Like Prism Quotes

Life is like a prism. What you see depends on how you turn the glass.

English words are like prisms. Empty, nothing inside, and still they make rainbows.

She took off her dark glasses and squinted at me. It was as though her eyes were shattered prisms, the dots of blue and gray and green like broken bits of sparkle.

When the sunlight strikes raindrops in the air, they act like a prism and form a rainbow. The rainbow is a division of white light into many beautiful colors. These take the shape of a long round arch, with it’s path high above, and it’s two ends apparently beyond the horizon. There is, according to legend, a boiling pot of a gold at one end. People look, but no one ever finds it. When a man looks for something beyond his reach, his friends say he is looking for the pot of gold at the end of the rainbow.

Miss Prism: Do not speak slightingly of the three-volume novel, Cecily. I wrote one myself in earlier days. Cecily: Did you really, Miss Prism? How wonderfully clever you are! I hope it did not end happily? I don't like novels that end happily. They depress me so much. Miss Prism: The good ended happily, and the bad unhappily. That is what fiction means.

Imagine a Carthage sown with salt, and all the sowers gone, and the seeds lain however long in the earth, till there rose finally in vegetable profusion leaves and trees of rime and brine. What flowering would there be in such a garden? Light would force each salt calyx to open in prisms, and to fruit heavily with bright globes of water–-peaches and grapes are little more than that, and where the world was salt there would be greater need of slaking. For need can blossom into all the compensations it requires. To crave and to have are as like as a thing and its shadow. For when does a berry break upon the tongue as sweetly as when one longs to taste it, and when is the taste refracted into so many hues and savors of ripeness and earth, and when do our senses know any thing so utterly as when we lack it? And here again is a foreshadowing–-the world will be made whole. For to wish for a hand on one’s hair is all but to feel it. So whatever we may lose, very craving gives it back to us again.

Reality was, after all, just so malleable – facts could be forgotten, truths suppressed, lives seen from only one angle like a trick prism, if only one resolved never to look too closely.

There was a crash like the falling parts of a dream fashioned out of warped glass, mirrors, and crystal prisms.

They pointed at each other, with starlight burning in their limbs like daggers and icicles and fireflies, and then fell to judging their limbs again, each finding himself intact, hot, excited, stunned, awed, and the other, ah yes, that other over there, unreal, a ghostly prism flashing the accumulated light of distant worlds…. … Now Tomas laughed. “You’re blind!” “I see very well. You are the one who does not see.

The atoms of the chemical and life ethers gathered around the nuclear seed atom located in the solar plexus are shaped like prisms.

Everyone dreams, but only some people are dreamers. The non-dreamers, by far more numerous, are those who see the world as it is. Then there are the few dreamers, who see the world as they are. The moon, the river, the train station, the sound of rain, and even something as mundane as porridge become something else with many layers. The world feels like an oil painting rather than a photograph, and the dreamers are forever seeing hidden colors where others just see the top shade. The nondreamers look through glasses, and the dreamers through a prism

Cecily: “Miss Prism says that all good looks are a snare” Algernon: “They are a snare that every sensible man would like to be caught in.” Cecily: “Oh, I don’t think I would care to catch a sensible man. I shouldn’t know what to talk to him about.

Refraction, he called it. The way light is broken up into component colors when it passes through a prism. I felt like a refraction of a person. So many different shades that layer to create the illusion of a solid thing.

They made a deal and they liked the deal, until they had to pay the price.

The way he said "Prism" left no question about what he meant: it was a proper name, the title of some strange passage, and his voice ached around that single syllable like flesh aches around a knife.

How we hate to admit that we would like nothing better than to be the slave! Slave and master at the same time! For even in love the slave is always the master in disguise. The man who must conquer the woman, subjugate her, bend her to his will, form her according to his desires—is he not the slave of his slave? How easy it is, in this relationship, for the woman to upset the balance of power! The mere threat of self-dependence, on the woman’s part, and the gallant despot is seized with vertigo. But if they are able to throw themselves at one another recklessly, concealing nothing, surrendering all, if they admit to one another their interdependence, do they not enjoy a great and unsuspected freedom? The man who admits to himself that he is a coward has made a step towards conquering his fear; but the man who frankly admits it to every one, who asks that you recognize it in him and make allowance for it in dealing with him, is on the way to becoming a hero. Such a man is often surprised, when the crucial test comes, to find that he knows no fear. Having lost the fear of regarding himself as a coward he is one no longer: only the demonstration is needed to prove the metamorphosis. It is the same in love. The man who admits not only to himself but to his fellowmen, and even to the woman he adores, that he can be twisted around a woman’s finger, that he is helpless where the other sex is concerned, usually discovers that he is the more powerful of the two. Nothing breaks a woman down more quickly than complete surrender. A woman is prepared to resist, to be laid siege to: she has been trained to behave that way. When she meets no resistance she falls headlong into the trap. To be able to give oneself wholly and completely is the greatest luxury that life affords. Real love only begins at this point of dissolution. The personal life is altogether based on dependence, mutual dependence. Society is the aggregate of persons all interdependent. There is another richer life beyond the pale of society, beyond the personal, but there is no knowing it, no attainment possible, without firs traveling the heights and depths of the personal jungle. To become the great lover, the magnetiser and catalyzer, the blinding focus and inspiration of the world, one has to first experience the profound wisdom of being an utter fool. The man whose greatness of heart leads him to folly and ruin is to a woman irresistible. To the woman who loves, that is to say. As to those who ask merely to be loved, who seek only their own reflection in the mirror, no love however great, will ever satisfy them. In a world so hungry for love it is no wonder that men and women are blinded by the glamour and glitter of their own reflected egos. No wonder that the revolver shot is the last summons. No wonder that the grinding wheels of the subway express, though they cut the body to pieces, fail to precipitate the elixir of love. In the egocentric prism the helpless victim is walled in by the very light which he refracts. The ego dies in its own glass cage…

Color is not a trivial subject but one that has compelled, for hundreds of years, a passionate curiosity in the greatest artists, philosophers, and natural scientists. The young Spinoza wrote his first treatise on the rainbow; the young Newton’s most joyous discovery was the composition of white light; Goethe’s great color work, like Newton’s, started with a prism; Schopenhauer, Young, Helmholtz, and Maxwell, in the last century, were all tantalized by the problem of color; and Wittgenstein’s last work was his Remarks on Colour. And yet most of us, most of the time, overlook its great mystery.

How do you know all this?” Delara asked. “I’m the Prism,” Gavin said. “Five minutes.” “You can’t treat us like this. We aren’t slaves to take your orders. What will you do if we don’t let you go?” Klytos Blue asked. Turning cold eyes on the little man, Gavin said, “I’ll kill you and piss on your corpse.” He meant it. Klytos Blue’s mouth dropped open. His wasn’t the only one.

I allow myself, for the gash of a moment, to remember what I once possessed: the abyssal ocean, the song in those depths like swimming down the black throat of a god; the searing colors moting my sisters' coils, sapphire and quartz crushed into constellations and prisms of incandescence spiraling through the dark, our tails in endless, restless motion; our mother's eyes colossal, phosphorescent; our father's ribs, still studded with our egg sacs, his heartbeat in our veins. I'd been happy there.

I’m about to berate his tactics, to deny any feelings for him, when he cups the nape of my neck and presses his lips to mine, velvety soft. It’s nothing but a peck, yet the flavor of the tart he sampled lingers like a warm, savory bruise—an irresistible torment to the netherling within. He draws back and my skin glistens, radiant prisms reflected off his face and the cushions. I’m gripping his jacket lapels, yet I don’t even remember reaching for him. “No more denials,” he says as he presses his left hand over one of mine. “I’ve seen the love in your eyes and in your actions. I felt it yesterday when I held you in my arms, and today, when you came to save me."

She understood, I think, that most of what people said was meaningless. That people spoke to fill the silence or pass the time; that, despite our mastery of words and our ability to put them together in infinitely varied ways, most of us struggled to say what we really meant. Maude filtered conversation like a prism filters light. She broke it down so that each phrase could be understood as an articulation of something singular.

Sleep. Sleep. Like money, you only think about it when you have too little. Then you think about it all the time, and the less you have the more you think about it. It becomes the prism through which you see the world and nothing can exist except in relation to it.

Insomniacs should not be forced to exist in a realm with reflective glass. From the first look I’m boxed in a prism, rainbows charming the other dark-circled self into sharing my prison. One eye turns on the other, each accusing the other of being responsible for an appearance oddly elfin, before exiting head and bouncing like lottery balls through the mirror walls and then drifting up and out the open and unguarded Well of the Wyrd. There, everyone with mirrors and mushrooms is waiting for me, faded and dissolved into giggles.

That’s the thing I’ve never really understood about emotions. We’re given unhelpful words for them—sad, happy, angry, scared, disgusted—but they’re not accurate and there never seems to be anywhere near enough of them. How could there be? Emotions aren’t binary or finite: they change, shift, run into each other like colored water. They are layered, three-dimensional and twisted; they don’t arrive in order, one by one, labeled neatly. They lie on top of each other, twisting like kaleidoscopes, like prisms, like spinning bird feathers lit with their own iridescence.

From the moment he looked through the lens of his father’s microscope to the day he was knighted by Queen Victoria, his life was shaped and influenced by his circumstances and the people around him. Like all of us, he saw his world through the prism of opinions held by those whom he admired most:

The first slow, scalding tears began to come. “Oh Johnny,” she said. “Everything was supposed to be different, wasn’t it? It wasn’t supposed to end like this.” She lowered her head, her throat working painfully - and to no effect. The sobs came anyway, and the bright sunlight broke into prisms of light. The wind, which had seemed so warm and Indian summery, now seemed as chill as February on her wet cheeks.

If we hadn’t our bewitching autumn foliage, we should still have to credit the weather with one feature which compensates for all its bullying vagaries-the ice storm: when a leafless tree is clothed with ice from the bottom to the top – ice that is as bright and clear as crystal; when every bough and twig is strung with ice-beads, frozen dew-drops, and the whole tree sparkles cold and white, like the Shah of Persia’s diamond plume. Then the wind waves the branches and the sun comes out and turns all those myriads of beads and drops to prisms that glow and burn and flash with all manner of colored fires, which change and change again with inconceivable rapidity from blue to red, from red to green, and green to gold-the tree becomes a spraying fountain, a very explosion of dazzling jewels; and it stands there the acme, the climax, the supremest possibility in art or nature, of bewildering, intoxicating, intolerable magnificence. One cannot make the words too strong.

There's some instinctive attraction that draws you, as a writer, to your subject. And the attraction usually has to do with some primal personal thing that, of course, you have no idea about. In the end, the piece always comes down to the one or two sentences you struggle over. The sentences where you try to say explicitly what it is that the two of you, subject and writer, have in common. Those are the sentences that you just bang your head against the wall over until you get them right. It's very hard to make that distillation but that is actually what your job is. Without trying to pin the person like a butterfly to the wall, to sum it up. If I can do that, then I feel satisfied. To give the subject a reality in the form of a sentence that is like a piece of rock crystal or a prism.

It’s very easy to figure out Trump’s ideology. He’s not racist and sexist to this incredible degree. He’s Trumpist. He views the world through the prism of, “How do they view Trump?” If you view Trump positively, you’re good people. “Putin, hey, he likes the Trump, I like the Putin.” That’s all he is. His doctrine is the Trump Doctrine. If another country is nice to him, he will be nice to that country. If the country thinks he’s an idiot, “Fuck them. That’s a pussy country. They don’t know shit about anything. That country changed its name from a Jewish name.

