β
Haven't you ever heard of the saying, "If you want to shoot the general, first shoot the horse!"?' --Lin
If you wanna shoot the general, then you should just SHOOT THE GENERAL!' --Ed
β
β
Hiromu Arakawa (Fullmetal Alchemist, Vol. 14 (Fullmetal Alchemist, #14))
β
I am the one thing in life I can control. I am inimitable; I am an original. I'm not falling behind or running late. I'm not standing still: I am lying in wait.
β
β
Lin-Manuel Miranda
β
[BURR]
I am the one thing in life I can control.
β
β
Lin-Manuel Miranda (Hamilton: The Revolution)
β
Death doesn't discriminate between the sinners and the saints, it takes and it takes and it takes, and we keep living anyway....
β
β
Lin-Manuel Miranda
β
Besides the noble art of getting things done, there is the noble art of leaving things undone. The wisdom of life consists in the elimination of non-essentials.
β
β
Lin Yutang (The Importance of Living)
β
You have no control. Who lives, who dies, who tells your story.
β
β
Lin-Manuel Miranda (Hamilton: The Revolution)
β
If you can spend a perfectly useless afternoon in a perfectly useless manner, you have learned how to live
β
β
Lin Yutang
β
Youβre like a rose in a graveyard. I wonder what you could have turned into without the war
β
β
SenLinYu (Manacled)
β
There is something in the nature of tea that leads us into a world of quiet contemplation of life.
β
β
Lin Yutang (The Importance of Living)
β
[HAMILTON]
I imagine death so much it feels more like a memory
β
β
Lin-Manuel Miranda
β
Look around, look around at how lucky we are to be alive right now.
β
β
Lin-Manuel Miranda (Hamilton: The Revolution)
β
You are perfectly cast in your life. I can't imagine anyone but you in the role. Go play.
β
β
Lin-Manuel Miranda
β
She was a non-active member of the Order of the Phoenix and did not fight.
β
β
SenLinYu (Manacled)
β
I always have to choose, and I never get to choose you. I'm tired of not getting to choose you
β
β
SenLinYu (Manacled)
β
No one realizes how beautiful it is to travel until he comes home and rests his head on his old, familiar pillow.
β
β
Lin Yutang
β
Love is love is love is love is love is love is love is love cannot be killed or swept aside.
β
β
Lin-Manuel Miranda
β
I have warned you. If something happens to you, I will personally raze the entire Order. That isn't a threat. That is a promise. Consider your survival as much a necessity to the survival of the Resistance as Potter's. If you die, I will kill every last one of them.
β
β
SenLinYu (Manacled)
β
I know my sister like I know my own mind, you will never find anyone as trusting or as kind.
β
β
Lin-Manuel Miranda (Hamilton: The Revolution)
β
Those who are wise won't be busy, and those who are too busy can't be wise.
β
β
Lin Yutang (The Importance of Living)
β
[HAMILTON}
There's a million things I haven't done but just you wait.
Just you wait.
β
β
Lin-Manuel Miranda
β
Dying is easy, young man. Living is harder
β
β
Lin-Manuel Miranda (Hamilton: The Revolution)
β
Why do you write like you're running out of time?
β
β
Lin-Manuel Miranda
β
When Small men begin to cast big shadows, it means that the sun is about to set.
β
β
Lin Yutang
β
To engender empathy and create a world using only words is the closest thing we have to magic.
β
β
Lin-Manuel Miranda
β
Raise a glass to freedom
Something they can never take away
No matter what they tell you
β
β
Lin-Manuel Miranda (Hamilton: The Revolution)
β
[ELIZA]
You and your words flooded my senses, your sentences left me defenseless. You built me palaces out of paragraphs, you built cathedrals.
β
β
Lin-Manuel Miranda
β
How on Earth did you do that with the same 24 hours a day that everyone else gets?
β
β
Lin-Manuel Miranda (Hamilton: The Revolution)
β
If he's a monster, then I'm his creator. What did you think was the source of all his rage?
