Liner Quotes

We've searched our database for all the quotes and captions related to Liner. Here they are! All 100 of them:

Are you in a suit?" I managed at last, my voice choking up. "You didn’t have to dress up for me." "Quiet, Sage," he said. "I’ll make the hilarious one-liners during this daring rescue.
Richelle Mead (Silver Shadows (Bloodlines, #5))
The most common one-liner in the Bible is, "Do not be afraid." Someone counted, and it occurs 365 times.
Richard Rohr (Falling Upward: A Spirituality for the Two Halves of Life)
I always love it whenever Rose delivers one of her witty one-liners—particularly when it’s a completely serious situation. The contrast always amuses me, but then, I’m biased.
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
Rowena Clark and I had met on the first day of our mixed media class. I’d sat down at her table and said, “Mind if I join you? Figure the best way to learn about art is to sit with a masterpiece.” Maybe I was in love, but I was still Adrian Ivashkov. Rowena had fixed me with a flat look. “Let’s get one thing straight. I can see through crap a mile away, and I like girls, not guys, so if you can’t handle me telling you what’s what, then you’d better take your one-liners and hair gel somewhere else. I don’t go to this school to put up with pretty boys like you. I’m here to face dubious employment options with a painting degree and then go get a Guinness after class.” I’d scooted my chair closer to the table. “You and I are going to get along just fine.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
No wonder. Puerto Rican, Italian and Cuban – the perfect ingredients for a hot, bossy, badass cocktail.
Kristen Ashley (Mystery Man (Dream Man, #1))
Who’s he kidding? He’s no gentleman. He has my panties
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
He’d dive deeper and deeper into the calming depths of the sea, safe from the storms on the surface. And when he found himself coming up for air to interact with an unbalanced person who was stuck in the methodical illusion of the game, it would be his wealth of knowledge instead of his wealth of coin that would allow him to act like a cruise liner upon the surface of the sea, too immense for waves to agitate.
Jasun Ether (The Beasts of Success)
I knew, as sure as I knew my name, that tomorrow he would send me another coat, in a big fancy box, with a big bow on it. It would be the right size, it would be a top brand, and it would be warm. ............... It was cranberry red, with a removable liner, a detachable hood, and tortoiseshell buttons.
Charlaine Harris (Dead to the World (Sookie Stackhouse, #4))
He couldn’t save the world outright, but he could aid it by living a life of integrity and contentment. If enough people did the same, the hundredth monkey effect would reshape the world, and in this way, he would be saving the world within a collective effort. Till then, he’d dive deeper and deeper into the calming depths of the sea, safe from the storms on the surface. And when he found himself coming up for air to interact with an unbalanced person who was stuck in the methodical illusion of the game, it would be his wealth of knowledge instead of his wealth of coin that would allow him to act like a cruise liner upon the surface of the sea, too immense for waves to agitate.
Jasun Ether (The Beasts of Success)
Endeavors that help me satisfy you, my goddess of desire, pleasure, and corny one-liners.
Sylvia Day (Entwined with You (Crossfire, #3))
Hold your horses. I'm coming."... "From where I'm standing you're just breathing laboriously." The snow swam out of focus. "Breathing hard. Are you coming or just breathing hard. You've got to get your one-liners straight.
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
Hands quivering, she reached toward him. "Don't." He turned his back to her, facing the door. That word had stopped her once before. But not now. Not now that she had glimpsed through the funeral front of Varen's own eternal Grim Facade. Despite all the dark armor, the kohl eye liner, the black boots and chains, she saw him clearly now. She peered through the curtain of that cruel calmness, through the death stare and the vampire sentiments and angst and, behind it all, had found true beauty.
Kelly Creagh (Nevermore (Nevermore, #1))
I want to do it all. I want to climb mountains, go through jungles, fight wars in space, get the girl, shoot the bad-guy full of lead, have all the zippy one liners, bulge muscles out of a singlet, drip sweat and blood on screen, all of that.
Benedict Cumberbatch
I've nothing against eye make-up and lipstick. But the fact is that we’re actually living on a planet in space. For me that’s an extraordinary thought. It’s mind-boggling just to think about the existence of space at all. But there are girls who can’t see the universe for eye liner.
Jostein Gaarder (The Orange Girl)
Make-up? What happened? You look almost female." "Thanks. You look almost straight.
Susan Elizabeth Phillips (Natural Born Charmer (Chicago Stars, #7))
He's around six-two, heavily tattooed and fucks like a god.
Cherrie Lynn (Rock Me (Ross Siblings, #2))
it is all ash and dry leaves and grief gone like an ocean liner.
Charles Bukowski (What Matters Most is How Well You Walk Through the Fire)
Life is too short to be anything but happy. So kiss slowly. Love deeply. Forgive quickly. Take chances and never have regrets. Forget the past but remember what it taught you.
Abhysheq Shukla (KISS Life "Life is what you make it")
In my view, the pro-life movement at this point should focus on seeking to reduce the number of abortions. At times it will require political education and legal fights, at times it will require education and the establishment of alternatives to abortion, such as adoption centers. Unfortunately, such measures are sometimes opposed by so-called hard-liners in the pro-life movement. These hard-liners are fools. Because they want to outlaw all abortions, they refuse to settle for stopping some abortions; the consequence is that they end up preventing no abortions.
Dinesh D'Souza (Letters to a Young Conservative)
In her comic books, necromancers kissed the gloved palms of their front-liner comrades in blessed thanks for all that they did. In the comic books none of these adepts had heart disease, and a lot of them had necromantically uncharacteristic cleavage.
Tamsyn Muir (Gideon the Ninth (The Locked Tomb, #1))
Live a life that leaves a memory, nobody can steal.
