Like The Moon Phases Quotes

But how can you love a person who is not whole? Because you, like the moon, are not only beautiful when full. In all of your phases and fractions and ivory-white pieces, I love you.

The Cat and the Moon The cat went here and there And the moon spun round like a top, And the nearest kin of the moon, The creeping cat, looked up. Black Minnaloushe stared at the moon, For, wander and wail as he would, The pure cold light in the sky Troubled his animal blood. Minnaloushe runs in the grass Lifting his delicate feet. Do you dance, Minnaloushe, do you dance? When two close kindred meet, What better than call a dance? Maybe the moon may learn, Tired of that courtly fashion, A new dance turn. Minnaloushe creeps through the grass From moonlit place to place, The sacred moon overhead Has taken a new phase. Does Minnaloushe know that his pupils Will pass from change to change, And that from round to crescent, From crescent to round they range? Minnaloushe creeps through the grass Alone, important and wise, And lifts to the changing moon His changing eyes.

In part. She sat down and pulled her necklace out of her shirt. "I read about it in my mother's journal. The Witches believe we are all parts of a whole. Like the phases of the moon. Together, we complete the circle and bring balance.

Our love is like the moon, changeable through all the phases of complete disappearance to full existence. It raises the sea up to the sky and makes the cool wind ripple its surface. Blindly sparkling it doesn’t let us see. I know I’m not the only one to love you, but your heart inquired only of me.

In fairy tales, monsters exist to be a manifestation of something that we need to understand, not only a problem we need to overcome, but also they need to represent, much like angels represent the beautiful, pure, eternal side of the human spirit, monsters need to represent a more tangible, more mortal side of being human: aging, decay, darkness and so forth. And I believe that monsters originally, when we were cavemen and you know, sitting around a fire, we needed to explain the birth of the sun and the death of the moon and the phases of the moon and rain and thunder. And we invented creatures that made sense of the world: a serpent that ate the sun, a creature that ate the moon, a man in the moon living there, things like that. And as we became more and more sophisticated and created sort of a social structure, the real enigmas started not to be outside. The rain and the thunder were logical now. But the real enigmas became social. All those impulses that we were repressing: cannibalism, murder, these things needed an explanation. The sex drive, the need to hunt, the need to kill, these things then became personified in monsters. Werewolves, vampires, ogres, this and that. I feel that monsters are here in our world to help us understand it. They are an essential part of a fable.

Like the moon, we must go through phases of emptiness to feel full again. So remember, you do not have to be whole in order to shine.

Take your time in everything, until you feel the pull within yourself. Do not let yourself be guided by fear, or even by desire. And certainly not by the will of others.... Like the moon and the tides, the human heart has many phases. Wait for them. They will not be rushed.

He was attuned to Montserrat’s phases, like memorizing an almanac and knowing if it was a gibbous or waxing moon without having to glance at the sky.

Love is like that sometimes. We call it a burning, liken it to embers and flames, but often it is something less consuming. Like moon phases, waxing and waning, even disappearing entirely. But when that moon is full—oh, when it is full. It shines, and it shines, and it shines.

When I look over my past, I see that the stages in my life are like the phases of the moon. I've had periods where I was the waxing gibbous: fat with wealth and success. There have been other seasons when my happiness was like the waning crescent and I watched my joy fade away slowly, merging with the atmosphere around me as if it never existed. Then I felt as if I was left with nothing more than an illusion, but happiness returns in time and glows once more in corpulent fullness. It's time that makes the difference.

God,” said Benedict Fludd, “your God, that is, strides in and out of my life with no warning. One day he seems impossible—laughable, laughable—and the next, he is imperious.” He stopped. He said “It is like the phases of the moon, maybe. Or the seasons of the sphere we live on, rolling in and out of the light, skeleton trees one day, and then snow, and afterwards the bright green veil and after that the full heat and shining. Only it is neither regular nor predictable. And there are—others—who stride in, when he takes himself off. Who seem persuasive. Like Hindoo demons who are gods in their own terms.

Once, he'd loved the ocean. Loved seeing it every morning, every night. Seeing all its facets, all its faces. Not many people knew what the sea looked like in all seasons, under all phases of the moon. But he did. Now he knew the ocean was as dangerous as a sleeping volcano. At peace, it was magnificent. But when it wanted to, it could bring down kingdoms. Five years ago, it had brought down the small, strange kingdom of Clock Island.

Cage,” I sighed. “It’s like you want to lose your hands.” “I love you saying my name,” he admitted, flashing me a smile. “Although my full name is Micajah. I usually hate it, but I have no doubt I would love it on your lips.

Master Nathaniel looked at him. The fixed stare, the slightly-open mouth, the rigid motionless body, fettered by a misery too profound for restlessness — how well he knew the state of mind these things expressed! But there must surely be relief in thus allowing the mood to mould the body's attitude to its own shape. He had no need now to ask his son for explanations. He knew so well both that sense of emptiness, that drawing in of the senses (like the antennae of some creature when danger is no longer imminent, but there), so that the physical world vanishes, while you yourself at once swell out to fill its place, and at the same time shrink to a millionth part of your former bulk, turning into a mere organ of suffering without thought and without emotions; he knew also that other phase, when one seems to be flying from days and months, like a stag from its hunters — like the fugitives, on the old tapestry, from the moon. But when it is another person who is suffering in this way, in spite of one's pity, how trivial it all seems! How certain one is of being able to expel the agony with reasoning and persuasion!