β
β
SenLinYu (Manacled)
β
Iβm sorryβIβm sorryβIβm so sorry. Iβm sorry for everything I did to you,β he said, his voice hoarse and broken. βI love you. You left, and Iβd never told you.
β
β
SenLinYu (Manacled)
β
History is entirely created by the person who tells the story.
β
β
Lin-Manuel Miranda (Hamilton: The Revolution)
β
Legacy. What is a Legacy? It's planting seeds in a garden you never get to see
β
β
Lin-Manuel Miranda (Hamilton: The Revolution)
β
Be careful. Don't die.
Only because you asked.
β
β
SenLinYu (Manacled)
β
I may not live to see our glory
But I will gladly join the fight
And when our children tell our story
They'll tell the story of tonight
β
β
Lin-Manuel Miranda (Hamilton: The Revolution)
β
Grief has a taste, bitter and lingering, but so soft it sometimes disguises itself as sweetness.
β
β
Judy I. Lin (A Magic Steeped in Poison (The Book of Tea, #1))
β
[WASHINGTON]
Itβs alright, you want to fight, youβve got a hunger
I was just like you when I was younger
Head full of fantasies of dyinβ like a martyr?
[HAMILTON]
Yes
[WASHINGTON]
Dying is easy, young man. Living is harder
β
β
Lin-Manuel Miranda
β
Come on brain, think of things
Come on brain, think of things
Come on brain, be so smart
β
β
Lin-Manuel Miranda
β
What is patriotism but the love of the food one ate as a child?
β
β
Lin Yutang
β
The correct arrangement of words will make these bad feelings go away tonight.
β
β
Tao Lin
β
Lin beamed, and threw a couple of triumphant middle fingers in the air.
β
β
Lin-Manuel Miranda (Hamilton: The Revolution)
β
{BURR}
Life doesn't discriminate between the sinners and the saints. It takes and it takes and it takes. And we keep living anyway. We rise and we fall and we break and we make our mistakes and if there's a reason I'm still alive when so many have died then I'm willing to--
wait for it.
β
β
Lin-Manuel Miranda
β
I am not throwing away my shot.
I am not throwing away my shot.
I'm just like my country.
I'm young, scrappy, and hungry.
And I am not throwing away my shot.
β
β
Lin-Manuel Miranda
β
You are not replaceable,β he said. His hands were shaking as he gripped her. βYou are not required to make your death convenient. You are allowed to be important to people. The reason I took that fucking Vow was to keep you alive. To keep you safe." - Chapter 52: Flashback 27
β
β
SenLinYu (Manacled)
β
Malfoy always comes for me.
β
β
SenLinYu (Manacled)
β
Do you sometimes look up from the computer and look around the room and know you are alone, I mean really know it, then feel scared ?
β
β
Tao Lin (Shoplifting from American Apparel)
β
Dying is easy young man. Living Is harder
β
β
Lin-Manuel Miranda
β
Iβm going to take care of you. Iβm not going to let anyone hurt you. You donβt have to be lonely, because youβre mine.
β
β
SenLinYu (Manacled)
β
I guess my point is that I do believe in love. Really. I'm just not convinced that kind of love could ever happen to me.
β
β
Ann Liang (This Time It's Real)
β
Comma sexting. It's a thing. Get into it.
β
β
Lin-Manuel Miranda (Hamilton: The Revolution)
β
I was having a drink with Hugh Laurie, with whom Iβd worked on his series House, and I told him I wanted to write a breakup letter from King George to the colonies. Without blinking, he improvβd at me, βAwwww, youβll be back,β wagging his finger. I laughed and filed it away. Thanks, Hugh Laurie.
β
β
Lin-Manuel Miranda (Hamilton: The Revolution)
β
If you make happy those that are near, those that are far will come.
β
β
Grace Lin (Where the Mountain Meets the Moon)
β
You only lose what you cling to.
