“
Always remember people who have helped you along the way, and don’t forget to lift someone up.
”
”
Roy T. Bennett (The Light in the Heart)
“
There is no exercise better for the heart than reaching down and lifting people up.
”
”
John Holmes
“
I lift my arm out of the water. It's a log. Put it back under and it blows up even bigger. People see the log and call it a twig. They yell at me because I can't see what they see. Nobody can explain to me why my eyes work different than theirs. Nobody can make it stop.
”
”
Laurie Halse Anderson (Wintergirls)
“
Strong people don't put others down... They lift them up.
”
”
Michael P. Watson
“
Life is too short to waste time on people who don't lift you up, who don't inspire you-they'll eventually drain you.
”
”
Katie Kacvinsky (First Comes Love (First Comes Love, #1))
“
Some people try to tell you the things you want in life are out of your grasp, while others lift you up on their shoulders and help you reach them. I may not know a lot, but I prefer to fill my life with people who let me climb on top of their shoulders, not people who try to keep me planted on the ground.
”
”
Katie Kacvinsky (Awaken (Awaken, #1))
“
But people need lift, too. People don't get moving, they don't soar, they don't achieve great heights, without something buoying them up.
”
”
Elizabeth Wein (Rose Under Fire)
“
I will love myself, and my body, for what it can do- because it is strong enough to lift, to walk, to ride a bicyle up a hill, to embrace the people I love and hold them fully, and to nurture a new life. I will love myself because I am sturdy. Because I did not -will not- break.
”
”
Jennifer Weiner (Good in Bed (Cannie Shapiro, #1))
“
Lately I can't help wanting us
to be like other people.
For example, if I were a smoker,
you'd lift a match to the cigarette
just as I put it between my lips.
It's never been like that
between us: none of that
easy chemistry, no quick, half automatic
flares. Everything between us
had to be learned.
Saturday finds me brooding
behind my book, all my fantasies
of seduction run up
against the rocks.
Tell me again
why you don't like
sex in the afternoon?
No, don't tell me--
I'll never understand you
never understand us, America's strangest
loving couple: they never
drink a bottle of wine together
and rarely look at each other.
Into each other's eyes, I mean.
”
”
Deborah Garrison (A Working Girl Can't Win)
“
People who are truly strong lift others up. People who are truly powerful bring others together.
”
”
Michelle Obama
“
Snake Street is an area I should avoid. Yet that night I was drawn there as surely as if I had an appointment.
The Snake House is shabby on the outside to hide the wealth within. Everyone knows of the wealth, but facades, like the park’s wall, must be maintained. A lantern hung from the porch eaves. A sign, written in Utte, read ‘Kinship of the Serpent’. I stared at that sign, at that porch, at the door with its twisted handle, and wondered what the people inside would do if I entered. Would they remember me? Greet me as Kin? Or drive me out and curse me for faking my death? Worse, would they expect me to redon the life I’ve shed? Staring at that sign, I pissed in the street like the Mearan savage I’ve become.
As I started to leave, I saw a woman sitting in the gutter. Her lamp attracted me. A memsa’s lamp, three tiny flames to signify the Holy Trinity of Faith, Purity, and Knowledge. The woman wasn’t a memsa. Her young face was bruised and a gash on her throat had bloodied her clothing. Had she not been calmly assessing me, I would have believed the wound to be mortal. I offered her a copper.
She refused, “I take naught for naught,” and began to remove trinkets from a cloth bag, displaying them for sale.
Her Utte accent had been enough to earn my coin. But to assuage her pride I commented on each of her worthless treasures, fighting the urge to speak Utte. (I spoke Universal with the accent of an upper class Mearan though I wondered if she had seen me wetting the cobblestones like a shameless commoner.) After she had arranged her wares, she looked up at me. “What do you desire, O Noble Born?”
I laughed, certain now that she had seen my act in front of the Snake House and, letting my accent match the coarseness of my dress, I again offered the copper.
“Nay, Noble One. You must choose.” She lifted a strand of red beads. “These to adorn your lady’s bosom?”
I shook my head. I wanted her lamp. But to steal the light from this woman ... I couldn’t ask for it. She reached into her bag once more and withdrew a book, leather-bound, the pages gilded on the edges. “Be this worthy of desire, Noble Born?”
I stood stunned a moment, then touched the crescent stamped into the leather and asked if she’d stolen the book. She denied it. I’ve had the Training; she spoke truth. Yet how could she have come by a book bearing the Royal Seal of the Haesyl Line? I opened it. The pages were blank.
“Take it,” she urged. “Record your deeds for study. Lo, the steps of your life mark the journey of your soul.”
I told her I couldn’t afford the book, but she smiled as if poverty were a blessing and said, “The price be one copper. Tis a wee price for salvation, Noble One.”
So I bought this journal. I hide it under my mattress. When I lie awake at night, I feel the journal beneath my back and think of the woman who sold it to me. Damn her. She plagues my soul. I promised to return the next night, but I didn’t. I promised to record my deeds. But I can’t. The price is too high.
”
”
K. Ritz (Sheever's Journal, Diary of a Poison Master)
“
I once saw a spindly man carrying a stone larger than his head upon his back. He stumbled beneath the weight, shirtless under the sun, wearing only a loincloth. He tottered down a busy thoroughfare. People made way for him. Not because they sympathized with him, but because they feared the momentum of his steps. You dare not impede one such as this. The monarch is like this man, stumbling along, the weight of a kingdom on his shoulders. Many give way before him, but so few are willing to step in and help carry the stone. They do not wish to attach themselves to the work, lest they condemn themselves to a life full of extra burdens. I left my carriage that day and took up the stone, lifting it for the man. I believe my guards were embarrassed. One can ignore a poor shirtless wretch doing such labor, but none ignore a king sharing the load. Perhaps we should switch places more often. If a king is seen to assume the burden of the poorest of men, perhaps there will be those who will help him with his own load, so invisible, yet so daunting.
”
”
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
“
She was knitting a sweater and enjoying the calm atmosphere of her living room when her chubby, beer-drinking, sports-watching husband woke from a nap on the couch screaming, “Touchdown!” At the moment her serenity had been broken, she unconsciously reacted by swinging around and plunging a knitting needle into her husband’s throat. While blood squirted from his throat and his shocked face produced gurgling sounds, she lifted from her chair and drove the other knitting needle into his beer-ballooned stomach over and over again. Blood and beer gushed out of his belly like a punctured fish tank. As her husband gurgled and deflated, she stared down at him with a beaming smile. She had found her new hobby—annihilating assholes. She had cut up her husband into nice little pieces and used him as fertilizer for her backyard garden. Never again did her cozy house get raped by blaring sounds of sports emanating from a television set. The TV went into the garbage and the living room was converted into a tea room.
”
”
Jasun Ether (The Beasts of Success)
“
Most people think, when they're young, that they're going to the top of their chosen world, and that the climb up is only a formality. Without that faith, I suppose, they might never start. Somewhere on the way they lift their eyes to the summit and know they aren't going to reach it; and happiness then is looking down and enjoying the view they've got, not envying the one they haven't.
”
”
Dick Francis (Reflex)
“
Reading is human contact, and the range of our human contacts is what makes us what we are. Just imagine you live the life of a long-distance truck driver. The books that you read are like the travelers you take into your cab. If you give lifts to people who are cultured and profound, you'll learn a lot from them. If you pick up fools, you'll turn into a fool yourself.
”
”
Victor Pelevin (The Sacred Book of the Werewolf)
“
Some can be more intelligent than others in a structured environment—in fact school has a selection bias as it favors those quicker in such an environment, and like anything competitive, at the expense of performance outside it. Although I was not yet familiar with gyms, my idea of knowledge was as follows. People who build their strength using these modern expensive gym machines can lift extremely large weights, show great numbers and develop impressive-looking muscles, but fail to lift a stone; they get completely hammered in a street fight by someone trained in more disorderly settings. Their strength is extremely domain-specific and their domain doesn't exist outside of ludic—extremely organized—constructs. In fact their strength, as with over-specialized athletes, is the result of a deformity. I thought it was the same with people who were selected for trying to get high grades in a small number of subjects rather than follow their curiosity: try taking them slightly away from what they studied and watch their decomposition, loss of confidence, and denial. (Just like corporate executives are selected for their ability to put up with the boredom of meetings, many of these people were selected for their ability to concentrate on boring material.) I've debated many economists who claim to specialize in risk and probability: when one takes them slightly outside their narrow focus, but within the discipline of probability, they fall apart, with the disconsolate face of a gym rat in front of a gangster hit man.
”
”
Nassim Nicholas Taleb (Antifragile: Things That Gain from Disorder)
“
I’m stuck here in a cycle and I am getting older but I am not growing up and my heart is getting soft dark spots on it like a fruit that has gone bad or is soft because too many hands have squeezed it but then put it back down not because I am not ready but because they were not ready for my type of fruity flesh. I felt so ripe and sweet—what was off? The truth is, I was forcing myself into people’s mouths. I jumped out of their hands and into their mouths and I yelled EAT ME way before they even had a chance to get hungry and notice me and lift me up.
”
”
Jenny Slate (Little Weirds)
“
The human ego is the ugliest part of man. We lift up men who only show us darkness, and put down those brave enough to show us the light. Likewise, people engage in darkness when it is light outside, and acknowledge the light only when it is dark. We abandon those fighting for us to cheer behind those fighting against us. And, we only remember good people and God when it is convenient for us, and take them for granted because their doors are always open - only to chase after closed doors and personalities void of substance and truth.
”
”
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
“
Never presume to know a person based on the one dimensional window of the internet. A soul can’t be defined by critics, enemies or broken ties with family or friends. Neither can it be explained by posts or blogs that lack facial expressions, tone or insight into the person’s personality and intent. Until people “get that”, we will forever be a society that thinks Beautiful Mind was a spy movie and every stranger is really a friend on Facebook.
”
”
Shannon L. Alder
“
Be nice to people... maybe it'll be unappreciated, unreciprocated, or ignored, but spread the love anyway. We rise by lifting others.
”
”
Germany Kent
“
...a writer has the duty to be good, not lousy; true, not false; lively, not dull; accurate, not full of error. He should tend to lift people up, not lower them down. Writers do not merely reflect and interpret life, they inform and shape life.
”
”
E.B. White
“
[Writers] should tend to lift people up, not lower them down.
”
”
E.B. White
“
Don’t tell thin women to eat a cheeseburger. Don’t tell fat women to put down the fork. Don’t tell underweight men to bulk up. Don’t tell women with facial hair to wax, don’t tell uncircumcised men they’re gross, don’t tell muscular women to go easy on the dead-lift, don’t tell dark-skinned women to bleach their vagina, don’t tell black women to relax their hair, don’t tell flat-chested women to get breast implants, don’t tell “apple-shaped” women what’s “flattering,” don’t tell mothers to hide their stretch marks, and don’t tell people whose toes you don’t approve of not to wear flip-flops. And so on, etc, etc, in every iteration until the mountains crumble to the sea. Basically, just go ahead and CEASE telling other human beings what they “should” and “shouldn't” do with their bodies unless a) you are their doctor, or b) SOMEBODY GODDAMN ASKED YOU.
”
”
Lindy West
“
Day in, day out, you peel the layers back for me. Smart mouth, funny, sweet, wild in bed. Chattin' with bikers like they were insurance brokers. Holdin' my girl's hand, givin' her strength when her Mom's bein' a bitch. Keepin' your chin up when your people show in the middle of a full blown drama. But so fuckin' vulnerable, you're scared shitless of livin' life."
"You don't know me, Tack."
His head came up and his eyes pierced mine. "I know you, Tyra."
"You don't."
"Life's a roller coaster. Best damn ride in the park. You don't close your eyes, hold on and wait for it to be over, babe. You keep your eyes open, lift your hands straight up in the air and enjoy the ride for as long as it lasts.
”
”
Kristen Ashley (Motorcycle Man (Dream Man, #4))
“
Always remember people who have helped you along the way, and don’t forget to lift someone up.
”
”
Roy Bennett
“
People like to talk about "Cinderella stories," but Cinderella didn't get her happy ending without lifting a finger. She had to show up at the ball, be charming and smooth, and win over the prince. Of course she had help along the way, but ultimately it was up to her to make the fairy-tale ending happen.
”
”
Michael Oher (I Beat the Odds: From Homelessness, to The Blind Side, and Beyond)
“
[Home Economics Textbook from 1950]: "Prepare yourself. Take fifteen minutes to rest so you'll look refreshed when hubby comes home from work. Touch up makeup and put a ribbon in your hair. He's just been with work-weary people. Be a little gay. His boring day needs a lift."
Mama Celia: "Get knee-walking drunk. You've earned it. You've been with four kids under the age of seven all day. Put a ribbon in your nose and try to pull it out of your mouth. You're wasted, after all. Announce you're gay. The look on his face will give you a lift.
”
”
Celia Rivenbark (Bless Your Heart, Tramp: And Other Southern Endearments)
“
You could just marry each other,” Yrene said, and Dorian whipped his head to her, incredulous. “It’d make it easier for you both, so you don’t need to pretend.” Chaol gaped at his wife. Yrene shrugged. “And be a strong alliance for our two kingdoms.” Dorian knew his face was red when he turned to Manon, apologies and denials on his lips. But Manon smirked at Yrene, her silver-white hair lifting in the breeze, as if reaching for the united people who would soon soar westward. That smirk softened as she mounted Abraxos and gathered up the reins. “We’ll see,” was all Manon Blackbeak, High Queen of the Crochans and Ironteeth, said before she and her wyvern leaped into the skies. Chaol and Yrene began bickering, laughing as they did, but Dorian strode to the edge of the aerie. Watched that white-haired rider and the wyvern with silver wings become distant as they sailed toward the horizon. Dorian smiled. And found himself, for the first time in a while, looking forward to tomorrow.
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
The first language humans had was gestures. There was nothing primitive about this language that flowed from people’s hands, nothing we say now that could not be said in the endless array of movements possible with the fine bones of the fingers and wrists. The gestures were complex and subtle, involving a delicacy of motion that has since been lost completely.
During the Age of Silence, people communicated more, not less. Basic survival demanded that the hands were almost never still, and so it was only during sleep (and sometimes not even then) that people were not saying something or other. No distinction was made between the gestures of language and the gestures of life. The labor of building a house, say, or preparing a meal was no less an expression than making the sign for I love you or I feel serious. When a hand was used to shield one’s face when frightened by a loud noise something was being said, and when fingers were used to pick up what someone else had dropped something was being said; and even when the hands were at rest, that, too, was saying something. Naturally, there were misunderstandings. There were times when a finger might have been lifted to scratch a nose, and if casual eye contact was made with one’s lover just then, the lover might accidentally take it to be the gesture, not at all dissimilar, for Now I realize I was wrong to love you. These mistakes were heartbreaking. And yet, because people knew how easily they could happen, because they didn’t go round with the illusion that they understood perfectly the things other people said, they were used to interrupting each other to ask if they’d understood correctly. Sometimes these misunderstandings were even desirable, since they gave people a reason to say, Forgive me, I was only scratching my nose. Of course I know I’ve always been right to love you. Because of the frequency of these mistakes, over time the gesture for asking forgiveness evolved into the simplest form. Just to open your palm was to say: Forgive me."
"If at large gatherings or parties, or around people with whom you feel distant, your hands sometimes hang awkwardly at the ends of your arms – if you find yourself at a loss for what to do with them, overcome with sadness that comes when you recognize the foreignness of your own body – it’s because your hands remember a time when the division between mind and body, brain and heart, what’s inside and what’s outside, was so much less. It’s not that we’ve forgotten the language of gestures entirely. The habit of moving our hands while we speak is left over from it. Clapping, pointing, giving the thumbs-up, for example, is a way to remember how it feels to say nothing together. And at night, when it’s too dark to see, we find it necessary to gesture on each other’s bodies to make ourselves understood.
”
”
Nicole Krauss (The History of Love)
“
We must not choose harsh words that tear people down. We must choose kind words that lift people up.
”
”
Ketanji Brown Jackson (Lovely One: A Memoir)
“
You love someone, you open yourself up to suffering, that’s the sad truth. Maybe they’ll break your heart, maybe you’ll break their heart and never be able to look at yourself in the same way. Those are the risks. You see two people and you think they belong together, but nothing happens. The thought of losing so much control over personal happiness is unbearable. That’s the burden. Like wings, they have weight, we feel that weight on our backs, but they are a burden that lifts us. Burdens that allow us to fly.
”
”
T.J. Thyne
“
Here's the thing about people with good hearts:
They give you excuses when you don't explain yourself.
They accept the apologies you don't give.
They see the best in you.
They always lift you up, even if that means putting their own priorities aside.
They will never be too "busy" for you.
They make time, even when you don't.
And you wonder why they're the most sensitive people, the most caring people, why they are willing to give so much of themselves with no expectation in return.
