β
Do for yourself, for no one else will.
β
β
Johanna Lindsey (A Heart so Wild (Straton Family #1))
β
It's just that I learned a while ago that the best way to get people to like you is not to like them too much.
β
β
John Green (An Abundance of Katherines)
β
What is a friend if not someone you feel close to, someone you like being with, someone you can confide in and share pleasure with.
-Jeremy Malory-
β
β
Johanna Lindsey (A Loving Scoundrel (Malory-Anderson Family, #7))
β
And my sister, my Lindsey, left me in her memories, where I was meant to be.
β
β
Alice Sebold (The Lovely Bones)
β
Something about telling that story made my gut grow back together."
What?"
Oh, nothing. Just thinking out loud."
That's who you really like. The people you can think out loud in front of."
The people who've been in your secret hiding places."
The people you bite your thumb in front of."
Hi."
Hi."
..."
..."
Wow. My first Lindsey."
My second Colin."
That was fun. Let's try it again."
Sold."
..."
..."
..."
...
β
β
John Green (An Abundance of Katherines)
β
It's OK not to be OK.
β
β
Lindsey Kelk (I Heart New York (I Heart, #1))
β
Lindsey patted my arm. βDonβt be embarrassed. Itβs about time you two made the beast with two backs.β
I had to work to form words. βThere are so many things wrong with that statement, I donβt know where to start.
β
β
Chloe Neill (Twice Bitten (Chicagoland Vampires, #3))
β
Falling in love should be the easiest thing in the world, but it's not.
β
β
Rachel Hawthorne (Full Moon (Dark Guardian, #2))
β
People go to LA to "find themselves", they come to New York to become someone new.
β
β
Lindsey Kelk (I Heart New York (I Heart, #1))
β
You matter as much as the things that matter to you. And I got so backwards trying to matter to him. All this time, there were real things to care about: real, good people who care about me, and this place. It's so easy to get stuck. You just get caught in being something, being special or cool or whatever, to the point where you don't even know why you need it; you just think you do.
β
β
John Green (An Abundance of Katherines)
β
Dear God,β
βIt should be illegal for smug vampires to look that good,β Lindsey said, clucking her tongue.
βThat is so true,β I agreed, thinking a little less hotness would make my relationship with Ethan a lot simpler.
β
β
Chloe Neill (Twice Bitten (Chicagoland Vampires, #3))
β
Flattery is nothing but attention without intention.
β
β
Mary Lindsey (Shattered Souls (Souls, #1))
β
If you didn't feel like your support system was strong enough, then getting yourself out of the situation was the best thing to do
β
β
Lindsey Kelk (I Heart New York (I Heart, #1))
β
Don't make me have to chase after you again, because there's no way in hell you can get away from me, lady.
β
β
Johanna Lindsey (A Heart so Wild (Straton Family #1))
β
Why didn't you guys dress up?" Lindsey asks.
"We did." Calliope cracks her first smile. "we're dressed as twins."
Lindsey grins back. "Hmm, I see it now. Fraternal or identical?"
"You'd be surprised how many people ask," Cricket says.
"What do you tell them?" Lindsey asks.
"That I have a penis."
Oh God. My cheeks burn as they all burst into laughter. Think about something else, Dolores. ANYTHING else. Cucumbers, Bananas, Zucchini. AHHHH! NO NO NO NO NO NO NO. I turn my face away from them as Calliope fakes a yakking sound.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
We were each other's rock. But did it make us each other's destiny?
β
β
Rachel Hawthorne (Full Moon (Dark Guardian, #2))
β
Can you at least pretend to be professional today?β
Lindsey stopped, glanced back at Luc. βYou show me professional, and Iβll
show you professional.β
Luc snorted, but his expression was gleeful. βSweetheart, you wouldnβt know
professional if it bit you on the ass.β
βI prefer my bites in other places.β
βIs that an invitation?β
βIf only you were so lucky, cowboy.β
βLucky? Hooking up with me would be the luckiest day of your life, Blondie.
β
β
Chloe Neill (Friday Night Bites (Chicagoland Vampires, #2))
β
Man can live about forty days without food, about three days without water, about eight minutes without air...but only for one second without hope.
β
β
Hal Lindsey
β
The only reason I am successful is because I have stayed true to myself.
β
β
Lindsey Stirling
β
Lindsey loved her job almost as much as she loved her husband.
β
β
Cricket Rohman (Wanted: An Honest Man (Lindsey Lark #1))
β
New York is made up of millions of different people, and they all come here looking for something
β
β
Lindsey Kelk (I Heart New York (I Heart, #1))
β
Do you miss Susie?"
Because it was dark, because Ruth was facing away from her,because Ruth was almost a stranger, Lindsey said what she felt.
