Lipstick Gift Quotes

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I wonder if you sisters full understand the greatness of your gifts and talents and how all of you can achieve the "highest place of honor" in the Church and in the world. One of your unique, precious, and sublime gifts is your femininity, with its natural grace, goodness, and divinity. Femininity is not just lipstick, stylish hairdos, and trendy clothes. It is the divine adornment of humanity. It finds expression in your qualities of your capacity to love, your spirituality, delicacy, radiance, sensitivity, creativity, charm, graciousness, gentleness, dignity, and quiet strength. It is manifest differently in each girl or woman, but each of you possesses it. Femininity is part of your inner beauty. One of your particular gifts is your feminine intuition. Do not limit yourselves. As you seek to know the will of our Heavenly Father in your life and become more spiritual, you will be far more attractive, even irresistible. You can use your smiling loveliness to bless those you love and all you meet, and spread great joy. Femininity is part of the God-given divinity within each of you. It is your incomparable power and influence to do good. You can, through your supernal gifts, bless the lives of children, women, and men. Be proud of your womanhood. Enhance it. Use it to serve others.
James E. Faust
Chris gives me a new lipstick: red for when I want to be bad, she says.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
I had a dream about you. You had no skin or muscle on your face, and to try to conceal your bare skull you liberally applied lipstick and makeup. Your birthday was coming up, and I knew you were probably sensitive about parties that emphasize the aging process, so I decided to box up your gift in a coffin and wrap it with black wrapping paper. I got you the best gift ever too—a hooker, who happened to be dead, because that enabled me to procure a sizeable discount.

Dora J. Arod (I Had a Dream About You)
Someties it is hard to criticize, one wants only to chronicle. The good and mediocre books come in from week to week, and I put them aside and read them and think of what to say; but the "worthless" books come in day after day, like the cries and truck sounds from the street, and there is nothing that anyone could think of that is good enough for them. In the bad type of thin pamphlets, in hand-set lines on imported paper, people's hard lives and hopeless ambitions have expressed themselves more directly and heartbreakingly than they have ever expressed in any work of art:. it is as if the writers had sent you their ripped-out arms and legs, with "This is a poem" scrawled on them in lipstick. After a while one is embarrassed not so much for them as for poetry, which is for these poor poets one more of the openings against which everyone in the end beats his brains out; and one finds it unbearable that poetry should be so hard to write - a game of Pin the Tail on the Donkey in which there is for most of the players no tail, no donkey, not even a booby prize. If there were only some mechanism (like Seurat's proposed system of painting, or the projected Universal Algebra that Gödel believes Leibnitz to have perfected and mislaid) for reasonably and systematically converting into poetry what we see and feel and are! When one reads the verse of people who cannot write poems - people who sometimes have more intelligence, sensibility, and moral discrimination than most of the poets - it is hard not to regard the Muse as a sort of fairy godmother who says to the poet, after her colleagues have showered on him the most disconcerting and ambiguous gifts, "Well, never mind. You're still the only one that can write poetry.
Randall Jarrell (Kipling, Auden and Co.: Essays and Reviews 1935-1964)
But no matter how loudly we called out for our mother we knew she could not hear us, so we tried to make the best of what we had. We cut out pictures of cakes from magazines and hung them on the walls. We sewed curtains out of bleached rice sacks. We made Buddhist altars out of overturned tomato crates that we covered with cloth, and every morning we left out a cup of hot tea for our ancestors. And at the end of the harvest season we walked ten miles into town and bought ourselves a small gift: a bottle of Coke, a new apron, a tube of lipstick, which we might one day have occasion to wear.
Julie Otsuka (The Buddha in the Attic)
When a brilliant critic and a beautiful woman (that’s my order of priorities, not necessarily those of the men who teach her) puts on black suede spike heels and a ruby mouth before asking an influential professor to be her thesis advisor, is she a slut? Or is she doing her duty to herself, in a clear-eyed appraisal of a hostile or indifferent milieu, by taking care to nourish her real gift under the protection of her incidental one? Does her hand shape the lipstick into a cupid’s bow in a gesture of free will? She doesn’t have to do it. That is the response the beauty myth would like a woman to have, because then the Other Woman is the enemy. Does she in fact have to do it? The aspiring woman does not have to do it if she has a choice. She will have a choice when a plethora of faculties in her field, headed by women and endowed by generations of female magnates and robber baronesses, open their gates to her; when multinational corporations led by women clamor for the skills of young female graduates; when there are other universities, with bronze busts of the heroines of half a millennium’s classical learning; when there are other research-funding boards maintained by the deep coffers provided by the revenues of female inventors, where half the chairs are held by women scientists. She’ll have a choice when her application is evaluated blind. Women will have the choice never to stoop, and will deserve the full censure for stooping, to consider what the demands on their “beauty” of a board of power might be, the minute they know they can count on their fair share: that 52 percent of the seats of the highest achievement are open to them. They will deserve the blame that they now get anyway only when they know that the best dream of their one life will not be forcibly compressed into an inverted pyramid, slammed up against a glass ceiling, shunted off into a stifling pink-collar ghetto, shoved back dead down a dead-end street.
