Ling Ma Quotes

We've searched our database for all the quotes and captions related to Ling Ma. Here they are! All 100 of them:

The past is a black hole, cut into the present day like a wound, and if you come too close, you can get sucked in. You have to keep moving.
Ling Ma (Severance)
The first place you live alone, away from your family, he said, is the first place you become a person, the first place you become yourself.
Ling Ma (Severance)
A second chance doesn't mean you're in the clear. In many ways, it is the more difficult thing. Because a second chance means that you have to try harder. You must rise to the challenge without the blind optimism of ignorance.
Ling Ma (Severance)
It was the anonymity. He wanted to be unknown, unpossessed by others' knowledge of him. That was freedom.
Ling Ma (Severance)
I have always lived in the myth of New York more than in its reality.
Ling Ma (Severance)
To live in a city is to live the life that it was built for, to adapt to its schedule and rhythms, to move within the transit layout made for you during the morning and evening rush, winding through the crowds of fellow commuters. To live in a city is to consume its offerings. To eat at its restaurants. To drink at its bars. To shop at its stores. To pay its sales taxes. To give a dollar to its homeless. To live in a city is to take part in and to propagate its impossible systems. To wake up. To go to work in the morning. It is also to take pleasure in those systems because, otherwise, who could repeat the same routines, year in, year out?
Ling Ma (Severance)
Memories beget memories. Shen fever being a disease of remembering, the fevered are trapped indefinitely in their memories. But what is the difference between the fevered and us? Because I remember too, I remember perfectly. My memories replay, unprompted, on repeat. And our days, like theirs, continue in an infinite loop.
Ling Ma (Severance)
Let us return, then, as we do in times of grief, for the sake of pleasure but mostly for the need for relief, to art.
Ling Ma (Severance)
Upon seeing Utah for the first time, Tarkovsky remarked that now he knew Americans were vulgar because they filmed westerns in a place that should only serve as backdrop to films about God.
Ling Ma (Severance)
Because people change. Feelings can be temporary and fickle. That’s why it’s important to anchor intent to something serious, extravagant.
Ling Ma (Bliss Montage: A New York Times Best Book of the Year)
It is too depressing, too soul-crushingly sad, to reminisce. The past is a black hole, cut into the present day like a wound, and if you come too close, you can get sucked in. You have to keep moving.
Ling Ma (Severance)
Leisure, the problem with the modern condition was the dearth of leisure. And finally, it took a force of nature to interrupt our routines. We just wanted to hit the reset button. We just wanted to feel flush with time to do things of no quantifiable value, our hopeful side pursuits like writing or drawing or something, something other than what we did for money.
Ling Ma (Severance)
A boy, at best, can adore his mother, but a girl can understand her. When the doctor told me it was a girl, I thought, Now I will be understood.
Ling Ma (Bliss Montage)
The End begins before you are ever aware of it. It passes as ordinary.
Ling Ma (Severance)
It doesn’t take much to come into your own; all it takes is someone’s gaze. It’s not totally accurate to say that I felt seen. It was more that: Beheld by her, I learned how to become myself. Her interest actualized me.
Ling Ma (Bliss Montage)
When other people are happy, I don't have to worry about them. There is room for my happiness.
Ling Ma (Severance)
There is mystery to how faith takes root and flourishes, how need transforms into belief.
Ling Ma (Severance)
It is in the most surreal situations that a person feels the most present, the closest to reality.
Ling Ma (Bliss Montage)
New York is possibly the only place in which most people have already lived, in some sense, in the public imagination, before they ever arrive.
Ling Ma (Severance)
Whatever I felt, whatever this feeling was inside of me, there is no place for it. There is no place for it to go, and I would have to carry it around inside of me for a long time, so long that it would fossilize and become a part of me.
Ling Ma (Bliss Montage)
To live is to exist within time. To remember is to negate time.
Ling Ma (Bliss Montage)
It doesn't take much to convince yourself that you're doing okay, just some discretionary income and a regularity to your days.
Ling Ma (Bliss Montage)
To despise someone is intimate by default.