"More than anyone will ever know.
β
β
Alice Sebold (The Lovely Bones)
β
A break up is the closest thing to bereavement
β
β
Lindsey Kelk (I Heart New York (I Heart, #1))
β
. . . I love the school uniform. You have great legs."
"Shut up!" I gasped. "I thought you were an old man!"
"Old soul. Young man. Big difference. . .
β
β
Mary Lindsey (Shattered Souls (Souls, #1))
β
For gods' sake, Strider," Torin snapped. "Open your mouth and form some words. While you're at it, stop staring at the angel like he's a tasty treat.
β
β
Gena Showalter (The Darkest Secret (Lords of the Underworld, #7))
β
Lindsey: Why would you choose me?
Rafe: Because you're the one I want.
β
β
Rachel Hawthorne (Full Moon (Dark Guardian, #2))
β
William untucked the covers and stood, making a mental list of everything he'd need for the coming trip. A few blades, serrated and non serrated. A vial of acid. A bone saw. A spiked paddle. A cat-o'-nine-tails. And a bag of Gummy Bears.
β
β
Gena Showalter (The Darkest Secret (Lords of the Underworld, #7))
β
And our safe word?"
"Wonderwall."
Lindsey turned around and cast Luc a sardonic look. " Your safe word is the name of an Oasis song?"
"Blondie, I am the arbiter of all things fashionable in this House. Why not music?"
"Spoken by a man wearing cowboy boots. I mean, seriously. Who wears cowboy boots ?
β
β
Chloe Neill (Twice Bitten (Chicagoland Vampires, #3))
β
Youβve got to have confidence in the very thing that makes you unique β then wait for the world to catch up
β
β
Lindsey Stirling
β
Who said love was reasonable?
β
β
Johanna Lindsey (That Perfect Someone (Malory-Anderson Family, #10))
β
I wasn't in love with Simon any more. I hadn't been in love with Simon for a long time. I was in love with not being on my own, with having someone there at the end of the day and now I knew I didn't need that. My heart was not broken over him: it was breaking for the things I had wanted from him. And I didn't want them any more.
β
β
Lindsey Kelk (The Single Girl's To-Do List)
β
Sometimes we get so used to not really feeling anything, just going with the flow, that we forget how it feels to be really happy or sad.
β
β
Lindsey Kelk (I Heart New York (I Heart, #1))
β
Stupid people always ignored good advice
β
β
Johanna Lindsey (All I Need Is You (Straton Family, #2))
β
If you play "I Don't Want To Know" by Fleetwood Mac loud enough -- you can hear Lindsey Buckingham's fingers sliding down the strings of his acoustic guitar. ...And we were convinced that this was the definitive illustration of what we both loved about music; we loved hearing the INSIDE of a song.
β
β
Chuck Klosterman
β
She sat in her room on the couch my parents had given up on and worked on hardening herself. Take deep breaths and hold them. Try to stay still for longer and longer periods of time. Make yourself small and like a stone. Curl the edges of yourself up and fold them under where no one can see.
~pg 29, Susie's sister Lindsey dealing with grief.
β
β
Alice Sebold (The Lovely Bones)
β
He planned to stick to her like pasties on a stripper.
β
β
Gena Showalter (The Darkest Lie (Lords of the Underworld, #6))
β
Well I've been calling myself Scarlet Pattinson for several weeks. Have you seen Robert Pattinson? Hottest. Man. Ever. And no, I don't care if that makes me a couger. He sings with the voice of an angel. Gods, I love when a man sings to me. You never did because your voice is terrrible." She shuddered in distaste. "I swear, its like a demon running its claws over brimsone.
β
β
Gena Showalter (The Darkest Lie (Lords of the Underworld, #6))
β
Right. Like I have any plans of hanging out with Vampire Boy ever again. Schedule it in right after my lunch date with Lord Voldemort.
β
β
Lindsey Leavitt (Sean Griswold's Head)
β
I never meant for you to see that.β
βOf course, you wouldn't want me to see that. It's much more difficult to pull off an affair when the wife knows about it.
β
β
Cricket Rohman (Wanted: An Honest Man (Lindsey Lark #1))
β
Maybe my best isn't as good as someone else's, but for a lot of people, my best is enough. Most importantly, for me it's enough.
β
β
Lindsey Stirling (The Only Pirate at the Party)
β
Fresh flowers bloomed from vases, sweetly scenting the air. Again, he had no idea. Fine. He'd requested those. That shit smelled good.
β
β
Gena Showalter (The Darkest Lie (Lords of the Underworld, #6))
β
Anthony grinned at her, knowing that would probably infuriate her all the more. "My eyes have been a-wandering, as you put it, for the last nineteen years. Give them a rest, Roslynn. They settled on you and don't want to move on.
