Linda Hogan Quotes

Some people see scars, and it is wounding they remember. To me they are proof of the fact that there is healing.

Walking. I am listening to a deeper way. Suddenly all my ancestors are behind me. Be still, they say. Watch and listen. You are the result of the love of thousands.

Walking, I can almost hear the redwoods beating. And the oceans are above me here, rolling clouds, heavy and dark. It is winter and there is smoke from the fires. It is a world of elemental attention, of all things working together, listening to what speaks in the blood. Whichever road I follow, I walk in the land of many gods, and they love and eat one another. Suddenly all my ancestors are behind me. Be still, they say. Watch and listen. You are the result of the love of thousands.

There is a way that nature speaks, that land speaks. Most of the time we are simply not patient enough, quiet enough, to pay attention to the story.

tears have a purpose. they are what we carry of the ocean, and perhaps we must become the sea, give ourselves to it, if we are to be transformed.

There are ways in, journeys to the center of life, through time; through air, matter, dream and thought. The ways are not always mapped or charted, but sometimes being lost, if there is such a thing, is the sweetest place to be. And always, in this search, a person might find that she is already there, at the center of the world. It may be a broken world, but it is glorious nonetheless.

Can we love what will swallow us when we are gone? I do.

There is no real aloneness. There is solitude and the nurturing silence that is relationship with ourselves, but even then we are part of something larger.

Sometimes there is a wellspring or river of something beautiful and possible in the tenderest sense that comes to and from the most broken of children, and I was one of these, and whatever is was, I can't name, I can only thank. Perhaps it is the water of life that saves us, after all.

...even if the older mind lives by remembering, the young mind lives by forgetting.

What a strange alchemy we have worked, turning earth around to destroy itself, using earth's own elements to wound it.

I longed to be a flowering branch, the sea in its rocking, an unguessed world. Even now it seems so much as if the body was only the desire of the planet, as if it could turn itself into the universe both together, the same,

I think of that word, power, and what it means. It means you feed your people, you help the world. I never understood what else there was to it

A woman once described a friend of hers as being such a keen listener that even the trees leaned toward her, as if they were speaking their innermost secrets into her listening ears. Over the years I’ve envisioned that woman’s silence, a hearing full and open enough that the world told her its stories. The green leaves turned toward her, whispering tales of soft breezes and the murmurs of leaf against leaf.

All the stories live in our bodies, he thinks. Every last one.

Humans colonizing and conquering others have a propensity for this, for burning behind them what they cannot possess or control, as if their conflicts are not with themselves and their own way of being, but with the land itself.

Perhaps it was the word "God" that was inviting to me, a word I thought I knew too much about. The one who had tortured Job, who had Abraham lift the ax to his son, who, disguised as a whale, had swallowed Jonah. I know now that the name does not refer to any deity, but means simply to call out and pray, to summon.

As for me, I have a choice between honoring that dark life I've seen so many years moving in the junipers, or of walking away and going on with my own human busyness. There is always that choice for humans.

There are so many beginnings.

Not only are there before and after, but there are also beginnings and returns. Not only is there the creation of the humans, formed of corn or clay, with a breath of wind or a god, but there are mythic destinies. Sometimes myth is formed by the body and what happens to it, especially in the realm of pain, depth, and birth. Phantoms of generations past are in our bodies. These explain us to ourselves.

Caretaking is the utmost spiritual and physical responsibility of our time, and perhaps that stewardship is finally our place in the web of life, our work, the solution to the mystery that we are. There are already so many holes in the universe that will never again be filled, and each of them forces us to question why we permitted such loss, such tearing away at the fabric of life, and how we will live with our planet in the future.

The real ceremony begins where the formal one ends, when we take up a new way, our minds and hearts filled with the vision of earth that holds us within it, in compassionate relationship to and with our world.

Now they were merely trying to fill themselves up but not with the heart, not the soul. They'd lost both those along the way...

Oblivion, she thought. That was the world she lived in. It was what they should name some countries, towns, and places.

I saw her future in my body and face, and her past was alive in me.

There were times when the light of the moon had gone out and she felt a great loneliness. It wasn't for herself. It was for what had happened to the grasses of their land, their waters, not just the massacre there, the slavery, but the killing of the ocean.