Menopause had finally terminated her fantastically involved and complex relationship with her womb: a legendary saga of irregular bleeding, eleven-month pregnancies straight out of the Royal Society proceedings, terrifying primal omens, miscarriages, heartbreaking epochs of barrenness punctuated by phases of such explosive fertility that Uncle Thomas had been afraid to come near her—disturbing asymmetries, prolapses, relapses, and just plain lapses, hellish cramping fits, mysterious interactions with the Moon and other cœlestial phenomena, shocking imbalances of all four of the humours known to Medicine plus a few known only to Mayflower, seismic rumblings audible from adjoining rooms—cancers reabsorbed—(incredibly) three successful pregnancies culminating in four-day labors that snapped stout bedframes like kindling, vibrated pictures off walls, and sent queues of vicars, mid-wives, physicians, and family members down into their own beds, ruined with exhaustion.

Why the ancient civilizations who built the place did not use the easier, nearby rocks remains a mystery. But the skills and knowledge on display at Stonehenge are not. The major phases of construction took a total of a few hundred years. Perhaps the preplanning took another hundred or so. You can build anything in half a millennium - I don't care how far you choose to drag your bricks. Furthermore, the astronomy embodied in Stonehenge is not fundamentally deeper than what can be discovered with a stick in the ground. Perhaps these ancient observatories perennially impress modern people because modern people have no idea how the Sun, Moon, or stars move. We are too busy watching evening television to care what's going on in the sky. To us, a simple rock alignment based on cosmic patterns looks like an Einsteinian feat. But a truly mysterious civilization would be one that made no cultural or architectural reference to the sky at all.

The light from the moon shone along the door casing and spread across the walls a few inches inside, far enough for her to suddenly notice that the phases-of-the-moon wallpaper she'd been living with all week was gone. It was a now curious dark color she couldn't quite make out, punctuated by long strips of yellow. It looked almost like dark doors and windows opening, letting in light. The wallpaper was usually some reflection of her mood or situation, but what did this mean? Some new door was opening? Something was being set free?

It is no accident that the heavenly body universally associated with witchcraft is the moon, whose shape changes continually, although her rhythm is constant • It is no accident that the element universally associated with witchcraft is water, whose tides are ruled by the moon; water appears, disappears, changes shape, shifts continually, but remains rhythmically constant • It is no accident that the human gender most associated with witchcraft is the female one: the female body, like lunar phases and ocean tides, changes continually, often to the despair of the individual woman herself, although the rhythms also possess consistency if we let ourselves feel them.

The great minds, which from time to time have existed in this world, were like doors thrown wide to understanding. I don't mean just their brilliance or philosophy or even psychology. I mean that the spoken words that have endured are those uttered by men who understood with their hearts. No one on earth understands everything; that all-comprehensive function belongs to God alone. But we all try to understand a little. Most of us realize that too late. We look back and think: If only I'd tried to understand. Many failures in human relationships derive from this common failure. Watching the birds flock to discuss their travels among the brilliant leaves, listening to the slow turning of the earth upon her axis, meditating on Nature herself, never uncertain no matter how uncertain her manifestations may be, I think of the instinct that sends the birds from one locality to another, of the lengthening shadows as we face toward autumn, and of the marvelous system that encourages the leaf to fall and nurture the soil. In the single flame of October it begins the lullaby that will put the roots of grass and flowers to sleep. This system, in the four seasons of my little world, will cover the ground with silent snow, and at a later date will shout that spring is coming and awaken sleepers to new life. The sun in his glory, the moon in her phases, the stars in their courses, all these are part of the system; and Nature, turning the wheel of the seasons, understands what she must accomplish. Each in our own way, I suppose, we try to understand what we must accomplish. Perhaps the most important thing of all is the attempt to understand others.