β
β
Johanna Lindsey (Tender Rebel (Malory-Anderson Family, #2))
β
There's hope until the last second.
β
β
Mary Lindsey (Shattered Souls (Souls, #1))
β
His hair was still wet, and he was in a black long-sleeved T-shirt and tattered blue jeans. His feet were bare. Casual. Comfortable. Gorgeous.
β
β
Mary Lindsey (Shattered Souls (Souls, #1))
β
But I dog sit for those people. Once they notice heβs gone, they will ask me if Iβve seen him.β
βSo what?β
βI pride myself in being an honest man. Thatβs what!
β
β
Cricket Rohman (Wanted: An Honest Man (Lindsey Lark #1))
β
But you don't let true happiness slip out of your grasp without one helluva fight.
β
β
Johanna Lindsey (That Perfect Someone (Malory-Anderson Family, #10))
β
Supposedly, dreams reflect our hidden fears and secret desires, all clamoring for attention.
β
β
Rachel Hawthorne (Full Moon (Dark Guardian, #2))
β
My throat tightened when I noticed a small tattoo of an origami rose on his upper arm. . .
"Hey, Lenzi," he whispered, barely louder than the surf.
"Rose," I said as our lips met. "My name is Rose.
β
β
Mary Lindsey (Shattered Souls (Souls, #1))
β
You better think real carefully before you say anything, cateyes, because if you give me your love, Iβm not going to let you take it back. I canβt keep worrying about whether or not I can make you happy. Iβll try my best but there isnβt going to be any changing your mind later. Do you understand what Iβm saying? If youβre going to be my woman, thereβs no way in hell Iβll ever let you go.
β
β
Johanna Lindsey (A Heart so Wild (Straton Family #1))
β
So I was ugly. I was never fat, really, and I never wore headgear or had zits or anything. But I was ugly. I don't even know how ugly and pretty get decided - maybe there's like a secret cabal of boys who meet in the locker room and decide who's ugly and who's hot, because as far as I can remember, there was no such thing as a hot fourth-grader. - Lindsey Lee Wells
β
β
John Green
β
...These things come to an end, like anything else. There's nothing worse than staying when there's nothing to stay for.
β
β
Lindsey Kelk
β
The pain had no ebb or flow. It was a constant ever-increasing knell in my chest, timed to the beating of my broken heart.
β
β
Mary Lindsey (Ashes on the Waves)
β
Adolescence is the same tragedy being performed again and again. The only things that change are the stage props.
β
β
Lindsey Leavitt (Going Vintage)
β
She found the perfect black dress: a little too short and a little too tight. No one would suspect she was an elementary school teacher.
β
β
Cricket Rohman (Wanted: An Honest Man (Lindsey Lark #1))
β
Everything they've said is tainted now. Every day was a lie.
β
β
Lindsey Leavitt (Sean Griswold's Head)
β
It's difficult to reconcile the fantastic with reality; hard to accept that things we canβt see existβterrifying, in fact.
β
β
Mary Lindsey (Ashes on the Waves)
β
Never lend if you need repayment; never give where you want a return.
β
β
Lindsey Davis (The Course of Honor)
β
There is more to Subject C than meets the eye. I am baffled by the coldness and selfishness of this woman. I am also tired of dog sitting. Hiding in shadows, waiting in the wings to talk with her is not my style. I hope I'm not in over my head.
β
β
Cricket Rohman (Wanted: An Honest Man (Lindsey Lark #1))
β
A hush, a silence accompanied this dusting of snow until an odd whistling sound broke through the numbness, coming closer, growing louder. What was that?
β
β
Cricket Rohman (Wanted: An Honest Man (Lindsey Lark #1))
β
Stridey-Man: " Want 2 vaca w/me?"
William: "Romantic getaway for 2? UR not my type"
Stridey-Man: "I'm everyone's type. So U in or out? 'Cause I'm thinking about hooking up w/P, wherever he is. U'd just B extra baggage."
William: "In"
Stridey: "Knew you couldn't resist me. B ready in 5."
William: "Right on. Make it 10. I want 2 style my hair for U. U know, just how U like it."
Stridey: "Now U only have 8 minutes 2 do UR hair.
β
β
Gena Showalter (The Darkest Secret (Lords of the Underworld, #7))
β
I would be lying if I said I didn't get a kick out of the assignment. Here I am, a "troubled youth," and my self-chosen treatment is to become a stalker. Okay, not stalker. Research Analyst.
β
β
Lindsey Leavitt (Sean Griswold's Head)
β
Maybe you should mind your own business.'
'You are my business. My job. You are what I do.'
I whipped around to face him. 'Well if I'm your job, your fired. You creep me out.
