Lillian Boxfish Takes A Walk Quotes

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I thought at times that poetry might be an elegant way of screaming.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
The point of living in the world is just to stay interested.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
If you love something, know that it will leave on a day you are far from ready.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
If there are to be rules, they must be articulable and defensible, like etiquette. I do not do anything simply because my family did it. I do things because they make sense, and because they are elegant.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
Any day you walk down a street and find nothing new but nothing missing counts as a good day in a city you love.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
Whenever “everyone” is doing something, I seek to avoid it. But whenever someone tells me not to do something, that thing has a way of becoming the only thing that I want to do. I
Kathleen Rooney (Lillian Boxfish Takes a Walk)
People who command respect are never as widely known as people who command attention. For
Kathleen Rooney (Lillian Boxfish Takes a Walk)
Here’s some free advice: Make an honest assessment of the choices you’ve made before you look askance at somebody else’s.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
Burning a bridge, as any tactician will tell you, sometimes saves more than it costs. I
Kathleen Rooney (Lillian Boxfish Takes a Walk)
For though I was raised Protestant, my true religion is actually civility. Please note that I do not call my faith “politeness.” That’s part of it, yes, but I say civility because I believe that good manners are essential to the preservation of humanity— one’s own and others’— but only to the extent that that civility is honest and reasonable, not merely the mindless handmaiden of propriety.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
Like many parents in middle age, he's quick to spot changes in the world, slow to note shifts in his own perspective.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
Time only goes in that one direction.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
Friends, no. But I would not waste my exertions cultivating anyone as an enemy.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
If one were HAPPY, then one might stay in with a book, say, and not go out hunting for fun.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
If one knocks oneself out of one’s routine—and in so doing knocks others gently out of theirs—then one can now and again create these momentary opportunities to be better than one is.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
All my life, I have taken satisfaction in finishing things in order that I may experience a sense of achievement, regardless of whether the thing was really worth achieving. ... Death, I suspect, will likely be unsatisfying because I will no longer be present to feel the achievement thereof.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
My funny old brain, like those of many poets, has always done its best work sideways, seeking out tricky enjambments and surprising slant rhymes to craft lines capable of pulling their own weight.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
caelum, non animum mutant, for instance—climate may change, but not character—and
Kathleen Rooney (Lillian Boxfish Takes a Walk)
I was not a believer in things just changing. One had to try to change them.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
The use of the passive voice to disguise one’s role in the making of a decision is imprecise and obfuscatory. You’re a better adman than that. Active verbs! Why not say ‘I refuse to pay you fairly’?
Kathleen Rooney (Lillian Boxfish Takes a Walk)
We had one of those Friday dates that turned into an entire weekend, and by the end of it, I loved him so much my larynx ached. Vulnerable love, incorrigible love. Love in which he was both the nausea and the sodium bicarbonate.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
I wasn't glad that I hadn't died. And I wasn't sad that I hadn't. I wasn't anything.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
The city I inhabit now is not the city that I moved to in 1926; it has become a mean-spirited action movie complete with repulsive plot twists and preposterous dialogue.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
Even then I'd begun to think—and to push away the thought—that committing oneself to being fashionable was simultaneously committing oneself to being perishable.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
Alone, but not lonely; in the state of being solitary but not the condition of wishing myself otherwise. Solitude enrobed me like a long, warm coat.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
Burning a bridge, as any tactician will tell you, sometimes saves more than it costs.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
Choice is an illusion promoted by the powerful.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
Whenever “everyone” is doing something, I seek to avoid it. But whenever someone tells me not to do something, that thing has a way of becoming the only thing that I want to do.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
I do not eschew the shoulder pads and jewel tones I see on the mannequins, silly though they may be. Everything in fashion these days seems so childlike and bellicose, bright yet aggressive, a cute positivity that recasts every woman as a cross between a majorette and a Sherman tank.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
