Line Of Duty Quotes

We've searched our database for all the quotes and captions related to Line Of Duty. Here they are! All 100 of them:

You were born a child of light’s wonderful secret— you return to the beauty you have always been.
Aberjhani (Visions of a Skylark Dressed in Black)
I think it's the duty of the comedian to find out where the line is drawn and cross it deliberately.
George Carlin
Flowers spring to blossom where she walks The careful ways of duty; Our hard, stiff lines of life with her Are flowing curves of beauty.
John Greenleaf Whittier
Do you feel that, baby? That's your man moving inside you.
Tessa Bailey (Protecting What's His (Line of Duty, #1))
We knew the world would not be the same. A few people laughed, a few people cried. Most people were silent. I remembered the line from the Hindu scripture, the Bhagavad-Gita; Vishnu is trying to persuade the Prince that he should do his duty, and to impress him, takes on his multi-armed form and says, 'Now I am become Death, the destroyer of worlds.' I suppose we all thought that, one way or another.
J. Robert Oppenheimer
So you know what your punishment is going to be, sweetheart? I'm going to make love to you. Slowly. Hell, it might take me until tomorrow. I'm going to lose count of how many times you come. And every time you do, I'm going to tell you that I love you. Until you fucking get used to it.
Tessa Bailey (Protecting What's His (Line of Duty, #1))
The ones who are not soul-mated – the ones who have settled – are even more dismissive of my singleness: It’s not that hard to find someone to marry, they say. No relationship is perfect, they say – they, who make do with dutiful sex and gassy bedtime rituals, who settle for TV as conversation, who believe that husbandly capitulation – yes, honey, okay, honey – is the same as concord. He’s doing what you tell him to do because he doesn’t care enough to argue, I think. Your petty demands simply make him feel superior, or resentful, and someday he will fuck his pretty, young coworker who asks nothing of him, and you will actually be shocked. Give me a man with a little fight in him, a man who calls me on my bullshit. (But who also kind of likes my bullshit.) And yet: Don’t land me in one of those relationships where we’re always pecking at each other, disguising insults as jokes, rolling our eyes and ‘playfully’ scrapping in front of our friends, hoping to lure them to our side of an argument they could not care less about. Those awful if only relationships: This marriage would be great if only… and you sense the if only list is a lot longer than either of them realizes. So I know I am right not to settle, but it doesn’t make me feel better as my friends pair off and I stay home on Friday night with a bottle of wine and make myself an extravagant meal and tell myself, This is perfect, as if I’m the one dating me. As I go to endless rounds of parties and bar nights, perfumed and sprayed and hopeful, rotating myself around the room like some dubious dessert. I go on dates with men who are nice and good-looking and smart – perfect-on-paper men who make me feel like I’m in a foreign land, trying to explain myself, trying to make myself known. Because isn’t that the point of every relationship: to be known by someone else, to be understood? He gets me. She gets me. Isn’t that the simple magic phrase? So you suffer through the night with the perfect-on-paper man – the stutter of jokes misunderstood, the witty remarks lobbed and missed. Or maybe he understands that you’ve made a witty remark but, unsure of what to do with it, he holds it in his hand like some bit of conversational phlegm he will wipe away later. You spend another hour trying to find each other, to recognise each other, and you drink a little too much and try a little too hard. And you go home to a cold bed and think, That was fine. And your life is a long line of fine.
Gillian Flynn (Gone Girl)
Baby, I don't need an excuse to cuff you. I just need the opportunity.
Tessa Bailey (Protecting What's His (Line of Duty, #1))
Fuck yeah. Bite me, gorgeous. Mark up my whole body. I want everyone to know who I belong to. Who I get hard for. Just you, Story. Just you.
Tessa Bailey (Officer off Limits (Line of Duty, #3))
He growled, equally exhilarated and annoyed by the way she insisted on pushing him back. “I’m going to put you on your knees, Ruby. You’re going to hate how much you love it.
Tessa Bailey (His Risk to Take (Line of Duty, #2))
The longer it takes me to get between your thighs, the rougher I'm going to be when I finally get there. Understand?
Tessa Bailey (Protecting What's His (Line of Duty, #1))
Dying in the line of duty is heroic, but dying while unemployed is just stupid.
Tsugumi Ohba (Death Note, Vol. 5: Whiteout (Death Note, #5))
How can you be so jealous of other men, Derek, when you know there’s only been you?” “Baby, I’m jealous of men who haven’t even seen you yet.
Tessa Bailey (Protecting What's His (Line of Duty, #1))
I warned you that I’m having a difficult time being a gentleman. Should I assume you’re provoking me on purpose?
Tessa Bailey (Protecting What's His (Line of Duty, #1))
On Writing: Aphorisms and Ten-Second Essays 1. A beginning ends what an end begins. 2. The despair of the blank page: it is so full. 3. In the head Art’s not democratic. I wait a long time to be a writer good enough even for myself. 4. The best time is stolen time. 5. All work is the avoidance of harder work. 6. When I am trying to write I turn on music so I can hear what is keeping me from hearing. 7. I envy music for being beyond words. But then, every word is beyond music. 8. Why would we write if we’d already heard what we wanted to hear? 9. The poem in the quarterly is sure to fail within two lines: flaccid, rhythmless, hopelessly dutiful. But I read poets from strange languages with freedom and pleasure because I can believe in all that has been lost in translation. Though all works, all acts, all languages are already translation. 10. Writer: how books read each other. 11. Idolaters of the great need to believe that what they love cannot fail them, adorers of camp, kitsch, trash that they cannot fail what they love. 12. If I didn’t spend so much time writing, I’d know a lot more. But I wouldn’t know anything. 13. If you’re Larkin or Bishop, one book a decade is enough. If you’re not? More than enough. 14. Writing is like washing windows in the sun. With every attempt to perfect clarity you make a new smear. 15. There are silences harder to take back than words. 16. Opacity gives way. Transparency is the mystery. 17. I need a much greater vocabulary to talk to you than to talk to myself. 18. Only half of writing is saying what you mean. The other half is preventing people from reading what they expected you to mean. 19. Believe stupid praise, deserve stupid criticism. 20. Writing a book is like doing a huge jigsaw puzzle, unendurably slow at first, almost self-propelled at the end. Actually, it’s more like doing a puzzle from a box in which several puzzles have been mixed. Starting out, you can’t tell whether a piece belongs to the puzzle at hand, or one you’ve already done, or will do in ten years, or will never do. 21. Minds go from intuition to articulation to self-defense, which is what they die of. 22. The dead are still writing. Every morning, somewhere, is a line, a passage, a whole book you are sure wasn’t there yesterday. 23. To feel an end is to discover that there had been a beginning. A parenthesis closes that we hadn’t realized was open). 24. There, all along, was what you wanted to say. But this is not what you wanted, is it, to have said it?