John Hay, in The Immortal Wilderness, has written: 'There are occasions when you can hear the mysterious language of the Earth, in water, or coming through the trees, emanating from the mosses, seeping through the undercurrents of the soil, but you have to be willing to wait and receive.' Sometimes I hear it talking. The light of the sunflower was one language, but there are others more audible. Once, in the redwood forest, I heard a beat, something like a drum or a heart coming from the ground and trees and wind. That underground current stirred a kind of knowing inside me, a kinship and longing, a dream barely remembered that disappeared back to the body.... Tonight, I walk. I am watching the sky. I think of the people who came before me and how they knew the placement of the stars in the sky, watching the moving sun long and hard enough to witness how a certain angle of light touched a stone only once a year. Without written records, they knew the gods of every night, the small, fine details of the world around them and the immensity above them. Walking, I can almost hear the redwoods beating....It is a world of elemental attention, of all things working together, listening to what speaks in the blood. Whichever road I follow, I walk in the land of many gods, and they love and eat one another. Walking, I am listening to a deeper way. Suddenly all my ancestors are behind me. Be still, they say. Watch and listen. You are the result of the love of thousands.

Like the water, the earth, the universe, a story is forever unfolding. It floods and erupts. It births new worlds. It is circular as our planet and fluid as the words of the first people who came out from the ocean or out of the cave or down from the sky. Or those who came from a garden where rivers meet and whose god was a tempter to their fall, planning it into their creation along with all the rest.

We are looking for a tongue that speaks with reverence for life, searching for an ecology of mind. Without it, we have no home, no place of our own within the creation. It is not only the vocabulary of science we desire. We want a language of that different yield. A yield rich as the harvests of the earth, a yield that returns us to our own sacredness, to a self-love and resort that will carry out to others.

The Fallen It was the night a comet with its silver tail fell through darkness to earth's eroded field, the night I found the wolf, starved in metal trap, teeth broken from pain's hard bite, its belly swollen with unborn young. In our astronomy the Great Wolf lived in the sky. It was the mother of all women and howled her daughter's names into the winds of night. But the new people, whatever stepped inside their shadow, they would kill, whatever crossed their path, they came to fear. In their science, Wolf as not the mother. Wolf was not wind. They did not learn healing from her song. In their stories Wolf was the devil, falling down an empty, shrinking universe, God's Lucifer with yellow eyes that had seen their failings and knew that they could kill the earth, that they would kill each other. That night I threw the fallen stone back to sky and falling stars and watched it all come down to ruined earth again. Sky would not take back what it had done. That night, sky was a wilderness so close the eerie light of heaven and storming hands of sun reached down the swollen belly and dried up nipples of a hungry world. That night, I saw the trapper's shadow and it had four legs.

She was an anchor but at least now she knew it had an end, a stopping place. It hit bottom. She could fall no deeper.

Remembering place is significant, and that includes each visitor to a place, insect, plant, animal, or the passing shadow of a cloud in golden sunlight.

Our flesh has never been a boundary for the human being. We only reach out from there to occupy the space around us. Even more significantly, it occupies us.

Once when I was younger I went out and sat under the sky and looked up and asked it to take me back. What I should have done was gone to the swamp and bog and ask them to bring me back because, if anything is, mud and marsh are the origins of life. Now i think of the storm that made chaos, that the storm opened a door. It tried to make over a world the way it wanted it to be. At school I learned that storms create life, that lightning, with its nitrogen, is a beginning; bacteria and enzymes grow new life from decay out of darkness and water. It's into this that I want to fall, into swamp and mud and sludge and it seems like falling is the natural way of things; gravity needs no fuel, no wings. It needs only stillness and waiting and time.

Surrounded by stone, this body of mine is seen in the dim light for what it is, fragile and brief. The water closes, seamless, around me. My foot with it's blue-green veins is vulnerable beside this rock-hard world that wants to someday take me in. Can we love what will swallow us when we are gone? I do. I love what will consume us all, the place where the tunneling worms and roots of plants dwell, where the slow deep centuries of earth are undoing and remaking themselves.

She didn’t forgive him, not then. Not really until years later when she realized how men were so influenced by their peers and governments. This was something Ruth, a woman who could stand alone in the world, would never understand.

Stories are for people what water is for plants.

A bird killed in the name of human power is in truth a loss of power from the world, not an addition to it.