I will take you down my own avenue of remembrance, which winds among the hazards and shadows of my single year as a plebe. I cannot come to this story in full voice. I want to speak for the boys who were violated by this school, the ones who left ashamed and broken and dishonored, who departed from the Institute with wounds and bitter grievances. I want also to speak for the triumphant boys who took everything the system could throw at them, endured every torment and excess, and survived the ordeal of the freshman year with a feeling of transformation and achievement that they never had felt before and would never know again with such clarity and elation. I will speak from my memory- my memory- a memory that is all refracting light slanting through prisms and dreams, a shifting, troubled riot of electrons charged with pain and wonder. My memory often seems like a city of exiled poets afire with the astonishment of language, each believing in the integrity of his own witness, each with a separate version of culture and history, and the divine essentional fire that is poetry itself. But i will try to isolate that one lonely singer who gathered the fragments of my plebe year and set the screams to music. For many years, I have refused to listen as his obsessive voice narrated the malignant litany of crimes against my boyhood. We isolate those poets who cause us the greatest pain; we silence them in any way we can. I have never allowed this furious dissident the courtesy of my full attention. His poems are songs for the dead to me. Something dies in me every time I hear his low, courageous voice calling to me from the solitude of his exile. He has always known that someday I would have to listen to his story, that I would have to deal with the truth or falsity of his witness. He has always known that someday I must take full responsibility for his creation and that, in finally listening to him, I would be sounding the darkest fathoms of myself. I will write his stories now as he shouts them to me. I will listen to him and listen to myself. I will get it all down. Yet the laws of recall are subject to distortion and alienation. Memory is a trick, and I have lied so often to myself about my own role and the role of others that I am not sure I can recognize the truth about those days. But I have come to believe in the unconscious integrity of lies. I want to record even them. Somewhere in the immensity of the lie the truth gleams like the pure, light-glazed bones of an extinct angel. Hidden in the enormous falsity of my story is the truth for all of us who began at the Institute in 1963, and for all who survived to become her sons. I write my own truth, in my own time, in my own way, and take full responsibility for its mistakes and slanders. Even the lies are part of my truth. I return to the city of memory, to the city of exiled poets. I approach the one whose back is turned to me. He is frail and timorous and angry. His head is shaved and he fears the judgment of regiments. He will always be a victim, always a plebe. I tap him on the shoulder. "Begin," I command. "It was the beginning of 1963," he begins, and I know he will not stop until the story has ended.

His face burst into a prism of colors and light as her eyes welled with tears and when they fell down her cheeks it felt like fire.

Most beautiful thing you've ever seen. When the sun dips into the sea, for a split second the water breaks into so many prisms of color it looks like the inside of a kaleidoscope.

You act like the sorcerers are invading the continent for the sole joy of hunting me down and lobbing me off of tall objects.

Hayden still liked to think he was more normal than Bonk, who once choked on a soap cake for no good reason.

Cecily. Did you really, Miss Prism? How wonderfully clever you are! I hope it did not end happily? I don’t like novels that end happily. They depress me so much.

Luck I get,” she said when they’d sat in silence once more. “But why brave?” He shifted in his seat then sat forward, his gaze piercing through her. “Because, Natalia, love is a risk. Love from the depths of your soul requires a certain amount of sacrifice. It bids you to give yourself wholly to another. To allow someone to view you like a prism, assessing you at every angle, examining every flaw. You must lay yourself before them, open and bare, and say, ‘here I am. I hold nothing back. I am yours, mind, body, and soul.’ And all you can do is hope they don’t crush you.” He leaned closer. “But the man who truly loves you will tend to your heart like he tends a garden, nurturing it until it grows and blooms under his hand.

Reality was, after all, just so malleable - facts could be forgotten, truths suppressed, lives seen from only one angle like a trick prism, if only one resolved never to look too closely.

In time the glowing, cratered moon began its seeming rise from the sea, casting a prism of light across the slowly darkening water, splitting itself into a thousand different parts, each more beautiful than the last. At exactly the same moment, the sun was meeting the horizon in the opposite direction, turning the sky red and orange and yellow, as if heaven above had suddenly opened its gates and let all its beauty escape its holy confines. The ocean turned golden silver as the shifting colors reflected off it, waters rippling and sparkling with the changing light, the vision glorious, almost like the beginning of time. The sun continued to lower itself, casting its glow as far as the eye could see, before finally, slowly, vanishing beneath the waves. The moon continued its slow drift upward, shimmering as it turned a thousand different shades of yellow, each paler than the last, before finally becoming the color of the stars.

At the gala, before he made his exit, Jim told the audience, “I like to think of this problem of homelessness as a prism held up to society, and what we see refracted are the weaknesses in our health care system, our public health system, our housing system, but especially in our welfare system, our educational system, and our legal system—and our corrections system. If we’re going to fix this problem, we have to address the weaknesses of all those sectors.” It was a bleak assessment, implying that the only cure for homelessness would be an end to many of the country’s deep, abiding flaws.

We all view life through the lens of these experiences, but the Narcissist has something more, not just a lens but a prism that refracts and distorts incoming messages to avoid the intolerable feeling of shame. This means that you are never in control of how these people perceive you, or when you will be assaulted with some defensive maneuver that deflects their shame, prevents their deflation, or reinflates them after narcissistic injury. Narcissists constantly dump – or project – unwanted parts of themselves onto other people. They then begin to behave as if others possess these unwanted pieces of themselves, and they may even succeed in getting others to feel as if they actually have those traits or feelings. This is an unconscious process for both the dumper and the dumpee, but what it means is that you end up being treated like the dirt they’ve brushed off their own psyches, or feeling the humiliation, the anger, the vulnerability, and worthlessness that they cannot tolerate themselves.

Each crystal refracted the galaxy of city lights like a thousand prisms. The city of shattered light. The place Kaya had wanted to start her life over. Despite the rumors, Asa couldn't deny it was beautiful.

He stepped on to the balcony and looked out over the desert, at the red dunes rolling to the windows directly below. For the fourth time he had moved up a floor, and the sequence of identical rooms he had occupied were like displaced images of himself seen through a prism. Their common focus, that elusive final definition of himself which he had sought for so long, still remained to be found. Timelessly the sand swept towards him, its shifting contours, approximating more closely than any other landscape he had found to complete psychic zero, enveloping his past failures and uncertainties, masking them in its enigmatic canopy.

Agnes shut her eyes, clenched her fists, opened her mouth and screamed. It started low. Plaster dust drifted down from the ceiling. The prisms on the chandelier chimed gently as they shook. It rose, passing quickly through the mysterious pitch at fourteen cycles per second where the human spirit begins to feel distinctly uncomfortable about the universe and the place in it of the bowels. Small items around the Opera House vibrated off shelves and smashed on the floor. The note climbed, rang like a bell, climbed again. In the Pit, all the violin strings snapped, one by one. As the tone rose, the crystal prisms shook in the chandelier. In the bar, champagne corks fired a salvo. Ice jingled and shattered in its bucket. A line of wine-glasses joined in the chorus, blurred around the rims, and then exploded like hazardous thistledown with attitude. There were harmonics and echoes that caused strange effects. In the dressing-rooms the No. 3 greasepaint melted. Mirrors cracked, filling the ballet school with a million fractured images. Dust rose, insects fell. In the stones of the Opera House tiny particles of quartz danced briefly... Then there was silence, broken by the occasional thud and tinkle. Nanny grinned. 'Ah,' she said, 'now the opera's over.

The church revealed itself to me then. Creaking wood planks, peeling and hot. Trinity Prism in the rafters, long in the face. The cheap common glitter, no specimen of heaven. Vern in a polyester robe fraying at the edges. I saw everything exactly as it was, dark and dirty, the people covered in filth, farm-beaten and raw, their deadened searching eyes, desperation. And the girls. The girls of blood, all full up like me.

He must turn to something solid, because if he didn't, who knew where his mind or his soul could blow away to, like a balloon without ballast.... He raised the binoculars and scoured the island for more signs of life: he needed to see the goats, the sheep; to count them. Stick to the solid. To the brass fittings which had to be polished, the glass which had to be cleaned—first the outer glass of the lantern, then the prisms themselves. Getting the oil in, keeping the cogs moving smoothly, topping up the mercury to let the light glide. He gripped each thought like the rung of a ladder by which to haul himself back to the knowable; back to this life.

The laws of nature are sublime, but there is a moral sublimity before which the highest intelligences must kneel and adore. The laws by which the winds blow, and the tides of the ocean, like a vast clepsydra, measure, with inimitable exactness, the hours of ever-flowing time; the laws by which the planets roll, and the sun vivifies and paints; the laws which preside over the subtle combinations of chemistry, and the amazing velocities of electricity; the laws of germination and production in the vegetable and animal worlds, — all these, radiant with eternal beauty as they are, and exalted above all the objects of sense, still wane and pale before the Moral Glories that apparel the universe in their celestial light. The heart can put on charms which no beauty of known things, nor imagination of the unknown, can aspire to emulate. Virtue shines in native colors, purer and brighter than pearl, or diamond, or prism, can reflect. Arabian gardens in their bloom can exhale no such sweetness as charity diffuses. Beneficence is godlike, and he who does most good to his fellow-man is the Master of Masters, and has learned the Art of Arts. Enrich and embellish the universe as you will, it is only a fit temple for the heart that loves truth with a supreme love. Inanimate vastness excites wonder; knowledge kindles admiration, but love enraptures the soul. Scientific truth is marvellous, but moral truth is divine; and whoever breathes its air and walks by its light, has found the lost paradise. For him, a new heaven and a new earth have already been created. His home is the sanctuary of God, the Holy of Holies.

We do not often get to declare victories, Natch, and most of them do not remain victories for very long. Ultimately when you reach my age you realize that victories are temporary, and in all the years of human history there is one final battle which nobody has ever won.Time has a way of changing the terms of your victories over the years, until you begin to wonder precisely what it was you fought for so viciously, so uncompromisingly. You begin to see that victory and defeat are but alternate reflections from the same prism.You see that the measure of a person really might be the integrity with which he fought his battles and not their ultimate dispensation, just like your elders have been telling you all along.

CECILY: Miss Prism says that all good looks are a snare. ALGERNON: They are a snare that every sensible man would like to be caught in. CECILY: Oh, I don’t think I would care to catch a sensible man. I shouldn’t know what to talk to him about.

It consisted in large part of the engineers and researchers who had built the Heart of Gold – mostly humanoid, but here and there were a few reptiloid atomineers, two or three green sylph-like maximegalaticians, an octopodic physucturalist or two and a Hooloovoo (a Hooloovoo is a super-intelligent shade of the colour blue). All except the Hooloovoo were resplendent in their multicoloured ceremonial lab coats; the Hooloovoo had been temporarily refracted into a free-standing prism for the occasion.

I like the disaster of the night sky, stars spilling this way and that as if they were upturned from a glass. I like the way good madness feels. I like the way laughter always spills. That's the word for it. It never just comes, it spills. I like the word 'again'. Again and again and again and again and again and again and again and again. I like the quiet sound a coffee cup makes when it's set down on a wooden table. So hushed. So inviting. Like morning light yawning through the window and stretching out onto the kitchen floor. I like the way girls' lips look like they're stained with berries. I like the way morning light breaks like a prism through the empty wine bottles on our dusty apartment floor. Glasses empty except for the midnight hour. I like the way blueberries stain my fingers during the summer. I like the way light hits your eyes and turns it into a color that doesn't exist anywhere else other than in this moment. I want it all. I want the breeze to call my name as it rushes down my street, looking for me. I want to feel grass underneath my bare feet and I want to feel the sun kiss freckles onto my cheeks. I want to hear you yell hello as you make your way towards me, not goodbye as you have to go. That's just a little bit about me.