Given that the majority of communication to which we are subjected in a day consists of advertising, if nearly all of that advertising insists on regarding us as pampered children, what does that do to us? It winds us up with a godforsaken second term of smarmy granddad President Ronald Wilson Reagan for one.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
The minute you see yourself you're forced out of your head and into your body, forced to reckon with yourself as a thing that takes up space in the world, that others can see and react to, that has a story with a beginning, middle, and end that intersects with other peoples stories. A mirror gives you perspective.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
courtliness being the gear that his engine idled in.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
I despise this ad, and the TV on which it plays with those flashing lights. I mourn the conversations murdered by their juvenile intrusions.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
New things pop up at the edges, but the middle’s where the money is.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
like an idiot pitching change into a well that nobody ever said was open for wishing.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
for the same reason I think people enjoy watching sports: seeing someone in full command of what he is expected to do, doing it better than most would, and doing so with joy. My
Kathleen Rooney (Lillian Boxfish Takes a Walk)
We’ve been here all along, the world seemed to say, waiting for you. What took you so long to find us? I
Kathleen Rooney (Lillian Boxfish Takes a Walk)
one need not believe in something for it to happen anyway.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
People who command respect are never as widely known as people who command attention
Kathleen Rooney (Lillian Boxfish Takes a Walk)
In my youth, before I had made any of my most consequential choices—and isn’t that what we always mean by in my youth?
Kathleen Rooney (Lillian Boxfish Takes a Walk)
I am old and all I have left is time. I don’t mean time to live; I mean free time. Time to fill. Time to kill until time kills me. I walk and walk and think and think.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
The point of living in the world is just to stay interested
Kathleen Rooney (Lillian Boxfish Takes a Walk)
As I turn and walk toward Murray Hill and home and purring Phoebe, I suspect that we do not know any more than the people of the past did, but only think somewhat differently.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
When I have all of Manhattan to choose from I tend to dither, to hold out for perfection—but as any poet can testify, limits encourage both inspiration and decisiveness.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
When they sent us home from the hospital with him, it felt like we were actors, the leads in a heist film. Like we couldn't be getting away with such outrageous treasure.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
Symbols, or their absence, do not always mean what they seem to symbolize. Nevertheless, I suppose they always symbolize something.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
most humor starts from irritation.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
When I first came to the city, a line of people often helped me discover an exciting premiere or a big sale; in 1931, such queues more often ended at soup kitchens or collapsing banks.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
Happiness and a love of fun are not coextensive, and their relationship may even be divergent. If one were happy, then one might stay in with a book, say, and not go out hunting for fun.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
You’re different from everyone else. All the rules and emotions and obligations that guide most of us through life—they’re invisible to us. They’re natural, like breathing. But they’re visible to you.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
گفتم:(( الیو، من عشق را تمسخر نمی کنم. چیزی که دست می اندازم دسته بندی احساساتی است. احمقانه، ایده ی ساده انگارانه ی عشق است که تبلیغ کنندگان، از جمله ما، برای فروش هر چیزی از سوپ تا صابون از آن استفاده می کنیم.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
اگر قوانین وجود دارند، باید قابل بحث و دفاع باشند؛ مانند آداب معاشرت. من هیچ کاری را چون خانواده ام آن را انجام دادند انجام نمی دهم. کارهایم را به آن خاطر که معقول به نظر می رسند و چون برازنده هستند انجام می دهم.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
Olive was in the habit of saying “honestly” so often that even a child could see that she must be deceitful. I marveled at her mother’s prescience in having named her daughter after a green—with envy—cocktail garnish: hollow and bitter.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
This, I am reminded, is why I love walking in the city, taking to the streets in pursuit of some spontaneous and near-arbitrary objective. If one knocks oneself out of one’s routine—and in so doing knocks others gently out of theirs—then one can now and again create these momentary opportunities to be better than one is.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
For me, a peaceful atmosphere devoid of noise and distractions is absolutely the worst place for poetry, likely to wind me up in a doomed attempt to stare down a blank page. My funny old brain, like those of many poets, has always done its best work sideways, seeking out tricky enjambments and surprising slant rhymes to craft lines capable of pulling their own weight.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
Let no one say and say it to your shame That all was beauty here until you came.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