You wonder why their existence is not so essential to your well-being. It's because they don't make you work hard for the attention they give you. They accept the love they think they deserve
- and you accepted the love you think you're entitled to.
Don't take them for granted.
Fear the day when a good heart gives up on you.
Our skies don't become grey out of nowhere, our sunshine does not allow the darkness to take over for no reason.
A heart does turn cold unless it's been treated with coldness for a while
”
”
Najwa Zebian
“
Wolf took Scarlet’s hands into his, as tenderly as he would pick up an injured butterfly, and slid the band onto her finger. His voice was rough and wavering as he recited—“I, Ze’ev Kesley, do hereby claim you, Scarlet Benoit, as my wife and my Alpha. Forevermore, you will be my mate, my star, my beginning of everything.” He smiled down at her, his eyes swimming with emotion. Scarlet returned the look, and though Wolf’s expression teetered between proud and bashful, Scarlet’s face contained nothing but joy. “You are the one. You have always been, and you will always be, the only one.
Scarlet took the second ring—a significantly larger version of the same unadorned band—and pressed it onto Wolf’s finger. “I, Scarlet Benoit, do hereby claim you, Ze’ev Kesley, as my husband and my Alpha. Forevermore, you will be my mate, my star, my beginning of everything. You are the one. You have always been, and you will always be, the only one.”
Wolf folded his hands around hers. From where she sat, Cinder could see that he was shaking.
Kai grinned. “By the power given to me by the people of Earth, under the laws of the Earthen Union and as witnessed by those gathered here today, I do now pronounce you husband and wife.” He spread his hands in invitation. “You may kiss your—”
Wolf wrapped his arms around Scarlet’s waist, lifting her off the floor, and kissed her before Kai could finish. Or maybe she kissed him. It seemed mutual, as her hands wound through his disheveled hair.
The room exploded with cheers, everyone launching to their feet to congratulate the still-kissing couple. Scarlet had lost one of her red shoes.
“I’ll get the champagne,” said Thorne, heading toward the kitchen. “Those two are going to be thirsty when they finally come up for air.
”
”
Marissa Meyer (Stars Above (The Lunar Chronicles, #4.5))
“
He poked his finger into my chest again. “Well, I have something to tell you: don’t let the sun set on you in this county, because…”
I grabbed his wrist and yanked him forward, tripping him with my foot. He went down back first and I caught him by his throat, three feet above the ground, lifted him up a bit and bent down to his face. My eyes glowed with murderous red. My voice turned rough with an animal growl. “Listen well, because I won’t be repeating myself, you racist prick. If you make any trouble for me or my people, I’ll hunt you down like the pig you are and carve a second mouth across your gut. They’ll find you hanging by your own intestines. The next time you hear something laugh and howl in the night, hug your family, because you won’t see the sunrise.”
I opened my fingers. He crashed on the ground, his face white as a sheet. He scrambled backward, rolled to his feet, and took off.
The three shapeshifters stared at me, openmouthed.
“That’s how you intimidate people. No witnesses and not a mark on him. Get your asses to the car.
”
”
Ilona Andrews (Gunmetal Magic (Kate Daniels, #5.5; World of Kate Daniels, #6 & #6.5; Andrea Nash, #1))
“
A Great Rabbi stands, teaching in the marketplace. It happens that a husband finds proof that morning of his wife's adultery, and a mob carries her to the marketplace to stone her to death.
There is a familiar version of this story, but a friend of mine - a Speaker for the Dead - has told me of two other Rabbis that faced the same situation. Those are the ones I'm going to tell you.
The Rabbi walks forward and stands beside the woman. Out of respect for him the mob forbears and waits with the stones heavy in their hands. 'Is there any man here,' he says to them, 'who has not desired another man's wife, another woman's husband?'
They murmur and say, 'We all know the desire, but Rabbi none of us has acted on it.'
The Rabbi says, 'Then kneel down and give thanks that God has made you strong.' He takes the woman by the hand and leads her out of the market. Just before he lets her go, he whispers to her, 'Tell the Lord Magistrate who saved his mistress, then he'll know I am his loyal servant.'
So the woman lives because the community is too corrupt to protect itself from disorder.
Another Rabbi. Another city. He goes to her and stops the mob as in the other story and says, 'Which of you is without sin? Let him cast the first stone.'
The people are abashed, and they forget their unity of purpose in the memory of their own individual sins. ‘Someday,’ they think, ‘I may be like this woman. And I’ll hope for forgiveness and another chance. I should treat her as I wish to be treated.’
As they opened their hands and let their stones fall to the ground, the Rabbi picks up one of the fallen stones, lifts it high over the woman’s head and throws it straight down with all his might it crushes her skull and dashes her brain among the cobblestones. ‘Nor am I without sins,’ he says to the people, ‘but if we allow only perfect people to enforce the law, the law will soon be dead – and our city with it.’
So the woman died because her community was too rigid to endure her deviance.
The famous version of this story is noteworthy because it is so startlingly rare in our experience. Most communities lurch between decay and rigor mortis and when they veer too far they die. Only one Rabbi dared to expect of us such a perfect balance that we could preserve the law and still forgive the deviation.
So of course, we killed him.
-San Angelo
Letters to an Incipient Heretic
”
”
Orson Scott Card (Speaker for the Dead (Ender's Saga, #2))
“
Choose ONLY the people who lift you up, who are reaching for higher things themselves, who MAKE YOU FEEL AWESOME. Grab on to them, hold them, scream “Mine, mine, mine,” and do everything in your power to be good to them. Never let go of the people who treat you like the shit and who are the shit themselves.
”
”
Tara Schuster (Buy Yourself the F*cking Lilies: And Other Rituals to Fix Your Life, from Someone Who's Been There)
“
Jazz music itself is an example of changing poison into medicine. African Americans created jazz, a great medicine for people’s hearts, out of the poisonous experience of slavery. Jazz developed from African culture, gospel music, and blues to lift up the spirits of oppressed people, and now it brings joy to people the world over.
”
”
Tina Turner (Happiness Becomes You: A Guide to Changing Your Life for Good)
“
Nora Stephens,” he says, “I’ve racked my brain and this is the best I can come up with, so I really hope you like it.”
His gaze lifts, everything about it, about his face, about his posture, about him made up of sharp edges and jagged bits and shadows, all of it familiar, all of it perfect. Not for someone else, maybe, but for me.
“I move back to New York,” he says. “I get another editing job, or maybe take up agenting, or try writing again. You work your way up at Loggia, and we’re both busy all the time, and down in Sunshine Falls, Libby runs the local business she saved, and my parents spoil your nieces like the grandkids they so desperately want, and Brendan probably doesn’t get much better at fishing, but he gets to relax and even take paid vacations with your sister and their kids. And you and I—we go out to dinner.
“Wherever you want, whenever you want. We have a lot of fun being city people, and we’re happy. You let me love you as much as I know I can, for as long as I know I can, and you have it fucking all. That’s it. That’s the best I could come up with, and I really fucking hope you say—”
I kiss him then, like there isn’t someone reading one of the Bridgerton novels five feet away, like we’ve just found each other on a deserted island after months apart. My hands in his hair, my tongue catching on his teeth, his palms sliding around behind me and squeezing me to him in the most thoroughly public groping we’ve managed yet.
“I love you, Nora,” he says when we pull apart a few inches to breathe. “I think I love everything about you.
”
”
Emily Henry (Book Lovers)
“
Exercise your heart by lifting other people up!
”
”
Michelle Cole (COVID-19)
“
Lift up your eyes from your books, from your past, from your hurts and look upon all people with love, because when you look into another’s eyes and see innocence, you find it in yourself.
”
”
Dragos Bratasanu
“
That is the real story of my lift, and that is why I wrote this book. I want people to know what it feels like to nearly give up on yourself and why you might do it. I want people to understand what happens in the lives of the poor and the psychological impact that spiritual and material poverty has on their children. I want people to understand the American Dream as my family and I encountered it. I want people to understand how upward mobility really feels. And I want people to understand something I learned only recently: that for those of us lucky enough to live the American Dream, the demons of the life we left behind continue to chase us.
”
”
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
“
Always surround yourself with people who lift you up, rather than hold you down.
”
”
Donald L. Hicks (Look into the stillness)
“
Service is selflessness--the opposite of the lifestyle that we see so much of in America today. The things that entertain us don't often lift us up, or show us as the people we can rise up to become. The people who appear in this book--and others who did things I can't talk about--are my role models. They quietly live out the idea expressed in the Bible (John 15:13): "Greater love has no man than this, that a man lay down his life for his friends.
”
”
Marcus Luttrell (Service: A Navy SEAL at War)
“
I’m about to haul my packs into a tree to make camp when a silver parachute floats down and lands in front of me. A gift form a sponsor. But why now? I’ve been in fairly good shape with supplies. Maybe Haymitch’s noticed my despondency and is trying to cheer me up a bit. Or could it be something to help my ear?
I open the parachute and find a small loaf of bread. It’s not the fine white of the Capitol stuff. It’s made of dark ration grain and shaped in a crescent. Sprinkled with seeds. I flashback to Peeta’s lesson on the various district breads in the Training Center. This bread came from District 11. I cautiously lift the still warm loaf. What must it have cost the people of District 11 who can’t even feed themselves? How many would’ve had to do without to scrape up a coin to put in the collection for this one loaf? It had been meant for Rue, surely. But instead of pulling the gift when she died, they’d authorized Haymitch to give it to me. As a thank-you? Or because, like me, they don’t like to let debts go unpaid? For whatever reason, this is a first. A district gift to a tribute who’s not your own.
I lift my face and step into the last falling rays of sunlight. “My thanks to the people of District Eleven,” I say. I want them to know I know where it came from. That the full value of the gift has been recognized.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
These creatures have destroyed our lands. Murdered our people." Isana lifted her chin. "Pay them for it."
When Antillus Raucus looked up, his eyes were hard, cold, and clear. "Watch me.
”
”
Jim Butcher (Princeps' Fury (Codex Alera, #5))
“
On bended knee is no way to be free
lifting up an empty cup I ask silently
that all my destinations will accept the one that's me
so I can breath
Circles they grow and they swallow people whole
half their lives they say goodnight to wive's they'll never know
got a mind full of questions and a teacher in my soul
so it goes...
”
”
Eddie Vedder
“
People work around you and next to you and the universe waits for the perfect time to whisper in your ear, “Look this way.” There is someone in your life right now who may end up being your enemy, your wife, or your boss. Lift up your head and you may notice.
”
”
Amy Poehler (Yes Please)
“
Filled with existential ennui about your place in the universe? Get over yourself. Yes, you're an inconsequential worm in the grand scope of history. But you're an inconsequential worm who makes shit up for a living, which means that you don't have to lift heavy boxes or ask people if they want fries with that. Grow up and get back to work.
”
”
John Scalzi (Redshirts)
“
I was determined to be someone who told the truth, using my voice to lift up the voiceless when I could, and to not disappear on people in need. I understood that when I showed up somewhere,
”
”
Michelle Obama (Becoming)
“
With a sigh, he grabbed hold of his chair and lifted himself out of it, then wrote on the blackboard: How will we ever get out of this labyrinth of suffering? - A.Y.
'I'm going to leave that up for the rest of the semester,' he said.
'Because everybody who has ever lost their way in life has felt the nagging insistence of that question. At some point we all look up and realize we are lost in a maze, and I don't want us to forget Alaska, and I don't want to forget that even when the material we study seems boring, we're trying to understand how people have answered that question and the questions each of you posed in your papers--how different traditions have come to terms with what Chip, in his final, called 'people's rotten lots in life.
”
”
John Green (Looking for Alaska)
“
I kept noticing a self-help cliché that people say to each other all the time, and share on Facebook incessantly. We say to each other: “Nobody can help you except you.” It made me realize: we haven’t just started doing things alone more, in every decade since the 1930s. We have started to believe that doing things alone is the natural state of human beings, and the only way to advance. We have begun to think: I will look after myself, and everybody else should look after themselves, as individuals. Nobody can help you but you. Nobody can help me but me. These ideas now run so deep in our culture that we even offer them as feel-good bromides to people who feel down—as if it will lift them up. But John has proven that this is a denial of human history, and a denial of human nature. It leads us to misunderstand our most basic instincts. And this approach to life makes us feel terrible.
”
”
Johann Hari (Lost Connections: Uncovering the Real Causes of Depression - and the Unexpected Solutions)
“
Even though they’re often doing it out of love and concern, having others smear their fear and worry all over you is the last thing you need when you’re strengthening your superhero muscles to step out and take some risks, so I highly recommend keeping your mouth shut around people who are gonna bring you down. Instead, seek out those who are already totally kicking butt (or who are lifting up their foot to do so), or people who you know will be supportive, and confide in them. Because you’ll have your own internal freak show to deal with as you try to overcome the objections from your own BS.
”
”
Jen Sincero (You Are a Badass®: How to Stop Doubting Your Greatness and Start Living an Awesome Life)
“
Lift me up out of this illusion, Lord. Heal my perception, so that I may know only reality.
”
”
Bill Hicks (Love All the People: Letters, Lyrics, Routines)
“
Some people try to tell you the things you want in life are out of your grasp, while others lift you up on their shoulders and help you reach them.
”
”
Katie Kacvinsky (Awaken (Awaken, #1))
“
Little Montenegro! He lifted up the words and nodded at them-with his smile. The smile comprehended Montenegro’s troubled history and sympathized with the brave struggles of the Montenegrin people. It appreciated fully the chain of national circumstances, which had elicited this tribute from Montenegro’s warm little heart. My incredulity was submerged in fascination now; it was like skimming hastily through a dozen magazines.
”
”
F. Scott Fitzgerald (The Great Gatsby)
“
Don't let toxic people sabotage your happiness, ruin your positive attitude, contaminate your mind or destroy your self-confidence. Instead, surround yourself with generous, positive, and nurturing people who will lift you up.
”
”
Farshad Asl
“
Then come on up. DO everyone a favor and shut me up," he said. "Put down your money, pick up that ball, and let it fly, looker."
"I'd rather not"
People laughed.
He flapped his arms and squawked like a chicken "Afraid you can't throw that far?"
"I know I can"
He lifted his hat in a small salute to my claim. Blond curls slipped out, then he plopped the hat back on and said, "I dare you.
”
”
Elizabeth Chandler (Don't Tell (Dark Secrets, #2))
“
Without deception, sexual attraction isn’t possible. Men deceive women in many ways, and women deceive men on a whole different, god-like level. It’s not just makeup. It’s something far much greater. Many women try to play dumb, lest the man get scared of their intellectual abilities. Many women fake flexibility when it comes to opinions, as they know many men aren’t accepting of a highly opinionated woman. It’s a multitude of things with women. Whereas with men, things are quite simple. They just have to portray that they are the most sorted out guys, will be good providers, and know what they are doing in their lives. Putting it in a nutshell, both men and women deceive each other. But after a few months of marriage, the veil of deception is lifted. The woman who once seemed timid suddenly begins to voice her concerns. The woman who once seemed flexible suddenly begins to assert her unpopular opinions and impose her will. Men disappoint too. The woman realizes her guy isn’t as sorted out as he pretended to be. All in all, only when people start living together do they come to know of their partners for real. No wonder why so many love marriages end up in divorce within a year.
”
”
Abhaidev (The World's Most Frustrated Man)
“
Sometimes people appear in your life unexpectedly like a gift from the Universe. You didn’t even know you needed them, or that you had called out silently to them. They appear when you needed them most, to lift you, educate you, wake you up, or shine a light on your path. They sprout the seed that was in you, and patiently watch that seed emerge from the soil. Sometimes it wears them out to water and fertilize you every single day as you grow. This is a delicate time, you as the plant, and they as the nurturer. You as the plant need them for your growth, and they as your nurturer, have to have the energy to believe in your growth. Then, one day you blossom, and awaken to the beauty around you and rejoice. The only thing you ask from them anymore, is to celebrate the flower they have brought to life, and to accept the riches you now will give to them.
”
”
Riitta Klint
“
There is so much that able-bodied people could learn from the wisdom that often comes with disability. But space needs to be made. Hands need to reach out. People need to be lifted up.
The story of disabled success has never been a story about one solitary disabled person overcoming limitations—despite the fact that’s the narrative we so often read in the media. The narrative trajectory of a disabled person’s life is necessarily webbed. We are often only as strong as our friends and family make us, only as strong as our community, only as strong as the resources and privileges we have.
”
”
Alice Wong (Disability Visibility: First-Person Stories from the Twenty-first Century)
“
Lift up the weak; inspire the ignorant... Rescue the failures; encourage the deprived! Live to give... Don't only hustle for survival. Go, and settle for revival!
”
”
Israelmore Ayivor (The Great Hand Book of Quotes)
“
Strong people don't put others down. They lift them up and slam them on the ground for maximum damage.
