Linen Cupboard Quotes

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Being alone is not the most awful thing in the world. You visit your museums and cultivate your interests and remind yourself how lucky you are not to be one of those spindly Sudanese children with flies beading their mouths. You make out To Do lists - reorganise linen cupboard, learn two sonnets. You dole out little treats to yourself - slices of ice-cream cake, concerts at Wigmore Hall. And then, every once in a while, you wake up and gaze out of the window at another bloody daybreak, and think, I cannot do this anymore. I cannot pull myself together again and spend the next fifteen hours of wakefulness fending off the fact of my own misery. People like Sheba think that they know what it's like to be lonely. They cast their minds back to the time they broke up with a boyfriend in 1975 and endured a whole month before meeting someone new. Or the week they spent in a Bavarian steel town when they were fifteen years old, visiting their greasy-haired German pen pal and discovering that her hand-writing was the best thing about her. But about the drip drip of long-haul, no-end-in-sight solitude, they know nothing. They don't know what it is to construct an entire weekend around a visit to the laundrette. Or to sit in a darkened flat on Halloween night, because you can't bear to expose your bleak evening to a crowd of jeering trick-or-treaters. Or to have the librarian smile pityingly and say, ‘Goodness, you're a quick reader!’ when you bring back seven books, read from cover to cover, a week after taking them out. They don't know what it is to be so chronically untouched that the accidental brush of a bus conductor's hand on your shoulder sends a jolt of longing straight to your groin. I have sat on park benches and trains and schoolroom chairs, feeling the great store of unused, objectless love sitting in my belly like a stone until I was sure I would cry out and fall, flailing, to the ground. About all of this, Sheba and her like have no clue.
Zoë Heller (What Was She Thinking? [Notes on a Scandal])
As I completed dinner preparation, Rosie set the table—not the conventional dining table in the living room, but a makeshift table on the balcony, created by taking a whiteboard from the kitchen wall and placing it on top of the two big plant pots, from which the dead plants had been removed. A white sheet from the linen cupboard had been added in the role of tablecloth. Silver cutlery—a housewarming gift from my parents that had never been used—and the decorative wineglasses were on the table. She was destroying my apartment!
Graeme Simsion (The Rosie Project (Don Tillman, #1))
For Reason knows that she cannot work without materials. When it becomes clear that you cannot find out by reasoning whether the cat is in the linen-cupboard, it is Reason herself who whispers, ‘Go and look. This is not my job: it is a matter for the senses’. So here. The materials for correcting our abstract conception of God cannot be supplied by Reason: she will be the first to tell you to go and try experience—‘Oh, taste and see!
C.S. Lewis (Miracles)
He waked up late next day after a broken sleep. But his sleep had not refreshed him; he waked up bilious, irritable, ill-tempered, and looked with hatred at his room. It was a tiny cupboard of a room about six paces in length. It had a poverty-stricken appearance with its dusty yellow paper peeling off the walls, and it was so low-pitched that a man of more than average height was ill at ease in it and felt every moment that he would knock his head against the ceiling. The furniture was in keeping with the room: there were three old chairs, rather rickety; a painted table in the corner on which lay a few manuscripts and books; the dust that lay thick upon them showed that they had been long untouched. A big clumsy sofa occupied almost the whole of one wall and half the floor space of the room; it was once covered with chintz, but was now in rags and served Raskolnikov as a bed. Often he went to sleep on it, as he was, without undressing, without sheets, wrapped in his old student's overcoat, with his head on one little pillow, under which he heaped up all the linen he had, clean and dirty, by way of a bolster. A little table stood in front of the sofa.