It makes me happy, and also sad, to think that this is where playful language is cherished now, and where the verbosity that I and my clever friends prized in our youth has gone to reside: the slums. Words don’t cost a penny; during the Depression, they were all many of us had. I used them to make a fortune.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
drinking, my distraction, my utter lack of pleasure in things—this last, I learned, called anhedonia, which to me sounded like the name of a flower Max never planted in the garden I never wanted.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
Frequent Wishing on the Gracious Moon. I wondered whether my life might have turned out differently if I had gone with that title instead, as Artie had urged me to. Whether there was another world in which I had yielded to his request, and whether in that world I would not be standing alone under the full moon at Silver Hill, contemplating the wreck of my previous twenty years. But there was no way to know, and no way to go back. I could not revise. I had been who I had been, and so I largely remained.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
Among the many unsurprising facts of life that, when taken in aggregate, ultimately spell out the doom of our species is this: People who command respect are never as widely known as people who command attention.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
To be sure, ambition wasn’t my only motive. The voice of the Girl Poet also let me say the things I most wanted to say, to whom I most wanted to say them. It set me up to play with popular preconceptions about girls, and poets, and especially girl poets, and to do so in a way that made people listen to me and remember what they heard. The day would come when I’d have second thoughts about this approach—or at least consider the degree to which playing with those preconceptions also meant embracing them
Kathleen Rooney (Lillian Boxfish Takes a Walk)
For though I was raised Protestant, my true religion is actually civility. Please note that I do not call my faith “politeness.” That’s part of it, yes, but I say civility because I believe that good manners are essential to the preservation of humanity—one’s own and others’—but only to the extent that that civility is honest and reasonable, not merely the mindless handmaiden of propriety.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
They could say what they liked, and I would love them still, but I would not change my behavior, would not change my mind.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
that committing oneself to being fashionable was simultaneously committing oneself to being perishable.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
Like many parents in middle age, he’s quick to spot changes in the world, slow to note shifts in his own perspective.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
Extending hospitality to all, even to the most cloddish, truly is the basis of civilization. The fact that the most cloddish, having nothing better to do, always show up and spoil the party for everyone else probably spells civilization’s ultimate doom.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
In order not to bother or be bothered by ghosts, you just act like you’re one of them. That’s what I do.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
As I walk out, the music on the stereo starts to affect me the way music only does when I’ve been drinking: I suddenly want to say I love this song to everything that comes on, and I start hearing messages that seem meant just for me.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
almost tried to explain what a mistake it was to take comedy for happiness, or good cheer for joy. But it was none of Olive’s business how happy I was or wasn’t, so I didn’t. If I had, I might also have told her that she had it backwards. It wasn’t that happiness led to humor, but more that humor could lead, perhaps, to happiness—that an eye for the absurd could keep one active in one’s despair, the opposite of depressed: static and passive.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
All my life, I have taken satisfaction in finishing things in order that I may experience a sense of achievement, regardless of whether the thing was really worth achieving.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
his new TV and his Negroni have helped me to see what is so repulsive to me in these ads: the way they depict, and thereby encourage, this infantilization of the country.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
Friends, no. But I would not waste my exertions cultivating anyone as an enemy.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
Right you are, Penny,” I say. “Longtime residents call the neighborhood the Lower East Side. But real estate agents are renaming it the East Village to draw in new renters, so they won’t be afraid of the rough reputation. So says the article.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
one were happy, then one might stay in with a book, say, and not go out hunting for fun.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
The creeping disaster that had started on Wall Street - part sickness, part madness, like a peril from Poe - had come finally to infect the whole country.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
All right, all right," he said, with that gesture I'd come to hate: two open palms facing me and patting the air, as if pushing me away, pushing me down, pushing any tears I might be preparing to cry back into their ducts.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
A woman can never be too rich or too thin or too young, truly.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
No one survives the future,
Kathleen Rooney (Lillian Boxfish Takes a Walk)
I do wear underwear under them. I am a lady, after all; plus I don’t want a yeast infection, and who cares if I have a visible panty line?
