Light Bulb Moment Quotes

It's a poem about moths. But it's also a poem about psychopaths. I get it copied. And stick it in a frame. And now it glowers redoubtably above my desk:an entomological keepsake of the horizons of existence. And the brutal, star-crossed wisdom of those who seek them out. i was talking to a moth the other evening he was trying to break into an electric bulb and fry himself on the wires why do you fellows pull this stunt i asked him because it is the conventional thing for moths or why if that had been an uncovered candle instead of an electric light bulb you would now be a small unsightly cinder have you no sense plenty of it he answered but at times we get tired of using it we get bored with routine and crave beauty and excitement fire is beautiful and we know that if we get too close it will kill us but what does that matter it is better to be happy for a moment and be burned up with beauty than to live a long time and be bored all the while so we wad all our life up into one little roll and then we shoot the roll that is what life is for it is better to be part of beauty our attitude toward life is come easy go easy we are like human beings used to be before they became too civilized to enjoy themselves and before i could argue him out of his philosophy he went and immolated himself on a patent cigar lighter i do not agree with him myself i would rather have half the happiness and twice the longevity but at the same time i wish there was something i wanted as badly as he wanted to fry himself

To have a "light-bulb moment", the power has to be on.

How peaceful it was, with the light evening breeze stirring the small leaves of the grapevine that clustered around the electric bulb, making the shadows move and change on the yellow mat below. For a moment he pushed aside the thought of money. From time to time the dark water beside them rippled audibly, as if a tiny fish had come to the surface for an instant and then darted beneath. It was in peaceful moments such as this, his father had said, that men were given to know just a little of what paradise was like, so that they might yearn for it with all their soul,and strive during their time on earth to be worthy of going there.

Whenever he was reminded that life was a losing battle to entropy, what with light-bulbs flickering and horseshoes and nails shuffling out of neat order the moment he turned his back, he was also reminded that humor and a cheerful disposition were the only known antidotes.

The word zen itself is a Japanese mispronunciation of the Chinese word ch’an, which, in turn, is a Chinese mispronunciation of the Sanskrit dhyana, meaning “contemplation, meditation.” Contemplation, however, of what? Let us imagine ourselves for a moment in the lecture hall where I originally presented the material for this chapter. Above, we see the many lights. Each bulb is separate from the others, and we may think of them, accordingly, as separate from each other. Regarded that way, they are so many empirical facts; and the whole universe seen that way is called in Japanese ji hokkai, “the universe of things.” But now, let us consider further. Each of those separate bulbs is a vehicle of light, and the light is not many but one. The one light, that is to say, is being displayed through all those bulbs; and we may think, therefore, either of the many bulbs or of the one light. Moreover, if this or that bulb went out, it would be replaced by another and we should again have the same light. The light, which is one, appears thus through many bulbs. Analogously, I would be looking out from the lecture platform, seeing before me all the people of my audience, and just as each bulb seen aloft is a vehicle of light, so each of us below is a vehicle of consciousness. But the important thing about a bulb is the quality of its light. Likewise, the important thing about each of us is the quality of his consciousness. And although each may tend to identify himself mainly with his separate body and its frailties, it is possible also to regard one’s body as a mere vehicle of consciousness and to think then of consciousness as the one presence here made manifest through us all. These are but two ways of interpreting and experiencing the same set of present facts. One way is not truer than the other. They are just two ways of interpreting and experiencing: the first, in terms of the manifold of separate things; the second, in terms of the one thing that is made manifest through this manifold. And as, in Japanese, the first is known as ji hokkai, so the second is ri hokkai, the absolute universe.

