Lipstick Mirror Quotes

I am going to a conference tomorrow," she said. "In Portland. Dr. Melissa Sanchez will speak. She says you think your way to a sexier you. Hormones are powerful drugs. Unless we tell them what we want, they backfire. They work against us." Dorothea turned, pointing the Ajax can at me for emphasis. "Now I wake in the morning and take red lipstick to my mirror. 'I am sexy,' I write. 'Men want me. Sixty-five is the new twenty-five.

The Overlook was still not done with him. Written on the mirror, not in lipstick but in blood, was a single word: REDRUM

I am thinking about the way that life can be so slippery; the way that a twelve-year-old girl looking into the mirror to count freckles reaches out toward herself and that reflection has turned into that of a woman on her wedding day, righting her veil. And how, when that bride blinks, she reopens her eyes to see a frazzled young mother trying to get lipstick on straight for the parent/teacher conference that starts in three minutes. And how after that young woman bends down to retrieve the wild-haired doll her daughter has left on the bathroom floor, she rises up to a forty-seven-year-old, looking into the mirror to count age spots.

Trying to change the outside by making changes to the outside, is like trying to make your lips red in your reflection by putting lipstick on the mirror!

I need to prolong this moment; it’s not often I gain the upper hand. I put on lipstick using the wall as a mirror. The color is called Flamethrower and it’s my trademark. Vicious, violent, poisonous red. Slit-wrists red. The color of the devil’s underpants,according to Dad. I have so many tubes that I always have a tube within a three-foot radius. I am black and white, but thanks to Flamethrower, I can be Technicolor. I live in terror of it being discontinued by the manufacturer, hence my hoarding.

They look at one another. She’s a little flushed, and her lipstick is smudged just slightly on her lower lip. Her gaze unsettles him like it used to, like looking into a mirror, seeing something that has no secrets from you.

The lipstick is a dark, dark red. The kind Hollywood stars wear. Not a shade good girls in Davisburg wear to the movies. I try it on anyway and gaze at my reflection in the mirror. I don't look sick. I certainly don't look like that kind of girl. What does that kind of girl look like, anyway?

She stayed beside me until I slept, waveringly, brilliantly, hooded in diaphanous scarlet, and occasionally she left an imperative written in lipstick on my dusty windowpane. BE AMOROUS! she exhorted one night and, another night, BE MYSTERIOUS! Some nights later, she scribbled: WHEN YOU BEGIN TO THINK, YOU LOSE THE POINT.

Why couldn't Lady Justice just wear jeans and a T-shirt?' I complain. 'I mean, if she had a choice.' 'Good question,' says Winona. 'Because,' says Serena, swiping on the lipstick in two expert strokes. She grabs my arm and shepherds me over to the full-length mirror. 'Maybe she liked the way she looked in a dress.

There is an erotic charge prising the top from a new lipstick, leaning into the mirror and painting your masterpiece. Lipstick has its own unique taste and lingers on your tongue like semen.

Later on, still looking, she had tried to get involved with the Women's Community Center. She liked what they stood for but secretly wished they would wear just a little lipstick and shave their legs. She had been the only one in the room in full makeup, wearing pantyhose and earrings. She had wanted to belong, but when the woman suggested that next week they bring a mirror so they could all study their vaginas, she never went back.

Once, at the dacha, years ago,” she said, “we all decided to go mushroom picking, and our neighbor Vera—she was at least eighty at the time—dashed over to the mirror and started painting her lips. My mother said to her, ‘Aunt Vera, we are going to the woods; who’s the lipstick for?’ And Vera replied—I’ll never forget it—‘Who knows? Maybe that’s where it will happen!

I've nothing against eye make-up and lipstick. But the fact is we're actually living on a planet in space. For me that's an extraordinary thought. It's mind-boggling just to think about the existence of space at all. But there are girls who can't see the universe for eye-liner. And there are probably boys whose eyes are never raised above the horizon because of football. There can be quite a chasm between a small make-up mirror and a proper mirror telescope! I think it's what they call a 'matter of perspective'. Perhaps it could also be called an 'eye-opener' as well. It's never too late to experience an eye-opener. But many people live their entire lives without realizing that they're floating through empty space. There's too much going on down here. It's hard enough thinking about your looks. We belong on this earth. I'm not trying to dispute it. We're part of nature's life on this planet. Monkeys and reptiles have shown us how we breed, and I have no quarrel with that. In different natural surroundings everything might have been very different, but here we are. And I repeat: I'm not denying it. I just don't think that prevent us from trying to see a little beyond the ends of our noses.

