Limp Bizkit Quotes

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You'd be surprised." Charlie said. "You go to bed one night singing her a lullaby, and she wakes up listening to Limp Bizkit." "What the hell is Limp Bizkit?
Jodi Picoult (Salem Falls)
Life is a lesson. You learned it when you're through.
Limp Bizkit
He had braces, sported a black Limp Bizkit Tshirt. Limp Bizkit is a band that was popular at the time. If you’re fortunate, you’ve never heard of them.
David Wong
- You know I don't like Limp Bizkit. I prefer good old rock: Beatles, Black Sabbath, Led Zeppelin, Grand Funk Railroad. OOMPH! and In Extremo, at the very least. - Oh, come on. If everyone were like you we'd still be apes. Why do you hate new things?
Bryanna Reid (#Thegreatsmag)
I'll take the devil over a goddamn Limp Bizkit fan any day, asshole!
Tim Seeley (Revival, Vol. 1: You're Among Friends)
After a moment I realized it was simply Fred Durst and the group Limp Bizkit—Shitload’s favorite band. They’re the ones who invented the musical technique of feeding a list of generic rap phrases to a goat, then reading its turds into a microphone over heavy metal guitar.
David Wong (John Dies at the End (John Dies at the End #1))
I attempted to make a more academic argument about how the Limp Bizkit song “Nookie” was misogynist for suggesting that the protagonist’s ex-girlfriend should inject a cookie into her vagina (or maybe that she should somehow fold her vagina into her rectum — the specific lyrics have never been clear).
Chuck Klosterman (I Wear the Black Hat: Grappling with Villains (Real and Imagined))
I’m not one of those guys who can hear a band and immediately cite their influences and probable heroes. There are guys like that out there. Play them the first drumbeat and they’ll start banging on about Led Zeppelin or Limp Bizkit or how everything can be traced back to the man who wrote the Birdie Song. Dev can do it with videogames. He can take one look at a game and tell you what it’s trying to be, where it got the idea, what it’s been crossed with and how well it’s done, but I just can’t. Because I’m the other sort of person. A Type 2. One that judges everything on its own merits. Not because it’s the right and just and fair thing to do, but because there’s something about me that doesn’t quite have that passion. That need for peripheral knowledge. I like a little of everything; I don’t need it all. It can make conversations with the Type 1s a little strained. A Type 1 will have all his opinions ready to go and probably alphabetised before he even gets near you. A Type 2 will then shrink behind his sandwich.
Danny Wallace (Charlotte Street)
looks like i'm gonna do everything myself maybe i could use some help but hell, you want something done right you gotta do it yourself maybe life is up and down but my life's been (what?) till now i crawled up your butt somehow and that's when things got turned around i used to be alive now i feel pathetic and now i get it what's done is done you just leave it alone and don't regret it but sometimes, some things turn into dumb things and that's when you put your foot down. why did i have to go and meet somebody like you (like you) why did you have to go and hurt somebody like me (like me) how could you do somebody like that? (like that) hope you know that i'm never coming back (never coming back)
Limp Bizkit
Almost a decade ago, I was browsing in a Barnes & Noble when I came across a book called Route 666: On the Road to Nirvana. It was a music book about a band I liked, so I started paging through it immediately. What I remember are two sentences on the fourth page which discussed how awesome it was that 'Smells Like Teen Spirit' was on the radio, and how this was almost akin to America electing a new president: 'It's not that everything will change at once,' wrote the author, 'it's that at least the people have voted for better principles. Nirvana's being on the radio means my own values are winning: I'm no longer in the opposition.' I have never forgotten those two sentences, and there are two reasons why this memory has stuck with me. The first reason is that this was just about the craziest, scariest idea I'd ever stumbled across. The second reason, however, is way worse; what I have slowly come to realize is that most people think this way all the time. They don't merely want to hold their values; they want their values to win. And I suspect this is why people so often feel 'betrayed' by art and consumerism, and by the way the world works. I'm sure the author of Route 666 felt completely 'betrayed' when Limp Bizkit and Matchbox 20 became superfamous five years after Cobain's death and she was forced to return to 'the opposition' ...If you feel betrayed by culture, it's not because you're right and the universe is fucked; it's only because you're not like most other people. But this should make you happy, because—in all likelihood—you hate those other people, anyway. You are being betrayed by a culture that has no relationship to who you are or how you live... Do you want to be happy? I suspect that you do. Well, here’s the first step to happiness: Don’t get pissed off that people who aren’t you happen to think Paris Hilton is interesting and deserves to be on TV every other day; the fame surrounding Paris Hilton is not a reflection on your life (unless you want it to be). Don’t get pissed off because the Yeah Yeah Yeahs aren’t on the radio enough; you can buy the goddamn record and play “Maps” all goddamn day (if that’s what you want). Don’t get pissed off because people didn’t vote the way you voted. You knew that the country was polarized, and you knew that half of America is more upset by gay people getting married than it is about starting a war under false pretenses. You always knew that many Americans worry more about God than they worry about the economy, and you always knew those same Americans assume you’re insane for feeling otherwise (just as you find them insane for supporting a theocracy). You knew this was a democracy when you agreed to participate, so you knew this was how things might work out. So don’t get pissed off over the fact that the way you feel about culture isn’t some kind of universal consensus. Because if you do, you will end up feeling betrayed. And it will be your own fault. You will feel bad, and you will deserve it. Now it’s quite possible you disagree with me on this issue. And if you do, I know what your argument is: you’re thinking, But I’m idealistic. This is what people who want to inflict their values on other people always think; they think that there is some kind of romantic, respectable aura that insulates the inflexible, and that their disappointment with culture latently proves that they’re tragically trapped by their own intellect and good taste. Somehow, they think their sense of betrayal gives them integrity. It does not. If you really have integrity—if you truly live by your ideals, and those ideals dictate how you engage with the world at large—you will never feel betrayed by culture. You will simply enjoy culture more.