From around the corner's edge a grotesque light was trickling out, the first intimations of an ominous sunrise over a dark horizon. I dimly recognized this colored light, though not from my waking memory. It grew more intense, now pouring out in weird streams from beyond the solid margin of the building. And the more intense it grew, the more clearly I could hear the screaming voice that had called out to me in a dream. I shouted his name, but the swelling colored brightness was a field of fear which kept me from making any move toward it. It was no amalgam of colors comparable to anything in mortal experience. It was as if all natural colors had been mutated into a painfully lush iridescence by some prism fantastically corrupted in its form; it was a rainbow staining the sky after a poison deluge; it was an aurora painting the darkness with a blaze of insanity, a blaze that did not burn vigorously but shimmered with an insect-jeweled frailness. And, in actuality, it was nothing like these color-filled effusions, which are merely a feeble means of partially fixing a reality uncommunicable to those not initiated to it, a necessary resorting to the makeshift gibberish of the mystic isolated by his experience and left without a language to describe it. ("The Dreaming In Nortown")

A moment out of time .lights whirling and spinning in a cotton candy universe .down a bottomless funnel roundly sectioned like a goat' s horn .a cornucopia that rose up cuculiform smooth and slick as a worm belly .endless nights that pealed ebony funeral bells .out of fog .out of weightlessness .suddenly total cellular knowledge .memory running backward .gibbering spastic blindness .a soundless owl of frenzy trapped in a cave of prisms .sand endlessly draining down .billows of forever .edges of the world as they splintered .foam rising drowning from inside .the smell of rust .rough green corners that burn .memory the gibbering spastic blind memory .seven rushing vacuums of nothing .yellow .pinpoints cast in amber straining and elongating running like live wax .chill fevers .overhead the odour of stop .this is the stopover before hell or heaven .this is limbo .trapped and doomed alone in a mist-eaten nowhere .a soundless screaming a soundless whirring a soundless spinning spinning spinning .spinning .spinning .spinning .spinning

I’ll love him till I die, love him till it consumes me whole and kills me dead—so maybe love doesn’t conquer all but just some. Because all is vast and love is so varied, like light in a prism; if you move it around a room, depending on how it catches, it changes.

The past is perpetually in play, always malleable, ever salvageable. Did any of this story happen as I said it did? The telling of a tale puts a prism to it from which incalculable new angles rainbow forth. You made this as real as I; remember it however you'd like.

We are living in a time where the hearing from God is bombarded by many frequencies and voices. This noise, corrosive in nature, makes it difficult to hear God’s voice...living with more noise means we live less like a disciple. We need a prism. Eric Samuel Timm is a prism.

For once, I allow myself to feel it all. The beautiful, terrible sensation that love is. It explodes like a supernova inside of me, a prism of light erupting in my vision before all things fade to black. If she is death, I am happy to take her hand and walk into the afterlife.

Jim told the audience, “I like to think of this problem of homelessness as a prism held up to society, and what we see refracted are the weaknesses in our health care system, our public health system, our housing system, but especially in our welfare system, our educational system, and our legal system—and our corrections system. If we’re going to fix this problem, we have to address the weaknesses of all those sectors.” It was a bleak assessment, implying that the only cure for homelessness would be an end to many of the country’s deep, abiding flaws.

In the shadowy room, a single blade of sun pierced between the curtains and struck across the room, where it caught and blazed up in a tray of cut glass decanters, casting prisms that flickered and shifted this way and that and wavered high on the walls like paramecia under a microscope.

Gregori brought Savannah's hand to the warmth of his mouth,his breath heating the pulse beating in her wrist. The night is especially beautiful, mon petit amour.Your hero saved the girl, walks among humans, and converses with a fool.That alone should bring a smile to your face.Do not weep for what we cannot change.We will make certain that this human with us comes to no harm. Are you my hero,then? There were tears in her voice, in her mind, like an iridescent prism. She needed him, his comfort,his support under her terrible weight of guilt and love and loss. Always,for all eternity, he answered instantly,without hesitation, his eyes hot mercury. He tipped her chin up so that she met the brilliance of his silver gaze.Always, mon amour.His molten gaze trapped her blue one and held her enthralled. Your heart grows lighter.The burden of your sorrow becomes my own. He held her gaze captive for a few moments to ensure that she was free of the heaviness crushing her. Savannah blinked and moved a little away from him, wondering what she had been thinking of.What had they been talking about? "Gary." Gregori drawled the name slowly and sat back in his chair,totally relaxed. He looked like a sprawling tiger,dangerous and untamed. "Tell us about yourself." "I work a lot.I'm not married. I'm really not much of a people person. I'm basically a nerd." Gregori shifted, a subtle movement of muscles suggesting great power. "I am not familiar with this term." "Yeah,well,you wouldn't be," Gary said. "It means I have lots of brains and no brawn.I don't do the athlete thing. I'm into computers and chess and things requiring intellect. Women find me skinny,wimpy,and boring. Not something they would you." There was no bitterness in his voice,just a quiet acceptance of himself,his life. Gregori's white teeth flashed. "There is only one woman who matters to me, Gary, and she finds me difficult to live with.I cannot imagine why,can you?" "Maybe because you're jealous, possessive, concerned with every single detail of her life?" Gary plainly took the question literally, offering up his observations without judgement. "You're probably domineering,too. I can see that. Yeah.It might be tough." Savannah burst out laughing, the sound musical, rivaling the street musicians. People within hearing turned their heads and held their breath, hoping for more. "Very astute, Gary.Very, very astute. I bet you have an anormous IQ." Gregori stirred again, the movement a ripple of power,of danger. He was suddenly leaning into Gary. "You think you are intelligent? Baiting the wild animal is not too smart.

Julia doesn’t like James Gillen, but that’s not the point, not out here. In the Court, back in the Court any eye you catch could be Love peal-of-bells-firework-burst Love, all among the sweet spray of the music and the rainbowing prisms of the lights, this could be the one huge mystery every book and film and song is sizzling with; could be your one-and-only shoulder to lean your head on, fingers woven with yours and lips gentle on your hair and Our Song pouring out of every speaker. This could be the one heart that will open to your touch and offer up its never-spoken secrets, that has spaces perfectly shaped to hold all of yours.

Shut up,” I snapped. “This is not the time. What part of this situation seems like a joke to you?” Lohka pulled up his knees, giving a feeble, half-manic little laugh. “Oh, maybe just the idea that some soul-devouring being of chaos could be waiting anywhere to finish destroying my life,” he said. “That’s kind of hilarious, you know. Have you ever had a soul-devouring being of chaos hunting you down so it could finish eating you?” “No,” I said. “I’m sorry, Lohka.” “That’s nice,” he muttered. “What about the part where this soul-devouring being of chaos seems to have a taste for me at the moment?” Zhabyr asked. “Can we worry about that, now? Because I kind of already am.

According to Auster, proximity is deceptive, and anonymity is not only the misfortune of the masses, of the cities, but also a cancer gnawing away the family and marital unit. Human contact often masks a gulf that only death or distance can bridge. We are separated from others by those very things that also connect us; we are separated from ourselves by the illusion of self-knowledge. Just as we must forget ourselves in order to reach a certain level of self-truth, we must also leave others in order to find them in the prism of memory and separation. That which is closest is often the most enigmatic, and distance, like mourning and wandering, is also an instrument of redemption.

Books, those miraculous memories of high thoughts and golden moods; those magical shells, tremulous with the secrets of the ocean of life; those love-letters that pass from hand to hand of a thousand lovers that never meet; those honeycombs of dreams; those orchards of knowledge; those still-beating hearts of the noble dead; those mysterious signals that beckon along the darksome pathways of the past; voices through which the myriad lispings of the earth find perfect speech; oracles through which its mysteries call like voices of moonlit woods; prisms of beauty; urns stored with all the sweets of all the summers of time; immortal nightingales that sing for ever to the rose of life.

Old women like Peta Ponce have the power to fold time over and confuse it, they multiply and divide it, events are refracted in their gnarled hands as in the most brilliant prism, they cut the consecutive happening of things into fragments they arrange in parallel form, they bend those fragments and twist them into shapes that enable them to carry out their designs.

He felt as though he were a prism, gathering up God’s love like white light and scattering it in all directions, and the sensation was nearly physical, as he caught and repeated as much of what everyone said to him as he could, soaking up the music and cadence, the pattern of phonemes on the fly, gravely accepting and repeating Askama’s quiet corrections when he got things wrong.

True Love in this differs from gold and clay, That to divide is not to take away. Love is like understanding, that grows bright Gazing on many truths; 'tis like thy light, Imagination! which from earth and sky, And from the depths of human fantasy, As from a thousand prisms and mirrors, fills The Universe with glorious beams, and kills Error, the worm, with many a sun-like arrow Of its reverberated lightning. Epipsychidion

And as much as I’d like to believe there’s a truth beyond illusion, I’ve come to believe that there’s no truth beyond illusion. Because, between ‘reality’ on the one hand, and the point where the mind strikes reality, there’s a middle zone, a rainbow edge where beauty comes into being, where two very different surfaces mingle and blur to provide what life does not: and this is the space where all art exists, and all magic. And - I would argue as well - all love. ... And just as music is the space between notes, just as the stars are beautiful because of the space between them, just as the sun strikes raindrops at a certain angle and throws a prism of color across the sky - so the space where I exist, and I want to keep existing, and to be quite frank I hope I die in, is exactly this middle distance: where despair struck pure otherness and created something sublime.

And I realized what had turned over in my chest. My heart. Because grief had shifted the prism of the lens I used to view Nova Booth through and turned it into something more than love for a brother or a friend. It had amplified him, multiplied him like a kaleidoscope into so much more. And that was it, the moment when I found the words for what that man was to me and what he would always mean to me. I loved him. Unintentionally, but irrevocably.

The edge of something mostly buried in the sand caught the sun, and I bent to pick up a pearl nautilus. Simple and uncomplicatedly lovely, a pearl nautilus whispered its beauty. It wasn’t showy like a cameo or frog shell, with their twists and nubs and variations. It never competed for attention, but it held and reflected a prism of light that perfectly complimented its surroundings. Someone else may have overlooked a pearl nautilus, but I preferred it. - Nicole Abbot (Whisper of Light)

Of course, I should have known the kids would pop out in the atmosphere of Roberta's office. That's what they do when Alice is under stress. They see a gap in the space-time continuum and slip through like beams of light through a prism changing form and direction. We had got into the habit in recent weeks of starting our sessions with that marble and stick game called Ker-Plunk, which Billy liked. There were times when I caught myself entering the office with a teddy that Samuel had taken from the toy cupboard outside. Roberta told me that on a couple of occasions I had shot her with the plastic gun and once, as Samuel, I had climbed down from the high-tech chairs, rolled into a ball in the corner and just cried. 'This is embarrassing,' I admitted. 'It doesn't have to be.' 'It doesn't have to be, but it is,' I said. The thing is. I never knew when the 'others' were going to come out. I only discovered that one had been out when I lost time or found myself in the midst of some wacky occupation — finger-painting like a five-year-old, cutting my arms, wandering from shops with unwanted, unpaid-for clutter. In her reserved way, Roberta described the kids as an elaborate defence mechanism. As a child, I had blocked out my memories in order not to dwell on anything painful or uncertain. Even as a teenager, I had allowed the bizarre and terrifying to seem normal because the alternative would have upset the fiction of my loving little nuclear family. I made a mental note to look up defence mechanisms, something we had touched on in psychology.