James Richardson
What color are your panties?" "Excuse me?" "You heard me." "Why?" "Baby, if I'm going to take you into a room full of men wearing that dress, I'm damn well going to be the only one who knows the color of your panties.
Tessa Bailey (Protecting What's His (Line of Duty, #1))
Loving a warrior is hard. Dying in the line of duty is an honor to them. They would rather take that road than to dishonor their sacred oath
Ronie Kendig (Hawk (The Quiet Professionals, #2))
I'm taking you to lunch, sunshine." "Like hell you are, trail mix." "My name is Daniel.
Tessa Bailey (Officer off Limits (Line of Duty, #3))
Your testing my patience here, duchess," he growled. "If you have any doubt about my ability to fuck the ever-loving sarcasm right out of you, I'll be more than happy to clear it up.
Tessa Bailey (Asking for Trouble (Line of Duty, #4))
Maybe she should cut the guy a little slack, [...] Maybe Thorne had been a no-show because something bad happened to him on the job. What if he'd been injured in the line of duty and didn't come by as promised because he was incapacitated in some way? Maybe he hadn't called to apologize or to explain his absence because he physically couldn't. Right. And maybe she had checked her brain into her panties from the second she first laid eyes on the man.
Lara Adrian (Kiss of Midnight (Midnight Breed, #1))
If you want the rainbow, you've got to put up with the rain.
Tessa Bailey (Protecting What's His (Line of Duty, #1))
The key to winning, as always, was looking as if you had every right, nay, duty to be where you were. It helped if you could also suggest in every line of your body that no one else had any rights to be doing anything, anywhere, whatsoever.
Terry Pratchett (Night Watch (Discworld, #29; City Watch, #6))
Let me be clear, Ginger, since you insist on talking in circles. I want you underneath me in my bed. I want to be buried inside you so deep that I have to remind you of your own name. And I want those motherfuckers leering at you from the other side of the bar to smell me on you for a week afterward.
Tessa Bailey (Protecting What's His (Line of Duty, #1))
Who’s fucking you, Ginger?” She knew what he wanted to hear. Throwing her head back, she reveled in every word. “My man. My man is fucking me.
Tessa Bailey (Protecting What's His (Line of Duty, #1))
Hot damn, Wip. We’ve got a stone-cold fox on our hands.” Willa flipped Ginger the bird without looking away from the full-length mirror. “This touching family sitcom moment brought to you by the letters F and U.
Tessa Bailey (Protecting What's His (Line of Duty, #1))
Whatever you do, remember that. You're going to make a difference. A lot of times it won't be huge, it won't be visible even. But it will matter just the same. Don't do it for praise or money, that's what I want to tell you. Do it because it needs to be done. Do it to make your world better.
Ed Brubaker (Gotham Central, Book One: In the Line of Duty)
Hey, sunshine." "Daniel.: Good Lord, baby, Say my name again. I need you to say it in your sleep. When you touch yourself. To no one in particular. Just say it, say it, say it.
Tessa Bailey (Officer off Limits (Line of Duty, #3))
The books I liked became a Bible from which I drew advice and support; I copied out long passages from them; I memorized new canticles and new litanies, psalms, proverbs, and prophecies, and I sanctified every incident in my life by the recital of these sacred texts. My emotions, my tears, and my hopes were no less sincere on account of that; the words and the cadences, the lines and the verses were not aids to make believe: but they rescued from silent oblivion all those intimate adventures of the spirit that I couldn’t speak to anyone about; they created a kind of communion between myself and those twin souls which existed somewhere out of reach; instead of living out my small private existence, I was participating in a great spiritual epic.
Simone de Beauvoir (Memoirs of a Dutiful Daughter)
In 2012, in the United Kingdom, the number of people (regardless of race) shot and killed by police officers: 1 In 2013, in the United Kingdom, the number of times police officers fired guns in the line of duty/the number of people fatally shot: 3/0 In the United States, in the seven year period ending in 2012, a white police officer killed a black person nearly two times a week. “I’m not much of a talker,” she finished up. “You know that. But I know numbers. The numbers don’t lie, kids. The numbers always tell a story.
Jason Reynolds (All American Boys)
That was for the hard-on I’ll be walking around with tonight. And you’ll goddamn wear the imprint of my hand on your ass for it.
Tessa Bailey (Protecting What's His (Line of Duty, #1))
Give me a chance, beautiful girl.
Tessa Bailey (Protecting What's His (Line of Duty, #1))
You’re going to be sore tomorrow. From me. From how I’m about to fuck you. Every time you walk, sit, or stand, you’re going to think of me.
Tessa Bailey (Staking His Claim (Line of Duty, #5))
Shh.” His breath at her ear sent a delicious shiver down her spine. “Be very quiet and very still or everyone will know I’m fingering your pussy under this blanket. It needs to be our little secret, doesn’t it, baby girl?
Tessa Bailey (Staking His Claim (Line of Duty, #5))
More than likely, his skill had been perfected with hundreds of women. And she'd just inflated his ego even more by acting out her own amateur version of Gone in Sixty Seconds against his leg
Tessa Bailey (Officer off Limits (Line of Duty, #3))
Are you looking for something illegal so you’ll have an excuse to handcuff me, Derek?
Tessa Bailey (Protecting What's His (Line of Duty, #1))
No doubt there are some who, when confronted with a line of mathematical symbols, however simply presented, can only see the face of a stern parent or teacher who tried to force into them a non-comprehending parrot-like apparent competence--a duty and a duty alone--and no hint of magic or beauty of the subject might be allowed to come through.
Roger Penrose (The Road to Reality: A Complete Guide to the Laws of the Universe)
Tell me. In your mind, what are we doing in that bed? Are we fucking nice and slow or are you making me sweat for it?" "I'm...you're..." "Am I under you, watching your breasts bounce as you buck those hips? Or am I on top of you the first time? I could force those thighs wide and bury myself deep in between them." He leaned forward to lick the curve of her ear. "Maybe I'm behind you. Ah, fuck, I could get in so deep that way, gorgeous. Tell me what you want. I'll make it happen.