β
β
Mary Lindsey (Shattered Souls (Souls, #1))
β
I can just imagine the recruiting poster. 'Ghost whisperers wanted: no experience necessary. Death wish and masochistic tendencies a must.
β
β
Mary Lindsey (Shattered Souls (Souls, #1))
β
Saying you liked all music meant that you didn't love any.
β
β
Lindsey Kelk (I Heart New York (I Heart, #1))
β
You can't trust a guy showing off more cleavage than you.
β
β
Lindsey Leavitt (Going Vintage)
β
We have different interests,
fit into different cliques, but the length of our friendship makes
most of that unimportant. You go through enough with a person
over a long enough period of time and they just become a part of
who you are.
β
β
Lindsey Leavitt (Sean Griswold's Head)
β
He rolled me under him to kiss me. It wasn't a gentle kiss like at the beach, or passionate kiss like the one that happened in his room. It was desperate. Desperate and hungry and sad.
A good-bye kiss.
β
β
Mary Lindsey (Shattered Souls (Souls, #1))
β
Your American fairytales end that way.Β Real fairytales end in blood or tears.
β
β
Luna (Lindsey) Corbden (Emerald City Dreamer (Dreams by Streetlight #1))
β
With my life comes my heart, yours now to crush or cherish as you will. It is my hope you will have a care in keeping both.
β
β
Johanna Lindsey (Keeper of the Heart (Ly-San-Ter, #2))
β
Bloody Facebook- and to think I'd enjoyed The Social Network. Clearly Mark Zuckerberg was the devil.
β
β
Lindsey Kelk (The Single Girl's To-Do List)
β
Sometimes you run away by yourself purely so someone who cares will come to find you. Half the time nobody does. That's the tragedy of life.
β
β
Lindsey Davis (The Ides of April (Flavia Albia, #1))
β
I make art for the sake of artΒ .Β .Β . and for my own selfish gratification, because Iβm an artistic monster.
β
β
Lindsey Stirling (The Only Pirate at the Party)
β
I may seem happy, but Iβm still hurting. A nasty, adulterous divorce will do that.
β
β
Cricket Rohman (Wanted: An Honest Man (Lindsey Lark #1))
β
... it's not possible to truly become desensitized or accustomed to discrimination. It's something one endures.
β
β
Mary Lindsey (Ashes on the Waves)
β
Anthony: Now lower your dress a little-
Roslynn: Anthony!
Anthony: This is no time for offended modesty... You're the distraction.
Roslynn: Och, well, in that case.
Anthony: That's quite low enough, my dear...
Roslynn: I was only trying to help,
Anthony: Commendable, but we want the chap to ogle you, not bust his breeches.
β
β
Johanna Lindsey (Tender Rebel (Malory-Anderson Family, #2))
β
Strider's bedroom "The only thing hanging on the wall that wasn't a weapon was the portrait just over the bed. No. Not true, he thought then. The portrait was a weapon, too. Of seduction. In it Strider was utterly naked and whisking through the cloads like an avenging angel. He was holding a teddy bear in one hand and a stream of pink ribbons in the other. Anya had given him the nearly life-size monstrasity as a joke. But the joke was on her. He loved the thing.
β
β
Gena Showalter (The Darkest Secret (Lords of the Underworld, #7))
β
Was it possible to measure what the heart felt?
β
β
Rachel Hawthorne (Full Moon (Dark Guardian, #2))
β
Every inch of me hurts, and we are making the progress of a snail.β
βI know β¦ Do you think it hurts to freeze to death?β Laura asked softly, morbidly.
β
β
Cricket Rohman (Wanted: An Honest Man (Lindsey Lark #1))
β
Sometimes natural and self-inflicted atonement is more severe than that of mankindβs devising.
β
β
Mary Lindsey (Ashes on the Waves)
β
And this was why falling for the butterflies was never a good idea. I didnβt feel all bubbly and excited now. I felt cold and broken and empty.
- Rachel
β
β
Lindsey Kelk (The Single Girl's To-Do List)
β
If you live off a man's compliments, you'll die from his criticism.
β
β
Cornelius Lindsey
β
I'm sorry I stood there like a half-wit, Count Petroff," she told him matter-of-factly, "but I was a bit--surprised. After all, it's not everyday that I see a man who's prettier than I am."
(Alexandra)
β
β
Johanna Lindsey (You Belong to Me (Cardinia's Royal Family, #2))
β
You don't notice the dead leaving when they really choose to leave you. You're not meant to. At most you feel them as a whisper or the wave of a whisper undulating down. I would compare it to a woman in the back of a lecture hall or theater whom no one notices until she slips out.Then only those near the door themselves, like Grandma Lynn, notice; to the rest it is like an unexplained breeze in a closed room.