Abhysheq Shukla (KISS Life "Life is what you make it")
When he began to move, it wasn’t with the urgency she expected given their rushed beginnings. It was with a slow deliberation that would destroy her.
Cherrie Lynn (Leave Me Breathless (Ross Siblings, #3))
You come to this place, mid-life. You don’t know how you got here, but suddenly you’re staring fifty in the face. When you turn and look back down the years, you glimpse the ghosts of other lives you might have led; all houses are haunted. The wraiths and phantoms creep under your carpets and between the warp and weft of fabric, they lurk in wardrobes and lie flat under drawer-liners. You think of the children you might have had but didn’t. When the midwife says, ‘It’s a boy,’ where does the girl go? When you think you’re pregnant, and you’re not, what happens to the child that has already formed in your mind? You keep it filed in a drawer of your consciousness, like a short story that never worked after the opening lines.
Hilary Mantel (Giving Up the Ghost)
Sprinkled across the black waters below were at least a hundred small boats set out to greet the Leviathan, their navigation lights like shifting stars. Among them loomed a glittering cruise liner, her fog horn bellowing in the night. The low groan grew into a chorus as the other great ships in the harbor joined in. Perched on Volger's desk, Bovril attempted to imitate the horns, but wound up sounding like a badly blown tuba. Alek smiled. "But they're already singing our praises!" "They are Americans," Volger said. "They toot their horns for anything.
Scott Westerfeld (Goliath (Leviathan, #3))
Thanks to April,” she whispered, “you have the wedding you’ve dreamed about ever since you were a little girl.” Dean’s boom of laughter was one more reason she loved this man with all her heart.
Susan Elizabeth Phillips (Natural Born Charmer (Chicago Stars, #7))
I tried to break her before. Now, I just wanted her as she was. I wanted every last beautiful flaw. I wanted the witty one-liners and the coldness that only I knew how to warm. I wanted the fight and the friction and the make-up sex. I wanted her to wake up in my bed every morning. I wanted her shitty cooking and her beautiful, complex mind.
Tarryn Fisher (Thief (Love Me with Lies, #3))
If you are depressed, you are living in the past. If you are anxious, you are living in the future. If you are at peace, you are living in the present.
Abhysheq Shukla (KISS Life "Life is what you make it")
During a conversation, listening is as powerful as loving.
Amit Kalantri (Wealth of Words)
I want to bury myself so deep inside you, you’ll think you won’t ever get me out
Cherrie Lynn (Rock Me (Ross Siblings, #2))
Respect cannot be inherited, respect is the result of right actions.
Amit Kalantri (Wealth of Words)
I'm a New Testament Christian. I reject and throw out titles. I'm not a fundamentalist, though I'm fundamental in all of my doctrine. I'm not an evangelical, because that means that I exclude the Catholics and main-liners, and Orthodox. I'm a believer who loves Jesus and I work with everybody else whatever their denomination; Catholic, Orthodox, charismatic, main line, evangelicals, anyone who loves Jesus.
Bill Bright
Clary was trying not to think about the fact that it had been three days since she'd seen Magnus, and he'd sent no word at all. Or the fact that there was really nothing stopping him from taking the Book of the White and disappearing into the ether, never to be heard from again. She wondered why she'd ever thought trusting who wore that much eye-liner was a good idea.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
God, you made me come hard. No need to call me God, he teased.
Olivia Cunning (Take Me (One Night with Sole Regret, #3))
Life's too short to wake up in the morning with regrets, So ... Love the people who treat you right and pray for the ones who don't. Life is 10% what you make it 90% how you take it.
Abhysheq Shukla (Feelings Undefined: The Charm of the Unsaid Vol. 1)
It takes a long time to grow young.
Pablo Picasso (Picasso's One-Liners)
A lantern can give you light only when you light it
Munia Khan
There’s a time to live and a time to die. The only trouble is, when would you know? When would your mind let you freely sacrifice your life? Life is as long or as short as you want it to be. Or so they say.
Paul Leslie Griffiths (Stream Liner of the Lost Souls (Stream Liner, #1))
Good things come in small packages. Shopping isn't a good thing, so be ready to carry big packages!
Shubham Choudhary (My EX Fell in Love)
I will find all your spots. Pleasure you until you beg me to possess you. When I finally do, I’ll plunge into you hard. Deep.
Olivia Cunning (Double Time (Sinners on Tour, #5))
Smiling is not a choice It’s a Lifestyle Pass it on
Abhysheq Shukla (KISS Life "Life is what you make it")
Memories of the past are what drive us, whether to a life of beauty or a life of insanity is up to us.
Abhysheq Shukla (Feelings Undefined: The Charm of the Unsaid Vol. 1)
There's a story behind every "I don't believe in love" "Period
Abhysheq Shukla (Feelings Undefined: The Charm of the Unsaid Vol. 1)
I can't believe it's actually happening. This is independent adulthood, this is what it feels like. Shouldn't there be some sort of ritual? In certain remote African tribes there'd be some incredible four day rites of passage ceremony involving tattooing and potent hallucinogenic drugs extracted from tree-frogs, and village elders smearing my body with monkey blood, but here,rites of passage is all about three new pairs of pants and stuffing your duvet in a bin-liner.
David Nicholls (Starter for Ten)
The media knows what sells—conflict and division. It’s also quick and easy. All too often anger works better than answers; resentment better than reason; emotion trumps evidence. A sanctimonious, sneering one-liner, no matter how bogus, is seen as straight talk, while a calm, well-argued response is seen as canned and phony.
Bill Clinton (The President Is Missing)
Appreciation is always appreciated.
Shubham Choudhary
The only unreachable dream is the one you don’t reach for.