β
β
Grace Lin (Where the Mountain Meets the Moon)
β
There was an enjoyment to being alive, he felt, that because of an underlying meaninglessnessβlike how a person alone for too long cannot feel comfortable when with others; cannot neglect that underlying the feeling of belongingness is the certainty, really, of loneliness, and nothingness, and so experiences life in that hurried, worthless way one experiences a mistakeβhe could no longer get at.
β
β
Tao Lin (Eeeee Eee Eeee)
β
When Lin optioned his book, Ron was relieved that the Founding Father who had the most dramatic and least appreciated life story would finally get his dueβeven though a rap musical was the last way that Ron had anticipated Hamilton getting it.
β
β
Lin-Manuel Miranda (Hamilton: The Revolution)
β
The wise man reads both books and life itself.
β
β
Lin Yutang
β
The busy man is never wise and the wise man is never busy.
β
β
Lin Yutang
β
sad things are beautiful only from a distance
therefore you just want to get away from them
from a distance of one hundred and thirty years
....i'm going to distance myself until the world is beautiful
β
β
Tao Lin (this emotion was a little e-book)
β
You were one person alive and your brain was encased in a skull. There were other people out there. It took effort to be connected.
β
β
Tao Lin (Bed)
β
But as she tried to unravel him, he grew increasingly tragic and terrifyingly human
β
β
SenLinYu (Manacled)
β
On average, since the urge to kill myself isn't so strong that I actually kill myself, the world is worth living in.
β
β
Tao Lin (Taipei)
β
The past places no absolute limit on the future.
β
β
Lin-Manuel Miranda
β
I promised--every time you asked, I promised I was yours always. There aren't any exemptions or expiration dates on always.
β
β
SenLinYu (Manacled)
β
Sometimes the right person tells the right story at the right moment, and through a combination of luck and design, a creative expression gains new force.
β
β
Lin-Manuel Miranda (Hamilton: The Revolution)
β
Life, people learned, was not easy. Life was not cake. Life was not a carrot cake.
β
β
Tao Lin (Bed)
β
I wish writing were really like the way Andy staged it here: Me in a mania at a desk while a group of people stand around cheering in awe. More realistically, it's me pooping around on Twitter until I get an idea.
β
β
Lin-Manuel Miranda (Hamilton: The Revolution)
β
If you stand for nothing, Burr, what'll you fall for?
β
β
Lin-Manuel Miranda
β
She's my friend, the boy said simply. That's who she is and that's enough for me. As Minli looked at the buffalo boy, aglow with happiness against his poor surroundings, she saw it was enough for him. More than enough, as the smile that kept curling up on his face told her.
β
β
Grace Lin (Where the Mountain Meets the Moon)
β
Anyone who reads a book with a sense of obligation does not understand the art of reading.
β
β
Lin Yutang (The Importance of Living)
β
He had such long fingers. In another life, he could have been a healer or a musician. He would have had the perfect hands for it.
β
β
SenLinYu (Manacled)
β
Life doesn't discriminate
Between the sinners and the saints
It takes and it takes and it takes
And we keep living anyway
We rise and we fall and we break
And we make our mistakes
β
β
Lin-Manuel Miranda
β
Hope is like a road in the country; there was never a road, but when many people walk on it, the road comes into existence.
β
β
Lin Yutang
β
I am the one thing in life I can control.
I am inimitable.
I am an original
β
β
Lin-Manuel Miranda (Hamilton - Vocal Selections)
β
Whenever I see her, we laugh enough to last for the month. She's my best friend, and someday when we're old enough I'm going to talk her into staying here forever.
β
β
Grace Lin (Where the Mountain Meets the Moon)
β
I like spring, but it is too young. I like summer, but it is too proud. So I like best of all autumn, because its leaves are a little yellow, its tone mellower, its colours richer, and it is tinged a little with sorrow and a premonition of death. Its golden richness speaks not of the innocence of spring, nor of the power of summer, but of the mellowness and kindly wisdom of approaching age. It knows the limitations of life and is content. From a knowledge of those limitations and its richness of experience emerges a symphony of colours, richer than all, its green speaking of life and strength, its orange speaking of golden content and its purple of resignation and death
β
β
Lin Yutang
β
(On Angelica in 'Satisfied')
Oof. Tryinβ to out-Eponine Eponine up in this piece.