This is what happens to fire. It consumes itself.

the important question is not whether all rocks are alive but whether specific humans relate appropriately (respectfully) with specific rocks

Oh, don't get me started! I love fantasy, I read it for pleasure, even after all these years. Pat McKillip, Ursula Le Guin and John Crowley are probably my favorite writers in the field, in addition to all the writers in the Endicott Studio group - but there are many others I also admire. In children's fantasy, I'm particularly keen on Philip Pullman, Donna Jo Napoli, David Almond and Jane Yolen - though my favorite novels recently were Midori Snyder's Hannah's Garden, Holly Black's Tithe, and Neil Gaiman's Coraline. I read a lot of mainstream fiction as well - I particularly love Alice Hoffman, A.S. Byatt, Sara Maitland, Sarah Waters, Sebastian Faulks, and Elizabeth Knox. There's also a great deal of magical fiction by Native American authors being published these days - Louise Erdrich's Antelope Wife, Alfredo Vea Jr.'s Maravilla, Linda Hogan's Power, and Susan Power's Grass Dancer are a few recent favorites. I'm a big fan of Jane Austen, Charlotte Bronte, Charles Dickens, and Anthony Trollope - I re-read Jane Austen's novels in particular every year.Other fantasists say they read Tolkien every year, but for me it's Austen. I adore biographies, particularly biographies of artists and writers (and particularly those written by Michael Holroyd). And I love books that explore the philosophical side of art, such as Lewis Hyde's The Gift, Carolyn Heilbrun's Writing a Woman's Life, or David Abram's Spell of the Sensuous. (from a 2002 interview)

He wakes up and he is not a halfhearted man and he can’t remember why he wakes this way, except that he hears the sound of birds and it is as if behind the human world something else is taking place. The

I've been good at this world, the one that hits you when you are born and makes you cry right from the start, so that crying is your first language. I've learned what I was supposed to learn, bu now it comes to me that in doing so I've unlearned other things. I've lost my sense; I cannot sense things. Yes, we are a shambles. And maybe Ama found the way; she found it when all the paths were washed away by rivers from the sky, when all the buildings were blown down by the breath of a God. For just one day, that one day, she found a way out of that shambles, a way around it. And it's this I want to find. But now she has no path back, no way to return even if she wanted to be here in this America. She will always live away from this world, in something of a twilight that is not one thing or the other, one time or the next. She lives in a point, a small point, between two weighted things and it is always rocking this scale, back and forth.

Remembering, in Spanish, means to pass something through the heart again, and now all the years are going through his heart again as he tries to turn away from the ocean. But he hears it and he knows it is out there. Some sleepless nights he goes out. But this night in his sleep he says, "Oh, look at all those beautiful life rafts.

For every inch of skin, there is memory. Devils are so made. Saints, too, if you believe in them. His humanity has been broken as an old walking stick that once held up a crippled man named Thomas. He realizes the stick and the man are one thing and he can fall. He has violated the laws beneath the laws of men and countries, something deeper, the earth and the sea, the explosions of trees. He has to care again. He has to be water again, rock, earth with its new spring wildflowers and its beautiful, complex mosses.

consumer societies are stealing children away from their kith, their family of nature, in a steady alienation. This is not about some luxury, a hobby, a bit of playtime in the garden. This is about the longest, deepest necessity of the human spirit to know itself in nature, and about the homesickness children feel, whose genesis is so obvious but so little examined. Writer on Native American spirituality Linda Hogan describes the term susto as a sickness of soul caused by disconnection from nature and cured by 'the great without.

Perhaps there are events and things that work as a doorway into a mythical world, the world of first people, all the way back to the creation of the universe and the small quickenings of earth, the first stirrings of human beings at the beginnings of time. Our elders believe this to be so, that it is possible to wind a way backwards to the start of things, and in doing so find a form of sacred reason, different from ordinary reason, that is linked to forces of nature. In this kind of mind, like in the feather, is the power of sky and thunder and sun, and many have had alliances and partnerships with it, a way of thought older than measured time, less primitive than the rational present. Others have tried for centuries to understand the world by science and intellect but have not yet done so, not yet understood animals, finite earth, or even their own minds and behavior. The more they seek to learn the world, the closer they come to the spiritual, the magical origins of creation. There is a still place, a gap between the worlds, spoken by the tribal knowings of thousands of years. In it are silent flyings that stand aside from human struggles and the designs of our own makings. At times, when we are silent enough, still enough, we take a step into such mystery, the place of spirit, and mystery, we must remember, by its very nature does not wish to be known.

