Lion And Queen Quotes

Once a king or queen of Narnia, always a king or queen of Narnia.

To the glistening eastern sea, I give you Queen Lucy the Valiant. To the great western woods, King Edmund the Just. To the radiant southern sun, Queen Susan the Gentle. And to the clear northern skies, I give you King Peter the Magnificent. Once a king or queen of Narnia, always a king or queen of Narnia. May your wisdom grace us until the stars rain down from the heavens.

I am Cersei of House Lannister, a lion of the Rock, the rightful queen of these Seven Kingdoms, trueborn daughter of Tywin Lannister. And hair grows back.

Discretion prevented me from saying that I thought she was a fiend from the underworld and that mountain lions couldn't force me to enter her service.

I may not be a lion,but I am lions cub and I have lion's heart

But what does he want my heart for?" the little queen asked. "He just wants to own it," replied the sea lion. "That is enough. He wants to look on its beauty and know that his hands alone can touch it.

Oh, a sleeping drunkard Up in Central Park, And a lion-hunter In the jungle dark, And a Chinese dentist, And a British queen-- All fit together In the same machine. Nice, nice, very nice; Nice, nice, very nice; Nice, nice, very nice-- So many different people In the same device.

And Peter became a tall and deep-chested man and a great warrior, and he was called King Peter the Magnificent. And Susan grew into a tall and gracious woman with black hair that fell almost to her feet and the kings of the countries beyond the sea began to send ambassadors asking for her hand in marriage. And she was called Queen Susan the Gentle. Edmund was a graver and quieter man than Peter, and great in council and judgment. he was called King Edmund the Just. But as for Lucy, she was always gay and golden-haired, and all princes in those parts desired her to be their Queen, and her own people called her Queen Lucy the Valiant.

I have at last come to the end of the Faerie Queene: and though I say "at last", I almost wish he had lived to write six books more as he had hoped to do — so much have I enjoyed it.

His face had become very red and his mouth and fingers were sticky. He did not look either clever or handsome, whatever the Queen might say.

A lioness. She mates with her lion and he thinks the moment is about him when it is really about her, her children, her posterity. Her tricki s to make him think that he is king of the bush, but what he does a king matter? Really, she is king and queen and everything in between.

But as for Lucy, she was always gay and golden-haired, and all princes in those parts desired her to be their Queen, and her own people called her Queen Lucy the Valiant.

Oh, a lion hunter in the jungle dark, And a sleeping drunkard up in central park, and a Chinese dentist and a British queen All fit together in the same machine. Nice, nice, such very different people in the same device!

I have a self to recover, a queen. Is she dead, is she sleeping? Where has she been, with her lion-red body, her wings of glass?

Hear me, Daenerys Targaryen. The glass candles are burning. Soon comes the pale mare, and after her the others. Kraken and dark flame, lion and griffin, the sun's son and the mummer's dragon. Trust none of them. Remember the Undying. Beware the perfumed seneschal." "Reznak? Why should I fear him?" Dany rose from the pool. Water trickled down her legs, and gooseflesh covered her arms in the cool night air. "If you have some warning for me, speak plainly. What do you want of me, Quaithe?" Moonlight shown in the woman's eyes. "To show you the way." "I remember the way. I go north to go south, east to go west, back to go forward. And to touch the light I have to pass beneath the shadow." She squeezed the water from her silvery hair. "I am half-sick of riddling. In Qarth I was a beggar, but here I am a queen. I command you-" "Daenerys. Remember the Undying. Remember who you are." "The blood of the dragon." But my dragons are roaring in the darkness. "I remember the Undying. Child of three, they called me. Three mounts they promised me, three fires, and three treasons. One for blood and one for gold and one for . . ." "Your Grace?" Missandei stood in the door of the queen's bedchamber, a lantern in her hand. "Who are you talking to?" Dany glanced back toward the persimmon tree. There was no woman there. No hooded robe, no lacquer mask, no Quaithe. A shadow. A Memory. No one.

But amid all these rejoicings Aslan himself quietly slipped away. And when the Kings and Queens noticed that he wasn’t there they said nothing about it. For Mr. Beaver had warned them, “He’ll be coming and going,” he had said. “One day you’ll see him and another you won’t. He doesn’t like being tied down—and of course he has other countries to attend to. It’s quite all right. He’ll often drop in. Only you mustn’t press him. He’s wild, you know. Not like a tame lion.

The rivers stank, the marketplaces stank, the churches stank, it stank beneath the bridges and in the palaces. The peasant stank as did the priest, the apprentice as did his master’s wife, the whole of the aristocracy stank, even the king himself stank, stank like a rank lion, and the queen like an old goat, summer and winter.

No matter what life throws your way, keep your head up. As long as you're learning, you're living.

The whiskered goddess had two natures; as Sekhmet the lioness, she was a mighty queen of sun-fire and war, and a harbinger of raw spiritual powers. As Bast the cat, she was the gentle bringer of love and domestic joy.

In the period of which we speak, there reigned in the cities a stench barely conceivable to us modern men and women. The streets stank of manure, the courtyards of urine, the stairwells stank of moldering wood and rat droppings, the kitchens of spoiled cabbage and mutton fat; the unaired parlors stank of stale dust, the bedrooms of greasy sheets, damp featherbeds, and the pungently sweet aroma of chamber pots. The stench of sulfur rose from the chimneys, the stench of caustic lyes from the tanneries, and from the slaughterhouses came the stench of congealed blood. People stank of sweat and unwashed clothes; from their mouths came the stench of rotting teeth, from their bellies that of onions, and from their bodies, if they were no longer very young, came the stench of rancid cheese and sour milk and tumorous disease. The rivers stank, the marketplaces stank, the churches stank, it stank beneath the bridges and in the palaces.The peasant stank as did the priest, the apprentice as did his master’s wife, the whole of the aristocracy stank, even the king himself stank, stank like a rank lion, and the queen like an old goat, summer and winter

To avoid /lese-majeste/ you have been presented first to the king and queen. They do not enter the story, which might be called “The Chronicle of the Princess, the Happy Thought, and the Lion that Bungled his Job.

We’re not a pack,” Leon said, waving a hand dismissively. “We’re a pride. But instead of a King with a bunch of lionesses we have a Queen with a bunch of Lions.” “I’m not a fucking Lion,” Ryder disagreed. “You are. You’re Scar, Dante’s Mufasa and I’m Simba and Gabe is…Zazu.

He felt as if he'd woken up, weak and confused, only to be told that he'd spent the last three weeks in bed with a fever--and that during his illness, Queen Victoria had abdicated the throne and run off with a lion-tamer from Birmingham. The world seemed an entirely different place.

Oh, a sleeping drunkard Up in Central Park, And a lion-hunter In the jungle dark, And a Chinese dentist, And a British queen-- All fit together In the same machine. Nice, nice, very nice; Nice, nice, very nice; Nice, nice, very nice-- So many different people In the same device.

I Have a self to recover, a queen. Is she dead, is she sleeping? Where has she been, With her lion-red body, her wings of glass? Now she is flying More terrible than she ever was, red Scar in the sky, red comet Over the engine that killed her— The mausoleum, the wax house.

They noticed that they were making their way not through branches but through coats. And the next moment they came tumbling out of the wardrobe into the empty room, and they were no longer Kings and Queens.

But this morning in meditation, after I heard the lion roar YOU HAVE NO IDEA HOW STRONG MY LOVE IS, I came out of that meditation cave like worrior queen.

People revered his father as the Lion of Punjab, but his mother is the one they should have called Lioness.

Once a king or queen in Narnia, always a king or queen. Bear it well, Sons of Adam! Bear it well, Daughters of Eve!” said Aslan.

If the lion knew his true strength it were hard for any man rule him.