Ling Ma (Severance)
What I didn’t say was: I know you too well. You live your life idealistically. You think it’s possible to opt out of the system. No regular income, no health insurance. You quit jobs on a dime. You think this is freedom but I still see the bare, painstakingly cheap way you live, the scrimping and saving, and that is not freedom either. You move in circumscribed circles. You move peripherally, on the margins of everything, pirating movies and eating dollar slices. I used to admire this about you, how fervently you clung to your beliefs—I called it integrity—but five years of watching you live this way has changed me. In this world, money is freedom. Opting out is not a real choice.
Ling Ma (Severance)
Just because you're adequately good at something doesn't mean that's what you should do.
Ling Ma (Severance)
A part of me wanted to remonstrate with her, to list out all her infractions in a final accounting, but the last days are for relief, not for truth.
Ling Ma (Severance)
All the lights were off, and I just lay there, trying to pass the hours before I had to get up and go to work, which was impossible when the night was so loud. My neighbor’s electric air conditioner, the bass pumping from other people’s cars. They were all converging together to say one thing: You are alone. You are alone. You are alone. You are truly and really alone.
Ling Ma (Severance)
A woman sat alone at her dining table, reading and drinking a cocktail. It’d be such a relief to be older already, unburdened by the pressure to leverage your ever-fleeting beauty for whatever.
Ling Ma (Bliss Montage)
I didn’t want the same things that they wanted, and they should know this. They should know my difference, they should sense my unfathomable fucking depths.
Ling Ma (Severance)
We Googled is there a god, clicked I’m Feeling Lucky, and were directed to a suicide hotline site.
Ling Ma (Severance)
I was enjoying myself, but it was an insulated enjoyment. I was alone inside of it.
Ling Ma (Severance)
It doesn't take much to come into your own; all it takes is someone's gaze.
Ling Ma (Bliss Montage)
Another self was needed to move into the future.
Ling Ma (Bliss Montage: A New York Times Best Book of the Year)
The first to express support of Tang San was unexpectedly Ma Hongjun. Fatty’s hands supported Huang Yuan and Jing Ling, “Third brother, I support you, mercy to the enemy is cruelty to oneself.
Tang Jia San Shao
What if I dissected my feelings, pulled them apart and brutalized them so that he would know they were true? Is this enough? I'd ask. How about this? They would explode and drip over everything like bodily fluids and finally he'd be forced to look away.
Ling Ma (Bliss Montage)
Her family would only wound her, nothing more, so that she went through this life maimed, but still she went through life.
Ling Ma (Bliss Montage: A New York Times Best Book of the Year)
Seeing moonlight here at my bed and thinking it’s frost on the ground, I look up, gaze at the mountain moon, then back, dreaming of my old home.
Ling Ma (Severance)
I was like everyone else. We all hoped the storm would knock things over, fuck things up enough but not too much. We hoped the damage was bad enough to cancel work the next morning but not so bad that we couldn’t go to brunch instead.
Ling Ma (Severance)
You’re not doing too well. You barely eat. You don’t sleep enough. You don’t do things to keep your mind active. You don’t read. She says, Only in America do you have the luxury of being depressed. She says, Change your clothes. Brush your teeth. Wash your face. Moisturize. Exercise. Get yourself together. She says, Now is not the time to give up. It’s only going to get harder. You need to figure this out. And sometimes I say things back. Figure what out? I ask, but she doesn’t answer. Figure what out? I repeat, and the sound of my own voice jars me awake. I have been talking in my sleep.
Ling Ma (Severance)
I wanted to tell them that they had made a mistake. I wasn’t like them. I didn’t want the same things that they wanted, and they should know this. They should know my difference, they should sense my unfathomable fucking depths.
Ling Ma (Severance)
If Fuzhou Nighttime Feeling were a sound, it would be early/mid-nineties R&B. If it were a flavor, it would be the ice-cold Pepsi we drink as we turn down tiny alleyways where little kids defecate wildly. It is the feeling of drowning in a big hot open gutter, of crawling inside an undressed, unstanched wound that has never been cauterized.
Ling Ma (Severance)
have always lived in the myth of New York more than in its reality. It is what enabled me to live there for so long, loving the idea of something more than the thing itself.
Ling Ma (Severance)
New York has a way of forgetting you.
Ling Ma (Severance)
I wake up. It is so silent. I could fall through the cracks of such silence.