What is a “pyramid?” I grew up in real estate my entire life. My father built one of the largest real estate brokerage companies on the East Coast in the 1970s, before selling it to Merrill Lynch. When my brother and I graduated from college, we both joined him in building a new real estate company. I went into sales and into opening a few offices, while my older brother went into management of the company. In sales, I was able to create a six-figure income. I worked 60+ hours a week in such pursuit. My brother worked hard too, but not in the same fashion. He focused on opening offices and recruiting others to become agents to sell houses for him. My brother never listed and sold a single house in his career, yet he out-earned me 10-to-1. He made millions because he earned a cut of every commission from all the houses his 1,000+ agents sold. He worked smarter, while I worked harder. I guess he was at the top of the “pyramid.” Is this legal? Should he be allowed to earn more than any of the agents who worked so hard selling homes? I imagine everyone will agree that being a real estate broker is totally legal. Those who are smart, willing to take the financial risk of overhead, and up for the challenge of recruiting good agents, are the ones who get to live a life benefitting from leveraged Income. So how is Network Marketing any different? I submit to you that I found it to be a step better. One day, a friend shared with me how he was earning the same income I was, but that he was doing so from home without the overhead, employees, insurance, stress, and being subject to market conditions. He was doing so in a network marketing business. At first I refuted him by denouncements that he was in a pyramid scheme. He asked me to explain why. I shared that he was earning money off the backs of others he recruited into his downline, not from his own efforts. He replied, “Do you mean like your family earns money off the backs of the real estate agents in your company?” I froze, and anyone who knows me knows how quick-witted I normally am. Then he said, “Who is working smarter, you or your dad and brother?” Now I was mad. Not at him, but at myself. That was my light bulb moment. I had been closed-minded and it was costing me. That was the birth of my enlightenment, and I began to enter and study this network marketing profession. Let me explain why I found it to be a step better. My research led me to learn why this business model made so much sense for a company that wanted a cost-effective way to bring a product to market. Instead of spending millions in traditional media ad buys, which has a declining effectiveness, companies are opting to employ the network marketing model. In doing so, the company only incurs marketing cost if and when a sale is made. They get an army of word-of-mouth salespeople using the most effective way of influencing buying decisions, who only get paid for performance. No salaries, only commissions. But what is also employed is a high sense of motivation, wherein these salespeople can be building a business of their own and not just be salespeople. If they choose to recruit others and teach them how to sell the product or service, they can earn override income just like the broker in a real estate company does. So now they see life through a different lens, as a business owner waking up each day excited about the future they are building for themselves. They are not salespeople; they are business owners.

We tend to think of imagination and foresight like we are prone to think of life (sometimes) -- as an inscrutable flash of something from the outside that magically takes us over some large boundary in one atomic step. We even call it a flash (of insight), a eureka moment, a light bulb in our heads that suddenly turns on. But if you reflect on this phenomenon for a moment, you know you don't go suddenly from a blank mind to a fully formed solution. You were already thinking about the problem, and other near solutions that don't work, when suddenly you see a new connection that enables you to reuse familiar things on a novel way. Insight comes in small increments, leveraging what was already there.

17.2 One evening I was to meet Marilyn up at her mother's apartment for our ritual Friday night dinner. On my way up to the Bronx, when I got off at the 175th Street station, I decided to stop in and see what sort of sexual activity was going on in the subway john there. I'd never gone into that one before, perhaps because I usually came there with Marilyn. I pushed into the yellow-tiled space, with its dim, caged light-bulbs. There was only one guy at the urinal, a tall workman in greens and scuffed orange construction boots-- which had, only in the last year or so, become standard wear for the nation's laborers. I stood a stall away from him, and we glanced at each other. When I smiled, he turned toward me. I reached for his penis. Holding it, I realized something was wrong with it, but, for the moment, couldn't quite figure what. For its thickness and harness it was too short. It ended in a kind of flat stump, like a sawed-off dowel, without the collar or taper of glans, making me think he was uncircumcised. Only there was no cuff of skin. That's when he said, a little hoarsely, "That's what there is. If you want it, it's yours. But that's it." And I realized that, either from medical procedure or something else, the first inch or so had been amputated. He came very fast. I wanted to talk with him afterward, but he zipped up once we were finished and hurried away. I never saw him again, though I looked for him. But the image stayed, unsettlingly, for a while.

That's what makes up a big part of our lives, y'know? The distractions. Lots of times, we're like moths fluttering around a porch light. Bugs'll swarm around that bulb, all distracted, forgetting in their minuscule insect brains that there's something else they should be doing, like biting people or making more bugs...Human distractions are bigger, better lightbulbs...but in the end, they're all just porch lights. So we go from one bright bulb to another until we hit the bug zapper, and it's all over. I'm not saying it's a bad thing. What fun would life be without our chosen porch lights? But every once in a while, we get these moments where we look away from the lights, and it scares us, on account of there's nothing but darkness until our eyes adjust. And that's when we get to see the stars!