No direct evidence yet documents Earth’s tidal cycles more than a billion years ago, but we can be confident that 4.5 billion years ago things were a lot wilder. Not only did Earth have five-hour days, but the nearby Moon was much, much faster in its close orbit, as well. The Moon took only eighty-four hours—three and a half modern days—to go around Earth. With Earth spinning so fast and the Moon orbiting so fast, the familiar cycle of new Moon, waxing Moon, full Moon, and waning Moon played out in frenetic fast-forward: every few five-hour days saw a new lunar phase. Lots of consequences follow from this truth, some less benign than others. With such a big lunar obstruction in the sky and such rapid orbital motions, eclipses would have been frequent events. A total solar eclipse would have occurred every eighty-four hours at virtually every new Moon, when the Moon was positioned between Earth and the Sun. For some few minutes, sunlight would have been completely blocked, while the stars and planets suddenly popped out against a black sky, and the Moon’s fiery volcanoes and magma oceans stood out starkly red against the black lunar disk. Total lunar eclipses occurred regularly as well, almost every forty-two hours later, like clockwork. During every full Moon, when Earth lies right between the Sun and the Moon, Earth’s big shadow would have completely obscured the giant face of the bright shining Moon. Once again the stars and planets would have suddenly popped out against a black sky, as the Moon’s volcanoes put on their ruddy show. Monster tides were a far more violent consequence of the Moon’s initial proximity. Had both Earth and the Moon been perfectly rigid solid bodies, they would appear today much as they did 4.5 billion years ago: 15,000 miles apart with rapid rotational and orbital motions and frequent eclipses. But Earth and the Moon are not rigid. Their rocks can flex and bend; especially when molten, they swell and recede with the tides. The young Moon, at a distance of 15,000 miles, exerted tremendous tidal forces on Earth’s rocks, even as Earth exerted an equal and opposite gravitational force on the largely molten lunar landscape. It’s difficult to imagine the immense magma tides that resulted. Every few hours Earth’s largely molten rocky surface may have bulged a mile or more outward toward the Moon, generating tremendous internal friction, adding more heat and thus keeping the surface molten far longer than on an isolated planet. And Earth’s gravity returned the favor, bulging the Earth-facing side of the Moon outward, deforming our satellite out of perfect roundness.

I was walking home alone late one night, when out of nowhere, this rabid homosexual jumped me and bit me right on the ass. I tried to fight him off, but you know those homos have superhuman strength. Anyway, he bit me on my left cheek, then took off. The whole thing shook me up, but I thought I was gonna be okay. It took me a few weeks to notice the changes. At first the signs were subtle: the sudden urge to redecorate my room, the uncontrollable desire to do Megan's hair. Then, as the phases of the moon progressed, I noticed other things: the need to wear lace panties, the insane hope of one day owning my own flower shop. Before I knew it, I was jacking off six times a day to pictures of Brad Pitt and Russell Crowe. Of course, I won't be a full fledged gay boy until I bite someone else and pass on the 'dark gift. Hey, Rooster, you wanna be my first convert? If I turn just four people, I win like a toaster oven or something..

There are Californians who waiver in their allegiance to the climate of California. Sometimes the climate of San Francisco has made me cross. Sometimes I have thought that the winds in summer were too cold, that the fogs in summer were too thick. But whenever I have crossed the continent—when I have emerged from New York at ninety-five degrees, and entered Chicago at one hundred degrees—when I have been breathing the dust of alkali deserts and the fiery air of sagebrush plains—these are the times when I have always been buoyed up by the anticipation of inhaling the salt air of San Francisco Bay. If ever a summer wanderer is glad to get back to his native land, it is I, returning to my native fog. Like the prodigal youth who returned to his home and filled himself with husks, so I always yearn in summer to return to mine, and fill myself up with fog. Not a thin, insignificant mist, but a fog—a thick fog—one of those rich pea-soup August fogs that blow in from the Pacific Ocean over San Francisco. When I leave the heated capitals of other lands and get back to California uncooked, I always offer up a thank-offering to Santa Niebla, Our Lady of the Fogs. Out near the Presidio, where Don Joaquin de Arillaga, the old comandante, revisits the glimpses of the moon, clad in rusty armor, with his Spanish spindle-shanks thrust into tall leathern boots—there some day I shall erect a chapel to Santa Niebla. And I have vowed to her as an ex-voto a silver fog-horn, which horn will be wound by the winds of the broad Pacific, and will ceaselessly sound through the centuries the litany of Our Lady of the Fogs. Every Californian has good reason to be loyal to his native land. If even the Swiss villagers, born in the high Alps, long to return to their birthplace, how much more does the exiled Californian yearn to return to the land which bore him. There are other, richer, and more populous lands, but to the Californian born, California is the only place in which to live. And to the returning Californian, particularly if he be native-born, the love of his birthplace is only intensified by visits to other lands. Why do men so love their native soil? It is perhaps a phase of human love for the mother. For we are compact of the soil. Out of the crumbling granite eroded from the ribs of California’s Sierras by California’s mountain streams—out of earth washed into California’s great valleys by her mighty rivers—out of this the sons of California are made, brain, and muscle, and bone. Why then should they not love their mother, even as the mountaineers of Montenegro, of Switzerland, of Savoy, lover their mountain birth-place? Why should not exiled Californians yearn to return? And we sons of California always do return; we are always brought back by the potent charm of our native land—back to the soil which gave us birth—and at the last back to Earth, the great mother, from whom we sprung, and on whose bosom we repose our tired bodies when our work is done.

