β
A lot of people get so hung up on what they can't have that they don't think for a second about whether they really want it.
β
β
Lionel Shriver (Checker and the Derailleurs (Contemporary American Fiction))
β
I thought at the time that I couldn't be horrified anymore, or wounded. I suppose that's a common conceit, that you've already been so damaged that damage itself, in its totality, makes you safe.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
...You can only subject people to anguish who have a conscience. You can only punish people who have hopes to frustrate or attachments to sever; who worry what you think of them. You can really only punish people who are already a little bit good.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
You can call it innocence, or you can call it gullibility, but Celia made the most common mistake of the good-hearted: she assumed that everyone else was just like her.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
It's far less important to me to be liked these days than to be understood.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
Children live in the same world we do. To kid ourselves that we can shelter them from it isn't just naive it's a vanity.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
In a country that doesn't discriminate between fame and infamy, the latter presents itself as plainly more achievable.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
Though surely to avoid attachments for fear of loss is to avoid life.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
Expectations are dangerous when they are both too high and unformed.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
I didn't care about anything. And there's a freedom in apathy, a wild, dizzying liberation on which you can almost get drunk. You can do anything. Ask Kevin.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
The discovery that heartbreak is indeed heartbreaking consoles us about our humanity.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
I was mortified by the prospect of becoming hopelessly trapped in someone else's story.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
Funny how you dig yourself into a hole by the teaspoon.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
How lucky we are, when we're spared what we think we want!
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
People seem to get used to anything, and it is a short step from adaptation to attachment.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
Change is like that: you are no longer where you were; you are not yet where you will get; you are nowhere exactly.
β
β
Lionel Shriver (Checker and the Derailleurs (Contemporary American Fiction))
β
Only a country that feels invulnerable can afford political turmoil as entertainment.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
Teachers were both blamed for everything that went wrong with kids and turned to for their every salvation. This dual role of scapegoat and savior was downright messianic but even Jesus was probably paid better.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
But indifference would ultimately commend itself as a devastating weapon.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
That boy hardly needed a mask when his naked face was already impenetrable.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
The existence of other people is essentially awkward.
β
β
Lionel Shriver (Checker and the Derailleurs (Contemporary American Fiction))
β
It's an apathy so absolute that it's like a hole you might fall in.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
It's queer how the thing what attracted you to someone is the same as what you come to despise about them
β
β
Lionel Shriver
β
I was suffering from the delusion that it's the thought that counts.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
Kevin was a shell game in which all three cups were empty.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
Funny how the nature of a normal day is the first memory to fade.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
The secret is that there is no secret.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
The good life doesn't knock on the door.
Joy is a job.
β
β
Lionel Shriver
β
Lovers communicate not inside sentences, but between them. Passion lurks within interstice. It is grouting rather than bricks.
β
β
Lionel Shriver (The Post-Birthday World)
β
...some people coddle their own afflictions the way others spoil small pedigreed dogs with cans of pate.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
Yet if there's no reason to live without a child, how could there be with one? To answer one life with a successive life is simply to transfer the onus of purpose to the next generation; the displacements amounts to a cowardly and potentially infinite delay. Your children's answer, presumably, will be to procreate as well, and in doing so to distract themselves, to foist their own aimlessness onto their offspring.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
Built like an oak tree, against which I could pitch my pillow and read; mornings, I could curl into the crook of your branches.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
We'd been assured it wouldn't be painful, though she might experience 'discomfort,' a term beloved of the medical profession that seems to be a synonym for agony that isn't yours.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
I realize it's commonplace for parents to say to their child sternly, 'I love you, but I don't always like you.' But what kind of love is that? It seems to me that comes down to, 'I'm not oblivious to you - that is, you can still hurt my feelings - but I can't stand having you around.' Who wants to be loved like that? Given a choice, I might skip the deep blood tie and settle for being liked. I wonder if wouldn't have been more moved if my own mother had taken me in her arms and said, 'I like you.' I wonder if just enjoying your kid's company isn't more important.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
My mind is huge with little stories that I never told you.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
It's always the mother's fault, ain't it?" she said softly, collecting her coat. "That boy turn out bad cause his mama a drunk, or she a junkie. She let him run wild, she don't teach him right from wrong. She never home when he back from school. Nobody ever say his daddy a drunk, or his daddy not home after school. And nobody ever say they some kids just damned mean. ...