Once, I was afraid of these walls, frightened by such beauty. But I see the cracks now. It's like the day of the bombing, when I realized Silvers were not invincible. Then it was an explosion—now a few bullets have shattered diamondglass, revealing fear and paranoia beneath. Silvers fleeing from Reds—lions running from mice. The king and queen oppose each other, the court has their own alliances, and Cal—the perfect prince, the good soldier—is a torturous, terrible enemy. Anyone can betray anyone.

Aslan?” said Mr. Beaver. “Why, don’t you know? He’s the King. He’s the Lord of the whole wood, but not often here, you understand. Never in my time or my father’s time. But the word has reached us that he has come back. He is in Narnia at this moment. He’ll settle the White Queen all right. It is he, not you, that will save Mr. Tumnus.

Who is Aslan?” asked Susan. “Aslan?” said Mr. Beaver, “Why, don’t you know? He’s the King. He’s the Lord of the whole wood, but not often here, you understand. Never in my time or my father’s time. But the word has reached us that he has come back. He is in Narnia at this moment. He’ll settle the White Queen all right. It is he, not you, that will save Mr. Tumnus.” “She won’t turn him into stone too?” said Edmund. “Lord love you, Son of Adam, what a simple thing to say!” answered Mr. Beaver with a great laugh. “Turn him into stone? If she can stand on her two feet and look him in the face it’ll be the most she can do and more than I expect of her. No, no. He’ll put all to rights, as it says in an old rhyme in these parts: Wrong will be right, when Aslan comes in sight, At the sound of his roar, sorrows will be no more, When he bares his teeth, winter meets its death And when he shakes his mane, we shall have spring again. You’ll understand when you see him.” “But shall we see him?” asked Susan. “Why, Daughter of Eve, that’s what I brought you here for. I’m to lead you where you shall meet him,” said Mr. Beaver. “Is--is he a man?” asked Lucy. “Aslan a man!” said Mr. Beaver sternly. “Certainly not. I tell you he is the King of the wood and the son of the great Emperor-Beyond-the-Sea. Don’t you know who is the King of Beasts? Aslan is a lion--the Lion, the great Lion.” “Ooh!” said Susan, “I’d thought he was a man. Is he--quite safe? I shall feel rather nervous about meeting a lion.” “That you will, dearie, and no mistake,” said Mrs. Beaver. “If there’s anyone who can appear before Aslan without their knees knocking, they’re either braver than most or else just silly.” “Then he isn’t safe?” said Lucy. “Safe?” said Mr. Beaver. “Don’t you hear what Mrs. Beaver tells you? Who said anything about safe? ’Course he isn’t safe. But he’s good. He’s the King, I tell you.

They thought death was worth it, but I Have a self to recover, a queen. Is she dead, is she sleeping ? Where has she been, With her lion-red body, her wings of glass ? Now she is flying More terrible than she ever was, red Scar in the sky, red comet Over the engine that killed her——— The mausoleum, the wax house. 6

Among the loose animals, the Keeper’s sick camel, a lady of brittle temper, had bobbed her tassels and sunk her yellow teeth three times into unguarded flesh; the dwarf ass brayed itself hoarse and the lion cubs, dear to Abernaci’s heart, had shambled off, humping their fat, sandy rumps, to feast among the spilled milk in the wrecked kitchens.

So that’s how you came to imagine yourself a queen—because you were the Emperor’s hangman. I see.

Just as the rag doll wanted to be an eagle, the donkey a lion and the monkey a queen, the zero put on airs and pretended to be a digit.

I draped my lion in one and called her the Queen of Phoenicia. She sat, turning her head this way and that, as if to show off how the purple made her fur shine gold.

Once a king or queen in Narnia, always a king or queen.

You look … ,” Gavriel breathed, sinking into his chair. “You look so much like her.” Aedion knew Gavriel didn’t mean Aelin. Even Fenrys looked at the Lion now, at the grief rippling in those tawny eyes. But Aedion barely remembered his mother. Barely recalled anything more than her dying, wrecked face. So he said, “She died so your queen wouldn’t get her claws on me.” He wasn’t sure his father was breathing. Lysandra stepped closer, a solid rock in the thrashing sea of his rage. Aedion pinned his father with a look, not sure where the words came from, the wrath, but there they were, snapping from his lips like whips. “They could have cured her in the Fae compounds, but she wouldn’t go near them, wouldn’t let them come for fear of Maeve”—he spat the name—“knowing I existed. For fear I’d be enslaved to her as you were.” His father’s tan face had drained of all color. Whatever Gavriel had suspected until now, Aedion didn’t care. The Wolf snarled at the Lion, “She was twenty-three years old. She never married, and her family shunned her. She refused to tell anyone who’d sired me, and took their disdain, their humiliation, without an ounce of self-pity. She did it because she loved me, not you.” And he suddenly wished he’d asked Aelin to come, so he could tell her to burn this warrior into ashes like that commander in Ilium, because looking at the face—his face … he hated him. He hated him for the twenty-three-year-old his mother had been, younger than he now was when she’d died, alone and sorrowful. Aedion growled, “If your bitch of a queen tries to take me, I’ll slit her throat. If she hurts my family any more than she already has, I’ll slit yours, too.

We’re following a guide we know nothing about. How do we know which side that bird is on? Why shouldn’t it be leading us into a trap?” “That’s a nasty idea. Still--a robin, you know. They’re good birds in all the stories I’ve ever read. I’m sure a robin wouldn’t be on the wrong side.” “If it comes to that, which is the right side? How do we know that the fauns are in the right and the Queen (yes, I know we’ve been told she’s a witch) is in the wrong? We don’t really know anything about either.” “The Faun saved Lucy.” “He said he did, But how do we know? And there’s another thing too. Has anyone the least idea of the way home from here?” “Great Scott!” said Peter. “I hadn’t thought of that.” “And no chance of dinner, either,” said Edmund.

We could leave him here, fair thief," he confided in a none-too-quiet whisper. "If you can forgo your penchant for big, strong men." "He is required protection by the queen. And it has nothing to do with my penchants, Allan—I just send to be in the same business as big, strong men, only they need to be twice as tall and twice as heavy to do what I can in half the time," I snapped.

I designed the Queen crest logo. I simply combined all the creatures that represent our star signs [two lions for Leo, John and Roger, a crab for Cancer, Brian, and two fairies for Virgo, Freddie]…

Sire, there is a messenger from the enemy who craves audience.” “Let him approach,” said Aslan. The leopard went away and soon returned leading the Witch’s Dwarf. “What is your message, Son of Earth?” asked Aslan. “The Queen of Narnia and Empress of the Lone Islands desires a safe conduct to come and speak with you,” said the Dwarf, “on a matter which is as much to your advantage as to hers.” “Queen of Narnia, indeed!” said Mr. Beaver. “Of all the cheek--” “Peace, Beaver,” said Aslan. “All names will soon be restored to their proper owners. In the meantime we will not dispute about noises.

Tyler. His handsome, lion-eyed ravagement. His capacity for devotion. Which is so sexy. Why do so many gay men lack that? Why are they so distracted, so in love with the idea of more and more and then more, again?

The gate was made out of blocks of stone bigger across than I am tall. Something else supposedly built by the old gods, it was topped by a solid stone lintel with two carved lions that were supposed to roar if an enemy of the king passed beneath them. At least they were said to be lions. The stone had been weathered by the centuries, and only indistinct monster figures remained, facing each other over a short pillar. They remained silent as we passed under.

on June 20, 1837, the destiny of a nation wheeled, spun, and came to rest on the small frame of an eighteen-year-old girl. A girl who read Charles Dickens, worried about the welfare of Gypsies, adored animals, loved to sing opera, was fascinated with lion tamers, and hated insects and turtle soup; a girl who was bullied by those closest to her until her determination set like concrete; a girl whose heart was wound tight with cords of sentiment and stoicism.