She sorts out her lipstick with a glance in the hall mirror, her free hand simultaneously pointing out rogue books and magazines that suddenly, urgently need me to tidy them. She ducks into her bedroom, rummages noisily, makes a brief appearance in the hallway in what can only be described as a Poncho. 'No,' she says. 'No.' And she balls it up and flings it back through her bedroom door. I want to medicate her. One of those tranquilliser darts they use to bring down big cats would do. - Joel

I looked at my reflection in the rearview mirror. Some lipstick would go with this truck, I thought.

My uncle Bob sees the whole world in a fun-house mirror, TRUST NO ONE lipsticked luridly across its bowed face.

Later that evening, Norma Jeane said good night to Bill and returned home. Standing before a mirror she picked up a lipstick and scribbled, ‘This is the end of Norma Jeane.’ Marilyn Monroe was born.

Someone had left a lipstick on the back of the toilet. She went to the bathroom and studying herself in the mirror, reddened her lips carefully. She had never worn lipstick before. She was beginning to feel very good.

… a choker they made with a star charm hung from a black grosgrain ribbon - admiring herself in a heart-shaped Venetian mirror, wielding a golden tube of lipstick in her right hand and holding a bottle of perfume in her left.

The Magpie Poet The magpie poet lined his poems, with a nest of shiny objects: engagement rings returned by ex-lovers, lipstick and keys found beneath his couch's cushions, even shards of his mom's silver hand mirror, too filled with images to discard. His nest of luminous memories held his yellow eye, his offspring. More importantly, it held him. Each poem he wrote was a pro tem refuge he could hide in, a safe house to rest his head after another sleepless night.

Want to know what else I heard you did at the bar?” “I don’t think I do.” “You used your red lipstick to scribble ‘Alethea is a skanky hoe’ on the bathroom mirror.” In her opinion, truer words had never been spoken – well, scribbled. Her demon agreed. “You almost yacked in the Bentley.” Oh, God. She squeezed her eyes tightly shut. “Stop.” “We had to pull over so you could vomit in a bush.” “Stop.” “Then you got back in the car and said, ‘Taco Bell, anyone?’” “Stop.”  Knox chuckled. “But I haven’t told you what you did when you got home yet.” She buried her face deeper into the pillow. “I don’t want to hear it.” He spoke into her ear. “You told me you love me, you’d always love me, and that you even love my demon… which would have been really sweet if you weren’t bent over the toilet with vomit in your hair.

One day, you’re 19 And the boy who broke your heart a year ago, is now off in some parallel lifetime from you, breaking someone else’s heart. It’s not you this time But you understand how she will hurt. You’re still wearing your red lipstick Still squatting Still blossoming. And you cut your hair off because you didn’t want to be defined by your looks. You make drastic changes And end up wearing more black Than you did before. You’re beautiful. You started telling yourself that in the mirror because you started recognizing your worth. You slick your short hair back And smile. You’re happy. And for once, that’s all that matters.

One of the reasons men love stockings, heels, lipstick, eyeshadow, long silky hair, and hairless legs is because it is entirely the opposite of them. They also love curves and the waist to hip ratio since it’s something they don’t have. Women tend to like square jaws, muscly arms and chests, and deep voices as this is something they don’t have. Keep these opposites active and obvious in your sex life.

Our room is trashed. Clothes are thrown everywhere and our dresser drawers are broken with pieces of it lying all over the room. Cosmetics and make up are wrecked and spilled on the floor. Magazine pages are ripped and thrown around. The glass on the only picture of my mom and me is shattered and the picture is crumpled on my bed. I walk across the room and pick up the broken frame from the ground. With tears in my eyes, I unwrinkle the photo. Creases mar our smiling faces. I bite my lip to keep the tears at bay. There has to be an explanation. Something red catches my eye in the bathroom. I carefully walk over to the bathroom, avoiding pieces of wood on the floor. On the mirror, written in red lipstick are the words: GET OUT OF MY WAY. HE’S MINE. “Natasha,” I whisper as I turn toward Emma again. “Natasha did this.

March 9: With Schenck’s help, Marilyn obtains a contract with Columbia Pictures for $125 a week. The studio puts her up at the Hotel Bel-Air. Ed Cronenwerth shoots her in various exercise positions, toning and stretching her body. She is also shown seated on steps, her right elbow on her raised right thigh and her right hand on her chin next to the sign “Los Angeles City Limits.” He also photographs makeup sessions. Marilyn applies lipstick, looking into a hand-held mirror, and is shot sitting while Helen Hunt styles her hair.