Grandma Lynn died several years later, but I have yet to see her here. I imagine her tying it on in her heaven, drinking mint juleps with Tennessee Williams and Dean Martin. She'll be here in her own sweet time, I'm sure.
If I'm to be honest with you, I still sneak away to watch my family sometimes. I can't help it, and sometimes they still think of me. They can't help it....
It was a suprise to everyone when Lindsey found out she was pregnant...My father dreamed that one day he might teach another child to love ships in bottles. He knew there would be both sadness and joy in it; that it would always hold an echo of me.
I would like to tell you that it is beautiful here, that I am, and you will one day be, forever safe. But this heaven is not about safety just as, in its graciousness, it isn't about gritty reality. We have fun.
We do things that leave humans stumped and grateful, like Buckley's garden coming up one year, all of its crazy jumble of plants blooming all at once. I did that for my mother who, having stayed, found herself facing the yard again. Marvel was what she did at all the flowers and herbs and budding weeds. Marveling was what she mostly did after she came back- at the twists life took.
And my parents gave my leftover possessions to the Goodwill, along with Grandma Lynn's things.
They kept sharing when they felt me. Being together, thinking and talking about the dead, became a perfectly normal part of their life. And I listened to my brother, Buckley, as he beat the drums.
Ray became Dr. Singh... And he had more and more moments that he chose not to disbelieve. Even if surrounding him were the serious surgeons and scientists who ruled over a world of black and white, he maintained this possibility: that the ushering strangers that sometimes appeared to the dying were not the results of strokes, that he had called Ruth by my name, and that he had, indeed, made love to me.
If he ever doubted, he called Ruth. Ruth, who graduated from a closet to a closet-sized studio on the Lower East Side. Ruth, who was still trying to find a way to write down whom she saw and what she had experienced. Ruth, who wanted everyone to believe what she knew: that the dead truly talk to us, that in the air between the living, spirits bob and weave and laugh with us. They are the oxygen we breathe.
Now I am in the place I call this wide wide Heaven because it includes all my simplest desires but also the most humble and grand. The word my grandfather uses is comfort.
So there are cakes and pillows and colors galore, but underneath this more obvious patchwork quilt are places like a quiet room where you can go and hold someone's hand and not have to say anything. Give no story. Make no claim. Where you can live at the edge of your skin for as long as you wish. This wide wide Heaven is about flathead nails and the soft down of new leaves, wide roller coaster rides and escaped marbles that fall then hang then take you somewhere you could never have imagined in your small-heaven dreams.
β
β
Alice Sebold (The Lovely Bones)
β
Top Gun,β I whispered to Lindsey. Weβd started pointing out Lucβs ubiquitous pop culture references, having decided that because he cut his fangs in the Wild West, heβd been entranced by movies and television. You know, because living in a society of magically enhanced vampires didnβt require enough willing suspension of disbelief.
-Merit in Chloe Neillβs Friday Night Bites
β
β
Chloe Neill (Friday Night Bites (Chicagoland Vampires, #2))
β
What Strider thinks of himself "He was too intense, too jaded, too warped and too...everything for most women to take for long. But so what. He was made of awesome. Anyone who couldn't see that wasn't smart enough to be with him, anyway.
β
β
Gena Showalter (The Darkest Secret (Lords of the Underworld, #7))
β
From her desk, she observed Willy demonstrating his ability to blow snot bubbles out of his slightly runny nose. Emma politely ignored him; Maggieβs face showed disgust at his grossness; Harley giggled; and competitive Joseph tried his best, with no luck, to make something, anything come out of his nose.
β
β
Cricket Rohman (Wanted: An Honest Man (Lindsey Lark #1))
β
It is easy to forget, but stories need not always have a purpose. We are quick to say that folktales have a moral or a lesson or a creed. But most of the stories that have survived the ages are told for one purpose only, and that purpose is to say this: "Being human is difficult. Here is some evidence.
β
β
Lindsey Drager (The Archive of Alternate Endings)
β
Fine," Strider said tightly. "You can. But you wont. Because you know that if you take the woman out of this home, I'll go gray from worry. And you like my hair the way it is."
"Stridey-man. Are you hitting on my? Trying to get me to run my fingers through those mangy locks?"
Gideon chuckled. "Sweetie pie."
Striders lips even twitched into a grin. "You know I hate when you get mushy like that."
Boy loved it. No question.
β
β
Gena Showalter (The Darkest Lie (Lords of the Underworld, #6))
β
I don't know if I've ever really touched him. Maybe once or twice when passing papers back. You know, even shorter, his hair looks so soft. Maybe it's time I rub it a little. So I can give more concrete details.
