Lilies And Roses Quotes

Ah, those two. In a fight, they’re lethal. Around each other, they melt.

The splendor of the rose and the whiteness of the lily do not rob the little violet of its scent nor the daisy of its simple charm. If every tiny flower wanted to be a rose, spring would lose its loveliness.

The red rose cries, "She is near, she is near;" And the white rose weeps, "She is late;" The larkspur listens, "I hear, I hear;" And the lily whispers, "I wait.

Jesus Christ lived in the midst of his enemies. At the end all his disciples deserted him. On the Cross he was utterly alone, surrounded by evildoers and mockers. For this cause he had come, to bring peace to the enemies of God. So the Christian, too, belongs not in the seclusion of a cloistered life but in the thick of foes. There is his commission, his work. 'The kingdom is to be in the midst of your enemies. And he who will not suffer this does not want to be of the Kingdom of Christ; he wants to be among friends, to sit among roses and lilies, not with the bad people but the devout people. O you blasphemers and betrayers of Christ! If Christ had done what you are doing who would ever have been spared' (Luther).

Rose never would have done anything like that,' he countered. He paused to reconsider, and I could've sworn there was a hint of a smile there. 'Well at least not in such a public setting.'- Dimitri Belikov

… our favorite Sayings from Ryke Meadows. My favorite: I fucking love you. Willow’s: I don’t fucking understand Tumblr. Lo’s: Fuck you, you fucking fuck. Lily’s: Fucking fantastic. Rose’s: No means no. Better yet, fuck no. Connor’s: Connor Cobalt is a fucking narcissist.

I’ve watched Lo become sober. I’ve watched Lily curb a relentless addiction. (I’m proud of you, sis.) I’ve watched Rose blaze her own trail and put fire to stereotypes. I’ve watched Connor fall in love. With more than just himself. I’ve watched Ryke Meadows unclip his shackles and rise again. And me. I’ve discovered who I am.

Rose once told me about this poem she’d read. There was this line, ‘If your eyes weren’t open, you wouldn’t know the difference between dreaming and waking.’ You know what I’m afraid of? That someday, even with my eyes open, I still won’t know.

Dirge Without Music I am not resigned to the shutting away of loving hearts in the hard ground. So it is, and so it will be, for so it has been, time out of mind: Into the darkness they go, the wise and the lovely. Crowned With lilies and with laurel they go; but I am not resigned. Lovers and thinkers, into the earth with you. Be one with the dull, the indiscriminate dust. A fragment of what you felt, of what you knew, A formula, a phrase remains,—but the best is lost. The answers quick and keen, the honest look, the laughter, the love,— They are gone. They are gone to feed the roses. Elegant and curled Is the blossom. Fragrant is the blossom. I know. But I do not approve. More precious was the light in your eyes than all the roses in the world. Down, down, down into the darkness of the grave Gently they go, the beautiful, the tender, the kind; Quietly they go, the intelligent, the witty, the brave. I know. But I do not approve. And I am not resigned.

I understood that every flower created by Him is beautiful, that the brilliance of the rose and the whiteness of the lily do not lessen the perfume of the violet or the sweet simplicity of the daisy. I understood that if all the lowly flowers wished to be roses, nature would no longer be enameled with lovely hues. And so it is in the world of souls, Our Lord's living garden.

We had just paid the check when Dimitri's cell phone rang. "Hello?" he answered. And like that, his face transformed. That fierceness I so associated with him softened, and he practically glowed. "No, no. It's always a good time for you to call, Roza." Whatever the response on the other end was, it made him smile.

We sow the seed of deadly nightshade and wish it to bear lilies and roses!

With a few swift steps, Adrian stood in front of me again. The wall was only a couple inches behind me, and I had nowhere to go. He made no threatening moves, but he did clasp my hands and hold them to his chest while leaning down to me. “No, you will listen. For once, you’re going to hear something that doesn’t fit into your neat, compartmentalized world of order and logic and reason. Because this isn’t reasonable. If you’re terrified, believe me—this scares the hell out of me, too. You asked about Rose? I tried to be a better person for her—but it was to impress her, to get her to want me. But when I’m around you, I want to be better because… well, because it feels right. Because I want to. You make me want to become something greater than myself. I want to excel. You inspire me in every act, every word, every glance. I look at you, and you’re like… like light made into flesh. I said it on Halloween and meant every word: you are the most beautiful creature I have ever seen walking this earth. And you don’t even know it. You have no clue how beautiful you are or how brightly you shine.

...the girl with the tip-tilted nose, the forget-me-not eyes, the rose red cheeks and the lily-white neck and shoulders who gave the explanation in a trembling voice: “It’s the ghost!

Time is jealous of you, and wars against your lilies and your roses.

I see a lily on thy brow, With anguish moist and fever dew; And on thy cheek a fading rose Fast withereth too.

the brilliance of the rose and the whiteness of the lily do not lessen the perfume of the violet or the sweet simplicity of the daisy.

No, you will listen. For once, you're going to hear something that doesn't fit into your neat, compartmentalized world of order and logic and reason. Because this isn't reasonable. If you're terrified, believe me--this scares the hell out of me, too. You asked about Rose? I tried to be a better person for her--but it was to impress her, to get her to want me. But when I'm around you, I want to be better because...well, because it feels right. Because I want to. You make me want to become something greater than myself. I want to excel. You inspire me in every act, every word, every glance. I look at you, and you're like...like light made into flesh. I said it on Halloween and meant every word: you are the most beautiful creature I have ever seen walking this earth. And you don't even know it. You have no clue how beautiful you are or how brightly you shine.

Once upon a time, [...]. There was a world that was perfectly made and full of birds and striped creatures and lovely things like honey lilies and star tenzing and weasels— [...] And this world already had light and shadow, so it didn't need any rouge stars to come and save it, and it had no use for bleeding suns or weeping moons, either, and most important, it had never known war, which is a terrible and wasteful thing that no world needs. It had earth and water, air and fire, all four elements, but it was missing the last element. Love. [...] And so this paradise was like a jewel box without a jewel. There it lay, day after day of rose-colored dawns and creature sounds and strange perfumes, and waited for lovers to find it and fill it with their happiness. The end. [...] The story is unfinished. The world is still waiting.

I sought her eye, desirous to read there the intelligence which I could not discern in her face or hear in her conversation; it was merry, rather small; by turns I saw vivacity, vanity, coquetry, look out through its irid, but I watched in vain for a glimpse of soul. I am no Oriental; white necks, carmine lips and cheeks, clusters of bright curls, do not suffice for me without that Promethean spark which will live after the roses and lilies are faded, the burnished hair grown grey. In sunshine, in prosperity, the flowers are very well; but how many wet days are there in life--November seasons of disaster, when a man's hearth and home would be cold indeed, without the clear, cheering gleam of intellect.

There has fallen a splendid tear From the passion-flower at the gate. She is coming, my dove, my dear; She is coming, my life, my fate. The red rose cries, "She is near, she is near;" And the white rose weeps, "She is late;" The larkspur listens, "I hear, I hear;" And the lily whispers, "I wait." She is coming, my own, my sweet; Were it ever so airy a tread, My heart would hear her and beat, Were it earth in an earthy bed; My dust would hear her and beat, Had I lain for a century dead, Would start and tremble under her feet, And blossom in purple and red.

The soft aroma of old worn cotton from a linen chest, the lingering smell of tobacco on an angora sweater; Jergen's hand lotion, sauteed green peppers and onions; the sweet, nutty smell of peanut butter and bananas, the oaken smell of good bourbon. A combination of lily of the valley, cedar, vanilla, and somewhere, the lingering of old rose. These smells are older than any thought. Mama, Teensy, Neecie, and Caro, each one of them had an individual scent, to be sure. But this is the Gumbo of their scents. This is the Gumbo Ya-Ya. This is the internal vial of perfume I carry with me everywhere I go.

The modest Rose puts forth a Thorn. The humble Sheep a threat'ning Horn. While the Lily white shall in love delight. Nor a Thorn nor a threat stain her beauty bright.

It is more beautiful to trust in God. The beautiful in this world is all from his hand, declaring the perfection of taste; he is the author of all form; he clothes the lily, he colours the rose, he distils the dewdrop, he makes the music of nature; in a word, he organized us for this life, and imposed its conditions; and they are such guaranty to me that, trustful as a little child, I leave to him the organization of my Soul, and every arrangement for the life after death. I know he loves me.

He says that woman speaks with nature. That she hears voices from under the earth. That wind blows in her ears and trees whisper to her. That the dead sing through her mouth and the cries of infants are clear to her. But for him this dialogue is over. He says he is not part of this world, that he was set on this world as a stranger. He sets himself apart from woman and nature. And so it is Goldilocks who goes to the home of the three bears, Little Red Riding Hood who converses with the wolf, Dorothy who befriends a lion, Snow White who talks to the birds, Cinderella with mice as her allies, the Mermaid who is half fish, Thumbelina courted by a mole. (And when we hear in the Navaho chant of the mountain that a grown man sits and smokes with bears and follows directions given to him by squirrels, we are surprised. We had thought only little girls spoke with animals.) We are the bird's eggs. Bird's eggs, flowers, butterflies, rabbits, cows, sheep; we are caterpillars; we are leaves of ivy and sprigs of wallflower. We are women. We rise from the wave. We are gazelle and doe, elephant and whale, lilies and roses and peach, we are air, we are flame, we are oyster and pearl, we are girls. We are woman and nature. And he says he cannot hear us speak. But we hear.

Unacceptable," said Dimitri. He used to be a combat instructor, and I could understand why. "She's here on a mission. What she did was reckless and irresponsible." Sonya gave him a sly smile. "And here I thought you had a soft spot for reckless girls." "Rose never would have done anything like that," he countered. He paused to reconsider, and I could've sworn there was a hint of a smile there. "Well, at least not in such a public setting.

The house was burning, the yellow-red sky was like the sunset...Nothing would be left, the golden ferns and the silver ferns, the orchids, the ginger lilies and the roses...When they had finished, there would be nothing left but blackened walls and the mounting stone. That was always left. That could not be stolen or burned.

My sweet rose, my delicate flower, my lily of lilies, it is perhaps in prison that I am going to test the power of love. I am going to see if I cannot make the bitter warders sweet by the intensity of the love I bear you. I have had moments when I thought it would be wise to separate. Ah! Moments of weakness and madness! Now I see that would have mutilated my life, ruined my art, broken the musical chords which make a perfect soul. Even covered with mud I shall praise you, from the deepest abysses I shall cry to you. In my solitude you will be with me.

Flowers On the third of June, at a minute past two, where once was a person, a flower now grew. Five daisies arranged on a large outdoor stage in front of a ten-acre pasture of sage. In a changing room, a lily poses. At the DMV, rows of roses. The world was much crueler an hour ago. I’m glad someone decided to give flowers a go.

Let us make our way through these low valleys of the humble and little virtues. We shall see in them the roses amid the thorns, charity that shows its beauty among interior and exterior afflictions, the lilies of purity.

If lilies would grow backwards, if roses would grow backwards, if all those roots could see the stars & the dead not close their eyes, we would become like swans.

Set not your hearts on the flowers of this world. They shall fade and die. Prize the Rose of Sharon and the Lily of the Valley. He changes not! Live nearer to Christ than to any person on this earth; so that when they are taken, you may have Him to love and lean upon.

He could read two books to my one, but he preferred the magic of his own inventions. He could add and subtract faster than lightning, but he preferred his own twilight world, a world where babies slept, waiting to be gathered like morning lilies. He was slowly talking himself to sleep and taking me with him, but in the quietness of his foggy island there rose the faded image of gray house with sad brown doors.

Sing and rejoice ye children of the day and the light; for the Lord is at work in this thick night of darkness that may be felt: and the Truth doth flourish as the rose, and lilies do grow among the thorns and the plants atop the hills, and upon them the lambs doth skip and play.

That evening was the evening of the full moon. The garden was an enchanted place where all the flowers seemed white. The lilies, the daphnes, the orange-blossom, the white stocks, the white pinks, the white roses - you could see these as plainly as in the daytime; but the coloured flowers existed only as fragrance.

The gods have been good to you. But what the gods give they quickly take away. You have only a few years in which to live really, perfectly, and fully. When your youth goes, your beauty will go with it, and then you will suddenly discover that there are no triumphs left for you, or have to content yourself with those mean triumphs that the memory of your past will make more bitter than defeats. Every month as it wanes bring you nearer to something dreadful. Time is jealous of you, and wars against your lilies and your roses.

A merchant, who had three daughters, was once setting out upon a journey; but before he went he asked each daughter what gift he should bring back for her. The eldest wished for pearls; the second for jewels; but the third, who was called Lily, said, 'Dear father, bring me a rose.' Now it was no easy task to find a rose, for it was the middle of winter; yet as she was his prettiest daughter, and was very fond of flowers, her father said he would try what he could do. So he kissed all three, and bid them goodbye.

Connor pockets his cell. “Lily,” he says. “If I wanted to date for a last name, I’d have a girl on my arm every single day. I would never be single.” He leans forward. “I promise you, that my intentions are pure. And I think it’s sweet you’re looking out for Rose, but she’s more than capable of taking care of herself, which is one of the many reasons why I want to pursue her.” “What’s another reason?” I test him. He smiles. “I won’t have to taxingly explain to her menu items in a real French restaurant.” He knows she’s fluent? “I won’t have to explain financial statements or dividends. I’ll be able to discuss anything and everything in the world, and she’ll have an answer.

Rose is not the prettiest flower, neither water lily or petunia nor magnolia! An elegant soul is the prettiest flower on earth!

I like roses as red as blood. I smell lilies as white as milk. I grow irises as purple as my dreams. So, let me give you peonies as pink my kiss.

Beauty is one of the great facts of the world, like sunlight,or springtime, or the reflection in dark waters of that silver shell we call the moon. You have only a few years in which to live really, perfectly, and fully. When your youth goes, your beauty will go with it, and then you will suddenly discover that there are no triumphs left for you...Time is jealous of you, and wars against your lilies and your roses. You will become sallow, and hollow-cheeked, and dull-eyed...Ah! realise your youth while you have it. Don't squander the gold of your days, listening to the tedious, trying to improve the hopeless, or giving away your life to the ignorant, the common, and the vulgar...Live! Live the wonderful life that is in you! Let nothing be lost upon you. Be always searching for new sensations. Be afraid of nothing...The world belongs to you for a season...how tragic it would be if you were wasted. For there is such a little time that your youth will last. The common hillflowers wither, but they blossom again. The laburnum will be as yellow next June as it is now. In a month there will be purple stars on the clematis, and year after year the green night of its leaves will hold its purple stars. But we never get back our youth. The pulse of joy that beats in us at twenty, becomes sluggish. Our limbs fail, our senses rot. We degenerate into hideous puppets, haunted by the memory of the passions of which we were too much afraid, and the exquisite temptations that we had not the courage to yield to...Youth! Youth! There is absolutely nothing in the world but youth.

Lily slumped, putting her shaking hands on his shoulders. "But you will, won't you?" Pansy's voice broke into a sob. "Yes, Pan," Galen said quietly. "I don't like that," Pansy said. Galen stood and put his arms around the fine-boned girl, while Rose continued to comfort Lily. Oliver looked away. It was such a private moment; he hated to intrude on it. Galen was beloved by all of the sisters, but the love between him and Rose was so clear and shining that it hurt to look at them, spending their last hours together caring for the other girls.