The visitors were allowed to wander in the corridors until they came to a closed door. “What’s in here?” Davis asked. No one answered. “Could you please open it?” “We lost the key,” Petukhov mumbled. “I’ll see if I can find a copy.” While the visitors waited impatiently, Petukhov took his time finding a “new” key. He eventually opened the door, but the room was dark. “Can you turn the light on?” Davis asked in irritation. “Not possible,” Petukhov said. “The bulb is out.” Undeterred, Davis walked right past him and pulled out a flashlight. At that moment, the façade of international cooperation ended. Petukhov lunged for the flashlight. Davis shouted. The two men tussled back and forth until someone suggested that they take the dispute back to the conference room, where I was awaiting their return.

There is a deep stillness in the Fakahatchee, but there is not a moment of physical peace. Something is always brushing against you or lapping at you or snagging at you or tangling in your legs, and the sun is always pummeling your skin, and the wetness in the air makes your hair coil like a phone cord. You never smell plain air in a swamp - you smell the tang of mud and the sourness of rotting leaves and the cool musk of new leaves and the perfumes of a million different flowers floating by, each distinct but transparent, like soap bubbles. The biggest number in the universe would not be big enough to count the things your eyes see. Every inch of land holds up a thatch of tall grass or a bush or a tree, and every bush or tree is girdled with another plant’s roots, and every root is topped with a flower or a fern or a swollen bulb, and every one of those flowers and ferns is the pivot around which a world of bees and gnats and spiders and dragonflies revolve. The sounds you hear are twigs cracking underfoot and branches whistling past you and leaves murmuring and leaves slopping over the trunks of old dead trees and every imaginable and unimaginable insect noise and every kind of bird peep and screech and tootle, and then all those unclaimed sounds of something moving in a hurry, something low to the ground and heavy, maybe the size of a horse in the shape of a lizard, or maybe the size, shape and essential character of a snake. In the swamp you feel as if someone had plugged all of your senses into a light socket. A swamp is logy and slow-moving about at the same time highly overstimulating. Even in the dim, sultry places deep within it, it is easy to stay awake.

Chickens are true creatures of zen - they live only and absolutely for the moment. Their actions one particular second will not necessarily have any influence or bearing on their actions in the next second, nor are they necessarily influenced by their actions of the prior second. Chicken thoughts arrive in their tiny mad little minds like flashes of a strobe light, each light being an action, each flashing with the brilliance of a not very brilliant thing. Each action utterly random. The complete randomness of chaos. Chickens are notorious escape artists, not due to their ability to devise cunning plans as they huddle together in their coop beneath a bare light bulb, scratching out complex diagrams in the dirt, but simply out of sheet unpredictability. They are the pachinko balls of the animal kingdom, effecting their escapes through the simple device of, say, turning left for no particular reason.

When they’re told that some people or ideas are wrong, hateful, or offensive, a light bulb should go off in their heads. That is the moment their curiosity should be piqued to find out for themselves whether it is indeed a “bad” thing.

Marco, remember early on when we discussed your frustration, and you determined that it was the defender part that wanted you to get back into the game of life? And that your anxiety was your fear-based defender part that was alerting you of the impending doom if you slipped and went back to your inappropriate behaviors? Or how about when the depression part stepped in, and you resolved that it was a reminder of your past actions? These are the physical symptoms of the defender parts.” I felt that if a light bulb was hanging over my head, it had now lit up. I was impressed with Keith’s memory of what I had said and the affection in his tone. At this moment, I trusted my therapist implicitly— he was the real deal. “Marco, identifying the defender part’s physical symptoms first is key to acknowledging when that part is coming in to control a situation or thought and identifying which one it is. Catching the defender part at this point is crucial to prevent it from starting to control the situation in an unhealthy manner or overwhelming your emotions with negative judgments.

It’s not a spiderweb, you old fool, it’s the pull for the light.” She reached around him and tugged on the string. The naked hundred-watt bulb came on with a snap, blinding both of them for a moment. Blinking as her eyes adjusted, Taylor stared down the stairs, the light illuminating only the immediate stairwell. Fitz was grumbling behind her. She un-latched the snap on her holster, slipped her Glock out of the creaking leather. Holding it at her side, she started down. There was a landing, and she stopped, cautious, sticking the gun and her head around the corner at the same time, just in case. She saw nothing to alarm her, and returned the weapon to its holster as she went down the remaining steps. There was a light switch at the base of the stairs. Taylor flipped on the overhead fluorescent. It was a standard basement: cement floor, unfinished walls on three sides, one painted, as if the owners had contemplated finishing the room and wanted to see what it would look like. The barest whiff of stale air indicated a minor mold problem; the floor was cluttered with stacks of cardboard boxes, bicycles, sleds. All the material that wouldn’t fit nicely in the garage was placed haphazardly down here. It was just a storage space, probably only four hundred square feet: twenty feet deep and twenty long. Certainly nothing exciting. She returned the weapon to its holster. They did a pass through, looking behind boxes, but Taylor didn’t see anything out of place.