I stretch my hand across my desk, but stop when I realize the horror of what I was about to do. Pet Sean. Have I lost my mind?
β
β
Lindsey Leavitt (Sean Griswold's Head)
β
Another step had her backed up against the wall, and he braced his arms on both sides of her. "I'm beginning to look forward to this marriage, just so I can spend the rest of my life making you miserable."
Alexandra was too angry to be intimidated.
"Misery loves company, sweetheart," she shot back. "So don't think I'll be suffering mine alone." She slipped out from under his arm and marched out the door.
β
β
Johanna Lindsey (You Belong to Me (Cardinia's Royal Family, #2))
β
Buckley followed the three of them into the kitchen and asked, as he had at least once a day, βWhereβs Susie?β
They were silent. Samuel looked at Lindsey.
βBuckley,β my father called from the adjoining room, βcome play Monopoly with me.β
My brother had never been invited to play Monopoly. Everyone said he was too young, but this was the magic of Christmas. He rushed into the family room, and my father picked him up and sat him on his lap.
βSee this shoe?β my father said.
Buckley nodded his head.
βI want you to listen to everything I say about it, okay?β
βSusie?β my brother asked, somehow connecting the two.
βYes, Iβm going to tell you where Susie is.β
I began to cry up in heaven. What else was there for me to do?
βThis shoe was the piece Susie played Monopoly with,β he said. βI play with the car or sometimes the wheelbarrow. Lindsey plays with the iron, and when you mother plays, she likes the cannon.β
βIs that a dog?β
βYes, thatβs a Scottie.β
βMine!β
βOkay,β my father said. He was patient. He had found a way to explain it. He held his son in his lap, and as he spoke, he felt Buckleyβs small body on his knee-the very human, very warm, very alive weight of it. It comforted him. βThe Scottie will be your piece from now on. Which piece is Susieβs again?β
βThe shoe?β Buckley asked.
βRight, and Iβm the car, your sisterβs the iron, and your mother is the cannon.β
My brother concentrated very hard.
βNow letβs put all the pieces on the board, okay? You go ahead and do it for me.β
Buckley grabbed a fist of pieces and then another, until all the pieces lay between the Chance and Community Chest cards.
βLetβs say the other pieces are our friends?β
βLike Nate?β
βRight, weβll make your friend Nate the hat. And the board is the world. Now if I were to tell you that when I rolled the dice, one of the pieces would be taken away, what would that mean?β
βThey canβt play anymore?β
βRight.β
βWhy?β Buckley asked.
He looked up at my father; my father flinched.
βWhy?β my brother asked again.
My father did not want to say βbecause life is unfairβ or βbecause thatβs how it isβ. He wanted something neat, something that could explain death to a four-year-old He placed his hand on the small of Buckleyβs back.
βSusie is dead,β he said now, unable to make it fit in the rules of any game. βDo you know what that means?β
Buckley reached over with his hand and covered the shoe. He looked up to see if his answer was right.
My father nodded. "You wonβt see Susie anymore, honey. None of us will.β My father cried. Buckley looked up into the eyes of our father and did not really understand.
Buckley kept the shoe on his dresser, until one day it wasn't there anymore and no amount of looking for it could turn up.
β
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Alice Sebold (The Lovely Bones)
β
He reclined on a delightfully cushioned lounge in the sprawling ranch Paris had rented. In Dallas, Texas, of all places. Promiscuity had decked himself out, too, wearing a Stetson (weird), no shirt (understandable), unfastened jeans (smart) and cowboy boots (weird again). Dude looked ready to rustle cattle or something.
β
β
Gena Showalter (The Darkest Secret (Lords of the Underworld, #7))
β
Oh, Jesus,β he said, wheezing with the effort it took to control
himself. He wiped his eyes with the back of his hand. βYou little
innocent. Iβm fluent in French, but it isnβt my first language.β It
was plain by the mortified expression in those green eyes that she
didnβt understand, so he explained. βBaby , if I can still think
clearly enough to speak French, then Iβm not totally involved in
what Iβm doing. It may sound pretty , but it doesnβt mean
any thing. Men are different from women; the more excited we are,
the more like cavemen we sound. I could barely speak English with
you, much less French. As I remember, my vocabulary
deteriorated to a few short, explicit words, βfuckβ being the most
prominent.β
To his amazement, she blushed, and he smiled at this further
evidence of her charming prudery. βGo to sleep,β he said gently.
βLindsey didnβt even rate a replay.
β
β
Linda Howard (After the Night)
β
You aren't even angry with me anymore, Stefan, so let me up."
He didn't budge. "It would be a misconception on your part, little Tanya, if you are thinking I have to be angry to make love to you." His head bent, his lips grazing her cheek all the way to her ear. With his warm breath sending tingles all over her, he continued in a whisper, "I wanted you last night, today a dozen times, right now more than ever. Tell me to love you, Tanya. Demand it of me!