Kathleen Rooney (Lillian Boxfish Takes a Walk)
this, they’ve never felt that, they no longer feel anything, they don’t count anymore. I think it’s small-minded. I wish there were more people over sixty here, to tell you the truth.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
Nostalgia for what’s new: The French probably have a word for that.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
The old station, the one that stood when I arrived in 1926, was a Beaux-Arts marvel of pink granite and glass and steel that evoked not just travel by rail, but also travel through time: the splendor of an ancient Roman past, plus the possibility of a future where beauty and civic function are not just valued but understood to be in harmony.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
She is my friend...and thus our rapport has been unfraught and egalitarian, unburdened by guilt or disappointment.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
How am I still making stupid mistakes in my eighties? Whenever somebody says to me, "Maybe it'll come with age," I want to say, 'I wouldn't count on it.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
My mother—who was well-educated, read widely, passably fluent in German, conversant with the works of Freud and Adler, married at twenty, and never received a dollar of wages in her life—was also a woman who took difference as a slight. Anyone not living a life that fit the mold of her own—wifedom, motherhood—constituted a personal affront, an implied rebuke, an argument against. I thought Sadie quite bold.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
we’d been uptown at the Museum of Natural History at the time, safe beneath the blue whale hanging by its dorsal fin, unarmed and pacific, silent as ever, a sentinel in the lurid tabloid nightmare this city’s been dreaming.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
It wasn’t that happiness led to humor, but more that humor could lead, perhaps, to happiness—that an eye for the absurd could keep one active in one’s despair, the opposite of depressed: static and passive.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
The insouciance of youth doesn’t stay, but shades into “eccentricity,” as people say when they are trying to be kind, until finally you become just another lonely crackpot. But I’ve always been this way. The strangeness just used to seem more fashionable, probably.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
How am I still making stupid mistakes in my eighties? Whenever somebody says to me, “Maybe it’ll come with age,” I want to say, “I wouldn’t count on it.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
Olive, with her prim posture, her ungainly manner, and her reliance on elaborate fashions inappropriate for the office, strongly resembled a fancy pigeon: a creature bred out of its dignity across many generations.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
What makes you seek your fortune here / In Gotham? You must be as queer / As I am, and a million other / Insects far from home and Mother.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
We came when a lot of other Asian people came, after the law changed.” “I remember that,” I say. And I do, more or less. I remember Kennedy talking about the need for it—calling the old system of racist quotas intolerable—though it was Johnson who finally signed it.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
What I wanted was that walk: slate and windy, the sky overcast but not threatening rain. I
Kathleen Rooney (Lillian Boxfish Takes a Walk)
A lot of these love notes seem to be from well-read and lovesick young men with literary aspirations. That type doesn’t interest me in the least. They say they only have eyes for gazing at you and then end up gazing right back at their navels.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
Up there in my snug sweet tower, I felt I’d made landfall in the shoals of shifting clouds. Far enough from the crowds to relish the crowds.
Kathleen Rooney (Lillian Boxfish Takes a Walk)
Maybe I’ll walk by one of my old apartments, the second one I lived in after I first came to the city from that much duller metropolis, Washington, D.C. That
Kathleen Rooney (Lillian Boxfish Takes a Walk)
That I was a success is not apparent now; that I would be a success was not apparent then. Within
Kathleen Rooney (Lillian Boxfish Takes a Walk)
Solvitur Ambulando It is solved by walking
Kathleen Rooney (Lillian Boxfish Takes a Walk)
If one were happy, then one might stay in with a book, say, and not go out hunting for fun
Kathleen Rooney (Lillian Boxfish Takes a Walk)
The way a crane creates, then erases itself, from the skyline." He'd been referring to how I, as a copywriter, created R.H. Macy's, but the same metaphor might easily have been applied to how I, as a mother, was creating my son.
Kathleen Rooney (Lillian Boxfish Takes a Walk)