Ling Ma (Severance)
It was a time when the future could have been anything, been anywhere. It was so open that it could actually crush her.
Ling Ma (Bliss Montage)
Jonathan had become increasingly disillusioned with living in New York. Something along the lines of: the city, New York fucking City, tedious and boring, its charms as illusory as its facade of authenticity. Its lines were too long. Everything was a status symbol and everything cost too much. There were so many on-trend consumers, standing in lines for blocks to experience a fad dessert, gimmicky art exhibits, a new retail concept store. We were all making such uninspired lifestyle choices. We, including me.
Ling Ma (Severance)
To live in a city is to live the life that it was built for, to adapt to its schedule and rhythms, to move within the transit layout made for you during the morning and evening rush, winding through the crowds of fellow commuters. To live in a city is to consume its offerings. To eat at its restaurants. To drink at its bars. To shop at its stores. To pay its sales taxes. To give a dollar to its homeless. To live in a city is to take part in and to propagate its impossible systems. To wake up. To go to work in the morning. It is also to take pleasure in those systems because, otherwise, who could repeat the same routines, year in, year out?
Ling Ma (Severance)
We were brand strategists and property lawyers and human resources specialists and personal finance consultants. We didn't know how to do anything so we Googled everything.
Ling Ma
What is the internet but collective memory? Anything that had been done before we could do better.
Ling Ma (Severance)
The seriousness of the epidemic varied depending on which news source you trusted.
Ling Ma (Severance)
Just because you’re adequately good at something doesn’t mean that’s what you should do.
Ling Ma (Severance)
The city was so big. It lulled you into thinking that there were so many options, but most of the options had to do with buying things: dinner entrées, cocktails, the cover charge to a nightclub. Then there was the shopping, big chain stores open late, up and down the streets, throbbing with bass-heavy music and lighting. In the Garment District, diminished to a limited span of blocks after apparel manufacture moved overseas, wholesale shops sold fabrics and trinkets imported from China, India, Pakistan. In Jonathan’s apartment, we used to
Ling Ma (Severance)
We spoke until our voices grew hoarse, deepening and breaking and fissuring. It lasted early into morning. Our bodies curled inward, away from each other, dry leaves at the end of summer.
Ling Ma (Severance)
I really, really want to catch him. I want to masticate him with my teeth. I want to barf on him and coat him in my stinging acids. I want to unleash a million babies inside him and burden him with their upbringing.
Ling Ma (Bliss Montage: A New York Times Best Book of the Year)
Maybe you don't know that you're wounded until you receive the salve. The salve that makes everything come back.
Ling Ma (Bliss Montage)
I have always lived in the myth of New York more than in its reality. It is what enabled me to live there for so long, loving the idea of something more than the thing itself.
Ling Ma (Severance)
I’m laughing because I have never had a personal conversation with Adam in all this time and he is telling me what to do. That’s pretty funny.
Ling Ma (Severance)
If you’re lucky enough to find something you’re good at, where people appreciate you, don’t thumb your nose at it. If it’s an issue of salary or benefits, I’m open to discussing it.
Ling Ma (Severance)
Humans are animals too, are they not? When an animal is sick, it goes alone by itself to find a quiet place in the woods and rests, for days, for weeks. Sometimes it cannot overcome its illness, but many times it can. The resting, the quiet, and being alone is enough. This is the way of nature. Nature corrects itself.
Ling Ma (Bliss Montage)
On the other side of graduation was her actual life, the slow narrowing of possibilities that would catch her and freeze her in a vocation, a relationship, a life. She intended to avoid that slow calcification for as long as possible—if only by refraining from making any crucial choices. In other words, she was moving back home.
Ling Ma (Bliss Montage)
I tried to observe this feeling of shock, to observe its difference, but in fact I couldn’t detect any difference from all the other days that blurred together on this road trip. I couldn’t point to any deviation from the routine, everyday feeling, which was nothing. I didn’t feel anything.
Ling Ma (Severance)
The internet is the flattening of time. It is the place where the past and the present exist on one single plane. But proportionally, because the present calcifies into the past, even now, even as we speak, perhaps it is more accurate to say that the internet almost wholly consists of the past. It is the place we go to commune with the past.