The people her own age had not ever recovered from the war. The older people are still in the pain of history. Some say it is over, the A’atsika way. It isn’t, Ruth wanted to tell the world that she hangs by her strength. Alone. Don’t be fooled. This is just America happening to us again. She would like to keep them from ruining themselves altogether.

To be a hero you always have to betray something or someone.

Now our bones are revealed like truth.

Another white man, when asked what he did for a living, said by way of an answer that he’d married an Osage woman, and everyone who listened understood what that meant.

When men decide in their secretly dark or hungry hearts to work their own will, there is little that can stop them. They have inner weather, sometimes unpredictable.

Hungry, we are hungry for the whole world. We are like the small fish in the sea, the ones who swim into the mouths of larger ones to take what's there.

What finally turned me back toward the older traditions of my own [Chickasaw] and other Native peoples was the inhumanity of the Western world, the places--both inside and out--where the culture's knowledge and language don't go, and the despair, even desperation, it has spawned. We live, I see now, by different stories, the Western mind and the indigenous. In the older, more mature cultures where people still live within the kinship circles of animals and human beings there is a connection with animals, not only as food, but as 'powers,' a word which can be taken to mean states of being, gifts, or capabilities. I've found, too, that the ancient intellectual traditions are not merely about belief, as some would say. Belief is not a strong enough word. They are more than that: They are part of lived experience, the on-going experience of people rooted in centuries-old knowledge that is held deep and strong, knowledge about the natural laws of Earth, from the beginning of creation, and the magnificent terrestrial intelligence still at work, an intelligence now newly called ecology by the Western science that tells us what our oldest tribal stories maintain--the human animal is a relatively new creation here; animal and plant presences were here before us; and we are truly the younger sisters and brothers of the other animal species, not quite as well developed as we thought we were. It is through our relationships with animals and plants that we maintain a way of living, a cultural ethics shaped from an ancient understanding of the world, and this is remembered in stories that are the deepest reflections of our shared lives on Earth. That we held, and still hold, treaties with the animals and plant species is a known part of tribal culture. The relationship between human people and animals is still alive and resonant in the world, the ancient tellings carried on by a constellation of stories, songs, and ceremonies, all shaped by lived knowledge of the world and its many interwoven, unending relationships. These stories and ceremonies keep open the bridge between one kind of intelligence and another, one species and another. (from her essay "First People")

[T]he old stories of human relationships with animals can't be discounted. They are not primitive; they are primal. They reflect insights that came from considerable and elaborate systems of knowledge, intellectual traditions and ways of living that were tried, tested, and found true over many thousands of years and on all continents. But perhaps the truest story is with the animals themselves because we have found our exemplary ways through them, both in the older world and in the present time, both physically and spiritually. According to the traditions of the Seneca animal society, there were medicine animals in ancient times that entered into relationships with people. The animals themselves taught ceremonies that were to be performed in their names, saying they would provide help for humans if this relationship was kept. We have followed them, not only in the way the early European voyagers and prenavigators did, by following the migrations of whales in order to know their location, or by releasing birds from cages on their sailing vessels and following them towards land, but in ways more subtle and even more sustaining. In a discussion of the Wolf Dance of the Northwest, artists Bill Holm and William Reid said that 'It is often done by a woman or a group of women. The dance is supposed to come from the wolves. There are different versions of its origin and different songs, but the words say something like, 'Your name is widely known among the wolves. You are honored by the wolves.' In another recent account, a Northern Cheyenne ceremonialist said that after years spent recovering from removals and genocide, indigenous peoples are learning their lost songs back from the wolves who retained them during the grief-filled times, as thought the wolves, even though threatened in their own numbers, have had compassion for the people.... It seems we have always found our way across unknown lands, physical and spiritual, with the assistance of the animals. Our cultures are shaped around them and we are judged by the ways in which we treat them. For us, the animals are understood to be our equals. They are still our teachers. They are our helpers and healers. They have been our guardians and we have been theirs. We have asked for, and sometimes been given, if we've lived well enough, carefully enough, their extraordinary powers of endurance and vision, which we have added to our own knowledge, powers and gifts when we are not strong enough for the tasks required of us. We have deep obligations to them. Without other animals, we are made less. (from her essay "First People")

I went inside and sat down on a wooden chair beside her, remembering a story Tulik had once told me about men, the human people, who wanted what all the other creatures had. They went to the large bird and said they wanted to fly. They were granted this wish. They went to the mole and said they wanted to tunnel, and this they were able to do. Last, they went to the water and said, We must have this unbound manner of living. The water said, You have asked for too much, and then all of it was taken away from them. With all their wishes, they had forgotten to ask to become human beings.