George Williams, the revered evolutionary biologist, describes the natural world as “grossly immoral.” Having no foresight or compassion, natural selection “can honestly be described as a process for maximizing short-sighted selfishness.” On top of all the miseries inflicted by predators and parasites, the members of a species show no pity to their own kind. Infanticide, siblicide, and rape can be observed in many kinds of animals; infidelity is common even in so-called pair-bonded species; cannibalism can be expected in all species that are not strict vegetarians; death from fighting is more common in most animal species than it is in the most violent American cities. Commenting on how biologists used to describe the killing of starving deer by mountain lions as an act of mercy, Williams wrote: “The simple facts are that both predation and starvation are painful prospects for deer, and that the lion's lot is no more enviable. Perhaps biology would have been able to mature more rapidly in a culture not dominated by Judeo-Christian theology and the Romantic tradition. It might have been well served by the First Holy Truth from [Buddha's] Sermon at Benares: “Birth is painful, old age is painful, sickness is painful, death is painful...”” As soon as we recognize that there is nothing morally commendable about the products of evolution, we can describe human psychology honestly, without the fear that identifying a “natural” trait is the same as condoning it. As Katharine Hepburn says to Humphrey Bogart in The African Queen, “Nature, Mr. Allnut, is what we are put in this world to rise above.

These two Kings and two Queens governed Narnia well, and long and happy was their reign. At first much of their time was spent in seeking out the remnants of the White Witch's army and destroying them, and indeed for a long time there would be news of evil things lurking in the wilder parts of the forest- a haunting here and a killing there, a glimpse of a werewolf one month and a rumor of a hag the next. But in the end all that foul brood was stamped out. And they made good laws and kept the peace and saved good trees from being unnecessarily cut down, and liberated young dwarfs and young satyrs from being sent to school, and generally stopped busybodies and interferers and encouraged ordinary people who wanted to live and let live. And they drove back the fierce giants (quite a different sort from Giant Rumblebuffin) in the North of Narnia when these ventured across the frontier. And they entered into friendship and alliance with countries beyond the sea and paid them visits of state and received visits of state from them. And they themselves grew and changed as the years passed over them. And Peter became a tall and deep-chested man and a great warrior, and he was called King Peter the Magnificent. And Susan grew into a tall and gracious woman with black hair that fell almost to her feet and the kings of the countries beyond the sea began to send ambassadors asking for her hand in marriage. And she was called Queen Susan the Gentle. Edmund was a graver and quieter man than Peter, and great in council and judgement. He was called King Edmund the Just. But as for Lucy, she was always gay and golden-haired, and all the princes in those parts desired her to be their Queen, and her own people called her Queen Lucy the Valiant.

Madam,” said King Edmund, “the like foreboding stirreth in my heart also.” “And in mine, fair brother,” said King Peter. “And in mine too,” said Queen Susan. “Wherefore by my counsel we shall lightly return to our horses and follow this White Stag no further.

Oh, a sleeping drunkard Up in Central Park, And a lion-hunter In the jungle dark, And a Chinese dentist, And a British queen— All fit together In the same machine. Nice, nice, very nice; Nice, nice, very nice; Nice, nice, very nice— So many different people In the same device.

Barrett is a bigger guy, not fat (not yet) but ursine, crimson of eye and lip; ginger-furred, possessed (he likes to think) of an enchanted sensual slyness, the prince transformed into wolf or lion, all slumbering large-pawed docility, awaiting, with avid yellow eyes, love’s first kiss.

They thought death was worth it, but I Have a self to recover, a queen. Is she dead, is she sleeping? Where has she been, With her lion-red body, her wings of glass? Now she is flying More terrible than she ever was, red Scar in the sky, red comet Over the engine that killed her- The mausoleum, the wax house.

So these Kings and Queens entered the thicket, and before they had gone a score of paces, they all remembered that the thing they had seen was called a lamppost, and before they had gone twenty more, they noticed that they were making their way not through branches but through coats. And next moment they all came tumbling out of a wardrobe door into the empty room, and they were no longer Kings and Queens in their hunting array but just Peter, Susan, Edmund, and Lucy in their old clothes. It was the same day and the same hour of the day on which they had all gone into the wardrobe to hide. Mrs. Macready and the visitors were still talking I the passage; but luckily they never came into the empty room and so the children weren’t caught. And that would have been the very end of the story if it hadn’t been that they felt they really must explain to the Professor why four of the coats out of his wardrobe were missing. And the Professor, who was a very remarkable man, didn’t tell them not to be silly or not to tell lies, but believed the whole story. “No,” he said, “I don’t think it will be any good trying to go back through the wardrobe door to get the coats. You won’t get into Narnia again by that route. Nor would the coats be much use by now if you did! Eh? What’s that? Yes, of course you’ll get back to Narnia again someday. Once a King in Narnia, always a King in Narnia. But don’t go trying to use the same route twice. Indeed, don’t try to get there at all. It’ll happen when you’re not looking for it. And don’t talk too much about it even among yourselves. And don’t mention it to anyone else unless you find that they’ve had adventures of the same sort themselves. What’s that? How will you know? Oh, you’ll know all right. Odd things they say--even their looks--will let the secret out. Keep your eyes open. Bless me, what do they teach them at these schools?” And that is the very end of the adventures of the wardrobe. But if the Professor was right, it was only the beginning of the adventures of Narnia.

Don’t you see? We can’t just go home, not after this. It is all on my account that the poor Faun has got into this trouble. He hid me from the Witch and showed me the way back. That’s what it means by comforting the Queen’s enemies and fraternizing with Humans. We simply must try to rescue him.” “A lot we could do!” said Edmund, “when we haven’t even got anything to eat!” “Shut up--you!” said Peter, who was still very angry with Edmund.

Long Live King Peter! Long Live Queen Susan! Long Live King Edmund! Long Live Queen Lucy!” “Once a King or Queen in Narnia, always a King or Queen. Bear it well, Sons of Adam! Bear it well, Daughters of Eve!” said Aslan. And through the eastern door, which was wide open, came the voices of the mermen and the mermaids swimming close to the castle steps and singing in honor of their new Kings and Queens. So the children sat in their thrones and scepters were put into their hands and they gave rewards and honors to all their friends, to Tumnus the Faun, and to the Beavers, and Giant Rumblebuffin, to the leopards, and the good centaurs and the good dwarfs, and to the lion. And that night there was a great feast in Cair Paravel, and revelry and dancing, and gold flashed and wine flowed, and answering to the music inside, but stranger, sweeter, and more piercing, came the music of the sea-people. But amid all these rejoicings Aslan himself quietly slipped away. And when the Kings and Queens noticed that he wasn’t there, they said nothing about it. For Mr. Beaver had warned them. “He’ll be coming and going,” he had said. “One day you’ll see him and another you won’t. He doesn’t like being tied down--and of course he has other countries to attend to. It’s quite all right. He’ll often drop in. Only you mustn’t press him. He’s wild, you know. Not like a tame lion.

Out of Dindymus heavily laden Her lions draw bound and unfed A mother, a mortal, a maiden, A queen over death and the dead. She is cold, and her habit is lowly, Her temple of branches and sods; Most fruitful and virginal, holy, A mother of gods. She hath wasted with fire thine high places, She hath hidden and marred and made sad The fair limbs of the Loves, the fair faces Of gods that were goodly and glad. She slays, and her hands are not bloody; She moves as a moon in the wane, White-robed, and thy raiment is ruddy, Our Lady of Pain.

And what, pray, are you?” said the Lady, looking hard at Edmund. “I’m--I’m--my name’s Edmund,” said Edmund rather awkwardly. He did not like the way she looked at him. The Lady frowned. “Is that how you address a Queen?” she asked, looking sterner than ever. “I beg your pardon, your Majesty, I didn’t know,” said Edmund. “Not know the Queen of Narnia?” cried she. “Ha! You shall know us better hereafter. But I repeat--what are you?” “Please, your Majesty,” said Edmund, “I don’t know what you mean. I’m at school--at least I was--it’s the holidays now.