Ling Ma (Severance)
Let us return, then, as we do in times of grief, for the sake of pleasure but mostly for the need for relief, to art. Or whatever. To music, to poetry, to paintings and installations, to TV and the movies. But mostly TV and the movies.
Ling Ma (Severance)
When you play stupid games, you win stupid prizes.
Ling Ma (Bliss Montage)
In this dream, I can’t speak. I try to open my lips, but I have none. I have no mouth, and even if I did, I have no language.
Ling Ma (Severance)
making jokes about “epidemic fashion.
Ling Ma (Severance)
A day off meant we could do things we’d always meant to do. Like go to the Botanical Garden, the Frick Collection, or something. Read some fiction. Leisure, the problem with the modern condition was the dearth of leisure. And finally, it took a force of nature to interrupt our routines. We just wanted to hit the reset button. We just wanted to feel flush with time to do things of no quantifiable value, our hopeful side pursuits like writing or drawing or something, something other than what we did for money. Like learn to be a better photographer. And even if we didn’t get around to it on that day, our free day, maybe it was enough just to feel the possibility that we could if we wanted to, which is another way of saying that we wanted to feel young, though many of us were that if nothing else.
Ling Ma (Severance)
if you are an individual employed by a corporation or an institution, he said, then the odds are leveraged against you. The larger party always wins. It can't see you, but it can crush you. And if that's the working world, then I don't want to be a part of it.
Ling Ma (Severance)
When I was a kid, I named this feeling Fuzhou Nighttime Feeling. It is not a cohesive thing, this feeling, it reaches out and bludgeons everything. It is excitement tinged by despair. It is despair heightened by glee. It is partly sexual in nature, though it precedes sexual knowledge.
Ling Ma (Severance)
The future is more exponentially exploding rents. The future is more condo buildings, more luxury housing bought by shell companies of the global wealthy elite. The future is more Whole Foods, aisles of refrigerated cut fruit packaged in plastic containers. The future is more Urban Outfitters, more Sephoras, more Chipotles. The future just wants more consumers.
Ling Ma (Severance)
As her aunt stroked her forehead, she thought that, yes, finally she understood what a homecoming was supposed to be. It was to be comfortable in a way you couldn't be elsewhere. It was to be mothered into an oblivious ooze.
Ling Ma (Bliss Montage)
Especially the deep, post-holiday extremes of January and February, when, no longer buoyed by festivities and merriments, you’re confronted with the empty expanse of a new year, discarded resolutions in your wake, resigned to your own inability to change.
Ling Ma (Bliss Montage: A New York Times Best Book of the Year)
Everyone expected to die in debt, and had learned not to mind. It was just a fact of living in a country on the decline.
Ling Ma (Bliss Montage)
When other people are happy, I don’t have to worry about them. There is room for my happiness.
Ling Ma (Severance)
Tourists roamed through Times Square in scattered flocks, wearing useless face masks printed with I ♥ NY.
Ling Ma (Severance)
It lulled you into thinking that there were so many options, but most of the options had to do with buying things:
Ling Ma (Severance)
Shen Fever being a disease of remembering, the fevered are trapped indefinitely in their memories.
Ling Ma (Severance)
They thought we were in shock, I realized. They were treating us as if we were in shock. Then: We were in shock. Probably. This must be shock.
Ling Ma (Severance)
I emptied myself, lost myself in the work. I got up. I went to work in the morning. I went home in the evening. I repeated the routine.
Ling Ma (Severance)
The worm is very greedy, Balthasar said darkly. He eats all the food and doesn’t share. What lesson does that teach children? To eat with no—he paused, searching for the word—no conscience?
Ling Ma (Severance)
Because minor feelings are ongoing, they lend themselves more readily to forms and genres that are themselves serial, such as the graphic novel (the Hernandez Brothers, Adrian Tomine) or the serial poem (Wanda Coleman, Solmaz Sharif, Tommy Pico) or the episodic poetic essay (Bhanu Kapil, Claudia Rankine), but also, and more increasingly, are seen in literary fiction (Paul Beatty, Ling Ma).
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
The internet is the flattening of time. It is the place where the last and the present exist on one single plane. But proportionally, because the present calcifies into the past, even now, as we speak, perhaps it is more accurate to say that the internet almost wholly consists of the past. It is the place we go to commune with the past.