Many of us in this time have lost the inner substance of our lives and have forgotten to give praise and remember the sacredness of all life. But in spite of the forgetting, there is still a part of us that is deep and intimate with the world. We remember it by feel. We experience it as a murmur in the night, a longing and restlessness we can’t name, a yearning that tugs at us. For it is only recently, in earth time, that the severing of the connections between people and land has taken place. Something in our human blood is still searching for it, still listening, still remembering. —Linda Hogan

Indigenous Poetry Conflict Resolution for Holy Beings, by Joy Harjo Ghost River (Wakpá Wanági), by Trevino L. Brings Plenty The Book of Medicines, by Linda Hogan The Smoke That Settled, by Jay Thomas Bad Heart Bull The Crooked Beak of Love, by Duane Niatum Whereas, by Layli Long Soldier Little Big Bully, by Heid E. Erdrich A Half-Life of Cardio-Pulmonary Resuscitation, by Eric Gansworth NDN Coping Mechanisms, by Billy-Ray Belcourt The Invisible Musician, by Ray A. Young Bear When the Light of the World Was Subdued, Our Songs Came Through, edited by Joy Harjo New Poets of Native Nations, edited by Heid E. Erdrich The Failure of Certain Charms, by Gordon Henry Jr.

Walking by Stolen Creek the meaning of its name forgotten, the word remembered. Whatever happened here is recalled in another time and it’s remembered inside the stolen self that my blood river passes through in thin and beautiful veins, not gold but only a mere human heartbeat, a circle of people standing, talking, making their plans as water passes by. Something, someone is still alive, telling. They think these are only stories not what holds the world together in its balance.

Sailboat Table (table by Quint Hankle) The Voyage of the Narwhal, by Andrea Barrett Complete Stories, by Clarice Lispector Boy Kings of Texas, by Domingo Martinez The Marrow Thieves, by Cherie Dimaline A Brief History of Seven Killings, by Marlon James There There, by Tommy Orange Citizen: An American Lyric, by Claudia Rankine Underland, by Robert Macfarlane The Undocumented Americans, by Karla Cornejo Villavicencio Deacon King Kong, by James McBride The Dutch House, by Ann Patchett Will and Testament, by Vigdis Hjorth Every Man Dies Alone, by Hans Fallada The Door, by Magda Svabo The Plot Against America, by Philip Roth Fates and Furies, by Lauren Groff The Overstory, by Richard Power Night Train, by Lise Erdrich Her Body and Other Parties, by Carmen Maria Machado The Penguin Book of the Modern American Short Story, edited by John Freeman Between the World and Me, by Ta-Nehisi Coates Birds of America, by Lorrie Moore Mongrels, by Stephen Graham Jones The Office of Historical Corrections, by Danielle Evans Tenth of December, by George Saunders Murder on the Red River, by Marcie R. Rendon Leave the World Behind, by Rumaan Alam Ceremony, by Leslie Marmon Silko On Earth We’re Briefly Gorgeous, by Ocean Vuong The Unwomanly Face of War, by Svetlana Alexievich Standard Deviation, by Katherine Heiny All My Puny Sorrows, by Miriam Toews The Death of the Heart, by Elizabeth Bowen Mean Spirit, by Linda Hogan NW, by Zadie Smith Being Mortal, by Atul Gawande Americanah, by Chimamanda Ngozi Adichie Firekeeper’s Daughter, by Angeline Boulley Erasure, by Percival Everett Sharks in the Time of Saviors, by Kawai Strong Washburn Heaven, by Mieko Kawakami Books for Banned Love Sea of Poppies, by Amitav Ghosh The English Patient, by Michael Ondaatje Euphoria, by Lily King The Red and the Black, by Stendahl Luster, by Raven Leilani Asymmetry, by Lisa Halliday All the Pretty Horses, by Cormac McCarthy Middlesex, by Jeffrey Eugenides The Vixen, by Francine Prose Legends of the Fall, by Jim Harrison The Winter Soldier, by Daniel Mason

I didn't want Vince McMahon to be upset if the shots looked too good and take it out on Hogan! Hulk thanked me for "thinking in the right direction"... I took about 35 photos, and then Linda took one of Hulk and me together that I have never used in any magazine.