I ASSURE you that I am the book of fate. Questions are my enemies. For my questions explode! Answers leap up like a frightened flock, blackening the sky of my inescapable memories. Not one answer, not one suffices. What prisms flash when I enter the terrible field of my past. I am a chip of shattered flint enclosed in a box. The box gyrates and quakes. I am tossed about in a storm of mysteries. And when the box opens, I return to this presence like a stranger in a primitive land. Slowly (slowly, I say) I relearn my name. But that is not to know myself! This person of my name, this Leto who is the second of that calling, finds other voices in his mind, other names and other places. Oh, I promise you (as I have been promised) that I answer to but a single name. If you say, "Leto," I respond. Sufferance makes this true, sufferance and one thing more: I hold the threads! All of them are mine. Let me but imagine a topic say... men who have died by the sword-and I have them in all of their gore, every image intact, every moan, every grimace. Joys of motherhood, I think, and the birthing beds are mine. Serial baby smiles and the sweet cooings of new generations. The first walkings of the toddlers and the first victories of youths brought forth for me to share. They tumble one upon another until I can see little else but sameness and repetition. "Keep it all intact," I warn myself. Who can deny the value of such experiences, the worth of learning through which I view each new instant? Ahhh, but it's the past. Don't you understand? It's only the past!

The grapes of my body can only become wine after the winemaker tramples me. I surrender my spirit like grapes to his trampling so my inmost heart can blaze and dance with joy. Although the grapes go on weeping blood and sobbing: “I cannot bear any more anguish, and more cruelty” The trampler stuffs cotton in his ears: “I am not working in ignorance. You can deny Me if you want, you have every excuse, but it is I who am the Master of this work. And when through My Passion you reach perfection you will never be done praising My Name.”[326]

I allow myself, for the gash of a moment, to remember what I once possessed: the abyssal ocean, the song in those depths like swimming down the black throat of a god; the searing colors moting my sisters' coils, sapphire and quartz crushed into constellations, patterns and prisms of incandescence spiraling through the dark, our tails in endless, restless motion; our mother's eyes colossal, phosphorescent; our father's ribs, still studded with our egg sacs, his heartbeat in our veins. I'd been happy there. I could have been happy there forever.

The reintroduction of fairy tales to my redeemed imagination helped me to see the Maker, his Word, and the abounding human (but sometimes Spirit-commanded) tales as inter-connected. It was like holding the intricate crystal of Scripture up to the light, seeing it lovely and complete, then discovering on the sidewalk a spray of refracted colors. The colors aren't Scripture, nor are they the light behind it. Rather, they're an expression of the truth, born of the light beyond, framed by the prism of revelation, and given expression on solid ground.

Marie Antoinette would have loved this place!" Piper Donovan stood agape, her green eyes opened wide, as she took in the magical space. Crystal chandeliers, dripping with glittering prisms, hung from the mirrored ceiling. Gilded moldings crowned the pale pink walls. Gleaming glass cases displayed vibrant fruit tarts, puffy éclairs, and powdered beignets. Exquisitely decorated cakes of all flavors and sizes rested on pedestals alongside trays of pastel meringues and luscious napoleons. Cupcakes, cookies, croissants, and cream-filled pastries dusted with sugar or drizzled with chocolate beckoned from the shelves. "It's unbelievable," she whispered. "I feel like I've walked into a jewel box---one made of confectioners' sugar but a jewel box nonetheless.

Something Rich and Strange She takes a step and the water rises higher on her knees. Four more steps, she tells herself. Just four more and I'll turn back. She takes another step and the bottom is no longer there and she is being shoved downstream and she does not panic because she has passed the Red Cross courses. The water shallows and her face breaks the surface and she breathes deep. She tries to turn her body so she won' t hit her head on a rock and for the first time she's afraid and she's suddenly back underwater and hears the rush of water against her ears. She tries to hold her breath but her knee smashes against a boulder and she gasps in pain and water pours into her mouth. Then for a few moments the water pools and slows. She rises coughing up water, gasping air, her feet dragging the bottom like an anchor trying to snag waterlogged wood or rock jut and as the current quickens again she sees her family running along the shore and she knows they are shouting her name though she cannot hear them and as the current turns her she hears the falls and knows there is nothing that will keep from it as the current quickens and quickens and another rock smashes against her knee but she hardly feels it as she snatches another breath and she feels the river fall and she falls with it as water whitens around her and she falls deep into the whiteness and she rises her head scrapes against a rock ceiling and the water holds her there and she tells herself don't breathe but the need rises inside her beginning in the upper stomach then up through her chest and throat and as that need reaches her mouth her mouth and nose open and the lungs explode in pain and then the pain is gone as bright colors shatter around her like glass shards, and she remembers her sixth-grade science class, the gurgle of the aquarium at the back of the room, the smell of chalk dust that morning the teacher held a prism out the window so it might fill with color, and she has a final, beautiful thought - that she is now inside that prism and knows something even the teacher does not know, that the prism's colors are voices, voices that swirl around her head like a crown, and at that moment her arms and legs she did not even know were flailing cease and she becomes part of the river.

What religious Americans might have been slow to realize is that the ACLU’s long march through the institutions of America has culminated at the door of Obama’s White House. Behind that door stands the one we have “been waiting for,” as liberals chanted about Obama in 2008. Obama is the fulfillment of the ACLU’s messianic secularist hopes. No president has done more to empty the public square of Christians than Barack Obama. To the delight of secularists, Obama has been stacking the federal courts with ACLU-style judges who read the First Amendment through an ahistorical and atheistic prism, or as they like to call it, the “living Constitution,” which is nothing more than a euphemism for whatever they think the Constitution should mean in our supposedly enlightened times.

cognitive dissonance. It refers to the disconnect between what we believe in our minds and what we experience or see in reality. The underlying theory is simple. The more we are committed to believing that something is true, the less likely we are to believe that its opposite is true, even in the face of clear evidence that shows we are wrong. For example, if you believe your colleague Bill is a jerk, you will filter Bill’s actions through that belief. No matter what Bill does, you’ll see it through a prism that confirms he’s a jerk. Even the times when he’s not a jerk, you’ll interpret it as the exception to the rule that Bill’s a jerk. It may take years of saintly behavior for Bill to overcome your perception. That’s cognitive dissonance applied to others. It can be a disruptive and unfair force in the workplace.

Situated in the center of family values debates is an imagined traditional family ideal. Formed through a combination of marital and blood ties, "normal" families should consist of heterosexual, racially homogeneous couples who produce their own biological children. Such families should have a specific authority structure, namely, a father-head earning an adequate family wage, a stay-at-home wife and mother, and children. Idealizing the traditional family as a private haven from a public world, family is seen as being held together through primary emotional bonds of love and caring. assuming a relatively fixed sexual division of labor, wherein women's roles are defined as primarily in the home with men's in the public world of work, the traditional family ideal also assumes the separation of work and family. Defined as a natural or biological arrangement based on heterosexual attraction, instead this monolithic family type is actually supported by government policy. It is organized not around a biological core, but a state-sanctioned, heterosexual marriage that confers legitimacy not only on the family structure itself but on children born in this family. In general, everything the imagined traditional family ideal is thought to be, African-American families are not. Two elements of the traditional family ideal are especially problematic for African-American women. First, the assumed split between the "public" sphere of paid employment and the "private" sphere of unpaid family responsibilities has never worked for U.S. Black women. Under slavery, U.S. Black women worked without pay in the allegedly public sphere of Southern agriculture and had their family privacy routinely violated. Second, the public/private binary separating the family households from the paid labor market is fundamental in explaining U.S. gender ideology. If one assumes that real men work and real women take care of families, then African-Americans suffer from deficient ideas concerning gender. in particular, Black women become less "feminine," because they work outside the home, work for pay and thus compete with men, and their work takes them away from their children. Framed through this prism of an imagined traditional family ideal, U.S. Black women's experiences and those of other women of color are typically deemed deficient. Rather than trying to explain why Black women's work and family patterns deviate from the seeming normality of the traditional family ideal, a more fruitful approach lies in challenging the very constructs of work and family themselves. Understandings of work, like understandings of family, vary greatly depending on who controls the definitions.

Why do you always talk like that? With a hand in front of your mouth?” “Because it’s too large.” And I could not remember to think of peas and prunes and prisms. “Who told you that?” “My aunt.” “And what else has she told you?” “That I’m much too tall.” “Has she?” “Yes.” I said it in a whisper because Harry had come so very close and his lips were hovering just above mine. “I’m afraid that . . . I might just . . . kiss you. If that’s all right.” “Oh, Harry . . .” What a strange sensation, to feel Harry’s lips upon mine. So warm and gentle and giving. Especially when Franklin’s had been so hard and urgent and demanding. He broke away with a sigh. Placed a hand to either side of my neck and stared at me for a long moment . . . just stood there looking deeply into my eyes. And then he slid his hands down to my shoulders and clasped me to himself. “It seems just fine to me.” The words were whispered into my ear. “What does?” “Your mouth. And you. You’re perfect just the way you are.

1595, Richard Field, fellow-alumnus of the King Edward grammar school in Stratford-upon-Avon, printed The lives of the noble Grecians and Romanes, compared together by that grave learned philosopher and historiographer, Plutarke of Chaeronea: translated out of Greeke into French by James Amiot, abbot of Bellozane, Bishop of Auxerre, one of the Kings privie counsell, and great Amner of France, and out of French into English, by Thomas North. This was the book that got Shakespeare thinking seriously about politics: monarchy versus republicanism versus empire; the choices we make and their tragic consequences; the conflict between public duty and private desire. He absorbed classical thought, but was not enslaved to it. Shakespeare was a thinker who always made it new, adapted his source materials, and put his own spin on them. In the case of Plutarch, he feminized the very masculine Roman world. Brutus and Caesar are seen through the prism of their wives, Portia and Calpurnia; Coriolanus through his mother, Volumnia; Mark Antony through his lover, Cleopatra. Roman women were traditionally silent, confined to the domestic sphere. Cleopatra is the very antithesis of such a woman, while Volumnia is given the full force of that supreme Ciceronian skill, a persuasive rhetorical voice.40 Timon of Athens is alone and unhappy precisely because his obsession with money has cut him off from the love of, and for, women (the only females in Timon’s strange play are two prostitutes). Paradoxically, the very masculinity of Plutarch’s version of ancient history stimulated Shakespeare into demonstrating that women are more than the equal of men. Where most thinkers among his contemporaries took the traditional view of female inferiority, he again and again wrote comedies in which the girls are smarter than the boys—Beatrice in Much Ado about Nothing, Rosalind in As You Like It, Portia in The Merchant of Venice—and tragedies in which women exercise forceful authority for good or ill (Tamora, Cleopatra, Volumnia, and Cymbeline’s Queen in his imagined antiquity, but also Queen Margaret in his rendition of the Wars of the Roses).41

They are aficionados at this point, and are hoping to see the green flash at sunset. Apparently Earth’s gravity, or atmosphere, they argue about which, bends the light from the sun in such a way that just before it dips under the horizon and disappears, the Earth is actually physically between the observer and the sun, but the sunlight is curving around the globe because of the atmosphere, or gravity, and as blue light curves more than red light, this curve around the Earth splits the light as if passing it through a prism, and this means that the last visible point of sunlight turns, not blue, which would be too much of a bend and too much like the sky’s color, but green, said to be a pure brilliant emerald green. “This we have to see!” Aram declares. Badim agrees. “Strange to be as old as we are, and see it for the first time.” He turns and calls to Freya. “Girl, come see this green flash that may occur!” “You’re not that old,” she says to him. “You’re like the hundredth-oldest person in the ship.” “Well, even that would be old, but in fact I think I’m down to about fifteenth now. But let’s stay focused on the sunset. I’m told when the sun is three-quarters gone, you can look at it without damaging your eyes. Not for long, mind you, but long enough to see the green flash when it comes.