”
”
Abhysheq Shukla (Feelings Undefined: The Charm of the Unsaid Vol. 1)
“
Lift up your eyes and see the good in the world, for we are people with an amazing capacity to do great good. And if only the minority choose to exercise this capacity to the smallest degree, oh how wondrous and sweet the deeds performed at but a few hands!
”
”
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)
“
They were her kidnappers, sailing her across the lawn and into the backseat of the car, lifting up her feet while pivoting her around in a way that was disturbingly professional, as if stealing old people was what they did.
”
”
Ann Patchett (Commonwealth)
“
Life was not to be sitting in hot amorphic leisure in my backyard idly writing or not-writing, as the spirit moved me. It was, instead, running madly, in a crowded schedule, in a squirrel cage of busy people. Working, living, dancing, dreaming, talking, kissing — singing, laughing, learning. The responsibility, the awful responsibility of managing (profitably) 12 hours a day for 10 weeks is rather overwhelming when there is nothing, noone, to insert an exact routine into the large unfenced acres of time — which it is so easy to let drift by in soporific idling and luxurious relaxing. It is like lifting a bell jar off a securely clockwork-like functioning community, and seeing all the little busy people stop, gasp, blow up and float in the inrush, (or rather outrush,) of the rarified scheduled atmosphere — poor little frightened people, flailing impotent arms in the aimless air. That's what it feels like: getting shed of a routine. Even though one had rebelled terribly against it, even then, one feels uncomfortable when jounced out of the repetitive rut. And so with me. What to do? Where to turn? What ties, what roots? as I hang suspended in the strange thin air of back-home?
”
”
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
“
Conservatives have the most effective solutions for human flourishing in our intellectual DNA. Our ideas have lifted up people all over the world. But the American people do not trust us to put those principles into practice to help those who need help right here.
”
”
Arthur C. Brooks (The Conservative Heart: How to Build a Fairer, Happier, and More Prosperous America)
“
If I ever see myself as separate or superior, if I try to lift myself up by pulling down others, if I believe people are on a journey I have completed, doing personal work I have mastered, attempting tasks I've accomplished--if I have any feeling that I am above them instead of trying to rise with them, then I have isolated myself from them.
”
”
Melinda French Gates (The Moment of Lift: How Empowering Women Changes the World)
“
Life is an island in an ocean of solitude and seclusion.
Life is an island, rocks are its desires, trees its dreams, and flowers its loneliness, and it is in the middle of an ocean of solitude and seclusion.
Your life, my friend, is an island separated from all other islands and continents. Regardless of how many boats you send to other shores, you yourself are an island separated by its own pains,secluded its happiness and far away in its compassion and hidden in its secrets and mysteries.
I saw you, my friend, sitting upon a mound of gold, happy in your wealth and great in your riches and believing that a handful of gold is the secret chain that links the thoughts of the people with your own thoughts and links their feeling with your own.
I saw you as a great conqueror leading a conquering army toward the fortress, then destroying and capturing it.
On second glance I found beyond the wall of your treasures a heart trembling in its solitude and seclusion like the trembling of a thirsty man within a cage of gold and jewels, but without water.
I saw you, my friend, sitting on a throne of glory surrounded by people extolling your charity, enumerating your gifts, gazing upon you as if they were in the presence of a prophet lifting their souls up into the planets and stars. I saw you looking at them, contentment and strength upon your face, as if you were to them as the soul is to the body.
On the second look I saw your secluded self standing beside your throne, suffering in its seclusion and quaking in its loneliness. I saw that self stretching its hands as if begging from unseen ghosts. I saw it looking above the shoulders of the people to a far horizon, empty of everything except its solitude and seclusion.
I saw you, my friend, passionately in love with a beautiful woman, filling her palms with your kisses as she looked at you with sympathy and affection in her eyes and sweetness of motherhood on her lips; I said, secretly, that love has erased his solitude and removed his seclusion and he is now within the eternal soul which draws toward itself, with love, those who were separated by solitude and seclusion.
On the second look I saw behind your soul another lonely soul, like a fog, trying in vain to become a drop of tears in the palm of that woman.
Your life, my friend, is a residence far away from any other residence and neighbors.
Your inner soul is a home far away from other homes named after you. If this residence is dark, you cannot light it with your neighbor's lamp; if it is empty you cannot fill it with the riches of your neighbor; were it in the middle of a desert, you could not move it to a garden planted by someone else.
Your inner soul, my friend, is surrounded with solitude and seclusion. Were it not for this solitude and this seclusion you would not be you and I would not be I. If it were not for that solitude and seclusion, I would, if I heard your voice, think myself to be speaking; yet, if I saw your face, i would imagine that I were looking into a mirror.
”
”
Kahlil Gibran (Mirrors of the Soul)
“
People come into our lives and then they go out again. The entropy law, as applied to human relations. Sometimes in their passing, though, they register an unimagined and far-reaching influence, as I suspect Hughes Rudd did upon me. There is no scientific way to discern such effects, but memory believes before knowing remembers. And the past lives coiled within the present, beyond sight, beyond revocation, lifting us up or weighting us down, sealed away--almost completely--behind walls of pearl.
”
”
David Quammen (The Flight of the Iguana: A Sidelong View of Science and Nature)
“
On May 26th, 2003,
Aaron Ralston was hiking,
a boulder fell on his right hand,
he waited four days,
he then amputated
his own arm with a pocketknife.
On New Year’s Eve,
a woman was bungee jumping,
the cord broke,
she fell into a river
and had to swim back to land
in crocodile-infested waters
with a broken collarbone.
Claire Champlin was smashed in the face
by a five-pound watermelon
being propelled by a slingshot.
Mathew Brobst was hit by a javelin.
David Striegl was actually
punched in the mouth by a kangaroo.
The most amazing part of these stories
is when asked about the experience
they all smiled, shrugged and said
“I guess things could’ve been worse.”
So go ahead,
tell me you’re having a bad day.
Tell me about the traffic.
Tell me about your boss.
Tell me about the job you’ve been trying to quit for the past four years.
Tell me the morning is just a townhouse burning to the ground and the snooze button is a fire extinguisher.
Tell me the alarm clock
stole the keys to your smile,
drove it into 7 am
and the crash totaled your happiness.
Tell me.
Tell me how blessed are we to have tragedy
so small it can fit on the tips of our tongues.
When Evan lost his legs he was speechless.
When my cousin was assaulted
she didn’t speak for 48 hours.
When my uncle was murdered,
we had to send out a search party
to find my father’s voice.
Most people have no idea
that tragedy and silence
often have the exact same address.
When your day is a museum of disappointments,
hanging from events that were outside of your control,
when you feel like your guardian angel put in his two weeks notice two months ago
and just decided not to tell you,
when it seems like God
is just a babysitter that’s always on the phone,
when you get punched in the esophagus by a fistful of life.
Remember,
every year
two million people die of dehydration.
So it doesn’t matter if
the glass is half full or half empty.
There’s water in the cup.
Drink it and stop complaining.
Muscle is created by lifting things
that are designed to weigh us down.
When your shoulders are heavy
stand up straight and call it exercise.
Life is a gym membership
with a really complicated cancellation policy.
Remember,
you will survive,
things could be worse,
and we are never given
anything we can’t handle.
When the whole world crumbles,
you have to build a new one
out of all the pieces that are still here.
Remember,
you are still here.
The human heart beats
approximately 4,000 times per hour
and each pulse,
each throb,
each palpitation is a trophy,
engraved with the words
“You are still alive.”
You are still alive.
So act like it.
”
”
Rudy Francisco (Helium (Button Poetry))
“
School is not like church.
I know a lot of people in my school are happy about this,
but I think that's because they've known the wrong kind
of churches, the ones that hold back instead of lifting up.
”
”
David Levithan (The Realm of Possibility)
“
Death gets a bad rap. People think that euthanasia is putting their pets “down” when it really is lifting us up. In the first moment, when we come back to earth, we remember the comfort of the Heaven we came from and this is why we cry when we are born. When we are born in Heaven we come in laughing not crying! In birth we have the passage and then the pain. In death we have the pain and then the passage.
”
”
Kate McGahan (Jack McAfghan: Return from Rainbow Bridge: A Dog's Afterlife Story of Loss, Love and Renewal (Jack McAfghan Pet Loss Series Book 3))
“
Sam hauled open the library door.
"There you are!" Whit pushed up from the desk he'd been hunched over. "We thought you two had given up on us."
"Unlike some people I know," I said, removing my mittens and scarf, "we don't live here."
"She says that now." Sam followed me toward Whit's and Orrin's desks, where they worked over flat electronic screens. "But the first thing she said when I showed her the library was that we should move in."
Orrin lifted an eyebrow, oddly delicate for someone so large. "The acoustics would be terrible.
”
”
Jodi Meadows (Incarnate (Newsoul, #1))
“
An abusive culture, to me, is any culture that needs to single out and exclude a group. It’s always a less productive culture because the organization’s energy is diverted from lifting people up to keeping people down. It’s like an autoimmune disease where the body sees its own organs as threats and begins attacking them. One of the most common signs of an abusive culture is the false hierarchy that puts women below men.
”
”
Melinda French Gates (The Moment of Lift: How Empowering Women Changes the World)
“
You don’t do anything by yourself in this world, and if it’s worth anything, it’s not just for yourself, either. You’re either lifting up the people around you, or you’re pulling them down, whether you know it or not.
”
”
Patry Francis (All the Children Are Home)
“
Love lifts people up. Love rises above fear. Love shines light on darkness. Love stands tall.
”
”
Carol 'CC' Miller
“
Lift up your heads, ye people,
lift up your faces, too,
open your mouths to sing His praise,
and the rain will fall on you.
”
”
Aimee Semple McPherson
“
What’re you doing?”
“I’m painting. Can I lift your shirt up?”
“You’re going to paint on my stomach?” I ask, already knowing the answer before he nods. “It’s not flat.”
“I have seen your stomach before,” he says, like I’m ridiculous for even pointing it out. “Why does that matter?”
“It’s just not toned, and I have some marks.”
“It isn’t weird to me that you have stretch marks.”
“I’m not insecure. I like my body. Other people seeing it isn’t something I’m used to, that’s all. I was just worried it wouldn’t be a good canvas.”
“You’re my perfect canvas, Halle. Every part of you. But good to both of those things. I like your body, too, and I like being the only one to see it.
”
”
Hannah Grace (Daydream (Maple Hills, #3))
“
There is a club in this world that you do not join knowingly.
One day you are just a member.
It is “The life changing events club.”
The fee to join the club is hurt beyond belief, payable in full, up front for a lifetime membership.
The benefit of the club is a new found perspective on life, and a deep understanding that you may not be happy about your current situation, but you can be happy in your current situation.
The only rule to the club is that you cannot tell anyone that you are a member.
The club does not provide a directory of its members, but when you look into a member’s eye, you can tell that they too are part of the club. Members are allowed to exchange that brief eye contact that says: “I didn’t know.”
Being a member of this club is the last thing that anyone initially wants in their life.
Being a member of this club is the best thing that ever happens to a person in their life, and there is not a person in the club that would ever give up their membership.
If you really look and know what you are looking for you can spot the clubs members; they are the ones that provide a random act of kindness and do something for someone who can never repay them for what they have done. They are the people spreading joy and optimism and lifting people’s spirits even when their own heart has been broken.
I have paid my dues; my lifetime membership arrived today, not by mail, but by a deep inner feeling that I cannot describe.
It is the best club that I never wanted to be part of.
But I am glad that I am a member.
”
”
JohnA Passaro (6 Minutes Wrestling With Life (Every Breath Is Gold #1))
“
During these weeks there was a quality about Miss Amelia that many people noticed. She laughed often, with a deep ringing laugh, and her whistling had a sassy, tunefull trickery. She was forever trying out her strength, lifting up heavy objects or poking her tough biceps with her finger.
”
”
Carson McCullers (The Ballad of the Sad Café and Other Stories)
“
Thousands of years of tradition. People don't see the humanity that lies in the animals, same as people don't see the animal that is within humans. The first time I saw Jum, she was trying to lift her dead brother up with her trunk. She was trying to get him to stand again. She'd even stuffed grass in his mouth to try to get him to eat
”
”
Deb Caletti (The Nature of Jade)
“
Tell the world what scares you the most” says Brandy.
She gives us each an Aubergine Dreams eyebrow pencil and says “Save the world with some advice from the future”
Seth writes on the back of a card and hands the card to Brandy for her to read.
On game shows, Brandy reads, some people will take the trip to France, but most people will take the washer dryer pair.”
Brandy puts a big Plumbago kiss in the little square for the stamp and lets the wind lift and card and sail it off toward the towers of downtown Seattle.
Seth hands her another, and Brandy reads:
Game shows are designed to make us feel better about the random useless facts that are all we have left from our education”
A kiss and the card’s on it’s way toward Lake Washington.
From Seth:
When did the future switch from being a promise to being a threat?”
A kiss and it’s off on the wind toward Ballard.
Only when we eat up this planet will God give us another. We’ll be remembered more for what we destroy than what we create.”
Interstate 5 snakes by in the distance. From high atop the Space Needle, the southbound lanes are red chase lights, and the northbound lanes are white chase lights. I take a card and write:
I love Seth Thomas so much I have to destroy him. I overcompensate by worshipping the queen supreme. Seth will never love me. No one will ever love me ever again.
Beandy is waiting to rake the card and read it out loud. Brandy’s waiting to read my worst fears to the world, but I don’t give her the card. I kiss it myself with the lips I don’t have and let the wind take it out of my hand. The card flies up, up, up to the stars and then falls down to land in the suicide net.
While I watch my future trapped in the suicide net Brandy reads another card from Seth.
We are all self-composting”
I write another card from the future and Brandy reads it:
When we don’t know who to hate, we hate ourselves”
An updraft lifts up my worst fears from the suicide net and lifts them away.
Seth writes and Brandy reads.
You have to keep recycling yourself”.
I write and Brandy reads.
Nothing of me is original. I am the combined effort of everybody I’ve ever known.”
I write and Brandy reads.
The one you love and the one who loves you are never ever the same person.
”
”
Chuck Palahniuk (Invisible Monsters)
“
I learned that one person hurting another really is like a hand curling into a fist to smash the foot. And that all that really matters is family and other people. And that the purpose of life is to find the Light of God, but not the light from some old guy with a beard sitting up there judging us. The light is the love we give each other on our way back home. And that God wouldn’t mind if we spent a little less time telling him how great he is and a little more time loving each other, and not just the people we’re supposed to love, but everyone.
”
”
Paul H. Magid (Lifting the Wheel of Karma)
“
There are those people who try to elevate their souls like someone who continually jumps from a standing position in the hope that forcing oneself to jump all day— and higher every day— they would no longer fall back down, but rise to heaven. Thus occupied, they no longer look to heaven. We cannot even take one step toward heaven. The vertical direction is forbidden to us. But if we look to heaven long-term, God descends and lifts us up. God lifts us up easily. As Aeschylus says, ‘That which is divine is without effort.’ There is an ease in salvation more difficult for us than all efforts. In one of Grimm’s accounts, there is a competition of strength between a giant and a little tailor. The giant throws a stone so high that it takes a very long time before falling back down. The little tailor throws a bird that never comes back down. That which does not have wings always comes back down in the end.
”
”
Simone Weil (Waiting for God)
“
You cannot help the poor by destroying the rich. You cannot strengthen the weak by weakening the strong. You cannot bring about prosperity by discouraging thrift. You cannot lift the wage earner up by pulling the wage payer down. You cannot further the brotherhood of man by inciting class hatred. You cannot build character and courage by taking away people's initiative and independence. You cannot help people permanently by doing for them, what they could and should do for themselves.
”
”
William J. H. Boetcker
“
I guess the most interesting thing about Gabriel was that he didn't seem to care at all what people were thinking about him. He walked down the hallway at school with his head down not because he wanted to avoid being seen or dissuade social predators or anything , but simply because he didn't see any reason to lift up his head.
”
”
John Corey Whaley (Where Things Come Back)
“
Anyone can be made to feel like an outsider. It’s up to the people who have the power to exclude. Often it’s on the basis of race. Depending on a culture’s fears and biases, Jews can be treated as outsiders. Muslims can be treated as outsiders. Christians can be treated as outsiders. The poor are always outsiders. The sick are often outsiders. People with disabilities can be treated as outsiders. Members of the LGBTQ community can be treated as outsiders. Immigrants are almost always outsiders. And in most every society, women can be made to feel like outsiders—even in their own homes.
Overcoming the need to create outsiders is our greatest challenge as human beings. It is the key to ending deep inequality. We stigmatize and send to the margins people who trigger in us the feelings we want to avoid. This is why there are so many old and weak and sick and poor people on the margins of society. We tend to push out the people who have qualities we’re most afraid we will find in ourselves—and sometimes we falsely ascribe qualities we disown to certain groups, then push those groups out as a way of denying those traits in ourselves. This is what drives dominant groups to push different racial and religious groups to the margins.