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
A boy is a dangerous animal.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
He didn't like to be seen needing it - as if hunger were a sign of weakness.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
Giving anyone anything takes courage, since so many presents backfire. A gift conspicuously at odds with your tastes serves only to betray that the benefactor has no earthly clue who you are.
β
β
Lionel Shriver (The Post-Birthday World)
β
They were determined to find something mechanically wrong with him - because broken machines are easier to fix.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
Not that happiness is dull. Only that it doesn't tell well. And of our consuming diversions as we age is to recite, not only to others but to ourselves, our own story.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
Holocausts do not amaze me. Rapes and child slavery do not amaze me. And Franklin, I know you feel otherwise, but Kevin does not amaze me. I am amazed when I drop a glove in the street and a teenager runs two blocks to return it. I am amazed when a checkout girl flashes me a wide smile with my change, though my own face had been a mask of expedience. Lost wallets posted to their owners, strangers who furnish meticulous directions, neighbors who water each other's houseplants - these things amaze me.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
There is one province in which, sooner or later, virtually everyone gets dealt a leading role--hero, heroine, or villain.... Unlike the slight implications of quotidian dilemmas that confront the average citizen in other areas of life ... the stakes in this realm could not be higher. For chances are that at some point along the line you will hold in your hands another person's heart. There is no greater responsibility on the planet. However you contend with this fragile organ, which pounds or seizes in accordance with your caprice, will take your full measure.
β
β
Lionel Shriver (The Post-Birthday World)
β
Time itself made all things rare.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
And there's a freedom in apathy, a wild, dizzying liberation on which you can almost get drunk.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
So many stories are determined before they start.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
My own apathy is bone chilling.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
I suppose that's a common conceit, that you've already been so damaged that damage itself in its totality makes you safe.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
Half an ear cocked, something in me, all night, every night, is waiting for you to come home.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
You were always uncomfortable with the rhetoric of emotion, which is quite a different matter from discomfort with emotion itself.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
Just cause you get used to something doesn't mean you like it." He added, snapping the magenta, "You're used to me.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
I am vain, or once was, and one of my vanities was to feign that I was not.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
Everything people do that doesnβt work has to be somebody elseβs fault. Next time you know, geezersβll be suing the government for getting old and kidsβll be taking their mommies to court because they came out ugly.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
Beware of what "everybody says".
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
The Web, the great time-killer that had replaced conspicuously passive television with its seductive illusion of productivity.
β
β
Lionel Shriver (Big Brother)
β
I never, ever took you for granted. We met too late for that; I was nearly thirty-three by then, and my past without you was too stark and insistent for me to find the miracle of companionship ordinary.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
I have no end of failings as a mother, but I have always followed the rules.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
The only way my head was going truly somewhere else was to travel to a different life and not a different airport.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
Nothing is interesting if you are not interested.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
It isn't very nice to admit, but domestic violence has its uses. So raw and unleashed, it tears away the veil of civilization that comes between us as much as it makes life possible. A poor substitute for the sort of passion we like to extol perhaps, but real love shares more in common with hatred and rage than it does with geniality or politeness.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
I am in flight from my story every day, and it dogs me like a faithful stray.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
...hoarders of guilty secrets are inevitably consumed with appearances.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
You restored me to the concept of home.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
Only the untouched, the well-fed and contented, could possibly covet suffering like a designer jacket.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
Discomfort begets discomfort in others.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
Secrets bind and separate in strict accordance with who's in them .