Our parents never structured our studies. "Let 'em learn what they like," my father used to say. "A child will eat a well-balanced diet if she's given a choice of wholesome foods and left alone. If a kid's body knows what it needs to grow and stay healthy, why wouldn't her mind, too?" To his friends he explained, "My girls have free run of the forest and public library. They have a mother who is around to fix them lunch and define any words don't know. School would only get in the way of that. Besides, if they went to school, they'd spend over two hours a day in the car. Lord knows I could use the company on those drives, but it's better for my kids to stay in the woods." So while other children were reciting their times tables and asking permission to get drinks of water, Eva and I were free to roam and learn as we pleased. Together we painted murals and made up plays, built forts, raised butterflies, and designed computer games. We made paper, concocted new recipes for cookies, edited newsletters, and caught minnows. We grew gourds and nursed fledglings and played with prisms, and our parents told the state that what we did was school. For years I studied what I wanted to, when and how I wanted to study it. One book led to another in a random pattern, meandering from interest to interest like a good conversation, and the only thing that connected them was their juxtaposition on the bookshelves in mother's workroom.

What is beheld through glass seems glass. The quality of what I am Encases what I am not, Smoothes the strange world. I perceive it slowly, In my time, In my material, As my pride, As my possession: The vision is love. When life crashes like a cracked pane, Still shall I love Even the strange dead as the living once. Death also sees, though distantly, And I must trust then as now A prism — of another kind, Through which one may not put one's hands or touch.

The transition’s spreading disorder increasingly reflected not just organizational failures but Trump’s essential decision-making style. Charles Krauthammer, a sharp critic of his, told me he had been wrong earlier to characterize Trump’s behavior as that of an eleven-year-old boy. “I was off by ten years,” Krauthammer remarked. “He’s like a one-year-old. Everything is seen through the prism of whether it benefits Donald Trump.” That was certainly the way the personnel-selection process appeared from the outside. As one Republican strategist told me, the best way to become Secretary of State was to “try to be the last man standing.

A golden attitude turns even the most ordinary days into extraordinary tales of triumph. Like a prism transforming light into a spectrum of colors, our attitude can unveil the myriad beauties hidden in everyday life

His father curled a finger toward him. “I have need of your gift.” “Why?” His Starborn abilities were little more than a sparkle of starlight in his palm. His shadow talents were the more interesting gift. Even the temperature monitors on the high-tech cameras in this city couldn’t detect him when he shadow-walked. His father held up the prism. “Direct a beam of your starlight through this.” Not waiting for an answer, his father again put an eye to the metal viewing contraption atop the prism. It ordinarily took Ruhn a good amount of concentration to summon his starlight, and it usually left him with a headache for hours afterward, but … He was intrigued enough to try. Setting his index finger onto the crystal of the prism, Ruhn closed his eyes and focused upon his breathing. Let the clicking metal of the orrery guide him down, down, down into the black pit within himself, past the churning well of his shadows, to the little hollow beneath them. There, curled upon itself like some hibernating creature, lay the single seed of iridescent light. He gently cupped it with a mental palm, stirring it awake as he carefully brought it upward, as if he were carrying water in his hands. Up through himself, the power shimmering with anticipation, warm and lovely and just about the only part of himself he liked. Ruhn opened his eyes to find the starlight dancing at his fingertip, refracting through the prism. His father adjusted a few dials on the device, jotting down notes with his other hand. The starlight seed became slippery, disintegrating into the air around them. “Just another moment,” the king ordered. Ruhn gritted his teeth, as if it’d somehow keep the starlight from dissolving. Another click of the device, and another jotted note in an ancient, rigid hand. The Old Language of the Fae—his father recorded everything in the half-forgotten language their people had used when they had first come to Midgard through the Northern Rift. The starlight shivered, flared, and faded into nothing. The Autumn King grunted in annoyance, but Ruhn barely heard it over his pounding head. He’d mastered himself enough to pay attention as his father finished his notes. “What are you even doing with that thing?” “Studying how light moves through the world. How it can be shaped.” “Don’t we have scientists over at CCU doing this shit?” “Their interests are not the same as mine.” His father

Goethe refused to view color as a static quantity, to be measured in a spectrometer and pinned down like a butterfly to cardboard. He argued that color is a matter of perception. “With light poise and counterpoise, Nature oscillates within her prescribed limits,” he wrote, “yet thus arise all the varieties and conditions of the phenomena which are presented to us in space and time.” The touchstone of Newton’s theory was his famous experiment with a prism. A prism breaks a beam of white light into a rainbow of colors, spread across the whole visible spectrum, and Newton realized that those pure colors must be the elementary components that add to produce white. Further, with a leap of insight, he proposed that the colors corresponded to frequencies. He imagined that some vibrating bodies—corpuscles was the antique word—must be producing colors in proportion to the speed of the vibrations. Considering how little evidence supported this notion, it was as unjustifiable as it was brilliant. What is red? To a physicist, it is light radiating in waves between 620 to 800 billionths of a meter long. Newton’s optics proved themselves a thousand times over, while Goethe’s treatise on color faded into merciful obscurity.

In the context of that debate, chaos brought an astonishing message: simple deterministic models could produce what looked like random behavior. The behavior actually had an exquisite fine structure, yet any piece of it seemed indistinguishable from noise. The discovery cut through the heart of the controversy. As May looked at more and more biological systems through the prism of simple chaotic models, he continued to see results that violated the standard intuition of practitioners.

A shape and a texture: unctuous black violet lit with iridescent pearl. An eye amidst a halo of dead stars. Crystalline bones unfolding, like the geodes and kaleidoscopes he peered into as a child. Wondrous, yes. Within those black-violet prisms pulsed colors beyond his knowing, skin of twisted roots and dark tumors, and a voice—her voice—that reached across the vast cosmos. Crossed it for him. She pressed herself up against the ice above. Her unblinking eye focused in on him, seeing him, and filled him with warmth. She whispered, “Lloyd, it’s time to wake up.” So that’s what he did. The cold ice at his fingertips became the cool sheets of his bed. The wet pressure inside his body burst as a gasp left his lips. He rose, not through the frozen lake but into the midnight shadows of his bedroom. And the eye. Her eye. It no longer stared through the ice but faded behind the ceiling of his house. He felt a great presence retreating, up through the attic, up into the sky, into the cold reaches above Earth, and into the deepest recesses beyond space and time.

With minds like crystal prisms, they shatter light into every spectrum of possibility, foreseeing storms before the first cloud, hearts bruised by premonitions whispered on the wind. Yet, they dance in the rain, a silent symphony of knowing played on a smile, for theirs is the terrible gift of seeing the tapestry of fate woven a thread at a time, even as it pricks their fingers.

Rainbows everywhere we shone the prism. Later on, when I was praying in my room, I thought: All right. If heaven is white it is a white like the prism. When God burns through it. All the colors of Christ are in the air. Holiness is not one thing, brother, it is not one hue or tint.

Everyone dreams, but only some people are dreamers. The non-dreamers, by far more numerous, are those who see the world as it is. Then there are the few dreamers, who see the world as are. The moon, the river, the train station, the sound of rain, and even something as mundane as porridge become something else with many layers. The world feels like an oil painting rather than a photograph, and the dreamers are forever seeing hidden colors where others just see the top shade. The nondreamers look through glasses, and the dreamers through a prism.

Everyone dreams, but only some people are dreamers. The non-dreamers, by far more numerous, are those who see the world as it is. Then there are the few dreamers, who see the world as are. The moon, the river, the train station, the sound of rain, and even something as mundane as porridge become something else with many layers. The world feels like an oil painting rather than a photograph, and the dreamers are forever seeing hidden colors where others just see the top shade. The nondreamers look through glasses, and the dreamers through a prism.

Hellish grief and isolation catch you in a prism where you live and die at the same time and in the same space. Hellish grief and isolation catch you so tightly they leave you haunted and tangled like a knot.

There is a pure light of virtue that passes through a prism and refracts the colors of masculinity and femininity. Masculinity and femininity are like two instruments playing the same note. Even when they do the same thing, they sound different.

God’s radiance shines through you, through the uniqueness of you. Everything about the way He’s created you, He did it with the purpose of making you a prism for His light. You’re like an intricately designed stained glass window made of beautiful and unique details, distinct in certain ways from all others. And through you, through the carefully constructed window of your life’s uniqueness and experiences (even the hard ones), He wants to show Himself to the world.

She looked at the broken pieces of glass that were reflecting the light like tiny prisms. “It’s hard to be brave when you don’t even know what you’re fighting against,” she confessed sincerely.

And when it comes to analysis, the ISI has a poor record. ‘They saw everything through pre-determined ideological prisms, rather like the KBG during the Cold War,’ a senior British official who worked with the ISI for decades told me. ‘Frankly,’ he added. ‘None of their analysis was worth the paper it was written on.

don’t like to judge an administration’s overall significance on a moment-to-moment basis. That’s best viewed through the prism of history. Partially as a result, I’m neither a Democrat nor a Republican, but a registered Independent. I’ll be damned if I trust either side. As far as I’m concerned, too many lobbyists influence our politics, the positions taken by politicians and, ultimately, because the politicians are acting on behalf of powerful interests rather than acting and speaking as independent representatives answerable to the public, their very ability to conduct themselves with traditional decorum is affected. As a result, there’s no compromise, very little gets accomplished for the American people, and this country grows more and more divided every time there’s an election. And the cycle continues, and the situation only gets worse. I’ll let history be the judge of presidents in the grand sweep of things, but morality and statesmanship are day-to-day issues that I track closely. Is a president looking out for the best interests of the country or for himself? Do you present yourself publicly as president

Ninth Floor she ran across the parquet slipped the flokati mat crashed the window no she stood at the window prism looked up at sky bruise night spread her no she tilted dived swanning spinning tip-toed ink air broke fingers first no she climbed the small gap the window gave hung her finger joints clotted the view with frightened breath fell ligament torn and sorry no she wandered to the glass hatch to watch tranquilised lights sputtering leaned too hard fell faster than a bottle of Jack no this is how it was: drunk screaming she crashed the parquet with grief roared the ungiving window frames which gave she spangled spaghetti-like ribbon-voiced street lights crashed on her no. She did nothing.

Life was filled with so many twists and turns, like the sides of a prism, giving off light; what seemed wrong before seemed almost right when viewed from a different angle.

Jews don't cower; we hope. Because we believe the Messiah has yet to come, we do not look back at any Golden Age. We look forward with anticipation, and we fight for our future. As the Modern Orthodox rabbi Yosie Levine wrote last ear, ruminating on rising anti-Semitism and the approaching Passover, 'To be a Jew is to be a beacon of hope in a world perpetually threatened by the pall of despair. The whole trajectory of the Seder leads us to the final cup of universal redemption. It impels us to see the world through the prism of what it ought to look like, but does not yet.

The imagination and trust of a young child are immeasurable. Through the prism of their eyes all things are possible, all dreams come true, and all people are friends. There is beauty in the seriousness of their play and their laughter is pure and unspoiled. Regardless of what other people say…go ahead and act like a child. Hang on to that simple spirit of living for as long as you possibly can.

I began asking myself questions like these: Am I listening for the still, small voice? Is my work still the center of my life and identity? Do I have an eternal perspective as a prism through which I view my life? What is my truest purpose? My life work? My destiny? What does it really mean to “have it all”?