Tessa Bailey (Officer off Limits (Line of Duty, #3))
If we can learn anything from Lord Ganesha, it is: Be sincere and care no one in the line of duty.
Mohith Agadi
I’m pregnant.” Brent dropped his bag on the driveway. “What?” “I’m pregnant and you almost got blown up, you ass,” Hayden said shakily. “I’m never speaking to you again.” He went toward her slowly, laying a reverent hand on her belly. “There could be a mini-duchess in here?” His exhale sounded shaky. “Holy shit.
Tessa Bailey (Staking His Claim (Line of Duty, #5))
I’ve got an hour before I need to be back at the station. I’ll have fucked you three different ways by then.
Tessa Bailey (Protecting What's His (Line of Duty, #1))
Next time you need me, wake me up." He bit her earlobe, tugged. "You don't spend a minute unsatisfied in my bed. Understand?
Tessa Bailey (Asking for Trouble (Line of Duty, #4))
Small favors often turn into full-time obligations.
Tessa Bailey (Protecting What's His (Line of Duty, #1))
He gave Evan a glance. “Unless you want to do something else.” “That's a line? Seriously?” “I have to use lines now? We share a mortgage, dude. Get upstairs, take a shower, and come to bed naked. Jesus.
Tere Michaels (Duty & Devotion (Faith, Love, & Devotion, #3))
You made this fucking sound, Hayden. The first time you spread your legs to take my cock. I hear it everywhere I go. This goddamn…moan? Sob? I don’t know. All I know is if I don’t fuck that sound out of you again soon, I’m going to completely lose my mind.
Tessa Bailey (Asking for Trouble (Line of Duty, #4))
Can I tell you a dirty secret?” “Yes,” she gasped. “Just hurry.” Derek’s dark laughter increased her arousal, coating her in slick heat. Achingly slow, he sunk two thick fingers inside her. “If I could go back and do one thing differently that first night, I would taste your virgin pussy before I fucked you. I bet it would have been extra sweet.
Tessa Bailey (Protecting What's His (Line of Duty, #1))
God, you’re so fucking arrogant. You think I want to be your girlfriend or something?” … “I don’t care what you call yourself. Titles are irrelevant to what I want with you.
Tessa Bailey (Protecting What's His (Line of Duty, #1))
Simply being in a relationship didn't necessarily equate to happiness.
Tessa Bailey (Officer off Limits (Line of Duty, #3))
I’m going to kill you,” she whispered. He sat up once more, wrapped her hair around his fist and growled. “Fuck me, instead.
Tessa Bailey (Asking for Trouble (Line of Duty, #4))
I swear to Christ, baby, you were made for me. You feel that?” He pulled out of her, then slammed home once more. “Mine. My Lucy. Let me hear you say it.
Tessa Bailey (Staking His Claim (Line of Duty, #5))
Hayden Winstead! Don’t you dare! Don’t you dare marry someone else. We will fix this, do you understand me? If it means I have to work ten jobs. Your family will be fine. You don’t have to do this. Please, please don’t do this.” He banged his head against the door, grateful for the pain somewhere besides his heart. “I know I’m an asshole but I’m working on it. I’m sorry for what I said. So sorry. Hurting you…it might be the worst thing I’ve ever done, but I don’t deserve this. You don’t deserve this. If you marry him, Hayden, I won’t recover. I only got to spend one night holding you, but it was enough to know I have to hold you every single night.
Tessa Bailey (Asking for Trouble (Line of Duty #4))
The Laundry field operations manual is notably short on advice for how to comport one’s self when being held prisoner aboard a mad billionaire necromancer’s yacht, other than the usual stern admonition to keep receipts for all expenses incurred in the line of duty.
Charles Stross (The Jennifer Morgue (Laundry Files, #2))
Unlike her, he came from a good family. A prechopped pepper kind of family.
Tessa Bailey (His Risk to Take (Line of Duty, #2))
Often times people make questionable decisions. And even though they already taste the fat regret sandwich headed their way, they do it with a smile.
Tessa Bailey (Protecting What's His (Line of Duty, #1))
Hayden's ovaries stood up and delivered a thundering ovation.
Tessa Bailey (Asking for Trouble (Line of Duty, #4))
They [Cops] were living in the media age, and in the media age, cops didn't get to fire their weapons. Cops were honored if they got themselves killed in the line of duty, but they were never suppose to draw their guns, not even in self-defense.
Lisa Gardner (Alone (Detective D.D. Warren, #1))
Who’s got you feeling out of control, duchess?” Hayden shook her head, knocking against his chin in a way he found so endearing, his throat hurt. “Tell me so I can set them straight.
Tessa Bailey (Asking for Trouble (Line of Duty, #4))
Hayden felt ready to snap. She felt out of control. She needed something. Unfortunately, she had a feeling that something was the six-foot-five hormone-whisperer walking beside her, whistling the Happy Days theme song.
Tessa Bailey (Asking for Trouble (Line of Duty, #4))
How about Oversized Dickhead?” He shrugged. “Didn’t hear you complaining about my oversized—” She shot to her feet, jostling the table. “Can I speak with you in private?” “You need it right now?” He feigned exasperation. “We’re in the middle of dinner, woman. You’re insatiable.
Tessa Bailey (Asking for Trouble (Line of Duty, #4))
Belong to me, Story. Even if it’s just for a little while.
Tessa Bailey (Officer off Limits (Line of Duty, #3))
Baby, sometimes what I’m thinking doesn’t translate into words. You’re going to have to badger them out of me until I get better at this, okay?
Tessa Bailey (Staking His Claim (Line of Duty, #5))
Pull your knees up to your chest.” His voice was gravel. “Keep them there. And hang the fuck on.
Tessa Bailey (Staking His Claim (Line of Duty, #5))
You’re late.” “And you’re fucking gorgeous.
Tessa Bailey (Protecting What's His (Line of Duty, #1))
As your older brother, it's my sacred duty to save you from yourself." She brings her fists down on the table, making all the dinner plates jump. "The ONLY reason you're fifteen minutes older than me is because you cut in front of the line, as usual!
Neal Shusterman (Bruiser)
The first time I tongue you into coming, it’s going to be an apology. The second time will be a reward for waiting.” He fell to his knees and took his first intoxicating taste of Lucy. A growl worked its way free of his chest. “The third time is going to be because I fucking love to hear you scream.