Naomi Wolf (The Beauty Myth)
I know he’s had his problems in the past… “He can’t keep his hands off a liquor bottle at the best of times, and he still hasn’t accepted the loss of his wife!” “I sent him to a therapist over in Baltimore,” she continued. “He’s narrowed his habit down to a six-pack of beer on Saturdays.” “What does he get for a reward?” he asked insolently. She sighed irritably. “Nobody suits you! You don’t even like poor old lonely Senator Holden.” “Like him? Holden?” he asked, aghast. “Good God, he’s the one man in Congress I’d like to burn at the stake! I’d furnish the wood and the matches!” “You and Leta,” she said, shaking her head. “Now, listen carefully. The Lakota didn’t burn people at the stake,” she said firmly. She went on to explain who did, and how, and why. He searched her enthusiastic eyes. “You really do love Native American history, don’t you?” She nodded. “The way your ancestors lived for thousands of years was so logical. They honored the man in the tribe who was the poorest, because he gave away more than the others did. They shared everything. They gave gifts, even to the point of bankrupting themselves. They never hit a little child to discipline it. They accepted even the most blatant differences in people without condemning them.” She glanced at Tate and found him watching her. She smiled self-consciously. “I like your way better.” “Most whites never come close to understanding us, no matter how hard they try.” “I had you and Leta to teach me,” she said simply. “They were wonderful lessons that I learned, here on the reservation. I feel…at peace here. At home. I belong, even though I shouldn’t.” He nodded. “You belong,” he said, and there was a note in his deep voice that she hadn’t heard before. Unexpectedly he caught her small chin and turned her face up to his. He searched her eyes until she felt as if her heart might explode from the excitement of the way he was looking at her. His thumb whispered up to the soft bow of her mouth with its light covering of pale pink lipstick. He caressed the lower lip away from her teeth and scowled as if the feel of it made some sort of confusion in him. He looked straight into her eyes. The moment was almost intimate, and she couldn’t break it. Her lips parted and his thumb pressed against them, hard. “Now, isn’t that interesting?” he said to himself in a low, deep whisper. “Wh…what?” she stammered. His eyes were on her bare throat, where her pulse was hammering wildly. His hand moved down, and he pressed his thumb to the visible throb of the artery there. He could feel himself going taut at the unexpected reaction. It was Oklahoma all over again, when he’d promised himself he wouldn’t ever touch her again. Impulses, he told himself firmly, were stupid and sometimes dangerous. And Cecily was off limits. Period. He pulled his hand back and stood up, grateful that the loose fit of his buckskins hid his physical reaction to her. “Mother’s won a prize,” he said. His voice sounded oddly strained. He forced a nonchalant smile and turned to Cecily. She was visibly shaken. He shouldn’t have looked at her. Her reactions kindled new fires in him.
Diana Palmer (Paper Rose (Hutton & Co. #2))
It was my father who called the city the Mansion on the River. He was talking about Charleston, South Carolina, and he was a native son, peacock proud of a town so pretty it makes your eyes ache with pleasure just to walk down its spellbinding, narrow streets. Charleston was my father’s ministry, his hobbyhorse, his quiet obsession, and the great love of his life. His bloodstream lit up my own with a passion for the city that I’ve never lost nor ever will. I’m Charleston-born, and bred. The city’s two rivers, the Ashley and the Cooper, have flooded and shaped all the days of my life on this storied peninsula. I carry the delicate porcelain beauty of Charleston like the hinged shell of some soft-tissued mollusk. My soul is peninsula-shaped and sun-hardened and river-swollen. The high tides of the city flood my consciousness each day, subject to the whims and harmonies of full moons rising out of the Atlantic. I grow calm when I see the ranks of palmetto trees pulling guard duty on the banks of Colonial Lake or hear the bells of St. Michael’s calling cadence in the cicada-filled trees along Meeting Street. Deep in my bones, I knew early that I was one of those incorrigible creatures known as Charlestonians. It comes to me as a surprising form of knowledge that my time in the city is more vocation than gift; it is my destiny, not my choice. I consider it a high privilege to be a native of one of the loveliest American cities, not a high-kicking, glossy, or lipsticked city, not a city with bells on its fingers or brightly painted toenails, but a ruffled, low-slung city, understated and tolerant of nothing mismade or ostentatious. Though Charleston feels a seersuckered, tuxedoed view of itself, it approves of restraint far more than vainglory. As a boy, in my own backyard I could catch a basket of blue crabs, a string of flounder, a dozen redfish, or a net full of white shrimp. All this I could do in a city enchanting enough to charm cobras out of baskets, one so corniced and filigreed and elaborate that it leaves strangers awed and natives self-satisfied. In its shadows you can find metalwork as delicate as lace and spiral staircases as elaborate as yachts. In the secrecy of its gardens you can discover jasmine and camellias and hundreds of other plants that look embroidered and stolen from the Garden of Eden for the sheer love of richness and the joy of stealing from the gods. In its kitchens, the stoves are lit up in happiness as the lamb is marinating in red wine sauce, vinaigrette is prepared for the salad, crabmeat is anointed with sherry, custards are baked in the oven, and buttermilk biscuits cool on the counter.