The Haunt The haunt walks counting the bodies held in cubicle chambers; each night the rattle of his keys reminds one of the living dead who are keyless. The Turnkey continues his nightly watch to ensure none of the living dead commits suicide. To be truly dead is forbidden, unless the State sanctions the kill. This ritual first began as a means of penitence, and Auburn was the first N.Y.S. penitentiary and silence was the means to repentance, silence and reading the bible. Back then, the penitent memorized the portions of the bible: when Cain killed Abel, Joshua’s war on Jericho, and all about Ruth, Mary, and Esther — with little thought of God. Over 100 years, the haunt walks with the sanctimonious sentiments of a sentinel, with self-righteous indignation which the living dead attempt to repel with false braggadocio — but when the lights go out, the sudden screams, and all- night talk to prohibit nightmares — awaiting the dawn — permit the haunt to smile with arrogant knowing. The torture of the night is the haunt’s pleasure, making the rounds smelling the decay of dreams deferred, the putrid stench of justice, like the full bowels of slave ships. Gun towers stand reminiscent of the hanging trees with its strange fruit that the haunt picks at leisure appraising its ripeness in terms of life sentences. As steel bangs against steel, chains clang with the echoes of gangs dressed in strips of day and night, black and white; the fright prohibits flight as jail cells constrict and severely depict the absence of liberty. The haunt of Auburn, year by year decade by decade, in a century has never escaped the nightly count of tormented souls, himself chained to the ball of the imprisoned — a spirit’s horror of lost freedom.

What was going on? The only way to make sense of this exchange is through the prism of cognitive dissonance. Many prosecutors see their work as more than a job; it is more like a vocation. They have spent years training to reach high standards of performance. It is a tough initiation. Their self-esteem is bound up with their competence. They are highly motivated to believe in the probity of the system they have joined. In the course of their investigations, they get to know the bereaved families well and quite naturally come to empathize with their trauma. And they want to believe that in all those long hours spent away from their own families pursuing justice, they have helped to make the world a safer place. Imagine what it must be like to be confronted with evidence that they have assisted in putting the wrong person in jail; that they have ruined the life of an innocent person; that the wounds of the victim’s family are going to be reopened. It must be stomach churning. In terms of cognitive dissonance, it is difficult to think of anything more threatening.

From both my families, I've learnt important things. From my family of chance, I learnt what it was like to be alone and unrecognized, to be perceived through the prism of delusion, a lost soul marooned in the belly of bedlam. I learned the beauty and power of language, but also its capacity for subtle perfidy, how it can be used to subvert and distort reality, to sanction cruelty and sugarcoat abuse. I learned that words can be the path to freedom or just another lock on the caged door. And from my family of choice, I learn on a daily basis about love and loyalty, about burdens shared and intimacies treasured, about forgiveness and atonement and joy. I learn about the gift of a difficult childhood and the fact that ''it's never too late to have a happy one.

There was color when we...crossed,” says Beatrice. “Like a rainbow — ” “Yes,” says the man who actually might be Loki. “Time acts like a prism at the edge of the World Gates.” “The rainbow bridge,” says Beatrice quietly. Loki tilts his head. “I believe that humans did call it that once.

People with the right kind of ambition would not likely use the word play to describe their effort to work as a team to build something substantial. Finally, people who use the “me” prism find it natural and obvious to speak in terms of “building out my résumé” while people who use the “team” prism find such phrases to be somewhat uncomfortable and awkward, because they clearly indicate an individual goal that is separate from the team goal.

Pregame jitters hadn’t been a part of Myron’s existence for over a decade, and he knew now what he’d always suspected: this nerve-jangled high was directly connected to basketball. Nothing else. He had never experienced anything similar in his business or personal life. Even violent confrontations—a perverted high if ever there was one—were not exactly like this. He had thought this uniquely sports-related sensation would ebb away with age and maturity, when a young man no longer takes a small event like a basketball game and blows it into an entity of near biblical importance, when something so relatively insignificant in the long run is no longer magnified to epic dimensions through the prism of youth. An adult, of course, can see what is useless to explain to a child—that one particular school dance or missed foul shot would be no more than a pang in the future. Yet here Myron was, comfortably ensconced in his thirties and still feeling the same heightened and raw sensations he had known only in youth. They hadn’t gone away with age. They’d just hibernated—as Calvin had warned him—hoping for a chance to stir, a chance that normally never came in one man’s lifetime. Were

She lurched across Alameda, her speed draining like a wound. —65— —60— —55— Larkin turned north on an industrial street parallel to the river. Her building was only blocks away when the air bag exploded. The Aston Martin spun sideways to a stop. White powder hung in the air like haze; sprayed over her shoulders and arms. The other car had been a flashing shape, no more real than a shadow in the sea, a flick of gleaming movement broken by the prisms of her tears, then the impact.

Sophie had to force herself to breathe slower to keep her head from getting woozy. “I’m sure I speak for everyone,” Keefe grunted, “when I say: Are we there yet?” “Almost,” Tiergan promised. “Everyone dig deep—and don’t look down.” “Steaming sasquatch poop—that’s a long way to fall!” Keefe announced. Fitz moved closer to Sophie, his new cologne tickling her nose as he whispered, “I almost forgot. I brought you a present.” Her heart skipped at least five beats when he slipped an orange velvet satchel into her palm. He’d been bringing her lots of tiny gifts lately—and she’d been trying hard not to read too much into it. “Ugh, anyone else ready to vomit from the Fitzphie?” Keefe asked. “I am,” Dex said, as Linh asked, “Did Fitzphie become an actual thing?” “I don’t even know what ‘Fitzphie’ is supposed to mean,” Tiergan noted. “Want me to explain it?” Tam offered. “No,” Sophie said, opening the satchel and pulling out a fist-size crystal prism. It was heavy like a paperweight, and when she held it up to the light, rainbow sparkles flashed across her fingers, highlighting words carved across the base, along with the Foxfire seal. Alvar Soren Vacker “That’s called a Radiant,” Fitz explained. “It’s the highest honor any prodigy can receive when they complete the basic levels at Foxfire. Alvar was so disgustingly smug about earning one that he told my mom she should keep it on the mantel in our main sitting room, so it could inspire Biana and me to work harder.” “Ugh, I forgot about that,” Biana grumbled. “I can’t believe Mom did it.” “I know. So I think it’s time to destroy it. And considering where we are, maybe it’d be fun to let it take a really nasty fall.” “Gotta give you credit,” Tam told Fitz. “That’s pretty much a perfect gift.” It was. Though Sophie felt bad taking it. “Shouldn’t you or Biana do the honors?” “Nope. Alvar was there when they took your parents,” Biana argued. “And when you were kidnapped.” “Just throw it extra hard, for us,” Fitz added. Sophie glanced at Dex. “Alvar helped kidnap you, too.” “So boost your throw with the Sucker Punch I made you,” he suggested. They seemed pretty sure, so Sophie gathered whatever mental energy she could muster and channeled it into her arm muscles. A burst of force from the Sucker Punch gave her throw extra oomph as she hurled the Radiant down the center of the curving stairs, where none of the bodyguards would be standing. A satisfying

I feel that one of the reasons I enjoy having films that are historical or revisionist history or a period film is because I think it's one of the things that cinema can do best. It can do it [well] in two areas. One is that you can recreate the past in a movie and present it in a fictional way, because we know what it looked like. And the second reason is, by having time pass, you can examine the truth about something that happened in the past, because you've been able to look at it through the prism of time.

Branches are generated by any quantum event, right? Even before we had prisms, branches were still splitting off constantly; we just didn’t have access to any of them. If it were true that there’s always a branch where you pick up a gun and shoot someone on a whim, then we should have seen the same number of random murders every day before the prism was invented as we saw every day after. The invention of prisms wouldn’t cause more of those murders to line up in this particular branch. So if we’re seeing more people killing one another since prisms became popular, it can’t be because there’s always a branch where you pick up a gun.” “I follow your reasoning,” said Zareenah, “but then what’s causing the rise in murders?” Kevin shrugged. “It’s like a suicide fad. People hear about other people doing it, and it gives them ideas.” Nat thought about it. “That proves that the argument can’t be right, but it doesn’t explain why it’s wrong.

Monastery Nights I like to think about the monastery as I’m falling asleep, so that it comes and goes in my mind like a screen saver. I conjure the lake of the zendo, rows of dark boats still unless someone coughs or otherwise ripples the calm. I can hear the four AM slipperiness of sleeping bags as people turn over in their bunks. The ancient bells. When I was first falling in love with Zen, I burned incense called Kyonishiki, “Kyoto Autumn Leaves,” made by the Shoyeido Incense Company, Kyoto, Japan. To me it smelled like earnestness and ether, and I tried to imagine a consciousness ignorant of me. I just now lit a stick of it. I had to run downstairs for some rice to hold it upright in its bowl, which had been empty for a while, a raku bowl with two fingerprints in the clay. It calls up the monastery gate, the massive door demanding I recommit myself in the moments of both its opening and its closing, its weight now mine, I wanted to know what I was, and thought I could find the truth where the floor hurts the knee. I understand no one I consider to be religious. I have no idea what’s meant when someone says they’ve been intimate with a higher power. I seem to have been born without a god receptor. I have fervor but seem to lack even the basic instincts of the many seekers, mostly men, I knew in the monastery, sitting zazen all night, wearing their robes to near-rags boy-stitched back together with unmatched thread, smoothed over their laps and tucked under, unmoving in the long silence, the field of grain ripening, heavy tasseled, field of sentient beings turned toward candles, flowers, the Buddha gleaming like a vivid little sports car from his niche. What is the mind that precedes any sense we could possibly have of ourselves, the mind of self-ignorance? I thought that the divestiture of self could be likened to the divestiture of words, but I was wrong. It’s not the same work. One’s a transparency and one’s an emptiness. Kyonishiki.... Today I’m painting what Mom calls no-colors, grays and browns, evergreens: what’s left of the woods when autumn’s come and gone. And though he died, Dad’s here, still forgetting he’s no longer married to Annie, that his own mother is dead, that he no longer owns a car. I told them not to make any trouble or I’d send them both home. Surprise half inch of snow. What good are words? And what about birches in moonlight, Russell handing me the year’s first chanterelle— Shouldn’t God feel like that? I aspire to “a self-forgetful, perfectly useless concentration,” as Elizabeth Bishop put it. So who shall I say I am? I’m a prism, an expressive temporary sentience, a pinecone falling. I can hear my teacher saying, No. That misses it. Buddha goes on sitting through the century, leaving me alone in the front hall, which has just been cleaned and smells of pine.

She was walking in the cherry orchard & the moon washed the stiff folds Of her gown with the misery of the century & ah those blisters of consciousness bursting All around her in the air like Descartes’ shooting stars piercing the blackening sky As above her those dangling constellations of Tiny cerise planets trembled With the held expectations of the evening just past from “Cerise

The Leprechaun Theory: Why did the leprechaun turn good, bad, and ugly in Valhalla? Hitler and Jesus tried to find the pot of gold at the end of the rainbow in a matrix prism, so the leprechaun drank a shrinking potion bought at an apothecary hard to find not long after killing his father and blowing up Cyberdyne by sending in his jokes through a portal. He realized the key for solving slavery in freedom is like conjuring a stamina potion from alcohol for there is a small charm in a chance to beat a genie via the perfect machine, until then you find a lawyer to opt in the fifth ammendment to the Judiciary Court.