Tessa Bailey (Staking His Claim (Line of Duty, #5))
For a moment he said nothing, then he reached over and traced a line down her cheek with his finger. "When a man looks into a woman's eyes, lass, he doesna want to see the horrors he has kent written there. He wants to see joy and warmth and some measure of innocence. Tis the natural duty and desire of a man to protect his woman and children from the world's bitterness.
Pamela Clare (Surrender (MacKinnon’s Rangers, #1))
Suppose that you didn’t make your Easter duty and it’s Pentecost Sunday, the last day, and you’re on a ship at sea. And the chaplain goes into a coma! But you wanted to receive. And then it’s Monday, too late… But then you cross the International Date Line! Would that then be a sin then, Father?
George Carlin
Somehow she’d ended up in bed with the man mothers warn their daughters to stay away from. The kind of man fathers go after with a shotgun, their sobbing daughters trailing behind them in a wedding dress. She should have stayed away, because now that she knew what all the fuss was about, she would never be satisfied with anything less. He’d blindsided her, ruined her, and addicted her in one single evening.
Tessa Bailey (Officer off Limits (Line of Duty, #3))
Baby, you’re going to want to lie back for this.
Tessa Bailey (Officer off Limits (Line of Duty, #3))
Do you have any idea how much it turns me on, knowing something of mine has been cradling your sweet pussy all day long?
Tessa Bailey (His Risk to Take (Line of Duty, #2))
Lucy Mason, you brought the color in. You brought me to life when I didn’t even realize I’d stopped breathing.” He laid his hand over hers on his cheek. “Now I can’t get enough air. It’s everywhere because of you.” When he pulled the ring out of his jacket and popped open the lid, she didn’t take her eyes off his face for a second. “Be my air. Let me be yours. Forever. Marry me, Lucy.” “Yes.” She knelt down in front of him on the ground, meeting him halfway as always. “Yes, Matt. Of course, yes.
Tessa Bailey (Staking His Claim (Line of Duty, #5))
Affairs are like a seventh day. They are a break from all duties and obligations and responsibilities. I'm not saying this is right and I'm not saying it lightly. This is just how they are. You can't be responsible when you're with your lover. And since you already know you're way out of line, you go the extra distance. You throw yourself in headfirst. You become the very personification of irresponsible. You are way alive. Every detail sings. It would be a great way to live if it weren't so ruinous.
Wendy Plump
There's something to be said for small victories when they're made out of chocolate.
Tessa Bailey (Officer off Limits (Line of Duty, #3))
I've found my line- from now on this comes first. This is my immediate duty- without this I am nothing.
F. Scott Fitzgerald
Milo had been earning many distinctions for himself. He had flown fearlessly into danger and criticism by selling petroleum and ball bearings to Germany at good prices in order to make a good profit and help maintain a balance of power between the contending forces. His nerve under fire was graceful and infinite. With a devotion to purpose above and beyond the line of duty, he had then raised the price of food in his mess halls so high that all officers and enlisted men had to turn over all their pay to him in order to eat. Their alternative - there was an alternative, of course, since Milo detested coercion and was a vocal champion of freedom of choice - was to starve.
Joseph Heller (Catch-22)
I’m not capable of turning you down,” he said on a pained laugh, gaze devouring her breasts. “I’m going to take you to my bed and pleasure the fuck out of you. But the panties stay on. It’s nonnegotiable.” Her entire system rebelled against his words. How could he touch her, kiss her like this, and refuse to take it all the way? It didn't make sense. Men didn't have that kind of willpower, did they? She certainly didn’t have that kind of willpower. “W-what? Is it too late to give a different answer about why I changed my mind?” “Yes. But don’t worry, baby.” Before she could register his intention, he’d swung her up into his arms. “Even with your panties on, it’ll still be the best sex of your life.
Tessa Bailey (His Risk to Take (Line of Duty, #2))
Thus, you see, he arrived at the same end, via supposed duty, that he was previously pledged to via interest. I fancy a good number of us, when any line of action will promote our own interest, can make ourselves believe that reasons exist which compel us to it as a duty.
Elizabeth Gaskell (My Lady Ludlow and Other Stories (The ^AWorld's Classics))
You must never be deflected by unpleasantness. I want you to remember that. Although it may not be apparent to others, your duty will become as clear to you as if it were a white line painted down the middle of the road. You must follow it, Flavia.
Alan Bradley (The Weed That Strings the Hangman's Bag (Flavia de Luce, #2))
Brent waited for a moment, to see if he could hear anything on the other side of the door, but only silence greeted him. He felt a hand on his shoulder, but he shrugged it off. Couldn’t focus on anything but getting through to her. “What do I need to do, baby? Do you want me to sing ‘Wind Beneath My Wings’? I’ll do it. I’ll deafen everyone in this building if that’s what you want.” When the silence remained, Brent’s head dropped against the door with a curse. “You’re really going to make me do this, aren’t you?” Then he gave Bette Midler a run for her money.
Tessa Bailey (Asking for Trouble (Line of Duty #4))
In times of struggle, there are as many reasons not to read as there are to breathe. Don’t you have bigger things to do? Reading, let alone re-reading, is the terrain of milquetoasts and mopey spinsters. At life’s ugliest junctures the very act of opening a book can smack of cowardly escapism. Who chooses to read when there’s work to be done? Call me a coward if you will, but when the line between duty and sanity blurs, you can usually find me curled up with a battered book, reading as if my mental health depended on it. And it does, for inside the books I love I find food, respite, escape, and perspective.
Erin Blakemore (The Heroine's Bookshelf: Life Lessons, from Jane Austen to Laura Ingalls Wilder)
I didn’t make it one goddamn block yesterday, Ruby.” He swiped an impatient hand through his hair. “Look, we’re both stubborn hotheads, and we’re going to fight. Early and often. But I will never make it more than one block before I come back. That is my promise to you. And I don’t break my promises, either.” Hands on hips, he breathed deeply as if attempting to calm himself. “If I let my fear of losing you keep us apart, I get the same damn result. The only way I can fight that fear is if you fight it with me.