I saw that every flower He has created has a beauty of its own, that the splendor of the rose and the lily’s whiteness do not deprive the violet of its scent nor make less ravishing the daisy’s charm. I saw that if every little flower wished to be a rose, Nature would lose her spring adornments, and the fields would be no longer enameled with their varied flowers.

Do not focus your thoughts among the confused wheels of secondary causes, as -'O if this had been, this had not followed!' Look up to the master motion of the first wheel. In building, we see hewn stones and timbers under hammers and axes, yet the house in this beauty we do not see at the present, but it is in the mind of this builder. We also see unbroken clods, furrows, and stones, but we do not see the summer lilies, roses, and the beauty of a garden. Even so we do not presently see the outcome of God's decrees with his blessed purpose. It is hard to believe when his purpose is hidden and under the ground. Providence has a thousand keys to deliver his own even when all hope is gone. Let us be faithful and care for our own part, which is to do and suffer for him, and lay Christ's part on himself and leave it there; duties are ours, events are the Lord's.

I have forgot much, Cynara! gone with the wind, Flung roses, roses riotously with the throng, Dancing, to put thy pale, lost lilies out of mind; But I was desolate and sick of an old passion, Yea, all the time, because the dance was long; I have been faithful to thee, Cynara! in my fashion. I cried for madder music and for stronger wine, But when the feast is finished and the lamps expire, Then falls thy shadow, Cynara! the night is thine; And I am desolate and sick of an old passion, Yea, hungry for the lips of my desire: I have been faithful to thee, Cynara! in my fashion.

... cynicism is the only tool that can scrape away the tint off rose-coloured glasses.

What time has been wasted during man's destiny in the struggle to decide what man's next world will be like! The keener the effort to find out, the less he knew about the present one he lived in. The one lovely world he knew, lived in, that gave him all he had, was, according to preacher and prelate, the one to be least in his thoughts. He was recommended, ordered, from the day of his birth to bid goodbye to it. Oh, we have had enough of the abuse of this fair earth! It is no sad truth that this should be our home. Were it but to give us simple shelter, simple clothing, simple food, adding the lily and the rose, the apple and the pear, it would be a fit home for mortal or immortal man.

I have forgot much, Cynara! gone with the wind, Flung roses, roses riotously with the throng, Dancing, to put thy pale, lost lilies out of mind; But I was desolate and sick of an old passion, Yea, all the time, because the dance was long:

A fool I was to sleep at noon, And wake when night is chilly Beneath the comfortless cold moon; A fool to pluck my rose too soon, A fool to snap my lily. My garden-plot I have not kept; Faded and all-forsaken, I weep as I have never wept: Oh it was summer when I slept, It's winter now I waken. Talk what you please of future spring And sun-warm'd sweet to-orrow: Stripp'd bare of hope and everything, No more to laugh, no more to sing, I sit alone with sorrow.

No, you 'will' listen. For once, you're going to hear something that doesn't fit into you neat, compartmentalized world of order and logic and reason. Because this isn't reasonable. If you're terrified, believe me- this scares the hell out of me, too. You asked about Rose? I tried to be a better person for her- but it was to impress her, to get her to want me. But when I'm around you, I want to be better because... well, because it feels right. Because 'I' want to. You make me want to become something greater than myself. I want to excel. You inspire me in every act, ever word, every glance. I look at you, and you're like... like light made into flesh. I said it on Halloween and meant every word: you are the most beautiful creature I have ever seen walking this earth. And you don't even know it. You have no clue how beautiful you are of how brightly you shine.

No, you don't feel it now. Some day, when you are old and wrinkled and ugly, when thought has seared your forehead with its lines, and passion branded your lips with itshideous fires, you will feel it, you will feel it terribly.Now, wherever you go, you charm the world. Will it always be so? . . . You have a wonderfully beautiful face, Mr. Gray. Don't frown. You have. And beauty is a form of genius-- is higher, indeed, than genius, as it needs no explanation. It is of the great facts of the world, like sunlight, or spring-time, or the reflection in dark waters of that silver shell we call the moon. It cannot be questioned. It has its divine right of sovereignty. It makes princes of those who have it.You smile? Ah! when you have lost it you won't smile. . . . People say sometimes that beauty is only superficial.That may be so, but at least it is not so superficial as thought is. To me, beauty is the wonder of wonders.It is only shallow people who do not judge by appearances. The true mystery of the world is the visible, not the invisible. . . . Yes, Mr. Gray, the gods have been good to you.But what the gods give they quickly take away. You have only a few years in which to live really, perfectly, and fully.When your youth goes, your beauty will go with it, and then you will suddenly discover that there are no triumphs left for you, or have to content yourself with those mean triumphs that the memory of your past will make more bitter than defeats.Every month as it wanes brings you nearer to something dreadful. Time is jealous of you, and wars against your lilies and your roses. You will become sallow, and hollow-cheeked, and dull-eyed. You will suffer horribly.... Ah! realize your youth while you have it. Don't squander the gold of your days,listening to the tedious, trying to improve the hopeless failure,or giving away your life to the ignorant, the common, and the vulgar. These are the sickly aims, the false ideals,of our age. Live! Live the wonderful life that is in you! Let nothing be lost upon you. Be always searching for new sensations. Be afraid of nothing. . . . A new Hedonism-- that is what our century wants. You might be its visible symbol.With your personality there is nothing you could not do.The world belongs to you for a season. . . . The moment I met you I saw that you were quite unconscious of what you really are, of what you really might be. There was so much in you that charmed me that I felt I must tell you something about yourself.I thought how tragic it would be if you were wasted. For there is such a little time that your youth will last--such a little time.The common hill-flowers wither, but they blossom again.The laburnum will be as yellow next June as it is now.In a month there will be purple stars on the clematis, and year after year the green night of its leaves will hold its purple stars. But we never get back our youth. The pulse of joy that beats in us at twenty becomes sluggish. Our limbs fail, our senses rot. We degenerate into hideous puppets, haunted by the memory of the passions of which we were too much afraid, and the exquisite temptations that we had not the courage to yield to. Youth! Youth! There is absolutely nothing in the world but youth!

He says that woman speaks with nature. That she hears voices from under the earth. That wind blows in her ears and trees whisper to her. That the dead sing through her mouth and the cries of infants are clear to her. But for him this dialogue is over. He says he is not part of this world, that he was set on this world as a stranger. He sets himself apart from woman and nature ... We are the birds eggs. Birds eggs, flowers, butterflies, rabbits, cows, sheep; we are caterpillars; we are leaves of ivy and sprigs of wallflower. We are women. We rise from the wave. We are gazelle and doe, elephant and whale, lilies and roses and peach, we are air, we are flame, we are oyster and pearl, we are girls. We are woman and nature. And he says he cannot hear us speak. But we hear.

Ryke says I need to let it out. To scream. But I just saw Rose's meltdown, and all it really did was worry her husband, guilt Lo and cause Lily's eyes to bug out of her head. Why scream if it just hurts everyone around you?

If you're not Gryffindor, we'll disinherit you," said Ron, "but no pressure." "Ron!" Lily and Hugo laughed, but Albus and Rose looked solemn. "He doesn't mean it," said Hermione and Ginny, but Ron was no longer paying attention. Catching Harry's eye, he nodded covertly to a point of some fifty yards away. The steam had thinned for a moment, and three people stood in sharp relief against the shifting mist. "Look who it is" Draco Malfoy was standing there with his wife and son, a dark coat buttoned up to his throat. His hair was receding somewhat, with emphasised the pointed chin. The new boy resembled Draco as much as Albus resembled Harry. Draco caught sight of Harry, Ron, Hermione, Ginny staring at him, nodded curtly and turned away again. "So that's little Scorpius" said Ron under his breath. "Make sure you beat him in every test, Rosie. Thank God you inherited your mother's brains." "Ron for heaven's sake," said Hermione, half-stern, half-amused. "Don't try to turn them against each other before they've even started school!" "You're right, sorry" said Ron, but unable to help himself, he added, "don't get too friendly with him, though Rosie. Granddad Weasley would never forgive you if you married a pure-blood." "Hey!

In joy or sadness, flowers are our constant friends. We eat, drink, sing, dance, and flirt with them. We wed and christen with flowers. We dare not die without them. We have worshipped with the lily, we have meditated with the lotus, we have charged in battle array with the rose and the chrysanthemum. We have even attempted to speak in the language of flowers. How could we live without them? It frightens one to conceive of a world bereft of their presence.

The garden of the Lord, brethren, includes – yes, it truly includes – includes not only the roses of martyrs but also the lilies of virgins, and the ivy of married people, and the violets of widows.

The making of gardens and parks goes on with civilization all over the world, and they increase both in size and number as their value is recognized. Everybody needs beauty as well as bread, places to play in and pray in, where Nature may heal and cheer and give strength to body and soul alike. This natural beauty-hunger is made manifest in the little windowsill gardens of the poor, though perhaps only a geranium slip in a broken cup, as well as in the carefully tended rose and lily gardens of the rich, the thousands of spacious city parks and botanical gardens, and in our magnificent National Parks—the Yellowstone, Yosemite, Sequoia, etc.—Nature's sublime wonderlands, the admiration and joy of the world. Nevertheless, like anything else worth while, from the very beginning, however well guarded, they have always been subject to attack by despoiling gain-seekers and mischief-makers of every degree from Satan to Senators, eagerly trying to make everything immediately and selfishly commercial, with schemes disguised in smug-smiling philanthropy, industriously, sham-piously crying, "Conservation, conservation, panutilization," that man and beast may be fed and the dear Nation made great. Thus long ago a few enterprising merchants utilized the Jerusalem temple as a place of business instead of a place of prayer, changing money, buying and selling cattle and sheep and doves; and earlier still, the first forest reservation, including only one tree, was likewise despoiled. Ever since the establishment of the Yosemite National Park, strife has been going on around its borders and I suppose this will go on as part of the universal battle between right and wrong, however much of its boundaries may be shorn, or its wild beauty destroyed.

Aubade " There was one summer that returned many times over there was one flower unfurling taking many forms Crimson of the monarda, pale gold of the late roses There was one love There was one love, there were many nights Smell of the mock orange tree Corridors of jasmine and lilies Still the wind blew There were many winters but I closed my eyes The cold air white with dissolved wings There was one garden when the snow melted Azure and white; I couldn’t tell my solitude from love— There was one love; he had many voices There was one dawn; sometimes we watched it together I was here I was here There was one summer returning over and over there was one dawn I grew old watching

So Recklessly Exposed December and January, gone. Tulips coming up. It's time to watch how trees stagger in the wind and roses never rest. Wisteria and Jasmine twist on themselves. Violet kneels to Hyacinth, who bows. Narcissus winks, wondering what will the lightheaded Willow say of such slow dancing by Cypress. Painters come outdoors with brushes. I love their hands. The birds sing suddenly and all at once. The soul says Ya Hu, quietly. A dove calls, Where, ku? Soul, you will find it. Now the roses show their breasts. No one hides when the Friend arrives. The Rose speaks openly to the Nightingale. Notice how the Green Lily has several tongues but still keeps her secret. Now the Nightingale sings this love that is so recklessly exposed, like you.

And we drove towards the widening dawn, that now streaked half the sky with a wintry bouquet of pink of roses, orange of tiger-lilies, as if my husband had ordered me a sky from a florist. The day broke around me like a cool dream.

Each October I walk into the woods looking for bones: rabbit skulls, a grackle spine, the pelvis of a deer with the blood bleached out. What died in the lush of roses and mint shines out from the tangle of twigs that bind it to the place of its last leaping. The living lack that kind of clarity. In late April, when the water spreads out and out till everything is lilies and seepage, there is only the mystery of tracks, a rustle receding in the many reeds. And so the bones accumulate across my windowsill: the flightless wings and exaggerated grins, the silent unmoving reminders of where the glories of April lead.

and at last, in the evening, one after another the sounds die out, and the harmony falters, and silence falls. With the sunset sharpness was lost and, like mist rising, quiet rose, quiet spread, the wind settled; loosely the world shook itself down to sleep, darkly here without a light to it, save what came green suffused through leaves, or pale on the white flowers by the window. [Lily

Hey, she’s a piratey soul Full a' vinagar and glitter She is a song of her own From down the wrong end of the river Wild, like the lily-a-passion Have you ever had the honors Oh no, no, no, no, no, no Hey, when your carnival rose Sows the kiss of belladonna There aint no takin’ it slow For the avalanches’ daughter

As usual, the oldest women were the most decorated, and the ugliest the most conspicuous. If there was a beautiful lily, or a sweet rose, you had to search for it, concealed in some corner behind a mother with a turban, or an aunt with a bird of paradise.

Gaudete in Domino semper.” (A.D. Phil. 4:4.) “Rejoice in the Lord always.

A Daughter of Eve... A fool I was to sleep at noon, And wake when night is chilly Beneath the comfortless cold moon; A fool to pluck my rose too soon, A fool to snap my lily.

In 1879 the Bengali scholar S.M. Tagore compiled a more extensive list of ruby colors from the Purana sacred texts: ‘like the China rose, like blood, like the seeds of the pomegranate, like red lead, like the red lotus, like saffron, like the resin of certain trees, like the eyes of the Greek partridge or the Indian crane…and like the interior of the half-blown water lily.’ With so many gorgeous descriptive possibilities it is curious that in English the two ancient names for rubies have come to sound incredibly ugly.

I’ve watched Lo become sober. I’ve watched Lily curb a relentless addiction. (I’m proud of you, sis.) I’ve watched Rose blaze her own trail and put fire to stereotypes. I’ve watched Connor fall in love. With more than just himself. I’ve watched Ryke Meadows unclip his shackles and rise again. And me. I’ve discovered who I am.

How sweet I roam'd from field to field, And tasted all the summer's pride, 'Till I the prince of love beheld, Who in the sunny beams did glide! He shew'd me lilies for my hair, And blushing roses for my brow; He led me through his gardens fair, Where all his golden pleasures grow. With sweet May dews my wings were wet, And Phoebus fir'd my vocal rage; He caught me in his silken net, And shut me in his golden cage. He loves to sit and hear me sing, Then, laughing, sports and plays with me; Then stretches out my golden wing, And mocks my loss of liberty.

think it has been left alone so long—that it has grown all into a lovely tangle. I think the roses have climbed and climbed and climbed until they hang from the branches and walls and creep over the ground—almost like a strange gray mist. Some of them have died but many—are alive and when the summer comes there will be curtains and fountains of roses. I think the ground is full of daffodils and snowdrops and lilies and iris working their way out of the dark. Now the spring has begun—perhaps—perhaps—” The soft drone of her voice was making him stiller and stiller and she saw it and went on. “Perhaps they are coming up through the grass—perhaps there are clusters of purple crocuses and gold ones—even now.

Again, the filet bows to the lily. Again, the rose is tearing off her gown... The bud is shy, but the wind removes her veil suddenly, 'My friend!'... And the cove to the willow, 'You are the one I hope for..." The ringdove comes asking, 'Where, where is the Friend?"... Again, the season of Spring has come And a spring-source rises under everything, A moon sliding from the shadows. Many things must be left unsaid because it's late, but whatever conversation we haven't had tonight, we'll have tomorrow.

QUALITIES There is a sun-star rising outside form. I am lost in that other. It's sweet not to look at two worlds, to melt in meaning as honey melts in milk. No one tires of following the soul. I don't recall now what happens on the manifest plane. I stroll with those I have always wanted to know, fresh and graceful as a water lily, or a rose. The body is a boat; I am waves swaying against it. Whenever it anchors somewhere, I smash it loose, or smash it to pieces. If I get lazy and cold, flames come from my ocean and surround me. I laugh inside them like gold purifying itself. A certain melody makes the snake put his head down on a line in the dirt....Here is my head, brother: What next! Weary of form, I come into qualities. Each says, "I am a blue-green sea. Dive into me!" I am Alexander at the outermost extension of empire, turning all my armies in toward the meaning of armies, Shams.