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
Okay, it's like this. You wake up, you watch TV, and you get in the car and you listen to the radio. You go to your little job or your little school, but you're not going to hear about that on the 6:00 news, since guess what. Nothing is really happening. You read the paper, or if you're into that sort of thing you read a book, which is just the same as watching only even more boring. You watch TV all night, or maybe you go out so you can watch a movie, and maybe you'll get a phone call so you can tell your friends what you've been watching. And you know, it's got so bad that I've started to notice, the people on TV? Inside the TV? Half the time they're watching TV. Or if you've got some romance in a movie? What to they do but go to a movie? All those people, Marlin," he invited the interviewer in with a nod. "What are they watching?"
After an awkward silence, Marlin filled in, "You tell us, Kevin."
"People like me.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
A carpet of despair which lay underneath the levels of fury.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
I am a bundle of other people's histories, a creature of circumstance.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
I wonder if I wouldn't have been more moved if my own mother had taken me in her arms and said, 'I like you'. I wonder if just enjoying your kids company isn't more important.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
It is never persuasive to argue that you are not the kind of person who does what you are actually doing.
β
β
Lionel Shriver (The Post-Birthday World)
β
How much did you care about anything that went on in my head until it got out?
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
Plots set in the future are about what people fear in the present.
β
β
Lionel Shriver (The Mandibles: A Family, 2029β2047)
β
Sheer obstinacy is far more durable than courage, though itβs not as pretty.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
He was already intuiting that attachment - if only to a squirt gun - made him vulnerable.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
For that matter, thinking of one's self as exceptional is probably more the rule than not.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
So when I said I'd miss him, I meant I would miss what we had not experienced, and I don't know what that's called: nostalgia for what didn't happen.
β
β
Lionel Shriver (Big Brother)
β
I have never in all my life considered you other people.
β
β
Lionel Shriver (So Much for That)
β
The energy it sapped from him, not being able to protect her. You wouldn't think that something you couldn't do and were not doing would take any energy, but it did.
β
β
Lionel Shriver (So Much for That)
β
You can blame your mother, and she can blame hers. Leastways sooner or later it's the fault of somebody who's dead.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
I suppose that's a common conceit, that you've already been so damaged that damage itself, in its totality, makes you safe.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
Children live in the same world we do.To kid ourselves that we can shelter them from it isn't just naive, it's a vanity.We want to be able to tell ourselves what good parents we are, that we're doing our best.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
You were ambitious - for your life, what it was like when you woke up in the morning, and not for some attainment. Like most people who did not answer a particular calling from an early age, you placed work beside yourself; any occupation would fill up your day but not your heart. I liked that about you. I liked it enormously.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
We white folks cling to such an abiding sense of entitlement that when things go amiss, we cannot let go of this tortuously sunny, idiotically cheerful doppelganger of a world that we deserve in which life is swell.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
He wasn't mad, he was sad.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
Maybe the greatest favour a spouse can tender is to overlook what you can't.
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β
Lionel Shriver (Big Brother)
β
No eleven-year-old has any real grasp of death. He doesn't have any real concept of other people--that they feel pain, even that they exist. And his own adult future isn't real to him, either. Makes it that much easier to throw away.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
But keeping secrets is a discipline. I never use to think of myself as a good liar, but after having had some practice I had adopted the prevaricator's credo that one doesn't so much fabricate a lie as marry it. A successful lie cannot be brought into this world and capriciously abandoned; like any committed relationship it must be maintained, and with far more devotion than the truth, which carries on being carelessly true without any help. By contrast, my lie needed me as much as I needed it, and so demanded the constancy of wedlock: Till death do us part.
β
β
Lionel Shriver
β
A successful lie cannot be brought into this world and capriciously abandoned; like any committed relationship,it must be maintained, and with far more devotion than the truth,which carries on being carelessly true without any help.By contrast, my lie needed as much as I needed it, and so demanded the constancy of wedlock : Till death do us part.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
In truth we are bigger, greedier versions of the same eating, shitting, rutting ruck, hell-bent on disguising from somebody, if only from a three-year-old, that pretty much all we do is eat and shit and rut. The secret is there is no secret. that is what we really wish to keep fom our kids, and it's suppression is the true collusion of adulthood...