Abhysheq Shukla (KISS Life "Life is what you make it")
My vagina has just found a new best friend
Olivia Cunning (Take Me (One Night with Sole Regret, #3))
What seems like the right thing to do could also be the hardest thing you have ever done in your life
Abhysheq Shukla (KISS Life "Life is what you make it")
Living your life is a task so difficult it has never been attempted before.
Abhysheq Shukla (KISS Life "Life is what you make it")
The only goal in life is to be happy, genuinely, intensely and consistently , regardless of what it looks like to others.
Abhysheq Shukla (KISS Life "Life is what you make it")
Sometimes life is like living in a chamber of Liquid Oxygen. Liquid don't allow you to live and Oxygen don't let you die.
Abhysheq Shukla (KISS Life "Life is what you make it")
Life is a do-it-yourself project.
Abhysheq Shukla (KISS Life "Life is what you make it")
Life doesn't walk away, we do.
Abhysheq Shukla (KISS Life "Life is what you make it")
Don't ask creator to guide your footsteps if you're not willing to move your feet.
Abhysheq Shukla (KISS Life "Life is what you make it")
Being Wise & Being Smart are two different things anyone can be smart but those who master the art of knowing what to overlook in this journey called life deserves to be called Wise
Abhysheq Shukla (KISS Life "Life is what you make it")
Despite all the dark armor, the kohl liner, the black boots and chains, she saw him clearly now. She’d peered through the curtain of that cruel calmness, through the death stare and the vampire sentiments and angst and, behind it all, had found true beauty.
Kelly Creagh (Nevermore (Nevermore, #1))
Everyday, you get home from the shops with a bag of cat food and bin-liners and realise that, yet again, you failed to have cosmetic surgery, book a cheap weekend in Paris, change your name to something more glamorous, buy the fifth series of The Sopranos, divorce your spouse, sell up and move to Devon, or adopt a child from Guatemala.
Lynne Truss (Talk to the Hand: The Utter Bloody Rudeness of the World Today, or Six Good Reasons to Stay Home and Bolt the Door)
If thinking should precede acting, then acting must succeed thinking.
Amit Kalantri (Wealth of Words)
Tenderhearted people are silent sufferers they just learn the art to fly with broken wings.
Abhysheq Shukla (Feelings Undefined: The Charm of the Unsaid Vol. 1)
The richest people in the world build networks and invest in people; everyone else looks for work and invests in survival.
Abhysheq Shukla (KISS Life "Life is what you make it")
Don't fight to be right, but fight when you are right.
Amit Kalantri
Val and Ruth had been friends forever, for so long that Val was used to being the overshadowed one, the "normal" one, the one who set up the witty one-liners, not the one who delivered them. She liked that role; it made her feel safe. Robin to Ruth's Batman. Chewbaca to her Han Solo.
Holly Black (Valiant (Modern Faerie Tales, #2))
The koloss he’d attacked did not rise. Its companions stood, looking unconcerned, though their eyes were focused on him. They seemed to want something. “He ate my horse,” Elend said, saying the first thing that came to his clouded mind. The group of koloss nodded.
Brandon Sanderson (The Well of Ascension (Mistborn, #2))
Theres no competition in DESTINY. Run your own RACE and wish others WELL!!!
Abhysheq Shukla (KISS Life "Life is what you make it")
No body is a looser either he is a Winner or a Learner
Abhysheq Shukla (KISS Life "Life is what you make it")
Have and show motivation to do and learn. That's the key for a good career. Everything else is an extrapolation of that.
Abhysheq Shukla (KISS Life "Life is what you make it")
My maid never sweeps under the bed so I asked her to do so today. Found a pen, three pairs of shoes and the man I had lost two years ago.
Sanhita Baruah
Good grief, Rex, doesn't Skywalker tell his underlings to put clothes on? What does he think this is, a cruise liner?" It was at times like this that Rex savoured the true value of his bucket. He silenced his helmet audio for a moment with a quick eye movement, roared with laughter, and then switched the speaker back on. "Would you like me to ask him, sir?" "Rex, you're enjoying this..." "Me, sir? Never, sir.
Karen Traviss (No Prisoners (Star Wars: The Clone Wars, #3))
Perverse times have come The mystery of the Beloved to reveal Crows have begun to hunt hawks, Sparrows have vanquished falcons. Horse browse on rubbish, Donkeys graze on lush green. No love is lost between relatives, Be they younger or older uncles. There is no accord between fathers and sons, nor any between mothers and daughters. The truthful ones are being pushed about, the tricksters are seated close by, the front-liners have become wretched, the backbenchers sit on carpets. Those in taters have turned into Kings, The Kings have taken to begging. Oh Bullah, comes the command from the Lord, who can ever alter His decree? Perverse times have come, The mystery of the beloved to reveal
Bullhe Shāh
The voices may propel you to warble along, or to dance, they may inspire you to seduction or insurrection or inspection or merely to watching a little less television. The voices of Barrett Rude Jr. and the Subtle Distinctions lead nowhere, though, if not back to your own neighborhood. To the street where you live. To things you left behind. And that's what you need, what you needed all along.
Jonathan Lethem (The Fortress of Solitude)
Jim Elliot once said, “He is no fool who gives what he cannot keep to gain what he cannot lose.” Radical obedience to Christ is not easy; it is dangerous. It is not smooth sailing aboard a luxury liner; it is sacrificial duty aboard a troop carrier. It’s not comfort, not health, not wealth, and not prosperity in this world. Radical obedience to Christ risks losing all these things. But in the end, such risk finds its reward in Christ. And he is more than enough for us.
David Platt (Radical: Taking Back Your Faith from the American Dream)
The only difference between success and failure is Lack of Vision
Abhysheq Shukla (KISS Life "Life is what you make it")
IF you want to be a winner than follow one simple rule and feed it in your mind. Take each task and work as " Do it yourself project.