LONG, LONG AGO IN the Incubation Period of Man—long before booking agents, five-a-days, theatrical boarding houses, subway circuits, and Variety—when Megatherium roamed the trees, when Broadway was going through its First Glacial Period, and when the first vaudeville show was planned by the first lop-eared, low-browed, hairy impresario, it was decreed: “The acrobat shall be first.” Why the acrobat should be first no one ever explained; but that this was a dubious honor every one on the bill—including the acrobat—realized only too well. For it was recognized even then, in the infancy of Show Business, that the first shall be last in the applause of the audience. And all through the ages, in courts and courtyards and feeble theatres, it was the acrobat—whether he was called buffoon, farceur, merry-andrew, tumbler, mountebank, Harlequin, or punchinello—who was thrown, first among his fellow-mimes, to the lions of entertainment to whet their appetites for the more luscious feasts to come. So that to this day their muscular miracles are performed hard on the overture’s last wall shaking blare, performed with a simple resignation that speaks well for the mildness and resilience of the whole acrobatic tribe.

The magic is unleashed as Tam Lin writhes in the grip of the Fairy Queen’s power. He is translated into a lion, a bear, a serpent and a red-hot band of iron, a burning gleed! But Janet, alone at midnight on the crossroads, clings fast to the man she loves.   ‘Again they’ll turn me in your arms To a red het gaud of airn; But hold me fast, and fear me not, I’ll do to you nae harm.   And last they’ll turn me in your arms Into the burning gleed; Then throw me into well water, O throw me in wi speed.   And then I’ll be your ain true-love, I’ll turn a naked knight; Then cover me wi your green mantle, And cover me out o’ sight.

In a word, every man for his own ends. Our summum bonum is commodity, and the goddess we adore Dea Moneta, Queen Money, to whom we daily offer sacrifice, which steers our hearts, hands, affections, all: that most powerful goddess, by whom we are reared, depressed, elevated, esteemed the sole commandress of our actions, for which we pray, run, ride, go, come, labour, and contend as fishes do for a crumb that falleth into the water. It is not worth, virtue (that's bonum theatrale [a theatrical good]), wisdom, valour, learning, honesty, religion, or any sufficiency for which we are respected, but money, greatness, office, honour, authority; honesty is accounted folly; knavery, policy; men admired out of opinion, not as they are, but as they seem to be: such shifting, lying, cogging, plotting, counterplotting, temporizing, flattering, cozening, dissembling, "that of necessity one must highly offend God if he be conformable to the world," Cretizare cum Crete [to do at Crete as the Cretans do], "or else live in contempt, disgrace, and misery." One takes upon him temperance, holiness, another austerity, a third an affected kind of simplicity, whenas indeed he, and he, and he, and the rest are hypocrites, ambidexters, outsides, so many turning pictures, a lion on the one side, a lamb on the other.

Long, long ago—when, it will be recalled, Megatherium roamed the trees—the same lop-eared impresario who said: “The acrobat shall be first,” also laid down the dictum that: “The show must go on,” and for as little reason. Accidents might happen, the juvenile might run off with the female lion-tamer, the ingénue might be howling drunk, the lady in the fifth row, right, might have chosen the theatre to be the scene of her monthly attack of epilepsy, fire might break out in Dressing Room A, but the show must go on. Not even a rare juicy homicide may annul the sacred dictum. The show must go on despite hell, high water, drunken managers named Kelly, and The Fantastic Affair of the Hanging Acrobat.

Before the game, he [Vin Scully] waxed poetic about Wrigley Field: She stands alone at the corner of Clark and Addison, this dowager queen, dressed in basic black and pearls, seventy-five years old, proud head held high and not a hair out of place, awaiting yet another date with destiny, another time for Mr. Right. She dreams as old ladies will of men gone long ago. Joe Tinker. Johnny Evers. Frank Chance. And of those of recent vintage like her man Ernie. And the Lion [Leo Durocher]. And Sweet Billy Williams. And she thinks wistfully of what might have been, and the pain is still fresh and new, and her eyes fill, her lips tremble, and she shakes her head ever so slightly. And then she sighs, pulls her shawl tightly around her frail shoulders, and thinks, This time, this time it will be better.

And Zeus said: “Hera, you can choose some other time for paying your visit to Oceanus — for the present let us devote ourselves to love and to the enjoyment of one another. Never yet have I been so overpowered by passion neither for goddess nor mortal woman as I am at this moment for yourself — not even when I was in love with the wife of Ixion who bore me Pirithoüs, peer of gods in counsel, nor yet with Danaë, the daintly ankled daughter of Acrisius, who bore me the famed hero Perseus. Then there was the daughter of Phonenix, who bore me Minos and Rhadamanthus. There was Semele, and Alcmena in Thebes by whom I begot my lion-hearted son Heracles, while Samele became mother to Bacchus, the comforter of mankind. There was queen Demeter again, and lovely Leto, and yourself — but with none of these was I ever so much enamored as I now am with you.

That evening after tea the four children all managed to get down to the beach again and get their shoes and stockings off and feel the sand between their toes. But the next day was more solemn. For then, in the Great Hall of Cair Paravel--that wonderful hall with the ivory roof and the west door all hung with peacock’s feathers and the eastern door which opens right onto the sea, in the presence of all their friends and to the sound of trumpets, Aslan solemnly crowned them and led them onto the four thrones amid deafening shouts of, “Long Live King Peter! Long Live Queen Susan! Long Live King Edmund! Long Live Queen Lucy!” “Once a King or Queen in Narnia, always a King or Queen. Bear it well, Sons of Adam! Bear it well, Daughters of Eve!” said Aslan. And through the eastern door, which was wide open, came the voices of the mermen and the mermaids swimming close to the castle steps and singing in honor of their new Kings and Queens.

Saints are mostly people who once walked around and ate breakfast and put their shoes on one at a time, just like you or me. They did something amazing enough that instead of just going to heaven after they die, they became messengers to heaven! Not everybody gets to be a saint through miracles and good deeds, like Saint Elysia. Some saints died while bravely defending their faith. Those saints are called martyrs. Martyrs have died in all kinds of awful ways. If something terrible happens to you, it's probably not as bad as being eaten by lions, like Saint Leonisius was. And if you are being eaten by lions, you know that Saint Leonisius understands. After someone becomes a saint, she sits in heaven and listens to the prayers of living people, and tries to help them. You can choose to pray to a saint who had a problem like yours when they were alive. Or you can pray to a saint who performed the kinds of miracles you're hoping will happen to you - like curing a sickness or surviving a storm at sea.

