Lipstick On A Pig Quotes

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You can put lipstick on a pig. It's still a pig.
Barack Obama
They say you can put lipstick on a pig and it’s still a pig. The same holds true for a dead body. Put lipstick on a corpse and you’ve played dress-up with a corpse.
Caitlin Doughty (Smoke Gets in Your Eyes: And Other Lessons from the Crematory)
You can put lipstick and earrings on a hog and call it Monique, but it's still a pig.
Ann Richards
As I grow in age, I value women who are over forty most of all. Here are just a few reasons why: A woman over forty will never wake you in the middle of the night to ask, “What are you thinking?” She doesn’t care what you think. If a woman over forty doesn’t want to watch the game, she doesn’t sit around whining about it. She does something she wants to do. And, it’s usually something more interesting. A woman over forty knows herself well enough to be assured in who she is, what she is, what she wants and from whom. Few women past the age of forty give a hoot what you might think about her or what she’s doing. Women over forty are dignified. They seldom have a screaming match with you at the opera or in the middle of an expensive restaurant. Of course, if you deserve it, they won’t hesitate to shoot you, if they think they can get away with it. Older women are generous with praise, often undeserved. They know what it’s like to be unappreciated. A woman over forty has the self-assurance to introduce you to her women friends. A younger woman with a man will often ignore even her best friend because she doesn’t trust the guy with other women. Women over forty couldn’t care less if you’re attracted to her friends because she knows her friends won’t betray her. Women get psychic as they age. You never have to confess your sins to a woman over forty. They always know. A woman over forty looks good wearing bright red lipstick. This is not true of younger women. Once you get past a wrinkle or two, a woman over forty is far sexier than her younger counterpart. Older women are forthright and honest. They’ll tell you right off if you are a jerk, if you are acting like one! You don’t ever have to wonder where you stand with her. Yes, we praise women over forty for a multitude of reasons. Unfortunately, it’s not reciprocal. For every stunning, smart, well-coiffed hot woman of forty-plus, there is a bald, paunchy relic in yellow pants making a fool of himself with some twenty-two-year-old waitress. Ladies, I apologize. For all those men who say, “Why buy the cow when you can get the milk for free,” here’s an update for you. Now 80 percent of women are against marriage, why? Because women realize it’s not worth buying an entire pig, just to get a little sausage.
Andy Rooney
I've found that when someone is beautiful on the outside, but spiritually dark inside, all that outer beauty is just lipstick on a pig. ~Zeke
Richard Paul Evans (The Mistletoe Inn (Mistletoe #2))
Tweaking bad Web content is just putting lipstick on a pig.
David Meerman Scott (World Wide Rave: Creating Triggers that Get Millions of People to Spread Your Ideas and Share Your Stories)
Gussying up slides that have meaningless content is like putting lipstick in a pig.
Nancy Duarte (Resonate: Present Visual Stories that Transform Audiences)
You can put lipstick on a pig, but it's still a pig.
Barak Obama
Pigs don't look good in lipstick. Ever.
Adam Judge (The Little Black Book of Design)
Independence changed everything. Independence changed nothing. Eight years after the British left, we now had free government schools, running water and paved roads. But Jaipur still felt the same to me as it had ten years ago, the first time I stepped foot on its dusty soil. On the way to our first appointment of the morning, Malik and I nearly collided with a man carrying cement bags on his head when a bicycle cut between us. The cyclist, hugging a six-foot ladder under his arm, caused a horse carriage to sideswipe a pig, who ran squealing into a narrow alley. At one point, we stepped aside and waited for a raucous band of hijras to pass. The sari-clad, lipstick-wearing men were singing and dancing in front of a house to bless the birth of a baby boy. So accustomed were we to the odors of the city—cow dung, cooking fires, coconut hair oil, sandalwood incense and urine—that we barely noticed them.