Abhysheq Shukla (KISS Life "Life is what you make it")
True Relations never break and relation which breaks were never true
Abhysheq Shukla (KISS Life "Life is what you make it")
Time change - Moments don't.
Abhysheq Shukla (KISS Life "Life is what you make it")
Your quick ‘no’ is because I refused to say ‘yes’ to sex. They say men think with their dicks. I hope you do not run Easton with your—
Avery Aster (Undressed (The Manhattanites, #2))
A man's weakest spots are almost always closest to his passions.
Oscar Auliq-Ice
People are lazy that’s why today’s technology is crazy.
Santosh Kalwar (One-liners)
None of us can know today if tomorrow morning we will not be counted as part of a group considered outside the law. In that moment the civilized veneer of life changes, as the state props of well-being disappear and are transformed into omens of destruction. The luxury liner becomes a battleship, or the black jolly roger and the red executioner’s flag are hoisted on it.
Ernst Jünger (The Forest Passage)
One of the ironic things,” Kennedy observed to Norman Cousins in the spring of 1963, “…is that Mr. Khrushchev and I occupy approximately the same political positions inside our governments. He would like to prevent a nuclear war but is under severe pressure from his hard-line crowd, which interprets every move in that direction as appeasement. I’ve got similar problems…. The hard-liners in the Soviet Union and the United States feed on one another.”8
Robert F. Kennedy (Thirteen Days: A Memoir of the Cuban Missile Crisis)
I had let it all grow. I had supposed It was all OK. Your life Was a liner I voyaged in. Costly education had fitted you out. Financiers and committees and consultants Effaced themselves in the gleam of your finish. You trembled with the new life of those engines. That first morning, Before your first class at College, you sat there Sipping coffee. Now I know, as I did not, What eyes waited at the back of the class To check your first professional performance Against their expectations. What assessors Waited to see you justify the cost And redeem their gamble. What a furnace Of eyes waited to prove your metal. I watched The strange dummy stiffness, the misery, Of your blue flannel suit, its straitjacket, ugly Half-approximation to your idea Of the properties you hoped to ease into, And your horror in it. And the tanned Almost green undertinge of your face Shrunk to its wick, your scar lumpish, your plaited Head pathetically tiny. You waited, Knowing yourself helpless in the tweezers Of the life that judges you, and I saw The flayed nerve, the unhealable face-wound Which was all you had for courage. I saw that what you gripped, as you sipped, Were terrors that killed you once already. Now I see, I saw, sitting, the lonely Girl who was going to die. That blue suit. A mad, execution uniform, Survived your sentence. But then I sat, stilled, Unable to fathom what stilled you As I looked at you, as I am stilled Permanently now, permanently Bending so briefly at your open coffin.
Ted Hughes (Birthday Letters)
Growing older doesn't mean that you are more mature than everyone who is younger than you. Maturity is a lot of things, and age has nothing to do with it.
Abhysheq Shukla (KISS Life "Life is what you make it")
The thing about our choices is that after we have made them, they turn around and make us.
Abhysheq Shukla (KISS Life "Life is what you make it")
As long as we have MEMORIES, yesterday REMAINS and as long as we have HOPE, tomorrow AWAITS...
Abhysheq Shukla (KISS Life "Life is what you make it")
Children are not cruel. Children are mirrors. They want to be "grownup," so they act how grown-ups act when we think they're not looking. They do not act how we tell them to act at school assemblies. They act how we really act. They believe what we believe. They say what we say. And we have taught them that gay people are not okay. That overweight people are not okay. That Muslim people are not okay. That they are not equal. That they are to be feared. And people hurt the things they fear. We know that. What they are doing in the schools, what we are doing in the media -- it's all the same. The only difference is that children bully in the hallways and the cafeterias while we bully from behind pulpits and legislative benches and sitcom one-liners.
Glennon Doyle Melton (Carry On, Warrior: Thoughts on Life Unarmed)
Think of a globe, a revolving globe on a stand. Think of a contour globe, whose mountain ranges cast shadows, whose continents rise in bas-relief above the oceans. But then: think of how it really is. These heights are just suggested; they’re there….when I think of walking across a continent I think of all the neighborhood hills, the tiny grades up which children drag their sleds. It is all so sculptured, three-dimensional, casting a shadow. What if you had an enormous globe that was so huge it showed roads and houses- a geological survey globe, a quarter of a mile to an inch- of the whole world, and the ocean floor! Looking at it, you would know what had to be left out: the free-standing sculptural arrangement of furniture in rooms, the jumble of broken rocks in the creek bed, tools in a box, labyrinthine ocean liners, the shape of snapdragons, walrus. Where is the one thing you care about in earth, the molding of one face? The relief globe couldn’t begin to show trees, between whose overlapping boughs birds raise broods, or the furrows in bark, where whole creatures, creatures easily visible, live our their lives and call it world enough. What do I make of all this texture? What does it mean about the kind of world in which I have been set down? The texture of the world, its filigree and scrollwork, means that there is a possibility for beauty here, a beauty inexhaustible in its complexity, which opens to my knock, which answers in me a call I do not remember calling, and which trains me to the wild and extravagant nature of the spirit I seek.