Last Thoughts On Woody Guthrie When yer head gets twisted and yer mind grows numb When you think you're too old, too young, too smart or too dumb When yer laggin' behind an' losin' yer pace In a slow-motion crawl of life's busy race No matter what yer doing if you start givin' up If the wine don't come to the top of yer cup If the wind's got you sideways with with one hand holdin' on And the other starts slipping and the feeling is gone And yer train engine fire needs a new spark to catch it And the wood's easy findin' but yer lazy to fetch it And yer sidewalk starts curlin' and the street gets too long And you start walkin' backwards though you know its wrong And lonesome comes up as down goes the day And tomorrow's mornin' seems so far away And you feel the reins from yer pony are slippin' And yer rope is a-slidin' 'cause yer hands are a-drippin' And yer sun-decked desert and evergreen valleys Turn to broken down slums and trash-can alleys And yer sky cries water and yer drain pipe's a-pourin' And the lightnin's a-flashing and the thunder's a-crashin' And the windows are rattlin' and breakin' and the roof tops a-shakin' And yer whole world's a-slammin' and bangin' And yer minutes of sun turn to hours of storm And to yourself you sometimes say "I never knew it was gonna be this way Why didn't they tell me the day I was born" And you start gettin' chills and yer jumping from sweat And you're lookin' for somethin' you ain't quite found yet And yer knee-deep in the dark water with yer hands in the air And the whole world's a-watchin' with a window peek stare And yer good gal leaves and she's long gone a-flying And yer heart feels sick like fish when they're fryin' And yer jackhammer falls from yer hand to yer feet And you need it badly but it lays on the street And yer bell's bangin' loudly but you can't hear its beat And you think yer ears might a been hurt Or yer eyes've turned filthy from the sight-blindin' dirt And you figured you failed in yesterdays rush When you were faked out an' fooled white facing a four flush And all the time you were holdin' three queens And it's makin you mad, it's makin' you mean Like in the middle of Life magazine Bouncin' around a pinball machine And there's something on yer mind you wanna be saying That somebody someplace oughta be hearin' But it's trapped on yer tongue and sealed in yer head And it bothers you badly when your layin' in bed And no matter how you try you just can't say it And yer scared to yer soul you just might forget it And yer eyes get swimmy from the tears in yer head And yer pillows of feathers turn to blankets of lead And the lion's mouth opens and yer staring at his teeth And his jaws start closin with you underneath And yer flat on your belly with yer hands tied behind And you wish you'd never taken that last detour sign And you say to yourself just what am I doin' On this road I'm walkin', on this trail I'm turnin' On this curve I'm hanging On this pathway I'm strolling, in the space I'm taking In this air I'm inhaling Am I mixed up too much, am I mixed up too hard Why am I walking, where am I running What am I saying, what am I knowing On this guitar I'm playing, on this banjo I'm frailin' On this mandolin I'm strummin', in the song I'm singin' In the tune I'm hummin', in the words I'm writin' In the words that I'm thinkin' In this ocean of hours I'm all the time drinkin' Who am I helping, what am I breaking What am I giving, what am I taking But you try with your whole soul best Never to think these thoughts and never to let Them kind of thoughts gain ground Or make yer heart pound ...

She is also the power behind spiritual awakening, the inner force that unleashes spiritual power within the human body in the form of kundalini. And she is a guardian: beautiful, queenly, and fierce. Paintings of Durga show her with flowing hair, a red sari, bangles, necklaces, a crown—and eight arms bristling with weapons. Durga carries a spear, a mace, a discus, a bow, and a sword—as well as a conch (representing creative sound), a lotus (symbolizing fertility), and a rosary (symbolizing prayer). In one version of her origin, she appears as a divine female warrior, brought into manifestation by the male gods to save them from the buffalo demon, Mahisha. The assembled gods, furious and powerless over a demon who couldn’t be conquered, sent forth their anger as a mass of light and power. Their combined strength coalesced into the form of a radiantly beautiful woman who filled every direction with her light. Her face was formed by Shiva; her hair came from Yama, the god of death; her arms were given by Vishnu. Shiva gave her his trident, Vishnu his discus, Vayu—the wind god—offered his bow and arrow. The mountain god, Himalaya, gave her the lion for her mount. Durga set forth to battle the demon for the sake of the world, armed and protected by all the powers of the divine masculine.1 As a world protector, Durga’s fierceness arises out of her uniquely potent compassion. She is the deity to call on when you’re

Inside the oleander square there was nothing, no house, no building, nothing but the straight road going across and ending at the stream. Now what was here, she wondered, what was here and is gone, or what was going to be here and never came? Was it going to be a house or a garden or an orchard; were they driven away for ever or are they coming back? Oleanders are poisonous, she remembered; could they be here guarding something? Will I, she thought, will I get out of my car and go between the ruined gates and then, once I am in the magic oleander square, find that I have wandered into a fairyland, protected poisonously from the eyes of people passing? Once I have stepped between the magic gateposts, will I find myself through the protective barrier, the spell broken? I will go into a sweet garden, with fountains and low benches and roses trained over arbours, and find one path—jewelled, perhaps, with rubies and emeralds, soft enough for a king’s daughter to walk upon with her little sandalled feet—and it will lead me directly to the palace which lies under a spell. I will walk up low stone steps past stone lions guarding and into a courtyard where a fountain plays and the queen waits, weeping, for the princess to return. She will drop her embroidery when she sees me, and cry out to the palace servants—stirring at last after their long sleep—to prepare a great feast, because the enchantment is ended and the palace is itself again. And we shall live happily ever after.

When I was a child, my father forbade me to read science fiction or fantasy. Trash of the highest order, he said. He didn't want me muddying up my young, impressionable mind with crap. If it wasn't worthy of being reviewed in the Times, it did not make it onto our bookshelves. So while my classmates gleefully dove into The Lion, the Witch and the Wardrobe, A Wrinkle in Time, and The Borrowers, I was stuck reading Old Yeller. My saving grace- I was the most popular girl in my class. That's not saying much; it was easy to be popular at that age. All you had to do was wear your hair in French braids, tell your friends your parents let you drink grape soda every night at dinner, and take any dare. I stood in a bucket of hot water for five minutes without having to pee. I ate four New York System wieners (with onions) in one sitting. I cut my own bangs and- bam!- I was queen of the class. As a result I was invited on sleepovers practically every weekend, and it was there that I cheated. I skipped the séances and the Ouija board. I crept into my sleeping bag with a flashlight, zipped it up tight, and pored through those contraband books. I fell into Narnia. I tessered with Meg and Charles Wallace; I lived under the floorboards with Arrietty and Pod. I think it was precisely because those books were forbidden that they lived on in me long past the time that they should have. For whatever reason, I didn't outgrow them. I was constantly on the lookout for the secret portal, the unmarked door that would lead me to another world. I never thought I would actually find it.

A few minutes later the Witch herself walked out on to the top of the hill and came straight across and stood before Aslan. The three children, who had not seen her before, felt shudders running down their backs at the sight of her face; and there were low growls among all the animals present. Though it was bright sunshine everyone felt suddenly cold. The only two people present who seemed to be quite at their ease were Aslan and the Witch herself. It was the oddest thing to see those two faces--the golden face and the dead-white face--so close together. Not that the Witch looked Aslan exactly in his eyes; Mrs. Beaver particularly noticed this. “You have a traitor there, Aslan,” said the Witch. Of course everyone present knew that she meant Edmund. But Edmund had got past thinking about himself after all he’d been through and after the talk he’d had that morning. He just went on looking at Aslan. It didn’t seem to matter what the Witch said. “Well,” said Aslan, “his offense was not against you.” “Have you forgotten the Deep Magic?” asked the Witch. “Let us say I have forgotten it,” answered Aslan gravely. “Tell us of this Deep Magic.” “Tell you?” said the Witch, her voice growing suddenly shriller. “Tell you what is written on that very Table of Stone which stands beside us? Tell you what is written in letters deep as a spear is long on the trunk of the World Ash Tree? Tell you what is engraved on the scepter of the Emperor-Beyond-the-Sea? You at least know the magic which the Emperor put into Narnia at the very beginning. You know that every traitor belongs to me as my lawful prey and that for every treachery I have a right to a kill.” “Oh,” said Mr. Beaver. “So that’s how you came to imagine yourself a Queen--because you were the Emperor’s hangman. I see.” “Peace, Beaver,” said Aslan, with a very low growl.