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
Why would affluence make him mad?"
"Maybe he's mad that this is as good as it gets. Your big house. His good school. I think it's very difficult for kids these days, in a way. The country's very prosperity has become a burden, a dead end. Everything works, doesn't it? At least if you're white and middle class. So it must often seem to young people that they're not needed. In a sense, it's as if there's nothing more to do.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
Because let's talk about power. In the domestic polity, myth dictates that parents are endowed with a disproportionate amount of it. I'm not so sure. Children? They can break our hearts, for a start. They can shame us, they can bankrupt us, and I can personally attest that they can make us wish we were never born. What can we do? Keep them from going to the movies. But how? With what do we back up our prohibitions if the kid heads belligerently for the door? The crude truth is that parents are like governments: We maintain our authority through the threat, overt or implicit, of physical force.
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
Whoa, that's the kind of little sister I can dig!" said Edison.
"Yes, we're all alike," I said. "We cover for you, we lie for you, we take the heat for you. We clean up your messes and mollify our parents for you. We never fail to come across with undying adoration, whether or not you deserve it, and we can't take our lives as seriously as yours. We snuffle up the crumbs from your table on the rare occasions you notice we're alive.
β
β
Lionel Shriver (Big Brother)
β
Now, bitterly, with one sweep of the front door, the compassion was spent. To the degree that Lawrence's face was familiar, it was killingly so - as if she had been gradually getting to know him for over nine years and then, bang, he was known. She'd been handed her diploma. There were no more surprises - or only this last surprise, that there were no more surprises. To torture herself, Irina kept looking, and looking, at Lawrence's face, like turning the key in an ignition several times before resigning herself that the battery was dead.
β
β
Lionel Shriver (The Post-Birthday World)
β
Yet Irina had once tucked away, she wasn't sure when or why, that happiness is almost definitionally a condition of which you are not aware at the time. To inhabit your own contentment is to be wholly present, with no orbiting satellite to take clinical readings of the state of the planet. Conventionally, you grow conscious of happiness at the very point that it begins to elude you. When not misused to talk yourself into something - when not a lie - the h-word is a classification applied in retrospect. It is a bracketing assessment, a label only decisively pasted onto an era once it is over.
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β
Lionel Shriver (The Post-Birthday World)
β
Tragedy seems to bring out all varieties of unexpected qualities in people. It was as if some folks got dunked in plastic, vacuum-sealed like backpacking dinners, and could do nothing but sweat in their private hell. And others seemed to have just the opposite problem, as if disaster had dipped them in acid instead, stripping off the outside layer of skin that once protected them from the slings and arrows of other peopleβs outrageous fortunes. For these sorts, just walking down the street in the wake of every strangerβs ill wind became an agony, an aching slog through this manβs fresh divorce and this womanβs throat cancer. They were in hell, too, but it was everybodyβs hell, this big, shoreless, sloshing sea of toxic waste.
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β
Lionel Shriver (We Need to Talk About Kevin)
β
What would I like to get away from? Complexity. Anxiety. A feeling I've had my whole life that at any given time there's something I'm forgetting, some detail or chore, something that I'm supposed to be doing or should have already done. That nagging sensation - I get up with it, I go through the day with it, I go to sleep with it. When I was a kid, I had a habit of coming home from school on Friday afternoons and immediately doing my homework. So I'd wake up on Saturday morning with this wonderful sensation, a clean, open feeling of relief and possibility and calm. There'd be nothing I had to do. Those Saturday mornings, they were a taste of real freedom that I've hardly ever experienced as an adult. I never wake up in Elmsford with the feeling that I've done my homework.