So the next time you see a person walking, or jogging, or skateboarding, or riding a bicycle, take a moment to marvel not only at the beauty of the human body, but at the power of the unconscious brain that flawlessly orchestrates it. The intricate details of our most basic movements are animated by trillions of calculations, all buzzing along at a spatial scale smaller than you can see, and a complexity scale beyond what you can comprehend. We have yet to build robots that scratch the edges of human performance. And while a supercomputer racks up enormous energy bills, our brains work out what to do with baffling efficiency, using about the energy of a 60-watt light bulb.

Hallmark movies aside, people didn’t usually have epiphanies. Light bulb moments or defining points where they suddenly knew what to say and what to do. And recognizing your own errors was especially hard.

It took her eyes a moment to adjust. The shack was lit by a yellow bulb hanging from the ceiling and the thin light that made its way through the dusted windows. Neon beer signs affixed to the walls flittered noisily on and off, on and off. Behind a makeshift bar, a man, morose and gray, sat motionless

There’s a charge to being around Duncan, like one of those light bulbs you touch in the science museum that make your hair stand up, and we hadn’t stopped talking—urgently—since I arrived. We bounced from topic to topic, frantically, like fast friends excited to find someone else who also wanted to talk about religion, mysticism, sex, ghosts, and drugs. We sat down next to the incense like two kids in a dorm room trying to mask illegal aromas, and Duncan hit Record. I told him I wasn’t used to things getting so deep and so interesting so quickly. “That’s what happens when you’re with cool people,” Duncan said. “You end up getting in great conversations.” I wondered in this moment if Duncan knew how unique he was. I wondered if he knew how bored and dismissive people can be when you try to talk about dreams, or out-of-body experiences, or the afterlife, or if you suggest that the physical world is only just a small piece of what’s really going on here. “The plague of the world is that so many people allow themselves to be surrounded by vampires,” Duncan said, using the classiest monster as a word to describe all the what-you-see-is-what-you-get people, the ones who are busy cockblocking the curious weirdos from tripping out on their basic wonder. “Their whole life is one shit conversation to the next to the next to the next until they’re on their deathbed, and that’s the one real conversation they have. They finally say, ‘I love you so much!’ And then they die.” This is Duncan, the opposite of a vampire. He doesn’t drain life from people, he infuses them, resuscitating their awe and bringing color back to their cheeks. The vampires, he warned, “will keep you stuck in the harbor of sorrows. They’ll try to keep your fucking anchor down.” I cackled with laughter. Duncan is one of those rare people who remind you that we’re all here, stuck in our human bodies, confused and curious since we all emerged from the interdimensional space portal commonly known as a vagina. He wants to get into it; he wants to touch, taste, scream, laugh, and sing his way toward enlightenment, and as I sat with him that day, he made me think he just might bring me along with him.

In 2009 the staid British journal New Scientist published an article with the provocative title “Space Storm Alert: 90 Seconds from Catastrophe,” which opens with the following lines: It is midnight on 22 September 2012 and the skies above Manhattan are filled with a flickering curtain of colourful light. Few New Yorkers have seen the aurora this far south but their fascination is short-lived. Within a few seconds, electric bulbs dim and flicker, then become unusually bright for a fleeting moment. Then all the lights in the state go out. Within 90 seconds, the entire eastern half of the US is without power. A year later and millions of Americans are dead and the nation’s infrastructure lies in tatters. The World Bank declares America a developing nation. Europe, Scandinavia, China and Japan are also struggling to recover from the same fateful event—a violent storm, 150 million kilometres away on the surface of the Sun. It sounds ridiculous. Surely the Sun couldn’t create so profound a disaster on Earth. Yet an extraordinary report funded by NASA and issued by the US National Academy of Sciences (NAS) . . . claims it could do just that. (Brooks 2009; see also National Research Council 2008 for the NAS report that New Scientist is referring to) In fact, this scenario is not so ridiculous at all, as the New Scientist article goes on to relate (see also International Business Times 2011b; Lovett 2011; National Research Council 2008). Indeed, if things do not change, it may be inevitable.