Chuck Klosterman (Chuck Klosterman IV: A Decade of Curious People and Dangerous Ideas)
What are we talking about in 2001? A Tuesday morning with a crystalline sky. American Airlines Flight 11 from Boston to Los Angeles crashes into the North Tower of the World Trade Center at 8:46 a.m. United Airlines Flight 175, also from Boston to Los Angeles, crashes into the South Tower at 9:03. American Airlines Flight 77 from Washington Dulles to Los Angeles hits the Pentagon at 9:37 a.m. And at 10:03 a.m., United Flight 93 from Newark to San Francisco crashes in a field near Shanksville, Pennsylvania. There are 2,996 fatalities. The country is stunned and grief-stricken. We have been attacked on our own soil for the first time since the Japanese bombed Pearl Harbor in December 1941. A man in a navy-blue summer-weight suit launches himself from a 103rd-floor window. An El Salvadoran line chef running late for his prep shift at Windows on the World watches the sky turn to fire and the top of the building—six floors beneath the kitchen where he works—explode. Cantor Fitzgerald. President Bush in a bunker. The pregnant widow of a brave man who says, “Let’s roll.” The plane that went down in Pennsylvania was headed for the Capitol Building. The world says, America was attacked. America says, New York was attacked. New York says, Downtown was attacked. There’s a televised benefit concert, America: A Tribute to Heroes. The Goo Goo Dolls and Limp Bizkit sing “Wish You Were Here.” Voicemail messages from the dead. First responders running up the stairs while civilians run down. Flyers plastered across Manhattan: MISSING. The date—chosen by the terrorists because of the bluebird weather—has an eerie significance: 9/11. Though we will all come to call it Nine Eleven
Elin Hilderbrand (28 Summers)
L-ai văzut? E un tip tare, nu? Un Dumnezeu de care ai nevoie. Sună a publicitate pentru campania prezidențială. Asta e. Avem nevoie de un Dumnezeu. Un Dumnezeu pentru generația Nirvana, generația 0. Generația Limp Bizkit, Sepultura, Cypress Hill, Aquarium, Marilyn Manson, Zdob și Zdub, Eminem, Radiohead, Salman Rushdie, Dostoievski, Jean Michel Bosquait, Hagi, Federman, Maradona, Henry Miller, Nabokov, Ionesco, Tzara, Urmuz, Bitov...Sunt de-ai noștri, pe-ai voștri țineți-vi-i vouă, că nouă nu ne trebuie! Cu Dumnezeu înainte! Dumnezeul nostru în tricou, nu ăla din înjurături.
Alexandru Vakulovski (Pizdeţ)
turned on the radio, looking for something to blast the thoughts out of my head, hoping the moist nighttime air would blow in a rare non-country station. I ground through static and static and static, then recoiled at the shrill, choking sound of a man apparently squealing through a crushed larynx. After a moment I realized it was simply Fred Durst and the group Limp Bizkit—Shitload’s favorite band. They’re the ones who invented the musical technique of feeding a list of generic rap phrases to a goat, then reading its turds into a microphone over heavy metal guitar. This was the song “Rollin’,” judging by the fact that the chorus was Fred saying that word several dozen times. Perfect. Rollin’, rollin’, rollin’ . . .
Anonymous
I turned on the radio, looking for something to blast the thoughts out of my head, hoping the moist nighttime air would blow in a rare noncountry station. I ground through static and static and static, then recoiled at the shrill, choking sound of a man apparently squealing through a crushed larynx. After a moment I realized it was simply Fred Durst and the group Limp Bizkit—Shitload’s favorite band. They’re the ones who invented the musical technique of feeding a list of generic rap phrases to a goat, then reading its turds into a microphone over heavy metal guitar.
David Wong (John Dies at the End (John Dies at the End, #1))