Lightweight Quotes

We've searched our database for all the quotes and captions related to Lightweight. Here they are! All 100 of them:

I'm a lightweight easy to fall easy to break With every move my whole world shakes Keep me from falling apart
Demi Lovato
I'm a lightweight better be careful what you say With every word I'm blown away You're in control of my heart
Demi Lovato
He paused, twisting his goatee, considering the law in Deuteronomy that forbade clothes with mixed fibers. A problematic bit of Scripture. A matter that required thought. "Only the devil wants man to have a wide range of lightweight and comfortable styles to choose from," he murmured at last, trying out a new proverb. "Although there may be no forgiveness for polyester. On this one matter, Satan and the Lord are in agreement.
Joe Hill (Horns)
He wanted to fly in lightweight contraptions with her.
Dave Eggers
Time for Wine Tasting 101. “So here’s how this works. When tasting a wine, as opposed to casual drinking, there are four basic steps you need to remember: sight, smell, taste, then spit or swallow.” Nick paused at that last part and cocked his head. “And your personal preference on the latter would be…?” “Only lightweights spit.” His right eye twitched.
Julie James (A Lot like Love (FBI/US Attorney, #2))
Sarah drops her spent handgun and grabs some crazy-looking lightweight machine gun, the kind of thing I used to believe didn’t exist outside of action movies. “You know how to use that thing?” I ask. “They all work pretty much the same,” she replies. “You just point and click.
Pittacus Lore (The Fall of Five (Lorien Legacies, #4))
I swiftly realised how grief sorts out and realigns those around the griefstruck; how friends are tested; how some pass, some fail. Old friendships may deepen through shared sorrow; or suddenly appear lightweight.
Julian Barnes (Levels of Life)
Nine hours, two pizzas, one fight, three instances of vomiting, a million whistles, tons of snacks, and countless drinks later, we learned that I could have one drink every eighteen minutes, or three in one hour. Absolutely no more. Even with my body's ability to burn the alcohol, I was what my father deemed a "lightweight" or "cheap date.
Wendy Higgins (Sweet Evil (Sweet, #1))
If one's intellectual equipment was not great, one's spiritual experience not deep, the result of doing one's very best could only seem very lightweight in comparison with the effort involved. But perhaps that was not important. The mysterious power that commanded men appeared to him to ask of them only obedience and the maximum of effort and to remain curiously indifferent as to the results.
Elizabeth Goudge (The Scent of Water)
Hell is Whole Foods on a Sunday. It’s hordes of moms in lightweight fleeces pushing one another out of the way to get to bins of dry lentils.
Mindy Kaling (Why Not Me?)
He was right in front of me. I hadn’t even seen him move. I jerked, pressing my back against the wall of the library. My bag slid off my shoulder, landing next to my feet. “Holy crap, you can move.” “I can do a lot of things.” Angling his body, he pressed one palm against the wall beside my head. Good God, he was tall. “Some of them fast. Some of them real slow.” My mouth opened. “Was that a s-sexual innuendo?” His lips twitched. “Something along those lines.” The heat was back in my face and throat, despite the chill bleeding from the wall through my lightweight sweater. “Well, it was a crappy one.” “I can do better,” he offered, and those golden eyes finally lightened
Jennifer L. Armentrout (The Return (Titan, #1))
Then the anguish increased to unendurable massivity and nightmare dimensions, making her scream and vomit. She wanted...to have her dark curls shaved to an aquamarine prickle, because they grew into her porous skull and curled inside. Jigsaw pieces of sky or wall came apart, no matter how delicately put together, but a careless jolt or a nurse's elbow can disturb so easily those lightweight fragments which became incomprehensible blancs of anonymous objects, or the blank backs of 'Scrabble' counters, which she could not turn over sunny side up, because her hands had been tied by a male nurse with Demon's black eyes.
Vladimir Nabokov
Nothing guarantees happiness. I’m not certain happiness should be the goal. Satisfaction, maybe. A sense of purpose. Contribution. Authenticity. Happiness? It’s a lightweight goal. And meanwhile, I suspect that turning away from yourself will guarantee the opposite of happiness.
Danielle Younge-Ullman (Everything Beautiful Is Not Ruined)
This time we weren’t disturbed either by traveling through time or a cheeky gargoyle demon. While “Hallelujah” was running, the kiss was gentle and careful, but then Gideon buried both hands in my hair and held me very close. It wasn’t a gentle kiss anymore, and my reaction surprised me. I suddenly felt very soft and lightweight, and my arms went around Gideon’s neck of their own accord. I had no idea how, but at some point in the next few minutes, still kissing without a break, we landed on the green sofa, and we went on kissing there until Gideon abruptly sat up and looked at his watch. “Like I said, it really is a shame I’m not allowed to kiss you anymore,” he remarked rather breathlessly. The pupils of his eyes looked huge, and his cheeks were definitely flushed. I wondered what I looked like myself. As I’d temporarily mutated into some kind of human blancmange, there was no way I could get out of my half-lying position. And I realized, with horror, that I had no idea how much time had passed since Bon Jovi stopped singing “Hallelujah.” Ten minutes? Half an hour? Anything was possible. Gideon looked at me, and I thought I saw something like bewilderment in his eyes. “We’d better collect our things,” he said at last. “And you need to do something about your hair—it looks as if some idiot has been digging both hands into it and dragging you down on a sofa. Whoever’s back there waiting for us will put two and two together—oh, my God, don’t look at me like that.” “Like what?” “As if you couldn’t move.” “But I can’t,” I said, perfectly seriously. “I’m a blancmange. You’ve turned me into blancmange.” A brief smile brightened Gideon’s face, and then he jumped up and began stowing my school things in my bag. “Come along, little blancmange. Stand up.
Kerstin Gier (Saphirblau (Edelstein-Trilogie, #2))
And that damn Jew lawyer! They thought he was a lightweight. They thought they could buy him off. All they did was piss him off, and he's better than they thought he'd be.
Mark M. Bello (Betrayal of Faith (Zachary Blake Legal Thriller, #1))
Being less available over text, in other words, has a way of paradoxically strengthening your relationship even while making you (slightly) less available to those you care about. This point is crucial because many people fear that their relationships will suffer if they downgrade this form of lightweight connection. I want to reassure you that it will instead strengthen the relationships you care most about. You can be the one person in their life who actually talks to them on a regular basis, forming a deeper, more nuanced relationship than any number of exclamation points and bitmapped emojis can provide.
Cal Newport (Digital Minimalism: Choosing a Focused Life in a Noisy World)
[Speaking with John McWhorter] I take umbrage at the lionisation of lightweight, empty-suited, empty-headed motherfuckers like Ibram X. Kendi. Who couldn't carry my book bag. He hasn't read a fucking thing. If you ask him what Nietzsche said, he would have no idea. He's an unserious, superficial, empty-suited, lightweight - he's not our equal, not even close.
Glenn C. Loury
Ben wasn’t sure when it had all started to go so wrong but it had definitely been the Lemon Puff’s fault. What a screw up. First she brains him in the head with a drawer, then she almost suffocates him, then she pins him to the floor, proving exactly what he knew already, this girl was no lightweight. Being dragged face down across the bank floor by his ankles was no picnic either.
Jane Cousins (Three For The Bank Job (By The Numbers, #3))
What's Batman's superpower? He hasn't got one. He's just got a lot of gear. Cars and boomerangs and super-lightweight climbing equipment. Which he bought because he's rich. Batman's superpower is cash.