JAMES: Apart from the Thestrals. Watch out for the Thestrals. ALBUS: I thought they were invisible! HARRY: Listen to your professors, don’t listen to James, and remember to enjoy yourself. Now, if you don’t want this train to leave without you, you should leap on . . . LILY: I’m going to chase the train out. GINNY: Lily, come straight back. HERMIONE: Rose. Remember to send Neville our love.

Some day, when you are old and wrinkled and ugly, when thought has seared your forehead with its lines, and passion branded your lips with its hideous fires, you will feel it, you will feel it terribly. Time is jealous of you, and wars against your lilies and your roses. You will become sallow, and hollow–cheeked, and dull–eyed. You will suffer horribly… Ah! realise your youth while you have it. Don’t squander the gold of your days, listening to the tedious, trying to improve the hopeless failure, or giving away your life to the ignorant, the common, and the vulgar. These are the sickly aims, the false ideals, of our age. Live! Live the wonderful life that is in you! Let nothing be lost upon you. Be always searching for new sensations. Be afraid of nothing… A new Hedonism—that is what our century wants.

You will never find Jesus so precious, as when the world is one vast howling wilderness. Then He is like a rose blooming in the midst of the desolation, or a rock rising above the storm! Do not set your hearts on any of the flowers of this world. They shall all fade and die. Prize the Rose of Sharon and the Lily of the Valley. Jesus never changes! Live nearer to Christ than to any person on this earth; so that when they are taken away, you may have Him to love and lean upon. “Yes, He is altogether lovely. This is my Beloved, and this is my Friend!” (Song of Solomon 5:16)

...the reality of late summer and early autumn when Adelaide, more than any place on earth, and as simply as pouring tea from a pot, pours fourth from a lavish cornucopia into gardens and parks and markets and arcade stalls a cascade of carnations and grapes and melons, guavas and Michaelmas daisies and tomatoes, zinnias and belladonna lilies and tuberoses, lavender and quinces and cumquats and pomegranates, roses and roses and roses.

In most gardens' the Tiger-lily said, ' they make the beds too soft - so that the flowers are always asleep.' This sounded a very good reason, and Alice was quite pleased to know it. 'I never thought of that before!' she said. 'It's MY opinion that you never think AT ALL,' the rose said in a rather severe tone.

You’re an hour late.” “Yeah, I know,” I say. “Everyone left me nasty fucking text messages.” I highly doubt you have the capability to read a clock, but you’re verging on forty-six minutes late. And here, I was going to reward you with a treat. – Connor If you disappoint my little sister, I will personally snip off your balls and feed them to Connor’s cat. – Rose Can you be here on time? Please?? – Lily The girls are getting pissed. And I’m not too happy with you either. – Lo “My text was the best, wasn’t it?” Connor asks as he smiles into his sip of water. I restrain the urge to roll my fucking eyes. “Your wife’s was better.

I dreamed I stood upon a little hill, And at my feet there lay a ground, that seemed Like a waste garden, flowering at its will With buds and blossoms. There were pools that dreamed Black and unruffled; there were white lilies A few, and crocuses, and violets Purple or pale, snake-like fritillaries Scarce seen for the rank grass, and through green nets Blue eyes of shy peryenche winked in the sun. And there were curious flowers, before unknown, Flowers that were stained with moonlight, or with shades Of Nature's willful moods; and here a one That had drunk in the transitory tone Of one brief moment in a sunset; blades Of grass that in an hundred springs had been Slowly but exquisitely nurtured by the stars, And watered with the scented dew long cupped In lilies, that for rays of sun had seen Only God's glory, for never a sunrise mars The luminous air of Heaven. Beyond, abrupt, A grey stone wall. o'ergrown with velvet moss Uprose; and gazing I stood long, all mazed To see a place so strange, so sweet, so fair. And as I stood and marvelled, lo! across The garden came a youth; one hand he raised To shield him from the sun, his wind-tossed hair Was twined with flowers, and in his hand he bore A purple bunch of bursting grapes, his eyes Were clear as crystal, naked all was he, White as the snow on pathless mountains frore, Red were his lips as red wine-spilith that dyes A marble floor, his brow chalcedony. And he came near me, with his lips uncurled And kind, and caught my hand and kissed my mouth, And gave me grapes to eat, and said, 'Sweet friend, Come I will show thee shadows of the world And images of life. See from the South Comes the pale pageant that hath never an end.' And lo! within the garden of my dream I saw two walking on a shining plain Of golden light. The one did joyous seem And fair and blooming, and a sweet refrain Came from his lips; he sang of pretty maids And joyous love of comely girl and boy, His eyes were bright, and 'mid the dancing blades Of golden grass his feet did trip for joy; And in his hand he held an ivory lute With strings of gold that were as maidens' hair, And sang with voice as tuneful as a flute, And round his neck three chains of roses were. But he that was his comrade walked aside; He was full sad and sweet, and his large eyes Were strange with wondrous brightness, staring wide With gazing; and he sighed with many sighs That moved me, and his cheeks were wan and white Like pallid lilies, and his lips were red Like poppies, and his hands he clenched tight, And yet again unclenched, and his head Was wreathed with moon-flowers pale as lips of death. A purple robe he wore, o'erwrought in gold With the device of a great snake, whose breath Was fiery flame: which when I did behold I fell a-weeping, and I cried, 'Sweet youth, Tell me why, sad and sighing, thou dost rove These pleasent realms? I pray thee speak me sooth What is thy name?' He said, 'My name is Love.' Then straight the first did turn himself to me And cried, 'He lieth, for his name is Shame, But I am Love, and I was wont to be Alone in this fair garden, till he came Unasked by night; I am true Love, I fill The hearts of boy and girl with mutual flame.' Then sighing, said the other, 'Have thy will, I am the love that dare not speak its name.

There has fallen a splendid tear From the passion-flower at the gate. She is coming, my dove, my dear; She is coming, my life, my fate; The red rose cries, 'She is near, she is near;' And the white rose weeps, 'She is late;' The larkspur listens, 'I hear, I hear;' And the lily whispers, 'I wait.' Alfred, Lord Tennyson

The house was burning, the yellow-red sky was like sunset and I knew that I would never see Coulibri again. Nothing would be left, the golden ferns and the silver ferns, the orchids, the ginger lilies and the roses, the rocking-chairs and the blue sofa, the jasmine and the honeysuckle, and the picture of the Miller's Daughter. When they had finished, there would be nothing left but blackened walls and the mounting stone. That was always left. That could not be stolen or burned.

Well that ain’t so. You get babies from each other. But there’s this man, too—he has all these babies just waitin‘ to wake up, he breathes life into ’em…” Dill was off again. Beautiful things floated around in his dreamy head. He could read two books to my one, but he preferred the magic of his own inventions. He could add and subtract faster than lightning, but he preferred his own twilight world, a world where babies slept, waiting to be gathered like morning lilies. He was slowly talking himself to sleep and taking me with him, but in the quietness of his foggy island there rose the faded image of a gray house with sad brown doors. “Dill?” “Mm?” “Why do you reckon Boo Radley’s never run off?” Dill sighed a long sigh and turned away from me. “Maybe he doesn’t have anywhere to run off to…

God of All Comfort . . . Word of Life . . . Rose of Sharon . . . Lily of the Valley . . . Bright and Morning Star . . . Glorious Lord . . . Immanuel . . . Living Word . . . Chief Cornerstone . . .Creator . . . Ancient of Days . . . the Eternal One . . . Author and Finisher of our Faith . . . First and the Last . . . Son of Man . . . Almighty God . . . the Resurrection and the Life . . . the Way, the Truth, and the Life . . . Everlasting Father . . . Captain of the Lord’s Army . . .

I am in the night of the stars. The moon is new and I see my way by focusing on the light given off by the Souls of the trees. The night air is thick and dark and sweet, like blueberries. It enters my nose and throat and ears to fill me up with its night magic. My ancestors are with me. They are in me. I can hear them. I felt them all day. My great grandmother, Lily Rose, came first. They will guide me with voices that flicker like lightening bugs, orange, hot, liquid glow in the moment.

if there are any heavens my mother will(all by herself)have one. It will not be a pansy heaven nor a fragile heaven of lilies-of-the-valley but it will be a heaven of blackred roses my father will be(deep like a rose tall like a rose) standing near my swaying over her (silent) with eyes which are really petals and see nothing with the face of a poet really which is a flower and not a face with hands which whisper This is my beloved my (suddenly in sunlight he will bow, &the whole garden will bow)

Crimson nor yellow roses nor The savor of the mounting sea Are worth the perfume I adore That clings to thee. The languid-headed lilies tire, The changeless waters weary me; I ache with passionate desire Of thine and thee. There are but these things in the world— Thy mouth of fire, Thy breasts, thy hands, thy hair upcurled And my desire.

I understood how all the flowers He has created are beautiful, how the splendor of the rose and the whiteness of the Lily do not take away from the perfume of the little violet or the simplicity of the daisy. I understood that if all flowers wanted to be roses, nature would lose her springtime beauty, and the fields would no longer be decked out with little wild flowers. And so it is in the world of souls, Jesus’ garden. He willed to create great souls comparable to Lilies and roses, but He has created smaller ones and these must be content to be daisies or violets destined to give joy to God’s glances when He looks down at His feet. Perfection consists in doing His will, in being what He wills us to be” (S,

Maybe violets don't have thorns like roses, or heavy fragrances like lilies or magnolias, but they are just as strong.

floral arrangements. The scent of lilies is stifling and when Celia can no longer tolerate it, she transforms all of the flowers into roses.

The names are a kind of joke. There’s a card in the Tarot pack called the magus. The magician… conjuror. Two of his traditional symbols are the lily and the rose.

Don't cry! Don't sob! Live your dreams with the greatest person you know...yourself.

but Jill had told me numerous times that for Adrian, everything came back to Rose.

The cold Camellia only, stiff and white, Rose without perfume, lily without grace, When chilling winter shows his icy face, Blooms for a world that vainly seeks delight.

Fair as a lily, joyous and free, light of that little home was she. Ev'ryone who knew her felt the gentle pow'r of Scarlett Rain, my sweet wildflow’r.

Lily began to skirt the edge of the living room, going around the dancing couples, and caught Kath’s eye on the way. Kath rose from the couch immediately, nearly spilling her drink.

Life is contradictory. It's complicated, but it's simple. It's painful, but it's joyful. Life is like a rose. Mish, and every rose has its thorns. It's equal parts dangerous and beautiful.

At the edge of the avalanche At the glacier’s icy rim Grows the flower of the snowfields Trembling in the wintry wind. It dares to live in edges Where naught else would ever grow. So fragile, so unlikely An owl slices through this blow. She dares the katabats Her gizzard madly quivers, But for her dearest of friends She vows she shall deliver. Like the lily of the avalanche The glacier’s icy rose Like a flower of the wind The bright fierceness in her glows. The bravest are the small The weakest are the strong The most fearful find the courage To battle what is wrong.

Childe Hassam’s snow-blurred A City Fairyland. Pieter Claesz’s Still Life with a Lighted Candle. She settles on that remarkable, magical work by John Singer Sargent—Carnation, Lily, Lily, Rose.

There was no hesitation, no uncertainty as to where to place the marker next, where to draw a line or a curve. Soon she saw a round vase emerge, overflowing with an arrangement of roses and lilies.

…We love each other like this!… On my bed all in white, So white and vaporous like the flower of innocence, Like the froth of vice, Winter, Winter, Winter, We fall in a cluster of roses and lilies!

There is a bench in the back of my garden shaded by Virginia creeper, climbing roses, and a white pine where I sit early in the morning and watch the action. Light blue bells of a dwarf campanula drift over the rock garden just before my eyes. Behind it, a three-foot stand of aconite is flowering now, each dark blue cowl-like corolla bowed for worship or intrigue: thus its common name, monkshood. Next to the aconite, black madonna lilies with their seductive Easter scent are just coming into bloom. At the back of the garden, a hollow log, used in its glory days for a base to split kindling, now spills white cascade petunias and lobelia. I can't get enough of watching the bees and trying to imagine how they experience the abundance of, say, a blue campanula blosssom, the dizzy light pulsing, every fiber of being immersed in the flower. ... Last night, after a day in the garden, I asked Robin to explain (again) photosynthesis to me. I can't take in this business of _eating light_ and turning it into stem and thorn and flower... I would not call this meditation, sitting in the back garden. Maybe I would call it eating light. Mystical traditions recognize two kinds of practice: _apophatic mysticism_, which is the dark surrender of Zen, the Via Negativa of John of the Cross, and _kataphatic mysticism_, less well defined: an openhearted surrender to the beauty of creation. Maybe Francis of Assissi was, on the whole, a kataphatic mystic, as was Thérèse of Lisieux in her exuberant momemnts: but the fact is, kataphatic mysticism has low status in religious circles. Francis and Thérèse were made, really made, any mother superior will let you know, in the dark nights of their lives: no more of this throwing off your clothes and singing songs and babbling about the shelter of God's arms. When I was twelve and had my first menstrual period, my grandmother took me aside and said, 'Now your childhood is over. You will never really be happy again.' That is pretty much how some spiritual directors treat the transition from kataphatic to apophatic mysticism. But, I'm sorry, I'm going to sit here every day the sun shines and eat this light. Hung in the bell of desire.

She is a one in a billion girl. When you meet her, you will feel a serene breeze engulf you. When she smiles at you, the world pauses for a while. When she speaks, it feels like the nightingales are singing. She is extraordinarily pretty. She is beautiful as the rose flower. She is the fragrance of a million jasmine flowers. She is the sensitivity of the dew drops. She is the innocence of the blooming llily, ily. She is the calm of the sylvan lake. She is the beautiful light of the candle flame. She is the wildness of the Kadupal flower. She is the magic of the full moon night! When you meet her, you will forget all other girls that you ever met in the world. She is the prettiest girl in the whole world. She is the most amazing and wonderful girl in the whole world. She is the Poet's Muse.

What if I’m in Slytherin?” The whisper was for his father alone, and Harry knew that only the moment of departure could have forced Albus to reveal how great and sincere that fear was. Harry crouched down so that Albus’s face was slightly above his own. Alone of Harry’s three children, Albus had inherited Lily’s eyes. “Albus Severus,” Harry said quietly, so that nobody but Ginny could hear, and she was tactful enough to pretend to be waving to Rose, who was now on the train, “you were named for two headmasters of Hogwarts. One of them was a Slytherin and he was probably the bravest man I ever knew.

Poppy lowered her head and bit her lip. “That’s the room where he…” she whispered. Her eyes filled with tears. “What? Where he does what…” I trailed off, realizing what she was trying to say. My blood froze inside my veins. The room where he rapes us. He and Rose were in there now. She went so willingly, no hesitation, no sign of horror in her eyes. “I need to go home,” I whispered to myself more than to them. “You need to stop this, Lily. There is no going home. The sooner you accept that the easier it will be. Trust me. Please?” Poppy said. All I could hear was the sound of my frantic pulse smashing in my ears. Shit. “No.” I sat down and tried to absorb everything. Rose was being raped in a room just feet from me. But was she? Did she want to now? Surely she couldn’t be that brainwashed that she wanted him. I gulped and felt a tear trickle down my cheek. “Lily?