And we’re often not honest about what’s happening. If we’re on the inside and see someone on the outside, we often say to ourselves, “I’m not in that situation because I’m different. But that’s just pride talking. We could easily be that person. We have all things inside us. We just don’t like to confess what we have in common with outsiders because it’s too humbling. It suggests that maybe success and failure aren’t entirely fair. And if you know you got the better deal, then you have to be humble, and it hurts to give up your sense of superiority and say, “I’m no better than others.” So instead we invent excuses for our need to exclude. We say it’s about merit or tradition when it’s really just protecting our privilege and our pride.
”
”
Melinda French Gates (The Moment of Lift: How Empowering Women Changes the World)
“
Who are we in moments of crisis or despair? Do we become deeper, truer selves, or lift up and away from a self, untethered from regular meanings like moths suddenly drawn toward heat or light? Are we better people when someone might be dying, and if so, why? Are we weaker, or stronger? Are we beautiful, or abject? Serious, or cartoon? Do we secretly long for death to remind us we are alive?
”
”
Lidia Yuknavitch (The Small Backs of Children)
“
Absolutely pathetic.”
I make a Jeopardy! buzzer sound. “Who is Joshua Templeman?”
“Lucinda flirting with couriers. Pathetic.”
Joshua is hammering away on his keyboard. He certainly is an impressive touch typist. I stroll past his desk and am gratified by his frustrated backspacing.
“I’m nice to him.”
“You? Nice?”
I’m surprised by how hurt I feel. “I’m lovely. Ask anyone.”
“Okay. Josh, is she lovely?” he asks himself aloud. “Hmm, let me think.”
He picks up his tin of mints, opens the lid, checks them, closes it, and looks at me. I open my mouth and lift my tongue like a mental patient at the medication window.
“She’s got a few lovely things about her, I suppose.”
I raise a finger and enunciate the words crisply: “Human resources.”
He sits up straighter but the corner of his mouth moves. I wish I could use my thumbs to pull his mouth into a huge deranged grin. As the police drag me out in handcuffs I’ll be screeching, Smile, goddamn you.
We need to get even, because it’s not fair. He’s gotten one of my smiles, and seen me smile at countless other people. I have never seen him smile, nor have I seen his face look anything but blank, bored, surly, suspicious, watchful, resentful. Occasionally he has another look on his face, after we’ve been arguing. His Serial Killer expression.
”
”
Sally Thorne (The Hating Game)
“
You will go through your life thinking there was a day in second grade that you must have missed, when the grown-ups came in and explained, everything important to other kids. they said, 'Look, you're human, you're going to feel isolated and afraid a lot of the time, nad have bad self-esteem, and feel uniquely ruined, but here is the magic phrase that will take this feeling away. It will be like a feather that will lift you out of that fear and self-consciousness every single time, all through your life.' And then they told the cildren who were there that day the magic phrase that everyone else in the world knows about and uses when feeling blue, which only you don't know, because you were home sick the day the grown-ups told the children the way the whole world works.
But there was not such a day in school. No one got the instructions. That is the secret of life. Everyone is flailing around, winging it most of the time, trying to find the way out, or through, or up, without a map. This lack of instruction manual is how most people develop compassion, and how they figure out to show up, care, help and serve, as the only way of filling up and being free. Otherwise you gorw up to be someone who needs to dominate and shame others so no one will know that you weren't there the day the instructions were passed out.
”
”
Anne Lamott
“
From blood and ash,” I shouted, lifting the hand joined with Poppy’s. People echoed the words through the town and the valley. Poppy looked up at me and then faced the crowd as she lifted the hand that held Kieran’s. “We have risen!
”
”
Jennifer L. Armentrout (The War of Two Queens (Blood And Ash, #4))
“
Hate was just a legend
And war was never known
The people worked together
And they lifted many stones.
They carried them to the flatlands
And they died along the way
But they built up with their bare hands
What we still can't do today.
”
”
Neil Young
“
Oh,Mercer," he murmured against my temple once we'd come up for air, "we are so screwed."
I pressed my face against his neck, breathing him in. "I know."
"So what do we do?"
Reluctantly, I tried to move away. It was hard to think when he was so close to me. "If we were good people, we'd never see each other again."
His arms locked around my waist, pulling me back. "Okay,well, that's not happening. Plan B?"
I smiled up at him, feeling ridiculously giddy for someone on the verge of ruining her life. "I don't have one.You?"
He shook his head. "Nothing.But...look. I've spent basically my whole life pretending to be someone I'm not, faking some feelings, hiding others." Reaching down, he clasped my hand and lifted it so that our joined hands were trapped between our chests. "This thing with us is the only real thing I've had in a long time.You're the only real thing." He raised our hands and kissed my knuckles. "And I'm done pretending I don't want you."
I had read a lot about swooning in the romance novels Mom had tried to hide from me,but I'd never felt in danger of doing it until now. Which was why a snarky comment was definitely called for.
"Wow,Cross.I think you missed your calling.Screw demon hunting: you should clearly be writing Hallmark cards."
His face broke into that crooked grin that was maybe my favorite sight in the whole world. "Shut up," he muttered before lowering his head and kissing me again.
"Why is it," I said against his lips several moments later, "that we're always kissing in gross, dirty places like cellars and abandoned mills?"
He laughed, pressing kisses to my jaw, then my neck. "Next time it'll be a castle, I promise.This is England, after all. Can't be too hard to find one.
”
”
Rachel Hawkins (Demonglass (Hex Hall, #2))
“
Billy looked at the clock on the gas stove. He had an hour to kill before the saucer came. He went into the living room, swinging the bottle like a dinner bell, turned on the television. He came slightly unstuck in time, saw the late movie backwards, then forwards again. It was a movie about American bombers in the Second World War and the gallant men who flew them. Seen backwards by Billy, the story went like this: American planes, full of holes and wounded men and corpses took off backwards from an airfield in England. Over France a few German fighter planes flew at them backwards, sucked bullets and shell fragments from some of the planes and crewmen. They did the same for wrecked American bombers on the ground, and those planes flew up backwards to join the formation.
The formation flew backwards over a German city that was in flames. The bombers opened their bomb bay doors, exerted a miraculous magnetism which shrunk the fires, gathered them into cylindrical steel containers, and lifted the containers into the bellies of the planes. The containers were stored neatly in racks. The Germans below had miraculous devices of their own, which were long steel tubes. They used them to suck more fragments from the crewmen and planes. But there were still a few wounded Americans, though, and some of the bombers were in bad repair. Over France, though, German fighters came up again, made everything and everybody as good as new.
When the bombers got back to their base, the steel cylinders were taken from the racks and shipped back to the United States of America, where factories were operating night and day, dismantling the cylinders, separating the dangerous contents into minerals. Touchingly, it was mainly women who did this work. The minerals were then shipped to specialists in remote areas. It was their business to put them into the ground., to hide them cleverly, so they would never hurt anybody ever again.
The American fliers turned in their uniforms, became high school kids. And Hitler turned into a baby, Billy Pilgrim supposed. That wasn't in the movie. Billy was extrapolating. Everybody turned into a baby, and all humanity, without exception, conspired biologically to produce two perfect people named Adam and Eve, he supposed.
”
”
Kurt Vonnegut Jr. (Slaughterhouse-Five)
“
God doth never more graciously appear to his people, than when there is the greatest matter for their discouragement
”
”
William Bridge (A Lifting Up for the Downcast)
“
Don't try to bring anyone down to your knee, lift everyone up above your head.
”
”
Abhijit Naskar (Heart Force One: Need No Gun to Defend Society)
“
Pay attention to the people who show up for you, the people who show interest in your life and will go out of their way to lift you up
”
”
Kacie Rose (You Deserve Good Gelato)
“
And tonight I'm feelin like an astronaut, sending sos from this tiny box,and i lost the signal when i lifted off, now i'm stuck up here and the world forgot, can i please come down? Cuz i'm tired of drifting round and round....can i please come down? Now I lie awake and scream in my zero gravity...and its starting to weigh down on me....lets abort this mission now....CAN I PLEASE COME DOWN? So tonight I'm calling all the astronauts, all the lonely people that the world forgot, if you hear my voice, come pick me up, cuz ur all i've got...
”
”
Simple Plan
“
I felt so ripe and sweet—what was off? The truth is, I was forcing myself into people’s mouths. I jumped out of their hands and into their mouths and I yelled EAT ME way before they even had a chance to get hungry and notice me and lift me up.
”
”
Jenny Slate
“
The job of every generation is to discover the flaws of the one that came before it. That's part of growing up, figuring out all the ways your parents and their friends are broken. So pity the first people to reach puberty after a zombie apocalypse, who would have some truly heavy lifting in this department...You become whatever they fear the most. Now THAT'S evolution
”
”
Justine Larbalestier (Zombies Vs. Unicorns)
“
Hank was walking barefoot up the dock, carrying his sweatshirt over a freckled shoulder and his boots clamped between thumb and finger of that maimed hand. Lee marveled at the scamper of small muscles across the narrow white back, at the swing of the arms and the lift of the neck. Did it take that much muscle just to walk, or was Hank showing off his manly development? Every moment constituted open aggression against the very air through which Hank passed. He doesn't just breathe, Lee decided, listening to Hank's broken-nosed puffing, he gobbles the oxygen. He doesn't just walk; he consumes distance step by carnivorous step. Open aggression is what it is all right, he concluded.
Yet couldn't help but notice the way those shoulders seemed to savor the swing of the arms, or the way those feel relished the feel of the dock. These people...am I one of these people?
”
”
Ken Kesey (Sometimes a Great Notion)
“
His arms slip around me and hold me tight, lifting me onto the tips of my toes. I bury my face in his shoulder and close my eyes, just breathing in the clean smell of him, the smell of the wind.
I used to think that when people fell in love, they just landend where they landed, and they had no choice in the matter afterward. And maybe that's true of beginnings, but it's not true of this, now.
I fell in love with him. But I don't just stay with him by default as if there's no one else available to me. I stay with him because I choose to, every day that I wake up, every day that we fight or lie to each other or disappoint each other. I choose him over and over again, and he chooses me.
”
”
Veronica Roth (Allegiant (Divergent, #3))
“
You’re so naïve.” Felicity laughed scornfully. “Don’t you see what people are? They’re animals. Every one of them.”
“Felicity.” Waverly grabbed hold of the girl’s hand and squeezed hard enough to hurt, until Felicity lifted her eyes to Waverly’s. “We’re animals, too. We can fight back.”
Felicity yanked her hand away. “You idiot. It doesn’t matter how hard you fight.”
“It matters to me,” Waverly said quietly.
“So fight, then,” Felicity spat over her shoulder.
Waverly stood up, fists clenched. “I will.
”
”
Amy Kathleen Ryan (Glow (Sky Chasers, #1))
“
Too often, people who need the cheers the most get them the least. Every day, everyone you know faces life with eternity on the line, and life has a way of beating people down. Every life needs a cheering section. Every life needs a shoulder to lean on once in a while. Every life needs a prayer to lift them up to God. Every life needs a hugger to wrap some arms around them sometimes. Every life needs to hear a voice saying, “Don’t give up.
”
”
John Ortberg (The Me I Want to Be: Becoming God's Best Version of You)
“
Love stories had lifted me up, delighted me, and educated me on the power of human kindness for years. I knew a lot about love. A lot more, I bet, than all the people who took it for granted.
”
”
Katherine Center (The Rom-Commers)
“
As miserable as Gregor felt about being dumped with a rat, his heart ached for Vikus. He wanted to scream at Luxa, "Say something! Don't let your granpa fly off like this! Four of us aren't coming back!" But the words caught in his throat. Part of him wasn't ready to forgive Vikus for abandoning them, either.
"Fly you high, Gregor the Overlander," said Vikus.
Gregor struggled with how to respond. Should he ignore Vikus? Let him know that none of them, not even an Overlander, could forgive him? Just as he had steeled himself against replying, Gregor thought of the last two years, seven months, and was it fifteen days now? There were so many things he wished he'd said to his dad when he'd had the chance. Things like how special it was when they went on the roof at night and tried to find the stars. Or how much he loved it when they took the subway out to the stadium to watch a baseball game. Or just that he felt lucky that out of all the people in the world, his dad was his dad.
He didn't have room inside him for any more unspoken words. The bats were rising into the air. He only had a second. "Fly you high, Vikus!" he yelled. "Fly you high!"
Vikus turned back, and Gregor could see tears shining on his cheeks. He lifted up a hand to Gregor in thanks.
And then they were gone.
”
”
Suzanne Collins (Gregor the Overlander (Underland Chronicles, #1))
“
If I walked too far and wondered loud enough the fields would change. I could look down and see horse corn and I could hear it then- singing- a kind of low humming and moaning warning me back from the edge. My head would throb and the sky would darken and it would be that night again, that perpetual yesterday lived again. My soul solidifying, growing heavy. I came up to the lip of my grave this way many times but had yet to stare in.
I did begin to wonder what the word heaven meant. I thought, if this were heaven, truly heaven, it would be where my grandparents lived. Where my father's father, my favorite of them all, would lift me up and dance with me. I would feel only joy and have no memory, no cornfield and no grave.
You can have that,' Franny said to me. 'Plenty of people do.'
How do you make the switch?' I asked.
It's not as easy as you might think,' she said. 'You have to stop desiring certain answers.'
I don't get it.'
If you stop asking why you were killed instead of someone else, stop investigating the vaccum left by your loss, stop wondering what everyone left on Earth is feeling,' she said, 'you can be free. Simply put, you have to give up on Earth.'
This seemed impossible to me.
...
She used the bathroom, running the tap noisily and disturbing the towels. She knew immediately that her mother had bought these towels- cream, a ridiculous color for towels- and monogrammed- also ridiculous, my mother thought. But then, just as quickly, she laughed at herself. She was beginning to wonder how useful her scorched-earth policy had been to her all these years. Her mother was loving if she was drunk, solid if she was vain. When was it all right to let go not only of the dead but of the living- to learn to accept?
I was not in the bathroom, in the tub, or in the spigot; I did not hold court in the mirror above her head or stand in miniature at the tip of every bristle on Lindsey's or Buckley's toothbrush. In some way I could not account for- had they reached a state of bliss? were my parents back together forever? had Buckley begun to tell someone his troubles? would my father's heart truly heal?- I was done yearning for them, needing them to yearn for me. Though I still would. Though they still would. Always.
”
”
Alice Sebold (The Lovely Bones)
“
You better not be ready to pass out," I told him. "You're way too big for me to pick up."
He cocked his head to the side and regarded me. "And what would you do, Rimmel?" The way he said my name brushed over me like a fine caress. "If I passed out right here?" He bent at the knees as he spoke so he could get closer to my eye level. I saw the playfulness in his depths. I knew he was probably drunk and wouldn't remember this tomorrow. I told myself beer made people do crazy things.
I lifted my chin and returned his gaze. "Well," I said, wetting my lips with the tip of my tongue. "I'd just have to run over you on my way out."
The whites of his eyes grew bigger when they widened in surprise. Then he threw back his head and laughed.
- Rimmel & Romeo
”
”
Cambria Hebert (#Nerd (Hashtag, #1))
“
It’s one of the secrets of strength: We’re so much more likely to find it in the service of others than we are to find it in service to ourselves. We have no idea why this is. It’s not just the mother who lifts the car to free her child, or the guy who shields his girlfriend when the gunman starts to fire. Those are extremes, brave extremes, which life rarely calls on us to offer. No, it is the less extreme strength—a strength that is not so much situational as it is constitutional—that we will find in order to give. How often did we see this, as we were dying? How many soft-spoken lovers turned into fierce watchdogs over our care? How many reticent parents shed that reticence to be there with us? Not all. Certainly, not everyone showed strength. Some supposedly strong people in our lives showed that their strength was actually made of straw. But so many held us up in ways they would not have held themselves. They saw us through, even as their worlds crumbled through their fingers. They kept fighting, even after we were gone. Or especially because we were gone. They kept fighting for us.
”
”
David Levithan (Two Boys Kissing)
“
Everybody tries to protect this vulnerable two three four five six seven eight year old inside, and to acquire skills and aptitudes for dealing with the situations that threaten to overwhelm it... Usually, that child is a wretchedly isolated undeveloped little being. It’s been protected by the efficient armour, it’s never participated in life, it’s never been exposed to living and to managing the person’s affairs, it’s never been given responsibility for taking the brunt. And it’s never properly lived. That’s how it is in almost everybody. And that little creature is sitting there, behind the armour, peering through the slits. And in its own self, it is still unprotected, incapable, inexperienced...