The I.C.S.L.E.S., In A World Needing A Brand New Idol? INNA CIRCLE SET LIKE SQUARE, Explanation = Like^2 list key keep

In science we study the limitations of perception about sounds and colors and rest of the observable forces. There are non observable forces too available in physical sciences. Dark matter, black holes are few of those kinds. While we observe sun by naked eye it seems yellow, prism says it is mixture of all colors and non colors, telescopes and observatory says it is white, so what's the real color of sun? It is frequency that deviates and deceives us and so for sounds with limitations in decimals and so for atomic thoery and music theory and even fine arts. what do they really mean? what non observable and unidentified forces available in physics and un discovered elements in chemistry, undiscovered species in biology, undiscovered deciphers of akashic records or undiscovered mathematics. Machine perception will never fully showcase what is it indeed! AI fails, human perception fails. Now another example snakes don't see like how we see. they have infrared perception not like humans. same with other animals, plants and all non living things on universe and beyond. Nobody can understand universe and beyond by narrower perception by available data from earth and machines. So what do i propose i keep on observing on every aspects of observable and non observable forces, entities, living and non living things on universe and beyond with naked eyes and perceptions that doesn't have any colors or any observable or non observable limitations. I am not .............................. and nothing. Thank you

This methodology is powered by wisdom from traditions around the world. Like a reverse prism, Bullet Journal absorbs these traditions and focuses them into one bright beam that will help you clearly see where you are and illuminate the way forward. It will empower you to go from passenger to pilot through the art of intentional living.

What's striking about the city as a construct is how it functions as a prism through which we contemplate our own identity and goals. The pubs or places of worship we spend time in reflect our own internal architecture and one person's lived experience of a city can wildly oppose the next's. This makes conversations about coorie in the city all the more interesting. Coorie streets full of bustle might not always be beautiful but there is always the potential to polish what is there. Life in a Scottish city can feel like a constant grapple between what's best for us and what we desire.

Lewis’s scant references to the horrors of trench warfare confirm both its objective realities (“the horribly smashed men still moving like half-crushed beetles, the sitting or standing corpses, the landscape of sheer earth without a blade of grass”) and his own subjective distancing of himself from this experience (it “shows rarely and faintly in memory” and is “cut off from the rest of my experience”).[156] This is perhaps the most distinctive feature of Lewis’s “treaty with reality”—the construction of a frontier, a barrier, which protected Lewis from such shocking images as “horribly smashed men,” and allowed him to continue his life as if these horrors had been experienced by someone else. Lewis spun a cocoon around himself, insulating his thoughts from rotting corpses and the technology of destruction. The world could be kept at bay—and this was best done by reading, and allowing the words and thoughts of others to shield him from what was going on around him. Lewis’s experience of this most technological and impersonal of wars was filtered and tempered through a literary prism. For Lewis, books were both a link to the remembered—if sentimentally exaggerated—bliss of a lost past and a balm for the trauma and hopelessness of the present. As he wrote to Arthur Greeves several months later, he looked back wistfully to happier days, in which he sat surrounded by his “little library and browsed from book to book.”[157] Those days, he reflected with obvious sadness, were gone.

Looking at him was like staring at a prism; you saw something different from every angle. The one definite was that you couldn't stop looking at him.

Every sentence - like every action - both reveals and alters who we are.

People who view the world through the “me” prism might describe a prior company’s failure in an interview as follows: “My last job was my e-commerce play. I felt that it was important to round out my résumé.” Note the use of my to personalize the company in a way that it’s unlikely that anyone else at the company would agree with. In fact, the other employees in the company might even be offended by this usage. People with the right kind of ambition would not likely use the word play to describe their effort to work as a team to build something substantial. Finally, people who use the “me” prism find it natural and obvious to speak in terms of “building out my résumé” while people who use the “team” prism find such phrases to be somewhat uncomfortable and awkward, because they clearly indicate an individual goal that is separate from the team goal.

What would it look like to escape the adverse consequences of naïve realism? It would not involve somehow ceasing to see things through the prism of one’s own expectations, needs, and experiences. That’s not possible. What is possible is to acknowledge that one’s own perspective may be no more valid than someone else’s. Indeed, it may be less valid.

mania is more like unbridled dizzying love or the first sparkling spring day when daffodils are bursting and everything is coated in warm rays and looking like a rainbow paradise, prisms of iridescence beaming.) Being bipolar meant I had access to the other side. But there were still functional kinks to work out—living with daily tasks was sometimes a challenge.

Everyone had moments that acted like a prism, Claire believed, breaking up visible matter so you could see elementally what was in front of your eyes.

Is it like this everywhere you go?” Gary asked. “Pretty much.” Savannah shrugged calmly. “I don’t really mind. Peter always—” She broke off abruptly and brought the steaming cup to her mouth. Gregori could feel sorrow beating at her, a crushing stone weighing down her heart. His hand slipped down her arm to lace his fingers through hers. At once he poured warmth and comfort into her mind, the sensation of his arms around her body, holding her close. “Peter Sanders always took care of the details surrounding Savannah’s shows. He was very good at shielding her. He was murdered after her last show out in San Francisco.” He provided the information quietly to Gary. “I’m sorry,” Gary said instantly, meaning it. Her distress was evident in her large blue eyes. They shimmered with sorrow. Gregori brought Savannah’s hand to the warmth of his mouth, his breath heating the pulse beating in her wrist. The night is especially beautiful, mon petit amour. Your hero saved the girl, walks among the humans, and converses with a fool. That alone should bring a smile to your face. Do not weep for what we cannot change. We will make certain that this human with us comes to no harm. Are you my hero, then? There were tears in her voice, in her mind, like an iridescent prism. She needed him, his comfort, his support under her terrible weight of guilt and love and loss. Always, for all eternity, he answered instantly, without hesitation, his eyes hot mercury. He tipped her chin up so that she met the brilliance of his silver gaze. Always, mon amour.

Only twice did he try color lithography, then in its heyday in France. He felt that color “cheapened” the essential character of the medium. In his Journals and in his letters are many references to this art form, of which one will serve as example:  "Black is the most essential of all colors. Above all, if I may say so, it draws its excitement and vitality from deep and secret sources of health.... One must admire black. Nothing can debauch it. It does not please the eye and awakens no sensuality. It is an agent of the spirit far more than the fine color of the palette or the prism. Thus a good lithograph is more likely to be appreciated in a serious country, where inclement nature compels man to remain confined to his home, cultivating his own thoughts, that is to say in the countries of the north rather than those of the south, where the sun draws us outside ourselves and delights us. Lithography enjoys little esteem in France, except when it has been cheapened by the addition of color, which produces a different result, destroying its specific qualities so that it comes to resemble a cheap colored print....

A distinctive poetic atmosphere surrounds our autobiographical being. The culmination of our personal experiences projects an expressive emotional prism upon our faces, a self-projected limelight casting us with an aura-like quality that other people readily perceive and interpret. Each person’s life consists of nurturing his or her poetic seedlings. Introspection is the first and foremost means that people rely upon to grasp the referential nature of their essential personal experiences. Reflective moments allow us to enrich our understanding of life’s nuisances that imbue even our most rouge experiences with a personalized ambiance. The juxtaposition of life’s prosodic fragments with unanticipated moments of exhilaration provides the tension that composes the contrapuntal language driving the meter of our life’s story. The sweeping arch of our hand-tooled stories designates our chosen path and serves to remind us that even persons injured while attempting to discern the pathway to bliss can use their own brand of resourcefulness to rescue themselves.

Pure love, can be observed similar to white light flowing through a prism bringing forth its seven primary colours, like a rainbow. To deeply know and be love, like the rainbow colours, you have to experience all of its parts to become all of it. - Denis J

Beauty lies between you and you and eye and eye Do not compare beauty, For it resides in all, Try if you will, But a slave to the mind you shall be. To compare a dandelion to a lily, And to say the lily is of greater beauty Is a sin we often see. The dandelion is everywhere to be seen, But it is not picked from the ground on a whim. A weed, it was labeled in those grown-up minds, Minds, which have been weeded through time. The same minds which cut lilies from the ground, And stare as they wonder ‘how sad that beauty dwindles down’. They let their thoughts haunt them, And get trapped in the world around them. The truth masked as lies of the eyes. The dandelion and lily, When left to be, Dance in the wind with such beauty, Free. Compare beauty and you'll eclipse your sun's light, And because you only know the stars That come to life when they die, You'll have to wait for the dandelion to fly, Specking light in your darkened mind's eye. Explain beauty and you'll stay for eternity, Trying to capture infinity. Only then will you look into the stilling river, And cry from the open wounds you hide. Bandaging your reflection, you try. Only when it drowns in the murky crinkling water, Do you realize That the stars won't offer the same blinding light, And the darkness has given you sight. Your comparisons’ prism lives only in your eyes, But it travels down your stem, Like a Serpent, Coiling around your breath, With your tongue, Sharper than the air of death, Shedding words you've been fed. Like the grey, Settling deep within your Soul, And the shade, That makes you feel whole. Perhaps you'll try to save the mirrored water, But as you thrash about in infinity, Do not break stems anymore. Instead cut the chains keeping you shackled to the shore. Still, as you roam free, Do not forget to remember, (Infinity said while knocking at eternity’s door) A rigid mind leads to a life lived hollow, But do dip into the mind’s eye knowingly, For the strongest light casts the darkest shadow.

A day of endless wind and rain, which I wasted away in the lee of hollow trees, in sheds and barns, and under broken carts. I saw the hawk once, or thought I saw it, like a distant arrow flicking into a tree, blurred and distorted by the million shining prisms of the rain. All day the unquenchable skylarks sang. Bullfinches lisped and piped through the orchards. Sometimes a little owl called lugubriously from its hollow tree. And that was all.

When you feel overwhelmed or unfocused, what do you do? Whenever I’m feeling like I need to prioritize what I’m doing or overthinking a particular situation that is making me anxious, I try to remember this great exchange in the film Bridge of Spies. Tom Hanks, who plays a lawyer, asks his client, who is being accused of being a spy, “Aren’t you worried?” His answer: “Would it help?” I always think, “Would it help?” That is the pivotal question that I ask myself every day. If you put everything through that prism, it is a remarkably effective way to cut through the clutter.

Everything we say to each other echoes with meanings left over from our past experience— both our history talking to the person before us at this moment and our history talking to others. This is especially true in the family— and our history of family talk is like a prism through which all other conversations (and relationships) are refracted.

Everything we say to each other echoes with meanings left over from our past experience— both our history talking to the person before us at this moment and our history talking to others. This is especially true in the family —and our history of family talk is like a prism through which all other conversations (and relationships) are refracted. We react not only to the meaning of the words spoken— the message—but also to what we think those words say about the relationship—the metamessage. Metamessages are unstated meanings we glean based on how someone spoke— tone of voice, phrasing —and on associations we brought to the conversation.

What do we know of ourselves except as through a prism, he wonders, the endless refractions of our mind turning back on itself like a dog chasing its own tail?

There was little sense in attempting anything like subtlety, so I donned my bottle green spectacles, focused my supernatural senses, and began a slow survey of the entire place. The energy known as magic exists on a broad spectrum, much like light. Just as light can be split into its colors by a sufficient prism, magical energy can be more clearly distinguished by using the proper tools. The spectacles gave me a chance to view the energy swirling around the crowded room. It was strongly influenced by the presence of human emotion, and various colors had gathered around individuals according to their current humor.

Before we learned about attachment theory, we took the secures of the world for granted, and even dismissed them as boring. But looking through the attachment prism, we've come to appreciate secure people's talents and abilities. The goofy Homer Simpson like colleague whom we barely noticed was suddenly transformed into a guy with impressive relationship talent who treats his wife admirably, and our get-a-life neighbor suddenly became a perceptive, caring person who keeps the entire family emotionally in check. But not all secure people are homebodies or goofy. You are not settling by going secure! Secures come in all shapes and forms. Many are good-looking and sexy. Whether plain or gorgeous, we've learned to appreciate them all for what they really are—the "supermates" of evolution—and we hope that you will too.