The studio was immense and gloomy, the sole light within it proceeding from a stove, around which the three were seated. Although they were bold, and of the age when men are most jovial, the conversation had taken, in spite of their efforts to the contrary, a reflection from the dull weather without, and their jokes and frivolity were soon exhausted. In addition to the light which issued from the crannies in the stove, there was another emitted from a bowl of spirits, which was ceaselessly stirred by one of the young men, as he poured from an antique silver ladle some of the flaming spirit into the quaint old glasses from which the students drank. The blue flame of the spirit lighted up in a wild and fantastic manner the surrounding objects in the room, so that the heads of old prophets, of satyrs, or Madonnas, clothed in the same ghastly hue, seemed to move and to dance along the walls like a fantastic procession of the dead; and the vast room, which in the day time sparkled with the creations of genius, seemed now, in its alternate darkness and sulphuric light, to be peopled with its dreams. Each time also that the silver spoon agitated the liquid, strange shadows traced themselves along the walls, hideous and of fantastic form. Unearthly tints spread also upon the hangings of the studio, from the old bearded prophet of Michael Angelo to those eccentric caricatures which the artist had scrawled upon his walls, and which resembled an army of demons that one sees in a dream, or such as Goya has painted; whilst the lull and rise of the tempest without but added to the fantastic and nervous feeling which pervaded those within. Besides this, to add to the terror which was creeping over the three occupants of the room, each time that they looked at each other they appeared with faces of a blue tone, with eyes fixed and glittering like live embers, and with pale lips and sunken cheeks; but the most fearful object of all was that of a plaster mask taken from the face of an intimate friend but lately dead, which, hanging near the window, let the light from the spirit fall upon its face, turned three parts towards them, which gave it a strange, vivid, and mocking expression. All people have felt the influence of large and dark rooms, such as Hoffmann has portrayed and Rembrandt has painted; and all the world has experienced those wild and unaccountable terrors - panics without a cause - which seize on one like a spontaneous fever, at the sight of objects to which a stray glimpse of the moon or a feeble ray from a lamp gives a mysterious form; nay, all, we should imagine, have at some period of their lives found themselves by the side of a friend, in a dark and dismal chamber, listening to some wild story, which so enchains them, that although the mere lighting of a candle could put an end to their terror, they would not do so; so much need has the human heart of emotions, whether they be true or false. So it was upon the evening mentioned. The conversation of the three companions never took a direct line, but followed all the phases of their thoughts; sometimes it was light as the smoke which curled from their cigars, then for a moment fantastic as the flame of the burning spirit, and then again dark, lurid, and sombre as the smile which lit up the mask from their dead friend's face. At last the conversation ceased altogether, and the respiration of the smokers was the only sound heard; and their cigars glowed in the dark, like Will-of-the-wisps brooding o'er a stagnant pool. It was evident to them all, that the first who should break the silence, even if he spoke in jest, would cause in the hearts of the others a start and tremor, for each felt that he had almost unwittingly plunged into a ghastly reverie. ("The Dead Man's Story")

She took out a charcoal stick and began to sketch-- on the workbench itself. Of course the moon wouldn't come to her in songs or poems or crystals or whatever... she felt the most centered, the most tranquil, when she was painting or drawing. Lost in her own world or in new ones she imagined. She shouldn't have made a chart; she should have drawn a circle, with the moons going from waxing to waning all the way around... She hummed to herself a little, the way she always did when she painted. Her hair began to glow. A little shading here, a few light strokes in the middle of the full moon for the face that Rapunzel saw there... Circles and shadows and crosshatching... She worked extra hard on the profile of the fatter waxing crescent, where the moon would be now. She knew what it looked like as she felt her hand shape it. Her power surged; her hair began to sparkle. She looked around frantically for something to release her magic on. The first thing she saw was her tea, so she grabbed the red clay cup and wrapped the end of a braid around it. Just like with Pascal, sparks sprayed off her hair and over the object. When they faded they revealed... ... a heavy, crude clay cup. Rapunzel started to slump in disappointment-- and then noticed something. Where the hair had touched the sides, the cup was now shiny black, like onyx or obsidian.

It's like playing an instrument. It's like dancing," she says simply. Her house looks like the aftermath of a personalized earthquake visited by a vengeful god, but even here, amid such disturbing chaos, what Kim has elegantly just confirmed is the profound power of sequence; the beauty of order. Heartbeat, breath, ebb tide, flood tide, the movements of the earth, the phases of the moon, seasons, ritual, call and response, notes in a scale, words in a sentence. Human connection and security lie here.

Infrasound and resonance may play an even bigger role in the paranormal than EMF because everything vibrates, all the way down to the subatomic level, and everything has its own signature resonant frequencies. We are ultra sensitive to shifts and changes in not only our own natural resonant frequencies, but also those in our immediate environment. How many times have you gotten a “good vibe” off of someone you share things in common with? Solar activity, geomagnetic storms, and the phases of the moon also affect ghost activity. We know that spirits needs energy to manifest, so it would stand to reason that when the air is charged with electricity (like after a lightning storm or during a solar flare) they have more opportunity to gather strength to be seen or heard.

The Maiden archetype, like spring, like the waxing moon, is the healthy beginning phase of a woman's life -- but it becomes unhealthy when we stay trapped in it, not progressing, never developing into the mature feminine. Like stagnant water, we get stuck somewhere on our path. And we stay in these small patterns of girlhood even though we are now in women's bodies.