Annie Dillard (Pilgrim at Tinker Creek)
I've nothing against eye make-up and lipstick. But the fact is we're actually living on a planet in space. For me that's an extraordinary thought. It's mind-boggling just to think about the existence of space at all. But there are girls who can't see the universe for eye-liner. And there are probably boys whose eyes are never raised above the horizon because of football. There can be quite a chasm between a small make-up mirror and a proper mirror telescope! I think it's what they call a 'matter of perspective'. Perhaps it could also be called an 'eye-opener' as well. It's never too late to experience an eye-opener. But many people live their entire lives without realizing that they're floating through empty space. There's too much going on down here. It's hard enough thinking about your looks. We belong on this earth. I'm not trying to dispute it. We're part of nature's life on this planet. Monkeys and reptiles have shown us how we breed, and I have no quarrel with that. In different natural surroundings everything might have been very different, but here we are. And I repeat: I'm not denying it. I just don't think that prevent us from trying to see a little beyond the ends of our noses.
Jostein Gaarder (The Orange Girl)
I have never battled a gargoyle before.” Zacharel shook his head, a dark lock of hair tumbling into one emerald eye. Damp from the melting snow, the hair stuck to his skin. He didn’t seem to notice. “But I am certain these will murder Paris before willingly carrying him inside.” As if he were the only intelligent life form left in existence, William splayed his arms. “And the problem with that? He’ll still be inside, exactly where he wants to be. And by the way,” he added, blinking at Paris with lashes so long they should have belonged to a girl. “Your new permanent eyeliner is very pretty. You’ll make a good-looking corpse.” Do not react. He did, and the teasing about his ash/ambrosia tattoos would never end. “Thanks.” “I prefer the lip liner, though. A nice little feminine touch that really makes your eyes pop.” “Again, thanks,” he gritted. He wants us! Stupid demon. William grinned. “Maybe we can make out later. I know you want me.” Tell him yes! Not another word out of you, or— “Paris? Warrior?” Zacharel said. “Are you listening to me?” “No.” Zach nodded, apparently not the least offended. “I enjoy your honesty, though I believe you suffer from what the humans call ADD.” “Oh, yeah. I definitely have attention deficient demon.
Gena Showalter (The Darkest Seduction (Lords of the Underworld, #9))
I was now well prepared to be a career criminal. I had the proper training and a natural feel for the business. I had a respect for the old-liners like Angelo and Don Frederico. I had been a witness to both murder and betrayal and had my appetite whetted for acts of revenge. I just didn't have the stomach for any of it. I didn't want my life to be a lonely and sinister on, where even the closest of friends could overnight turn into an enemy who needed to be eliminated. If I went the way Angelo had paved, I would earn millions, but would never be allowed to taste the happiness and enjoyment such wealth often brings. I would rule over a dark world, a place where treachery and deceit would be at my side and never know the simple pleasures of an ordinary life. p368.
Lorenzo Carcaterra (Gangster)
The engineer and historian of engineering Henry Petroski presents a very elegant point. Had the Titanic not had that famous accident, as fatal as it was, we would have kept building larger and larger ocean liners and the next disaster would have been even more tragic. So the people who perished were sacrificed for the greater good; they unarguably saved more lives than were lost. The story of the Titanic illustrates the difference between gains for the system and harm to some of its individual parts.
Nassim Nicholas Taleb (Antifragile: Things That Gain From Disorder)
When you got right down to the place where the cheese binds, there was no such thing as marriage, no such thing as union - each soul stood alone and ultimately defied rationality. That was the mystery. And no matter how well you thought you knew your partner, you occasionally ran into blank walls or fell into pits. And sometimes (rarely, thank God) you ran into a full fledged pocket of alien strangeness, something like the clear-air turbulence that can buffet an air-liner for no reason at all. An attitude or belief which you had never suspected, one so peculiar (at least to you) that it seemed nearly psychotic. And then you tread lightly, if you valued your marriage and your peace of mind; you tried to remember that anger at such discovery was the province of fools who really believed it was possible for one mind to really know another.
Stephen King (Pet Sematary)
While dragging herself up she had to hang onto the rail. Her twisted progress was that of a cripple. Once on the open deck she felt the solid impact of the black night, and the mobility of the accidental home she was about to leave. Although Lucette had never died before—no, dived before, Violet—from such a height, in such a disorder of shadows and snaking reflections, she went with hardly a splash through the wave that humped to welcome her. That perfect end was spoiled by her instinctively surfacing in an immediate sweep — instead of surrendering under water to her drugged lassitude as she had planned to do on her last night ashore if it ever did come to this. The silly girl had not rehearsed the technique of suicide as, say, free-fall parachutists do every day in the element of another chapter. Owing to the tumultuous swell and her not being sure which way to peer through the spray and the darkness and her own tentaclinging hair—t,a,c,l—she could not make out the lights of the liner, an easily imagined many-eyed bulk mightily receding in heartless triumph. Now I’ve lost my next note. Got it. The sky was also heartless and dark, and her body, her head,and particularly those damned thirsty trousers, felt clogged with Oceanus Nox, n,o,x. At every slap and splash of cold wild salt, she heaved with anise-flavored nausea and there was an increasing number, okay, or numbness, in her neck and arms. As she began losing track of herself, she thought it proper to inform a series of receding Lucettes—telling them to pass it on and on in a trick-crystal regression—that what death amounted to was only a more complete assortment of the infinite fractions of solitude. She did not see her whole life flash before her as we all were afraid she might have done; the red rubber of a favorite doll remained safely decomposed among the myosotes of an un-analyzable brook; but she did see a few odds and ends as she swam like a dilettante Tobakoff in a circle of brief panic and merciful torpor. She saw a pair of new vairfurred bedroom slippers, which Brigitte had forgotten to pack; she saw Van wiping his mouth before answering, and then, still withholding the answer, throwing his napkin on the table as they both got up; and she saw a girl with long black hair quickly bend in passing to clap her hands over a dackel in a half-tom wreath. A brilliantly illumined motorboat was launched from the not-too-distant ship with Van and the swimming coach and the oilskin-hooded Toby among the would-be saviors; but by that time a lot of sea had rolled by and Lucette was too tired to wait. Then the night was filled with the rattle of an old but still strong helicopter. Its diligent beam could spot only the dark head of Van, who, having been propelled out of the boat when it shied from its own sudden shadow, kept bobbing and bawling the drowned girl’s name in the black, foam-veined, complicated waters.