Here's the crazy thing about light. It can be flat and dull, casting nothing into shadow and throwing little into relief. Everything is illuminated exactly the same; nothing to entice or call you forward. Any photographer knows that you can take a million technically perfect photos in light like that—perfect but lacking magic. But all it takes is one tiny, almost imperceptible shift, and suddenly everything dances and turns into prisms of color and lines that beckon and move and sing. You don’t have to travel an inch. No doing or undoing. Just the slightest shift (of position, of perspective, of power) and everything is transformed. Light like that asks us to remember that it’s all magic, one way or another, isn’t it? We just have to be willing to spin until we catch it, hold it as long as it wishes to be held, and then release and watch it dance away. And then we shift and shift and shift again. We can’t hold anything, not really, only learn to dance with it while it is ours to have and know. But there is one thing I know in this life, I’ll never stop chasing the shift. I’ll never stop looking for new ways to see. I’ll never stop seeking the light.

The ultimate transgression of everything that we take to be nature’s immutable laws might be something called delayed-choice quantum erasure, and any plausible theory of post-death reality would almost certainly have to involve something this outlandish. It has been well established that observing a double-slit experiment forces photons to act like particles rather than waves and go through one slit at a time, whereas unobserved photons go through both. And it has been well established that particles “entangled” at the quantum level affect each other instantaneously across any distance, including the entire universe. In an attempt to go back in time and erase reality, physicists combined those two phenomena into one experiment that tested entangled particles on the island of La Palma, in the Canaries archipelago, and on the island of Tenerife, eighty-eight miles distant. (For the brave or merely curious, a slightly abbreviated version of the technical description of this experiment is: “Linearly polarized single photons are sent by a polarization beamsplitter through an interferometer with two spatially separated paths associated with orthogonal S and P polarizations. The movable output beamsplitter consists of the combination of a half-wave plate, a polarization beamsplitter, an electro-optical modulator with its optical axis oriented at 22.5° from input polarizations, and a Wollaston prism. The two beams of the interferometer, which are spatially separated and orthogonally polarized, are first overlapped by the beamsplitter but can still be unambiguously identified by their polarization.”) That is to say, on one island, researchers shot a particle at the double slits, and it passed through both of them as an unobserved wave function. Eighty-eight miles away, via fiber optics cable, they then shot its entangled twin at double slits while observing it with a photon detector; as expected, its wave function collapsed, and it passed through only one slit. But now the universe had a problem: Entangled particles have to do the exact same thing, but the delayed choice had tricked them into acting differently. That was impossible. When researchers checked the strike plate of the first test, though, they found that the wave function had been retroactively collapsed by the second test and forced through a single slit. Quantum information had been erased.

Fragments of memory rose out of forgetfulness like broke pieces of glass, reassembling themselves into a prism of images.

Criticism, of host country: "A native occasionally makes disparaging remarks about his own country. A diplomatist should think at least twice before he expresses agreement with them." — Ernest Satow Cultural differences, in negotiation: Ideas often do not have the same meaning in different societies, especially where there is no obvious common cultural heritage. It can therefore be a fatal error to view an adversary's stance through the prism of one's own values. It is a delusion to base one's search for a peaceful resolution of differences on the self-centered premise that the other side feels secret guilt about its stance and can be embarrassed into concessions by public or private condemnation. Such an approach is more likely to infuriate than conciliate. Customs: "If one were to offer men to choose out of all the customs in the world such as seemed to them best, they would examine the whole number, and end by preferring their own; so convinced are they that their own usage far surpass those of others." — Herodotus [cf. The Histories, Book 3 Chapter 38]

We are separated from others by those very things that also connect us; we are separated from ourselves by the illusion of self-knowledge. Just as we must forget ourselves in order to reach a certain level of self-truth, we must also leave others in order to find them in the prism of memory or separation. That which is closest is often the most enigmatic, and distance, like mourning and wandering, is also an instrument of redemption.

All is vast and love is so varied, like light in a prism; if you move it around a room, depending on how it catches, it changes. It means different things and there are so many different things love can be to people. I know that some love is beautiful, and some is freeing, some unravels you, some love poisons you, some blinds you, some betters you, and some loves break you in invisible ways that no one else knows about until you have to stand up and the weight of your love crushes your bones. And as I watch him scream “fuck” again and again in a back alley while he punches a wall, I wonder if maybe I accidentally made Christian love me like that?

We lived in a mist of half-shared, unreliable perception, and our sense data came warped by a prism of desire and belief, which tilted our memories too. We saw and remembered in our own favour and we persuaded ourselves along the way. Pitiless objectivity, especially about ourselves, was always a doomed societal strategy. We're descended from the indignant, passionate tellers of half truths who in order to convince others, simultaneously convinced themselves. Over generations success had winnowed us out, and with success came our defect, carved deep in the genes like ruts in a cart track – when it didn't suit us we couldn't agree on what was in front of us. Believing is seeing. That's why there are divorces, border disputes and wars, and why the statue of the Virgin Mary weeps blood and the one of Ganesh drinks milk. And that was why metaphysics and science were such courageous enterprises, such startling inventions, bigger than the wheel, bigger than agriculture, human artifacts set right against the grain of human nature. Disinterested truth. But it couldn't save us from ourselves, the ruts were too deep. There could be no private redemption in objectivity.

She imagined she could rise from the ashes reborn as one of Jung’s disciples. She could take his dense, ponderous meditations on the soul and distill them into something simple and buoyant, beating back skeptics like Watson who believed Psychological Types offered nothing profitable for the study of man. Twenty years later, this is precisely what the Myers-Briggs Type Indicator did: it refracted Jung’s ideas through the hazy prism of Katharine and Isabel’s philosophy of specialization, and, in doing so, it made his work eminently useful.

I remember those Mountains and their untamed beauty—a wildness that still speaks to me—something eternal, steadfast, and transcendent. Their ridges and valleys carve deeply into my memory. They still rise like ancient giants, their slopes painted in shades of crimson, amber, and gold in the fall. Even now, I envision the ever-present fog rolling across the dark forested peaks. Or the way the sun would splinter in prisms to illuminate the endless sea of trees that stretched far beyond the city where I once lived.

I walked through life as someone who saw not one, but two worlds. One of them shimmered on the surface — bright, noisy, inviting me to laugh, to play, to look at everything through an open and careless prism. People I barely knew projected their expectations onto me, confusing me with those closest to them, as if identity were something that could be pasted on like a borrowed label. In that world, some voices called me worthless, aimless; some even whispered words no human being should ever hear — words that tried to erase a soul. But as I emerged from that bitterness, I understood: that world was not real. It was an illusion — a shimmering mirage made of noise, masks, and shadows. And then I stepped into the other world: the world of solitude and consciousness. A world without applause, without roles, without the suffocating weight of other people’s projections. At first, it felt cold — as if I had been stripped of everything familiar. But slowly I realized: this was the only place where truth still breathed. Between these two worlds, a silent battle began. One world full of false lights, the other full of quiet truths. This tension became both a burden and a source of strength — a storm that shaped me from within. Some would call it a struggle like Don Quixote’s — fighting windmills. But those windmills were not imaginary. They were the structures of deception, confusion, and inner chaos that every conscious mind must confront to separate the false from the real. And through this battle I learned: there cannot be two truths. There is only one — the one that survives when the noise collapses. The “world of fun” was not truth. It was a spectacle, a carnival, a borrowed smile. The world of solitude, though lonely, was the place where my true self stood unmasked. Human consciousness is always suspended between these horizons — the external world demanding participation in its empty theatre, and the inner world quietly demanding honesty. And honesty, though painful, is the only path that leads out of illusion. Some people fall into the trap of the external world, losing themselves in its glitter. Others withdraw completely, mistaking isolation for defeat. But I learned to see solitude not as abandonment, but as purification — a return to the core of my being. In that second world, the world I once feared, I found the strength to face my illusions. I learned what is light and what is darkness, what is truth and what is deception. I learned to recognize the voice that leads to destruction and the voice that leads to clarity. When the false world called me with its promises of laughter, the real world opened a door to inner strength. And step by step, I defeated the illusions that had once tried to consume me. In the end, I did not conquer the world. I conquered myself. And that is the greatest victory a human being can achieve.

I walked through life as someone who saw not one, but two worlds. One of them shimmered on the surface — bright, noisy, inviting me to laugh, to play, to look at everything through an open and careless prism. People I barely knew projected their expectations onto me, confusing me with those closest to them, as if identity were something that could be pasted on like a borrowed label. In that world, some voices called me worthless, aimless; some even whispered words no human being should ever hear — words that tried to erase a soul. But as I emerged from that bitterness, I understood: that world was not real. It was an illusion — a shimmering mirage made of noise, masks, and shadows. And then I stepped into the other world: the world of solitude and consciousness. A world without applause, without roles, without the suffocating weight of other people’s projections. At first, it felt cold — as if I had been stripped of everything familiar. But slowly I realized: this was the only place where truth still breathed. Between these two worlds, a silent battle began. One world full of false lights, the other full of quiet truths. This tension became both a burden and a source of strength — a storm that shaped me from within. Some would call it a struggle like Don Quixote’s — fighting windmills. But those windmills were not imaginary. They were the structures of deception, confusion, and inner chaos that every conscious mind must confront to separate the false from the real. And through this battle I learned: there cannot be two truths. There is only one — the one that survives when the noise collapses. The “world of fun” was not truth. It was a spectacle, a carnival, a borrowed smile. The world of solitude, though lonely, was the place where my true self stood unmasked. Human consciousness is always suspended between these horizons — the external world demanding participation in its empty theatre, and the inner world quietly demanding honesty. And honesty, though painful, is the only path that leads out of illusion. Some people fall into the trap of the external world, losing themselves in its glitter. Others withdraw completely, mistaking isolation for defeat. But I learned to see solitude not as abandonment, but as purification — a return to the core of my being. In that second world, the world I once feared, I found the strength to face my illusions. I learned what is light and what is darkness, what is truth and what is deception. I learned to recognize the voice that leads to destruction and the voice that leads to clarity. When the false world called me with its promises of laughter, the real world opened a door to inner strength. And step by step, I defeated the illusions that had once tried to consume me. In the end, I did not conquer the world. I conquered myself. And that is the greatest victory a human being can achieve.

Whenever I’m feeling like I need to prioritize what I’m doing or overthinking a particular situation that is making me anxious, I try to remember this great exchange in the film Bridge of Spies. Tom Hanks, who plays a lawyer, asks his client, who is being accused of being a spy, “Aren’t you worried?” His answer: “Would it help?” I always think, “Would it help?” That is the pivotal question that I ask myself every day. If you put everything through that prism, it is a remarkably effective way to cut through the clutter.

I'll love him till I die, love him till it consumes me whole and kills me dead - so maybe love doesn't conquer all but just some. Because all is vast and love is so varied, like light in a prism; if you move it around a room, depending on how it catches, it changes. It means different things and there are so manydifferent things love can be to people.

Language, too, forces the air from the lungs. Beyond the high walls and barbed wire and checkpoints that pen this place, there is the empire. And the empire as well is cocooned inside its own fortress of language-a language through the prism of which buildings are never destroyed but rather spontaneously combust, in which blasts come and go like Chinooks over the mountain, and people are killed as though to be killed is the only natural and rightful ordering of their existence.

The pure white light of Truth about any given news story in Lebanon was always refracted through this prism of factions and fiefdoms and then splashed on one's consciousness like a spectrum of light hitting a wall. As a reporter you had to learn to take a little ray of red from here and a little ray of blue from there and then paint in story form the picture that you thought most closely approximated reality. Rarely did you ever have the satisfaction of feeling that you really got to the bottom of something. It was like working in a dark cave with the aid of a single candle. Just when you thought you had spotted the white light of Truth, you would chase it, only to discover that it was someone else, also holding a candle, also looking for the light.

I hope it did not end happily? I don’t like novels that end happily. They depress me so much. Miss Prism. The good ended happily