Tell it to me.” “Why? We both know the tale.” “Even so. I want to hear it from your lips. Tell the tale. The room will keep rhythm.” Tell the tale. My heart clenched. I miss you, Gauri. Sinking into my old habit was easy enough. I sat on the floor, crossing my legs in front of me, my gaze flickering between Amar and the pillar. Amar’s eyes were closed, his head tilted back to expose his bronzed throat. I spun my tale and the sky shimmered with images. I told Amar of the demon king who wished to escape death so he performed the most severe penances until he was granted a boon by the gods. “He prayed that he would not die inside or outside his home. He prayed that he would die neither at night or day nor in the ground or in the sky. He prayed that neither man nor beast could kill him. He prayed no weapon could harm him.” Amar’s head snapped up. He looked at the pillar with a wicked smile. “And yet death found its way to him.” I nodded. “One day, the god appeared as part-man, part-lion and burst forth from the pillar.” A being of shadow tore through the pillar. A lion’s mane cast a torn shadow across the marble. Fangs lengthened in its mouth. “He came upon the demon king at twilight--” “--which is neither night nor day,” said Amar. “And he appeared on the threshold of a courtyard--” “Neither indoors nor out.” “And he spread the king across his lap.” “Neither above nor below ground.” The shadow story played out in front of us, a tusked hulking man dragged to his knees and then lifted onto the thighs of the beast god. “And he used his fingernails.” “Not a true weapon.” The shadow being lifted muscled arms above his head and claws erupted from his fingers. Amar grinned. “And then death took him,” I said. “Yes,” finished Amar. “He did.” The shadow beast tore its claws into the demon king. Blood spattered across the walls. Within seconds, the images collapsed and the beast god slunk back into the pillar, one eye slit to the outside world before the marble folded up and swallowed him. I stood up, my hands shaking for no reason. “Beautiful,” said Amar. “I found it gruesome,” I said, shivering. Amar rose and walked to where I stood. “I was not talking about the story.

T'here are no gods left to watch, I’m afraid. And there are no gods left to help you now, Aelin Galathynius.' Aelin smiled, and Goldryn burned brighter. 'I am a god.'” “You do not yield.” “Live, Manon. Live.” “And far away, across the snow-covered mountains, on a barren plain before the ruins of a once-great city, a flower began to bloom” “Aelin looked at Chaol and Dorian and sobbed. Opened her arms to them, and wept as they held each other. 'I love you both,' she whispered. 'And no matter what may happen, no matter how far we may be, that will never change.'” “Yet the songs would mention this—that the Lion fell before the western gate of Orynth, defending the city and his son.” “'We came,' Manon said, loud enough that all on the city walls could hear, 'to honor a promise made to Aelin Galathynius. To fight for what she promised us.' Darrow said quietly, 'And what was that?' Manon smiled then. 'A better world.'” “Her mother placed a phantom hand over Aelin’s heart.b'It is the strength of this that matters. No matter where you are, no matter how far, this will lead you home.'” “'Rise,' Darrow said, 'Aelin Ashryver Whitethorn Galathynius, Queen of Terrasen.'” “One blink for yes. Two for no. Three for Are you all right? Four for I am here, I am with you. Five for This is real, you are awake.” And she said to Abraxos, touching his spin, 'I love you.' It was the only thing that mattered in the end. The only thing that mattered now.” “Lord Lorcan Lochan?” Chaol and Yrene began bickering, laughing as they did, but Dorian strode to the edge of the aerie. Watched that white-haired rider and the wyvern with silver wings become distant as they sailed toward the horizon. Dorian smiled. And found himself, for the first time in a while, looking forward to tomorrow.” “'I took his name,' Erawan spat, writhing as the words flowed from his tongue under Damaris's power. 'I wiped it away from existence. Yet he only remembered it once. Only once. The first time He behelded you.' Tears slid down Dorian's face at the unbearable truth.” “Gavriel smiled at him. 'Close the gate, Aedion,' was all his father said. And then Gavriel stepped beyond the gates. That golden shield spreading thin.

Gentleman,” I purr smoothly in greeting. Ezra and Cort circle me like sharks scenting blood. I know who they are, but not who is who since they’re wearing black hoods over their heads. It covers them to the shoulder and has holes for the eyes and mouth. Their clothing is identical Italian designer label suits. Even their shoes are the same. Their eyes glow like steel ball-bearings from the safety of their masks. The mouths are different- one serious, one snarky- both ruby-red and kissable. While they circle Fate and me several times taking our measure, the other Master stands in a sphere of his own confidence. He’s older and I don’t mean just in age, but knowledge. Ezra and Cortez feel like babies compared to this man. I bet he’s who I really have to impress. I wait, always meeting their eyes when their path moves them back to my face. I don’t follow them with my gaze- I wait. “Hello,” the hood with the serious lips speaks in a smooth deep tone. I know it’s not his true voice, but the one Kris calls The Boss. His eyes are kind and assessing. No one pays Fate any mind as she cowers at my thigh. I hold their undivided attention. Curly-locks is quiet- watchful- a predator sighting its quarry. Snarky mouth is leering at my chest and I smirk. Caught ya, Cortez Abernathy. “I seem to be at a disadvantage conversing with you while you’re hooded. I can’t see you, but you can see me.” I try to get them to out themselves. It’s a longshot. “And who are you, Ma’am?” Ezra asks respectfully. “Please call me Queen.” I draw on all of my lessons from Hillbrook to pull me through this conversation. The power in the air is stifling. I wonder if it’s difficult for them to be in the same room without having a cage match for dominance. I feel like I’m on Animal Planet and the lions are circling. “Queen, indeed,” Cort says snidely under his breath and I wince. I turn my face from them in embarrassment. I should have gone with something less- less everything. I know I’m strong, but the word also emulates elegance and beauty. I’m neither. Have to say, tonight has sucked for my self-esteem. First, the dominant one overlooks me for Fate and now Cortez makes fun of me- lovely. “What did you say to upset her?” Ezra accuses Cortez. “Nothing,” Cort complains in confusion. “Please excuse my partner. Words are his profession and it seems they have failed him this evening. I will apologize for not sharing our names, but this gentleman is Dexter.” He gestures to the dominant man. I wait for him to shake my hand like a civilized person. He does not- he actually crosses his arms over his chest in disobedience. This shit is going to be a piece of cake.

Who is Aslan?" asked Susan. "Aslan?" said Mr Beaver. "Why, don’t you know? He’s the King. He’s the Lord of the whole wood, but not often here, you understand. Never in my time or my father’s time. But the word has reached us that he has come back. He is in Narnia at this moment. He’ll settle the White Queen all right. It is he, not you, that will save Mr Tumnus." "She won’t turn him into stone too?" said Edmund. "Lord love you, Son of Adam, what a simple thing to say!" answered Mr Beaver with a great laugh. "Turn him into stone? If she can stand on her two feet and look him in the face it’ll be the most she can do and more than I expect of her. No, no. He’ll put all to rights as it says in an old rhyme in these parts: Wrong will be right, when Aslan comes in sight, At the sound of his roar, sorrows will be no more, When he bares his teeth, winter meets its death, And when he shakes his mane, we shall have spring again. You’ll understand when you see him.

Sup, Bro?” I questioned, gawking at Mandisa’s window. “You didn’t get my calls?” “What calls?” Hakim queried, halting short of the chair. He checked his pants pocket, and I bobbed, peering at the trails of prints in the snow. “Oh, damn, Bro! My bad…it’s been on vibrate. I didn’t even feel it, I guess.” “You were probably too busy with your pants down,” I snickered to myself. Obviously, He was doing HIM…didn’t waste any time, either…I see you… “Where’s Queen?

aircar, but then Bruce had to go to the hospital for the tiger-clone scratches, and when he’d started babbling about performing sacrifices for the red queen and resurrecting a zombie woolly mammoth,