I’ll bet Ryan Lilly drinks coffee like a flower—a lily. I drink coffee more like two roses and a nose walk into a bar. I would tell you what the bartender said, but to be honest, the bar was pretty noisy and I didn’t hear what he said.

He is great and he is just, He is ever good, and must Be honored. Daffodillies, Roses, pinks, and loved lilies, Let us fling, while we sing, Ever Holy! Ever Holy! Ever honored! Ever young! The great Pan is ever sung!” Beaumont and Fletcher.

In the garden where roses blush, where lilies bend their heads, A quiet wind carries whispers, where fleeting passion treads. Each petal tells a story, each fragrance bears your name, And in their fleeting beauty, my love for you, the same.

Love sees ten million fathoms down, till dazzled by the floor of pearls. The eye is Love's own magic glass, where all things that are not of earth, glide in supernatural light. There are not so many fishes in the sea, as there are sweet images in lovers' eyes. In those miraculous translucencies swim the strange eye-fish with wings, that sometimes leap out, instinct with joy; moist fish-wings wet the lover's cheek. Love's eyes are holy things; therein the mysteries of life are lodged; looking in each other's eyes, lovers see the ultimate secret of the worlds; and with thrills eternally untranslatable, feel that Love is god of all. Man or woman who has never loved, nor once looked deep down into their own lover's eyes, they know not the sweetest and the loftiest religion of this earth. Love is both Creator's and Saviour's gospel to mankind; a volume bound in rose-leaves, clasped with violets, and by the beaks of humming-birds printed with peach-juice on the leaves of lilies.

My garden is not a metaphor for hope or regeneration, the flowers are never tasked to be the heralds for brightness and optimism. Things in nature merely grow. There is no suicidal or angry rose, there is no depressed or rebellious lily. Plants have but one goal: to live. In order to live they grow when they can, and go into dormancy if needed. They live until they die—and either they die as destined by nature or are cut down by other elements in nature. A garden is a placeholder. Flowers are placeholders.

From golden showers of the ancient skies, On the first day, and the eternal snow of stars, You once unfastened giant calyxes For the young earth still innocent of scars: Young gladioli with the necks of swans, Laurels divine, of exiled souls the dream, Vermilion as the modesty of dawns Trod by the footsteps of the seraphim; The hyacinth, the myrtle gleaming bright, And, like the flesh of woman, the cruel rose, Hérodiade blooming in the garden light, She that from wild and radiant blood arose! And made the sobbing whiteness of the lily That skims a sea of sighs, and as it wends Through the blue incense of horizons, palely Toward the weeping moon in dreams ascends! Hosanna on the lute and in the censers, Lady, and of our purgatorial groves! Through heavenly evenings let the echoes answer, Sparkling haloes, glances of rapturous love! Mother, who in your strong and righteous bosom, Formed calyxes balancing the future flask, Capacious flowers with the deadly balsam For the weary poet withering on the husk.

Nuit Blanche" A music coaxed from humming strings would please; Not plucked, but drawn in creeping cadences Across a sunset wall where some Marquise Picks a pale rose amid strange silences. Ghostly and vaporous her gown sweeps by The twilight dusking wall, I hear her feet Delaying on the gravel, and a sigh, Briefly permitted, touches the air like sleet And it is dark, I hear her feet no more. A red moon leers beyond the lily-tank. A drunken moon ogling a sycamore, Running long fingers down its shining flank. A lurching moon, as nimble as a clown, Cuddling the flowers and trees which burn like glass. Red, kissing lips, I feel you on my gown— Kiss me, red lips, and then pass—pass. Music, you are pitiless to-night. And I so old, so cold, so languorously white.

And now as if the cleaning and the scrubbing and the scything and the mowing had drowned it there rose that half-heard melody, that intermittent music which the ear half catches but lets fall; a bark, a bleat; irregular, intermittent, yet somehow related; the hum of an insect, the tremor of cut grass, dissevered yet somehow belonging; the jar of a dor beetle, the squeak of a wheel, loud, low, but mysteriously related; which the ear strains to bring together and is always on the verge of harmonising but they are never quite heard, never fully harmonised, and at last, in the evening, one after another the sounds die out, and the harmony falters, and silence falls. With the sunset sharpness was lost, and like mist rising, quiet rose, quiet spread, the wind settled; loosely the world shook itself down to sleep, darkly here without a light to it, save what came green suffused through leaves, or pale on the white flowers by the window. [Lily Briscoe had her bag carried up to the house late one evening in September. Mr. Carmichael came by the same train.]

In joy or sadness, flowers are our constant friends. We eat, drink, sing, dance, and flirt with them. We wed and christen with flowers. We dare not die without them. We have worshipped with the lily, we have meditated with the lotus, we have charged in battle array with the rose and chrysanthemum. We have even attempted to speak in the language of flowers. How could we live without them? It frightens one to conceive of a world bereft of their presence. What solace do they not bring to the bedside of the sick, what a light of bliss to the darkness of weary spirits? Their serene tenderness restores to us our waning confidence in the universe even as the intent gaze of a beautiful child recalls our lost hopes. When we are laid low in the dust it is they who linger in sorrow over our graves.

While disease had thus become an inhabitant of Lowood, and death its frequent visitor; while there was gloom and fear within its walls; while its rooms and passages steamed with hospital smells, the drug and the pastille striving vainly to overcome the effluvia of mortality, that bright May shone unclouded over the bold hills and beautiful woodland out of doors. Its garden, too, glowed with flowers: hollyhocks had sprung up tall as trees, lilies had opened, tulips and roses were in bloom; the borders of the little beds were gay with pink thrift and crimson double daisies; the sweetbriars gave out, morning and evening, their scent of spice and apples; and these fragrant treasures were all useless for most of the inmates of Lowood, except to furnish now and then a handful of herbs and blossoms to put in a coffin.

She was almost monosyllabic among the buckets of mimosa and lilies a quarter of an hour later. The florist fussed and fiddled, holding blooms against Robin’s hair and accidentally letting drops of cold, greenish water fall from the long stem of a rose onto her cream sweater.

The White Birds" I would that we were, my beloved, white birds on the foam of the sea! We tire of the flame of the meteor, before it can fade and flee; And the flame of the blue star of twilight, hung low on the rim of the sky, Has awakened in our hearts, my beloved, a sadness that may not die. A weariness comes from those dreamers, dew-dabbled, the lily and rose; Ah, dream not of them, my beloved, the flame of the meteor that goes, Or the flame of the blue star that lingers hung low in the fall of the dew: For I would we were changed to white birds on the wandering foam: I and you! I am haunted by numberless islands, and many a Danaan shore, Where Time would surely forget us, and Sorrow come near us no more; Soon far from the rose and the lily, and fret of the flames would we be, Were we only white birds, my beloved, buoyed out on the foam of the sea!

You know that worried feeling?" Rose responded straight into Lily's ear. Not a whisper, but not loud enough for anyone else. "That feeling in your gut all the time, no matter the quality or intention of your company, like your safety is a gift from the men around you, not a right?" Page 248

THE LILY The modest Rose puts forth a thorn, The humble sheep a threat'ning horn: While the Lily white shall in love delight, Nor a thorn nor a threat stain her beauty bright. THE GARDEN OF LOVE I laid me down upon a bank, Where Love lay sleeping; I heard among the rushes dank Weeping, weeping.

There has fallen a splendid tear From the passion-flower at the gate. She is coming, my dove, my dear; She is coming, my life, my fate; The red rose cries, ‘She is near, she is near’; And the white rose weeps, ‘She is late’; The larkspur listens, ‘I hear, I hear’; And the lily whispers, ‘I wait.

Foolish wise folk sneer at you; foolish wise folk would pull up the useless lilies, the needless roses, from the garden, would plant in their places only serviceable wholesome cabbage. But the Gardener knowing better, plants the silly short-lived flowers; foolish wise folk, asking for what purpose.

It looks as though your shop is doing well,” Luka said, gazing around. “Could you help me find a gift for a lady friend of mine?” My heart plunged to my green satin slippers, and I had to stare down at Azarte for a minute, petting him hard. Naturally Luka had a “lady friend.” She was probably nobly born: the daughter of a count or a duke. I imagined her having thick dark hair and clear skin, and was bitterly jealous. “Of c-course,” I stammered after a time. “What would she like? A gown? A sash?” If she came in for a fitting, I decided to “accidentally” poke her with every pin. “Hmm, well, she is wearing a lovely gown today,” he said. “Although no sash.” So. He’d already seen her today, and it was not yet noon. I rubbed Azarte’s ears furiously. “What color is her gown?” “It’s sort of green, with more green, and the design looks like stained glass windows,” he said. “It’s very beautiful, like her.” I stopped petting the dog and looked up at him, not sure what I was hearing. “Oh?” My heart thumped painfully. “Yes, so perhaps she doesn’t need a sash after all. No sense gilding the lily.” He gave a melancholy sigh. “But I really would love to give her a very special gift. I was hoping if I did, she might give me a kiss in return, instead of the brotherly hugs I always get instead.” I raised my eyebrows, trying for casual interest even though I could feel my pulse beating in the blood rushing to my cheeks. “I know!” Luka snapped his fingers. “Forget a sash. I’ll give her this!” And with a flourish, he pulled a roll of parchment from his belt pouch. More confused than ever, I unrolled the paper and read. It was a letter from a priest in the Southern Counties, addressed to King Caxel. In it the priest begged for a grant of money. They had recently built a large chapel, the finest that had ever been dedicated to the Triune Gods in that region, and it had only been completed the year before. “But we do need another grant from the crown,” the priest wrote. “For a most heinous act of vandalism has taken place. Our rose-glass window, which illuminates the Triple Altar in glorious colors pleasing to the gods, has been stolen. It was removed from its frame the night before last, and not a pane of it can be found.” “Shardas?” I looked up at Luka with my eyes brimming. “Shardas!” “I have a pair of horses waiting outside,” Luka said. “We can be at Feniul’s cave by nightfall.” I threw my arms around him again, and this time I gave him the kiss he’d been waiting for.

That evening was the evening of the full moon. The garden was an enchanted place where all the flowers seemed white. The lilies, the daphnes, the orange-blossom, the white stocks, the white pinks, the white roses—you could see these as plainly as in the day-time; but the coloured flowers existed only as fragrance.

As Mrs. Turner took what would be her last walk around the vegetable garden, Smarty, the ginger tabby, materialized to sit beside the flowerpot man, a position that afforded him a bird's-eye view of the petit fishpond. There was a larger, more formal water feature on the western side of the house, a rectangular pool with a leafy canopy above it and marble tiles around the rim, well-fed goldfish gleaming beneath glistening lily pads, but this little pond was far more cheerful: small and shallow, with fallen petals floating on its surface. The cat's focus was absolute as he watched for flickers of rose gold in the water, paw at the ready.

Now Flush knew what men can never know—love pure, love simple, love entire; love that brings no train of care in its wake; that has no shame; no remorse; that is here, that is gone, as the bee on the flower is here and is gone. Today the flower is a rose, tomorrow a lily; now it is the wild thistle on the moor, now the pouched and portentous orchid of the conservatory. So variously, so carelessly Flush embraced the spotted spaniel down the alley, and the brindled dog and the yellow dog—it did not matter which. To Flush it was all the same. He followed the horn wherever the horn blew and the wind wafted it. Love was all; love was enough. No one blamed him for his escapades.

When Vivian began to recover they brought her a fluted glass vase with an arrangement of lilies and yellow roses from the flower shop on Eighteenth Street owned by an elegant man Arthur had once been involved with, Christos, who was friends with both of them. He, too, loved the theater and everything about it. Later he opened a restaurant.

Still, as the Mass went on, things seemed more normal; there were Bible readings, quite familiar, and then the accustomed descent into the vaguely pleasant boredom of a sermon, in which the inevitable Christmas annunciations of “peace,” “goodwill,” and “love” rose to the surface of his mind, tranquil as white lilies floating on a pond of words.

And what about me, Violet? Do you love me?” “That’s not fair.” I looked down at my feet; my pants were covered in dirt and dried blood. He gave a sarcastic, empty laugh. “A lot isn’t fair. It’s not fair that I had to be the one to train you to be a Grigori. It’s not fair that I couldn’t tell you the truth, even though I knew you’d hate me for it. It’s not fair that I was dying and became the reason you embraced, which only gives you more reason to push me away. It’s not fair that I know how great we would be together, except that we can’t. It’s not fair that, even though I know I’ll never have you, I had planned everything—the candles, the lilies—replayed the words I wanted to say a million times when you and I finally made love. I get that it’s not fair, but I’m still going to ask because we’re on a roll of all that is unfair, so what’s one more thing?” He grabbed the wardrobe door and slammed it so hard it almost broke off its hinges. My mind was boggling at everything he’d just said. “Lilies?” He half laughed. “White. You don’t like roses.

When you meet her, you will feel a serene breeze engulf you. When she smiles at you, the world pauses for a while. When she speaks, it feels like the nightingale is singing. She is extraordinarily pretty. She is beautiful as the rose flower. She is the fragrance of a million jasmine flowers. She is the sensitivity of the dew drops. She is the innocence of the blooming lily. She is the calm of the sylvan lake. She is the beautiful light of the candle flame. She is the wildness of the kadupul flower. She is the magic of the full moon night! When you meet her, you will forget all other girls that you ever met in the world. She is the most amazing and wonderful girl in the whole world. She is the Poet's Muse.

Suddenly the dressing-room of La Sorelli, one of the principal dancers, was invaded by half-a-dozen young ladies of the ballet, who had come up from the stage after “dancing” Polyeucte. They rushed in amid great confusion, some giving vent to forced and unnatural laughter, others to cries of terror. Sorelli, who wished to be alone for a moment to “run through” the speech which she was to make to the resigning managers, looked around angrily at the mad and tumultuous crowd. It was little Jammes—the girl with the tip-tilted nose, the forget-me-not eyes, the rose-red cheeks and the lily-white neck and shoulders—who gave the explanation in a trembling voice: “It’s the ghost!” And she locked the door. - Chapter 1: Is it the Ghost?

The women would not be looking at him like this if he were carrying lilies, reflects Jean-Paul. Flowers have there own silent vocabulary. There are blooms for love, for friendship, for sorrow, and for joy. He inspect the roses he is carrying. Long-stemmed and elegant, they have been grown, selected, arranged, and purchased for a single, unambiguous purpose: to seduce.

As Yarrow slept and the moon rose high in the sky, a breeze rustled through stalks of onyx-hued basil and deep gray sage, tall as sunflowers. Starlight fell in slants across petals of black violets. A night-dark strawberry rolled across the ground. A plum-colored tomato fell from its stem. Borage and pansies and nasturtium in varying shades of black and gray turned the darkness into its own kind of rainbow. Beneath the soil lurked something even darker. Generations of pain saturated the earth, fed each stem and fruit and flower. In the soft, thick leaves of sage: loss. In the blackened basil: broken hearts. Tucked inside the husks of charcoal corn: anger and betrayal. Trapped within the bell of burgundy calla lilies: stolen innocence.

Up until that moment with Rose all those years ago, Lily had spent her young life assuming that her fear was a defect. She thought if she could just be wanted right, by the right man, that she herself would be righted, and that the fear would go away. But even the best man comes with the strength and stature to remind a woman that every time he doesn't hurt her is a favor.