I am thinking about the way that life can be so slippery, the way a twelve-year-old girl looking into the mirror to count freckles reaches out toward her reflection has turned into that woman on her wedding day, righting her veil. And how, when that bride blinks, she reopens her eyes to see a frazzled young mother trying to get lipstick on straight for the parent-teacher conference that starts in three minutes. And how after that young woman bends down to retrieve the wild-haired doll her daughter has left on the bathroom floor, she rises up to a forty-seven-year-old, looking in the mirror to count age spots. - What We Keep

Frankie had used one (reverently) to wipe his eyes.This specimen was old and soft,monogrammed with a J in the corner. "Makes it interesting," he told me once, after finding a box monogrammed with M for fifty cents at a sidewalk sale. "Was it Max or Michael? Maybe Marco..." "Here," he said now. "You have lipstick halfway down to your chin." Humiliated, I scrubbed at my face. Frankie held out his hand, palm up. "Okay,let's have it." I pulled the tube out of my pocket. "Not really my thing, madam, but since I've seen what happens when you don't use a mirror..." I'm sure it helped that he was holding my face, but he read it like a pro. "You had a mirror." "I did.I'm hopeless." "Maybe.Open." He squinted as he filled in my upper lip. "I don't like this." "The color? I knew it was too pink-" "Quiet.You'll smear it.The color is fine. Better for Sienna, I'm sure..." He surveyed his handiwork. "I don't like that you're doing this for him." "Don't start. I told you how nice he was." "In excruciating detail." Given, the post-Bainbridge family dinner e-mail to Frankie and Sadie had been long. But excrutiating stung, especially from the boy who'd used every possible synonym for hot in describing his Friday-night bookstore acquisition. No name, just detailed hotness and the play-by-play of their flirtation over the fantasy section.

In one slick move, he shoves his phone in his pocket and grabs me so we’re in front of the cabinet. His hand slides around the back of my neck, and before I can panic, he kisses me hard. Momentarily caught off guard, I just throw my arms around his neck and press my body against his. His kiss deepens until our tongues are twisting together, and I’m reminded of just how great a kisser he is. The lights flicker on, and Grayson pulls away from me with a grunt. I’m so flustered, it takes me a few seconds to collect myself enough to see a man wearing a suit and a hotel name badge eyeing us. “Excuse me, Mr. Cole, I’m afraid this office is off-limits for guests,” he says. I glance at Grayson and have to stop myself from laughing at the shade of my lipstick he’s now wearing. Grayson doesn’t miss a beat; he just grabs my hand and tugs me across the room. “I won’t mention this if you don’t,” he says as we pass by the hotel porter. I try for a sheepish smile as we walk past him. “Sorry,” I mouth. As we make it out to the hallway, a half-smothered giggle escapes before I can stop it. “You should probably go to the men’s room before you go back to the party.” A smile creases his lipstick-smeared mouth before he swipes his hand over it. “Yeah. This isn’t really my shade.” I snort a laugh and try to laugh off the kiss. But as I head back to the party, I’m well aware that kiss has only stirred a desire for another one. Not only that but as I pull my mirror out to check my own face, I realize something I didn’t in the heat of the moment. ​There was nothing fake about that kiss.

Before common or high magick was sealed in a spellring or a cursering, it was considered raw. And raw magick was a tricky thing to find. It could appear at random: in the accidental shattering of a mirror, tucked into the pages of dusty books, dancing in a clover patch the hour after dawn. Nowadays, much of it was mass produced, farmed and bottled like high-fructose corn syrup, sprinkled as a primary ingredient in everything from lipstick to household cleaners. But not so much in Ilvernath, where the old ways stubbornly continued on. Isobel Macaslan examined the raw common magick shimmering white across the graveyard, like glitter caught in rain. People had magick inside them, too. If left uncollected, the wind picked it up and carried it away, where it would later nestle itself into forgotten places.

She stood in front of the mirror a long time, and finally decided she either looked like a sap or else she looked very beautiful. One of the other. Six different ways she tried out her hair. The cowlicks were a little trouble, so she wet her bangs and made three spit curls. Last of all she stuck the rhinestones on her hair and put on plenty of lipstick and paint. When she finished she lifted up her chin and half-closed eyes like a movie star. Slowly she turned her face from one side to the other. It was beautiful she looked - just beautiful. She didn’t feel herself at all. She was somebody different from Mick Kelly entirely. Two hours to pass before the party would begin, and she was ashamed for any of her family to see her dressed so far ahead of time. She went into the bathroom again and locked the door. She couldn’t mess up her dress by sitting down, so she stood in the middle of the floor. She felt so different from the old Mick Kelly that she knew this would be better than anything else in her whole life.

I rolled my eyes at him and pulled the sweatshirt over my head, adjusting the deep sweetheart neckline of my dress. I'd secretly and specifically purchased the gorgeous cherry-red vintage cocktail dress for this party. I had found a pair of black cat-eye glasses at a retro clothing store near Pike Place Market to go with the dress, and the combination made me feel confident and sophisticated. "Don't look for a minute," I instructed, shimmying out of my jeans and smoothing the hemline down. The dress nipped in at the waist and flared out in a high hemline that showed off my legs. "Okay, I'm good." Rory gave me a sideways glance and did a double take. "Wow." He pulled up to a stop sign and turned, taking me in head to toe. "You look...wow." He shook his head, seemingly at a loss for words. I felt a flush of triumph. I'd never seen him look at me like that, admiration mixed with astonishment. He seemed genuinely stunned. I slicked on some red lipstick and examined my reflection in the tiny square of Rory's passenger mirror, aware of his eyes on me. I looked glamorous, surprisingly sexy. Like a movie starlet from the 1950s, a bombshell ingenue. I sat back, feeling almost giddy with triumph. I'd worn the dress for only one person. And he had finally noticed me.