Frank Cottrell Boyce
[excerpt] The usual I say. Essence. Spirit. Medicine. A taste. I say top shelf. Straight up. A shot. A sip. A nip. I say another round. I say brace yourself. Lift a few. Hoist a few. Work the elbow. Bottoms up. Belly up. Set ‘em up. What’ll it be. Name your poison. I say same again. I say all around. I say my good man. I say my drinking buddy. I say git that in ya. Then a quick one. Then a nightcap. Then throw one back. Then knock one down. Fast & furious I say. Could savage a drink I say. Chug. Chug-a-lug. Gulp. Sauce. Mother’s milk. Everclear. Moonshine. White lightning. Firewater. Hootch. Relief. Now you’re talking I say. Live a little I say. Drain it I say. Kill it I say. Feeling it I say. Wobbly. Breakfast of champions I say. I say candy is dandy but liquor is quicker. I say Houston, we have a drinking problem. I say the cause of, and solution to, all of life’s problems. I say god only knows what I’d be without you. I say thirsty. I say parched. I say wet my whistle. Dying of thirst. Lap it up. Hook me up. Watering hole. Knock a few back. Pound a few down. My office. Out with the boys I say. Unwind I say. Nurse one I say. Apply myself I say. Toasted. Glow. A cold one a tall one a frosty I say. One for the road I say. Two-fisted I say. Never trust a man who doesn’t drink I say. Drink any man under the table I say. Then a binge then a spree then a jag then a bout. Coming home on all fours. Could use a drink I say. A shot of confidence I say. Steady my nerves I say. Drown my sorrows. I say kill for a drink. I say keep ‘em comin’. I say a stiff one. Drink deep drink hard hit the bottle. Two sheets to the wind then. Knackered then. Under the influence then. Half in the bag then. Out of my skull I say. Liquored up. Rip-roaring. Slammed. Fucking jacked. The booze talking. The room spinning. Feeling no pain. Buzzed. Giddy. Silly. Impaired. Intoxicated. Stewed. Juiced. Plotzed. Inebriated. Laminated. Swimming. Elated. Exalted. Debauched. Rock on. Drunk on. Bring it on. Pissed. Then bleary. Then bloodshot. Glassy-eyed. Red-nosed. Dizzy then. Groggy. On a bender I say. On a spree. I say off the wagon. I say on a slip. I say the drink. I say the bottle. I say drinkie-poo. A drink a drunk a drunkard. Swill. Swig. Shitfaced. Fucked up. Stupefied. Incapacitated. Raging. Seeing double. Shitty. Take the edge off I say. That’s better I say. Loaded I say. Wasted. Off my ass. Befuddled. Reeling. Tanked. Punch-drunk. Mean drunk. Maintenance drunk. Sloppy drunk happy drunk weepy drunk blind drunk dead drunk. Serious drinker. Hard drinker. Lush. Drink like a fish. Boozer. Booze hound. Alkie. Sponge. Then muddled. Then woozy. Then clouded. What day is it? Do you know me? Have you seen me? When did I start? Did I ever stop? Slurring. Reeling. Staggering. Overserved they say. Drunk as a skunk they say. Falling down drunk. Crawling down drunk. Drunk & disorderly. I say high tolerance. I say high capacity. They say protective custody. Blitzed. Shattered. Zonked. Annihilated. Blotto. Smashed. Soaked. Screwed. Pickled. Bombed. Stiff. Frazzled. Blasted. Plastered. Hammered. Tore up. Ripped up. Destroyed. Whittled. Plowed. Overcome. Overtaken. Comatose. Dead to the world. The old K.O. The horrors I say. The heebie-jeebies I say. The beast I say. The dt’s. B’jesus & pink elephants. A mindbender. Hittin’ it kinda hard they say. Go easy they say. Last call they say. Quitting time they say. They say shut off. They say dry out. Pass out. Lights out. Blackout. The bottom. The walking wounded. Cross-eyed & painless. Gone to the world. Gone. Gonzo. Wrecked. Sleep it off. Wake up on the floor. End up in the gutter. Off the stuff. Dry. Dry heaves. Gag. White knuckle. Lightweight I say. Hair of the dog I say. Eye-opener I say. A drop I say. A slug. A taste. A swallow. Down the hatch I say. I wouldn’t say no I say. I say whatever he’s having. I say next one’s on me. I say bottoms up. Put it on my tab. I say one more. I say same again
Nick Flynn (Another Bullshit Night in Suck City)
The qualities I look for in the things I buy are (1) the item has a minimalist type of shape, and is easy to clean; (2) its color isn’t too loud; (3) I’ll be able to use it for a long time; (4) it has a simple structure; (5) it’s lightweight and compact; and (6) it has multiple uses.
Fumio Sasaki (Goodbye, Things: The New Japanese Minimalism)
You hung up on me,” he said. “Don’t ever hang up on me.” His voice was quiet, but as always the authority was unmistakable. He was wearing black dress slacks, a long-sleeved lightweight black sweater pushed up on his forearms, and expensive black loafers. His hair was cut very short. I was used to seeing him in SWAT dress with long hair, and I hadn’t immediately recognized him. I guess that was the point.
Janet Evanovich (Seven Up (Stephanie Plum, #7))
Fully feeling people are also rewarded with increasing richness in their relationships – both with themselves and with others. Love manifests as a palpable warmth and excitement when it is grounded in the heart and body by feeling. Emotional love is so much more profound than the lightweight intellectual experiences of thought-bound people for whom love is often only an ideal, a dream, or a hungry expectation.
Pete Walker (The Tao of Fully Feeling: Harvesting Forgiveness out of Blame)
Humans might be difficult to transport between planets but seeds are ideal—small and lightweight. If only humans could be grown in-situ. One day, they will.
Peter Cawdron (Losing Mars)
The drive to make everything lightweight is depriving us of the the deep reassurance of heft.
Michael Foley (Embracing the Ordinary: Lessons From the Champions of Everyday Life)
For a time he read his Neil Diamond bible by the firelight. He paused, twisting nervously at his goatee, considering the law in Deuteronomy that forbade clothes with mixed fibers. A problematic bit of Scripture. A matter that required thought. "Only the devil wants man to have a wide range of lightweight and comfortable styles to choose from," he murmured at last, trying out a new proverb. "Although there may be no forgiveness for polyester. On this matter, Satan and the Lord are in agreement.
Joe Hill (Horns)
The Jews had a love-hate relationship with the Greek culture. They craved its civilization but resented its dominance. Josephus says they regarded Greeks as feckless, promiscuous, modernizing lightweights, yet many Jerusalemites were already living the fashionable lifestyle using Greek and Jewish names to show they could be both. Jewish conservatives disagreed; for them, the Greeks were simply idolaters.
Simon Sebag Montefiore (Jerusalem: The Biography)
Okay," I said. "Now can I try riding a broomstick?" "No. Most witches don't use broomsticks because they aren't that comfortable. The only reason witches use broomsticks is because they are lightweight and easy to get off the ground." "Okay, so what can I fly?" "At the moment, nothing," responded Trillman. "When you are ready, you can fly whatever you find comfortable and can get off the ground, as long as it isn't me." "So when do I get to fly my convertible?" "Convertible?
Jennifer Priester (Mortal Realm Witch: Learning about Magic (Mortal Realm Witch #1))
Not to dampen any parade, but if one asks if there is a single thing about Mr. Obama's Senate record, or state legislature record, or current program, that could possibly justify his claim to the presidency one gets ... what? Not much. Similarly lightweight unqualified 'white' candidates have overcome this objection, to be sure, but what kind of standard is that?
Christopher Hitchens
It’s not too clever for a girl to be clever,’ and they laugh at us and think we only care about our hair. The only books they give us are cookbooks because in their minds we are silly, lightweight know-nothings. And you’ve just proven them right.
Grady Hendrix (The Southern Book Club's Guide to Slaying Vampires)
When I was a kid I didn't take my mom seriously. She was a housewife who was in a book club, and she and her friends were always running errands, and driving car pool, and forcing us to follow rules that didn't make sense. They just seemed like a bunch of lightweights. Today I realize how many things they were dealing with that I was totally unaware of. They took the hits so we could skate by obliviously, because that's the deal; as a parent, you endure pain so your children don't have to.
Grady Hendrix (The Southern Book Club's Guide to Slaying Vampires)
Such diplomacy is not to be sneezed at, for the suit is a window to the soul: lightweight cotton when cash is tight, Italian cashmere when an inheritance lands; waistlines drawn in during illness or anxiety, and let out at times of excess. Weddings, funerals, christenings, and court appearances—all of life's landmarks are sanctified, quietly and confidentially, by one's tailor.
Ben Schott (Jeeves and the King of Clubs)
He halted abruptly, and this time she did slam into him, but at least it was his back absorbing the blow of her soft body. He could pretend to ignore it. “What have you got on your feet?” he growled. “Shoes.” He looked down, his eyes accustomed to the inky black. Light-weight sneakers, already soaking wet from the damp undergrowth. “Christ, woman,” he muttered. “I didn’t exactly get a chance to choose my wardrobe when they kidnapped me,” she said. Damned if he didn’t like her.
Anne Stuart (On Thin Ice (Ice, #6))
Child, your lesson for today is to drink wine.” “What ? But teacher, doesn’t the Sun Knight have a low tolerance for drink ?” “The Sun Knight always forgives others, but have you ever really forgiven someone ?” “Nope.” “The Sun Knight always wears a smile, but how many times have you really smiled from the bottom of your heart ?” “Only a few times...” “The Sun Knight is a benevolent spokesperson, but are you really benevolent ?” “...” “Child, if you have a low tolerance for drink, then how are you going to make sure that after drinking, you’ll still be able to maintain the image of the Sun Knight as someone who turns red on the first cup, has a headache with the second cup, and topples over unconscious after the third ? So you see, the idea that the Sun Knight has low tolerance for drink is actually founded on the premise that the Sun Knight cannot be defeated by drink.” This argument might sound really reasonable, but when I think about it carefully, it seems to be full of contradictions as well ! “Drink up, child. You have to drink wine every night for the next month, until you can drink wine like it’s just water.” “...” The year I turned twelve, I became someone who could drink wine as easily as water, an undefeatable drinker, all for the sake of the Sun Knight’s image as a lightweight drinker.
Yu Wo (騎士基本理論 (吾命騎士, #1))
Don't do it. Please. I know this book looks delicious with its light-weight pages sliced thin a prosciutto and swiss stacked in a way that would make Dagwood salivate. The scent of freshly baked words wafting up with every turn of the page. Mmmm page. But don't do it. Not yet. Don't eat this book.