Paula Gunn Allen, in her book Grandmothers of the Light, writes of the changing roles of women as they spiral through the phases of life, like the changing face of the moon.

we are bound to our phases and like the moon we can never remain whole

in her book Grandmothers of the Light, writes of the changing roles of women as they spiral through the phases of life, like the changing face of the moon. We begin our lives, she says, walking the Way of the Daughter. This is the time for learning, for gathering experiences in the shelter of our parents. We move next to self-reliance, when the necessary task of the age is to learn who you are in the world. The path brings us next to the Way of the Mother. This, Gunn relates, is a time when “her spiritual knowledge and values are all called into service of her children.” Life unfolds in a growing spiral, as children begin their own paths and mothers, rich with knowledge and experience, have a new task set before them. Allen tells us that our strengths turn now to a circle wider than our own children, to the well-being of the community. The net stretches larger and larger. The circle bends round again and grandmothers walk the Way of the Teacher, becoming models for younger women to follow. And in the fullness of age, Allen reminds us, our work is not yet done. The spiral widens farther and farther, so that the sphere of a wise woman is beyond herself, beyond her family, beyond the human community, embracing the planet, mothering the earth.

Paula Gunn Allen, in her book Grandmothers of the Light, writes of the changing roles of women as they spiral through the phases of life, like the changing face of the moon. We begin our lives, she says, walking the Way of the Daughter. This is the time for learning, for gathering experiences in the shelter of our parents. We move next to self-reliance, when the necessary task of the age is to learn who you are in the world. The path brings us next to the Way of the Mother. This, Gunn relates, is a time when “her spiritual knowledge and values are all called into service of her children.” Life unfolds in a growing spiral, as children begin their own paths and mothers, rich with knowledge and experience, have a new task set before them. Allen tells us that our strengths turn now to a circle wider than our own children, to the well-being of the community. The net stretches larger and larger. The circle bends round again and grandmothers walk the Way of the Teacher, becoming models for younger women to follow. And in the fullness of age, Allen reminds us, our work is not yet done. The spiral widens farther and farther, so that the sphere of a wise woman is beyond herself, beyond her family, beyond the human community, embracing the planet, mothering the earth.

It adorned my throat, like Vincent’s had. A circle at the base of my neck, cradled by the inner curve of my clavicle. I realized after a long moment of staring at it that it depicted all phases of the moon layered on top of each other. Beneath it, smoke lines unfurled like petals cradling a rose, extending up my neck and over the width of my shoulders. The smoke came to four points on each side—like the talons of Hiaj wings.

Alisa Vitti gave me a great analogy for this. Imagine you have a hockey puck and a bicycle tire on a flat surface like a really big area of concrete. You give the hockey puck a push, and it goes for a while but eventually stops. You give the bicycle tire a push, and it keeps rolling for as long as it can stay upright and not run into an obstacle. In many cases, it actually gains speed as it goes. The hockey puck is flat, but the tire is a circle. The flat one stops. The circular one keeps going. This is the power of cyclical momentum. When we honor the distinct and uniquely useful phases of our bodies, the moon, and our creativity, we get further, faster, without having to push as hard. It’s like having spent your whole life furiously paddling against a really strong current and suddenly realizing that all you needed to do to cover more ground was turn your canoe downstream and use your paddle to steer every now and again.

Y’know, for centuries, they used to think the moon sent men mad. Like the phases of the moon affected a person’s sanity. Lunatic. That’s where the word came from.

Just like the moon, we have phases of emptiness before we can feel full again

Mercury and Venus ought to show phases like the moon.

In Mesoamerica, timekeeping provided the stimulus that accounting gave to the Middle East. Like contemporary astrologers, the Olmec, Maya, and Zapotec believed that celestial phenomena like the phases of the moon and Venus affect daily life. To measure and predict these portents requires careful sky watching and a calendar. Strikingly, Mesoamerican societies developed three calendars: a 365-day secular calendar like the contemporary calendar; a 260-day sacred calendar that was like no other calendar on earth; and the equally unique Long Count, a one-by-one tally of the days since a fixed starting point thousands of years ago.

Sequenced, these pics are like a chart of moon phases fading to blackout; or like a mermaid doomed to appear onshore every five years, and each time altered

but how could we promise each other forever when everything evolves with time, and so do feelings which move in phases like the moon?

love is mostly like the moon. Whereas the moon and all its phases are predictable, love is not. Where I once thought I could predict how my relationships would turn out, I now realize that was as foolish as trying to keep the tides from rising and falling.

Alfred released a short, ambiguous spurt of sound somewhere between a moan and a bark. Even Kristen, attuned by now to his screaming and well past the point of finding it charming, wasn’t entirely sure he’d been the source. Only when she saw his face—the single face devoid of curiosity—did her blue eyes contract into a threat. But Alfred was already savoring the two opposing forces at work in his fellow passengers: a collective wish to shrug off the unaccountable sound, and a contrary intimation of dread. Thus the Suspension Phase, when everyone floated together on a tide of mystery whose solution Alfred alone possessed. He could have stopped there—had, on rare occasions when mystery and power alone had felt like enough. But not today. When mystery deliquesced into renewed bitching over the cramped ride, Alfred issued a second moan-bark: longer, louder, and impossible to ignore. Now came the Questioning Phase, when everyone within range (except Kristen, who stared fixedly ahead) tried, discreetly, to assess the nature of his complaint. Had the sound been inadvertent, best met with polite oblivion? Or was it a cry of distress? Thus preoccupied, his fellow passengers fell into a childlike state of reception that was breathtaking to behold. They forgot that they could be seen. Alfred basked in their unselfconscious wonderment while also sucking in breath to the brink of explosion; then he disgorged the contents of his lungs in an earsplitting emission that was part roar, part shriek, which he drove like a stake into the unguarded faces around him. He howled like a wolf howling at the moon, except he wasn’t looking up, he was looking out at his fellow travelers, whose panic, horror, and attempts to escape evoked the hysterics of passengers on an airplane plunging nose-first into the sea. To observe such extremes in the absence of any real threat was not a delight. It was not a pleasure. It was a revelation. And once a person had had that revelation, he returned to daily life awakened to the fact that beneath its bland surface there gushed a hidden tumult.