Those who loved Ruth--so many--touched her hand, her shoulder, held her lightly, but no one could read the world inside other human bones. They could touch the skin and not feel the grief and pain it held only a skin's-width away.

Sailboat Table (table by Quint Hankle) The Voyage of the Narwhal, by Andrea Barrett Complete Stories, by Clarice Lispector Boy Kings of Texas, by Domingo Martinez The Marrow Thieves, by Cherie Dimaline A Brief History of Seven Killings, by Marlon James There There, by Tommy Orange Citizen: An American Lyric, by Claudia Rankine Underland, by Robert Macfarlane The Undocumented Americans, by Karla Cornejo Villavicencio Deacon King Kong, by James McBride The Dutch House, by Ann Patchett Will and Testament, by Vigdis Hjorth Every Man Dies Alone, by Hans Fallada The Door, by Magda Svabo The Plot Against America, by Philip Roth Fates and Furies, by Lauren Groff The Overstory, by Richard Power Night Train, by Lise Erdrich Her Body and Other Parties, by Carmen Maria Machado The Penguin Book of the Modern American Short Story, edited by John Freeman Between the World and Me, by Ta-Nehisi Coates Birds of America, by Lorrie Moore Mongrels, by Stephen Graham Jones The Office of Historical Corrections, by Danielle Evans Tenth of December, by George Saunders Murder on the Red River, by Marcie R. Rendon Leave the World Behind, by Rumaan Alam Ceremony, by Leslie Marmon Silko On Earth We’re Briefly Gorgeous, by Ocean Vuong The Unwomanly Face of War, by Svetlana Alexievich Standard Deviation, by Katherine Heiny All My Puny Sorrows, by Miriam Toews The Death of the Heart, by Elizabeth Bowen Mean Spirit, by Linda Hogan NW, by Zadie Smith Being Mortal, by Atul Gawande Americanah, by Chimamanda Ngozi Adichie Firekeeper’s Daughter, by Angeline Boulley Erasure, by Percival Everett Sharks in the Time of Saviors, by Kawai Strong Washburn Heaven, by Mieko Kawakami

Something grows from eyes, taking root as if a potato sends to earth what it can see, and yet the seeing part is what they say is poisonous about the potato. That first sprout is what can grow, planted, moving upward, seeing in light.

of Medicines, by Linda Hogan The Smoke That Settled, by Jay Thomas Bad Heart Bull The Crooked Beak of Love, by Duane Niatum Whereas, by Layli Long Soldier Little Big Bully, by Heid E. Erdrich

Fire on the Mountain, by Anita Desai Sailboat Table (table by Quint Hankle) The Voyage of the Narwhal, by Andrea Barrett Complete Stories, by Clarice Lispector Boy Kings of Texas, by Domingo Martinez The Marrow Thieves, by Cherie Dimaline A Brief History of Seven Killings, by Marlon James There There, by Tommy Orange Citizen: An American Lyric, by Claudia Rankine Underland, by Robert Macfarlane The Undocumented Americans, by Karla Cornejo Villavicencio Deacon King Kong, by James McBride The Dutch House, by Ann Patchett Will and Testament, by Vigdis Hjorth Every Man Dies Alone, by Hans Fallada The Door, by Magda Szabó The Plot Against America, by Philip Roth Fates and Furies, by Lauren Groff The Overstory, by Richard Power Night Train, by Lise Erdrich Her Body and Other Parties, by Carmen Maria Machado The Penguin Book of the Modern American Short Story, edited by John Freeman Between the World and Me, by Ta-Nehisi Coates Birds of America, by Lorrie Moore Mongrels, by Stephen Graham Jones The Office of Historical Corrections, by Danielle Evans Tenth of December, by George Saunders Murder on the Red River, by Marcie R. Rendon Leave the World Behind, by Rumaan Alam Ceremony, by Leslie Marmon Silko On Earth We’re Briefly Gorgeous, by Ocean Vuong The Unwomanly Face of War, by Svetlana Alexievich Standard Deviation, by Katherine Heiny All My Puny Sorrows, by Miriam Toews The Death of the Heart, by Elizabeth Bowen Mean Spirit, by Linda Hogan NW, by Zadie Smith Being Mortal, by Atul Gawande Americanah, by Chimamanda Ngozi Adichie Firekeeper’s Daughter, by Angeline Boulley Erasure, by Percival Everett Sharks in the Time of Saviors, by Kawai Strong Washburn Heaven, by Mieko Kawakami