Morgan Spurlock (Don't Eat This Book)
Unseasonably warm. It’s because the Earth is dying, of course. Rising global average temperatures are associated with widespread fluctuations in weather patterns, and that’s why we’re still wearing lightweight jackets, even though it’s late November in D.C. and Christmas trees have been popping up for weeks now.
Ali Hazelwood (Under One Roof (The STEMinist Novellas, #1))
These are among the people I've tried to know twice, the second time in memory and language. Through them, myself. They are what I've become, in ways I don't understand but which I believe will accrue to a rounded truth, a second life for me as well as them. Cracking jokes in the mandatory American manner of people self-concious about death. This is the humor of violent surprise. How do you connect things? Learn their names. It was a strange conversation, full of hedged remarks and obscure undercurrents, perfect in its way. I was not a happy runner. I did it to stay interested in my body, to stay informed, and to set up clear lines of endeavor, a standard to meet, a limit to stay within. I was just enough of a puritan to think there must be some virtue in rigorous things, although I was careful not to overdo it. I never wore the clothes. the shorts, tank top, high socks. Just running shoes and a lightweight shirt and jeans. I ran disguised as an ordinary person. -When are you two going to have children? -We're our own children. In novels lately the only real love, the unconditional love I ever come across is what people feel for animals. Dolphins, bears, wolves, canaries. I would avoid people, stop drinking. There was a beggar with a Panasonic. This is what love comes down to, things that happen and what we say about them. But nothing mattered so much on this second reading as a number of spirited misspellings. I found these mangled words exhilarating. He'd made them new again, made me see how they worked, what they really were. They were ancient things, secret, reshapable.The only safety is in details. Hardship makes the world obscure. How else could men love themselves but in memory, knowing what they know? The world has become self-referring. You know this. This thing has seeped into the texture of the world. The world for thousands of years was our escape, was our refuge. Men hid from themselves in the world. We hid from God or death. The world was where we lived, the self was where we went mad and died. But now the world has made a self of its own.
Don DeLillo (The Names)
The woman at the next table was perhaps a decade older than the first. She sat in a lightweight wheelchair with chromed rims. She was entirely white-haired and slighter, and was engaged in delicately separating stuck-together leaves of some impossibly thin paper with what looked like a small ivory or bone spatula and long tweezers.
Garth Nix (The Left-Handed Booksellers of London (Left-Handed Booksellers of London #1))
This implies, of course, the development of a really compact and light-weight method of storing or producing electricity, at least an order of magnitude better than our present clumsy batteries. Such an invention has been overdue for about fifty years;
Arthur C. Clarke (Profiles of the Future)
was the maître d’ and, unlike his clientele he was class all the way: French was my guess, Berluti handmade shoes, lightweight Brioni suit, gold-rimmed eyeglasses.
Terry Hayes (I Am Pilgrim (Pilgrim, #1))
People's lives. There are big lives and little lives, aren't there? ... Heavy lives and lightweight lives; important lives, and lives that are... not.
Hideo Yokoyama (Seventeen)
Three glasses of wine, and I’m all for an orgy. I’m such a lightweight. A disgrace. I’m sorry .008 percent Irish ancestry, I’ve let you down.
Trilina Pucci (Tangled in Tinsel (The More the Merrier, #1))
I crave the gift of recreational shallowness. The trick of knowing when to be cleverly trivial, lightweight; when to avoid emotional excess.
Margo Jefferson (Negroland)
Only the devil wants man to have a wide range of lightweight and comfortable styles to choose from,
Joe Hill (Horns)
In revolutions, as in storms at sea, solid worth goes to the bottom, and the waves bring lightweight stuff to the surface.
Honoré de Balzac (Cousin Bette)
...Would you like to know the view I have out of my window, since you love snow? So here you are: the broad whiteness of the Moldau, and along that whiteness, little black silhouettes of people cross from one shore to the other, like musical notes. For example, the figure of some boy is dragging behind him a D-sharp: a sledge. Across the river there are snowy roofs in a distant, lightweight sky... I walked around the cathedral along a slippery path between snowdrifts. The snow was light, dry: grab a handful, throw it up, and it disperses in the air like dust, as if flying back up. The sky darkened. In it appeared a thin golden moon: half of a broken halo. I walked along the edge of the fortress wall. Old Prague lay below in the thickening mist. The snowy roofs clustered together, cumbrous and dim. The houses seemed to have been piled anyhow, in a moment of terrible and fantastic carelessness. In this frozen storm of outlines, in this snowy semi-darkness, the streetlamps and windows were burning with a warm and sweet lustre, like well-licked punch lollipops. In just one place you could also see a little scarlet light, a drop of pomegranate juice. And in the fog of crooked walls and smoky corners I divined an ancient ghetto, mystical ruins, the alley of Alchemists...
Vladimir Nabokov (Letters to Vera)
Feeling his smile against her neck,she couldn't contain her smirk. She slid her hand up his forearm,relishing in the tension,the strength, 'You noticed,' 'Of course I noticed.And you know I cant let you go until I've done something about it.' 'Aren't you supposed to avoid sex before a battle.' 'I'm a lycan, darling,' he said against her ear before kissing it.'Not a lightweight.
Lindsay J. Pryor (Blood Instinct (Blackthorn, #6))
He looks up. Our eyes lock,and he breaks into a slow smile. My heart beats faster and faster. Almost there.He sets down his book and stands.And then this-the moment he calls my name-is the real moment everything changes. He is no longer St. Clair, everyone's pal, everyone's friend. He is Etienne. Etienne,like the night we met. He is Etienne,he is my friend. He is so much more. Etienne.My feet trip in three syllables. E-ti-enne. E-ti-enne, E-ti-enne. His name coats my tongue like melting chocolate. He is so beautiful, so perfect. My throat catches as he opens his arms and wraps me in a hug.My heart pounds furiously,and I'm embarrassed,because I know he feels it. We break apart, and I stagger backward. He catches me before I fall down the stairs. "Whoa," he says. But I don't think he means me falling. I blush and blame it on clumsiness. "Yeesh,that could've been bad." Phew.A steady voice. He looks dazed. "Are you all right?" I realize his hands are still on my shoulders,and my entire body stiffens underneath his touch. "Yeah.Great. Super!" "Hey,Anna. How was your break?" John.I forget he was here.Etienne lets go of me carefully as I acknowledge Josh,but the whole time we're chatting, I wish he'd return to drawing and leave us alone. After a minute, he glances behind me-to where Etienne is standing-and gets a funny expression on hs face. His speech trails off,and he buries his nose in his sketchbook. I look back, but Etienne's own face has been wiped blank. We sit on the steps together. I haven't been this nervous around him since the first week of school. My mind is tangled, my tongue tied,my stomach in knots. "Well," he says, after an excruciating minute. "Did we use up all our conversation over the holiday?" The pressure inside me eases enough to speak. "Guess I'll go back to the dorm." I pretend to stand, and he laughs. "I have something for you." He pulls me back down by my sleeve. "A late Christmas present." "For me? But I didn't get you anything!" He reaches into a coat pocket and brings out his hand in a fist, closed around something very small. "It's not much,so don't get excited." "Ooo,what is it?" "I saw it when I was out with Mum, and it made me think of you-" "Etienne! Come on!" He blinks at hearing his first name. My face turns red, and I'm filled with the overwhelming sensation that he knows exactly what I'm thinking. His expression turns to amazement as he says, "Close your eyes and hold out your hand." Still blushing,I hold one out. His fingers brush against my palm, and my hand jerks back as if he were electrified. Something goes flying and lands with a faith dink behind us. I open my eyes. He's staring at me, equally stunned. "Whoops," I say. He tilts his head at me. "I think...I think it landed back here." I scramble to my feet, but I don't even know what I'm looking for. I never felt what he placed in my hands. I only felt him. "I don't see anything! Just pebbles and pigeon droppings," I add,trying to act normal. Where is it? What is it? "Here." He plucks something tiny and yellow from the steps above him. I fumble back and hold out my hand again, bracing myself for the contact. Etienne pauses and then drops it from a few inches above my hand.As if he's avoiding me,too. It's a glass bead.A banana. He clears his throat. "I know you said Bridgette was the only one who could call you "Banana," but Mum was feeling better last weekend,so I took her to her favorite bead shop. I saw that and thought of you.I hope you don't mind someone else adding to your collection. Especially since you and Bridgette...you know..." I close my hand around the bead. "Thank you." "Mum wondered why I wanted it." "What did you tell her?" "That it was for you,of course." He says this like, duh. I beam.The bead is so lightweight I hardly feel it, except for the teeny cold patch it leaves in my palm.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
And on those rare occasions when she wasn’t defined by others’ actions, then she was dismissed out of hand as either a lightweight or a gold digger based on the thing she hated most about herself.