Tessa Bailey (His Risk to Take (Line of Duty, #2))
Unlike men in the same position, women leaders have to continue to walk the fine line between appearing incompetent and nice and competent but cold. Experimental studies find that, unlike men, when they try to negotiate greater compensation they are disliked. When they try out intimidation tactics they are disliked. When they succeed in a male occupation they are disliked. When they fail to perform the altruistic acts that are optional for men, they are disliked. When they do go beyond the call of duty they are not, as men are, liked more for it. When they criticize, they are disparaged . Even when they merely offer an opinion, people look displeased. The perceptive reader will notice a certain pattern emerging. The same behavior that enhances his status simply makes her less popular. It’s not hard to see that this makes the goal of getting ahead in the workplace distinctly more challenging for a woman.
Cordelia Fine (Delusions of Gender: How Our Minds, Society, and Neurosexism Create Difference)
Daniel had one more question. He hated asking it, but her answer would be exceedingly important to him. The knot in his throat had returned, but he tried to speak around it. “Do you pity me, Story?” For the second time that night, she surprised him. “No. I pity the sixteen-year-old boy. Of course I do. How could I not?” Story rose from the windowsill and placed her hands on his chest. She waited until he met her eyes to continue. “But I don’t pity the man. The man took a tragedy and used it to give himself purpose. The man is magnificent.
Tessa Bailey (Officer off Limits (Line of Duty, #3))
Jesus, baby.” He groaned loudly, shifted. “Been a while?” Yes. “No. It’s just you…you’re…” Brent sat up, putting his face right in front of hers. He bit her bottom lip and tugged. “I’m what?” When she tried to kiss him, he dodged her mouth. “Say it. What am I?” “Huge,” she whispered. “That’s right.” His hands slipped up her back and gripped her shoulders. “And you’re going to take it.
Tessa Bailey (Asking for Trouble (Line of Duty, #4))
The ruby is meant to represent a drop of blood. It is the symbolic representation of the way of the primary edict. It means only one thing and everything. Cut. Once committed to the fight, cut. Everything else is secondary. Cut. That is your duty, your purpose, your hunger. There is no rule more important, no commitment that overrides that one. Cut. The lines are a portrayal of the dance. Cut from the void, not from bewilderment. Cut the enemy as quickly and directly as possible. Cut with certainty. Cut decisively, resolutely. Cut into his strength. Flow through the gap in his guard. Cut him. Cut him down utterly. Don’t allow him a breath. Crush him. Cut him without mercy to the depths of his spirit. It’s the balance of life: death. It is the dance with death.
Terry Goodkind (Faith of the Fallen (Sword of Truth, #6))
I never killed anybody and I never developed an intense level of hatred for the enemy. Because my war ended before I ever put on a uniform; I was on active duty all my time at school; I killed my enemy there. Only Phineas never was afraid, only Phineas never hated anyone. Other people experienced this fearful shock somewhere, this sighting of the enemy...All of them, all except Phineas, constructed at infinite cost to themselves these Maginot Lines against this enemy they thought they saw across the frontier, this enemy who never attacked that way—if he ever attacked at all; if he was indeed the enemy.
John Knowles (A Separate Peace)
If you like being cuffed, I have no problem accommodating you, baby.” “Actually,” she returned, drawing the word out, “I was thinking I would cuff you.” She held her breath. Any minute now, he’d scoff at her request and this charade would be over. Funny, she wasn’t quite as ready to walk away as she had been moments ago. In fact, the thought of Brent’s big body, restrained by handcuffs, was surprisingly appealing. That fluttering in her stomach had graduated into a constant tug, confusing her further. “Done.” Hayden hid her shock as Brent leaned close and spoke gruffly near her ear. “Be warned, though. If you take away the use of my hands, I’ll only make up for it with my mouth.
Tessa Bailey (Asking for Trouble (Line of Duty #4))
But somehow things took a sinister turn, and the division of labor came to be understood as the demarcation of a social hierarchy. Women kept busy with numerous domestic responsibilities while their male counterparts' sole duty was tending to the flocks. Men had time to think critically, form political infrastructures, and ultimately, network with other men. Meanwhile, women were kept too busy to notice that somewhere along the line, they had become inferior. This is approximately when shit hit the fan.
Julie Zeilinger (A Little F'd Up: Why Feminism Is Not a Dirty Word)
Ursula was the last in line. Her gloomy dignity, the weight of her name, the convincing vehemence of her declaration made the scale of justice hesitate for a moment. "You have taken this horrible game very seriously and you have done well because you are doing your duty," she told the members of the court. "But don't forget that as long as God gives us life we will still be mothers and no matter how revolutionary you may be, we have the right to pull down your pants and give you a whipping at the first sign of disrespect.
Gabriel García Márquez (One Hundred Years of Solitude)
To think that this is my twentieth birthday, and that I've left my teens behind me forever," said Anne, who was curled up on the hearth-rug with Rusty in her lap, to Aunt Jamesina who was reading in her pet chair. They were alone in the living room. Stella and Priscilla had gone to a committee meeting and Phil was upstairs adorning herself for a party. "I suppose you feel kind of sorry," said Aunt Jamesina. "The teens are such a nice part of life. I'm glad I've never gone out of them myself." Anne laughed. "You never will, Aunty. You'll be eighteen when you should be a hundred. Yes, I'm sorry, and a little dissatisfied as well. Miss Stacy told me long ago that by the time I was twenty my character would be formed, for good or evil. I don't feel that it's what it should be. It's full of flaws." "So's everybody's," said Aunt Jamesina cheerfully. "Mine's cracked in a hundred places. Your Miss Stacy likely meant that when you are twenty your character would have got its permanent bent in one direction or 'tother, and would go on developing in that line. Don't worry over it, Anne. Do your duty by God and your neighbor and yourself, and have a good time. That's my philosophy and it's always worked pretty well.
L.M. Montgomery (Anne of the Island (Anne of Green Gables, #3))
We live now in an information technology. Flowers have always lived in an information technology. Flowers gather information all day. At night, they process it. This is called photosynthesis. As our neocortex comes into full use, we, too will practice photosyntesis. As a matter of fact, we already do, but compared for flowers, our kind is primitive and limited. For one thing, information gathered from daily newspapers, soap operas, sales conferences and coffee klatches is inferior to information gathered from sunlight.... Either because our data is insufficient or because our processing equipment is not fully on line, our own noctural processing is part-time work. The information our conscious minds receive during waking hours is processed by our unconscious during so called "deep sleep". We are in deep sleep only two or three hours a night. For the rest of our sleeping session, the unconscious mind is off duty. It gets bored. It craves recreation. So it plays with the material at hand. In a sense, it palys with itself. It scrambles memories, juggles images, rearranges data, invents scary or titillating stories. This is what we call "dreaming".