We are those who came from the ones who survived, buried in that place after walking the death trail from Mississippi. Missa Sipokna. We walked into this lost foreign place having no homes, no body of peace just the papers with signatures of those who made promises not held.

Another white man, when asked what he did for a living, said by way of an answer that he’d married an Osage woman, and everyone who listened understood what. that meant

The events in our lives happen in a sequence in time, but in their significance to ourselves they find their own order . . . the continuous thread of revelation. —EUDORA WELTY

As the brilliant thinker and writer John Hay has written, “We do not own intelligence. It is an attribute of the planet.

There is no real aloneness. There is solitude and the nurturing silence that is relationship with ourselves, but even then we are part of something larger.

Indigenous Lives Holding Our World Together, by Brenda J. Child American Indian Stories, by Zitkala-Sa A History of My Brief Body, by Billy-Ray Belcourt The Falling Sky: Words of a Yanomami Shaman, by Davi Kopenawa and Bruce Albert Apple: Skin to the Core, by Eric Gansworth Heart Berries, by Terese Marie Mailhot The Blue Sky, by Galsan Tschinag Crazy Brave, by Joy Harjo Standoff, by Jacqueline Keeler Braiding Sweetgrass, by Robin Wall Kimmerer You Don’t Have to Say You Love Me, by Sherman Alexie Spirit Car, by Diane Wilson Two Old Women, by Velma Wallis Pipestone: My Life in an Indian Boarding School, by Adam Fortunate Eagle Split Tooth, by Tanya Tagaq Walking the Rez Road, by Jim Northrup Mamaskatch, by Darrel J. McLeod Indigenous Poetry Conflict Resolution for Holy Beings, by Joy Harjo Ghost River (Wakpá Wanági), by Trevino L. Brings Plenty The Book of Medicines, by Linda Hogan The Smoke That Settled, by Jay Thomas Bad Heart Bull The Crooked Beak of Love, by Duane Niatum Whereas, by Layli Long Soldier Little Big Bully, by Heid E. Erdrich A Half-Life of Cardio-Pulmonary Resuscitation, by Eric Gansworth NDN Coping Mechanisms, by Billy-Ray Belcourt The Invisible Musician, by Ray A. Young Bear When the Light of the World Was Subdued, Our Songs Came Through, edited by Joy Harjo New Poets of Native Nations, edited by Heid E. Erdrich The Failure of Certain Charms, by Gordon Henry Jr. Indigenous History and Nonfiction Everything You Know About Indians Is Wrong, by Paul Chaat Smith Decolonizing Methodologies, by Linda Tuhiwai Smith Through Dakota Eyes: Narrative Accounts of the Minnesota Indian War of 1862, edited by Gary Clayton Anderson and Alan R. Woodworth Being Dakota, by Amos E. Oneroad and Alanson B. Skinner Boarding School Blues, edited by Clifford E. Trafzer, Jean A. Keller, and Lorene Sisquoc Masters of Empire, by Michael A. McDonnell Like a Hurricane: The Indian Movement from Alcatraz to Wounded Knee, by Paul Chaat Smith and Robert Allen Warrior Boarding School Seasons, by Brenda J. Child They Called It Prairie Light, by K. Tsianina Lomawaima To Be a Water Protector, by Winona LaDuke Minneapolis: An Urban Biography, by Tom Weber

And then we heard the train from a long ways off. It was how sound traveled her, where sometimes a sound from miles away seemed close at hand, and at other times a person in the same room sounded far away, distant and remote.

After birth, the navel remains / so you can never forget you weren't a first person, / but one humble from the past, soon / to disappear into the future. (Linda Hogan, 'Anatomy')