Bonnie Garmus (Lessons in Chemistry)
We came around the corner and stood in the doorway of what looked like a paint-testing ground. This was where we proved once and for all that we were good loving parents. We decided to let him live. "What is painting doing in my best Tupperware bowl?" I yelled. "Well, I needed something lightweight I could carry around with me," he began. "You've been carrying around a brain for year," the boy's father said.
Sylvia Harney (Every Time I Go Home I Break Out in Relatives)
I was not a happy runner. I did it to stay interested in my body, to stay informed, and to set up clear lines of endeavor, a standard to meet, a limit to stay within. I was just enough of a puritan to think there must be some virtue in rigorous things, although I was careful not to overdo it. I never wore the clothes. the shorts, tank top, high socks. Just running shoes and a lightweight shirt and jeans. I ran disguised as an ordinary person.
Don DeLillo (The Names)
Life is an ocean. If a man is lightweight (simple, good and humble), then he can float like a coconut in the ocean. If a man is of head weight (arrogance) in nature, because of weight, he will drown in the ocean like a stone.
Sivakumar Gowder
Aurelia herself had no charm at all and despised those who had it, for she had seen how easily they got what they wanted, and how little they valued it once they had it. Charm was the mark of a lightweight, not a leader of men.
Colleen McCullough (The Grass Crown (Masters of Rome, #2))
I didn’t know you were such a light-weight. I would have cut you off, Love Lump.” I make a face, digging the bottle from the couch cushions. “Light-weight? This motherfucker is gone. Light-weight. Come lay on me. I’ll slap your sweet pussy swollen.
Pella Grace (Knock Love Out (A Very Sexy Romance))
Her body is so slim, it’s so lightweight, like she’s been underwater and just got out. She bumps into fewer things. There is just . . . less of her. And she’s so supple, so boundlessly energetic, the hangover burned off in minutes, cured with coffee and sunshine.
Gillian McAllister (Wrong Place Wrong Time)
If we want more unity and less contempt, however, we need to get out of our comfort zones, go where we are not welcome, and spend time talking and interacting with people with whom we disagree—not on lightweight stuff like sports and food, but on hard moral things.
Arthur C. Brooks (Love Your Enemies: How Decent People Can Save America from the Culture of Contempt)
Deep sea fishing off Mexico can’t be beat! When you feel that old tug on your pole and that line goes whistling into the deep, that’s it brother! And, there is nothing quite like the way I feel about Wilbert burial vaults either. The combination of a ” pre-cast asphalt inner liner plus extra-thick, reinforced concrete provides the essential qualities for proper burial. My advice to you is, don’t get into “deep water” with burial vaults made of the new lightweight synthetic substitutes. Just keep “reeling in” extra profits by continuing to recommend WILBERT burial vaults....
Jessica Mitford (Poison Penmanship: The Gentle Art of Muckraking (New York Review Books Classics))
Hah! This one’s fun. Do you want to pick up that pen, sir?” He indicated to Michael, who picked up the pen. “It looks very much like any ordinary pen. Now would you click the top please?” Michael held it at arm’s length as he clicked the top and the pen was somehow transformed into a lightweight pitchfork.
Heide Goody (Clovenhoof (Clovenhoof, #1))
Forget the Bush family, they are the most negligible family in the country. They are unintelligent, they are reasonably decorative, they are obedient to the great economic powers. Nixon said something interesting to Murray Kempton about Bush senior when he became President. Murray and Nixon used to have lunch, and when Murray said, “Well, what is this Bush like?” Nixon said, “Oh, nothing, nothing there, just a lightweight. He’s the sort of person you appoint to things, like the U.N., the CIA. But that Barbara Bush, she’s really something; she’s really vindictive!”—which was the highest complement that Nixon could deliver.
Gore Vidal (I Told You So: Gore Vidal Talks Politics)
Once there were three tribes. The Optimists, whose patron saints were Drake and Sagan, believed in a universe crawling with gentle intelligence—spiritual brethren vaster and more enlightened than we, a great galactic siblinghood into whose ranks we would someday ascend. Surely, said the Optimists, space travel implies enlightenment, for it requires the control of great destructive energies. Any race which can't rise above its own brutal instincts will wipe itself out long before it learns to bridge the interstellar gulf. Across from the Optimists sat the Pessimists, who genuflected before graven images of Saint Fermi and a host of lesser lightweights. The Pessimists envisioned a lonely universe full of dead rocks and prokaryotic slime. The odds are just too low, they insisted. Too many rogues, too much radiation, too much eccentricity in too many orbits. It is a surpassing miracle that even one Earth exists; to hope for many is to abandon reason and embrace religious mania. After all, the universe is fourteen billion years old: if the galaxy were alive with intelligence, wouldn't it be here by now? Equidistant to the other two tribes sat the Historians. They didn't have too many thoughts on the probable prevalence of intelligent, spacefaring extraterrestrials— but if there are any, they said, they're not just going to be smart. They're going to be mean. It might seem almost too obvious a conclusion. What is Human history, if not an ongoing succession of greater technologies grinding lesser ones beneath their boots? But the subject wasn't merely Human history, or the unfair advantage that tools gave to any given side; the oppressed snatch up advanced weaponry as readily as the oppressor, given half a chance. No, the real issue was how those tools got there in the first place. The real issue was what tools are for. To the Historians, tools existed for only one reason: to force the universe into unnatural shapes. They treated nature as an enemy, they were by definition a rebellion against the way things were. Technology is a stunted thing in benign environments, it never thrived in any culture gripped by belief in natural harmony. Why invent fusion reactors if your climate is comfortable, if your food is abundant? Why build fortresses if you have no enemies? Why force change upon a world which poses no threat? Human civilization had a lot of branches, not so long ago. Even into the twenty-first century, a few isolated tribes had barely developed stone tools. Some settled down with agriculture. Others weren't content until they had ended nature itself, still others until they'd built cities in space. We all rested eventually, though. Each new technology trampled lesser ones, climbed to some complacent asymptote, and stopped—until my own mother packed herself away like a larva in honeycomb, softened by machinery, robbed of incentive by her own contentment. But history never said that everyone had to stop where we did. It only suggested that those who had stopped no longer struggled for existence. There could be other, more hellish worlds where the best Human technology would crumble, where the environment was still the enemy, where the only survivors were those who fought back with sharper tools and stronger empires. The threats contained in those environments would not be simple ones. Harsh weather and natural disasters either kill you or they don't, and once conquered—or adapted to— they lose their relevance. No, the only environmental factors that continued to matter were those that fought back, that countered new strategies with newer ones, that forced their enemies to scale ever-greater heights just to stay alive. Ultimately, the only enemy that mattered was an intelligent one. And if the best toys do end up in the hands of those who've never forgotten that life itself is an act of war against intelligent opponents, what does that say about a race whose machines travel between the stars?
Peter Watts (Blindsight (Firefall, #1))
Let’s go out to the parking lot so you can get some air,” he says, putting an arm around me and hustling me out the door and through the restaurant. We step outside, and I sway on my feet a little. Peter’s trying not to smile. “You’re drunk.” “I guess I’m a weightlight!” “Lightweight.” He pinches my cheeks. “Right. Weightlight. I mean, lightweight.” Why is that so funny? I can’t stop laughing. But then I see the way he is looking at me, with such tenderness, and I stop. I don’t feel like laughing anymore. I feel like crying. Look at the way he made my dad’s bachelor party so special. Look at all the ways he loves me so well. I have to love him back just as much.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
The media might pretend that every life was of equal importance, but they selected people, graded them, decided whether their lives were -- as Ayako put it -- "heavy" or "lightweight," then imposed that set of values on society. The death of a famous person. And the death of someone who wasn't. A tragic death. And one that wasn't.
Hideo Yokoyama (Seventeen)
The thumping victory in 2013 obscured the concerns of his colleagues about Abbott’s personal style, that he was a bully and a policy lightweight. These perceptions of Abbott didn’t so much underestimate the man as underestimate the time it would take the voting public to overcome their distaste for Labor and place Abbott under the microscope.
Peter van Onselen (Battleground)
Your foot’s broken?” Tate chuckles. “It wasn’t a tiny car. It was a tank.” “He’s lying. It was my super-small and ultra-lightweight car that broke his weak foot,” Speedy tells Tate. “How small are your feet anyway?” she asks me, laughing. “As big as my dick, which is eye-wateringly huge.” “He wears a size ten,” Tate tells her. “Ten and a half!” I yell.
Samantha Towle (Breaking Hollywood (Wardrobe, #2))
Shayna thinking about Jensen: " ....From my first glance I knew he was atleast three or four inches taller than me and I could tell his lightweight sweater hid a well muscled chest and arms, but lean, not meaty. I was aware of an excess of saliva in my mouth and forced myself to swallow, trying not to blush when I heard Jodi snicker quietly next to me.
Shauna Granger (Earth (Elemental, #1))
Cody throws an arm around my shoulders, nearly knocking me off my stool. "Come on, lightweight. I'll take you home." I shove his arm off me. "I don't put out on the first date." A laugh that's half snort, half giggle falls from Shyann's lips and seems to catch her by surprise. "After all those beers I bought you?" Cody feigns insult. "You're a lousy date.