She wondered at the strangeness of the day, how it had begun with death and ended with sex. But was it that strange? Her best night with McQueen, the one night she cherished most in her memories, had come when she'd returned home after attending her aunt's funeral. McQueen had surprised her with his kindness during that difficult time, hiring a car to take her there and bring her back, sending a spray of roses, orchids and lilies to cover her aunt's casket. He'd even been waiting at her apartment when she arrived. He'd wanted sex from her, of course, but that night she'd wanted it from him even more. She'd spent three days in the company of death. And sex was almost the opposite of a funeral. A funeral said “life ends.” Sex said “life goes on.

The indoor picnic had been laid out in an octagonal-shaped sunroom featuring an atrium set in the center of the stone floor. Here a "white garden" planted with white roses, snowy lilies, and silver magnolias gave off a delicious scent that drifted across the table laden with linen, crystal, and silver. The white linen cloth had been scattered with pink rose petals that matched the flowered Sevres china.

I have important things to tell you, but who can concentrate with all that racket?" That "racket" turned out to be because of flowers, hundreds of them, arriving by the cartful. Roses, orchids, lilies, daffodils, irises, and a dozen other varieties that she could not name. Heavy porcelain vases were mounted all around the grand ballroom and the royal gardens, displaying the arrangements in all their grandeur. But one arrangement stood out from the rest. From the duchess's window, Cinderella watched the gardeners erect a trellis studded with roses. When the palace staff wheeled out a barrow of flowers, white pearlescent roses intertwined with pink ones as flushed as the height of sunrise, she nearly gasped. Her parents' favorite flowers. White and pink roses, with a touch of myrtle. Charles had been listening.

No, you will listen. For once, you’re going to hear something that doesn’t fit into your neat, compartmentalized world of order and logic and reason. Because this isn’t reasonable. If you’re terrified, believe me—this scares the hell out of me, too. You asked about Rose? I tried to be a better person for her—but it was to impress her, to get her to want me. But when I’m around you, I want to be better because… well, because it feels right. Because I want to. You make me want to become something greater than myself. I want to excel. You inspire me in every act, every word, every glance. I look at you, and you’re like… like light made into flesh. I said it on Halloween and meant every word: you are the most beautiful creature I have ever seen walking this earth. And you don’t even know it. You have no clue how beautiful you are or how brightly you shine.

I gazed at Nina and Theodore standing now before the window about to say their vows, or as Nina had phrased it, whatever words their hearts gave them at the moment, and I thought it just as well Mother was not here. She would’ve expected Nina to be in ivory lace, perhaps blue linen, carrying roses or lilies, but Nina had dismissed all of that as unoriginal and embarked on a wedding designed to shock the masses. She was wearing a brown dress made from free-labor cotton with a broad white sash and white gloves, and she’d matched up Theodore in a brown coat, a white vest, and beige pantaloons. She clutched a handful of white rhododendrons cut fresh from the backyard, and I noticed she’d tucked a sprig in the button hole of Theodore’s coat. Mother wouldn’t have made it past the brown dress, much less the opening prayer, which had been delivered by a Negro minister.

I push through the door of the market into the fragrance of Stargazer lilies and roses, then coffee brewing and briny oysters fresh from the coast. I stroll the aisles as if in a museum, looking at every item, loading work recipe ingredients into the wire handbasket along with the odd little goodie: Cozy Shock flan, Scharffenberger chocolate. What I'd really like is ice cream: Tillamook Brown Cow or a Dove dark chocolate on chocolate ice cream bar- heaven on a stick- but it would melt long before I could get home. I grab another Scharffenberger bar to compensate. Inside the gourmet deli case, white plastic tags poke out of luscious mounds of cheese, each with handwritten names bordering on the orgasmic: BURRATA WITH TRUFFLES, EVORA, BRESCIANELLA, BLEU D'AUVERGNE. I can almost feel the creamy sensation against my tongue, smell the musk of perfect aging, taste its tang,

I kissed the girl on the lips, as if to suck her breath inside me. When I did this, the girl wilted, ever so slightly. In my arms, gradually she became lighter, and more transparent. The smell of lilies rose up, filling my breast, overwhelming me. The taste of the kiss was so sweet, I couldn't stop–even thoughI knew she would go on wilting if I continued. The girl was wilting by the instant, and something thick and strong was filling my breast.

Beyond these the flowers were more frequent, but paler, less glossy, more thickly seeded, more tightly folded, and disposed, by accident, in festoons so graceful that I would fancy I saw floating upon the stream, as though after the dreary stripping of the decorations used in some Watteau festival, moss-roses in loosened garlands. Elsewhere a corner seemed to be reserved for the commoner kinds of lily; of a neat pink or white like rocket-flowers, washed clean like porcelain, with housewifely care; while, a little farther again, were others, pressed close together in a floating garden-bed, as though pansies had flown out of a garden like butterflies and were hovering with blue and burnished wings over the transparent shadowiness of this watery border; this skiey border also, for it set beneath the flowers a soil of a colour more precious, more moving than their own; and both in the afternoon, when it sparkled beneath the lilies in the kaleidoscope of a happiness silent, restless, and alert, and towards evening, when it was filled like a distant heaven with the roseate dreams of the setting sun, incessantly changing and ever remaining in harmony, about the more permanent colour of the flowers themselves, with the utmost profundity, evanescence, and mystery — with a quiet suggestion of infinity; afternoon or evening, it seemed to have set them flowering in the heart of the sky.

The Garden by Moonlight" A black cat among roses, Phlox, lilac-misted under a first-quarter moon, The sweet smells of heliotrope and night-scented stock. The garden is very still, It is dazed with moonlight, Contented with perfume, Dreaming the opium dreams of its folded poppies. Firefly lights open and vanish High as the tip buds of the golden glow Low as the sweet alyssum flowers at my feet. Moon-shimmer on leaves and trellises, Moon-spikes shafting through the snow ball bush. Only the little faces of the ladies’ delight are alert and staring, Only the cat, padding between the roses, Shakes a branch and breaks the chequered pattern As water is broken by the falling of a leaf. Then you come, And you are quiet like the garden, And white like the alyssum flowers, And beautiful as the silent sparks of the fireflies. Ah, Beloved, do you see those orange lilies? They knew my mother, But who belonging to me will they know When I am gone.

You have only a few years in which to live really, perfectly, and fully. When your youth goes, your beauty will go with it, and then you will suddenly discover that there are no triumphs left for you, or have to content yourself with those mean triumphs that the memory of your past will make more bitter than defeats. Every month as it wanes brings you nearer to something dreadful. Time is jealous of you, and wars against your lilies and your roses. You will become sallow, and hollow-cheeked, and dull-eyed. You will suffer horribly.... Ah! realize your youth while you have it. Don't squander the gold of your days, listening to the tedious, trying to improve the hopeless failure, or giving away your life to the ignorant, the common, and the vulgar. These are the sickly aims, the false ideals, of our age. Live! Live the wonderful life that is in you! Let nothing be lost upon you. Be always searching for new sensations. Be afraid of nothing....

Most radiant Pyramus, most lily white of hue, Of colour like the red rose on triumphant brier, 80 Most brisky juvenal, and eke most lovely Jew, As true as truest horse, that would never tire, I’ll meet thee, Pyramus, at Ninny’s tomb.’ QUINCE Ninus’ tomb, man: why, you must not speak that yet: that you answer to Pyramus. You speak all your part at once, cues, 85 and all.—Pyramus enter: your cue is past; it is ‘never tire.’ THISBE O,—‘As true as truest horse, that yet would never tire.

You're Beautiful Like the green romance of a bud and lily's pink, gentle sway. You: more beautiful than yesterday. Wildflower's blue surprise. Daisy's white, sunny play. You're more beautiful than yesterday. Orchid's purple mystery Mum's bronze ole` You: more beautiful than yesterday. Rose's orange perfume, even tulip's yellow secrets say: You're more beautiful that yesterday. Poppy's red, teasing lips, but YOUR beauty will never fade. You: more lovely than yesterday, You: my dazzling bouquet.

Cinnabar- orange blossom, clove, lily, a touch of patchouli." She ticked the ingredients off. "That woman picked her perfume in college in 1978, and she's worn it ever since." She looked over at me and smiled. "She thinks it defines her. She's right. And that one." She nodded toward a woman standing by the leather boots in the shoe department. "Roses and gin, one of those boutique perfumes. She likes the joke of it, but she's more traditional than she'll ever admit. I bet she has plenty of fantasies she never acts on." It was like the game I used to play, back when I read the bedsheets in the cottages at the cove, tried to figure out who the guests were, what they wanted. As we started up the escalator, a woman in her midsixties passed us going down, trailing a wake of fresh oranges behind her. "Did you know," Victoria said over her shoulder, "that if you put men in a room with just the faintest smell of grapefruit, they tend to think the women around them are six or seven years younger than they actually are?

You know that worried feeling?” Rose responded straight into Lily’s ear—not a whisper, but not loud enough for anyone else. “That feeling in your gut all the time, no matter the quality or intention of your company, like your safety is a gift from the men around you, not a right?” It was the first time a woman had ever spoken to Lily like rush. As though they play they were all in allowed intermissions. “This right here,” Rose said, patting the gun affectionately. “For a minute, this will make that feeling go away.

Only the middle distance and what may be called the remoter foreground are strictly human. When we look very near or very far, man either vanishes altogether or loses his primacy. The astronomer looks even further afield than the Sung painter and sees even less of human life. At the other end of the scale the physicist, the chemist, the physiologist pursue the close-up – the cellular close-up, the molecular, the atomic and subatomic. Of that which, at twenty feet, even at arm’s length, looked and sounded like a human being no trace remains. Something analogous happens to the myopic artist and the happy lover. In the nuptial embrace personality is melted down; the individual (it is the recurrent theme of Lawrence’s poems and novels) ceases to be himself and becomes a part of the vast impersonal universe. And so it is with the artist who chooses to use his eyes at the near point. In his work humanity loses its importance, even disappears completely. Instead of men and women playing their fantastic tricks before high heaven, we are asked to consider the lilies, to meditate on the unearthly beauty of ‘mere things,’ when isolated from their utilitarian context and rendered as they are, in and for themselves. Alternatively (or, at an earlier stage of artistic development, exclusively), the nonhuman world of the near-point is rendered in patterns. These patterns are abstracted for the most part from leaves and flowers – the rose, the lotus, the acanthus, palm, papyrus – and are elaborated, with recurrences and variations, into something transportingly reminisce

It makes me happy to think that not one single suggestion of Our Rose's has ever been adopted. Needless to say, when the water garden was eventually made, she claimed that it was all her own idea, merely because of the 'gleam' which she had 'seen,' out on the bare earth, that desolate day in January. She even suggested that she should be photographed with it, stretching out her hands for a lily. But if Our Rose is ever photographed with my pool, she will be well inside it, and she will be stretching out her hands for help.

The only things in the room that she felt any connection to were half a dozen flower postcards pinned to the wall above her desk. The red and white tulip by Judith Leyster. The vase of white lilac by Manet. The bowl of blowsy roses by Henri Fantin-Latour. The vase of tumbling blooms by Brueghel- lilies and tulips, fritillaries and daffodils, carnations and snowdrops, cornflowers and peonies and anemones. Those flowers had all died four hundred years ago, but that first week back at work, they planted a seed in Lara's heart.

Has the poet, for whom Nature means only roses and lilies, ever heard a pig grunting? It is a noise that does a man good—a strong, snorting, imprisoned noise, breaking its way out of unfathomable dungeons through every possible outlet and organ. It might be the voice of the earth itself, snoring in its mighty sleep. This is the deepest, the oldest, the most wholesome and religious sense of the value of Nature—the value which comes from her immense babyishness. She is as top-heavy, as grotesque, as solemn, and as happy as a child.

The studio was filled with candles. Some Escoffier had brought earlier for their luncheon- they were made from beeswax and filled the air with a sweet caramel scent. The rest were Sarah's. There were exotics such as blood orange oil, frankincense and myrrh. The flowers he had picked- roses, peonies and a spray of lilies- opened into full blossom under the heat of so many flames and joined the heady mix. Like dozens of tiny flickering stars, the candles and their scents made the dark night seem even darker, made the cream of her skin seem incandescent.

On an idyllic summer day, we walked through the meadows and hillsides, sitting in circles, laughing and filling sacks of cottongrass, salmonberries, crowberries, cranberries, mountain alder, northern golden rod, and rose hip roots. We collected cloudberry tea and Labrador tea, and wild celery. The Elders walked together, laughing, talking of the old days when they would travel to the Messenger Feasts, across the channel to Siberia, or south to trade in Qikiqtaġruk. We’d mix a dessert of fresh berries and lard, whipping and whipping the lard until fluffy.

Time is jealous of you, and wars against your lilies and your roses. You will become sallow, and hollow-cheeked, and dull-eyed. You will suffer horribly... Ah! realise your youth while you have it. Don’t squander the gold of your days, listening to the tedious, trying to improve the hopeless failure, or giving away your life to the ignorant, the common, and the vulgar. These are the sickly aims, the false ideals, of our age. Live! Live the wonderful life that is in you! Let nothing be lost upon you. Be always searching for new sensations. Be afraid of nothing...

Hothouse Flowers" I hate the flower of wood or common field. I cannot love the primrose nor regret The death of any shrinking violet, Nor even the cultured garden's banal yield. The silver lips of lilies virginal, The full deep bosom of the enchanted rose Please less than flowers glass-hid from frost and snows For whom an alien heat makes festival. I love those flowers reared by man's careful art, Of heady scents and colors: strong of heart Or weak that die beneath the touch of knife, Some rich as sin and some as virtue pale, And some as subtly infamous and frail As she whose love still eats my soul and life.

When are you going to get a fella?" Lily asks Rose after a year or two of dancing. "I have one who wants to take me kissing, but I think I should wait for you to have one." Rose flushes. "I don't think I'll ever have a fella." "Why not?" Lily bristles. "We're plenty pretty." "I don't like the look of them," Rose says. Lily purses her lips at the dance floor, appraising. After a moment long, Rose says, "Any of them." Lily looks at her a long time, as Rose tries not to hyperventilate. Then Lily shrugs and says, "Well, then it's you who should have learned to lead, isn't it?" and when Rose clasps Lily's hand, she clasps it back. It's the closest they've ever been.

Sweet Rose of Virtue Sweet rose of virtue and of gentleness, delightful lily of youthful wantonness, richest in bounty and in beauty clear and in every virtue that is held most dear― except only that you are merciless. Into your garden, today, I followed you; there I saw flowers of freshest hue, both white and red, delightful to see, and wholesome herbs, waving resplendently― yet everywhere, no odor but bitter rue. I fear that March with his last arctic blast has slain my fair rose of pallid and gentle cast, whose piteous death does my heart such pain that, if I could, I would compose her roots again― so comforting her bowering leaves have been.

And as soon as I had recognised the taste of the piece of madeleine soaked in her decoction of lime-blossom which my aunt used to give me (although I did not yet know and must long postpone the discovery of why this memory made me so happy) immediately the old grey house upon the street, where her room was, rose up like a stage set to attach itself to the little pavilion opening on to the garden which had been built out behind it for my parents (the isolated segment which until that moment had been all that I could see); and with the house the town, from morning to night and in all weathers, the streets along which I used to run errands, the country roads we took when it was fine. And in the game wherein the Japanese amuse themselves by filling a porcelain bowl with water and steeping in it little pieces of paper which until then are without character or form, but, the moment they become wet, stretch and twist and take on colour and distinctive shape, become flowers or houses or people, solid and recognisable, so in that moment all the flowers in our garden and in M. Swann's park, and the water-lilies on the Vivonne and the good folk of the village and their little dwellings and the parish church and the whole of Combray and its surroundings, taking shape and solidity, sprang into being, town and gardens alike, from my cup of tea.