β
β
Lin-Manuel Miranda (Hamilton: The Revolution)
β
I'm not throwing away my shot.
β
β
Lin-Manuel Miranda
β
Look," said Janet, irritated, "if the thing you liked best to do in the world was read, and somebody offered to pay you room and board and give you a liberal arts degree if you would just read for four years, wouldn't you do it?
β
β
Pamela Dean (Tam Lin)
β
There is so much to love and to admire in this life that it is an act of ingratitude not to be happy and content in this existence.
β
β
Lin Yutang (Pleasures of a Nonconformist)
β
Talk less. Smile more.
β
β
Lin-Manuel Miranda (Hamilton: The Revolution)
β
You didn't expect these notes to turn into my therapy session, did you?
β
β
Lin-Manuel Miranda (Hamilton: The Revolution)
β
It was always the last thing she said to him.
The moment before he apparated away, as he stood in his Death Eater robes, sheβd say it rather than goodbye. Sheβd catch his chin in her hand and stare up into his eyes. βBe careful. Donβt die.
β
β
SenLinYu (Manacled)
β
Talk less. Smile more. Don't let them know what you're against or what you're for.
β
β
Lin-Manuel Miranda
β
And I don't know how to make people stay; I never have.
β
β
Ann Liang (This Time It's Real)
β
BURR: Alexander joins forces with James Madison and John Jay to write a series of essays defending the new United States Constitution, entitled The Federalist Papers. The plan was to write a total of 25 essays, the work divided evenly among the three men. In the end, they wrote 85 essays, in the span of six months. John Jay got sick after writing 5. James Madison wrote 29. Hamilton wrote the other 51.
β
β
Lin-Manuel Miranda (Hamilton: The Revolution)
β
Iβm erasing myself from the narrative. Let future historians wonder how Eliza reacted when you broke her heart.
β
β
Lin-Manuel Miranda (Hamilton: The Revolution)
β
My wife's the reason anything gets done, she nudges me towards promise by degrees. She is a perfect symphony of one our son is her most beautiful reprise. We chase the melodies that seem to find us until they're finished songs and start to play. When senseless acts of tragedy remind us that nothing here is promised--not one day. This show is proof that history remembers. We live in times when hate and fear seem stronger. We rise and fall and light from dying embers--remembrances that hope and love last longer. And love is love is love is love is love is love is love is love cannot be killed or swept aside. I sing Vanessa's symphony. Eliza tells her story. Now, fill the world with music, love, and pride.
β
β
Lin-Manuel Miranda
β
There are no books in this world that everybody must read, but only books that a person must read at a certain time in a given place under given circumstances and at a given period of his life.
β
β
Lin Yutang (The Importance of Living)
β
The man who has not the habit of reading is imprisoned in his immediate world, in respect to time and space. His life falls into a set routine; he is limited to contact and conversation with a few friends and acquaintances, and he sees only what happens in his immediate neighbourhood. From this prison there is no escape. But the moment he takes up a book, he immediately enters a different world, and if it is a good book, he is immediately put in touch with one of the best talkers of the world. This talker leads him on and carries him into a different country or a different age, or unburdens to him some of his personal regrets, or discusses with him some special line or aspect of life that the reader knows nothing about. An ancient author puts him in communion with a dead spirit of long ago, and as he reads along, he begins to imagine what the ancient author looked like and what type of person he was.
β
β
Lin Yutang (The Importance of Living)
β
His passion hadn't been explosive. it was a smoldering fire; the kind that grew secretly, like a ground fire deep in the earth, spreading and waiting before rising up, destroying the world above. She suspected he burned for things more deeply than even he was aware of.
β
β
SenLinYu (Manacled)
β
Anytime you write something, you go through so many phases. You go through the Iβm a Fraud phase. You go through the Iβll Never Finish phase. And every once in a while you think, What if I actually have created what I set out to create, and itβs received as such?