THE EARTH WITHOUT A SPIRITUAL DIMENSION except for the smallest white button of mushroom leading the rank-and-file up the rotting trunk of the oak, except for bulb, corm, pip, and spore and the passive mien of the autumn field when the off-kilter scatter and skyward rattle of grasshoppers have disappeared and except for the crowd of acacia thorns pointing toward all destinations possible in every direction out from the stem center of their circumferences and aside from the moss-and-mire covered bones of stripped roots and crippled branches left piled akimbo to molder among the beetles in the sinless murk of the forest floor, except for gorge, gulch, gully, and ravine, except for the moment waiting in the fist of the sycamore’s tufted fruit and in the sting of the loon’s longing before it cries and in the poise of the desert swallowtail before it lifts from the dry mountain wash and in the aim of the alligator’s undeviating glare before it swirls and sinks in the generative and ancient slough, except for the moment waiting in the green walls of palm spikes, pendants and rosettes, knots and currents of saw grasses and orchids, in the tight weave and bloat of prayers and weapons, in the moment before I move out into the empty plain of the open sky silent with sea-light, as if I were a wild and divine thing myself, to be going I know not where.

We have heard the stories: Duke Ellington would say, “I merely took the energy it takes to pout and wrote some blues.” 5 Tennessee Williams felt that “apparent failure” motivated him. He said it “sends me back to my typewriter that very night, before the reviews are out. I am more compelled to get back to work than if I had a success.” Many have heard that Thomas Edison told his assistant, incredulous at the inventor’s perseverance through jillions of aborted attempts to create an incandescent light bulb, “I have not failed, I’ve just found 10,000 ways that won’t work.” 6 “Only one look is enough. Hardly one copy would sell here. Hardly one. Hardly one. Many thanks . . .” read part of the rejection letter that Gertrude Stein received from a publisher in 1912.7 Sorting through dross, artists, entrepreneurs, and innovators have learned to transform askew strivings. The telegraph, the device that underlies the communications revolution, was invented by a painter, Samuel F. B. Morse, who turned the stretcher bars from what he felt was a failed picture into the first telegraph device. The 1930s RKO screen-test response “Can’t sing. Can’t act. Balding. Can dance a little” was in reference to Fred Astaire. We hear more stories from commencement speakers—from J. K. Rowling to Steve Jobs to Oprah Winfrey—who move past bromides to tell the audience of the uncommon means through which they came to live to the heights of their capacity. Yet the anecdotes of advantages gleaned from moments of potential failure are often considered cliché or insights applicable to some, not lived out by all.

Don't dim your light bulb moments.

When the plus sized dresses from the mall weren’t cutting it for prom and Michelle had gotten frustrated and gave up on finding anything, Diane was the one who took me to get a custom one made which began my love affair with having clothes tailored. It was like a light bulb moment because I suddenly realized that I no longer had to make my body fit into something it wasn’t made for. I could make the clothes fit me and the rest was history.

so-called ‘light bulb’ moment. As we saw in Chapter 4, such moments are robustly associated with activity in the right amygdala and right superior temporal sulcus.

When they’re told that some people or ideas are wrong, hateful, or offensive, a light bulb should go off in their heads. That is the moment their curiosity should be piqued to find out for themselves whether it is indeed a “bad” thing. Adopting an attitude of critical thinking is most crucial in learning anything. Many students come to me full of wonderful intentions hoping to change the world; they plan to spend their time helping the poor and disadvantaged. I tell them to first graduate and make a lot of money, and only then figure out how best to help those in need. Too often students can’t meaningfully help the disadvantaged now, even if it makes them feel good for trying to.

Where did it go? The deep contemplations and many-splendour reflections? The light-bulb moments and soul-soothing narrations? Have you ever wondered who carved out those obscure minuscule apertures that aided the iridescent ideas to escape and evade? You wrestle with the mighty yet obstinate pen to write, to pour out your sentiments, but it refuses to budge, refuses to act as an outlet to the buried feelings. If generous enough, the prolific pen would permit a gentle stroke or an indecipherable scribble. That melodrama and theatre of confusion is writer's block. It's imminent and inescapable. It steers you into solitary ruminations, where diamond-studded chaos echoes and fairy dust emptiness whispers.