J.B. Salsbury (Split)
When she returns a few minutes later, the bachelor party is in tow. She gives me a warning look. Don’t act drunk, she mouths. I give her a thumbs-up. Then I jump up and throw my arms around Peter. “Peter!” I shout above the music. He looks so cute in his button-down and tie. So cute I could cry. I bury my face in his neck like a squirrel. “I’ve missed you so, so very much.” Peter peers at me. “Are you drunk?” “No, I only had like two sips. Two drinks.” “Trina let you drink?” “No.” I giggle. “I stole sips.” “We’d better get you out of here before your dad sees you,” Peter says, eyes darting around. My dad is looking through a songbook with Margot, who is giving me a look that says, Get it together. “What he doesn’t know won’t hurt a living soul.” “Let’s go out to the parking lot so you can get some air,” he says, putting an arm around me and hustling me out the door and through the restaurant. We step outside, and I sway on my feet a little. Peter’s trying not to smile. “You’re drunk.” “I guess I’m a weightlight!” “Lightweight.” He pinches my cheeks. “Right. Weightlight. I mean, lightweight.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
It’s . . . nice outside today.” It’s not that it isn’t. It is, in fact, really nice. Unseasonably warm. It’s because the Earth is dying, of course. Rising global average temperatures are associated with widespread fluctuations in weather patterns, and that’s why we’re still wearing lightweight jackets, even though it’s late November in D.C. and Christmas trees have been popping up for weeks now.
Ali Hazelwood (Under One Roof (The STEMinist Novellas, #1))
arrived. Although human slavery was technically illegal, colonies were being raided for slaves—and that meant a market somewhere. "Normal" humans blamed heavyworlders; heavyworlders blamed the "lightweights" as they called them, and the wealthy mercantile families of the inner worlds complained bitterly about the cost of supporting an ever-growing Fleet which didn't seem to save either lives or property.
Anne McCaffrey (Sassinak (Planet Pirates Book 1))
can never understand these people who rush to buy new gadgets; surely they must see that they are going to look like idiots in about a year when the manufacturers come up with tiny lightweight versions of the same thing at half the price. Like the people who paid $200 for the first pocket calculators and then a few months later they were being given away at gas stations. Or the people who bought the first color televisions.
Bill Bryson (The Lost Continent: Travels in Small Town America)
Nanotubes are lightweight, incredibly strong, and structures made of these extremely fine fibers can be superfast and efficient at conducting electricity and heat. It’s believed and feared that molecular nanotechnology is the future of everything, including war. “Imagine making a small powerful bomb out of nanothermite or super-thermite?” Ernie is saying. “Or how about mini-nukes? Or God forbid bioterrorism delivered in the nano range? Scary shit.
Patricia Cornwell (Chaos (Kay Scarpetta, #24))
I usually enjoy setting up a new kitchen, but this has become a joyless and highly charged task. My mother and I each have our own set of kitchen boxes, which means that if there are two cheese graters between us, only one will make it into a cupboard. The other will be put back in a box or given to Goodwill. Each such little decision has the weight of a Middle East negotiation. While her kitchenware is serviceable, I’m a sucker for the high end: All-Clad saucepans and Emile Henry pie dishes. Before long, I’m shaking my head at pretty much everything my mother removes from her San Diego boxes. She takes each rejected item as a personal slight – which in fact it is. I begrudge her even her lightweight bowls, which she can lift easily with her injured hand. Here she is, a fragile old woman barely able to bend down as she peers into a low cupboard, looking for a place where she can share life with her grown daughter. At such a sight my heart should be big, but it’s small, so small that when I see her start stuffing her serving spoons into the same drawer as my own sturdy pieces, lovingly accumulated over the years, it makes me crazy. Suddenly I’m acting out decades of unvoiced anger about my mother’s parenting, which seems to be materializing in the form of her makeshift collection of kitchenware being unpacked into my drawers. When I became a mother myself, I developed a self-righteous sense of superiority to my mother: I was better than my mother, for having successfully picked myself up and dusted myself off, for never having lain in bed for days on end, too blotto to get my child off to school or even to know if it was a school day. By sheer force of will and strength of character, I believed, I had risen above all that she succumbed to and skirted all that I might have inherited. This, of course, is too obnoxiously smug to say in words. So I say it with flatware.
Katie Hafner (Mother Daughter Me)
You’ve got body armour on, haven’t you?’ Harry twisted round to check. ‘Have you or haven’t you?’ She tapped her chest with her knuckles by way of reply. ‘Lightweight?’ She nodded. ‘For fuck’s sake, Ellen! I gave the order for ballistic vests to be worn. Not those Mickey Mouse vests.’ ‘Do you know what the Secret Service guys use?’ ‘Let me guess. Lightweight vests?’ ‘That’s right.’ ‘Do you know what I don’t give a shit about?’ ‘Let me guess. The Secret Service?’ ‘That’s right.
Jo Nesbø (The Redbreast)
Prevost was an imaginative gladiator of the air. He persuaded Vann to give him a pair of the new lightweight Armalite rifles, officially designated the AR-15 and later to be designated the M-16 when the Armalite was adopted as the standard U.S. infantry rifle. The Army was experimenting with the weapon and had issued Armalites to a company of 7th Division troops to see how the soldiers liked it and how well it worked on guerrillas. (The Armalite had a selector button for full or semiautomatic fire and shot a much smaller bullet at a much higher velocity than the older .30 caliber M-1 rifle. The high velocity caused the small bullet to inflict ugly wounds when it did not kill.) Prevost strapped the pair of Armalites to the support struts under the wings of the L-19 and invented a contrivance of wire that enabled him to pull the triggers from the cockpit to strafe guerrillas he sighted. He bombed the Viet Cong by tossing hand grenades out the windows.
Neil Sheehan (A Bright Shining Lie: John Paul Vann and America in Vietnam (Pulitzer Prize Winner))
For a time he read his Neil Diamond Bible by the firelight. He paused, twisting nervously at his goatee, considering the law in Deuteronomy that forbade clothes with mixed fibers. A problematic bit of Scripture. A matter that required thought. “Only the devil wants man to have a wide range of lightweight and comfortable styles to choose from,” he murmured at last, trying out a new proverb. “Although there may be no forgiveness for polyester. On this one matter, Satan and the Lord are in agreement.
Joe Hill (Horns)
I once heard a story about a man who uses a wheelchair. When asked if it was difficult being confined, he responded, “I’m not confined to my wheelchair—I am liberated by it. If it wasn’t for my wheelchair, I would be bed-bound and never able to leave my house.” This shift in perspective completely transformed how he lived each day. Reframing your habits to highlight their benefits rather than their drawbacks is a fast and lightweight way to reprogram your mind and make a habit seem more attractive.
James Clear (Atomic Habits: An Easy & Proven Way to Build Good Habits & Break Bad Ones)
That's the way it sometimes goes for me: I start on a new series of pictures and right away, in some kind of perverse bait-and-switch, I get a good one. This freak of a good picture inevitably inspires a cocky confidence, making me think this new project will be a stroll in the park. But, then, after sometimes two or three more good ones, the next dozen are duds, and that cavalier stroll becomes an uphill slog. It isn't long before I have to take a breather, having reached the first significant plateau of doubt and lightweight despair. The voice of that despair suggests seducingly to me that I should give it up, that I'm a phony, that I've made all the good pictures I'm ever going to, and I have nothing more worth saying. That voice is easy to believe, and, as photographer and essayist (and my early mentor) Ted Orland has noted, it leaves me with only two choices: I can resume the slog and take more pictures, thereby risking further failure and despair, or I can guarantee failure and despair by not making more pictures. It's essentially a decision between uncertainty and certainty and, curiously, uncertainty is the comforting choice.
Sally Mann (Hold Still: A Memoir with Photographs)
IN MY OPINION (and this is based on my experience), having nothing you feel compelled to write about may make it harder to get started, but once the engine kicks in and the vehicle starts rolling, the writing is actually easier. This is because the flip side of having nothing you must write is being able to write freely about anything. Your material may be lightweight, but if you can grasp how to link the pieces together so that magic results, you can go on to write as many novels as you wish. You will be astounded how the mastery of that technique can lead to the creation of works with both weight and depth—as long as, that is, you retain a healthy amount of writerly ambition. In contrast, writers who from the first write about heavy topics may eventually—although, obviously, this does not occur in all cases—find themselves faltering under the very weight of that material. Writers who launch their careers writing about war, for example, can approach their subject matter from various angles in various works, but at a certain point they may, to some degree or other, find themselves backed into a corner when forced to think of what to write next.