Tom Robbins (Jitterbug Perfume)
There are readings—of the same text—that are dutiful, readings that map and dissect, readings that hear a rustling of unheard sounds, that count grey little pronouns for pleasure or instruction and for a time do not hear golden or apples. There are personal readings, which snatch for personal meanings, I am full of love, or disgust, or fear, I scan for love, or disgust, or fear. There are—believe it—impersonal readings—where the mind's eye sees the lines move onwards and the mind's ear hears them sing and sing. Now and then there are readings that make the hairs on the neck, the non-existent pelt, stand on end and tremble, when every word burns and shines hard and clear and infinite and exact, like stones of fire, like points of stars in the dark—readings when the knowledge that we shall know the writing differently or better or satisfactorily, runs ahead of any capacity to say what we know, or how. In these readings, a sense that the text has appeared to be wholly new, never before seen, is followed, almost immediately, by the sense that it was always there, that we the readers knew it was always there, and have always known it was as it was, though we have now for the first time recognised, become fully cognisant of, our knowledge.
A.S. Byatt (Possession)
But you won’t abdicate." Of course not. It’s my duty to go on, to maintain the line. I can’t possibly fail in that. It’s as if you and I were throwing a ball back and forth to establish a record, and had been doing so for a millennium. You cannot drop a ball that has remained airborne through good effort for most of a thousand years. You cannot stop an unlikely heart that has been beating for so long. I would rather die than betray continuity, for its own sake if for nothing else. And Britain needs a king, just as it needs motormen and cooks and a prime minister. Just as it needs soldiers who will die for it if they must. It’s my job, or it will be, but you should know that I’ve never wanted it. I was only born to it, as if with a deformity, to which I hope I can respond with grace." Fredericka had been running her finger over the carpet, tracing a pattern in the way children do when they have learnt something overwhelming and are moved, but cannot say so. Freddy expected her to look up, with tears, and that in this moment she might have begun the long and arduous process of becoming a queen. She was so beautiful. To embrace her now, with high emotion flowing from her physical majesty, was all he wanted in the world. Her finger stopped moving, and she turned her eyes to him. Freddy?" Yes?" he answered. What’s raw egg? I read a recipe in She that called for a cup of raw egg. What is that?" After a long silence, Freddy asked, "Which part of the formulation escapes you? Egg? Raw? The link between the two?" The two what?" Fredericka?" Yes, Freddy?" Would you like to go dancing?" Oh, yes Freddy!" Come then. We will.
Mark Helprin (Freddy and Fredericka)
I first met Winston Churchill in the early summer of 1906 at a dinner party to which I went as a very young girl. Our hostess was Lady Wemyss and I remember that Arthur Balfour, George Wyndman, Hilaire Belloc and Charles Whibley were among the guests… I found myself sitting next to this young man who seemed to me quite different from any other young man I had ever met. For a long time he seemed sunk in abstraction. Then he appeared to become suddenly aware of my existence. He turned on me a lowering gaze and asked me abruptly how old I was. I replied that I was nineteen. “And I,” he said despairingly, “am thirty-two already. Younger than anyone else who counts, though, “he added, as if to comfort himself. Then savagely: “Curse ruthless time! Curse our mortality. How cruelly short is this allotted span for all we must cram into it!” And he burst forth into an eloquent diatribe on the shortness of human life, the immensity of possible human accomplishment—a theme so well exploited by the poets, prophets, and philosophers of all ages that it might seem difficult to invest it with new and startling significance. Yet for me he did so, in a torrent of magnificent language which appeared to be both effortless and inexhaustible and ended up with the words I shall always remember: “We are all worms. But I do believe that I am a glow worm.” By this time I was convinced of it—and my conviction remained unshaken throughout the years that followed. Later he asked me whether I thought that words had a magic and music quite independent of their meaning. I said I certainly thought so, and I quoted as a classic though familiar instance the first lines that came into my head. Charm’d magic casements, opening on the foam Of perilous seas, in faery lands forlorn. His eyes blazed with excitement. “Say that again,” he said, “say it again—it is marvelous!” “But I objected, “You know these lines. You know the ‘Ode to a Nightengale.’ ” He had apparently never read or heard of it before (I must, however, add that next time I met him he had not learned not merely this but all of the odes to Keats by heart—and he recited them quite mercilessly from start to finish, not sparing me a syllable). Finding that he liked poetry, I quoted to him from one of my own favorite poets, Blake. He listened avidly, repeating some lines to himself with varying emphases and stresses, then added meditatively: “I never knew that old Admiral had found so much time to write such good poetry.” I was astounded that he, with his acute susceptibility to words and power of using them, should have left such tracts of English literature entirely unexplored. But however it happened he had lost nothing by it, when he approached books it was “with a hungry, empty mind and with fairly srong jaws, and what I got I *bit*.” And his ear for the beauty of language needed no tuning fork. Until the end of dinner I listened to him spellbound. I can remember thinking: This is what people mean when they talk of seeing stars. That is what I am doing now. I do not to this day know who was on my other side. Good manners, social obligation, duty—all had gone with the wind. I was transfixed, transported into a new element. I knew only that I had seen a great light. I recognized it as the light of genius… I cannot attempt to analyze, still less transmit, the light of genius. But I will try to set down, as I remember them, some of the differences which struck me between him and all the others, young and old, whom I have known. First and foremost he was incalculable. He ran true to no form. There lurked in his every thought and world the ambush of the unexpected. I felt also that the impact of life, ideas and even words upon his mind, was not only vivid and immediate, but direct. Between him and them there was no shock absorber of vicarious thought or precedent gleaned either from books or other minds. His relationship wit
Violet Bonham Carter
The children in my dreams speak in Gujarati turn their trusting faces to the sun say to me care for us nurture us in my dreams I shudder and I run. I am six in a playground of white children Darkie, sing us an Indian song! Eight in a roomful of elders all mock my broken Gujarati English girl! Twelve, I tunnel into books forge an armor of English words. Eighteen, shaved head combat boots - shamed by masis in white saris neon judgments singe my western head. Mother tongue. Matrubhasha tongue of the mother I murder in myself. Through the years I watch Gujarati swell the swaggering egos of men mirror them over and over at twice their natural size. Through the years I watch Gujarati dissolve bones and teeth of women, break them on anvils of duty and service, burn them to skeletal ash. Words that don't exist in Gujarati : Self-expression. Individual. Lesbian. English rises in my throat rapier flashed at yuppie boys who claim their people “civilized” mine. Thunderbolt hurled at cab drivers yelling Dirty black bastard! Force-field against teenage hoods hissing F****ing Paki bitch! Their tongue - or mine? Have I become the enemy? Listen: my father speaks Urdu language of dancing peacocks rosewater fountains even its curses are beautiful. He speaks Hindi suave and melodic earthy Punjabi salty rich as saag paneer coastal Kiswahili laced with Arabic, he speaks Gujarati solid ancestral pride. Five languages five different worlds yet English shrinks him down before white men who think their flat cold spiky words make the only reality. Words that don't exist in English: Najjar Garba Arati. If we cannot name it does it exist? When we lose language does culture die? What happens to a tongue of milk-heavy cows, earthen pots jingling anklets, temple bells, when its children grow up in Silicon Valley to become programmers? Then there's American: Kin'uh get some service? Dontcha have ice? Not: May I have please? Ben, mane madhath karso? Tafadhali nipe rafiki Donnez-moi, s'il vous plait Puedo tener….. Hello, I said can I get some service?! Like, where's the line for Ay-mericans in this goddamn airport? Words that atomized two hundred thousand Iraqis: Didja see how we kicked some major ass in the Gulf? Lit up Bagdad like the fourth a' July! Whupped those sand-niggers into a parking lot! The children in my dreams speak in Gujarati bright as butter succulent cherries sounds I can paint on the air with my breath dance through like a Sufi mystic words I can weep and howl and devour words I can kiss and taste and dream this tongue I take back.