Vladimir Nabokov (Ada, or Ardor: A Family Chronicle)
CAPT. J. W. SIMMONS, master of the steamship Pensacola, had just as little regard for weather as the Louisiana’s Captain Halsey. He was a veteran of eight hundred trips across the Gulf and commanded a staunch and sturdy ship, a 1,069-ton steel-hulled screw-driven steam freighter built twelve years earlier in West Hartlepool, England, and now owned by the Louisville and Nashville Railroad Company. Friday morning the ship was docked at the north end of 34th Street, in the company of scores of other ships, including the big Mallory liner Alamo, at 2,237 tons, and the usual large complement of British ships, which on Friday included the Comino, Hilarius, Kendal Castle, Mexican, Norna, Red Cross, Taunton, and the stately Roma in from Boston with its Captain Storms. As the Pensacola’s twenty-one-man crew readied the ship for its voyage to the city of Pensacola on Florida’s Gulf Coast, two men came aboard as Captain Simmons’s personal guests: a harbor pilot named R. T. Carroll and Galveston’s Pilot Commissioner J. M. O. Menard, from one of the city’s oldest families. At
Erik Larson (Isaac's Storm: A Man, a Time, and the Deadliest Hurricane in History)
Anger is an energy. It really bloody is. It’s possibly the most powerful one-liner I’ve ever come up with. When I was writing the Public Image Ltd song ‘Rise’, I didn’t quite realize the emotional impact that it would have on me, or anyone who’s ever heard it since. I wrote it in an almost throwaway fashion, off the top of my head, pretty much when I was about to sing the whole song for the first time, at my then new home in Los Angeles. It’s a tough, spontaneous idea. ‘Rise’ was looking at the context of South Africa under apartheid. I’d be watching these horrendous news reports on CNN, and so lines like ‘They put a hotwire to my head, because of the things I did and said’, are a reference to the torture techniques that the apartheid government was using out there. Insufferable. You’d see these reports on TV and in the papers, and feel that this was a reality that simply couldn’t be changed. So, in the context of ‘Rise’, ‘Anger is an energy’ was an open statement, saying, ‘Don’t view anger negatively, don’t deny it – use it to be creative.’ I combined that with another refrain, ‘May the road rise with you’. When I was growing up, that was a phrase my mum and dad – and half the surrounding neighbourhood, who happened to be Irish also – used to say. ‘May the road rise, and your enemies always be behind you!’ So it’s saying, ‘There’s always hope’, and that you don’t always have to resort to violence to resolve an issue. Anger doesn’t necessarily equate directly to violence. Violence very rarely resolves anything. In South Africa, they eventually found a relatively peaceful way out. Using that supposedly negative energy called anger, it can take just one positive move to change things for the better. When I came to record the song properly, the producer and I were arguing all the time, as we always tend to do, but sometimes the arguing actually helps; it feeds in. When it was released in early 1986, ‘Rise’ then became a total anthem, in a period when the press were saying that I was finished, and there was nowhere left for me to go. Well, there was, and I went there. Anger is an energy. Unstoppable.
John Lydon (Anger is an Energy: My Life Uncensored)
The glow lasted through the night, beyond the bar's closing, when there were no cabs on the street. And so Mathilde and Lotto decided to walk home, her arm in his, chatting about nothing, about everything, the unpleasant, hot breath of the subway belching up from the grates. 'Chthonic', he said, booze letting loose the pretension at his core, which she still found sweet, an allowance from the glory. It was so late, there were few other people out, and it felt, just for this moment, that they had the city to themselves. She thought of all the life just underfoot, the teem of it that they were passing over, unknowing. She said, 'Did you know that the total weight of all the ants on Earth is the same as the total weight of all the humans on Earth.' She, who drank to excess, was a little bit drunk, it was true, there was so much relief in the evening. When the curtains closed against the backdrop, an enormous bolder blocking their future had rolled away. 'They'll still be here when we're gone,' he said. He was drinking from a flask. By the time they were home, he'd be sozzeled. 'The ants and the jellyfish and the cockroaches, they will be the kings of the Earth.'... 'They deserve this place more than we do,' she said. 'We've been reckless with our gifts.' He smiled and looked up. There were no stars, there was too much smog for them. 'Did you know,' he said, 'they just found out just a while ago that there are billions of worlds that can support life in our galaxy alone.' ...She felt a sting behind here eyes, but couldn't say why this thought touched her. He saw clear through and understood. He knew her. The things he didn't know about her would sink an ocean liner. He knew her. 'We're lonely down here,' he said, 'it's true, but we're not alone.' In the hazy space after he died, when she lived in a sort of timeless underground grief, she saw on the internet a video about what would happen to our galaxy in billions of years. We are in an immensely slow tango with the Andromeda galaxy, both galaxies shaped like spirals with outstretched arms, and we are moving toward each other like spinning bodies. The galaxies will gain speed as they draw near, casting off blue sparks, new stars until they spin past each other, and then the long arms of both galaxies will reach longingly out and grasp hands at the last moment and they will come spinning back in the opposite direction, their legs entwined, never hitting, until the second swirl becomes a clutch, a dip, a kiss, and then at the very center of things, when they are at their closest, there will open a supermassive black hole.