GETHSEMANE The grass never sleeps. Or the roses. Nor does the lily have a secret eye that shuts until morning. Jesus said, wait with me. But the disciples slept. The cricket has such splendid fringe on its feet, and it sings, have you noticed, with its whole body, and heaven knows if it ever sleeps. Jesus said, wait with me. And maybe the stars did, maybe the wind wound itself into a silver tree, and didn’t move, maybe the lake far away, where once he walked as on a blue pavement, lay still and waited, wild awake. Oh the dear bodies, slumped and eye-shut, that could not keep that vigil, how they must have wept, so utterly human, knowing this too must be a part of the story.

I always loved Woolworth’s because of the pick ’n’ mix; the memory of all those cola bottles, cherry lips, and flying saucers still makes me smile. Lily’s favorite shops were Our Price, where she went to buy the latest cassettes and music posters, and Tammy Girl and C&A, where she and Rose shopped for clothes. I always enjoyed our trips to Blockbuster Video—even if I was rarely allowed to choose which film we would rent—and visits to the little independent bookshop with Nana were my favorite outings. Buying books was the only form of shopping she ever enjoyed. It makes me sad to realize that none of those shops exist now. So many high streets are more like ghost towns these days.

The King, he went a -walking, on merry morn in May. The King, he laid him down to rest, and fell asleep, they say. And when he woke, 'twas even, (The hour of magic mood) And Bluebell, Wild Bluebell, was dancing in the wood. The king, he gave a banquet to all the flowers (save one), With hungry eyes he watched them, a-seeking one alone. The rose was there in satin. The Lily with green hood But Bluebell, wild Bluebell only dances in the wood. The King, he frowned in anger, his hand upon his sword. He sent his men to seize her, and bring her to their Lord. With silken cords they bound her, Before the King she stood, Bluebell, wild Bluebell, who dances in the wood. The King, he rose to greet her, the maid he'd sword to wed. The King, he took his golden crown and set it on her head. And then he paled and shivered, The courtiers gazed in fear, At Bluebell, grey Bluebell, so pale and ghostly there. "O King, your grown is heavy, 'twould bow my head with care. Your palace walls would shut me in, who live as free as air. The wind, he is my lover, The sun my lover too, And Bluebell, whild Bluebell, shall ne'er be Queen to you." The King, he mourned a twelvemonth, and none could ease his pain. The King, he went a-walking a-down a lovers' lane. He laid aside his golden crown, Into the wood went he, Where Bluebell, wild Bluebell, dances ever wild and free.

Lily…” “I thought we were friends.” He rose in one movement. “I thought we were more than friends.” Her eyes widened and she backed up a step, seemingly without conscious thought, as he advanced on her, until her bottom hit the door. He should be gentler, should approach her with caution. Even now she might be afraid of what had been said about him. But he was weary—so very, very weary—of things being taken from him. He wasn’t going to lose her as well. Not if he could help it. He halted inches from her. “Weren’t we, Lily? More than friends?” Her lips parted as her breath quickened, but she showed no fear of him. “You know we were.” “Then that hasn’t changed.” She laughed, incredulous. “Are you insane?

All the flowers were gorgeous, in fact. The ones with “See you in Hell” emblazoned on the sash were white roses, Asiatic lilies, football mums, carnations and blue delphinium, or so Chesterfield told me when I came up to it to get a better look. Another standing spray featured hot pink roses and carnations, orange lilies, yellow sunflowers, lavender stock and green Athos poms, as well as the sentiment of “Not soon enough.” I have to say I was especially taken with the basket arrangement of lavender daisy poms, mums, white roses, snapdragons and Monte Cassino, with the words “Suck it, motherfucker” lovingly engraved onto the base of its gorgeously ornate vase. There were others, but these were a representative sample.

This garden was peaceful and calm. Pink cherry blossoms and violet plum blossoms graced the sweeping trees. The petals fell like snowflakes, dancing and swirling until they touched the soft, verdant grass. There was something familiar about this place. Her eyes traveled down the flat stone steps. She knew this path, knew those stones. The third one from the bottom had a crack in the middle- from when she was five and the neighbor's boy convinced her there were worms on the other side of the stones. She'd hammered the stone in half, eager to catch a few worms to play with. There weren't any, of course, but her mother had helped her find some dragonflies by the pond instead, and they'd spent an afternoon counting them in the garden. Mulan smiled wistfully at the memory. This can't be the same garden. I'm in Diyu. Yet no painter could have re-created what she saw more convincingly. Every detail was as she remembered. At the bottom of the stone-cobbled path was a pond with rose-flushed lilies, and a marble bench under the cherry tree. She used to play by the pond when she was a little girl, catching frogs and fireflies in wine jugs and feeding the fish leftover rice husks and sesame seeds until her mother scolded her. And beyond the moon gate was- Mulan's hand jumped to her mouth. Home. That smell of home- of Baba's incense from the family temple, sharp with amber and cedar; of noodles in Grandmother Fa's special pork broth; of jasmine flowers that Mama used to scent her skin.

La Belle Dame sans Merci O what can ail thee, knight-at-arms, Alone and palely loitering? The sedge has withered from the lake, And no birds sing. O what can ail thee, knight-at-arms, So haggard and so woe-begone? The squirrel’s granary is full, And the harvest’s done. I see a lily on thy brow, With anguish moist and fever-dew, And on thy cheeks a fading rose Fast withereth too. I met a lady in the meads, Full beautiful—a faery’s child, Her hair was long, her foot was light, And her eyes were wild. I made a garland for her head, And bracelets too, and fragrant zone; She looked at me as she did love, And made sweet moan I set her on my pacing steed, And nothing else saw all day long, For sidelong would she bend, and sing A faery’s song. She found me roots of relish sweet, And honey wild, and manna-dew, And sure in language strange she said— ‘I love thee true’. She took me to her Elfin grot, And there she wept and sighed full sore, And there I shut her wild wild eyes With kisses four. And there she lullèd me asleep, And there I dreamed—Ah! woe betide!— The latest dream I ever dreamt On the cold hill side. I saw pale kings and princes too, Pale warriors, death-pale were they all; They cried—‘La Belle Dame sans Merci Thee hath in thrall!’ I saw their starved lips in the gloam, With horrid warning gapèd wide, And I awoke and found me here, On the cold hill’s side. And this is why I sojourn here, Alone and palely loitering, Though the sedge is withered from the lake, And no birds sing.

Ant then, opening her eyes, how fresh like frilled linen clean from a laundry, laid in wicker trays the roses looked; and dark and prim the red carnations, holding their heads up; and all the sweet peas spreading in their bowls, tinged violet, snow white, pale - as if it were the evening and girls in muslin frocks came out to pick sweet peas and roses after the superb summer's day, with its almost blue-black sky, its delphiniums, its carnations, its arum lilies was over; and it was the moment between six and seven when every flower - roses, carnations, irises, lilac - glows; white, violet, red, deep orange; every flower seems to burn by itself, softly, purely in the misty beds; and how she loved the grey-white moths spinning in and out, over the cherry pie, over the evening primroses!

She rose and walked to the small fireplace, where a kettle had been set long before supper. It was gently steaming now. She caught up a rag and reached for the handle, but another, much bigger, hand got there first. Lily gave a tiny jump, watching wide-eyed as Caliban picked up the hot kettle as easily as lifting a twig. At least he’d had enough sense to shield his palm from the heat with a rag. He stood blank-faced until she pulled herself together. “In here.” She stepped gingerly around his bulk and led him into the little bedroom. A tin hip bath was waiting, laid beside the bed on some old cloths. It was already half full of cold water. “You can pour it in there.” He lifted the hem of his shirt to hold the bottom of the kettle and she caught an unsettling flash of his stomach. Hastily she looked away, her cheeks heating.

What if I’m in Slytherin?” The whisper was for his father alone, and Harry knew that only the moment of departure could have forced Albus to reveal how great and sincere that fear was. Harry crouched down so that Albus’s face was slightly above his own. Alone of Harry’s three children, Albus had inherited Lily’s eyes. “Albus Severus,” Harry said quietly, so that nobody but Ginny could hear, and she was tactful enough to pretend to be waving to Rose, who was now on the train, “you were named for two headmasters of Hogwarts. One of them was a Slytherin and he was probably the bravest man I ever knew.” “But just say--” “--then Slytherin House will have gained an excellent student, won’t it? It doesn’t matter to us, Al. But if it matters to you, you’ll be able to choose Gryffindor over Slytherin. The Sorting Hat takes your choice into account.” “Really?” “It did for me,” said Harry. He had never told any of his children that before, and he saw the wonder in Albus’s face when he said it. But now the doors were slamming all along the scarlet train, and the blurred outlines of parents were swarming forward for final kisses, last-minute reminders. Albus jumped into the carriage and Ginny closed the door behind him. Students were hanging from the windows nearest them. A great number of faces, both on the train and off, seemed to be turned toward Harry. “Why are they all staring?” demanded Albus as he and Rose craned around to look at the other students. “Don’t let it worry you,” said Ron. “It’s me. I’m extremely famous.” Albus, Rose, Hugo, and Lily laughed. The train began to move, and Harry walked alongside it, watching his son’s thin face, already ablaze with excitement.

As the dawn was just breaking he found himself close to Covent Garden. The darkness lifted, and, flushed with faint fires, the sky hollowed itself into a perfect pearl. Huge carts filled with nodding lilies rumbled slowly down the polished empty street. The air was heavy with the perfume of the flowers, and their beauty seemed to bring him an anodyne for his pain. He followed into the market, and watched the men unloading their wagons. A white-smocked carter offered him some cherries. He thanked him, and wondered why he refused to accept any money for them, and began to eat them listlessly. They had been plucked at midnight, and the coldness of the moon had entered into them. A long line of boys carrying crates of striped tulips, and of yellow and red roses, defiled in front of him, threading their way through the huge, jade-green piles of vegetables.

The hill between the manor and forest displayed layers of Lady Croft's prized gardens. Paved pathways wove through a formal Italian garden, rose garden, water garden, lily pond, and a tulip garden built around Roman ruins. Maggie stood beside a statue of the goddess Hemera and a row of yew bushes that had been neatly pruned into a wall to form the perimeter of the Croft family maze. Walter sat nearby on a picnic blanket as she scanned the hillside above the maze to see if she could find Libby's copper-streaked hair among the immaculate gardens and all the people dressed in their finest for this entree into Ladenbrooke's gardens. The Croft family opened the front gate to the public once each summer. Hundreds of people from around the Cotswolds came to peruse Lady Croft's magnificent displays- the golden heather, purple dahlias, peach lilies floating on the pond.

no idea which is which.’ ‘What do you mean? Have they forgotten who they are? What do they say?’ ‘Oh, they don’t say much really. They’re all dead.’ ‘Dead!’ ‘Yes.’ ‘Oh!’ Raphael took a moment to process this. ‘Were they dead when you arrived?’ she asked. ‘I … ’ I paused. It was an interesting question. I hadn’t considered it before. ‘I think so,’ I said. ‘I think they’ve all been dead a long time, but as I don’t remember arriving, I can’t be certain. Arriving was something that happened to Matthew Rose Sorensen, not to me.’ ‘Yes, I suppose that’s right. But what do you mean, you take care of them?’ ‘I make sure they are in good order. As complete and tidy as they can be. I bring them offerings of food and drink and water lilies. And I talk to them. Don’t you have Dead of your own in your Halls?’ ‘I do. Yes.’ ‘Don’t you take them offerings? Don’t you talk to them?

MICHAEL ROBARTES REMEMBERS FORGOTTEN BEAUTY When my arms wrap you round I press My heart upon the loveliness That has long faded from the world; The jewelled crowns that kings have hurled In shadowy pools, when armies fled; The love-tales wove with silken thread By dreaming ladies upon cloth That has made fat the murderous moth; The roses that of old time were Woven by ladies in their hair, The dew-cold lilies ladies bore Through many a sacred corridor Where such gray clouds of incense rose That only the gods’ eyes did not close: For that pale breast and lingering hand Come from a more dream-heavy land, A more dream-heavy hour than this; And when you sigh from kiss to kiss I hear white Beauty sighing, too, For hours when all must fade like dew But flame on flame, deep under deep, Throne over throne, where in half sleep Their swords upon their iron knees Brood her high lonely mysteries.

What joy it was to lose myself in that garden of flowers, to wander happily from spot to spot, until, coming suddenly upon a beautiful vine, I recognized it by its leaves and blossoms, and knew it was the vine which covered the tumble-down summer-house at the farther end of the garden! Here, also, were trailing clematis, drooping jessamine, and some rare sweet flowers called butterfly lilies, because their fragile petals resemble butterflies' wings. But the roses—they were loveliest of all. Never have I found in the greenhouses of the North such heart-satisfying roses as the climbing roses of my southern home. They used to hang in long festoons from our porch, filling the whole air with their fragrance, untainted by any earthy smell; and in the early morning, washed in the dew, they felt so soft, so pure, I could not help wondering if they did not resemble the asphodels of God's garden.

Inside, on a bed of black velvet, lay an exquisite perfume bottle designed from rose-colored glass caged in a silver overlay that twined about the glass like living vines. In the very center of the oval shaped bottle, the silver was formed into the image of a lily in full bloom. It was likely the most precious and expensive gift Lily had ever been given. She ran her fingertips over the delicate silver work before lifting the bottle from its velvet bed to allow the candlelight to shine through the rose-colored glass. She noticed then a folded slip of paper still in the box. Setting the perfume bottle in the valley of her lap, she lifted the paper and broke the tiny wax seal. In his precise, slanted script, Lord Harte had written: I was unforgivably remiss in not having a gift for you the other night. I chose the elements for this blend myself. It made me think of you. Lily brushed her thumb over the ink before setting the note back into the box. Then she shifted the bottle and removed the glass stopper. The scent wafting from the bottle was light, but heady. She noticed first the rich notes of clove and honey before her senses were claimed by the smooth, velvety scent of jasmine. Lily closed her eyes, allowing the aromatic infusion to settle into her awareness. There was another element hidden deep within the perfume. A layer of earthiness that warmed her blood. Sandalwood. Lily was enthralled. It was a complex and lovely scent. Floral and exotic, light and dark. Impossibly sensual. And it made him think of her. Something deep and fundamental spread through her core, and she understood why young ladies were warned so often not to accept gifts from gentlemen. It was a personal and intimate thing to acknowledge how he had wanted her to have something he chose himself.

The great day dawned misty and overcast, but the glass was high and we had no fears. The mist was a good sign. It cleared about eleven, as Maxim had foretold, and we had a glorious still summer’s day without a cloud in the blue sky. All the morning the gardeners were bringing flowers into the house, the last of the white lilac, and great lupins and delphiniums, five foot high, roses in hundreds, and every sort of lily. Mrs. Danvers showed herself at last; quietly, calmly, she told the gardeners where to put the flowers, and she herself arranged them, stacking the vases with quick, deft fingers. I watched her in fascination, the way she did vase after vase, carrying them herself through the flower room to the drawing room and the various corners of the house, massing them in just the right numbers and profusion, putting color where color was needed, leaving the walls bare where severity paid.

Then they went floating under vernal arches, where a murmurous rustle seemed to whisper, "Stay!" along shadowless sweeps, where the blue turned to gold and dazzled with its unsteady shimmer; passed islands so full of birds they seemed green cages floating in the sun, or doubled capes that opened long vistas of light and shade, through which they sailed into the pleasant land where summer reigned supreme. To Sylvia it seemed as if the inhabitants of these solitudes had flocked down to the shore to greet her as she came. Fleets of lilies unfurled their sails on either hand, and cardinal flowers waved their scarlet flags among the green. The sagittaria lifted its blue spears from arrowy leaves; wild roses smiled at her with blooming faces; meadow lilies rang their flame-colored bells; and clematis and ivy hung garlands everywhere, as if hers were a floral progress, and each came to do her honor.