Haruki Murakami (Novelist as a Vocation)
If I Were Another If I were another on the road, I would not have looked back, I would have said what one traveler said to another: Stranger! awaken the guitar more! Delay our tomorrow so our road may extend and space may widen for us, and we may get rescued from our story together: you are so much yourself ... and I am so much other than myself right here before you! If I were another I would have belonged to the road, neither you nor I would return. Awaken the guitar and we might sense the unknown and the route that tempts the traveler to test gravity. I am only my steps, and you are both my compass and my chasm. If I were another on the road, I would have hidden my emotions in the suitcase, so my poem would be of water, diaphanous, white, abstract, and lightweight ... stronger than memory, and weaker than dewdrops, and I would have said: My identity is this expanse! If I were another on the road, I would have said to the guitar: Teach me an extra string! Because the house is farther, and the road to it prettier— that's what my new song would say. Whenever the road lengthens the meaning renews, and I become two on this road: I ... and another!
Mahmoud Darwish
If one examines the legend in this light, a well-defined personality emerges. It is that of a light-weight; brave and aggressive, physically tough and quick; highly sexed and rather promiscuous; touchily proud, but with a feeling for the underdog; resembling Alexander in his precocious competence, gift of leadership, and romantic sense of destiny.
Mary Renault (The King Must Die (Theseus, #1))
The visor was light-years ahead of the clunky virtual-reality goggles available prior to that time, and it represented a paradigm shift in virtual-reality technology—as did the lightweight OASIS haptic gloves, which allowed users to directly control the hands of their avatar and to interact with their simulated environment as if they were actually inside it. When you picked up objects, opened doors, or operated vehicles, the haptic gloves made you feel these nonexistent objects and surfaces as if they were really right there in front of you. The gloves let you, as the television ads put it, “reach in and touch the OASIS.” Working together, the visor and the gloves made entering the OASIS an experience unlike anything else available, and once people got a taste of it, there was no going back.
Ernest Cline (Ready Player One (Ready Player One, #1))
The biggest obstacle to the Sarcophagus’ construction were untold thousands of shattered graphite chunks ejected from the reactor core and thrown up onto the roofs of Unit 3 and the shared chimney. They needed to be removed, but radiation levels on top of Units 3 and 4 - which were too unstable to support the weight of a heavy bulldozer - were far higher than any human could survive. The solution was to airlift remote control robots from across Russia, Germany and Japan, including a couple of lightweight, experimental, remote controlled STR-1 robots from the Soviet space program, built to land on the Moon, and use them to slowly push rubble off the side of the building. Sixty meters below, the bulldozers would gather up any debris and bury it. In an interesting but tragic twist, however, some robots became stuck in the melted bitumen or tangled in the mangled wreckage, while the rest soon succumbed to the radiation.
Andrew Leatherbarrow (Chernobyl 01:23:40: The Incredible True Story of the World's Worst Nuclear Disaster)
As Garrett looked up from the transfuser, she blinked at the sight of a shirtless West Ravenel hoisting himself easily onto the table. Despite his earlier crack about Ethan's athletic form, he was certainly no physical lightweight himself. He had the hard, rippling musculature of a man accustomed to lifting and carrying heavy weight. But what had surprised Garrett was the discovery that his torso was tanned the same shade of golden brown as his face. All over. What kind of gentleman went outside in the sun for that long with no shirt?" Ravenel's lips quirked as he saw her expression. A twinkle of arrogant amusement appeared in his eyes. "Farmwork," he said in a matter-of-fact tone. "And I do some quarrying." "Half naked?" Garrett asked tartly, setting the transfuser on an expanse of clean linen. "I've been loading rocks into horse carts," he said. "Which suits my intellectual capacity perfectly. But it's too hot for a shirt.
Lisa Kleypas (Hello Stranger (The Ravenels, #4))
Of the veil or unveiling, which is the most alienating, the most humiliating, the most insulting? The immense hypocrisy of all those who denounce the veil, but are quite at ease with universal pornography. In any event, the question goes far beyond the veil and the female condition. At issue is a culture of obscenity that cannot but tear away all veils - according to the imperative of transparency. At issue is the profound jealousy of a ragged culture at all the ceremonial cultures - those cultures whose signs enwrap them, whereas our culture is laid bare by its signs themselves. This is merely the beginning of a general de-signification, in which all distinctive marks will become anathema, suspect of masking or even, quite simply, signifying something, and hence potentially terroristic. At the end of the process all that will be left will be lightweight, inoffensive signs - advertising signs or marks of the disembodied fanaticism of fashion. That, no doubt, is where the story of the veil will end.
Jean Baudrillard (Cool Memories V: 2000 - 2004)
So that is how we came to be standing in a sparse room, in a nondescript building in the barracks at SAS HQ--just a handful out of all those who had started out so many months earlier. We shuffled around impatiently. We were ready. Ready, finally, to get badged as SAS soldiers. The colonel of the regiment walked in, dressed casually in lightweight camo trousers, shirt, beret, and blue SAS belt. He smiled at us. “Well done, lads. Hard work, isn’t it?” We smiled back. “You should be proud today. But remember: this is only the beginning. The real hard work starts now, when you return to your squadron. Many are called, few are chosen. Live up to that.” He paused. “And from now on for the rest of your life remember this: you are part of the SAS family. You’ve earned that. And it is the finest family in the world. But what makes our work here extraordinary is that everyone here goes that little bit extra. When everyone else gives up, we give more. That is what sets us apart.” It is a speech I have never forgotten.
Bear Grylls (Mud, Sweat and Tears)
But all this is still small potatoes compared to 1009’s fascinating and potentially malevolent toilet. A harmonious concordance of elegant form and vigorous function, flanked by rolls of tissue so soft as to be without the usual perforates for tearing, my toilet has above it this sign: THIS TOILET IS CONNECTED TO A VACUUM SEWAGE SYSTEM. PLEASE DO NOT THROW INTO THE TOILET ANYTHING THAN ORDINARY TOILET WASTE AND TOILET PAPER 70 Yes that’s right a vacuum toilet. And, as with the exhaust fan above, not a lightweight or unambitious vacuum. The toilet’s flush produces a brief but traumatizing sound, a kind of held high-B gargle, as of some gastric disturbance on a cosmic scale. Along with this sound comes a concussive suction so awesomely powerful that it’s both scary and strangely comforting—your waste seems less removed than hurled from you, and hurled with a velocity that lets you feel as though the waste is going to end up someplace so far away from you that it will have become an abstraction… a kind of existential-level sewage treatment.
David Foster Wallace (A Supposedly Fun Thing I'll Never Do Again: An Essay)
I turned my focus to clothes, immediately endeavoring to find just the right dress for the occasion. This was huge--my debut as the girlfriend of Marlboro Man--and I shopped with that in mind. Should I go for a sleek, sexy suit? That might seem too confident and brazen. A floral silk skirt? Too obvious for a wedding. A little black dress? Too conservative and safe. The options pummeled my brain as I browsed the choices on the racks. I tried on dress after dress, suit after suit, outfit after outfit, my frustration growing more acute with each zip of the zipper. I wanted to be a man. Men don’t agonize over what to wear to a wedding. They don’t spend seven hours trying on clothes. They don’t think of wardrobe choices as life-or-death decisions. That’s when I found it: a drop-dead gorgeous fitted suit the exact color of a stick of butter. It was snug, with just a slight hint of sexy, but the lovely, pure color made up for it. The fabric was a lightweight wool, but since the wedding would be at night, I knew it would be just fine. I loved the suit--not only would I feel pretty for Marlboro Man, but I’d also appear moderately, but not overly, confident to all his cousins, and appropriate and proper to his elderly grandmothers.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
With our desire to have more, we find ourselves spending more and more time and energy to manage and maintain everything we have. We try so hard to do this that the things that were supposed to help us end up ruling us. We eventually get used to the new state where our wishes have been fulfilled. We start taking those things for granted and there comes a time when we start getting tired of what we have. We're desperate to convey our own worth, our own value to others. We use objects to tell people just how valuable we are. The objects that are supposed to represent our qualities become our qualities themselves. There are more things to gain from eliminating excess than you might imagine: time, space, freedom and energy. When people say something is impossible, they have already decided that they don't want to do it. Differentiate between things you want and things you need. Leave your unused space empty. These open areas are incredibly useful. They bring us a sense of freedom and keep our minds open to the more important things in life. Memories are wonderful but you won't have room to develop if your attachment to the past is too strong. It's better to cut some of those ties so you can focus on what's important today. Don't get creative when you are trying to discard things. There's no need to stock up. An item chosen with passion represents perfection to us. Things we just happen to pick up, however, are easy candidates for disposal or replacement. As long as we stick to owning things that we really love, we aren't likely to want more. Our homes aren't museum, they don't need collections. When you aren't sure that you really want to part with something, try stowing it away for a while. Larger furniture items with bold colors will in time trigger visual fatigue and then boredom. Discarding things can be wasteful. But the guilt that keeps you from minimizing is the true waste. The real waste is the psychological damage that you accrue from hanging on to things you don't use or need. We find our originality when we own less. When you think about it, it's experience that builds our unique characteristics, not material objects. I've lowered my bar for happiness simply by switching to a tenugui. When even a regular bath towel can make you happy, you'll be able to find happiness almost everywhere. For the minimalist, the objective isn't to reduce, it's to eliminate distractions so they can focus on the things that are truly important. Minimalism is just the beginning. It's a tool. Once you've gone ahead and minimized, it's time to find out what those important things are. Minimalism is built around the idea that there's nothing that you're lacking. You'll spend less time being pushed around by something that you think may be missing. The qualities I look for in the things that I buy are: - the item has a minimalistic kind of shape and is easy to clean - it's color isn't too loud - I'll be able to use it for a long time - it has a simple structure - it's lightweight and compact - it has multiple uses A relaxed moment is not without meaning, it's an important time for reflection. It wasn't the fallen leaves that the lady had been tidying up, it was her own laziness that she had been sweeping away. We are what we repeatedly do. Excellence, then, is not an act but a habit. With daily cleaning, the reward may be the sense of accomplishment and calmness we feel afterward. Cleaning your house is like polishing yourself. Simply by living an organized life, you'll be more invigorated, more confident and like yourself better. Having parted with the bulk of my belongings, I feel true contentment with my day-to-day life. The very act of living brings me joy. When you become a minimalist, you free yourself from all the materialist messages that surround us. All the creative marketing and annoying ads no longer have an effect on you.