β
β
Lin-Manuel Miranda
β
This was the way into Burr. I knew he and Hamilton circled each other all their lives, I knew they went from friends to frenemies to foes, but it wasnβt til I read this detail onlineβthat Theodosia was married to a British officer when Aaron Burr met her, and he waited until she was availableβthat the character of Burr came free in my imagination. Imagine Hamilton waitingβfor anything. Thatβs when I realized our task was to dramatize not two ideological opposites, but a fundamental difference in temperament.
β
β
Lin-Manuel Miranda (Hamilton: The Revolution)
β
Lately, they were always reassuring each other that nothing was wrong; and probably it was trueβlife wasnβt supposed to be incredible, after all. Life wasnβt some incredible movie. Life was all the movies, ever, happening at once. There were good ones, bad ones, some went straight to video.
β
β
Tao Lin (Bed)
β
Gmorning!
You're gonna make mistakes.
You're gonna fail.
You're gonna get back up.
You're gonna break hearts.
You're gonna change minds.
You're gonna make noise.
You're gonna make music.
You're gonna be late, let's GO.
Gnight!
You're gonna fall down.
You're gonna be tested.
You're gonna learn about yourself.
You're gonna get brave.
You're gonna take stands.
You're gonna make waves.
You're gonna make history.
You're gonna need rest, REST UP.
β
β
Lin-Manuel Miranda (Gmorning, Gnight!: Little Pep Talks for Me & You)
β
Gmorning.
This feeling will pass.
This workload will pass.
These people will pass.
But look at you, with the gift of memory.
You can time travel to the good stuff just by closing your eyes & breathing.
Then come right back to now, eyes up for the good stuff ahead.
You magic thing.
Gnight.
This moment will pass.
This fatigue will pass.
Tonight will pass.
But look at you, with the gift of imagination.
You can teleport to where you're happiest just by closing your eyes and breathing.
Then come right back to now, check in with the present.
You magic thing, you.
β
β
Lin-Manuel Miranda ({(Gmorning, Gnight)}[Gmorning, Gnight])
β
Gmorning.
YOU ARE SO LOVED AND WE LIKE
HAVING YOU AROUND.
*ties one end of this sentence to your heart,
the other end to everyone who loves you,
even the ones you havenβt heard from for a
while*
*checks knots*
THERE. STAY PUT, YOU.
Gnight.
YOU ARE SO LOVED AND WE LIKE
HAVING YOU AROUND.
*ties one end of this sentence to your heart, the
other end to everyone who loves you in this life,
even if clouds obscure your view*
*checks knots*
THERE. STAY PUT, YOU.
TUG IF YOU NEED ANYTHING.
β
β
Lin-Manuel Miranda (Gmorning, Gnight!: Little Pep Talks for Me & You)
β
He used to think things like, This organic soymilk will make me healthy and that'll make my brain work better and that'll improve my writing. Also things like, The less I eat the less money I spend on publicly owned companies the less pain and suffering will exist in the world. Now he thinks things like, It is impossible to be happy. Why would anyone think that?
β
β
Tao Lin (Eeeee Eee Eeee)
β
Draco talked to Aurore more than he talked to anyone, even Hermione.
He would monologue to her about anything, about the trees, and the furniture, all the shops where heβd bought books for Hermione, about what the weather might be, and what all the colours and hues of the analytic spells meant. Aurore would listen to him intently and fret when he got distracted or fell silent for too long.