Ling Ma (Severance)
At work, they knew me to be capable but fragile. Quiet, clouded up with daydreams. Usually diligent, though sometimes inconsistent, moody. But also something else, something implacable: I was unsavvy in some fundamental, uncomfortable way.
Ling Ma (Severance)
they’re either very old, fevered, or random solitary types like us. Well, I’m assuming. I apologize—he glanced at me in the rearview mirror—if I’m being presumptuous here. It’s not too bad here if you can stand being alone, I corroborated.
Ling Ma (Severance)
She thought that maybe that serenity was inherited from my father, but it was actually, I wanted to say, a quality owed entirely to her. It had to do with the way she managed our days, so steady and constant and regulated. I have looked for that constancy everywhere.
Ling Ma (Severance)
We had shame, so much shame at being the few survivors. Other survivors, if they existed, must also feel this way. We were ashamed of leaving people behind, of taking our comforts where we could find them, of stealing from those who could not defend themselves. We had known ourselves to be cowards and hypocrites, pernicious liars really, and to find this suspicion confirmed was not a relief but a horror. If the End was Nature’s way of punishing us so that we might once again know our place, then yes, we knew it. If it was at all unclear before, it was not now.
Ling Ma (Severance)
At work, they knew me to be capable but fragile. Quiet, clouded up with daydreams. Usually diligent, though sometimes inconsistent, moody. But also something else, something implacable: I was unsavvy in some fundamental, uncomfortable way. The sound of my loud, nervous laugh, like gargling gravel, was a social liability. I skipped too many office parties. They kept me on because my output was prolific and they could task me with more and more production assignments. When I focused a trait I exhibited at the beginning of my time there, I could be detail-oriented to the point of obsession.
Ling Ma (Severance)
All winter long, I had glimpsed his deeply set habits, his regimented schedule. When I left, he would eat a dinner of leftovers, then continue to work until sleep. Everything revolved, to a fault, around work, around his next book project. If I had lived alone, I would have turned out the same way. It is the thing I have been most afraid of happening, my strictness toward myself calcifying into a lifestyle, my traits ingrown so deeply that my oddness surfaces, apparent to all.
Ling Ma (Bliss Montage)
He dictates and enforces the rules, rules that only he fully knows and understands. He sees us as subjects, to reward or to punish. He complements you when he wants to control you. He doesn't see you. It doesn't mean he's not a person. It doesn't mean he's not vulnerable. In certain moments, he's just vulnerable enough that you feel sympathy for him. You make excuses for him, often to yourself. You think that if you just work with him a little, that eventually things will get better.
Ling Ma (Severance)
You think this is freedom but I still see the bare, painstakingly cheap way you live, the scrimping and saving, and that is not freedom either. You move in circumscribed circles. You move peripherally, on the margins of everything, pirating movies and eating dollar slices. I used to admire this about you, how fervently you clung to your beliefs—I called it integrity—but five years of watching you live this way has changed me. In this world, money is freedom. Opting out is not a real choice.
Ling Ma (Severance)
Robert Polidori photographs of Chernobyl and Pripyat, a ghost town that formerly housed the nuclear-plant workers. Or the Yves Marchand and Romain Meffre images of Detroit, the images of abandoned auto plants and once-grand theaters. And the Seph Lawless images of the vacant, decrepit shopping malls that closed after the 2008 crash.
Ling Ma (Severance)
You think it’s possible to opt out of the system. No regular income, no health insurance. You quit jobs on a dime. You think this is freedom but I still see the bare, painstakingly cheap way you live, the scrimping and saving, and that is not freedom either. You move in circumscribed circles. You move peripherally, on the margins of everything,
Ling Ma (Severance)
I was like everyone else. We all hoped the storm would knock things over, fuck things up enough but not too much. We hoped the damage was bad enough to cancel work the next morning but not so bad that we couldn’t go to brunch instead. Brunch? he echoed skeptically. Okay, maybe not brunch, I conceded. If not brunch, then something else. A day off meant we could do things we’d always meant to do. Like go to the Botanical Garden, the Frick Collection, or something. Read some fiction. Leisure, the problem with the modern condition was the dearth of leisure. And finally, it took a force of nature to interrupt our routines. We just wanted to hit the reset button. We just wanted to feel flush with time to do things of no quantifiable value, our hopeful side pursuits like writing or drawing or something, something other than what we did for money. Like learn to be a better photographer. And even if we didn’t get around to it on that day, our free day, maybe it was enough just to feel the possibility that we could if we wanted to, which is another way of saying that we wanted to feel young, though many of us were that if nothing else.