Fumio Sasaki (Goodbye, Things: The New Japanese Minimalism)
Along the way to Seattle, he wrote his business plan. He identified several reasons why the book category was underserved and well suited to online commerce. He outlined how he could create a new and compelling experience for book-buying customers. To begin with, books were relatively lightweight and came in fairly uniform sizes, meaning they would be easy and inexpensive to warehouse, pack, and ship. Second, while more than 100 million books had been written and more than a million titles were in print in 1994, even a Barnes & Noble mega-bookstore could stock only tens of thousands of titles. An online bookstore, on the other hand, could offer not just the books that could fit in a brick-and-mortar store but any book in print. Third, there were two large book-distribution companies, Ingram and Baker & Taylor, that acted as intermediaries between publishers and retailers and maintained huge inventories in vast warehouses. They kept detailed electronic catalogs of books in print to make it easy for bookstores and libraries to order from them. Jeff realized that he could combine the infrastructure that Ingram and Baker & Taylor had created—warehouses full of books ready to be shipped, plus an electronic catalog of those books—with the growing infrastructure of the Web, making it possible for consumers to find and buy any book in print and get it shipped directly to their homes. Finally, the site could use technology to analyze the behavior of customers and create a unique, personalized experience for each one of them.
Colin Bryar (Working Backwards: Insights, Stories, and Secrets from Inside Amazon)
NOVA SLUNG THE BAG over her shoulder and reached for one of the weighted ropes she’d set up in the alley the night before. She wrapped her arm around the rope and untied the sailor’s knot from the weights holding it to the ground. The weights attached to the opposite end dropped, dragging it through the pulley on the rooftop above. Nova jerked upward, holding tight as the rope whistled past the building’s concrete wall. The second set of weights crashed into the ground below. She stopped with a shudder, her hand only a few inches shy of the pulley, her body swinging six stories in the air. Nova threw her bag onto the rooftop, then grabbed the ledge and hauled herself over. She dropped down into a crouch and riffled through the bag, pulling out the uniform she had designed with Queen Bee’s help. She slung the weaponry belt across her hips, where it hung comfortably, outfitted with specially crafted pockets and hooks for all of her favorite inventions. Next, the snug black hooded jacket: waterproof and flame-retardant, yet lightweight enough to keep from inhibiting her movements. She zipped it up to her neck and tugged the sleeves past her knuckles before pulling up the hood, where a couple of small weights stitched into the hem held it in place over her brow. The mask came last. A hard metallic shell perfectly molded to the bridge of her nose that disappeared into the high collar of the jacket, disguising the lower half of her face. Transformation complete, she stooped and pulled the rifle and a single poisoned dart from the bag.
Marissa Meyer (Renegades (Renegades, #1))
So that is how we came to be standing in a sparse room, in a nondescript building in the barracks at SAS HQ--just a handful out of all those who had started out so many months earlier. We shuffled around impatiently. We were ready. Ready, finally, to get badged as SAS soldiers. The colonel of the regiment walked in, dressed casually in lightweight camo trousers, shirt, beret, and blue SAS belt. He smiled at us. “Well done, lads. Hard work, isn’t it?” We smiled back. “You should be proud today. But remember: this is only the beginning. The real hard work starts now, when you return to your squadron. Many are called, few are chosen. Live up to that.” He paused. “And from now on for the rest of your life remember this: you are part of the SAS family. You’ve earned that. And it is the finest family in the world. But what makes our work here extraordinary is that everyone here goes that little bit extra. When everyone else gives up, we give more. That is what sets us apart.” It is a speech I have never forgotten. I stood there, my boots worn, cracked, and muddy, my trousers ripped, and wearing a sweaty black T-shirt. I felt prouder than I had ever felt in my life. We all came to attention--no pomp and ceremony. We each shook the colonel’s hand and were handed the coveted SAS sandy beret. Along the way, I had come to learn that it was never about the beret--it was about what it stood for: camaraderie, sweat, skill, humility, endurance, and character. I molded the beret carefully onto my head as he finished down the line. Then he turned and said: “Welcome to the SAS. My door is always open if you need anything--that’s how things work around here. Now go and have a beer or two on me.” Trucker and I had done it, together, against all the odds. So that was SAS Selection. And as the colonel had said, really it was just the beginning.
Bear Grylls (Mud, Sweat and Tears)
Right about here will do,” I decided.  I cast a magelight to illuminate the place.  The first faint glow of dawn was arising along the horizon in the east, but it was still as dark as a miner’s butt.  “When my father heard that I was having a girl, he gave me some advice,” I said, stripping off my mantle.  “As the father of five daughter’s himself, he was full of sage wisdom on the subject of raising girls.” “Are they any different than raising boys?” “Worlds apart,” I nodded.  “But he said there are some things that you can count on with girls,” I continued, philosophically.  “When a young father has a girl, he’s strong.  By the time she grows into a lovely young woman, age takes a toll on a man.  He’s not as strong.  “So . . . when a young woman enters courting age, you might not be as hale as you are now, my friend.  And you will find the nights colder in your bones.” “You . . . you fear I won’t have the strength to show him the door?”  He still looked confused.  And a little drunk.  As big as he is, Arborn is a lightweight when it comes to his cups.   “Oh, no.  When the wrong sort of suitor shows interest in your daughter,” I explained, as I took out the hoxter wand, “then passion can provide the strength you need to contend with the situation.  “But passion fades, when the deed is done.  And then you are left with but your decrepit strength, and a long night of work ahead.”  I manifested two shovels from the hoxter.  “My father told me that the wise father of any daughter has the foresight to dig the hole while he’s still young and strong.  It saves the trouble of a long night, when you are old and weary.” “A hole?  For . . .?” “My father assures me this is effective: for someone who is not impressed by being shown a hole an attentive father dug before he was born and intended for him, at need,” I supplied.  “Mine is behind the stable at the castle.  If a young man is worrisome, I’ll show him the hole, and explain the purpose.  You have three daughters.  That’s three holes.  I’ll help you dig.
Terry Mancour (Necromancer (The Spellmonger #10))
First, never use a one-size-fits-all decision-making process. Many decisions are reversible, two-way doors. Those decisions can use a light-weight process. For those, so what if you’re wrong? I wrote about this in more detail in last year’s letter. Second, most decisions should probably be made with somewhere around 70 percent of the information you wish you had. If you wait for 90 percent, in most cases, you’re probably being slow. Plus, either way, you need to be good at quickly recognizing and correcting bad decisions. If you’re good at course correcting, being wrong may be less costly than you think, whereas being slow is going to be expensive for sure. Third, use the phrase “disagree and commit.” This phrase will save a lot of time. If you have conviction on a particular direction even though there’s no consensus, it’s helpful to say, “Look, I know we disagree on this, but will you gamble with me on it? Disagree and commit?” By the time you’re at this point, no one can know the answer for sure, and you’ll probably get a quick yes.