And in fact, that child is the only real thing in them. It’s their humanity, their real individuality, the one that can’t understand why it was born and that knows it will have to die, in no matter how crowded a place, quite on its own. That’s the carrier of all the living qualities. It’s the centre of all the possible magic and revelation. What doesn’t come out of that creature isn’t worth having, or it’s worth having only as a tool—for that creature to use and turn to account and make meaningful...
And so, wherever life takes it by surprise, and suddenly the artificial self of adaptations proves inadequate, and fails to ward off the invasion of raw experience, that inner self is thrown into the front line—unprepared, with all its childhood terrors round its ears.
And yet that’s the moment it wants. That’s where it comes alive—even if only to be overwhelmed and bewildered and hurt. And that’s where it calls up its own resources—not artificial aids, picked up outside, but real inner resources, real biological ability to cope, and to turn to account, and to enjoy.
That’s the paradox: the only time most people feel alive is when they’re suffering, when something overwhelms their ordinary, careful armour, and the naked child is flung out onto the world. That’s why the things that are worst to undergo are best to remember.
But when that child gets buried away under their adaptive and protective shells—he becomes one of the walking dead, a monster. So when you realise you’ve gone a few weeks and haven’t felt that awful struggle of your childish self—struggling to lift itself out of its inadequacy and incompetence—you’ll know you’ve gone some weeks without meeting new challenge, and without growing, and that you’ve gone some weeks towards losing touch with yourself.
”
”
Ted Hughes (Letters of Ted Hughes)
“
People do not know how important is faith, how faith is miracle, creator of miracles. If you expect at every moment to be lifted up and pulled towards the Divine, He will come to lift you and He will be there, quite close, closer, ever closer.
MCW, vol. 13, Words of the Mother - I, p.76
”
”
The Mother
“
It's tempting to imagine this romanticization as the opposite as the opposite of stigmatization. Rather than discounting people as stigma does, romanticization lifts them up as paragons of beauty or intellect or some other virtue. But really, I see these as complimentary strategies, used to make "the sick" into an "other," a group of people fundamentally distant and different from the rest of the social order.
…
Imaging someone as more than human does much the same work as imaging them as less than human. Either way, the ill are treated as fundamentally other because the social order is frightened by what their frailty reveals about everyone else's.
”
”
John Green (Everything Is Tuberculosis: The History and Persistence of Our Deadliest Infection)
“
Look! I've been in the Pentagon like four times, but I'm not really even sure what the Pentagon does! I'm supposed to fight crime, but I don't even know how laws get passed! I mean... Truth, Justice and the American Way? I stopped taking social studies when I was like fifteen!
I grew up in Westchester, and have never traveled anywhere else without this stupid domino mask on my face! Am I the only one who's scared that people are looking to me for answers because I can lift a car over my head?! This is crazy!
”
”
Brennan Lee Mulligan (Strong Female Protagonist: Book One)
“
In one hallway, the floor gleaming parquet and the ceiling festooned with golden cherubs, there was a boy in a grumpy cat mask and biker boots, not involved in any sexual activity, legs crossed and leaning against the wall. As a bevy of faeries passed the boy, giggling and groping, the boy scooted away.
Alec remembered being younger, and how overwhelming large groups of people had seemed. He came over and leaned against the wall beside the boy. He saw the boy texting, PARTIES WERE INVENTED TO ANNOY ME. THEY FEATURE MY LEAST FAVORITE THING: PEOPLE, ALL INTENT ON MY LEAST FAVORITE ACTIVITY: SOCIAL INTERACTION.
“I don’t really like parties either,” Alec said sympathetically.
“No hablo italiano,” the boy mumbled without looking up.
“Er,” said Alec. “This conversation is happening in English.”
“No hablo ingles,” he said without missing a beat.
“Oh, come on. Really?”
“Worth a shot,” said the boy.
Alec considered going away. The boy wrote another text to a contact he had saved as RF. Alec could not help but notice that the conversation was entirely one-sided, the boy sending text after text with no response. The last text read VENICE SMELLS LIKE A TOILET. AS A NEW YORKER, I DO NOT SAY THIS LIGHTLY.
The weird coincidence emboldened Alec to try again.
“I get shy when there are strangers too,” Alec told the kid.
“I’m not shy,” the boy sneered. “I just hate everyone around me and everything that is happening.”
“Well.” Alec shrugged. “Those feel like similar things sometimes.”
The boy lifted his curly head, pushing the grumpy cat mask off his face, and froze. Alec froze too, at the twin shock of fangs and familiarity. This was a vampire, and Alec knew him.
“Raphael?” he asked. “Raphael Santiago?”
He wondered what the second-in-command of the New York clan was doing here. Downworlders might be flooding in from all over the world, but Raphael had never struck Alec as a party animal.
Of course, he was not exactly coming off as a party animal now.
“Oh no, it’s you,” said Raphael. “The twelve-year-old idiot.”
Alec was not keen on vampires. They were, after all, people who had died. Alec had seen too much death to want reminders of it.
He understood that they were immortal, but there was no need to show off about it.
“We just fought a war together. I was with you in the graveyard when Simon came back as a vampire. You’ve seen me multiple times since I was twelve.”
“The thought of you at twelve haunts me,” Raphael said darkly.
“Okay,” Alec said, humoring him. “So have you seen a guy called Mori Shu anywhere around here?”
“I am trying not to make eye contact with anyone here,” said Raphael. “And I’m not a snitch for Shadowhunters. Or a fan of talking to people, of any kind, in any place.”
Alec rolled his eyes.
”
”
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
“
Being strong means allowing yourself to cry over the things you can't change; laugh when things are funny; smile when you're happy. It means understanding where your breaking point is, and yet, going further and still remaining whole. Strong people push themselves to the limits of pain and joy. They fall to their knees in agony, then they lift up their faces to find the beautiful morning rays shining down on them, and they rise to their feet. Being strong means never giving up, no matter how crushed you are, and finding happiness in the smallest parts of life.
”
”
D. Nichole King (Love Always, Kate (Love Always, #1))
“
Death was the only absolute value in my world. Lose life and one would lose nothing again for ever. I envied those who could believe in a God and I distrusted them. I felt they were keeping their courage up with a fable of the changeless and the permanent. Death was far more certain than God, and with death there would be no longer the daily possibility of love dying. The nightmare of a future of boredom and indifference would lift. I could never have been a pacifist. To kill a man was surely to grant him an immeasurable benefit. Oh yes, people always, everywhere, loved their enemies. It was their friends they preserved for pain and vacuity.
”
”
Graham Greene (The Quiet American)
“
He is a demon, Clarissa,” said Valentine, still in the same soft voice. “A demon with a man’s face. I know how deceptive such monsters can be. Remember, I spared him once myself.”
“Monster?” echoed Clary. She thought of Luke, Luke pushing her on the swings when she was five years old, higher, always higher; Luke at her graduation from middle school, camera clicking away like a proud father’s; Luke sorting through each box of books as it arrived at his store, looking for anything she might like and putting it aside. Luke lifting her up to pull apples down from the trees near his farmhouse. Luke, whose place as her father this man was trying to take. “Luke isn’t a monster,” she said in a voice that matched Valentine’s, steel for steel. “Or a murderer. You are.”
“Clary!” It was Jace.
Clary ignored him. Her eyes were fixed on her father’s cold black ones. “You murdered your wife’s parents, not in battle but in cold blood,” she said. “And I bet you murdered Michael Wayland and his little boy, too. Threw their bones in with my grandparents’ so that my mother would think you and Jace were dead. Put your necklace around Michael Wayland’s neck before you burned him so everyone would think those bones were yours. After all your talk about the untainted blood of the Clave — you didn’t care at all about their blood or their innocence when you killed them, did you? Slaughtering old people and children in cold blood, that’s monstrous.
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
The writer, without softening his vision, is obliged to capture or conjure readers. And this means any kind of reader. It means whatever is there. I used to think that it should be possible to write for some supposed elite, for the people who attend the universities and sometimes know how to read, but I have since found that though you may publish your stories in the Yale Review, if they are any good at all you are eventually going to get a letter from some old lady in California, or some inmate of the Federal Penitentiary, or the state in sane asylum, or the local poorhouse, telling you where you have failed to meet his needs. And his need of course is to be lifted up. There is something in us as story-tellers, and as listeners to stories, that demands the redemptive act, that demands that what falls at least be offered the chance of restoration. The reader of today looks for this motion, and rightly so, but he has forgotten the cost of it. His sense of evil is deluded or lacking altogether, and so he has forgotten the price of restoration. He has forgotten the price of truth, even in fiction.
”
”
Flannery O'Connor
“
But it wasn't the right season to lift off. Not yet. I sat in my apartment and looked out over the city, and I just didn't feel any passion to write about the place. I didn't give a damn about local politics; I wasn't moved by the issues. I missed home. And I was frustrated by people who actually thought the world was a centre and that centre was here. ‘The world's a sphere, everyone,’ I wanted to say. ‘The centre of a sphere doesn't lie on its surface. Look up the word 'superficial', when you have a chance.
”
”
Mohsin Hamid (Moth Smoke)
“
A mother's body against a child's body makes a place. It says you are here. Without this body against your body there is no place. I envy people who miss their mother. Or miss a place or know something called home. The absence of a body against my body created a gap, a hole, a hunger. This hunger determined my life. ... The absence of a body against my body made attachment abstract. Made my own body dislocated and unable to rest or settle. A body pressed against your body is the beginning of nest. I grew up not in a home but in a kind of free fall of anger and violence that led to a life of constant movement, of leaving and falling. It is why at one point I couldn't stop drinking and fucking. Why I needed people to touch me all the time. It had less to do with sex than location. When you press against me, or put yourself inside me. When you hold me down or lift me up, when you lie on top of me and I can feel your weight, I exist. I am here.
”
”
V (formerly Eve Ensler) (In the Body of the World)
“
All teachers of Scripture conclude that the essence of prayer is simply the lifting up of the heart to God. But if this is so, it follows that everything else that doesn’t lift up the heart to God is not prayer. Therefore, singing, talking, and whistling without this lifting up of your heart to God are as much like prayer as scarecrows in the garden are like people. The name and appearance might be there, but the essence is missing.
”
”
Martin Luther (Faith Alone: A Daily Devotional)
“
Worship itself is made up of ordinary stuff. We use plain words. Some of the most the glorious words in Cranmer’s Book of Common Prayer are, well, common and plain enough to make you weep—“We have left undone those things which we ought to have done, and we have done those things which we ought not to have done, and there is no health in us.” We are baptized in plain water. We consume plain bread and wine. And it all is lifted up by plain people.
”
”
Tish Harrison Warren (Liturgy of the Ordinary: Sacred Practices in Everyday Life)
“
The Scriptures plainly show that this infirmed woman had tried to lift herself. People who stand on the outside can easily criticize and assume that the infirmed woman lacked effort and fortitude. That is not always the case. Some situations in which we can find ourselves defy willpower. We feel unable to change. The Scriptures say that she “could in no way raise herself up.” That implies that she had employed various means of self-help. Isn’t it amazing how the same people who lift up countless others often cannot lift themselves? This type of person may be a tower of faith and prayer for others, but impotent when it comes to his or her own limitations. That person may be the one whom others rely upon.
”
”
T.D. Jakes (Healing the Wounds of the Past)
“
When I look at you, I still see the son I love more than my own life. But I also see a man who has become so far removed from what matters that his perception is skewed. Family is real, son. A home to settle into—that’s real. People who love you and care about you. You’ve had a phenomenal career, and I’m proud of you. But it’s time to stop basing your worth on championships and endorsement deals. You can’t buy happiness. You can’t earn it. God isn’t counting all the deals you’re racking up—and neither is your family.” He lifted his brow. “And neither is Lucy. For the first time someone’s looking at the person inside—and you have to decide if you’re going to let her in and be the man she needs you to be.” His father turned his head toward a family picture on the mantel. “It’s a risk. But one I’ve never regretted.
”
”
Jenny B. Jones (Save the Date)
“
Involved. At least that was the right word, Alsana reflected, as she liftes her foot off the pedal, and let the wheel spin a few times alone before coming to a squeaky halt. Sometimes, here in England, especially at bus-stops and on the daytime soaps, you heard people say “We’re involved with each other,” as if this were a most wonderful state to be in, as if one chose it and enjoyed it. Alsana never thought of it that way. Involved happened over a long period of time, pulling you in like quicksand. Involved is what befell the moon-faced Alsana Begum and the handsome Samad Miah one week after they’d been pushed into a Delhi breakfast room together and informed they were to marry. Involved was the result when Clara Bowden met Archie Jones at the bottom of some stairs. Involved swallowed up a girl called Ambrosia and a boy called Charlie (yes, Clara had told her that sorry tale) the second they kissed in the larder of a guest house. Involved is neither good, nor bad. It is just a consequence of living, a consequence of occupation and immigration, of empires and expansion, of living in each other’s pockets… one becomes involved and it is a long trek back to being uninvolved. And the woman was right, one didn’t do it for one’s health. Nothing this late in the century was done with health in mind. Alsana was no dummy when it came to the Modern Condition. She watched the talk shows, all day long she watched the talk shows — My wife slept with my brother, My mother won’t stay out of my boyfriend’s life — and the microphone holder, whether it be Tanned Man with White Teeth or Scary Married Couple, always asked the same damn silly question: But why do you feel the need…? Wrong! Alsana had to explain it to them through the screen. You blockhead; they are not wanting this, they are not willing it — they are just involved, see? They walk IN and they get trapped between the revolving doors of those two v’s. Involved. Just a tired inevitable fact. Something in the way Joyce said it, involved — wearied, slightly acid — suggested to Alsana that the word meant the same thing to hear. An enormous web you spin to catch yourself.
”
”
Zadie Smith (White Teeth)
“
Don't let it get to you, mom! The Western media also fights against us. That's where our reputation as fundamentalists and terrorists comes from."
"You're right. Between one's fanaticism and the other's disdain, it's hard to know which side to choose. Personally, I hate Saddam and I have no sympathy for the Kuwaitism but I hate just as much the cynicism of the allies who call themselves "liberators" while they're there for the oil."
"Exactly. Just look at Afghanistan! They fought there for ten years. There were 900,000 dead and today the country is still in chaos. No one lifted a finger! Because Afghanistan is poor! The worst is that the intervention in Kuwait is done in the name of the human rights! Which rights? Which humans?"
At the time, this kind of analysis wasn't commonplace. After our own war, we were happy that Iraq got itself attacked and delighted that it wasn't happening in our country. We were finally able to sleep peacefully without fear of missiles... We no longed needed to line up with our food ration coupon...the rest mattered little. And then, there wasn't any more opposition. The protesters had been executed. Or had fled the country any way possible. The regime had absolute power...and most people , in search of a cloud of happiness, had forgotten their political conscience.
”
”
Marjane Satrapi (The Complete Persepolis)
“
The importance of friends and family in times of need By Renée Sargent
When people feel sad, what they need is attention. Not the kind of attention where they have to be told how amazing they all the time. Just kind of attention where they know that should they need you, you are there. I would like that kind of attention. I don't care about the other kind, even though everyone thinks I do.
When something horrible happens to someone the worst thing anyone can do is tell them off, or accuse them of being mean, or make them feel guilty about stuff they did that they are sorry about, because you can do bad things and be really sorry. They should just listen to them, and talk about things, because when you don't talk about things everything builds up inside you like boiling pan with a lid on. All the water dribbles out the sides but the lid won't come off. It's like that. Life just feels like little dribbles down the side of a pan.
I think friends and families are the ones who can lift the lid off in a good way.
”
”
Dawn O'Porter (Paper Aeroplanes (Paper Aeroplanes, #1))
“
Je ne regrette rien,” I say, lifting my glass of water and sipping it. “That’s the spirit,” Evelyn says. “Although that song is more about not regretting because you don’t live in the past. What I mean is that I’d still make a lot of the same decisions today. To be clear, there are things I regret. It’s just . . . it’s not really the sordid things. I don’t regret many of the lies I told or the people I hurt. I’m OK with the fact that sometimes doing the right thing gets ugly. And also, I have compassion for myself. I trust myself. Take, for instance, when I snapped at you earlier, back at the apartment, when you said what you did about my confessing sins. It wasn’t a nice thing to do, and I’m not sure you deserved it. But I don’t regret it. Because I know I had my reasons, and I did the best I could with every thought and feeling that led up to it.
”
”
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
“
I talk to people, but a sort of emptiness seems to come over them, as though the face really is a mask, with the real person somewhere behind it, normally pressed up against the inside like a child with their nose against a sweet-shop window, but - when I am talking to them, trying to make some difficult or unacceptable point - lifting that internal self away from the mask and turning somewhere inside themselves, performing the mental equivalent of taking their shoes off and putting their feet up, having a cup of coffee and resting for a while, returning later only when they're good and ready, to nod inappropriately and make some wholly irrelevant remark redolent of stale thoughts. Perhaps it's me, I think. Perhaps only I have this effect on people; maybe nobody else does.