The Trumpets sound, and [Britomart and the Amazon Radigund] together run With greedy rage, and with their faulchins smot; Ne either sought the others strokes to shun, But through great fury both their skill forgot, And practicke vse in armes: ne spared not Their dainty parts, which nature had created So faire and tender, without staine or spot, For other vses, then they them translated; Which they now hackt & hewd, as if such vse they hated, As when a Tygre and a Lionesse Are met at spoyling of some hungry pray, Both challenge it with equall greedinesse: But first the Tygre clawes thereon did lay; And therefore loth to loose her right away, Doth in defence thereof full stoutly stond: To which the Lion strongly doth gainesay, That she to hunt the beast first tooke in hond; And therefore ought it haue, where euer she it fond. Full fiercely layde the Amazon about, And dealt her blowes vnmercifully sore: Which Britomart withstood with courage stout, And them repaide againe with double more. So long they fought, that all the grassie flore Was fild with bloud, which from their sides did flow, And gushed through their armes, that all in gore They trode, and on the ground their liues did strow, Like fruitles seede, of which vntimely death should grow. At last proud Radigund with fell despight, Hauing by chaunce espide aduantage neare, Let driue at her with all her dreadfull might, And thus vpbrayding said; This token beare Vnto the man, whom thou doest loue so deare; And tell him for his sake thy life thou gauest. Which spitefull words she sore engrieu’d to heare, Thus answer’d; Lewdly thou my loue deprauest, Who shortly must repent that now so vainely brauest Nath’lesse that stroke so cruell passage found, That glauncing on her shoulder plate, it bit Vnto the bone, and made a griesly wound, That she her shield through raging smart of it Could scarse vphold; yet soone she it requit. For hauing force increast through furious paine, She her so rudely on the helmet smit, That it empierced to the very braine, And her proud person low prostrated on the plaine. Where being layd, the wrothfull Britonesse Stayd not, till she came to her selfe againe, But in reuenge both of her loues distresse, And her late vile reproch, though vaunted vaine, And also of her wound, which sore did paine, She with one stroke both head and helmet cleft. Which dreadfull sight, when all her warlike traine There present saw, each one of sence bereft, Fled fast into the towne, and her sole victor left.

Damaris; upon which he swore he would write a long highbrow article and publish it — Damaris being, for that purpose, a forgotten queen of Trebizond overthrown by the Saracen invasion.

A fictionalized version of one of these away-weekends is dramatized in the film The Lion in Winter, in which Eleanor is played by Katharine Hepburn and her husband by Peter O’Toole. It’s an interesting film. It’s set at Christmas and they have a Christmas tree in the castle but with no fairy lights. I can’t understand this as it wouldn’t have significantly worsened the anachronism but it would have looked nice and twinkly.

Some people seem to think that I began by asking myself how I could say something about Christianity to children; then fixed on the fairy tale as an instrument; then collected information about child psychology and decided what age-group I'd write for; then drew up a list of basic Christian truths and hammered out 'allegories' to embody them. This is all pure moonshine. I couldn't write in that way at all. Everything began with images; a faun carrying an umbrella, a queen on a sledge, a magnificent lion. At first there wasn't even anything Christian about them; that element pushed itself in its own accord.

Far away from Canterbury, on the morning after King Henry’s penance, William the Lion was resting,

The Advent of Karna Now the feats of arm are ended, and the closing hour draws nigh, Music's voice is hushed in silence, and dispersing crowds pass by, Hark! Like welkin-shaking thunder wakes a deep and deadly sound, Clank and din of warlike weapons burst upon the tented ground! Are the solid mountains splitting, is it bursting of the earth, Is it tempest's pealing accent whence the lightning takes its birth? Thoughts like these alarm the people for the sound is dread and high, To the gate of the arena turns the crowd with anxious eye! Gathered round preceptor Drona, Pandu's sons in armour bright, Like the five-starred constellation round the radiant Queen of Night, Gathered round the proud Duryodhan, dreaded for his exploits done, All his brave and warlike brothers and preceptor Drona's son, So the gods encircled Indra, thunder-wielding, fierce and bold, When he scattered Danu's children in the misty days of old! Pale, before the unknown warrior, gathered nations part in twain, Conqueror of hostile cities, lofty Karna treads the plain! In his golden mail accoutred and his rings of yellow gold, Like a moving cliff in stature, arméd comes the chieftain bold! Pritha, yet unwedded, bore him, peerless archer on the earth, Portion of the solar radiance, for the Sun inspired his birth! Like a tusker in his fury, like a lion in his ire, Like the sun in noontide radiance, like the all-consuming fire! Lion-like in build and muscle, stately as a golden palm, Blessed with every very manly virtue, peerless warrior proud and calm! With his looks serene and lofty field of war the chief surveyed, Scarce to Kripa or to Drona honour and obeisance made! Still the panic-stricken people viewed him with unmoving gaze, Who may be this unknown warrior, questioned they in hushed amaze! Then in voice of pealing thunder spake fair Pritha's eldest son Unto Arjun, Pritha's youngest, each, alas! to each unknown! “All thy feats of weapons, Arjun, done with vain and needless boast, These and greater I accomplish—witness be this mighty host!” Thus spake proud and peerless Karna in his accents deep and loud, And as moved by sudden impulse leaped in joy the listening crowd! And a gleam of mighty transport glows in proud Duryodhan's heart, Flames of wrath and jealous anger from the eyes of Arjun start! Drona gave the word, and Karna, Pritha's war-beloving son, With his sword and with his arrows did the feats by Arjun done!

Homer % relating them in a divinely infpired manner (grOgar'^^o^O' ^^^^ ^^^^ thofc who have often finned, and committed the greateft crimes^ are punifhed for their offences according to the fmgle will of Jupiter, and are deprived of life together with* their wives and children'. Ho further informs u<^, that Jupiter firfl of all accompliflies this punishment, and in a manner exempt and unapparent ta all; but Minerva in* the fecond place, being fubfervient to and cooperating with the paternal providence of Jupiter : for, as Orpheus fays, " fhe is the powerful queen of the intelledt of Saturnian Jove *." The fame poet like-wife adds, •* that his brain who violates leagues and oaths flows on the ground like wine." In confequence, therefore, of thi? violation, fueh men fubjedt themfelves to juftice, and render themfelves adapted to punifhment^ Hence the violation of leagues and oaths is eipecially perpetrated by thofe who, prior to this, have dcferved the vengeance of the Gods, who juftly govern mortal affairs^ and thus punifh former crimes. But fuch are iaid to be moved, and led forth into energy by the Gods themfelves : not that the Gods render men who are to be puniflied impious and unjuft, but as calling into energy thofe that are adapted to the perpetration of fuch-like a6lions, that by once energizing according to their inward habit^ and producing Vnto light the progeny of depraved actions with which they are pregnant, they may become worthy of punifhment.

Almost imperceptibly, the Old Delhi returned. Rather than representing India, the city regressed to its historical self. Courtiers fawned, brokers promised access, and the writ of the queen ran unchallenged across the empire. When

the companion lion who overcomes all enemies, the kings and queens who command power over life, give us imaginative reconstructions of the small child’s world. We

Long before the child develops his inner resources for overcoming dangers he is dependent upon his parents to satisfy his needs, to relieve him of tension, to anticipate danger, and to remove the source of a disturbance. This is the situation of the infant. To the infant and very young child the parents are very powerful beings, magical creatures who divine secret wishes, satisfy the deepest longings, and perform miraculous feats. We cannot remember this time of life, and if we try to recapture the feelings of earliest childhood we can only find something analogous in fairy tales. The genies who are summoned in fairy tales and bring forth tables heaped with delicacies, the fairies who grant the most extravagant wishes, the magic beasts who transport a child to far-off lands, the companion lion who overcomes all enemies, the kings and queens who command power over life, give us imaginative reconstructions of the small child’s world. We

Finally, one of the biggest mice spoke. ‘Is there nothing we can do,’ it asked, ‘to repay you for saving the life of our Queen?’ ‘Nothing that I know of,’ answered the Woodman; but the Scarecrow, who had been trying to think, but could not because his head was stuffed with straw, said, quickly, ‘Oh, yes; you can save our friend, the Cowardly Lion, who is asleep in the poppy bed.