β
β
Johanna Lindsey (Once a Princess (Cardinia's Royal Family, #1))
β
It's so easy to find reasons for why I am excused to be unsatisfied with the moment. As people, we often look to the future saying I'll be happy when⦠I'll be happy when I graduate, I'll be happy when I am thin, I'll be happy when I get a car⦠and so on. But why postpone happiness. Why not find joy in the journey of life. We need to find joy in the simple, ordinary events that make up the everyday because that is what we get the most of.
β
β
Lindsey Stirling
β
You know, you really don't have to kill anyone over this. I'll get an annulment. It will be like never happened"
His eyes came to her, briefly meeting her gaze before dropping to her mouth. "You'll have to make that a divorce instead"
"No you don't understand. An annulment will be much easier to obtain"
His gaze locked with hers now. Cassie became slightly breathless with the intensity of his stare.
"Not after tonight, it won't." He said in his mesmerizing drawl.
"Why?" She barely got the word out.
"Because i'm in the mood to play husband"
"You're what?"
He started toward her. She was too stunned to move, so he was there and reaching for her before she had time to think about running.
"We're having a wedding night," he said as he lifted her off her feet.--
β
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Johanna Lindsey (Angel (Wyoming, #3))
β
What you can't do is leave me!"
He was thrown back. There were still six crewmen standing against him. That wasn't deterring him in the least, however, which only infuriated her the more. The fool man was going to get tossed in the river yet.
She might do it herself. She was, after all, fed up with being told what she could or couldn't do. "And why can't I leave you?"
"Because I love you!"
He hadn't even paused in throwing another punch to shout that. Georgina, however, went very still, and breathless, and nearly sat down on the deck, her knees had gone so weak with the incredible emotion that welled up inside her.
β
β
Johanna Lindsey (Gentle Rogue (Malory-Anderson Family, #3))
β
If I walked too far and wondered loud enough the fields would change. I could look down and see horse corn and I could hear it then- singing- a kind of low humming and moaning warning me back from the edge. My head would throb and the sky would darken and it would be that night again, that perpetual yesterday lived again. My soul solidifying, growing heavy. I came up to the lip of my grave this way many times but had yet to stare in.
I did begin to wonder what the word heaven meant. I thought, if this were heaven, truly heaven, it would be where my grandparents lived. Where my father's father, my favorite of them all, would lift me up and dance with me. I would feel only joy and have no memory, no cornfield and no grave.
You can have that,' Franny said to me. 'Plenty of people do.'
How do you make the switch?' I asked.
It's not as easy as you might think,' she said. 'You have to stop desiring certain answers.'
I don't get it.'
If you stop asking why you were killed instead of someone else, stop investigating the vaccum left by your loss, stop wondering what everyone left on Earth is feeling,' she said, 'you can be free. Simply put, you have to give up on Earth.'
This seemed impossible to me.
...
She used the bathroom, running the tap noisily and disturbing the towels. She knew immediately that her mother had bought these towels- cream, a ridiculous color for towels- and monogrammed- also ridiculous, my mother thought. But then, just as quickly, she laughed at herself. She was beginning to wonder how useful her scorched-earth policy had been to her all these years. Her mother was loving if she was drunk, solid if she was vain. When was it all right to let go not only of the dead but of the living- to learn to accept?
I was not in the bathroom, in the tub, or in the spigot; I did not hold court in the mirror above her head or stand in miniature at the tip of every bristle on Lindsey's or Buckley's toothbrush. In some way I could not account for- had they reached a state of bliss? were my parents back together forever? had Buckley begun to tell someone his troubles? would my father's heart truly heal?- I was done yearning for them, needing them to yearn for me. Though I still would. Though they still would. Always.
β
β
Alice Sebold (The Lovely Bones)
β
I watched him as he lined up the ships in bottles on his deck, bringing them over from the shelves where they usually sat. He used an old shirt of my mother's that had been ripped into rags and began dusting the shelves. Under his desk there were empty bottles- rows and rows of them we had collected for our future shipbuilding. In the closet were more ships- the ships he had built with his own father, ships he had built alone, and then those we had made together. Some were perfect, but their sails browned; some had sagged or toppled over the years. Then there was the one that had burst into flames in the week before my death.
He smashed that one first.