But the psychological change accompanying these technologies is more subtle, and perhaps more important. Consciously and unconsciously, we have gradually grown accustomed to experiencing the world through disembodied machines and instruments. As I stood in line to board an airplane recently, the young woman in front of me was primping in her mirror—straightening her hair, putting on lipstick, patting her checks with blush—a female ritual that has been repeated for several thousand years. In this case, however, her “mirror” was an iPhone in video mode, pointed at herself, and she was reacting to a digitized image of herself. I take walks in a federally protected wildlife preserve near my home in Massachusetts. A dirt trail winds for a mile around a lake teeming with beavers and fish, wild ducks and geese, aquatic frogs. Bulrushes and cattails wrap the perimeter of the pond, water lilies float here and there, rippling when a fish goes by. In the winter, the air is crisp and sharp, in the summer soft and aromatic. And a thick silence lies across the park, broken only by the honking of geese and the croaking of frogs. It is a place to smell, to see, to feel, to quietly let one’s mind wander where it wants. More and more commonly, I see people here talking on their cell phones as they walk around the trail. Their attention is focused not on the scene in front of them, but on a disembodied voice coming from a small box. And they are disembodied themselves. Where are their minds and bodies? Certainly not present in the park. Nor can they be located in the electromagnetic waves and digital signals flowing through cyberspace. Only their voices can be found at the other end of their conversations, in the offices and boardrooms and homes of the people they are talking to. They are attempting to be several places at once, like quantum waves. But I would argue that they are nowhere.

A vision flashed across Nick’s mind. It was the image of a lipstick kiss his wife left for him on the mirror that morning. It hung there like the single digit sum to the chalkboard-crammed equation of his life.

Sadie hopped in the car, twisting the key in the ignition and checking her makeup in the visor's mirror at the same time. Not enough eye shadow, she mused. Or maybe just a brighter shade... She'd pick up a festive color when she had a chance. “What do you think, Coco?” Sadie reached into the tote bag and pulled out the squirming ball of fluff, holding Coco up against her face so they could look in the mirror together. “C’mon, now, one yip for an exotic color around the eyes, two yips for brighter lipstick.” Instead of yipping an answer, the Yorkie gave Sadie’s cheek a canine kiss. Sadie reciprocated with a pat on the head. “I know, Coco, you love me just as I am. I feel the same way. Besides, I don’t think you’d care for lipstick unless it tasted like peanut butter.” Sadie adjusted the velvet pillow in the tote bag, placed the dog back inside and adjusted the seatbelt harness that held the bag in place. “Let’s go check out this inn of Tina’s. What do you say to that?” She smiled at the immediate yip of approval. It was rare she didn’t gain Coco’s enthusiasm when the word “go” turned up anywhere in a sentence.

1989 I’ve been awake all night in an attempt to maintain some kind of hold on what has happened, on what I have done. My eyes are red and prickling with tiredness, but I daren’t go to sleep. If I sleep, when I wake up I’ll have one blissful, terrible second when I’m unaware –and then it will all come crashing in on me, its power multiplied indefinitely by that one un-knowing second. I think of the last time I saw the dawn in, lying in Sophie’s bed. This time it’s a more tempestuous and bleaker affair. A ceaseless summer rain has been falling all night, and the branch of a nearby tree is thwacking intermittently against my windowpane. It’s not just the chemicals keeping me awake, although I can still feel them coursing, unwanted, around my veins. I’ve been sitting here on the floor for four hours, as my bedroom turns gradually from darkness to a dull grey half-light. I’m surrounded by the debris of my elaborate preparations for the evening that, twelve hours ago, stretched out invitingly, bright with the promise of acceptance and approval. There are three dresses strewn on the bed, with the accompanying pair of shoes for each lying discarded in front of the full-length mirror. My eyes rest dully on the stain on the carpet where Sophie dropped my new bronzing powder and I made a clumsy attempt to wipe it up with a bit of tissue dipped in a glass of stale water. The dress I wore lies in a crumpled heap next to me –I’ve pulled on an old sweatshirt and leggings. There are dark smudges under my eyes and my lips are dry, the remains of my lipstick clinging to the cracks and bleeding into the skin around my mouth. I’ve been sitting here on the floor for so long only because I can’t move. I would have expected my heart to be racing, but in fact an iron fist grips it so tightly that I am surprised it is beating at all. Everything has slowed to a funereal