”
”
Iain Banks
“
She had finally come so far that she seemed to be seeing her own life from the uppermost summit of a mountain pass. Now her path led down into the darkening valley, but first she had been allowed to see that in the solitude of the cloister and in the doorway of death someone was waiting for her who had always seen the lives of people the way villages look from a mountain crest. He had seen sin and sorrow, love and hatred in their hearts, the way the wealthy estates and poor hovels, the bountiful acres and the abandoned wastelands are all borne by the same earth. And he had come down among them, his feet had wandered among the lands, stood in the castles and in huts, gathering the sorrows and sins of the rich and the poor, and lifting them high up with him on the cross." (1081)
”
”
Sigrid Undset (Kristin Lavransdatter)
“
Game-free intimacy is or should be the most perfect form of human living.
Because there is so little opportunity for intimacy in daily life, and because some forms of intimacy (especially if intense) are psychologically impossible for most people, the bulk of time in serious social life is taken up with playing games. Hence games are both necessary and desirable, and the only problem at issue is whether the games played by an individual offer the best yield for him. In this connexion it should be remembered that the essential feature of a game is its culmination, or payoff. The principal function of the preliminary moves is to set up the situation for this payoff, but they are always designed to harvest the maximum permissible satisfaction at each step as a secondary product.
Games are passed on from generation to generation. The favoured game of any individual can be traced back to his parents and grandparents, and forward to his children.
Raising children is primarily a matter of teaching them what games to play. Different cultures and different social classes favour different types of games.
Many games are played most intensely by disturbed people, generally speaking, the more disturbed they are, the harder they play.
The attainment of autonomy is manifested by the release or recovery of three capacities: awareness, spontaneity and intimacy.
Parents, deliberately or unaware, teach their children from birth how to behave, think and perceive. Liberation from these influences is no easy matter, since they are deeply ingrained.
First, the weight of a whole tribal or family historical tradition has to be lifted. The same must be done with the demands of contemporary society at large, and finally advantages derived from one's immediate social circle have to be partly or wholly sacrificed. Following this, the individual must attain personal and social control, so that all the classes of behaviour become free choices subject only to his will. He is then ready for game-free relationships.
”
”
Eric Berne
“
I notice that he keeps his head down, his chin tucked—trying to conceal his face.
I lift his chin. “This hiding-in-plain-sight thing only works if you don’t act like you’re trying to hide something.”
He grins a little self-consciously—and the dimples show up. Mmm.
“Most of the people here would never think that you’d be here—and the few that do are probably too chill to make a big deal about it. New Yorkers are cool about celebrity stuff.”
He looks at me like I’m nuts. “Not the ones I’ve seen.”
I shrug. “They’re probably from Jersey.
”
”
Emma Chase (Royally Screwed (Royally, #1))
“
She looked now at the drawing-room step. She saw, through William’s eyes, the shape of a woman, peaceful and silent, with downcast eyes. She sat musing, pondering (she was in grey that day, Lily thought). Her eyes were bent. She would never lift them. . . . [N]o, she thought, one could say nothing to nobody. The urgency of the moment always missed its mark. Words fluttered sideways and struck the object inches too low. Then one gave it up; then the idea sunk back again; then one became like most middle-aged people, cautious, furtive, with wrinkles between the eyes and a look of perpetual apprehension. For how could one express in words these emotions of the body? Express that emptiness there? (She was looking at the drawing-room steps; they looked extraordinarily empty.) It was one’s body feeling, not one’s mind. The physical sensations that went with the bare look of the steps had become suddenly extremely unpleasant. To want and not to have, sent all up her body a hardness, a hollowness, a strain. And then to want and not to have – to want and want – how that wrung the heart, and wrung again and again! Oh, Mrs. Ramsay! she called out silently, to that essence which sat by the boat, that abstract one made of her, that woman in grey, as if to abuse her for having gone, and then having gone, come back again. It had seemed so safe, thinking of her. Ghost, air, nothingness, a thing you could play with easily and safely at any time of day or night, she had been that, and then suddenly she put her hand out and wrung the heart thus. Suddenly, the empty drawing-room steps, the frill of the chair inside, the puppy tumbling on the terrace, the whole wave and whisper of the garden became like curves and arabesques flourishing round a centre of complete emptiness. . . . A curious notion came to her that he did after all hear the things she could not say. . . . She looked at her picture. That would have been his answer, presumably – how “you” and “I” and “she” pass and vanish; nothing stays; all changes; but not words, not paint. Yet it would be hung in the attics, she thought; it would be rolled up and flung under a sofa; yet even so, even of a picture like that, it was true. One might say, even of this scrawl, not of that actual picture, perhaps, but of what it attempted, that it “remained for ever,” she was going to say, or, for the words spoken sounded even to herself, too boastful, to hint, wordlessly; when, looking at the picture, she was surprised to find that she could not see it. Her eyes were full of a hot liquid (she did not think of tears at first) which, without disturbing the firmness of her lips, made the air thick, rolled down her cheeks. She had perfect control of herself – Oh, yes! – in every other way. Was she crying then for Mrs. Ramsay, without being aware of any unhappiness? She addressed old Mr. Carmichael again. What was it then? What did it mean? Could things thrust their hands up and grip one; could the blade cut; the fist grasp? Was there no safety? No learning by heart of the ways of the world? No guide, no shelter, but all was miracle, and leaping from the pinnacle of a tower into the air? Could it be, even for elderly people, that this was life? – startling, unexpected, unknown? For one moment she felt that if they both got up, here, now on the lawn, and demanded an explanation, why was it so short, why was it so inexplicable, said it with violence, as two fully equipped human beings from whom nothing should be hid might speak, then, beauty would roll itself up; the space would fill; those empty flourishes would form into shape; if they shouted loud enough Mrs. Ramsay would return. “Mrs. Ramsay!” she said aloud, “Mrs. Ramsay!” The tears ran down her face.
”
”
Virginia Woolf
“
So far in my life, I’ve been a lawyer. I’ve been a vice president at a hospital and the director of a nonprofit that helps young people build meaningful careers. I’ve been a working-class black student at a fancy mostly white college. I’ve been the only woman, the only African American, in all sorts of rooms. I’ve been a bride, a stressed-out new mother, a daughter torn up by grief. And until recently, I was the First Lady of the United States of America—a job that’s not officially a job, but that nonetheless has given me a platform like nothing I could have imagined. It challenged me and humbled me, lifted me up and shrank me down, sometimes all at once. I’m just beginning to process what took place over these last years—from the moment in 2006 when my husband first started talking about running for president to the cold morning this winter when I climbed into a limo with Melania Trump, accompanying her to her husband’s inauguration. It’s been quite a ride.
”
”
Michelle Obama (Becoming)
“
When the crops were thriving, Squanto took the men to the open forests where the turkey dwelled. He pointed out the nuts, seeds, and insects that the iridescent birds fed upon.
He showed them the leaf nests of the squirrels and the hideouts of the skunks and raccoons. Walking silently along bear trails, he took them to the blueberry patches.
He told them that deer moved about at sundown and sunrise. He took them inland to valleys where the deer congregated in winter and were easy to harvest. He walked the Pilgrims freely over the land.
To Squanto, as to all Native Americans, the land did not belong to the people, people belonged to the land.
He took the children into the meadows to pick wild strawberries. He showed them how to dig up the sweet roots of the wild Jerusalem artichoke. In mid-summer he led them to cranberry bogs and gooseberry patches. Together they gathered chestnuts, hickory nuts, walnuts, and hazelnuts in September.
He paddled the boys into the harbor in his dugout canoe to set lobster pots made of reeds and sinew. While they waited to lift their pots, he taught them the creatures of the tidal pools.
”
”
Jean Craighead George (The First Thanksgiving)
“
Jesus is the true and better Adam, who passed the test in the garden and whose obedience is imputed to us (1 Corinthians 15). Jesus is the true and better Abel, who, though innocently slain, has blood that cries out for our acquittal, not our condemnation (Hebrews 12:24). Jesus is the true and better Abraham, who answered the call of God to leave the comfortable and familiar and go out into the void “not knowing whither he went” to create a new people of God. Jesus is the true and better Isaac, who was not just offered up by his father on the mount but was truly sacrificed for us all. God said to Abraham, “Now I know you love me, because you did not withhold your son, your only son whom you love, from me.” Now we can say to God, “Now we know that you love us, because you did not withhold your son, your only son whom you love, from us.” Jesus is the true and better Jacob, who wrestled with God and took the blow of justice we deserved so that we, like Jacob, receive only the wounds of grace to wake us up and discipline us. Jesus is the true and better Joseph, who at the right hand of the King forgives those who betrayed and sold him and uses his new power to save them. Jesus is the true and better Moses, who stands in the gap between the people and the Lord and who mediates a new covenant (Hebrews 3). Jesus is the true and better rock of Moses, who, struck with the rod of God’s justice, now gives us water in the desert. Jesus is the true and better Job—the truly innocent sufferer—who then intercedes for and saves his stupid friends (Job 42). Jesus is the true and better David, whose victory becomes his people’s victory, though they never lifted a stone to accomplish it themselves. Jesus is the true and better Esther, who didn’t just risk losing an earthly palace but lost the ultimate heavenly one, who didn’t just risk his life but gave his life—to save his people. Jesus is the true and better Jonah, who was cast out into the storm so we could be brought in.
”
”
Timothy J. Keller (Preaching: Communicating Faith in an Age of Skepticism)
“
The season of the world before us will be like no other in the history of mankind. Satan has unleashed every evil, every scheme, every blatant, vile perversion ever known to man in any generation. Just as this is the dispensation of the fullness of times, so it is also the dispensation of the fullness of evil. We and our wives and husbands, our children, and our members must find safety. There is no safety in the world: wealth cannot provide it, enforcement agencies cannot assure it, membership in this Church alone cannot bring it.
As the evil night darkens upon this generation, we must come to the temple for light and safety. In our temples we find quiet, sacred havens where the storm cannot penetrate to us. There are hosts of unseen sentinels watching over and guarding our temples. Angels attend every door. As it was in the days of Elisha, so it will be for us: “Those that be with us are more than they that be against us.”
Before the Savior comes the world will darken. There will come a period of time where even the elect will lose hope if they do not come to the temples. The world will be so filled with evil that the righteous will only feel secure within these walls. The saints will come here not only to do vicarious work, but to find a haven of peace. They will long to bring their children here for safety’s sake.
I believe we may well have living on the earth now or very soon the boy or babe who will be the prophet of the Church when the Savior comes. Those who will sit in the Quorum of Twelve Apostles are here. There are many in our homes and communities who will have apostolic callings. We must keep them clean, sweet and pure in an oh so wicked world. There will be greater hosts of unseen beings in the temple. Prophets of old as well as those in this dispensation will visit the temples. Those who attend will feel their strength and feel their companionship. We will not be alone in our temples.
Our garments worn as instructed will clothe us in a manner as protective as temple walls. The covenants and ordinances will fill us with faith as a living fire. In a day of desolating sickness, scorched earth, barren wastes, sickening plagues, disease, destruction, and death, we as a people will rest in the shade of trees, we will drink from the cooling fountains. We will abide in places of refuge from the storm, we will mount up as on eagle’s wings, we will be lifted out of an insane and evil world. We will be as fair as the sun and clear as the moon.
The Savior will come and will honor his people. Those who are spared and prepared will be a temple-loving people. They will know Him. They will cry out, “Blessed be the name of He that cometh in the name of the Lord; thou are my God and I will bless thee; thou are my God and I will exalt thee.”
Our children will bow down at His feet and worship Him as the Lord of Lords, the King of Kings. They will bathe His feet with their tears and He will weep and bless them for having suffered through the greatest trials ever known to man. His bowels will be filled with compassion and His heart will swell wide as eternity and He will love them. He will bring peace that will last a thousand years and they will receive their reward to dwell with Him. Let us prepare them with faith to surmount every trial and every condition. We will do it in these holy, sacred temples. Come, come, oh come up to the temples of the Lord and abide in His presence.
”
”
Vaughn J. Featherstone
“
And two types of people,” he goes on, completely unfazed. “There’s the one that will walk past that offending piece of lint or paper on the floor every single day and tell themselves they’ll get to it. And those that will pick it up the minute they spot it. They’ll figure out where it came from, trash it, and forget it was ever there. But, for the ones that walk by it every day, it will become a problem. It will start to fester. Another something they’ll have to get to. Another pea on their plate. They’ll start to look for it, its presence a nuisance, and tell themselves they’ll get to it tomorrow. Until one day, it’s more of a crisis of conscience than a pea.” “Let me guess. You don’t have any peas on your plate.” One side of his mouth lifts in contempt before he speaks through thick lips. “I fucking hate peas.” “It’s a piece of lint.” “Only to the person who picked it up.
”
”
Kate Stewart (Exodus (The Ravenhood Duet, #2))
“
And whether or not the educators who are trying to raise up America's students can actually set and meet higher academic standards, our cultural values make their job next to impossible. It's so much easier for pundits and politicians to point out figures and blame the people who are in the trenches every day than it is to get in there with them, or even to find out what actually goes on in those trenches. It's so much easier for parents to blame teachers when their kids get in trouble than to do the heavy lifting required at home to keep kids on track. And it's so much easier for us as a nation to cross our fingers and hope that we'll "get lucky" with the innovative "solutions" being tested on America's schools today than it is for us to roll up our sleeves and invest our own time, talent, and money in the schools that are even now-- with or without us-- shaping our nation's future.
”
”
Tony Danza (I'd Like to Apologize to Every Teacher I Ever Had: My Year as a Rookie Teacher at Northeast High)
“
It goes something like this: I am one person among 6.5 billion people on Earth at the moment. That's one person among 6,500,000,000 people. That'a lot of Wembley Stadiums full of people, and even more double-decker buses (apparently the standard British measurements for size). And we live on an Earth that is spinning at 67,000 miles an hour through space around a sun that is the centre of our solar system (and our solar system is spinning around the centre of the Milky Way at 530,000 mph). Just our solar system (which is a tiny speck within the entire universe) is very big indeed. If Earth was a peppercorn and Jupiter was a chestnut (the standard American measurements), you'd have to place them 100 metres apart to get a sense of the real distance between us.
And this universe is only one of many. In fact, the chances are that there are many, many more populated Earths - just like ours - in other universes.
And that's just space.
Have a look at time, too. If you're in for a good run, you may spend 85 years on this Earth. Man has been around for 100,000 years, so you're going to spend just 0.00085 percent of man's history living on this Earth. And Man's stay on Earth has been very short in the context of the life of the Earth (which is 4.5 billion years old): if the Earth had been around for the equivalent of a day (with the Big Bang kicking it all off at midnight), humans didn't turn up until 11.59.58 p.m. That means we've only been around for the last two seconds.
A lifetime is gone in a flash. There are relatively few people on this Earth that were here 100 years ago. Just as you'll be gone (relatively) soon.
So, with just the briefest look at the spatial and temporal context of our lives, we are utterly insignificant. As the Perspective Machine lifts up so far above the woods that we forget what the word means, we see just one moving light. It is beautiful. A small, gently glowing light. It is a firefly lost somewhere in the cosmos. And a firefly - on Earth - lives for just one night. It glows beautifully, then goes out.
And up there so high in our Perspective Machine we realize that our lives are really just like that of the firefly. Except the air is full of 6.5 billion fireflies. They're glowing beautifully for one night. Then they are gone.
So, Fuck It, you might as well REALLY glow.
”
”
John C. Parkin (F**k It: The Ultimate Spiritual Way)
“
In Exodus, chapter 14, Moses must lead the Jews out of Egypt and to safety by parting the Red Sea. This story teaches us a valuable lesson about how we must face the future. I want to draw your attention to two verses in particular. Exodus (14:15) reads: “And the Lord said to Moses, ‘Tell the people of Israel to march forward.’” Exodus (14:16) reads: “Lift up your rod and stretch out your hand over the sea and divide it.” The thing to note here is that Moses is instructed to raise his rod to divide the sea only after telling his people to march forth into the water. The Israelites were actually in the water, some of them up to their necks, and were told to keep marching before the water split. And yet no one complained or feared drowning because the message from God was very clear: walk first into the water and the ocean will split afterwards. Had the Israelites waited around for the waters to part, they would have been waiting a long time—perhaps forever. They had to bring about their own miracle, a truth we can deduce from the peculiar order of these two verses, which is no accident as there are no accidents in Scripture. To succeed at life and business, you too must face the future as the Israelites did at the Red Sea. Get moving now. Do not wait for the bridge. Cross now and the way through will present itself.