The Peacock & The Eagle: Cleopatra's Entry Into Tarsus by Stewart Stafford Cleopatra arrives, regal and mighty, From ocean spray as Aphrodite, Wealthy and waif, yearning for her, Dared all to defy her possessive aura. Mark Antony, struck by her sultry gaze, Lepidus, prisoner in a bureaucrat's maze, Sees power slipping from a friend’s hand, Ensnared by a siren from a scorched land. Lepidus was Caesar's trusted right hand; A granule falling through hourglass sand, Antony, headstrong military provocateur; Funeral orator from bloody crown auteur. Bargain's scorpion pincers; no longer twain: Cleopatra was Ceres, promising Rome grain, Antony was Mars' armed emissary, Business and pleasure's flood tributary. Antony: "Barge of emerald, Elysium's onyx! Beyond counsel words of sage sardonic, Gliding the Cydnus's silken seam, This Nile Helen shall be my queen." Lepidus: "Pleasure vessel of a floating whore, Yours for a sesterce on the Tiber's shore, Honour your oath, noble Roman creed, Lest passion’s shipwreck sets out to sea.” "This Venus virago on her mirage barge; Serpent prow, silver oars, rhythmic charge! What hubris to think she can equal, The bloody talons of our Roman eagle!" Antony: "Feast your eyes past peacock's bower, She speaks Rome's tongue of naked power. Mark it, that obsidian Sphinx stings - Human head, lion's body, eagle wings! "That is the form she takes to the public: I smell a perfumed alliance for the Republic! With Plebeians as her tickled cats, they hum, I crave her beauty and company. Come!" © 2024, Stewart Stafford. All rights reserved.

Bobby’s father Robert was a huge Celtic fan and on 11 May 1953 he took his son to see Celtic beat the Arsenal 1-0 in front of a 60,000 crowd at Parkhead in the Coronation Cup, held to celebrate Queen Elizabeth II’s accession to the throne.

The Lion of Albion by Stewart Stafford Bell tolls on the second age of Elizabeth, As another reign of Charles commences, The Lion of Albion monitors its domain, With the steadying mending of fences. Acceding to the throne, León Coronado, History's weight on verisimilar shoulders, As the matriarch reflects in absentia, Crown jewel of memory to beholders. Over moor, loch, valley and causeway, Rises the realm of Charles Rex III, Phoenix feathers of noblesse oblige, For the Brexit nesting of a dove bird. © Stewart Stafford, 2022. All rights reserved.

Fellow Africans, we have condemned Queen Elizabeth II the second for racism and all the atrocities during the colonial period, under her reign, who are we blaming for tribalism, xenophobia and other forms of separatism we commit today?

Hakim bit into his bottom lip, and I stirred his eyebrow. He closed his eyes and stated, "Mandisa, I can't lie to you about my past anymore. Things keep coming up that I thought would be buried, and I don't want you to believe that I'm the person I used to be." "What are you talking about, Hakim? Everyone has a past and secrets. Look at mine? I have lived my life like an animal inside a cage poked at and put on display. I have issues, and I know this, but I do not ask any of you to do anything more than be my friend," I explained, pulling him closer for a hug.

And by his side rode loathsome Gluttony, Deformed creature, on a filthie swyne, His belly was vp-blowne with luxury, And eke with fatnesse swollen were his eyne, And like a Crane his necke was long and fyne, With which he swallowd vp excessiue feast; For want whereof poore people oft did pyne; And all the way, most like a brutish beast, He spued vp his gorge, that all did him deteast. In greene vine leaues he was right fitly clad; For other clothes he could not weare for heat, And on his head an yuie girland had, From vnder which fast trickled downe the sweat: Still as he rode, he somewhat still did eat, And in his hand did beare a bouzing can, “Of which he supt so oft, that on his seat His dronken corse he scarse vpholden can, In shape and life more like a monster, then a man. Vnfit he was for any worldly thing, And eke vnhable once to stirre or go, Not meet to be of counsell to a king, Whose mind in meat and drinke was drowned so, That from his friend he seldome knew his fo: Full of diseases was his carcas blew, And a dry dropsie through his flesh did flow And next to him rode lustfull Lechery, Vpon a bearded Goat, whose rugged haire, And whally eyes (the signe of gelosy,) Was like the person selfe, whom he did beare: Who rough, and blacke, and filthy did appeare, Vnseemely man to please faire Ladies eye; Yet he of Ladies oft was loued deare, When fairer faces were bid standen by: O who does know the bent of womens fantasy? In a greene gowne he clothed was full faire, Which vnderneath did hide his filthinesse, And in his hand a burning hart he bare, Full of vaine follies, and new fanglenesse: For he was false, and fraught with ficklenesse, And learned had to loue with secret lookes, And well could daunce, and sing with ruefulnesse, And fortunes tell, and read in louing bookes, And thousand other wayes, to bait his fleshly hookes. And greedy Auarice by him did ride, Vpon a Camell loaden all with gold; Two iron coffers hong on either side, With precious mettall full, as they might hold, And in his lap an heape of coine he told; For of his wicked pelfe his God he made, And vnto hell him selfe for money sold; Accursed vsurie was all his trade, And right and wrong ylike in equall ballaunce waide. His life was nigh vnto deaths doore yplast, And tired-bare cote, and cobled shoes he ware, Ne scarse good morsell all his life did tast, But both from backe and belly still did spare, To fill his bags, and richesse to compare; Yet chylde ne kinsman liuing had he none To leaue them to; but thorough daily care To get, and nightly feare to lose his owne, He led a wretched life vnto himselfe vnknowne. And next to him malicious Enuie rode, Vpon a rauenous wolfe, and still did chaw Betweene his cankred teeth a venemous tode, That all the poison ran about his chaw; But inwardly he chawed his owne maw At neighbours wealth, that made him euer sad For death it was, when any good he saw, And wept, that cause of weeping none he had But when he heard of harme, he wexed wondrous glad. And him beside rides fierce reuenging Wrath, Vpon a Lion, loth for to be led; And in his hand a burning brond he hath, The which he brandisheth about his hed; His eyes did hurle forth sparkles fiery red, And stared sterne on all, that him beheld, As ashes pale of hew and seeming ded; And on his dagger still his hand he held, Trembling through hasty rage, when choler in him sweld.

Father found no better man. Instead he gave me Robert, and Maggy’s curse bloomed like some poisonous flower. If she had only married Rhaegar as the gods intended, he would never have looked twice at the wolf girl. Rhaegar would be our king today and I would be his queen, the mother of his sons. She had never forgiven Robert for killing him. But then, lions were not good at forgiving.

Yeah, I thought it would be something like that.” Her wheelchair, which was cherry-red with thick velvet armrests, had the turning-circle of a doughnut. She spun it on the spot and led Lamb into a long room lined with upright cabinets which were set on tracks like tramlines, so they could be pushed together when not in use: one huge accordion structure, each row containing file after file of dusty information, some of it so ancient that the last to consult it had long since faded to dust himself. Here were Regent’s Park’s older secrets. Which could all be stored on the head of a pin, of course, if the budget were there to squeeze it into shape. Upstairs, the queens of the database ruled their digital universe. Down here, Molly Doran was the keeper of overlooked history.

Five devils are approaching. Five black hearts are wanting. It is five who cry a dark and lonely song, calling for their queen. Lion, shark, dragon, wolf and...shadow.

And stop thinking that we’re alike. We’re nothing alike.” He holds my gaze, looking like he’s arguing with himself over something. Finally, he says, “No, you’re not. Except for that lion’s blood that runs in the family.” I say quietly, “Thank you for that. But I’m not a lion. Compared to her, I’m…a cub.” “A baby lion is still a lion.

As always, she looks incredible. Perfect hair, perfect face, perfect body. My gorgeous older sister, fearless lion, effortless flirt, consumer of men’s souls.

My hope lives not because I am not a sinner, but because I am a sinner for whom Christ died; my trust is not that I am holy, but that being unholy, He is my righteousness. My faith rests not upon what I am, or shall be, or feel, or know, but in what Christ is, in what He has done, and in what He is now doing for me. On the lion of justice the fair maid of hope rides like a queen.