Alka Joshi (The Henna Artist (The Jaipur Trilogy, #1))
In what commanders and technicians realized in hindsight was a bad decision, the test messages were identical to the real alert messages that’d be used in an attack, but simply used zeroes to indicate the number of missiles in the air. The real totals would be filled in during an attack. The faulty computer chip began inserting the numeral 2 in place of zeroes—hence the quickly escalating alert from 2 missiles to 220 to 2,200 Soviet ICBMs. It had been a disaster just waiting to happen. The government’s after-action report reported dryly, “Now, that message is in a different format which just indicates the status of the communications system rather than the any indication of numbers of missiles.” The Pentagon’s classified talking points tried to put lipstick on the pig, celebrating that “The human safeguards which are a central part of our system worked as designed.” •
Garrett M. Graff (Raven Rock: The Story of the U.S. Government's Secret Plan to Save Itself--While the Rest of Us Die)
The companies that hauled the oil away were called renderers. Besides restaurant oil, renderers also collected animal carcasses—pigs and sheep and cows from slaughterhouses, offal thrown out by butcher shops and restaurants, euthanized cats and dogs from the pound, dead pets from veterinary clinics, deceased zoo animals, roadkill. Mounds of animals were trucked to the rendering plant and bulldozed into large pots for grinding and shredding; then the raw meat product was dumped into pressure cookers, where fat separated from meat and bones at high heat. The meat and bones were pulverized into protein meal for canned pet food. The animal fat became yellow grease, which was recycled for lipstick, soap, chemicals, and livestock feed. So cows ate cow, pigs ate pig, dogs ate dog, cats ate cat, and human beings ate the meat fed on dead meat, or smeared it over their faces and hands. Rendering was one of the oldest industries in the country, going back to the age of tallow, lard, and candlelight, and one of the most secretive.
George Packer (The Unwinding: An Inner History of the New America)
No matter what color you paint Anarchism, it's still a pig with lipstick on.
Nicholai Tsakoven
Design has too often been deployed at the low value end of the product spectrum, putting the lipstick on the pig.
Dan Hill (Dark Matter and Trojan Horses: A Strategic Design Vocabulary)
■Invest in Simple Upgrades Little things matter, friends. If you are living in a space that does not have “good bones,” I say put some lipstick on that pig and invest in some simple, impactful upgrades. A fresh coat of paint, new light fixtures, and stylish window coverings can instantly transform your entire space. When we were renting the home we lived in before the one we are in now, I paid an electrician to swap out all of the overhead light fixtures with modern, stylish lights. That single effort completely transformed the look and feel of our home, and we were able to store the originals and swap them back when we moved. Even changing the plates around your light switches can make an impact without a high price tag.
Shira Gill (Minimalista: Your Step-by-Step Guide to a Better Home, Wardrobe, and Life)
Tell me about your day.” She huffs. “My day? Well, let’s see…” She takes a dramatic pause. “I buried my husband this morning. There’s that.” “And how was that?” “Riveting,” she hums with a nice dollop of sarcasm. “Good thing I’m taking you out tonight then. A lovely occasion for a celebration, wouldn’t you say?” She looks at me, gaping. Then she offendedly asks, “Celebration?” “Tell me this wasn’t one of the happiest days of your life.” She stares back at the road through the window as she contemplates. And then a loud snort comes out of her pretty mouth, which she quickly covers up with her hand. “Don’t you dare silence those pig-like snorts of yours. They’re like music to my ears.
Dolores Lane (Bloody Fingers & Red Lipstick)
It was lipstick on a pig, as Nana Mae would say. Nothing changed the guts of the thing.
Sharla Lovelace (Don't Let Go)
they were only putting lipstick on a pig.
Scott McMurrey (Asshole Nation: Trump and the Rise of Scum America)
It's way too late in the game to get the real value of design, and mostly what's being done is what we call the “lipstick on the pig” model.
Marty Cagan (Inspired: How to Create Tech Products Customers Love (Silicon Valley Product Group))