Spread over what must have been at least a hectare or two was the most beautiful garden he had ever seen. There was an entire miniature forest of cedar, cypress, and other sweet-smelling pines that couldn't normally live in the hot and dry Agrabah. There were formal rows of roses and other delicately petaled flowers. There was a garden just of mountain plants. There was a pool filled with flowering white lilies and their pads, and pink lotuses taller than most men. There was a fountain as big as a house and shaped like an egg. There was a delicate white aviary that looked like a giant's birdcage. Strangely, there were no birds in it. And everywhere, entwined around every tiny building and every balustrade and every topiary ball, was jasmine. White jasmine, pink jasmine, yellow jasmine, night-flowering jasmine... the smell was heady enough to make Aladdin feel a little drunk. Jasmine. This was her garden.

For you: anthophilous, lover of flowers, green roses, chrysanthemums, lilies: retrophilia, philocaly, philomath, sarcophilous—all this love, of the past, of beauty, of knowledge, of flesh; this is catalogue & counter: philalethist, negrophile, neophile. A negro man walks down the street, taps Newport out against a brick wall & stares at you. Love that: lygophilia, lithophilous. Be amongst stones, amongst darkness. We are glass house. Philopornist, philotechnical. Why not worship the demimonde? Love that—a corner room, whatever is not there, all the clutter you keep secret. Palaeophile, ornithophilous: you, antiquarian, pollinated by birds. All this a way to dream green rose petals on the bed you love; petrophilous, stigmatophilia: live near rocks, tattoo hurt; for you topophilia: what place do you love? All these words for love (for you), all these ways to say believe in symphily, to say let us live near each other.

Let us go and sit in the shade," said Lord Henry. "Parker has brought out the drinks, and if you stay any longer in this glare, you will be quite spoiled, and Basil will never paint you again. You really must not allow yourself to become sunburnt. It would be unbecoming." "What can it matter?" cried Dorian Gray, laughing, as he sat down on the seat at the end of the garden. "It should matter everything to you, Mr. Gray." "Why?" "Because you have the most marvellous youth, and youth is the one thing worth having." "I don't feel that, Lord Henry." "No, you don't feel it now. Some day, when you are old and wrinkled and ugly, when thought has seared your forehead with its lines, and passion branded your lips with its hideous fires, you will feel it, you will feel it terribly. Now, wherever you go, you charm the world. Will it always be so? ... You have a wonderfully beautiful face, Mr. Gray. Don't frown. You have. And beauty is a form of genius--is higher, indeed, than genius, as it needs no explanation. It is of the great facts of the world, like sunlight, or spring-time, or the reflection in dark waters of that silver shell we call the moon. It cannot be questioned. It has its divine right of sovereignty. It makes princes of those who have it. You smile? Ah! when you have lost it you won't smile.... People say sometimes that beauty is only superficial. That may be so, but at least it is not so superficial as thought is. To me, beauty is the wonder of wonders. It is only shallow people who do not judge by appearances. The true mystery of the world is the visible, not the invisible.... Yes, Mr. Gray, the gods have been good to you. But what the gods give they quickly take away. You have only a few years in which to live really, perfectly, and fully. When your youth goes, your beauty will go with it, and then you will suddenly discover that there are no triumphs left for you, or have to content yourself with those mean triumphs that the memory of your past will make more bitter than defeats. Every month as it wanes brings you nearer to something dreadful. Time is jealous of you, and wars against your lilies and your roses. You will become sallow, and hollow-cheeked, and dull-eyed. You will suffer horribly.... Ah! realize your youth while you have it. Don't squander the gold of your days, listening to the tedious, trying to improve the hopeless failure, or giving away your life to the ignorant, the common, and the vulgar. These are the sickly aims, the false ideals, of our age. Live! Live the wonderful life that is in you! Let nothing be lost upon you. Be always searching for new sensations. Be afraid of nothing.... A new Hedonism--that is what our century wants. You might be its visible symbol. With your personality there is nothing you could not do. The world belongs to you for a season.... The moment I met you I saw that you were quite unconscious of what you really are, of what you really might be. There was so much in you that charmed me that I felt I must tell you something about yourself. I thought how tragic it would be if you were wasted. For there is such a little time that your youth will last--such a little time. The common hill-flowers wither, but they blossom again. The laburnum will be as yellow next June as it is now. In a month there will be purple stars on the clematis, and year after year the green night of its leaves will hold its purple stars. But we never get back our youth. The pulse of joy that beats in us at twenty becomes sluggish. Our limbs fail, our senses rot. We degenerate into hideous puppets, haunted by the memory of the passions of which we were too much afraid, and the exquisite temptations that we had not the courage to yield to. Youth! Youth! There is absolutely nothing in the world but youth!

He [Jesus] opened the book of nature before me, and I saw that every flower He has created has a beauty of its own, that the splendor of the rose and the lily's whiteness do not deprive the violet of it's scent nor make less ravishing the daisy's charm. I saw that if every little flower wished to be a rose, Nature would lose her spring adornments , and the fields would be no longer enameled with their varied flowers. So it is in the world of souls, the living garden of the Lord. It please Him to create great Saints, who may be compared with the lilies or the rose, but He has also created little ones, who must be content to be daisies or violets, nestling at His feet to delight His eyes when He should choose to look at them... What delights Him is the simplicity of these flowers of the field, and by stooping so low to them, He shows how infinitely great He is. Just as the sun shines equally on the cedar and the little flower, so the Divine Sun shines equally on everyone, great and small.

Even though the wreckage had been described to her, and though she was still in pain, the sight horrified and amazed her, and there was something she noticed about it that particularly gave her the creeps. Over everything—up through the wreckage of the city, in gutters, along the riverbanks, tangled among tiles and tin roofing, climbing on charred tree trunks—was a blanket of fresh, vivid, lush, optimistic green; the verdancy rose even from the foundations of ruined houses. Weeds already hid the ashes, and wild flowers were in bloom among the city’s bones. The bomb had not only left the underground organs of plants intact; it had stimulated them. Everywhere were bluets and Spanish bayonets, goose-foot, morning glories and day lilies, the hairy-fruited bean, purslane and clotbur and sesame and panic grass and feverfew. Especially in a circle at the center, sickle senna grew in extraordinary regeneration, not only standing among the charred remnants of the same plant but pushing up in new places, among bricks and through cracks in the asphalt. It actually seemed as if a load of sickle-senna seed had been dropped along with the bomb.

Eeh, but whah’s the use, the fuckin’ use?” Dixon resting his head briefly tho’ audibly upon the Table. “It’s over . . . ? Nought left to us but Paper-work . . . ?” Their task has shifted, from Direct Traverse upon the Line to Pen-and-Paper Representation of it, in the sober Day-Light of Philadelphia, strain’d thro’ twelve-by-twelve Sash-work, as in the spectreless Light of the Candles in their Rooms, suffering but the fretful Shadows of Dixon at the Drafting Table, and Mason, seconding now, reading from Entries in the Field-Book, as Dixon once minded the Clock for him. Finally, one day, Dixon announces, “Well,— won’t thee at least have a look . . . ?” Mason eagerly rushes to inspect the Map of the Boundaries, almost instantly boggling, for there bold as a Pirate’s Flag is an eight-pointed Star, surmounted by a Fleur-de-Lis. “What’s this thing here? pointing North? Wasn’t the l’Grand flying one of these? Doth it not signify, England’s most inveterately hated Rival? France?” “All respect, Mason,— among Brother and Sister Needle-folk in ev’ry Land, ’tis known universally, as the ‘Flower-de-Luce.’ A Magnetickal Term.” “ ‘Flower of Light’? Light, hey? Sounds Encyclopedistick to me, perhaps even Masonick,” says Mason. A Surveyor’s North-Point, Dixon explains, by long Tradition, is his own, which he may draw, and embellish, in any way he pleases, so it point where North be. It becomes his Hall-Mark, personal as a Silver-Smith’s, representative of his Honesty and Good Name. Further, as with many Glyphs, ’tis important ever to keep Faith with it,— for an often enormous Investment of Faith, and Will, lies condens’d within, giving it a Potency in the World that the Agents of Reason care little for. “ ’Tis an ancient Shape, said to go back to the earliest Italian Wind-Roses,” says Dixon, “— originally, at the North, they put the Letter T, for Tramontane, the Wind that blew down from the Alps . . . ? Over the years, as ever befalls such frail Bric-a-Brack as Letters of the Alphabet, it was beaten into a kind of Spear-head,— tho’ the kinder-hearted will aver it a Lily, and clash thy Face, do tha deny it.” “Yet some, finding it upon a new Map, might also take it as a reassertion of French claims to Ohio,” Mason pretends to remind him. “Aye, tha’ve found me out, I confess,— ’tis a secret Message to all who conspire in the Dark! Eeh! The old Jesuit Canard again!

It's a lovely mask," Sara said, toying with the narrow black silk ribbons before tying it in place. Monique had artfully fashioned it out of black silk and lace, and glinting blue sapphires that matched her gown. "I'm not nervous at all." It was true. She felt as if some reckless stranger had replaced her usual cautious self. The midnight-blue gown molded to her figure, cut so low that her breasts seemed ready to spill from the meager bodice. A broad satin sash fastened with a gold buckle emphasized her small waist. The mask covered the upper half of her face but revealed her lips, which Monique and Lily had insisted on darkening with the faintest hint of rouge. Laboriously they had arranged her hair in a cluster of curls on top of her head, allowing a few ringlets to dangle teasingly against her cheeks and neck. A perfume that reminded Sara of roses blended with some deeper foresty scent had been applied sparingly to her bosom and throat. "A triumph," Monique had declared, gloating over the transformation. "Beautiful, worldly, but still fresh and young... ah, chérie, you will make many conquests tonight!" "Stunning," Lily had said, beaming with delight. "What a stir she'll cause.

What is this?" Kathleen asked, picking up the bottle and viewing it suspiciously. "It's a beautifier," Pandora said. "Bloom of Rose," Cassandra chimed in. Kathleen gasped as she realized what it was. "It's rouge. She had never even held a container of rouge before. Setting it on the counter, she said firmly, "No." "But Kathleen-" "No to rouge," she said, "now and for all time." "We need to enhance our complexions," Pandora protested. "It won't do any harm," Cassandra chimed in. "The bottle says that Bloom of Rose is 'delicate and inoffensive'... It's written right there, you see?" "The comments you would receive if you wore rouge in public would assuredly not be delicate or inoffensive. People would assume you were a fallen woman. Or worse, an actress." Pandora turned to Devon. "Lord Trenear, what do you think?" "This is one of those times when it's best for a man to avoid thinking altogether," he said hastily. "Bother," Cassandra said. Reaching for a white glass pot with a gilded top, she gave it to Kathleen. "We found this for you. It's lily pomatum, for your wrinkles." "I don't have wrinkles," Kathleen said with dawning indignation. "Not yet," Pandora allowed. "But someday you will.

At my funeral there will be no flowers. This is a request I write in the wrinkled pages of thrown away suicide notes. There will be no white lilies stuck to cherrywood casket, there will be no pre-wilting roses or orchids weeping in the iron fist of a father or forget-me-nots in twin palms… Instead I imagine my funeral as I am: there is a thing lost at sea. It is weathered by salt water and unanchored. It is sinking. At my funeral, the sky opens her mouth to pour. At my funeral, the river overflows. Flowers do not grow underwater. I learned this from a brother. Or two. I learned that grief is a thing of threes: there is no room in a mourning house for a fourth flood. I live in rooms full of water and shipwrecks. I do not miss the flowers. Really, I have never seen them. At night I dream of a mother I have never met. She has no head. Just hands. And she holds me as if my spine was always meant to be bent. Curled into her arms. Cradled. I dream of funerals, and home grown alliums. I dream of newly dead sons and their mothers. There is ivy tickling my chin, soft earth cushion underneath my heavy skull. Truthfully. I am already there- I hear the soil is warm this time of year.

Clearings opened on either side. Familiar smells drifted in the air: fennel, skirrets and alexanders, then wild garlic, radishes and broom. John looked about while his mother tramped ahead. Then a new scent rose from the wild harvest, strong in John's nostrils. He had smelt it the night the villagers had driven them up the slope. Now, as his mother pushed through a screen of undergrowth, he saw its origin. Ranks of fruit trees rose before him, their trunks shaggy with lichen, their branches decked with pink and white blossom. John and his mother walked forward into an orchard. Soon apple trees surrounded them, the sweet scent heavy in the air. Pears succeeded them, then cherries, then apples again. But surely the blossom was too late, John thought. Only the trees' arrangement was familiar for the trunks were planted in diamonds, five to a side. He knew it from the book. The heavy volume bumped against his mother's leg. He gave her a curious look but she seemed unsurprised by the orchards. As the scent of blossom faded, another teased his nostrils, remembered from the same night. Lilies and pitch. Looking ahead, John saw only a stand of chestnuts overwhelmed by ivy, the glossy leaves blurring the trunks and boughs into a screen.

Back on the platform, they found Lily and Hugo, Rose’s younger brother, having an animated discussion about which House they would be sorted into when they finally went to Hogwarts. “If you’re not in Gryffindor, we’ll disinherit you,” said Ron, “but no pressure." “Ron!” Lily and Hugo laughed, but Albus and Rose looked solemn. “He doesn’t mean it,” said Hermione and Ginny, but Ron was no longer paying attention. Catching Harry’s eye, he nodded covertly to a point some fifty yards away. The steam had thinned for a moment, and three people stood in sharp relief against the shifting mist. “Look who it is.” Draco Malfoy was standing there with his wife and son, a dark coat buttoned up to his throat. His hair was receding somewhat, which emphasized the pointed chin. The new boy resembled Draco as much as Albus resembled Harry. Draco caught sight of Harry, Ron, Hermione, and Ginny staring at him, nodded curtly, and turned away again. “So that’s little Scorpius,” said Ron under his breath. “Make sure you beat him in every test, Rosie. Thank God you inherited your mother’s brains.” “Ron, for heaven’s sake,” said Hermione, half stern, half amused. “Don’t try to turn them against each other before they’ve even started school!” “You’re right, sorry,” said Ron, but unable to help himself, he added, “Don’t get too friendly with him, though, Rosie. Granddad Weasley would never forgive you if you married a pureblood.

I wonder what kind of men we might encounter in Scotland.Perhaps the reason we have not found our anyone in England is because they have been waiting for us up north." Bryonwyn gave in to the compulsion to roll her eyes.Leave it to Lily to twist a situation into something positive-and related to love. "You will find admirers wherever you go.And you,too, Edythe, will be adored by many." Bronwyn added with confidence as she rose and went to the door, indicating that tonight's chat was over. Edythe shook her head. "Lily desires not a man, but an impossibility. A person just cannot be responsible and spontaneous at the same time." "Well,you drive all your men away with your seriousness," Lily countered, looking to Bronwyn for support as she strolled up to the door. Sighing,Bronwyn leaned against the jamb and picked up a lock of Lily's dark hair. "You,Lily,need to find a way to mature without losing your optimism,and Edythe,you set a standard so high and can be so critical of those who do not meet it." Edythe opened her mouth and then closed it as she joined Lily at the door. "And what about you?" she demanded. "And don't say you are alone because you lack beauty,for you could be quite pretty if you tried wearing something other than dreary colors and keeping your hair in a net all the time." "Unfair,because you know that I could do as you ask,change my clothes and hair,but it wouldn't matter.The kind of man I want doesn't want me," Bronwyn uttered matter-of-factly, making shooing motions to get them to leave.