Shailja Patel (Migritude)
Consider the genesis of a single-celled embryo produced by the fertilization of an egg by a sperm. The genetic material of this embryo comes from two sources: paternal genes (from sperm) and maternal genes (from eggs). But the cellular material of the embryo comes exclusively from the egg; the sperm is no more than a glorified delivery vehicle for male DNA—a genome equipped with a hyperactive tail. Aside from proteins, ribosomes, nutrients, and membranes, the egg also supplies the embryo with specialized structures called mitochondria. These mitochondria are the energy-producing factories of the cell; they are so anatomically discrete and so specialized in their function that cell biologists call them “organelles”—i.e., mini-organs resident within cells. Mitochondria, recall, carry a small, independent genome that resides within the mitochondrion itself—not in the cell’s nucleus, where the twenty-three pairs of chromosomes (and the 21,000-odd human genes) can be found. The exclusively female origin of all the mitochondria in an embryo has an important consequence. All humans—male or female—must have inherited their mitochondria from their mothers, who inherited their mitochondria from their mothers, and so forth, in an unbroken line of female ancestry stretching indefinitely into the past. (A woman also carries the mitochondrial genomes of all her future descendants in her cells; ironically, if there is such a thing as a “homunculus,” then it is exclusively female in origin—technically, a “femunculus”?) Now imagine an ancient tribe of two hundred women, each of whom bears one child. If the child happens to be a daughter, the woman dutifully passes her mitochondria to the next generation, and, through her daughter’s daughter, to a third generation. But if she has only a son and no daughter, the woman’s mitochondrial lineage wanders into a genetic blind alley and becomes extinct (since sperm do not pass their mitochondria to the embryo, sons cannot pass their mitochondrial genomes to their children). Over the course of the tribe’s evolution, tens of thousands of such mitochondrial lineages will land on lineal dead ends by chance, and be snuffed out. And here is the crux: if the founding population of a species is small enough, and if enough time has passed, the number of surviving maternal lineages will keep shrinking, and shrinking further, until only a few are left. If half of the two hundred women in our tribe have sons, and only sons, then one hundred mitochondrial lineages will dash against the glass pane of male-only heredity and vanish in the next generation. Another half will dead-end into male children in the second generation, and so forth. By the end of several generations, all the descendants of the tribe, male or female, might track their mitochondrial ancestry to just a few women. For modern humans, that number has reached one: each of us can trace our mitochondrial lineage to a single human female who existed in Africa about two hundred thousand years ago. She is the common mother of our species. We do not know what she looked like, although her closest modern-day relatives are women of the San tribe from Botswana or Namibia. I find the idea of such a founding mother endlessly mesmerizing. In human genetics, she is known by a beautiful name—Mitochondrial Eve.
Siddhartha Mukherjee (The Gene: An Intimate History)
There is a theory about human behavior called the 10-80-10 principle. I speak of it often when I talk to corporate groups or business leaders. It is the best strategy I know for getting the most out of your team. Think of your team or your organization as a big circle. At the very center of it, the nucleus, are the top 10 percenters, people who give all they've got all the time, who are the essence of self-discipline, self-respect, and the relentless persuit of improvement. They are the elite- the most powerful component of any organization. They are the people I love to coach. Outside the nucleus are the 80 percenters. They are the majority- people who go to work, do a good job, and are relatively reliable. The 80 percenters are for the most part trustworthy and dutiful, but they simply don't have the drive and the unbending will that the nucleus guys do. They just don't burn as hot. The final 10 percenters are uninterested or defiant. They are on the periphery, mostly just coasting through life, not caring about reaching their potential or honoring the gifts they've been given. They are coach killers. The leadership challenge is to move as many of the 80 percenters into the nucleus as you can.
Urban Meyer (Above the Line: Lessons in Leadership and Life from a Championship Season)
Eric had fang showing. "Hello, Eric," Quinn said calmly. His deep voice rumbled along my spine. "Sookie, you look good enough to eat." He smiled at me, and the tremors along my spine spread into another area entirely. I would never have believed that in Eric's presence I could think another man was attractive. I'd have been wrong to think so. "You look very nice, too," I said, trying not to beam like an idiot. It was not cool to drool. Eric said, "What have you been telling Sookie, Quinn?" The two tall men looked at each other. I didn't believe I was the source of their animosity. I was a symptom, not the disease. Something lay underneath this. "I've been telling Sookie that the queen requires Sookie's presence at the conference as part of her party, and that the queen's summons supercedes yours," Quinn said flatly. "Since when has the queen given orders through a shifter?" Eric said, contempt flattening his voice. "Since this shifter performed a valuable service for her in the line of business," Quinn answered, with no hesitation. "Mr. Cataliades suggested to Her Majesty that I might be helpful in a diplomatic capacity, and my partners were glad to give me extra time to perform any duties she might give me." I wasn't totally sure I was following this, but I got the gist of it. Eric was incensed, to use a good entry from my Word of the Day calendar. In fact, his eyes were almost throwing sparks, he was so angry. "This woman has been mine, and she will be mine," he said, in tones so definite I thought about checking my rear end for a brand.