β
β
Lionel Shriver (So Much for That)
β
Had I catalogued the downsides of parenthood, "son might turn out to be a killer" would never have turned up on the list. Rather, it might have looked something like this:
1. Hassle.
2. Less time just the two of us. (Try no time just the two of us.)
3. Other people. (PTA meetings. Ballet teachers. The kid's insufferable friends and their insufferable parents.)
4. Turning into a cow. (I was slight, and preferred to stay that way. My sister-in-law had developed bulging varicose veins in her legs during pregnancy that never retreated, and the prospect of calves branched in blue tree roots mortified me more than I could say. So I didn't say. I am vain, or once was, and one of my vanities was to feign that I was not.)
5. Unnatural altruism: being forced to make decisions in accordance with what was best for someone else. (I'm a pig.)
6. Curtailment of my traveling. (Note curtailment. Not conclusion.)
7. Dementing boredom. (I found small children brutally dull. I did, even at the outset, admit this to myself.)
8. Worthless social life. (I had never had a decent conversation with a friend's five-year-old in the room.)
9. Social demotion. (I was a respected entrepreneur. Once I had a toddler in tow, every man I knew--every woman, too, which is depressing--would take me less seriously.)
10. Paying the piper. (Parenthood repays a debt. But who wants to pay a debt she can escape? Apparently, the childless get away with something sneaky. Besides, what good is repaying a debt to the wrong party? Only the most warped mother would feel rewarded for her trouble by the fact that at last her daughter's life is hideous, too.)
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
Franklin, I was absolutely terrified of having a child. Before I got pregnant, my visions of child rearing- reading stories about cabooses with smiley faces at bedtime, feeding glop into slack mouths- all seemed like pictures of someone else. I dreaded confrontation with what could prove a closed, stony nature, my own selfishness and lack of generosity, the thick tarry powers of my own resentment. However intrigued by a βturn of the page,β I was mortified by the prospect of becoming hopelessly trapped in someone elseβs story. And I believe that this terror is precisely what must have snagged me, the way a ledge will tempt one to jump off. The very surmountability of the task, its very unattractiveness , was in the end what attracted me to it. (32)
β
β
Lionel Shriver (We Need to Talk About Kevin)
β
It must be this overarching commitment to what is really an abstraction, to one's children right or wrong, that can be even more fierce than the commitment to them as explicit, difficult people, and that can consequently keep you devoted to them when as individuals they disappoint. On my part it was this broad covenant with children-in-theory that I may have failed to make and to which I was unable to resort when Kevin finally tested my maternal ties to a perfect mathematical limit on Thursday. I didn't vote for parties, but for candidates. My opinions were as ecumenical as my larder, then still chock full of salsa verde from Mexico City, anchovies from Barcelona, lime leaves from Bangkok. I had no problem with abortion but abhorred capital punishment, which I suppose meant that I embraced the sanctity of life only in grown-ups. My environmental habits were capricious; I'd place a brick in our toilet tank, but after submitting to dozens of spit-in-the-air showers with derisory European water pressure, I would bask under a deluge of scalding water for half an hour. My closet wafter with Indian saris, Ghanaian wraparounds, and Vietnamese au dais. My vocabulary was peppered with imports -- gemutlich, scusa, hugge, mzungu. I so mixed and matched the planet that you sometimes worried I had no commitments to anything or anywhere, though you were wrong; my commitments were simply far-flung and obscenely specific.
By the same token, I could not love a child; I would have to love this one. I was connected to the world by a multitude of threads, you by a few sturdy guide ropes. It was the same with patriotism: You loved the idea of the United States so much more powerfully than the country itself, and it was thanks to your embrace of the American aspiration that you could overlook the fact that your fellow Yankee parents were lining up overnight outside FAO Schwartz with thermoses of chowder to buy a limited release of Nintendo. In the particular dwells the tawdry. In the conceptual dwells the grand, the transcendent, the everlasting. Earthly countries and single malignant little boys can go to hell; the idea of countries and the idea of sons triumph for eternity. Although neither of us ever went to church, I came to conclude that you were a naturally religious person.
β
β
Lionel Shriver (We Need to Talk About Kevin)