What to Take to Your Ceremony  Dress  Shoes  Slip  Hosiery  Veil  Gloves  Jewelry  Brush  Hairspray  Lipstick  Chalk (in case you get something on your dress)  Mirror  Tissues  Safety pins  Lots of prayers

Beth changed her ensemble five times that morning, switching out her shoes, her necklaces, her earrings. I understood. Had I owned more than one suit, I would have done the same thing. As it was, I just sat in a battered old chair in our bedroom and watched her. She was beautiful to me. I could see that she had shaved her legs, supple and taut above the easy grip of her heels. She mussed her hair and pursed her lips at the mirror. “What do you think?” she said finally, turning to me. I stood and went to her, understanding right then that we were already growing older, that we would grow old together. “I think you’re beautiful,” I said. I kissed her. “Hey—watch the lipstick,” she said, swatting me away playfully before pulling me in close again. She set her chin on my shoulder and we slow danced that way, there in our bedroom, the worn carpeting beneath our best scuffed shoes. “I love you,” she said, “even if you’re not a rock star.” “I love you,” I said, “even though you’re not a movie star.” We kissed again and held hands as we walked downstairs, our garments good enough. The

Look – changing a life is a big thing. It’s not like a “wake up on the right side of the bed” kind of choice. It takes work – hard work. And time – a lot of it. But you want to know the hardest part? Beginning. The absolute hardest part about changing your life is convincing yourself that it is worth doing. Forcing yourself to get it out of your head and into the world. So do me a favor. Start by SAYING IT OUT LOUD. That thing. I mean it. Speak it into existence. Write it on a mirror in lipstick. Stick it to the dashboard in your car. Hell, tattoo it on your writs if that’s your thing. But the trick is, you keep that thing CENTRAL to everything you do and are in this life. And love, I promise you that your life will change. Your life is only a series of habits that are formed from the choices you make – and continue to make – every single day. So if you want something different, teach yourself to do something differently. It’s both that simple and that complex. Because getting what you want begins with knowing what you want. And then working every day on progress.

39 SYLVIA Victoria is dressed in a billowy flower-printed dress that I found in her closet. Something tight is out of the question because of her feeding tube and it would not have been flattering with the way she often slumps in the chair. I have a feeling the dress used to be more snug on her, but now it hangs loose on her bony frame. I also spent some time on her hair. I combed it out and put in the oil treatment again, and it looks lush and shiny. I thought about trying to tie it back, but I think it’s most flattering when it’s loose. Now I’m working on her makeup. I put a layer of pink lipstick on her crooked lips, and now I’m doing my best to cover the scar on her left cheek. I don’t think there’s anything I could do to conceal it entirely, but it looks a lot better than when I started. Victoria is allowing me to put on the makeup, but she looks utterly unenthusiastic. I can’t entirely blame her. As much as I chatter about how much fun this will be, I’m not looking forward to it either. Part of me wants to duck out and leave Victoria and Adam to have Thanksgiving alone as a married couple. But the more I read of her diary, I feel like that is not what Victoria wants. She doesn’t want to be alone with him. And I don’t want her to be alone with him either. “There.” I dab on the last of the concealer—I’ve used half the container and the scar is still very visible. “All done.” Victoria just stares at me. “You look beautiful.” I grab the mirror I found in the bathroom and hold it up to her face. “Take a look.” Victoria glances briefly at the mirror, then turns away. She never seems very happy when I show her a mirror. She either looks away or frowns at herself. Sometimes she touches the scar. I wish Adam had shelled out for her to get plastic surgery. I know he thinks she doesn’t notice, but he’s wrong. “I just…” I chew on my lip. “I want you to know that I’m not going to… I mean, Adam is your husband, not mine. I’m going to tell him tonight that I’m not going to…” For the first time since I came in here, Victoria’s eyes show a spark of interest. “It’s not right,” I say. “It was a mistake and I’m sorry. I’ll tell him tonight.” “Be…” She’s focusing so hard on what she wants to say that some drool comes out of the right side of her mouth, smearing her lipstick. “Be… care…” For once, I know exactly what she’s trying to say. Be careful. I leave Victoria to find some nail polish in the bathroom. That’s the last thing I need to complete her look for the evening. I want Victoria to look really beautiful tonight. Like her old self, as much as possible. It’s important to me. Maggie must have moved the nail polish when she was cleaning. I look in the usual place in the closet within the bathroom, but it’s not there anymore. I search through the other shelves, trying to find the bag of multicolor nail polish tubes. I find more makeup, but not polish. But one thing I do find surprises me. It’s a black bag of medications. I never was sure where Adam kept Victoria’s medications. He always just seems to have them ready to administer. I pick up a bottle from the black plastic bag and see the date of the most recent refill. It was less than a month ago.

