her flesh, waiting for the corpse, the supposedly dead and buried to move. He touched his quivering fingers to her face, feeling its claylike reality. The sensation caused an immediate shudder of revulsion and he fought not to vomit. Even as the moment came, the sight of her moving in the water startled him and he jumped away from the tub. It wasn‟t an obvious movement at first, only soft breaths moving in and out of her nostrils, but then her chest rose and fell with it and he quaked, feeling unstable where he knelt on the floor. Her eyes opened next and he felt the blood fall out of his face, wanting to scream but too afraid he would cause her to take some action, to reach out and touch him, proving well and forever that he was indeed insane. Scream and you might as well slit your own throat. He swallowed the scream like a rock and stared as her eyes moved slowly in their sockets, locking on him. Slowly, as if she‟d lost control of her muscles, she rose from the tub and looked down at him, smiling. Blood water slid down her bare body, over her neck, down her back and the smooth ridges of her breasts, to slip slowly down her thighs and down over her calves. A puddle spread on the floor, and as it extended toward him he struggled to his feet, skittering away from it. As he watched it spread, he shivered, weak as he started to cry frantic, horrified tears. Breaking down, he looked back up at her face and slipped to the floor once more, his knees incapable of sustaining his own weight. The smile grew wider as she strode to his shivering form, thrown on his side and struggling to rise. The blood water seeped into his clothes, making him sick, a drop of it trickling along the lobe of his ear and into it. And then she leaned down, holding those dim, stained curls of auburn out of her face and tucking them behind her ear. Her lips parted, blue beneath the strong crimson red of her lipstick, and she spoke into his ear with the chill breath of the dead. His eyes grew wide and horrified as she spoke, the hair on his neck rising, sending a maddening shiver of fear through him. “I‟ve returned, Raven.” She whispered “And I want what is mine.” The last thing he saw before his mind, finally, thankfully, shut down was her face in front of his. They were pursed for a kiss.
Amanda M. Lyons
She’s wearing tight jeans and a flowy blouse and a bunch of necklaces and rings and open-toed sandals and fuck me her toenails are cherry red like the lipstick she usually wears, and I want to give her a foot massage and make her moan.
Kayley Loring (Charmer (Name in Lights, #2))
But as my gaze landed on Tory Vega where she stood alone at the bar, looking utterly devastating in a black gown which clung to her figure like a spill of oil, those doubts rose in me again. She ordered herself a drink and I shot through the crowd before I could stop myself, coming to a halt at her side and leaning against the bar like I'd been there for hours instead of moments. “It’s not too late,” I said, unable to help myself as I cast a quick glance around the room for the other Heirs. I wasn’t entirely sure what they had planned for her aside from it taking place at the pool, but I knew it wouldn’t be anything good. Tory turned to look at me, offering me half a smile as she gave me a solid once over with those deep green eyes of hers which made my chest puff up and my dick start paying a whole lot more attention. “Not too late for what?” she asked, taking a sip of her drink and drawing my focus to the blood red lipstick she wore. “To sneak out of here and have some real fun,” I offered, reaching out to brush my fingertips along her arm. If she'd just agree then I could get her out of here in less than a heartbeat, I could save her from this attempt to get rid of her and spend the night dedicating myself to her pleasure. I told myself I was offering that because she was my Source and it was my duty to protect her, but it was more than that, like this feeling in my gut that what me and the other Heirs were planning was the wrong thing. The wrong move. I still believed it would make us look weak rather than strong and though I’d been forced to back down against the three of them, I got the feeling this wouldn’t even work anyway. These girls might not have been raised in this kingdom, but they were Fae and I was sure they’d come back fighting no matter how hard we went at them tonight, so why do it? Tory looked like she was actually considering my offer but then she just shook her head lightly in refusal, dashing my hopes. “You’ll have to work harder than that if you want me,” she taunted and any other night I'd have been more than willing to take her up on that offer, but tonight I needed her to let me get her back to my room first. I leaned a little closer, my mouth against her ear as I spoke seductively, trying to coax an agreement from her lips. “I promise you, I’ll work really hard.” She looked at me with heat in her eyes and for a moment I thought I had her, but then she shrugged a little and shook her head like she'd never considered it at all. “Tempting...but no.” I pursed my lips in disappointment, opening my mouth to say something else to convince her, but before I could figure out what that might have been, Max and Darius appeared at the other end of the bar. The two of them shot me and Tory death glares like they knew exactly what I'd been up to and my stomach dropped as I gave in to the inevitable. Darius beckoned me over and I straightened, suppressing a sigh. I might not have liked this but I knew where my loyalties lay and that would always be right alongside the other Heirs. “Off you run,” Tory muttered and I hesitated a moment, not liking the implication that I was being summoned like a good dog, but I also couldn't deny that my place was with them. And if I had to choose then it would be my brothers every time against every alternative. I smiled ruefully as I took a step away. “I’m not switching allegiances, Tory,” I said, resigning myself to how the night had to play out now. “No matter how good you look in that dress. We still can’t let you take our throne.” I walked away but I heard the words she muttered bitterly at my back. “I don’t want your damn throne.” I just wished her saying that was enough for the Councillors to accept it. (Caleb POV)
Caroline Peckham (The Awakening as Told by the Boys (Zodiac Academy, #1.5))
Do you think I am a fool, Masha? All this time, and you speak to me as though I were a flighty pinprick of a girl. I am a magician! Did you never think, even once, that I loved lipstick and rouge for more than their color alone? I am a student of their lore, and it is arcane and hermetic beyond the dreams of alchemists. (...) Masha, listen to me. Cosmetics are an extension of the will. Why do you think all men paint themselves when they go to fight? When I paint my eyes to match my soup, it is not because I have nothing better to do than worry over trifles. It says, I belong here, and you will not deny me. When I streak my lips red as foxgloves, I say, Come here, male. I am your mate and you will not deny me. When I pinch my cheeks and dust them with mother-of-pearl, I say, Death, keep off, I am your enemy and you will not deny me. I say these things, and the world listens, Masha. Because my magic is a strong as an arm. I am never denied.
Catherynne M. Valente (Deathless)
I bet that red lipstick will look great wrapped around my cock. I can’t wait to see it.
D.N. Hoxa (The Elysean Illusion (The Holy Bloodlines, #3))