Lauren Groff (Fates and Furies)
What one should add here is that self-consciousness is itself unconscious: we are not aware of the point of our self-consciousness. If ever there was a critic of the fetishizing effect of fascinating and dazzling "leitmotifs", it is Adorno: in his devastating analysis of Wagner, he tries to demonstrate how Wagnerian leitmotifs serve as fetishized elements of easy recognition and thus constitute a kind of inner-structural commodification of his music. It is then a supreme irony that traces of this same fetishizing procedure can be found in Adorno's own writings. Many of his provocative one-liners do effectively capture a profound insight or at least touch on a crucial point (for example: "Nothing is more true in pscyhoanalysis than its exaggeration"); however, more often than his partisans are ready to admit, Adorno gets caught up in his own game, infatuated with his own ability to produce dazzlingly "effective" paradoxical aphorisms at the expense of theoretical substance (recall the famous line from Dialectic of Englightment on how Hollywood's ideological maniuplation of social reality realized Kant's idea of the transcendental constitution of reality). In such cases where the dazzling "effect" of the unexpected short-circuit (here between Hollywood cinema and Kantian ontology) effectively overshadows the theoretical line of argumentation, the brilliant paradox works precisely in the same manner as the Wagnerian leitmotif: instead of serving as a nodal point in the complex network of structural mediation, it generates idiotic pleasure by focusing attention on itself. This unintended self-reflexivity is something of which Adorno undoubtedly was not aware: his critique of the Wagnerian leitmotif was an allegorical critique of his own writing. Is this not an exemplary case of his unconscious reflexivity of thinking? When criticizing his opponent Wagner, Adorno effectively deploys a critical allegory of his own writing - in Hegelese, the truth of his relation to the Other is a self-relation.
Slavoj Žižek (Living in the End Times)
Why do you choose to write about such gruesome subjects? I usually answer this with another question: Why do you assume that I have a choice? Writing is a catch-as-catch-can sort of occupation. All of us seem to come equipped with filters on the floors of our minds, and all the filters have differing sizes and meshes. What catches in my filter may run right through yours. What catches in yours may pass through mine, no sweat. All of us seem to have a built-in obligation to sift through the sludge that gets caught in our respective mind-filters, and what we find there usually develops into some sort of sideline. The accountant may also be a photographer. The astronomer may collect coins. The school-teacher may do gravestone rubbings in charcoal. The sludge caught in the mind's filter, the stuff that refuses to go through, frequently becomes each person's private obsession. In civilized society we have an unspoken agreement to call our obsessions “hobbies.” Sometimes the hobby can become a full-time job. The accountant may discover that he can make enough money to support his family taking pictures; the schoolteacher may become enough of an expert on grave rubbings to go on the lecture circuit. And there are some professions which begin as hobbies and remain hobbies even after the practitioner is able to earn his living by pursuing his hobby; but because “hobby” is such a bumpy, common-sounding little word, we also have an unspoken agreement that we will call our professional hobbies “the arts.” Painting. Sculpture. Composing. Singing. Acting. The playing of a musical instrument. Writing. Enough books have been written on these seven subjects alone to sink a fleet of luxury liners. And the only thing we seem to be able to agree upon about them is this: that those who practice these arts honestly would continue to practice them even if they were not paid for their efforts; even if their efforts were criticized or even reviled; even on pain of imprisonment or death. To me, that seems to be a pretty fair definition of obsessional behavior. It applies to the plain hobbies as well as the fancy ones we call “the arts”; gun collectors sport bumper stickers reading YOU WILL TAKE MY GUN ONLY WHEN YOU PRY MY COLD DEAD FINGERS FROM IT, and in the suburbs of Boston, housewives who discovered political activism during the busing furor often sported similar stickers reading YOU'LL TAKE ME TO PRISON BEFORE YOU TAKE MY CHILDREN OUT OF THE NEIGHBORHOOD on the back bumpers of their station wagons. Similarly, if coin collecting were outlawed tomorrow, the astronomer very likely wouldn't turn in his steel pennies and buffalo nickels; he'd wrap them carefully in plastic, sink them to the bottom of his toilet tank, and gloat over them after midnight.
Stephen King (Night Shift)
The Three-Decker "The three-volume novel is extinct." Full thirty foot she towered from waterline to rail. It cost a watch to steer her, and a week to shorten sail; But, spite all modern notions, I found her first and best— The only certain packet for the Islands of the Blest. Fair held the breeze behind us—’twas warm with lovers’ prayers. We’d stolen wills for ballast and a crew of missing heirs. They shipped as Able Bastards till the Wicked Nurse confessed, And they worked the old three-decker to the Islands of the Blest. By ways no gaze could follow, a course unspoiled of Cook, Per Fancy, fleetest in man, our titled berths we took With maids of matchless beauty and parentage unguessed, And a Church of England parson for the Islands of the Blest. We asked no social questions—we pumped no hidden shame— We never talked obstetrics when the Little Stranger came: We left the Lord in Heaven, we left the fiends in Hell. We weren’t exactly Yussufs, but—Zuleika didn’t tell. No moral doubt assailed us, so when the port we neared, The villain had his flogging at the gangway, and we cheered. ’Twas fiddle in the forc’s’le—’twas garlands on the mast, For every one got married, and I went ashore at last. I left ’em all in couples a-kissing on the decks. I left the lovers loving and the parents signing cheques. In endless English comfort by county-folk caressed, I left the old three-decker at the Islands of the Blest! That route is barred to steamers: you’ll never lift again Our purple-painted headlands or the lordly keeps of Spain. They’re just beyond your skyline, howe’er so far you cruise In a ram-you-damn-you liner with a brace of bucking screws. Swing round your aching search-light—’twill show no haven’s peace. Ay, blow your shrieking sirens to the deaf, gray-bearded seas! Boom out the dripping oil-bags to skin the deep’s unrest— And you aren’t one knot the nearer to the Islands of the Blest! But when you’re threshing, crippled, with broken bridge and rail, At a drogue of dead convictions to hold you head to gale, Calm as the Flying Dutchman, from truck to taffrail dressed, You’ll see the old three-decker for the Islands of the Blest. You’ll see her tiering canvas in sheeted silver spread; You’ll hear the long-drawn thunder ’neath her leaping figure-head; While far, so far above you, her tall poop-lanterns shine Unvexed by wind or weather like the candles round a shrine! Hull down—hull down and under—she dwindles to a speck, With noise of pleasant music and dancing on her deck. All’s well—all’s well aboard her—she’s left you far behind, With a scent of old-world roses through the fog that ties you blind. Her crew are babes or madmen? Her port is all to make? You’re manned by Truth and Science, and you steam for steaming’s sake? Well, tinker up your engines—you know your business best— She’s taking tired people to the Islands of the Blest!