”
”
Daniel Lapin (Business Secrets from the Bible: Spiritual Success Strategies for Financial Abundance)
“
So I say this. Speak of them. Speak of those that died. Speak of all those who ever died--in all the world's history, in its wars, and long-lost days. Speak of those who met their deaths in Glencoe, in snow--not of their deaths, but of their lives before them. Not of how they died, but of how they bent to pat a dog's head, or what ballads they could sing, or what their skin was like by their eyes when they smiled, or which weather was their weather--for it keeps them living. It stops them being dead.
To do this--to speak or write of them--puts breath back in their mouths. It lifts them up from their earthy beds... brings them forth, and they stand by the side of the one who speaks of them; they walk out of the pages of those who write them down. From the realm, they smile upon us. All the dead people--only, they are not dead.
”
”
Susan Fletcher (Corrag)
“
My son, you are just an infant now, but on that day when the world disrobes of its alluring cloak, it is then that I pray this letter is in your hands.
Listen closely, my dear child, for I am more than that old man in the dusty portrait beside your bed. I was once a little boy in my mother’s arms and a babbling toddler on my father's lap.
I played till the sun would set and climbed trees with ease and skill. Then I grew into a fine young man with shoulders broad and strong. My bones were firm and my limbs were straight; my hair was blacker than a raven's beak. I had a spring in my step and a lion's roar. I travelled the world, found love and married. Then off to war I bled in battle and danced with death.
But today, vigor and grace have forsaken me and left me crippled.
Listen closely, then, as I have lived not only all the years you have existed, but another forty more of my own.
My son, We take this world for a permanent place; we assume our gains and triumphs will always be; that all that is dear to us will last forever.
But my child, time is a patient hunter and a treacherous thief: it robs us of our loved ones and snatches up our glory. It crumbles mountains and turns stone to sand. So who are we to impede its path?
No, everything and everyone we love will vanish, one day.
So take time to appreciate the wee hours and seconds you have in this world. Your life is nothing but a sum of days so why take any day for granted? Don't despise evil people, they are here for a reason, too, for just as the gift salt offers to food, so do the worst of men allow us to savor the sweet, hidden flavor of true friendship.
Dear boy, treat your elders with respect and shower them with gratitude; they are the keepers of hidden treasures and bridges to our past. Give meaning to your every goodbye and hold on to that parting embrace just a moment longer--you never know if it will be your last.
Beware the temptation of riches and fame for both will abandon you faster than our own shadow deserts us at the approach of the setting sun. Cultivate seeds of knowledge in your soul and reap the harvest of good character.
Above all, know why you have been placed on this floating blue sphere, swimming through space, for there is nothing more worthy of regret than a life lived void of this knowing.
My son, dark days are upon you. This world will not leave you with tears unshed. It will squeeze you in its talons and lift you high, then drop you to plummet and shatter to bits . But when you lay there in pieces scattered and broken, gather yourself together and be whole once more. That is the secret of those who know.
So let not my graying hairs and wrinkled skin deceive you that I do not understand this modern world. My life was filled with a thousand sacrifices that only I will ever know and a hundred gulps of poison I drank to be the father I wanted you to have.
But, alas, such is the nature of this life that we will never truly know the struggles of our parents--not until that time arrives when a little hand--resembling our own--gently clutches our finger from its crib.
My dear child, I fear that day when you will call hopelessly upon my lifeless corpse and no response shall come from me. I will be of no use to you then but I hope these words I leave behind will echo in your ears that day when I am no more. This life is but a blink in the eye of time, so cherish each moment dearly, my son.
”
”
Shakieb Orgunwall
“
Diamonds Are Not This Girl's Best Friend
Diamonds are not my best friend but they used to be. It wasn't just jewelry but all the things I bought to lift me up, prove my worth, and demonstrate my love. As I became more and more me and started experiencing the world from this new stuff-less place, I realized that diamonds are not this girl's best friend. My best friend is a magical rooftop sunrise. My best friend is the ocean. My best friend is a hike in the mountains. My best friend is a peaceful afternoon. My best friend is a really good book. My best friend is laughter. My best friend is seeing the world. My best friend is time with people I love. Diamonds have nothing on my best friends.
”
”
Courtney Carver (Soulful Simplicity: How Living with Less Can Lead to So Much More)
“
Is it not late? A late time to be living? Are not our generations the crucial ones? For we have changed the world. Are not our heightened times the important ones? For we have nuclear bombs. Are we not especially significant because our century is? - our century and its unique Holocaust, its refugee populations, its serial totalitarian exterminations; our century and its antibiotics, silicon chips, men on the moon, and spliced genes? No, we are not and it is not. These times of ours are ordinary times, a slice of life like any other. Who can bear to hear this, or who will consider it?...
Take away the bomb threat and what are we? Ordinary beads on a never-ending string. Our time is a routine twist of an improbable yarn...There must be something heroic about our time, something that lifts it above all those other times. Plague? Funny weather? Dire things are happening...
Why are we watching the news, reading the news, keeping up with the news? Only to enforce our fancy - probably a necessary lie - that these are crucial times, and we are in on them. Newly revealed, and we are in the know: crazy people, bunches of them. New diseases, shifts in power, floods! Can the news from dynastic Egypt have been any different?
”
”
Annie Dillard (For the Time Being: Essays)
“
If she captured Tamlin’s power once, who’s to say she can’t do it again?” It was the question I hadn’t yet dared voice.
“He won’t be tricked again so easily,” he said, staring up at the ceiling. “Her biggest weapon is that she keeps our powers contained. But she can’t access them, not wholly—though she can control us through them. It’s why I’ve never been able to shatter her mind—why she’s not dead already. The moment you break Amarantha’s curse, Tamlin’s wrath will be so great that no force in the world will keep him from splattering her on the walls.”
A chill went through me.
“Why do you think I’m doing this?” He waved a hand to me.
“Because you’re a monster.”
He laughed. “True, but I’m also a pragmatist. Working Tamlin into a senseless fury is the best weapon we have against her. Seeing you enter into a fool’s bargain with Amarantha was one thing, but when Tamlin saw my tattoo on your arm … Oh, you should have been born with my abilities, if only to have felt the rage that seeped from him.”
I didn’t want to think much about his abilities. “Who’s to say he won’t splatter you as well?”
“Perhaps he’ll try—but I have a feeling he’ll kill Amarantha first. That’s what it all boils down to, anyway: even your servitude to me can be blamed on her. So he’ll kill her tomorrow, and I’ll be free before he can start a fight with me that will reduce our once-sacred mountain to rubble.” He picked at his nails. “And I have a few other cards to play.”
I lifted my brows in silent question.
“Feyre, for Cauldron’s sake. I drug you, but you don’t wonder why I never touch you beyond your waist or arms?”
Until tonight—until that damned kiss. I gritted my teeth, but even as my anger rose, a picture cleared.
“It’s the only claim I have to innocence,” he said, “the only thing that will make Tamlin think twice before entering into a battle with me that would cause a catastrophic loss of innocent life. It’s the only way I can convince him I was on your side. Believe me, I would have liked nothing more than to enjoy you—but there are bigger things at stake than taking a human woman to my bed.”
I knew, but I still asked, “Like what?”
“Like my territory,” he said, and his eyes held a far-off look that I hadn’t yet seen. “Like my remaining people, enslaved to a tyrant queen who can end their lives with a single word. Surely Tamlin expressed similar sentiments to you.” He hadn’t—not entirely. He hadn’t been able to, thanks to the curse.
“Why did Amarantha target you?” I dared ask. “Why make you her whore?”
“Beyond the obvious?” He gestured to his perfect face. When I didn’t smile, he loosed a breath. “My father killed Tamlin’s father—and his brothers.”
I started. Tamlin had never said—never told me the Night Court was responsible for that.
“It’s a long story, and I don’t feel like getting into it, but let’s just say that when she stole our lands out from under us, Amarantha decided that she especially wanted to punish the son of her friend’s murderer—decided that she hated me enough for my father’s deeds that I was to suffer.”
I might have reached a hand toward him, might have offered my apologies—but every thought had dried up in my head. What Amarantha had done to him …
“So,” he said wearily, “here we are, with the fate of our immortal world in the hands of an illiterate human.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
The human heart was created in the context of the perfection of the garden of Eden. But we don’t live there now.
This is why our instincts keep firing off the lie that perfection is possible. We have pictures of perfection etched into the very DNA of our souls.
We chase it. We angle our cameras trying to catch it. We take twenty shots hoping to find it. And then even our good photos have to be color corrected, filtered, and cropped.
We do our very best to make others think this posted picture is the real deal. But we all know the truth. We all see the charade. We all know the emperor is naked. But there we are, clapping on the sidelines, following along, playing the game. Trying to believe that maybe, just maybe, if we get close to something that looks like perfection it will help us snag a little of its shine for ourselves.
But we know even the shiniest of things is headed in the direction of becoming dull. New will always eventually become old. Followers unfollow. People who lift us up will let us down. The most tightly knit aspects of life snag, unravel, and disintegrate before our very eyes.
And we are epically disappointed.
But we aren’t talking about it.
”
”
Lysa TerKeurst (It's Not Supposed to Be This Way: Finding Unexpected Strength When Disappointments Leave You Shattered)
“
Except for the giant sword in his hand.
"Is that really necessary?" I asked when I walked in, noting that his dagger was also hanging off his belt.
His head jerked up, and I thought he might have been relieved to see me. But then he turned back to the Itineris, crouching down to pull something out of a black duffel bag at his feet. "Never hurts to be prepared," he said.
"It just seems like overkill when you already have a dagger and I have supernatural magic at my disposal."
"'Superpowerful?'" He stood up, a gold chain dangling from his fingers. "let me remind you of two words, Mercer: Bad. Dog."
I rolled my eyes. "That was nearly a year ago. I'm way better now."
"Yeah,well,I'm not taking any chances," he said. For the first time, I noticed there was some sort of holster thing on his back. He slid the sword into it so the hilt rose over his shoulders. "Besides," he added, "I thought you might not come. After what happened the other night..." he paused, studying my face. "Are you all right?"
"I will be when people stop asking me that."
"You know I had nothing to do with that, right?"
"Yeah," I replied. "And if you did have something to do with it, I will vaporize you where you stand."
The corner of his mouth quirked. "Good to know."
He closed the distance between us, coming to stand entirely too close to me. "What are you doing?" I asked, hoping I didn't sound as breathless as I felt.
He lifted his hands, and with surprising gentleness, placed the chain around both our necks. Looking down at it, I saw that the links were actually tiny figures holding hands. I'd seen it somewhere before.
"This is the necklace one of the angels is wearing in the window at Hex Hall."
"It is indeed."
Reaching down to take my hands, he explained, "It's also a very powerful protection charm, which we're going to need."
I swallowed as we laced our fingers and stepped closer to the Itineris. "Why?"
"Because we're going a very long way."
I involuntarily squeezed his fingers with mine. The last time I'd traveled through the Itineris, I'd only gone a few hundred miles, and that had made my head nearly explode. "Where are we going?" I asked.
"Graymalkin Island," he answered. And then he yanked me into the doorway.
”
”
Rachel Hawkins (Demonglass (Hex Hall, #2))
“
Right now, the world you are inheriting is locked in a struggle between love and fear. Fear manifests as anger, insecurity, and loneliness. Fear eats away at our society, leaving all of us less whole, so we teach you that every healthy relationship inspires love, not fear. Love shows up as kindness, generosity, and compassion. It is healing. It makes us more whole. The greatest gift to ever receive will come through these relationships. The most meaningful connections may last for a few moments, or for a lifetime, but each will be a reminder that we were meant to be a part of one another's lives, to lift one another up, to reach heights together, greater than any of us could reach on our own. Our hope is that you will always have friends in your lives who love and remind you of your innate beauty, strength, and compassion. Equally as important, we hope you will do the same for others. It pains us that we won't always be there for you when you feel lonely and sad, but we offer this simple prescription to remind you, you are loved. When those moments of loneliness and suffering arise, take both your hands and place them on your heart and close your eyes. Think about the friends and family who have been there for you throughout your life, in moments of joy, and also in the depths of disappointment, the people who have listened to you when you were sad, the people who believed in you, even when you lost faith in yourself, the people who have held you up, lifted you, and seeing you for who you really are. Feel their warmth and their kindness washing over you, filling you with happiness. Now, open your eyes.
”
”
Vivek H. Murthy (Together: Why Social Connection Holds the Key to Better Health, Higher Performance, and Greater Happiness)
“
The Book of Numbers relates that when the people murmured rebelliously against God, they were punished with a plague of fiery serpents, so that many lost their lives. When they repented, Moses was told by God to make a brazen serpent and set it up for a sign, and all those bitten by the serpents who looked upon that sign would be healed. Our Blessed Lord was now declaring that He was to be lifted up, as the serpent had been lifted up. As the brass serpent had the appearance of a serpent and yet lacked its venom, so too, when He would be lifted up upon the bars of the Cross, He would have the appearance of a sinner and yet be without sin. As all who looked upon the brass serpent had been healed of the bite of the serpent, so all who looked upon Him with love and faith would be healed of the bite of the serpent of evil.
”
”
Fulton J. Sheen (Life of Christ)
“
Oh, do call me Evie. That way, I can call you Sebastian and tell you not to fret about your flaws. We all have them, and if I were newly born into this world, I might be cautious too,” she says, squeezing my arm. “You’re very kind, but this is something deeper, instinctive.” “Well, so what if you are?” she asks. “There are worse things to be. At least you’re not mean-spirited or cruel. And now you get to choose, don’t you? Instead of assembling yourself in the dark like the rest of us—so that you wake up one day with no idea of how you became this person—you can look at the world, at the people around you, and choose the parts of your character you want. You can say, ‘I’ll have that man’s honesty, that woman’s optimism, as if you’re shopping for a suit on Savile Row.” “You’ve made my condition into a gift,” I say, feeling my spirits lift. “Well, what else would you call a second chance?” she asks. “You don’t like the man you were. Very well. Be somebody else. There’s nothing stopping you, not anymore. As I said, I envy you. The rest of us are stuck with our mistakes.
”
”
Stuart Turton (The 7½ Deaths of Evelyn Hardcastle)
“
Perspective - Use It or Lose It. If you turned to this page, you're forgetting that what is going on around you is not reality. Think about that.
Remember where you came from, where you're going, and why you created the mess you got yourself into in the first place.
You are led through your lifetime by the inner learning creature, the playful spiritual being that is your real self. Don't turn away from possible futures before you're certain you don't have anything to learn from them.
Learning is finding out what you already know. Doing is demonstrating that you know it. Teaching is reminding others that they know just as well as you. You are all learners, doers, and teachers.
Your only obligation in any lifetime is to be true to yourself. Being true to anyone else or anything else is not only impossible, but the mark of a false messiah.
Your conscience is the measure of the honesty of your selfishness. Listen to it carefully.
The simplest questions are the most profound.
Where were you born?
Where is your home?
Where are you going?
What are you doing?
Think about these once in awhile, and watch your answers change.
Your friends will know you better in the first minute you meet than your acquaintances will know you in a thousand years.
The bond that links your true family is not one of blood, but of respect and joy in each other's life.
Rarely do members of one family grow up under the same roof.
There is no such thing as a problem without a gift for you in its hands. You seek problems because you need their gifts.
Imagine the universe beautiful and just and perfect.
Then be sure of one thing:
The Is has imagined it quite a bit better than you have.
The original sin is to limit the Is. Don't.
A cloud does not know why it moves in just such a direction and at such a speed, it feels an impulsion....this is the place to go now.
But the sky knows the reason and the patterns behind all clouds, and you will know, too, when you lift yourself high enough to see beyond horizons.
You are never given a wish without being given the power to make it true. You may have to work for it, however.
Argue for your limitations, and sure enough, they're yours.
If you will practice being fictional for a while, you will understand that fictional characters are sometimes more real than people with bodies and heartbeats.
The world is your exercise-book, the pages on which you do your sums.
It is not reality, although you can express reality there if you wish. You are also free to write nonsense, or lies, or to tear the pages.
Every person, all the events of your life, are there because you have drawn them there. What you choose to do with them is up to you.
In order to live free and happily, you must sacrifice boredom. It is not always an easy sacrifice.
The best way to avoid responsibility is to say, "I've got responsibilities."
The truth you speak has no past and no future. It is, and that's all it needs to be.
Here is a test to find whether your mission on earth is finished: If you're alive, it isn't.
Don't be dismayed at good-byes. A farewell is necessary before you can meet again.
And meeting again, after moments or lifetimes, is certain for those who are friends.
The mark of your ignorance is the depth of your belief in injustice and tragedy. What the caterpillar calls the end of the world, the master calls a butterfly.
You're going to die a horrible death, remember. It's all good training, and you'll enjoy it more if you keep the facts in mind.
Take your dying with some seriousness, however. Laughing on the way to your execution it not generally understood by less advanced lifeforms, and they'll call you crazy.
Everything above may be wrong!
”
”
Richard Bach
“
You're all fucking dead.' His voice is eerily calm and all the scarier for it.