The bee flew past, buzzing loudly. They could feel the wind from its wings as it zoomed into the bee nest. Kate furrowed her brow. “I don’t know, they seem to ignore us like regular bees would.”  “Yeah,” Jack said, “they are bee-having normally.”  Kate giggled. “Bee-hiving normally.”  “But they DO have red eyes,” Mom said, “maybe they’ve been bee-witched!”  Dad groaned at Mom. “You too?” “What's wrong hub-bee?” Mom asked with a smirk.  Dad rolled his eyes. “No more please!”  “What?” Mom said, “can’t you tell that I’ve POLLEN in love with you?”  Dad covered his ears, and the kids laughed.  Mom continued. “Because you’re my honey.”  Dad cringed again. “Dad,” Jack said, “if you don’t like her jokes tell her to buzz off.”  Kate laughed. “Yeah, maybe you guys aren't in the... HONEY-moon phase anymore.”  “Don’t be a bay-bee,” Mom said to Dad, “bee positive!”  “AAAH!” Dad yelled. “Stop, stop!”  “What’s wrong?” Mom asked, “Do these jokes sting?”  Jack and Kate cracked up and even Mom started laughing her head off while Dad stood there with his hands over his ears saying, “Lalala! I can’t hear you!” When he noticed they had all stopped talking, he took his hands down. “Finally. You guys were bee-ing annoying.” They had a final laugh, then walked closer to the bee nest, to get a better look. Mom tapped Dad on the shoulder. “Do you like my hair today?”  Dad looked confused for a moment. “Uh... yes? It's very nice. You always look nice.”  Mom smiled at him. “Thank you dear, I just wanted to know if I needed to honeycomb it.

Cary's masterpieces were plebeian and recent beside this ancient aristocrat. The jolly Dutch moon, made to exhibit the phases over a landscape of windmills and polders, was cunningly painted. A skilled hand had carved the grim ornament at the top, a death's head transfixed by a two-edged sword. Like all timepieces of the sixteenth century, it had no pendulum. A simple Van Wyck escapement governed the descent of the weights to the bottom of the tall case.

To her, Alex was like the moon. Distant, cold, and lonesome, but he was breathtakingly beautiful and exuded a light that always warmed her heart. He was ever-changing and the light that he exuded changed all the time. Despite that, she managed to embrace all those sides of him no matter when he was shining brightly or when his light dimmed like the full moon turning to its waning crescent phase. But this time, she failed. When he lost all his warmth and light, she started to tremble in fear, like how people only appreciated the moon when it exuded beauty and light and shunned and ignore it when what it showed was its mere dark side. She felt like she had done that to him tonight-when the moon turned dark, she feared him.

Silence, like the moon, is a white circle moving through the seasons, shape-shifting its way across the phases of its own darkness.

A New Moon. The phase occurred once a month, and represented the beginning of the cycle. It was a cosmic reset. Symbolic of a new beginning. - That night was her new beginning. She stood for, and was meant for so much more. And just like what the divine aspired, Maddie started to trust them.

I am rising from the pitfall where I crashed and burned. I am the dark. I am the light. I'm honest. Intuitive. I let feelings wash over me. I'm set in my ways. I'm obsessive. Aggressive. I like to be correct. I'm compassionate. Intimate. Dedicated. I'm wise. Still a child. I'm zesty. I'm temperamental. My heart is on my sleeve. I bury it deep like a treasure. There are days in the sun and some sleepless nights. I have laughter; I have tears. I show my courage; I offer my fear. Inside me is an enigma, a mystic moon with all its phases. My pulses are as vast and bewildering as tides. Out to the ocean, then retreating to the shore. To where they belong.

Sallustius (4, 10), the friend of Julian, allegorically justifies (just like the 'Apostate') all the ritual phases of the 'passion' of Attis, with whom his faithful 'ascend' to the gods. After a time of fasting, 'milky food represents our rebirth'. Like the silver dish of Parabiago, contorniate medallions show us Attis in Cybele's chariot, a celestial triumph in which his faithful followers hope one day to have their part. The holy week of the Phrygian cult is also related to the solar cycle. With the attributes of the Sun and the Moon (as he was likened to the Men of the Pisidians), in other words the guarantors of cyclic eternity, Attis acquired the cosmic dimension of a sovereign god; but that did not mean the exclusion of all other gods.