A knock came at the door and I stiffened, getting to my feet so that I could open it. Darius stood outside wearing a black tux which looked like it had been made specifically for him. It fit perfectly and my mouth dried up as my gaze roamed over him. His dark hair was slicked back and the rough stubble lining his jaw ached for me to brush my fingers over it. No, no, no. Bad Tory. “Darcy’s not here yet,” I said in place of a greeting. “I can see that,” he replied. Before I could lose myself to the spell of his unfairly good looks, I turned away from him, heading back to the mirror which hung on the wall as I applied another coat of lipstick which wasn’t in any way necessary. He stayed by the door, leaning against the frame as he watched me. “You’re not wearing the dress I sent you.” “This might be a good time for you to realise, I don’t tend to do as I’m told,” I said dismissively. “I think I like this one better anyway.” I turned to look at him in surprise as his gaze slid over me in a way that made heat rise along my skin. “Nice to know you can admit when you’re wrong,” I said. “So you’re actually going to stick to your word about being nice?” Darius flashed me a smile which transformed his face in a way I’d never seen before. “I am. Just try not to fall in love with me though, it could make things awkward when we go back to fighting with each other tomorrow.” I scoffed at that and tossed my lipstick into my clutch just as my Atlas pinged. Darcy: I bumped into Orion by The Orb. He says he’s coming with us and that you should meet us here... I raised an eyebrow in surprise and tapped out a quick response. Tory: Okay, I’ll be there to rescue you from his grumpy face ASAP x “Darcy says she’s going to meet us at The Orb. She ran into your bestie and he told her he can’t bear to spend the evening away from you so he’s tagging along. I just hope that this party isn’t going to be dull, because inviting a teacher has really lowered my expectations for debauchery,” I said as I moved out of my room and locked up behind me. “In all honesty, Lance is more likely to add to the debauchery than detract from it,” Darius said, offering me his arm. “Ooo Lance has a first name. Will he want me using that or is it a special right only given to those who get a tattoo in his honour?” I asked, touching my fingers to Darius’s forearm where I knew the Libra brand sat on his skin beneath the fancy suit. I didn’t take his arm though and started walking down the corridor unassisted. “What makes you think that tattoo is for him?” Darius asked, falling into step with me easily despite the fast pace I set. “Oh is it a secret? I thought everyone knew he was your Guardian and you’ve got that little soul bond thing going on.” “Who told you that?” Darius demanded, his voice dropping an octave. “You just did.” I flashed him a smile and he scowled at me. “Done playing nice so soon?” He released a long breath as we reached the common room but didn’t reply. A lot of eyes turned our way. I guessed the sight of the two of us suddenly hanging out was pretty weird. (Tory)

kicked my way out of my dress and then washed my face in the basin, stripping off the paint and the waxy lipstick, being careful not to look in the mirror. I had packed only a flimsy nightgown, something Emma had found in a lace shop, and it was cold against my skin. Back in bed, I stretched out next to Jock’s hulking form. He made a solid mountain, seeming to take up even more space now that he was unconscious. He breathed on gutturally, dreaming his unknowable dreams while I lay there in the dark, willing myself to sleep. The

Uh, Jill?” Rowan interrupted. He stood in the bathroom doorway. His pants were on, but a crisp white shirt hung open, revealing his taut abdominal muscles. “Can you button my shirt? I can do it, but—” “Sure.” Jill didn’t let him finish. He had no need to be embarrassed. Most of the time, she forgot Rowan operated with a big handicap. He was so strong and capable; it was hard to think of him not being good at anything. She stepped over to him, and found the first button, starting with the top. “Get the very top one,” he said. “I’m wearing a tie. And I’ll need your help with that too if you know how to tie a tie.” “No problem.” She shut her mouth and concentrated on closing his buttons without running her fingers against his skin. She was on button number four when her vision started wavering from arousal. The steamy heat of the bathroom and Rowan’s nearness made her whole body tighten with need. She wasn’t alone feeling it. As she hit the final bottom button, it was impossible to miss his erection jutting from his unbuttoned dress pants. She said nothing but stepped back when she finished. “Thanks,” he said, and started to turn away to tuck his shirt in. Something crazy inside her dared her to step forward and reach for his zipper. There was shocked silence from both of them. “I’ll tuck you in,” she murmured. Only the sound of them breathing could be heard as she carefully lowered his zipper and pushed the white dress shirt into his trousers. Her palm rubbed his body with each tuck. She started at her right, his left, and worked her away around until she came to the front. “I’ll do that,” he said in a strangled voice. She met his gaze for the first time. “Let me?” He didn’t answer but dropped his arm and stood passively letting her caress his cock under the guise of tucking his shirt. His body swelled under her hand, and she wanted to squeeze him and reach behind the elastic of his underwear to feel his hot flesh. “Jill.” “Mm?” “You have to stop.” She froze with her hand in place. His arousal pulsed against her hand. “I’m sorry.” She yanked her hand free and tried to turn away, but he spun her back and pinned her against the sink counter with a fierce kiss. She welcomed his body, pushing back against him, undulating against his hips which sought hers. The kiss overwhelmed her and she strained to capture more of his mouth, more of his body. She forgot where she was and where they were going. Anything he asked for, she was ready to give. And then he pulled back. Cold air slapped at her front where he’d warmed her. “Brother’s wedding,” he muttered. “Can’t miss it.” He helped her off the sink, and in a daze she turned to the mirror to fix her hair and makeup. “Got your lipstick on me,” Rowan said. She looked in the mirror at his reflection. “I like it.” A pink stain was smudged on one side of his lips. Lips she wanted to keep kissing. “Let’s get my tie, then we gotta go.