Ling Ma (Severance)
In the midst of this imagining, I heard, out from nowhere, the distant sound of sleigh bells. I was going crazy. But there, right in front of me, across the street, was a horse – chestnut, with white spots – trotting down the street. It trotted long purposefully, cheerfully, unhurried, down Broadway. Holding my breath, I managed to find my phone and snap a photo before it disappeared from sight…. I uploaded the photo I just took. I added a caption: If a horse rides through Times Square and no one is there to see it, did it actually happen? If New York is breaking down and no one documents it, is it actually happening? I clicked Publish.
Ling Ma (Severance)
What I didn't say was: I know you too well. You live your life idealistically. You think it's possible to opt out of the system. No regular income, no health insurance. You quit jobs on a dime. You think this is freedom but I still see the bare, painstakingly cheap way you live, the scrimping and saving, and that is not freedom either. You move in circumscribed circles. You move peripherally, on the margins of everything, pirating movies and eating dollar slices. I used to admire this about you, how fervently you clung to your beliefs-- I called it integrity-- but five years of watching you live this way has changed me. In this world, money is freedom. Opting out is not a real choice.
Ling Ma (Severance)
I have seen his face in its many variations. I have seen it when he's angry, when he's satisfied, when he tries to project control. I have been on his good side and his bad side. It is a face I have spent a lot of time trying to read, trying to appeal to, trying to capitulate to, trying to pretend for. I have always positioned myself in relation to him, thinking I could toe the line, thinking it would be fine if I just cooperated, thinking if only I compressed myself a little more.
Ling Ma (Severance)
In the past year, Jonathan had become increasingly disillusioned with living in New York. Something along the lines of: the city, New York fucking City, tedious and boring, its charms as illusory as its facade of authenticity. Its lines were too long. Everything was a status symbol and everything cost too much. There were so many on-trend consumers, standing in lines for blocks to experience a fad dessert, gimmicky art exhibits, a new retail concept store. We were all making such inspired lifestyle choices. We, including me.
Ling Ma (Severance)
All of the day’s planned tasks are canceled. Bob stays inside Hot Topic for the rest of the day. Left to their own devices, the group huddles together in the communal Old Navy on the first floor. At first, I think they’re holding a memorial service, but then I hear the TV playing. They’re watching DVDs of Friends on a giant, monolithic plasma screen. A citywide blackout forces Monica, Ross, Rachel, Phoebe, and Joey to hang out together. They light candles and talk about the weirdest places they’ve had sex. Phoebe sings a song. I hate Friends but I’ve seen most of the episodes.
Ling Ma (Severance)
Leisure, the problem with the modern condition was the dearth of leisure. And finally, it took a force of nature to interrupt our routines. We just wanted to hit the reset button. We just wanted to feel flush with time to do things of no quantifiable value, our hopeful side pursuits like writing or drawing or something, something other than what we did for money. Like learn to be a better photographer. And even if we didn't get around to it on that day, our free day, maybe it was enough just to feel the possibility that we could if we wanted to, which is another way of saying that we wanted to feel young, though many of us were that if nothing else.
Ling Ma (Severance)
There is mystery to how faith takes root and flourishes, how need transforms into belief. Suffice to say, Zhigang and Ruifang came to know the customs and traditions of Protestant Christianity. They learned biblical stories and verses. They learned the hymns by heart. But the thing that Ruifang found most comforting about this religion was prayer. She prayed, at first imitating others during group prayers, and then eventually on her own, alone in the basement apartment. It was during the afternoons, her vision blurry and fingers stiff and fatigued from hooking wigs, that she sat down at the kitchen table and clasped her hands. It would become an important ritual, the one routine that granted her a sense of control. She practically invented her own life in America by praying, she liked to say.
Ling Ma (Severance)