Fyodor Dostoevsky (Crime and Punishment)
Nonna tucked each of her hands into the opposite sleeve, a wizened Confucius in a leopard bathrobe. "Michelangleo, he goes. For days and days he stays away from Elisabetta. The other girls, the prettier girls, have hope again. And then, there he goes once more, carrying only his nonno's ugly old glass-his telescope-and a bag of figs. These he lays at her feet. "'I see you,' he tells her. 'Every day for months, I watch. I see you. Where you sit, the sea is calm and dolphins swim near you. I see your mended net looks like a lady's lace. I see you dance in the rain before you run home. I see the jewel mosaic you leave to be scattered and remade again and again, piu bella than gold and pearls. You are piu bella than any other, queen of the sea. "'You do not need silk or pearls. I see that. But they are yours if you wish. I am yours if you wish.If you like what you see.' He gives her the glass. She takes it. Then she asks, 'What about the figs? My bisnonno, he laughs. 'It might take time, your looking to see if you like me. I bring lunch.'" Nonna slapped her knee again, clearly delighted with little Michelangelo's humor. "There is the love story. You like it?" I swallowed another yawn. "Si, Nonna.It's a good story." I couldn't resist. "But...a talking seagull? A dolphin guide? That kinda stretches the truth, dontcha think?" Nonna shrugged. "All truth, not all truth, does it matter? My nonno Guillermo came to Michelangelo and Elisabetta, then my papa Euplio to him, then me, your papa, you." She lowered her feet to the floor. Then pinched my cheek. Hard. Buona notte, bellissima." "Okay,Nonna." I yawned and pulled the white eyelet quilt up.I'd inked abstract swirl-and-dot patterns all over it when I redecorated my room. They're a little optic when I'm that tired. "Buona notte." As I was dozing off,I heard her rummaging in the linen cupboard next to my door. Reorganizing again, I though. She does that when Mom can't see her. They fold things completely different ways.
Melissa Jensen (The Fine Art of Truth or Dare)
It must be confessed, however, that he still retained Free eBooks at Planet eBook.com 43 from his former possessions six silver knives and forks and a soup-ladle, which Madame Magloire contemplated every day with delight, as they glistened splendidly upon the coarse linen cloth. And since we are now painting the Bishop of D—— as he was in reality, we must add that he had said more than once, ‘I find it difficult to renounce eating from silver dishes.’ To this silverware must be added two large candlesticks of massive silver, which he had inherited from a great-aunt. These candlesticks held two wax candles, and usually figured on the Bishop’s chimney-piece. When he had any one to dinner, Madame Magloire lighted the two candles and set the candlesticks on the table. In the Bishop’s own chamber, at the head of his bed, there was a small cupboard, in which Madame Magloire locked up the six silver knives and forks and the big spoon every night. But it is necessary to add, that the key was never removed.
Victor Hugo (Les Miserables (Abridged))
He smiled – a real smile. Damn. It was easier to deal with him when he was being thoroughly vile. "Look, I’m sorry for being so rude earlier today. Your presence came as something of a shock and I reacted badly." "Oh." Geared for battle, his apology took me utterly by surprise. I gaped. "Aunt Arabella spoke very highly of you," he added, heaping coals of fire on my head. "She was impressed by your work on the Purple Gentian." "Why all this sudden amiability?" I asked suspiciously, crossing my arms across my chest. "Are you always this blunt?" "I’m too tired to be tactful," I said honestly. "Fair enough." Stretching, Colin detached himself from the wall. "Can I make you some hot chocolate as a token of peace? I was just about to have some myself," he added. Suiting action to words, he loped over to the counter beside the sink and checked the level of water in a battered brown plastic electric kettle. Satisfied, he plugged it into the wall, flipping the red switch on the side. I followed him over to the counter, the linen folds of the nightgown trailing after me across the linoleum. "As long as you promise not to slip any arsenic in it." Colin rooted around in a cupboard above the sink for the cocoa tin and held it out to me to sniff. "See? Arsenic free." I leant back against the counter, my elbows behind me on the marble work surface. "I don’t think arsenic is supposed to have a smell, is it?" "Damn, foiled again." Colin spooned Cadbury’s instant hot chocolate into two mugs, one decorated with large purple flowers, and the other with a quotation that I thought might be Jane Austen, but the author’s name was hidden around the other side of the mug. "Look, if it makes you feel better, I promise to do a very bad job hiding your body." "In that case, carry on," I yawned.
Lauren Willig (The Secret History of the Pink Carnation (Pink Carnation, #1))
He had his standards. He had trained at the Ritz before losing his post there due to an unfortunate incident involving two chambermaids and a linen cupboard. "You can imagine the rest," he said to Nellie when he applied for the job at the Amethyst. "I'd rather not," she said.
Kate Atkinson (Shrines of Gaiety)
In a separate ‘pantry and buttery’ there were: two cupboards, two candlesticks, miscellaneous table linen, two iron funnels, a pair of table knives [for carving], two ‘chargers’ [big serving dishes], ten ‘dishes’, eleven saucers [small dishes for sauces, to be put between diners at table], nine ‘trenchers’, two half-gallon pots each holding four pints, three quart pots each holding two pints, and one pint pot, salt-cellars, a holy water stoup, two shallow pewter bowls, a bottle [probably made of leather, certainly not glass], a hamper, a box, three round basins, one jar for ale, an earthenware pot, and various broken bits.
Liza Picard (Chaucer's People: Everyday Lives in Medieval England)