Liv applied cherry red lipstick in her rearview mirror with the precision of experience, her brand of war paint to give her confidence today.

When I was about twelve or thirteen, the Peabodys had a party just like this one—just like any of their parties, I guess. They are social creatures, the Families. They like to gather amongst their kind for luncheons or cocktails or dinners or bridge, any excuse will do. Because they generally prefer their dogs to their children, the three of us Winthrops used to sneak away and join Amory and Shep to watch the grown-ups at play the way you watched animals at a zoo, from the banister if the party were indoors, and if it were out on the terrace, we’d hide among the rocks. I remember the smell of perfume and cigarettes, how the women wore these colorful gowns, how their hair frizzled from their hairdos in the salt air, how they dangled their cocktail glasses between their fingers and smoked their cigarettes, stained with lipstick. I used to practice with rolled-up paper squares in the mirror at home.

The invitation came from Studio Morra in Naples: Come and perform whatever you want. It was early 1975. With the scandalized reactions of the Belgrade press fresh in my mind, I planned a piece in which the audience would provide the action. I would merely be the object, the receptacle. My plan was to go to the gallery and just stand there, in black trousers and a black T-shirt, behind a table containing seventy-two objects: A hammer. A saw. A feather. A fork. A bottle of perfume. A bowler hat. An ax. A rose. A bell. Scissors. Needles. A pen. Honey. A lamb bone. A carving knife. A mirror. A newspaper. A shawl. Pins. Lipstick. Sugar. A Polaroid camera. Various other things. And a pistol, and one bullet lying next to it. When a big crowd had gathered at eight P.M., they found these instructions on the table: There are 72 objects on the table that one can use on me as desired. I am the object. During this period I take full responsibility. Duration: 6 hours (8pm - 2am) Slowly at first and then quickly, things began to happen. It was very interesting: for the most part, the women in the gallery would tell the men what to do to me, rather than do it themselves (although later on, when someone stuck a pin into me, one woman wiped the tears from my eyes). For the most part, these were just normal members of the Italian art establishment and their wives. Ultimately I think the reason I wasn’t raped was that the wives were there. As evening turned into late night, a certain air of sexuality arose in the room. This came not from me but from the audience. We were in southern Italy, where the Catholic Church was so powerful, and there was this strong Madonna/whore dichotomy in attitudes toward women. After three hours, one man cut my shirt apart with the scissors and took it off. People manipulated me into various poses. If they turned my head down, I kept it down; if they turned it up, I kept it that way. I was a puppet—entirely passive. Bare-breasted, I stood there, and someone put the bowler hat on my head. With the lipstick, someone else wrote IO SONO LIBERO—“I am free”—on the mirror and stuck it in my hand. Someone else took the lipstick and wrote END across my forehead. A guy took Polaroids of me and stuck them in my hand, like playing cards. Things got more intense. A couple of people picked me up and carried me around. They put me on the table, spread my legs, stuck the knife in the table close to my crotch. Someone stuck pins into me. Someone else slowly poured a glass of water over my head. Someone cut my neck with the knife and sucked the blood. I still have the scar. There was one man—a very small man—who just stood very close to me, breathing heavily. This man scared me. Nobody else, nothing else, did. But he did. After a while, he put the bullet in the pistol and put the pistol in my right hand. He moved the pistol toward my neck and touched the trigger. There was a murmur in the crowd, and someone grabbed him. A scuffle broke out. Some of the audience obviously wanted to protect me; others wanted the performance to continue. This being southern Italy, voices were raised; tempers flared. The little man was hustled out of the gallery and the piece continued. In fact, the audience became more and more active, as if in a trance. And then, at two A.M., the gallerist came and told me the six hours were up. I stopped staring and looked directly at the audience. “The performance is over,” the gallerist said. “Thank you.” I looked like hell. I was half naked and bleeding; my hair was wet. And a strange thing happened: at this moment, the people who were still there suddenly became afraid of me. As I walked toward them, they ran out of the gallery.