Life is a common good, it inheres in man and beast and passes from one to another, from body to body, this is how souls travel. In nature, everything is constantly changing, nothing is lost. The soul, that is, what constitutes life, is like wax: it retains its identity but only changes shape and constantly appears as new individuals. This is the nature of being: nothing in the world remains in one state, everything flows, every phenomenon is in progress, time itself moves steadily, like a river. Night turns into day, day into night, the moon has different phases, the year has different seasons. Nor will our bodies remain tomorrow what they are today or what they were yesterday. How many changes does a person undergo in the course of life, from fetus through infancy, crawling, maturity, aging, and unto death! And the whole universe. According to theory of the four elements, everything that exists arises from these very basic elements, and everything then turns into building material. “To be born”means “to begin to be something else.”“To die”means “to stop being what you used to be.”The ingredients are interchangeable, but matter remains the same. What does geology prove? Eternal transformations of the earth. There were seas, and now there are no seas; there were mountains and they have vanished; rivers flowed and dried up; volcanoes erupted and cooled. And that’s just the inanimate nature for you! The law of change in the animal world is even clearer. Caterpillars turn into butterflies, tadpoles into frogs, larvae into bees. Human societies and states are governed by the same principle. Troy has fallen, Pythagoras said to Numa Pompilius, and it is from that fall, thanks to Aeneas, the progenitor of the Julian house, that the Roman Empire will be reborn. It will be very powerful. Pythagoras did not say what would happen to Rome next. After all, everything changes? Yes, everything changes, the golden age has passed, the iron age has come. Therefore, I tell you, do not eat meat, concluded Pythagoras. And Numa Pompilius, having heard his teachings, came to Rome, instituted civilization there, and instructed a nation of warriors in the ways of peaceful coexistence.

Dark Moon: During the day right before a new moon, most witches won’t work magic. They choose to refresh their energy for the next waxing cycle. There are others who find the dark moon is the best time to work the magic that is related to closure and this will bring things to a full circle. The moon’s energy holds a destructive potential that you can use to release any karma that keeps popping into your life over and over again like things related to betrayal, abandonment, or lack. Some gems you can use during this time are clear quartz, obsidian, and tektite. Waning Moon: This would be the time for you to release energy outwardly and align yourself with inward energy. This will eliminate all negative experiences and energies. Your main goal is to do spells that help you get rid of anything that is causing sickness, resolve conflicts, and overcome obstacles. Some gems you can use during this time are unakite jasper, angelite, obsidian, petalite, black tourmaline, and calcite. Full Moon: This moon phase is the most powerful in the whole lunar cycle. Most Witches consider the day of the full moon the most magically powerful day during the whole month. They usually save their spell work that is related to important goals for this day. All magic is favored when done during a ritual under the full moon. Some gems you could use during this time are quartz, selenite, and moonstone. Waxing Moon: This is the perfect time to take action toward your goals. Beginning these goals during this time will bring you to them faster. This energy is action energy and it will push your intentions out into the Universe. The magical work you do during this time should be related to strengthening or gaining partnerships with other people. It might be a business partner, romantic partner, or making new friends. It is also a time to improve your well-being and physical health. Gems you can use during this time are emerald, rainbow moonstone, citrine, carnelian, and fluorite, and nuumite. New Moon: This is the start of the lunar cycle. This is the time to dream about what you want to create in life. Magic meant to begin new ventures or projects are great to do during this time. Basically, anything that involves increasing or attracting the things you desire would be great. Some gems you can use during this time are the clear quartz, obsidian, tektite, iolite, black moonstone, and labradorite.

Fornander’s history demanded dates, but there are no dates in Polynesian traditions. There is no absolute system of time beginning at some specified moment and proceeding at regular intervals. There are cyclical calendars tied to the seasons and the phases of the moon, but there is nothing like the term “1850” or any kind of conceptual system that might generate such a term.

This circular concept of time remains prevalent in the religion and philosophy of many indigenous and Eastern cultures. But in the West, our awareness of cycles has been overshadowed by a linear view of time, one that emphasizes beginnings and endings and strives for progress over repetition. Why did linear time come to dominate the Western way of thinking? Part of the reason is cultural, having to do with the way that Judeo-Christian thought describes the story of humanity not as a wheel but as a distinct trajectory through time. But equally important is that as we have come to see ourselves as separate from nature, we have built structures and systems that distance us from its circular rhythms. Electric light allows us to keep our own schedules, obscuring the phases of the moon and draining the sunrise and sunset of the meaning they once carried. Rather than matching our appetites to the harvests, we match the harvests to our desires. We have big watery strawberries all year round, forgetting that there was once a time when they were available only in June and tasted like sweet red fire. Our buildings heat and cool the air to a consistent temperature regardless of the weather outside. Our sound machines play any birdsong on demand, regardless of where those birds are in their migratory arc. Thus, disconnected from participation in these natural cycles, we have forgotten that time moves in loops as well as lines.