Jeff Bezos (Invent and Wander: The Collected Writings of Jeff Bezos)
Greetings and welcome to The Keltic Woodshop. Established since November of 2003 in Kansas City, Missouri, The Keltic Woodshop specializes in custom cabinetry, furniture, and unique fine wood products in a personalized old fashioned handcrafted way. We are a small shop that strives towards individual attention and detail in every item produced. The Keltic Woodshop of Kansas City specializes in the following products: Custom Cabinets and Furniture: We use worldwide exotic woods. Our custom cabinets and furniture contains Russian Birch, Brazilian Cherry, African Mahogany, Asian Teak, Knotty Pine, Walnut, Red Oak, White Oak, and Bolivian Rosewood just to name a few. Custom orders are available. Handmade Walking Sticks: Our walking sticks include handcrafted, lightweight, strong, durable, handpainted, handcarved, Handapplied finishes and stains, Alaskan Diamond Willow, Hedgeapple, Red Oak, Memosa, Spalted Birch, and Spalted Ash. Custom Made Exotic Wood Display Cases: These are handmade from hardwoods of Knotty Pine, Asian Teak, African Mahogany, Sycamore, Aniegre, African Mahogany, and Black Cherry. We will do custom orders too. Pagan and Specialty Items: We have Red Oak and White Oak Ritual Wands with gems, Washington Driftwood Healing Wands with amethyst, crystaline, and citrine points, handpainted Red Oak and Hedgeapple Viking Runes for devination. We can make custom wood boxes for your tarot cards. Customer satisfaction is our highest priority. If you are looking for unusual or exotic lumbers, then we are the shop you've been searching for. The Keltic Woodshop stands behind and gurantees each item with an owner lifetime warranty on craftsmanship of the product with a replacement, repair, or moneyback in full, no questions asked, policy. We want you happy and completely satisfied with any product you may purchase. We are not a production shop so you will find joinery of woods containing handcut dovetails, as well as mortise and tenon construction. Finishes and stains are never sprayed on, but are applied personally by hand for that quality individual touch. the-tedswoodworking.com
Ted McGrath
There are several reasons for this. For one thing, it’s not just that lobsters get boiled alive, it’s that you do it yourself—or at least it’s done specifically for you, on-site. 14 As mentioned, the World’s Largest Lobster Cooker, which is highlighted as an attraction in the festival’s program, is right out there on the MLF’s north grounds for everyone to see. Try to imagine a Nebraska Beef Festival 15 at which part of the festivities is watching trucks pull up and the live cattle get driven down the ramp and slaughtered right there on the World’s Largest Killing Floor or something—there’s no way. The intimacy of the whole thing is maximized at home, which of course is where most lobster gets prepared and eaten (although note already the semiconscious euphemism “prepared,” which in the case of lobsters really means killing them right there in our kitchens). The basic scenario is that we come in from the store and make our little preparations like getting the kettle filled and boiling, and then we lift the lobsters out of the bag or whatever retail container they came home in … whereupon some uncomfortable things start to happen. However stuporous a lobster is from the trip home, for instance, it tends to come alarmingly to life when placed in boiling water. If you’re tilting it from a container into the steaming kettle, the lobster will sometimes try to cling to the container’s sides or even to hook its claws over the kettle’s rim like a person trying to keep from going over the edge of a roof. And worse is when the lobster’s fully immersed. Even if you cover the kettle and turn away, you can usually hear the cover rattling and clanking as the lobster tries to push it off. Or the creature’s claws scraping the sides of the kettle as it thrashes around. The lobster, in other words, behaves very much as you or I would behave if we were plunged into boiling water (with the obvious exception of screaming 16 ). A blunter way to say this is that the lobster acts as if it’s in terrible pain, causing some cooks to leave the kitchen altogether and to take one of those little lightweight plastic oven-timers with them into another room and wait until the whole process is over.
David Foster Wallace (Consider the Lobster and Other Essays)
Change Your Look With These Top Notch Fashion Tips In fashion, there aren't any set rules. There is no one right way to be fashionable. Read a lot of different sources and then take what you've learned, pick it apart and use the tips that are best for you. Continue reading to learn great advice that you can tailor to your own wants and needs. If you like a shirt or skirt think about getting it in more than one color. Because clothes come in so many varying cuts and styles, you're likely find it difficult to find clothes that fit well for your body type. When you do just get more than one so that you can feel great more often. If you have thick or very curly hair, using a gel product will help you to create the style you desire. Work the product into towel-dried hair and then style it as you want. You can allow it to dry naturally, or use a hair drier. This is especially helpful in humid weather. In today's business world, it is imperative that men be well dressed. Therefore, it is essential to shop for top drawer clothing when buying clothes for your next interview. To begin your search, look through today's business magazines to ensure your wardrobe matches the top executives. Look for whether men are wearing cuffed pants or hemmed pants, ties with designs or solid ties as well as what type of shoe is currently in style. Skimpy tops are comfortable to wear in hot weather, but be careful if you are a big busted gal. Your figure needs good support, and you will feel more secure if you wear a sports bra under a lightweight top that has skinny straps and no shape of its own. Don't overstock your beauty kit with makeup. Just choose a few colors that match the season. Consider your needs for day and evening applications. Makeup can go bad if it's opened, just like other products. Bacteria can build on it, too. Have yourself professionally fitted for a bra. An ill-fitting brassiere is not only unflattering, but it affects how your clothing fits. Once you know your true size, buy a few bras in different styles and cuts. A plunge or demi-cup bra, a strapless bra, and a convertible bra give you versatile options. The thing about fashion is that it's a very easy topic once you get to know a little bit about it. Use the ideas you like and ignore the rest. It's okay not to follow every trend. Breaking away from the trends is better if you desire to be unique.
David (Hum® Político (Humor Político, #1))
When we arrived at the wedding at Marlboro Man’s grandparents’ house, I gasped. People were absolutely everywhere: scurrying and mingling and sipping champagne and laughing on the lawn. Marlboro Man’s mother was the first person I saw. She was an elegant, statuesque vision in her brown linen dress, and she immediately greeted and welcomed me. “What a pretty suit,” she said as she gave me a warm hug. Score. Success. I felt better about life. After the ceremony, I’d meet Cousin T., Cousin H., Cousin K., Cousin D., and more aunts, uncles, and acquaintances than I ever could have counted. Each family member was more gracious and welcoming than the one before, and it didn’t take long before I felt right at home. This was going well. This was going really, really well. It was hot, though, and humid, and suddenly my lightweight wool suit didn’t feel so lightweight anymore. I was deep in conversation with a group of ladies--smiling and laughing and making small talk--when a trickle of perspiration made its way slowly down my back. I tried to ignore it, tried to will the tiny stream of perspiration away, but one trickle soon turned into two, and two turned into four. Concerned, I casually excused myself from the conversation and disappeared into the air-conditioned house. I needed to cool off. I found an upstairs bathroom away from the party, and under normal circumstances I would have taken time to admire its charming vintage pedestal sinks and pink hexagonal tile. But the sweat profusely dripping from all pores of my body was too distracting. Soon, I feared, my jacket would be drenched. Seeing no other option, I unbuttoned my jacket and removed it, hanging it on the hook on the back of the bathroom door as I frantically looked around the bathroom for an absorbent towel. None existed. I found the air vent on the ceiling, and stood on the toilet to allow the air-conditioning to blast cool air on my face. Come on, Ree, get a grip, I told myself. Something was going on…this was more than simply a reaction to the August humidity. I was having some kind of nervous psycho sweat attack--think Albert Brooks in Broadcast News--and I was being held captive by my perspiration in the upstairs bathroom of Marlboro Man’s grandmother’s house in the middle of his cousin’s wedding reception. I felt the waistband of my skirt stick to my skin. Oh, God…I was in trouble. Desperate, I stripped off my skirt and the stifling control-top panty hose I’d made the mistake of wearing; they peeled off my legs like a soggy banana skin. And there I stood, naked and clammy, my auburn bangs becoming more waterlogged by the minute. So this is it, I thought. This is hell. I was in the throes of a case of diaphoresis the likes of which I’d never known. And it had to be on the night of my grand entrance into Marlboro Man’s family. Of course, it just had to be. I looked in the mirror, shaking my head as anxiety continued to seep from my pores, taking my makeup and perfumed body cream along with it. Suddenly, I heard the knock at the bathroom door. “Yes? Just a minute…yes?” I scrambled and grabbed my wet control tops. “Hey, you…are you all right in there?” God help me. It was Marlboro Man.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
COLEMAN SLEEPING BAG: LIGHTWEIGHT, LIME GREEN W/ BEIGE INTERIOR, WELL USED, ZIPPER BROKEN. 22 T-SHIRTS, SEVEN: ASSORTED BRANDS, COLORS, AND STYLES. 23 ENERGIZER LED FLASHLIGHT (NO BATTERIES). 24 SCARF: GRAY/BLUE STRIPED ACRYLIC FABRIC, FRINGE MISSING ON ONE END.
Tyler Dilts (A Cold and Broken Hallelujah (Long Beach Homicide, #3))
And then there was the harsh fact that the world of Manhattan and particular its living voice, the media, seemed to cruelly reject them. The media long ago turned on Donald Trump as a wannabe and lightweight, and wrote him off for that ultimate sin—anyway, the ultimate sin in media terms—of trying to curry favor with the media too much. His fame, such as it was, was actually reverse fame—he was famous for being infamous. It was joke fame.
Michael Wolff (Fire and Fury: Inside the Trump White House)
Python is ideal for hackers because: It is simple; and simple is always better than complex. Complex is better than complicated. It is powerful. While it is simple to learn, it is an amazing language to write powerful scripts. It is free and Open Source. Python is a high level language with a vibrant community. Python is object-oriented and interpreted. This makes it lightweight and easier to deploy. In the last chapter of this book, we have covered five ways
Code Addicts (THE HACKING STARTER KIT: An In-depth and Practical course for beginners to Ethical Hacking. Including detailed step-by-step guides and practical demonstrations.)