Rudyard Kipling
Local Girl Missing, Feared Dead. Beneath it was a photo of me-my most recent school photo. “Oh, no.” My heart filling with dread, I took the paper from Mr. Smith’s hands. “Couldn’t they have found a better picture?” Mr. Smith looked at me sharply. “Miss Oliviera,” he said, his gray eyebrows lowered. “I realize it’s all the rage with you young people today to toss off flippant one-liners so you can get your own reality television shows. But I highly doubt MTV will be coming down to Isla Huesos to film you in the Underworld. So that can’t be all you have to say about this.” He was right, of course. Though I couldn’t say what I really wanted to, because John was in the room, and I didn’t want to make him feel worse than he already did. But what I wanted to do was burst into tears. “Is that about Pierce?” John looked uneasy. Outside, thunder rumbled again. This time, it sounded even closer than before. “Yes, of course, it is, John,” Mr. Smith said. There was something strange about his voice. He sounded almost as if he were mad at John. Only why would he be? John had done the right thing. He’d explained about the Furies. “What did you expect? Have you gotten to the part about the reward your father is offering for information leading to your safe return, Miss Oliviera?” My gaze flicked down the page. I wanted to throw up. “One million dollars?” My dad’s company, one of the largest providers in the world of products and services to the oil, gas, and military industries, was valued at several hundred times that. “That cheapskate.” This was all so very, very bad. “One million dollars is a lot of money to most people.” Mr. Smith said, with a strong emphasis on most people. He still had that odd note in his voice. “Though I recognize that money may mean little to a resident of the Underworld. So I’d caution you to use judiciousness, wherever it is that you’re going, as there are many people on this island who’ll be more than willing to turn you in for only a small portion of that reward money. I don’t suppose I might ask where you’re going? Or suggest that you pay a call on your mother, who is beside herself with worry?” “That’s a good idea,” I said. Why hadn’t I thought of it? I felt much better already. I could straighten out this whole thing with a single conversation. “I should call my mom-“ Both Mr. Smith’s cry of alarm and the fact that John grabbed me by the wrist as I was reaching into my book bag for my cell phone stopped me from making calls of any sort. “You can’t use you phone,” Mr. Smith said. “The police-and your father-are surely waiting for you to do just that. They’ll triangulate on the signal from the closest cell tower, and find you.” When I stared at him for his use of the word triangulate, Mr. Smith shook his head and said, “My partner, Patrick, is obsessed with Law & Order reruns.
Meg Cabot (Underworld (Abandon, #2))
There was a knock on the bedroom door and Romeo stiffened. “What!” he yelled. “I hope no one’s naked, ‘cause I’m coming in!” Braeden hollered. A few seconds later, the door opened and he stepped inside. One of his hands covered his eyes. “Is it safe?” he asked. I giggled. “Is that a no for tacos?” Romeo shook his head and rolled his eyes. “We’re dressed, man.” Braeden dropped the hand over his eyes and he zeroed in on me. It took everything in me not to shrink back from embarrassment. He came across the carpeting and held out my glasses. “Here,” he said. “I figured you might need these.” Ah, that explained why everything still looked so blurry. I slid them on and smiled as my sight adjusted back to normal. I noticed Braeden was soaking wet. “Oh!” I exclaimed. “You have to be freezing!” I rushed around the room, pulling out clothes and socks and tossing them at Braeden’s feet. “Here! Put this stuff on.” “She’s giving away your clothes, man,” Braeden said to Romeo. “Chicks.” He sighed. Braeden shook his head. “You’re dripping on the carpet!” I reminded him. He laughed and went in the bathroom to get dressed. “Just leave your clothes with ours. I’ll wash them for you,” I yelled through the door. He laughed. “Laundry service? Damn! I’m moving in.” Romeo shook his head. I yawned. This entire day was catching up to me. Romeo frowned. “I’ll make everyone leave…” He began. “No!” I exclaimed. “This is your victory party! Go enjoy it. I’ll stay here.” He seemed torn on what to do. Braeden came out wearing Romeo’s clothes (they fit him pretty well) and ran his eyes over me in concern. “You okay?” I nodded. “Did you jump in the pool to get my glasses?” He nodded. “Actually, he jumped in the pool right after I did. In case I needed help towing you out.” Romeo corrected. I glanced at Braeden for confirmation. He shrugged. “What kind of brother would I be if I let you drown?” Without thought, I walked over and wrapped my arms around him. He seemed a little taken aback by my display of affection, but after a minute, he hugged me back. “Thank you,” I whispered. “Anytime, tutor girl.” His voice was soft and his arms tightened around me just slightly. For all his witty humor, sarcastic one-liners, and jokes, Braeden was a really good guy. “We need to teach you to swim.” He observed. I shuddered. “I know how to swim.” “Well, you sank to the bottom like an anchor,” he grumbled.
Cambria Hebert (#Hater (Hashtag, #2))