Love flows out of these luminous places Love lies down in the deep of the sea Falls out of the sky in millions of pieces on me I've been over these highways for years in the dark Crisscrossing the land like a stitch on the wound Rolling through the night while millions were sleeping Under every phase of the moon Under every phase of the moon All that I am is a dream that I had One morning so early and blue It flew over the river and the freezing bus stops On a song that I sang to you On a song that I sang to you Love flows out of these luminous places Love lies down in the deep of the sea Falls out of the sky in millions of pieces on me

...it was only natural that this mutual connection between sea and observer be forged: they were kindred spirits. The same, however, could not be done with the implacable moon: that imperious stalwart, which agitated the currents and spurned its beholder. This aloof satellite was formidable, yet neurotic, and so in spite of its ferocity, its movements were simple to predict, thereby granting this fearsome creature a veil of placidity. Its magnitude of torque was easily outmatched by that forceful heave of fear portending any misalignment with its anticipated schedule of phases. It cycled through these on time and without hesitation, experiencing, all the while, a wide array of emotions in response to the dissatisfied countenance of the Master it served. And yet, these changes in mood remained prosaic and careful, dutiful to its Patron; thusly, betraying nothing of its own resentments or intentionality either to its dismissed observer or to its demanding Patron, divulging nothing even of the influence which it potentially wielded over the Patron Planet, but which, in its lunar insecurity, never reached full expression save for the idle touslings of liquid fur. Perhaps it was diffident or bashful—otherwise, it was simple and had little prevailing ambition. Its motives were immaterial, in fact, for its aspirations were easily eclipsed and often countermanded and so one could not help but anticipate in its withered mien a certain resignation, a retreat to introspection away from the gazes of those who mistook its surrender to deterministic forces as a duty held most solemn. To be sure, it was a specter oft-romanticized by dullard poets and priests who admired it for its calming reserve, its gentle wisdom in juxtaposition with the histrionic impatience of the sea: like a tired guardian and a screaming toddler with primacy afforded counterintuitively to the guardian. What mattered more, in fact, was the subject of its influence: the willful and disobedient medium which spurned that hands that molded it. The moldings were more like jostles really and for a time they felt just and reasonable, but soon they came to confine and until verily there was no movement available that was not otherwise preordained by the will of the master. The accursed moon!

The hockey puck is flat, but the tire is a circle. The flat one stops. The circular one keeps going. This is the power of cyclical momentum. When we honor the distinct and uniquely useful phases of our bodies, the moon, and our creativity, we get further, faster, without having to push as hard. It’s like having spent your whole life furiously paddling against a really strong current and suddenly realizing that all you needed to do to cover more ground was turn your canoe downstream and use your paddle to steer every now and again.

What's wrong hub-bee?” Mom asked with a smirk.  Dad rolled his eyes. “No more please!”  “What?” Mom said, “can’t you tell that I’ve POLLEN in love with you?”  Dad covered his ears, and the kids laughed.  Mom continued. “Because you’re my honey.”  Dad cringed again. “Dad,” Jack said, “if you don’t like her jokes tell her to buzz off.”  Kate laughed. “Yeah, maybe you guys aren't in the... HONEY-moon phase anymore.”  “Don’t be a bay-bee,” Mom said to Dad, “bee positive!”  “AAAH!” Dad yelled. “Stop, stop!”  “What’s wrong?” Mom asked, “Do these jokes sting?”  Jack and Kate cracked up and even Mom started laughing her head off while Dad stood there with his hands over his ears saying, “Lalala! I can’t hear you!

Ideas were like the tides of the sea or the phases of the moon, they came into being, rose and grew in their proper time, and then ebbed, darkened, and vanished when the great wheel turned.

Yeah,” Jack said, “they are bee-having normally.”  Kate giggled. “Bee-hiving normally.”  “But they DO have red eyes,” Mom said, “maybe they’ve been bee-witched!”  Dad groaned at Mom. “You too?” “What's wrong hub-bee?” Mom asked with a smirk.  Dad rolled his eyes. “No more please!”  “What?” Mom said, “can’t you tell that I’ve POLLEN in love with you?”  Dad covered his ears, and the kids laughed.  Mom continued. “Because you’re my honey.”  Dad cringed again. “Dad,” Jack said, “if you don’t like her jokes tell her to buzz off.”  Kate laughed. “Yeah, maybe you guys aren't in the... HONEY-moon phase anymore.”  “Don’t be a bay-bee,” Mom said to Dad, “bee positive!”  “AAAH!” Dad yelled. “Stop, stop!”  “What’s wrong?” Mom asked, “Do these jokes sting?”  Jack and Kate cracked up and even Mom started laughing her head off while Dad stood there with his hands over his ears saying, “Lalala! I can’t hear you!

He knew so well both that sense of emptiness, that drawing in of the senses (like the antennae of some creature when danger is no longer imminent, but there), so that the physical world vanishes, while you yourself at once swell out to fill its place, and at the same time shrink to a millionth part of your former bulk, turning into a mere organ of suffering without thought and without emotions; he knew also that other phase, when one seems to be flying from days and months, like a stag from its hunters — like the fugitives, on the old tapestry, from the moon.

Like the moon, we go through phases of being full and we go through phases of being hidden.