Pat Conroy (South of Broad)
His mother asked Joey what my favorite pie was and made it special for me—raspberry pear. She also gave me a pile of gifts too large to carry: kitchen appliances and perfumes and lipstick and hats and socks and sweaters and everything warm and cute she could possibly imagine. I felt so guilty for the expense; this was just so much. But she beamed as she watched us open it all.
Stephanie Foo (What My Bones Know: A Memoir of Healing from Complex Trauma)
Two more of the gamers Claire had gifted with the invitation stumbled by; one grabbed Claire's arm and planted a sloppy wet kiss on her cheek. "We passed out copies," he said, and giggled. "Hope that was okay. Great party!" Shane sighed and moved him off with one hand on his shoulder. "Yeah, yeah, whatever. Naked Vulcan chick in the next room. Better hurry." The gamers sobered up fast, and moved on. Monica's glossy, perfect lips were open, her eyes wide. "You?" she said. "You did this? These idiots made flyers! They put them all over campus! This was supposed to be the best people!" "Don't worry," Eve said sweetly. "We're here." She smiled, which in that lipstick was Wicked-Witch-of-the-West evil. "Air kiss!" She mwahed the air somewhere near Monica's cheek. "Lovely party. Shame about the furniture. Ta!" She sashayed on, Michael on her arm, as if she was the Queen of Everything, never mind Morganville. Claire got out her camera and got a picture of the murderous fury on Monica's face as she watched her go. "You treacherous little bitch!" Monica snarled. Claire lowered the phone and met her eyes for a long second. She wasn't scared, not anymore. "You got your friends to roofie me and told them I wanted it rough. All I did was recycle your invitation. Let's call it even." "Let's call it not!" Shane leaned forward, dropped his voice so that Monica had to work to hear it, and said, "Calm down. You get blotchy when you're angry. And if you call my girlfriend a bitch one more time, I won't be so nice about it.
Rachel Caine (Midnight Alley (The Morganville Vampires, #3))
Caldwell makes a non-committal gesture, purses her lips. She wears lipstick every day, despite its scarcity, and she wears it to good effect; puts up an optimal front to the world. In an age of rust, she comes up stainless steel. “Engaging?
M.R. Carey (The Girl With All the Gifts)
MADDY’S TRUTHS Make room for who you are by knowing who you’re not. Smile all the time, at everyone, without exception: when you’re happy it will be contagious, and when you’re angry it will drive the person you’re mad at bonkers. Blow-dry before lipstick. Counters before sweeping. Water before dinner. To hell with what everyone thinks about your life, but you should know what you think about it. Don’t stay out past one a.m.—nobody is proud of the stories born later than that. Plans contingent on perfection fail. It’s dangerous to fight who you are. The stupidest thing you can do is believe your own bullshit, but you probably will every once in a while. Flowery perfume smells like a cover-up. Don’t have a room your kids can’t play in or a couch your kids can’t sit on; it’s their house too. If you don’t know what to say, say, “I don’t know what to say.” If you mess up, say, “I messed up.” If you need help, say, “I need help.” Never count on any one thing. Don’t confuse wanting to have sex and rent movies with someone for wanting to marry him. Never buy button-fly jeans—they aren’t flattering on anyone ever. Practice love, compassion, and forgiveness. Try not to speak consecutively for more than two minutes; it’s hard to be a good listener longer than that. It’s good to have one friend who still smokes a lot of pot. It’s important to speak up even if no one will stand behind you. A home is something you create. Gatorade and greasy food cure hangovers. The impression you have of someone is most likely the impression they have of you (that’s why I’m so self-conscious around annoying people). Give yourself a break, but not a free pass. Never become a prize, possession, puppet, or toy—it’s no fun hanging on someone’s wall for any substantial amount of time. When someone gives you the creeps, don’t worry about their feelings or apologize, just get the hell away. Constantly earn the hearts of your friends and family, and expect them to earn yours back. Ask questions. Don’t give out answers you don’t have. Think before you speak. Sometimes you’ll lie, but have a person who knows both your truths and the lies you’ve told; pick someone who won’t judge you. Don’t give up on reading before you find a favorite book, and even then I don’t recommend it. At the end of each day, acknowledge the things you wish you’d done differently so that tomorrow you will. We’re given the gift of life with the consequence of death.
Abby Fabiaschi (I Liked My Life)