β
β
SenLinYu (Manacled)
β
i will learn how to love a person and then i will teach you and then we will know"
seen from a great enough distance i cannot be seen
i feel this as an extremely distinct sensation
of feeling like shit; the effect of small children
is that they use declarative sentences and then look at your face
with an expression that says, βyou will never do enough
for the people you loveβ; i can feel the universe expanding
and it feels like no one is trying hard enough
the effect of this is an extremely shitty sensation
of being the only person alive; i have been alone for a very long time
it will take an extreme person to make me feel less alone
the effect of being alone for a very long time
is that i have been thinking very hard and learning
about mortality, loneliness, people, society, and love; i am afraid
that i am not learning fast enough; i can feel the universe expanding
and it feels like no one has ever tried hard enough; when i cried in your room
it was the effect of an extremely distinct sensation that βi am the only person
alive,β βi have not learned enough,β and βi can feel the universe expanding
and making things be further apart
and it feels like a declarative sentence
whose message is that we must try harder
β
β
Tao Lin
β
...one had to expect very littleβalmost nothingβfrom life, Aaron knew, one had to be grateful, not always trying to seize the days like some maniac of living, but to give oneself up, be seized by the days, the months and years, be taken up in the froth of sun and moon, some pale and smoothie-ed river-cloud of life, a long, drawn-out, gray sort of enlightenment, so that when it was time to die, one did not scream swear words and knock things down, did not make a scene, but went easily with understanding and tact, and quietly, in a lightly pummeled way, having been consoledβhaving allowed to be consoledβby the soft, generous, worthlessness of it all, having allowed to be massaged by the daily beating of life, instead of just beaten.
β
β
Tao Lin (Bed)
β
My wife's the reason anything gets done,
She nudges me toward promise by degrees.
She is a perfect symphony of one,
Our son is her most beautiful reprise.
We chase the melodies that seem to find us
Until they're finished songs and start to play
When senseless acts of tragedy remind us
That nothing here is promised, not one day.
This show is proof that history remembers
We live through times when hate and fear seem stronger.
We rise and fall and light from dying embers
Remembrances that hope and love last longer.
And love is love is love is love is love
is love is love is love cannot be killed or swept aside.
I sing Vanessaβs symphony, Eliza tells her story
Now fill the world with music, love and pride.
β
β
Lin-Manuel Miranda
β
I am not a man who often expresses is emotions, Miss Linton."
"You don't say?"
"But I must admit I was... somewhat concerned for you."
I had to work hard to keep a smile from my face."
"Somewhat concerned? Dear God, really?"
Abruptly, he turned to me, his eyes blazing with cold fire. "Dammit! Do not joke, Miss Linton!"
I looked up at him, the picture of innocence drawn by a five-year-old with absolutely no artistic talent. "I wouldn't dare!"
Stepping towards me, he reached out, until one of his hands gently touched my cheek. "I..." He swallowed, and tried again. "I might be slightly... irrationally infatuated with you."
Warmth spread deep inside me. And on my face, a grin did. "Irrationally infatuated? Dear me!"
His jaw clenched. "All right, all right! I may even have certain... impulses towards you that border on caring about you."
"You don't say?" I raised an eyebrow at him. "Well, I am so glad to hear that you feel a certain amount of friendship towards me."
His dark gaze pierced me accusingly. But I was enjoying this far too much to stop. I wouldn't make it easy for him.
"Friendship is not the right word, Miss Linton," he bit out between clenched teeth, every word like a shard of burning ice. "My impulses towards you... they might go slightly beyond the platonic."
"Oh, so they are Aristotelian?"
"Mr Lin-" He swallowed, hard. "I mean Miss Linton, we are not discussing philosophy here!"
I batted my eyelashes at him. "Indeed? Then pray tell, what are we discussing?"
"I... I..."
"You can say it, you know," I told him. "The word isn't poisonous."
"I... have feelings towards you."
"Clearly. I knew that from the first day from the way you shouted at me and pelted me with threats."
"Not those kinds of feelings!"
"What kind, then?"
"I feel... affection towards you."
"You're nearly there," I encouraged him, my smile widening. "Just four little letters. The word starts with L. Go on. You can do it."
"You're enjoying this, Miss Linton, aren't you?"
"Very much so."
"Oh, to hell with it!"... His mouth took mine in a fast, fierce, bruising kiss... Finally he broke away, and with the remnants of his breath whispered: "I love you!
β
β
Robert Thier (Silence Breaking (Storm and Silence, #4))