to dream of pomegranate and honey, to kiss the mirror with lipstick on, to stop and smell the roses, to take a punch, to knock some teeth out, to sneak into your mother’s room and try on her perfume, to run away from home, to be reborn, to be abandoned, to steal into God’s garden and strip the trees bare, to thirst for knowledge, to look for more, to want and want and want and want, to become something else, to cocoon, to transform, to miss a home you can never return to, to return anyway, to shower with the lights off, to be indelicate and deliberate, to kick, to scream, to bleed, to be, to hold hands with yourself, to outgrow every box they put you in, to get knocked down and then get up again and again and again and again and again and

A completely different type, of course, from Marina Gregg. The amenities over, Lola pushed back her Fiji Islander hair, drew her generous lipsticked mouth into a provocative pout, and flickering blue eyelids over wide brown eyes

Loren held out her hand. "It's been fun listening to your stories, Mr...." The old cook smiled. "Cussler, Clive Cussler. Mighty nice to have met you, ma'am." When they were on the road again, the Pierce Arrow and its trailer smoothly rolling toward the border crossing, Pitt turned to Loren. "For a moment there, I thought the old geezer might have given me a clue to the treasure site." "You mean Yaeger's far-out translation about a river running under an island?" "It still doesn't seem geologically possible." Loren turned the rearview mirror to reapply her lipstick. "If the river flowed deep enough it might conceivably pass under the Gulf." "Maybe, but there's no way in hell to know for certain without drilling through several kilometers of hard rock." "You'll be lucky just to find your way to the treasure cavern without a major excavation." Pitt smiled as he stared at the road ahead. "He could really spin the yarns, couldn't he?" "The old cook? He certainly had an active imagination." "I'm sorry I didn't get his name." Loren settled back in the seat and gazed out her window as the dunes gave way to a tapestry of mesquite and cactus. "He told me what it was." "And?" "It was an odd name." She paused, trying to remember. Then she shrugged in defeat. "Funny thing...I've already forgotten it.

Wow I did not even recognize her." "Who?" you ask. As I look in the mirror with gold trim I see a girl with a red lipstick smile and glee in her eyes. "Me." I say. "I have not truly seen her in a while.

A mirror was designed so a person could see their own face. A face, with its eyes and nose and mouth and ears on the side, was designed to perceive the world, not to perceive itself. And what did people do? They made a thing that would block the world in front of them and replace that view with their own reflection. There was nothing wrong with mirrors. They were, Maude thought, just unhelpful. She decided to look at this face for one more minute, only to make sure there wasn’t lipstick on the teeth or mascara on the cheekbones. She would look objectively, like she was looking at a stranger; then she would turn away and think about all the things that were actually important about this day. This time she saw the face differently.

When beauty becomes mandatory, it ceases to be about fun, about play. Dressing up, playing with gender roles, doing your braids badly in the mirror, and eating half your mother’s lipstick in an attempt to get it on your face – do you remember when that used to be fun? And do you remember when the fun stopped? Like any game, the woman game stops being fun when you start playing to win, especially if you’ve got no choice: win or be ridiculed, win or become invisible, dismissed, disturbed.

She’d kissed me. Eliza Bennet kissed me. I shook my head, feeling a smile tug at my lips. I took out the small mirror I kept in my desk. The shape of her kiss was there, branded in red lipstick. My fingers traced the curve of her lips before I took out my handkerchief and wiped it away.

My trembling hand moves toward my abdomen, hovering above the red on me, the red words on me. Not in blood, not dried blood. Not that kind of red. I press my finger to one of the letters and my hand jerks back like I’ve been stung. I fumble in my pockets until I find the black tube. I rip the cap off and twist the bottom until the lipstick appears, its tip flattened and ruined. I let it clatter into the sink and stumble, the back of my legs hitting the edge of the tub. My reflection still in the mirror, the red on my body… letters. Letters on my skin, reversed in the glass, turning themselves into this: “Rape Me.

I was in a washroom drawing Mozart's head on the mirror in lipstick when a guy in cowboy boots came in and told me there was another way of drawing Mozart's head.

I needed light. I needed vision. I needed something other than loss and heartbreak and late nights and your grandmother is in the hospital and you’re dehydrated and your cat isn’t coming home and your knees will never get better and he doesn’t want you and you need to work less and he doesn’t love you and you need to work harder and you this that and the other. I needed to wear heels. I needed to put on fuchsia lipstick and blow kisses at the mirror. I needed to eat something. I needed to get it the fuck together.

she appeared to have applied her makeup rather liberally in the dark without the benefit of a mirror. The heavy rouge on her cheeks was magenta, and her lipstick looked like blood.