Tonight Ray will tape the the drenched oasis inside of the silver bowl that sits on the top of the candelabra and fill it with the pale green hydrangeas, pink English garden roses, lilies of the valley, and extravagant lavender sweet peas that R.L., the local florist/antique dealer, delivered a few hours ago. The flowers are all soaking in their respective sugar water jugs in her kitchen- out of the direct sunlight, of course- as is the oasis which she'll mold into every bowl and vase in the house with a similar arrangement. She's even going to make an arrangement in a flat sweetgrass basket to hang on the front door and a round little pomander of pale green hydrangea with a sheer white ribbon for Little Hilda to hold as she greets the guests in the foyer. Ray is tempted to snip the last blossoms of gardenias growing secretly behind Cousin Willy's shed. In her estimation they are the quintessential wedding flower, with their intoxicating fragrance and their delicate cream petals surrounded by those dark, waxy leaves. She bought the seedlings when R.L. and the gals weren't looking at the Southern Gardener's Convention in Atlanta four years ago, and no one has any idea she's been growing them. Sometimes she worries that the fragrance will give her away, but they bloom the same time as the confederate jasmine, which grows along the lattice work of the shed, and she can always blame the thick smell on them. It would take a truly trained nose to pick the gardenias out, and Ray possesses the trained nose of the bunch.

The door slammed and the reverberating sound bounced back and forth down the hall. Edythe and Lily sat perfectly still and stared at each other, eyes wide open. For once,their thoughts were in accord. When Ranulf had first arrived and started banging on Bronwyn's door, both had awakened wondering if they should do something. When the racket ceased, Lily scurried into Edythe's room. "What's going on?" "I don't know," came Edythe's simple reply. "Why is Ranulf so angry with Bronwyn?" Again Edythe shrugged. "Well,should we go and see if Bronwyn needs help?" Edythe bit her bottom lip. The situation was foreign to her.She supposed they should go, but her gut was telling her to stay put. She was still debating the decision when voices rose again,and this time Bronwyn's was in the mix. And she never yelled. The door slammed and heavy footsteps retreated. "I think...I think I was just insulted," Lily mumbled. "By both of them." Seeing the stunned look in Lily's gray eyes,Edythe reached over to pacify her. "They also said some flattering things." Lily slipped out of the embrace and shook her head. "Edythe, what have I done?" "What do you mean?" Lily bounded off the bed and passionately stabbed her finger toward the wall seperating Edythe's and Bronwyn's room. "Them! Didn't you hear?" Edythe nodded her head in relief. "I did.I just wasn't sure you had." Slump-shouldered,Lily returned to the bed and collapsed on it. "Oh Lord, Edythe, I just announced to everyone that I was going to marry the man our sister loves." "It's my guess that he loves her,too.

No, you don't feel it now. Some day, when you are old and wrinkled and ugly, when thought has seared your forehead with its lines, and passion branded your lips with its hideous fires, you will feel it, you will feel it terribly. Now, wherever you go, you charm the world. Will it always be so? ... You have a wonderfully beautiful face, Mr. Gray. Don't frown. You have. And beauty is a form of genius--is higher, indeed, than genius, as it needs no explanation. It is of the great facts of the world, like sunlight, or spring-time, or the reflection in dark waters of that silver shell we call the moon. It cannot be questioned. It has its divine right of sovereignty. It makes princes of those who have it. You smile? Ah! when you have lost it you won't smile.... People say sometimes that beauty is only superficial. That may be so, but at least it is not so superficial as thought is. To me, beauty is the wonder of wonders. It is only shallow people who do not judge by appearances. The true mystery of the world is the visible, not the invisible.... Yes, Mr. Gray, the gods have been good to you. But what the gods give they quickly take away. You have only a few years in which to live really, perfectly, and fully. When your youth goes, your beauty will go with it, and then you will suddenly discover that there are no triumphs left for you, or have to content yourself with those mean triumphs that the memory of your past will make more bitter than defeats. Every month as it wanes brings you nearer to something dreadful. Time is jealous of you, and wars against your lilies and your roses. You will become sallow, and hollow-cheeked, and dull-eyed. You will suffer horribly.... Ah! realize your youth while you have it. Don't squander the gold of your days, listening to the tedious, trying to improve the hopeless failure, or giving away your life to the ignorant, the common, and the vulgar. These are the sickly aims, the false ideals, of our age. Live! Live the wonderful life that is in you! Let nothing be lost upon you. Be always searching for new sensations. Be afraid of nothing.... A new Hedonism--that is what our century wants. You might be its visible symbol. With your personality there is nothing you could not do. The world belongs to you for a season.... The moment I met you I saw that you were quite unconscious of what you really are, of what you really might be. There was so much in you that charmed me that I felt I must tell you something about yourself. I thought how tragic it would be if you were wasted. For there is such a little time that your youth will last--such a little time. The common hill-flowers wither, but they blossom again. The laburnum will be as yellow next June as it is now. In a month there will be purple stars on the clematis, and year after year the green night of its leaves will hold its purple stars. But we never get back our youth. The pulse of joy that beats in us at twenty becomes sluggish. Our limbs fail, our senses rot. We degenerate into hideous puppets, haunted by the memory of the passions of which we were too much afraid, and the exquisite temptations that we had not the courage to yield to. Youth! Youth! There is absolutely nothing in the world but youth!

May 1 MORNING “His cheeks are as a bed of spices, as sweet flowers.” — Song of Solomon 5:13 LO, the flowery month is come! March winds and April showers have done their work, and the earth is all bedecked with beauty. Come my soul, put on thine holiday attire and go forth to gather garlands of heavenly thoughts. Thou knowest whither to betake thyself, for to thee “the beds of spices” are well known, and thou hast so often smelt the perfume of “the sweet flowers,” that thou wilt go at once to thy well-beloved and find all loveliness, all joy in Him. That cheek once so rudely smitten with a rod, oft bedewed with tears of sympathy and then defiled with spittle — that cheek as it smiles with mercy is as fragrant aromatic to my heart. Thou didst not hide Thy face from shame and spitting, O Lord Jesus, and therefore I will find my dearest delight in praising Thee. Those cheeks were furrowed by the plough of grief, and crimsoned with red lines of blood from Thy thorn-crowned temples; such marks of love unbounded cannot but charm my soul far more than “pillars of perfume.” If I may not see the whole of His face I would behold His cheeks, for the least glimpse of Him is exceedingly refreshing to my spiritual sense and yields a variety of delights. In Jesus I find not only fragrance, but a bed of spices; not one flower, but all manner of sweet flowers. He is to me my rose and my lily, my heartsease and my cluster of camphire. When He is with me it is May all the year round, and my soul goes forth to wash her happy face in the morning-dew of His grace, and to solace herself with the singing of the birds of His promises. Precious Lord Jesus, let me in very deed know the blessedness which dwells in abiding, unbroken fellowship with Thee. I am a poor worthless one, whose cheek Thou hast deigned to kiss! O let me kiss Thee in return with the kisses of my lips.

The pink?" she suggested, holding the shimmering rose-colored satin in front of Sara's half-clad figure. Sara held her breath in awe. She had never worn such a sumptuous creation. Silk roses adorned the sleeves and hem of the gown. The short-waisted bodice was finished with a stomacher of silver filigree and a row of satin bows. Lily shook her head thoughtfully. "Charming, but too innocent." Sara suppressed a disappointed sigh. She couldn't imagine anything more beautiful than the pink satin. Busily Monique discarded the gown and sorted through the others. "The peach. No man will be able to keep his eyes from her in that. Here, let us try it, chérie." Raising her arms, Sara let the dressmaker and her assistant Cora pull the gauzy peach-hued gown over her head. "I think it will have to be altered a great deal," Sara commented, her voice muffled beneath the delicate layers of fabric. The gowns had been fitted for Lily's lithe, compact lines. Sara was more amply endowed, with a generous bosom and curving hips, and a tiny, scoped-in waist... a figure style that had been fashionable thirty years ago. The current high-waisted Grecian mode was not particularly flattering to her. Monique settled the gown around Sara's feet and then began to yank the back of it together. "Oui, Lady Raiford has the form that fashion loves." Energetically, she hooked the tight bodice together. "But you, chérie, have the kind that men love. Draw in your breath, s'il vous plaît." Sara winced as her breasts were pushed upward until they nearly overflowed from the low-cut bodice. The hem of the unusually full skirt was bordered with three rows of graduated tulip-leaves. Sara could hardly believe the woman in the mirror was herself. The peach gown, with its transparent layers of silk and shockingly low neckline, had been designed to attract a man's attention. It was too loose at the waist, but her breasts rose from the shallow bodice in creamy splendor pushed together to form an enticing cleavage.

Anyti has many lilies woven in the wreath, Moiro many white ones. Sappho has few, but roses.

No shepherds. No nymphs. Maybe just one: the girl the fawn strips like a fisherman’s rose. Death turns its mouth red. It can no longer lie in the lilies. Not on my watch. The lake is filthy with silver fish sticky with leeches. Lovesick, I flick a feather into the water. No stones. Only the one in my pocket, heavy as a tongue. — Beth Bachmann, “Elegy,” American Poetry Review, 37:2.

I wanted to stay in Outside forever, but after a while, we were all carried back to our pen. I slipped immediately into a nap, pressed up against my mother, dreaming of Outside. I loved Outside nearly as much as I loved Maggie Rose. And she loved me. But all this love did not fix the problem. Deep inside, Maggie Rose was still sad, still wistful. I could tell that she was longing for something she could not have.

Perfect dog for you. Look, she’s so tiny and weak, she can’t even win at tug-of-war!” Maggie Rose’s shoulders hunched stubbornly. “There’s nothing wrong with being little,” she answered. Bryan snorted. “Oh, I know. I used to be little, too, when I was a baby. Bye, runt.” He went on down the hall, taking his peanut butter with him. I watched him leave regretfully. “There’s nothing wrong with being little,” my girl repeated softly to me. “Better to be little and nice than big and mean, Lily. Right?

He’s not a pet. That’s why his cage is glass, the kind of glass where we can see him but he can’t see us. We’re just taking care of him until his leg is better, and then he’ll go back to the park. He can’t get used to people feeding him or petting him or dogs playing with him, or he won’t be safe in the wild, see? My dad rescued him. He’s a game warden. He found Sammy caught in an illegal trap, and he even arrested the men who put the trap out!” The animal was moving in such a tantalizing manner—quick little hops, its head making sudden jerky motions. I knew it must want to play Chase Me! I peered up at Maggie Rose and whined a little.

In the trembling grey of a spring dawn, when the birds were whispering in mysterious cadence among the trees, have you not felt that they were talking to their mates about the flowers? Surely with mankind the appreciation of flowers must have been coeval with the poetry of love. Where better than in a flower, sweet in its unconsciousness, fragrant because of its silence, can we image the unfolding of a virgin soul? The primeval man in offering the first garland to his maiden thereby transcended the brute. He became human in thus rising above the crude necessities of nature. He entered the realm of art when he perceived the subtle use of the useless. In joy or sadness, flowers are our constant friends. We eat, drink, sing, dance, and flirt with them. We wed and christen with flowers. We dare not die without them. We have worshipped with the lily, we have meditated with the lotus, we have charged in battle array with the rose and the chrysanthemum. We have even attempted to speak in the language of flowers. How could we live without them? It frightens one to conceive of a world bereft of their presence. What solace do they not bring to the bedside of the sick, what a light of bliss to the darkness of weary spirits? Their serene tenderness restores to us our waning confidence in the universe even as the intent gaze of a beautiful child recalls our lost hopes. When we are laid low in the dust it is they who linger in sorrow over our graves. Sad as it is, we cannot conceal the fact that in spite of our companionship with flowers we have not risen very far above the brute. Scratch the sheepskin and the wolf within us will soon show his teeth.

Japanese lilies and her beautiful face In a crowded market place, People walked, moved; and quite a few preferred to amble, While I searched for my known space, Where she sells beauty’s earthly samples without too much too gamble, I walked past the busy spaces and the bustling market views, People haggling, a few arguing, It was like life was tasked to seek reviews, In ways pleasing and many a time annoying, Finally I reached there where I wanted to be, And there she was this beautiful maiden, And as she prospected every face, her eyes finally rested on me, For a while nothing existed, as if time its pace had forgotten, Only to be revived back to life, When the maiden at the flower shop said, “Hello, and welcome to the shop of beautiful life,” My eyes moved, my lips shivered and in response I only shook my head, I looked at flowers with different colours, And her eyes followed mine to every spot where they rested, I could be there, with the flowers and the maiden, for many hours, Because at this flower shop, all the flowers only of her beauty attested, She knew it too because the sparkle in her eyes was brewing with confidence, She knew she was like the most beautiful summer rose that ever existed, And I only visited the shop to feel surrounded by this beauty’s appeal so dense, Her beauty was not just a visual act but an experience, where a new appeared as soon as the old exited, She was pure beauty, and maybe my only and my wilful addiction, While I was soaking in this experience of charm and beauty, She tenderly felt my hand trembling with love’s affliction, “Here, look at these new samples of eternal beauty,” She said this with a professional tone and demand, They were small clusters of white charm, Beautiful as anything beautiful can be resting peacefully in beauty’s eternal wand, Peaceful to look at that always kindled feelings warm, It was such a delight to witness and see, Then she silently quoth this, “They are called the Japanese lilies that sparkle like the pearls from the deepest sea, They look like joys suspended on the branches of bliss, These beautiful Japanese lilies bearing the sparkle of the pearl from the deepest sea.” I again nodded my head with a smile, As I looked at them closely, They indeed were clusters of white joy hanging there with a beautiful smile, And I said hurriedly, “certainly!” Then I realised something strange, They were bending downwards, as if gravity pulled them harder, It was nothing like flowers at other shops, so it indeed was very strange, I looked at all the flowers and then I looked at her, And there it was, in her eyes, her beautiful face her overall grace, That the flowers in her shop felt so inferior, Because all Japanese lilies and every Summer flower was but a reflection of her face, And it was difficult to tell whether they were her lovers or she was there lover, But to me, they all shone as the brilliance in her eyes, The rose had offered her its blush, The lies had granted her the twinkling miracle of the night skies, And all other flowers had rendered her eternally beautiful and lush, And whenever they looked at her, The flowers drooped a bit, And maybe that is why I buy all my flowers from her, Because like these helpless flowers I too love her every bit, and thus my love affair with her and her flowers has matured bit by bit! And now neither the flowers nor I can quit, So it is an affair that shall last till eternity and this is how I prefer it, She loving the flowers, I loving her, and as soon as my memory amidst her beautiful memories is lit, Then I am sure, like these flowers, and like me; now she too cannot quit, not even a bit!

The making of gardens and parks goes on with civilization all over the world, and they increase both in size and number as their value is recognized. Everybody needs beauty as well as bread, places to play in and pray in, where Nature may heal and cheer and give strength to body and soul alike. This natural beauty-hunger is made manifest in the little window-sill gardens of the poor, though perhaps only a geranium slip in a broken cup, as well as in the carefully tended rose and lily gardens of the rich, the thousands of spacious city parks and botanical gardens, and in our magnificent National parks—the Yellowstone, Yosemite, Sequoia, etc.—Nature’s sublime wonderlands, the admiration and joy of the world.