Even though I feel them for him, I had to hold back, to know for sure. I just had to hold back. That’s we he drifted off… Why did he fall asleep on me? Was it because I’m boring or is he just exposed? My head thumping still, I know was not thinking clearly, so I staggered back down the long hallway back into the dwindling party. I see one of the double-hung windows. Without anyone observing I reach my hand forward and place it on the big old sill, there is an electric candle with a night light bulb sitting in the middle. I crack the window to let out the smoke and smells out, and to get some much-needed air. A fine stream of rain-sh snow is gusting in on my face, it’s cold but feels so-so good, even though it’s winter. Enjoying the freezing air and the sensation of a hundred of little sparkly flacks. I squeezed my eyes closed tightly and promised myself that I’ll never forget the moment I just had with him. Funny I wanted to forget about all the sound, the tacky lights, and smalls of my friends and their mindless hilarity that they're tittering about. For some reason… I wanted to forget about all the heated hookups and the many bodies that were around me. What surpasses me the most about this, is that this is what I lived for and sacrificed so much to gain… to have the gathering and wanting of others that are popular, it's everything I ever wanted. Yet it seemed at that moment, I was better off before not having it. Before I became this girl… the girl that I’m not… not truly on the inside. When I open my eyes, I get the shock of my life. My little sis is standing in the doorway, staring at me. With that look holding me. She must have snuck out and followed me to this party with some of her older girlfriends, she has been messing with the wrong crew lately. I knew what happened to her tonight just by looking at her face, I knew. And if I find that boy, I’ll rip his sagging balls off! Then again, I was not much older than her when I went to my first party. I was horrified, she was doing what I did, back when I felt like I was dying inside. I was dead long before I wound up dead. I just wonder if she feels the same…? I wonder if I am the cause. How would let her in… and how did she get so popular already?

Students should go to college with an open mind. I advise them to ignore all the absolutism around them, both in terms of ideas and people. When they’re told that some people or ideas are wrong, hateful, or offensive, a light bulb should go off in their heads. That is the moment their curiosity should be piqued to find out for themselves whether it is indeed a “bad” thing. Adopting an attitude of critical thinking is most crucial in learning anything.

There are a few ways you can find your own tilt. • What questions are your audience members asking that aren’t addressed in your niche? • What perspectives and viewpoints in your niche do you oppose or take an opposite view on? • What is everyone saying that isn’t necessarily true? • Are there any specific methods you use that get your readers/clients results? • What are common misconceptions readers have about the content in your niche or what mistakes do they make? • What are your biggest light bulb moments that have impacted the way you do certain things and how you help your readers or clients?

There are a few ways you can find your own tilt. • What questions are your audience members asking but aren’t addressed in your niche? • What perspectives and viewpoints in your niche do you oppose or take an opposite view on? • What is everyone saying that isn’t necessarily true. • Do you disagree with any view point widely held in your niche? • Are there any specific methods you use that get your readers/clients results? • What are common misconceptions and mistakes readers have about the content in your niche? • What are your biggest light bulb moments that have impacted the way you do certain things and how you help your readers or clients?

How Much Money You Need to Retire and How to Manage Your Retirement Savings, Explained in 100 Pages or Less Mike Piper, CPA   Why is there a light bulb on the cover? In cartoons and comics, a light bulb is often used to signify a moment of clarity or sudden understanding—an “aha!” moment.

This place is Christmas. It’s the pine garland-wrapped staircase and the battery-operated lights in the window. The delicately executed velvet bows strategically placed in every greenery-swathed doorframe. The single piece of mistletoe hanging in the living room, leading you to the expertly decorated tree full of matching baubles and bulbs, ribbons, and the golden angel at the top. It’s the handcrafted green and red quilts hanging like tapestries on the walls, the crystal stemware used as candy dishes full of pillow mints that melt on your tongue the moment they enter your mouth. And it’s the exquisitely wrapped presents under the tree decorated in matching paper, bows, and gift tags. Together, it’s a snapshot of my childhood, where Christmas made me believe in miracles, made me believe in magic, and gave me all the warm feelings about the holiday season.