Charlaine Harris (Definitely Dead (Sookie Stackhouse, #6))
The girls of the sixties had mothers who predicted, insisted, argued that those girls would be hurt; but they would not say how or why. In the main, the mothers appeared to be sexual conservatives: they upheld the marriage system as a social ideal and were silent about the sex in it. Sex was a duty inside marriage; a wife’s attitude toward it was irrelevant unless she made trouble, went crazy, fucked around. Mothers had to teach their daughters to like men as a class—be responsive to men as men, warm to men as men—and at the same time to not have sex. Since males mostly wanted the girls for sex, it was hard for the girls to understand how to like boys and men without also liking the sex boys and men wanted. The girls were told nice things about human sexuality and also told that it would cost them their lives—one way or another. The mothers walked a tough line: give the girls a good attitude, but discourage them. The cruelty of the ambivalence communicated itself, but the kindness in the intention did not: mothers tried to protect their daughters from many men by directing them toward one; mothers tried to protect their daughters by getting them to do what was necessary inside the male system without ever explaining why. They had no vocabulary for the why—why sex inside marriage was good but outside marriage was bad, why more than one man turned a girl from a loving woman into a whore, why leprosy or paralysis were states preferable to pregnancy outside marriage. They had epithets to hurl, but no other discourse. Silence about sex in marriage was also the only way to avoid revelations bound to terrify—revelations about the quality of the mothers’ own lives.
Andrea Dworkin (Right-Wing Women)
He braced his elbows on the desk,his brow on his fists. "She came shrieking across the court.I'd just hit a line drive,barely missed beaning her. Cameras rolling, and there I am trying to look my sixth-generational-hotelier best, the athletic yet intelligent, the world-traveled yet dedicated, the dashing yet concerned heir to the Templeton name." "You'd be good at that," Margo murmured, hoping to placate him. He didn't even look at her. "Suddenly I've got my arms full of this half-naked, spitting, swearing, clawing mass who's screaming that my sister, her lesbian companion, and my whore attacked her." He pinched the bridge of his nose, hoping to relieve some pressure. "I figured out right away who my sister was. Though I didn't appreciate the term,I deduced you must be my whore.The lesbian companion might have stumped me,but for process of elimination." He lifted his head. "I was tempted to belt her,but I was too busy trying to keep her from ripping off my face." "It's such a nice face too." Hoping to soothe, she walked around the desk and sat on his lap. "I'm sorry she took it out on you." "She sratched me." He turned his head to show her the trio of angry welts on the side of his throat. Dutifully, Margo kissed them. "What am I going to do with you?" he asked wearily and rested his cheek on her head. Then he chuckled. "How the hell did you stuff her into one of those skinny lockers?" "It wasn't easy but it was fun." He narrowed his eyes. "You're not going to do it again,no matter what the provocation-unless you sedate her first." "Deal." Since the crisis seemed to have passed, she slipped a hand under his shirt, stroked it over his chest, watched his brow lift. "I've been waxed and polished.If you're interested." "Well,just so the day isn't a complete loss." He picked her up and carried her to the bed.
Nora Roberts (Daring to Dream (Dream Trilogy, #1))
In the years since the disaster, I often think of my friend Arturo Nogueira, and the conversations we had in the mountains about God. Many of my fellow survivors say they felt the personal presence of God in the mountains. He mercifully allowed us to survive, they believe, in answer to our prayers, and they are certain it was His hand that led us home. I deeply respect the faith of my friends, but, to be honest, as hard as I prayed for a miracle in the Andes, I never felt the personal presence of God. At least, I did not feel God as most people see Him. I did feel something larger than myself, something in the mountains and the glaciers and the glowing sky that, in rare moments, reassured me, and made me feel that the world was orderly and loving and good. If this was God, it was not God as a being or a spirit or some omnipotent, superhuman mind. It was not a God who would choose to save us or abandon us, or change in any way. It was simply a silence, a wholeness, an awe-inspiring simplicity. It seemed to reach me through my own feelings of love, and I have often thought that when we feel what we call love, we are really feeling our connection to this awesome presence. I feel this presence still when my mind quiets and I really pay attention. I don’t pretend to understand what it is or what it wants from me. I don’t want to understand these things. I have no interest in any God who can be understood, who speaks to us in one holy book or another, and who tinkers with our lives according to some divine plan, as if we were characters in a play. How can I make sense of a God who sets one religion above the rest, who answers one prayer and ignores another, who sends sixteen young men home and leaves twenty-nine others dead on a mountain? There was a time when I wanted to know that god, but I realize now that what I really wanted was the comfort of certainty, the knowledge that my God was the true God, and that in the end He would reward me for my faithfulness. Now I understand that to be certain–-about God, about anything–-is impossible. I have lost my need to know. In those unforgettable conversations I had with Arturo as he lay dying, he told me the best way to find faith was by having the courage to doubt. I remember those words every day, and I doubt, and I hope, and in this crude way I try to grope my way toward truth. I still pray the prayers I learned as a child–-Hail Marys, Our Fathers–-but I don’t imagine a wise, heavenly father listening patiently on the other end of the line. Instead, I imagine love, an ocean of love, the very source of love, and I imagine myself merging with it. I open myself to it, I try to direct that tide of love toward the people who are close to me, hoping to protect them and bind them to me forever and connect us all to whatever there is in the world that is eternal. …When I pray this way, I feel as if I am connected to something good and whole and powerful. In the mountains, it was love that kept me connected to the world of the living. Courage or cleverness wouldn’t have saved me. I had no expertise to draw on, so I relied upon the trust I felt in my love for my father and my future, and that trust led me home. Since then, it has led me to a deeper understanding of who I am and what it means to be human. Now I am convinced that if there is something divine in the universe, the only way I will find it is through the love I feel for my family and my friends, and through the simple wonder of being alive. I don’t need any other wisdom or philosophy than this: My duty is to fill my time on earth with as much life as possible, to become a little more human every day, and to understand that we only become human when we love. …For me, this is enough.
Nando Parrado