My heart seized up. He turned and saw all the others, all the years they marked and the hands that had held them. His dead father's, his dead child's. I watched his as he smashed the rest. He christened the walls and wooden chair with the news of my death, and afterward he stood in the guest room/den surrounded by green glass. The bottle, all of them, lay broken on the floor, the sails and boat bodies strewn among them. He stood in the wreckage. It was then that, without knowing how, I revealed myself. In every piece of glass, in every shard and sliver, I cast my face. My father glanced down and around him, his eyes roving across the room. Wild. It was just for a second, and then I was gone. He was quiet for a moment, and then he laughed- a howl coming up from the bottom of his stomach. He laughed so loud and deep, I shook with it in my heaven.
He left the room and went down two doors to my beadroom. The hallway was tiny, my door like all the others, hollow enough to easily punch a fist through. He was about to smash the mirror over my dresser, rip the wallpaper down with his nails, but instead he fell against my bed, sobbing, and balled the lavender sheets up in his hands.
'Daddy?' Buckley said. My brother held the doorknob with his hand.
My father turned but was unable to stop his tears. He slid to the floor with his fists, and then he opened up his arms. He had to ask my brother twice, which he had never to do do before, but Buckley came to him.
My father wrapped my brother inside the sheets that smelled of me. He remembered the day I'd begged him to paint and paper my room purple. Remembered moving in the old National Geographics to the bottom shelves of my bookcases. (I had wanted to steep myself in wildlife photography.) Remembered when there was just one child in the house for the briefest of time until Lindsey arrived.
'You are so special to me, little man,' my father said, clinging to him.
Buckley drew back and stared at my father's creased face, the fine bright spots of tears at the corners of his eyes. He nodded seriously and kissed my father's cheek. Something so divine that no one up in heaven could have made it up; the care a child took with an adult.
'Hold still,' my father would say, while I held the ship in the bottle and he burned away the strings he'd raised the mast with and set the clipper ship free on its blue putty sea. And I would wait for him, recognizing the tension of that moment when the world in the bottle depended, solely, on me.
β
β
Alice Sebold (The Lovely Bones)
β
My little brother's greatest fear was that the one person who meant so much to him would go away. He loved Lindsey and Grandma Lynn and Samuel and Hal, but my father kept him stepping lightly, son gingerly monitoring father every morning and every evening as if, without such vigilance, he would lose him.
We stood- the dead child and the living- on either side of my father, both wanting the same thing. To have him to ourselves forver. To please us both was an impossibility.
...
'Please don't let Daddy die, Susie,' he whispered. 'I need him.'
When I left my brother, I walked out past the gazebo and under the lights hanging down like berries, and I saw the brick paths branching out as I advanced.
I walked until the bricks turned to flat stones and then to small, sharp rocks and then to nothing but churned earth for miles adn miles around me. I stood there. I had been in heaven long enough to know that something would be revealed. And as the light began to fade and the sky to turn a dark, sweet blue as it had on the night of my death, I saw something walking into view, so far away I could not at first make out if it was man or woman, child or adult. But as moonlight reached this figure I could make out a man and, frightened now, my breathing shallow, I raced just far enough to see. Was it my father? Was it what I had wanted all this time so deperately?
'Susie,' the man said as I approached and then stopped a few feet from where he stood. He raised his arms up toward me.
'Remember?' he said.
I found myself small again, age six and in a living room in Illinois. Now, as I had done then, I placed my feet on top of his feet.
'Granddaddy,' I said.
And because we were all alone and both in heaven, I was light enough to move as I had moved when I was six and in a living room in Illinois. Now, as I had done then, I placed my feet on top of his feet.
'Granddaddy,' I said.
And because we were all alone and both in heaven, I was light enough to move as I had moved when I was six and he was fifty-six and my father had taken us to visit. We danced so slowly to a song that on Earth had always made my grandfather cry.
'Do you remember?' he asked.
'Barber!'
'Adagio for Strings,' he said.
But as we danced and spun- none of the herky-jerky awkwardness of Earth- what I remembered was how I'd found him crying to this music and asked him why.
'Sometimes you cry,' Susie, even when someone you love has been gone a long time.' He had held me against him then, just briefly, and then I had run outside to play again with Lindsey in what seemed like my grandfather's huge backyard.
We didn't speak any more that night, but we danced for hours in that timeless blue light. I knew as we danced that something was happening on Earth and in heaven. A shifting. The sort of slow-to-sudden movement that we'd read about in science class one year. Seismic, impossible, a rending and tearing of time and space. I pressed myself into my grandfather's chest and smelled the old-man smell of him, the mothball version of my own father, the blood on Earth, the sky in heaven. The kumquat, skunk, grade-A tobacco.
When the music stopped, it cold have been forever since we'd begun. My grandfateher took a step back, and the light grew yellow at his back.
'I'm going,' he said.
'Where?' I asked.
'Don't worry, sweetheart. You're so close.'
He turned and walked away, disappearing rapidly into spots and dust. Infinity.
β
β
Alice Sebold