Every head in the room turns.
'Riorson!' Orsen's dagger clatters to the floor.
'You think surrendering will save you?' Xaden's lethally soft tone sends goose bumps up my arms. 'It is against our code to attack another rider in their sleep.'
'But you know he never should have bonded her!' Orsen puts his hands up, his palms facing us. 'You of all people have reason enough to want the weakling dead. We're just correcting a mistake.'
'Dragons don't make mistakes.' Xaden's shadows grab every assailant but Orsen by the throat, then constrict. They struggle, but it doesn't matter. Their faces turn people, the shadows holding tight as they sag to their knees, falling in an arc in front of me like lifeless puppets.
I can't find it in my head to pity them.
Xaden prowls forward as though he has all the time in the world and holds out his palm as yet another tendril of darkness lifts my discarded dagger from the floor.
'Let me explain.' Orsen eyes the dagger, and his hands tremble.
'I've heard everything I need to hear.' Xaden's fingers curl around the hilt. 'She should have killed you in the field, but she's merciful. That's not a flaw I possess.' He slashes forward so quickly that I barely catch the move, and Oren's throat opens in a horizontal line, blood streaming down his neck and chest in a torrent.
He grabs for his throat, but it's useless. He bleeds out in seconds, crumpling to the floor. A crimson puddle grows around him.
'Damn, Xaden,' Garrick walks in, sheathing his sword as his gazes rakes over the room. 'No time for questioning?' His glance sweeps to me as if cataloguing injuries, catching on my throat.
'No need for it,' Xaden counters...
”
”
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
“
Anyone can be made to feel like an outsider. It’s up to the people who have the power to exclude. Often it’s on the basis of race. Depending on a culture’s fears and biases, Jews can be treated as outsiders. Muslims can be treated as outsiders. Christians can be treated as outsiders. The poor are always outsiders. The sick are often outsiders. People with disabilities can be treated as outsiders. Members of the LGBTQ community can be treated as outsiders. Immigrants are almost always outsiders. And in most every society, women can be made to feel like outsiders—even in their own homes.
Overcoming the need to create outsiders is our greatest challenge as human beings. It is the key to ending deep inequality. We stigmatize and send to the margins people who trigger in us the feelings we want to avoid. This is why there are so many old and weak and sick and poor people on the margins of society. We tend to push out the people who have qualities we’re most afraid we will find in ourselves—and sometimes we falsely ascribe qualities we disown to certain groups, then push those groups out as a way of denying those traits in ourselves. This is what drives dominant groups to push different racial and religious groups to the margins.
And we’re often not honest about what’s happening. If we’re on the inside and see someone on the outside, we often say to ourselves, “I’m not in that situation because I’m different. But that’s just pride talking. We could easily be that person. We have all things inside us. We just don’t like to confess what we have in common with outsiders because it’s too humbling. It suggests that maybe success and failure aren’t entirely fair. And if you know you got the better deal, then you have to be humble, and it hurts to give up your sense of superiority and say, “I’m no better than others.” So instead we invent excuses for our need to exclude. We say it’s about merit or tradition when it’s really just protecting our privilege and our pride.
”
”
Melinda French Gates (The Moment of Lift: How Empowering Women Changes the World)
“
How could any number of people—all together—know enough? It reminded Seldon of a puzzle that had been presented to him when he was young: Can you have a relatively small piece of platinum, with handholds affixed, that could not be lifted by the bare, unaided strength of any number of people, no matter how many? The answer was yes. A cubic meter of platinum weighs 22,420 kilograms under standard gravitational pull. If it is assumed that each person could heave 120 kilograms up from the ground, then 188 people would suffice to lift the platinum. —But you could not squeeze 188 people around the cubic meter so that each one could get a grip on it. You could perhaps not squeeze more than 9 people around it. And levers or other such devices were not allowed. It had to be “bare, unaided strength.” In the same way, it could be that there was no way of getting enough people to handle the total amount of knowledge required for psychohistory, even if the facts were stored in computers rather than in individual human brains. Only so many people could gather round the knowledge, so to speak, and communicate it.
”
”
Isaac Asimov (Prelude to Foundation (Foundation, #6))
“
How I met Tyler was I went to a nude beach. This was the very end of summer, and I was asleep. Tyler was naked and sweating, gritty with sand, his hair wet and stringy, hanging in his face.
Tyler had been around before we met.
Tyler was pulling driftwood logs out of the surf and dragging them up the beach. In the wet sand, he’d already planted a half circle of logs so they stood a few inches apart and as tall as his eyes. There were four logs, and when I woke up, I watched Tyler pull a fifth log up the beach. Tyler dug a hole under one end of the log, then lifted the other end until the log slid into the hole and stood there at a slight angle.
You wake up at the beach.
We were the only people on the beach.
With a stick, Tyler drew a straight line in the sand several feet away. Tyler went back to straighten the log by stamping sand around its base.
I was the only person watching this.
Tyler called over, “Do you know what time it is?”
I always wear a watch,
“Do you know what time it is?”
I asked, where?
“Right here,” Tyler said. “Right now.”
It was 4:06 P.M.
After a while, Tyler sat cross-legged in the shadow of the standing logs. Tyler sat for a few minutes, got up and took a swim, pulled on a T-shirt and a pair of sweatpants, and started to leave. I had to ask.
I had to know what Tyler was doing while I was asleep.
If I could wake up in a different place, at a different time, could I wake up as a different person?
I asked if Tyler was an artist.
Tyler shrugged and showed me how the five standing logs were wider at the base. Tyler showed me the line he’d drawn in the sand, and how he’d used the line to gauge the shadow cast by each log.
Sometimes, you wake up and have to ask where you are. What Tyler had created was the shadow of a giant hand. Only now the fingers were Nosferatu-long and the thumb was too short, but he said how at exactly four-thirty the hand was perfect. The giant shadow hand was perfect for one minute, and for one perfect minute Tyler had sat in the palm of a perfection he’d created himself.
You wake up, and you’re nowhere.
One minute was enough Tyler said, a person had to work hard for it, but a minute of perfection was worth the effort. A moment was the most you could ever expect from perfection.
You wake up, and that’s enough
”
”
Chuck Palahniuk (Fight Club)
“
Everybody was always trying to ship me with somebody. Thalia. Jason. Gwen. Even Frank. Oh, you'd be perfect together! That's who you need! But I was never really sure if I wanted that, or if I just felt like I was supposed to want it. People, well-meaning, would be like, Oh, you poor thing. You deserve somebody in your life. Date him. Date her. Date whoever. Find your soul mate.'
She looked at me to see if I was following. Her words came out hot and fast, as if she'd been holding them in for a long time. 'And that meeting with Venus. That really messed me up. No demigod will heal your heart. What was that supposed to mean? Then finally you came along.'
'Do we have to review that part again? I am quite embarrassed enough.'
'But you showed me. When you proposed dating . . .' She took a deep breath, her body shaking with silent giggles. 'Oh, gods. I saw how ridiculous I'd been. How ridiculous the whole situation was. That's what healed my heart - being able to laugh at myself again, at my stupid idea about destiny. That allowed me to break free - just like Frank broke free of his firewood. I don't need another person to heal my heart. I don't need a partner . . . at least, not until and unless I'm ready on my own terms. I don't need to be force-shipped with anyone or to wear anybody else's label. For the first time in a long time, I feel like a weight has been lifted from my shoulders. So thank you.
”
”
Rick Riordan (The Tyrant’s Tomb (The Trials of Apollo, #4))
“
Kristin comes down the stairs, and the pressure on my chest snaps. I take a moment to turn away, inhaling deeply, blinking away tears. She sets the plate on a table behind the couch, and half tiptoes back up the stairs.
Thank god. I don’t think I could have handled maternal attention right this second. My body feels like it’s on a hair trigger.
I need to get it together. This is why people avoid me. Someone asks if I want a drink and I have a panic attack.
“You’re okay.” Declan is beside me, and his voice is low and soft, the way it was in the foyer. He’s so hard all the time, and that softness takes me by surprise. I blink up at him.
“You’re okay,” he says again.
I like that, how he’s so sure. Not Are you okay? No question about it.
You’re okay.
He lifts one shoulder in a half shrug. “But if you’re going to lose it, this is a pretty safe place to fall apart.” He takes two cookies from the plate, then holds one out to me. “Here. Eat your feelings.”
I’m about to turn him down, but then I look at the cookie. I was expecting something basic, like sugar or chocolate chip. This looks like a miniature pie, and sugar glistens across the top. “What . . . is that?”
“Pecan pie cookies,” says Rev. He’s taken about five of them, and I think he might have shoved two in his mouth at once. “I could live on them for days.”
I take the one Declan offered and nibble a bit from the side. It is awesome.
I peer up at him sideways. “How did you know?”
He hesitates, but he doesn’t ask me what I mean. “I know the signs.”
“I’m going to get some sodas,” Rev says slowly, deliberately. “I’m going to bring you one. Blink once if that’s okay.”
I smile, but it feels watery around the edges. He’s teasing me, but it’s gentle teasing. Friendly. I blink once.
This is okay. I’m okay. Declan was right.
“Take it out on the punching bag,” calls Rev. “That’s what I do.”
My eyes go wide. “Really?”
“Do whatever you want,” says Declan. “As soon as we do anything meaningful, the baby will wake up.”
Rev returns with three sodas. “We’re doing something meaningful right now.”
“We are?” I say.
He meets my eyes. “Every moment is meaningful.”
The words could be cheesy—should be cheesy, in fact—but he says them with enough weight that I know he means them. I think of The Dark and all our talk of paths and loss and guilt.
Declan sighs and pops the cap on his soda. “This is where Rev starts to freak people out.”
“No,” I say, feeling like this afternoon could not be more surreal. Something about Rev’s statement steals some of my earlier guilt, to think that being here could carry as much weight as paying respects to my mother. I wish I knew how to tell whether this is a path I’m supposed to be on. “No, I like it. Can I really punch the bag?”
Rev shrugs and takes a sip of his soda. “It’s either that or we can break out the Play-Doh
”
”
Brigid Kemmerer (Letters to the Lost (Letters to the Lost, #1))
“
Everyone who is redeemed is saved by faith in the sacrifice of Jesus. All the saints from Adam to John the Baptist were saved by looking forward in faith to the cross. Everybody who is saved today is rescued by virtue of looking back in faith to the cross. Everyone is saved by faith through beholding “the Lamb of God who takes away the sin of the world” (John 1:29). It is this simple: We cannot be saved without loving God. But how do we come to love Him? “We love Him because He first loved us” (1 John 4:19). This is why Jesus said, “And I, if I am lifted up from the earth, will draw all peoples to Myself ” (John 12:32). The cross is the most concentrated point in history; it is there that we best see His love demonstrated for us. At the cross the love of God reached “critical mass”; that marvelous power draws every heart. Peter said if we would be saved we must first repent: “Repent ye therefore, and be converted, that your sins may be blotted out” (Acts 3:19, KJV).
”
”
Doug Batchelor (At Jesus Feet)
“
The psychologist Jonathan Haidt says many people who don’t consciously believe in karma still believe deep down in some version of it, calling it whatever seems appropriate in their own culture. They see systems like welfare or affirmative action as disrupting the balance of the natural world. Slackers, they think, would get what they deserve if the government kept their noses out of it. Their bad karma would come around to crush them, but unnatural forces prevent it. Meanwhile, since these people play by the rules, pay taxes, and sacrifice hours of life for overtime pay, they assume it has to be for a reason. Their pursuit of the good life can’t be futile. The rich, they think, must deserve what they have. One day all the good karma they are generating will lift them even higher up in the social hierarchy to join the others who have what they deserve. The just-world fallacy tells them fairness is built into the system, and so they rage when the system artificially unbalances karmic justice.
”
”
David McRaney (You Are Not So Smart: Why You Have Too Many Friends on Facebook, Why Your Memory Is Mostly Fiction, and 46 Other Ways You're Deluding Yourself)
“
Say something.”
I struggled to get the word out. “What?”
“My name.”
I wasn’t sure why he wanted me to say that, and I didn’t know how it would feel to say it again after all this time, but I drew in a deep breath. “Rider.” Another breath shuddered through me. “Rider Stark.”
His throat worked and, for a heartbeat, neither of us moved as a steamy breeze tossed strands of hair across my face. Then he dropped his notebook to the pavement. I was surprised it didn’t burst into dust. His long-legged pace ate up the distance. One second there was several feet between us, and in the next breath he was right there in front of me. He was so much taller now. I barely reached his shoulders.
And then his arms were around me.
My heart exploded as those strong arms pulled me against his chest. There was a moment where I froze, and then my arms swept around his neck. I held on, squeezing my eyes shut as I inhaled the clean scent and the lingering trace of aftershave. This was him. His hugs were different now, stronger and tighter. He lifted me clear off my feet, one arm around my waist, the other hand buried deep in my hair, and my breasts were mushed against his surprisingly hard chest.
Whoa.
His hugs were most definitely different than they were when we were twelve.
“Jesus, Mouse, you don’t even know...” His voice was gruff and thick as he set me back on my feet, but he didn’t let go. One arm stayed around my waist. His other hand fisted the ends of my hair. His chin grazed the top of my head as I slid my hands down his chest. “I never thought I’d see you again.”
I rested my forehead between my hands, feeling his heart beat fast. I could hear people around us, and I imagined some were probably staring, but I didn’t care. Rider was warm and solid. Real. Alive.
”
”
Jennifer L. Armentrout (The Problem with Forever)
“
The dealership had given him two keys for his new ride, and Andrew was giving the second one to Neil. When Neil took too long to take it from him, Andrew dropped it on the concrete between them. "A man can only have so many issues," Andrew said. "It is just a key." "You're a foster child. You know it isn't," Neil said. He didn't pick the key up but pressed two fingers to it, learning the shape and feel of this newest gift. "I've always had enough cash to live comfortably, but all the decent places ask too many questions. There are background checks and credit checks and references, things I can't provide on my own without leaving too much of a trail. I squatted in Millport. Before that I stayed in decrepit weekly hotels or broke into people's cars or found places that were happy being paid under the table. "It's always been 'go'," Neil said. He turned his hand palm-up and traced a key into his skin with his fingertip. He'd toyed with Andrew's house key so many times he knew every dip and ridge by heart. "It's always been 'lie' and 'hide' and 'disappear'. I've never belonged anywhere or had the right to call anything my own. But Coach gave me keys to the court, and you told me to stay. You gave me a key and called it home." Neil clenched his hand, imagining the bite of metal against his palm, and lifted his gaze to Andrew's face. "I haven't had a home since my parents died." Andrew dug a finger in Neil's cheek and forcibly turned his head away. "Don't look at me like that. I am not your answer, and you sure as fuck aren't mine.
”
”
Nora Sakavic (The King's Men (All for the Game, #3))
“
Look,” Petru said, pointing up at the sky.
Among the first stars beginning to pierce the night sky, there was one falling. It burned, light trailing behind it as it slowly moved through the gathering darkness.
“It is an omen,” Daciana said from her seat in front of Stefan on his horse, her voice quiet with wonder.
Lada closed her eyes, remembering another night when stars fell from the heavens. She had almost been happy, then, with the two men she loved. Now she had neither of them. But she had known that night what she knew now: nothing but Wallachia would ever be enough.
The stars saw her. They knew.
She lifted a hand in the air toward the burning sign as she rode forward, letting everyone see her pointing to the omen of her coming. Everyone would witness it.
They were her people. This was her country. This was her throne. She needed no intrigues, no elaborate plans. Wallachia was her mother. After everything she had been through, all she had done in pursuit of the throne, she was left with one thing only: herself.
She was enough.
”
”
Kiersten White (Now I Rise (And I Darken Series, #2))
“
The Words of an Angel
As I sit in a world of darkness
I look around to see no one
The cold wind has filled my soul
The rivers have poured inside my body
And the weight of the waters holds me back from seeing the light of day
What should I do?
I feel helpless,
Paralyzed in my own fears
And lost with no directions or roads to take
Suddenly, a felt a laser of energy bolt though my body
I yelled, “I’m so tired of feeling this way, I need help”
Suddenly, gold light appeared
And a man stood before me
You foolish man,
You choose this path the moment you chose to give up and wallow in your sorrows
I cannot help you
You need to help yourself.
There are no rivers in your soul holding you back from light of the world
The strength lies within you
Look in my eyes and tell me what you see
The lost man looked into the angels eyes and said, I see a man who gets his strength from helping others
He does not waste time focusing on useless matters
If you dig deep enough my child
You will find precious gift inside yourself
Gifts you never knew you had
Learn from others
Then help yourself
Once you helped yourself
Go out and help the world around you
Because many people feel as you do
The angel suddenly disappeared
The lost man was no longer lost
He was determined to waste no time
He was going to use his time to help others
Just as the angel helped him
The man got up
He realized the only thing holding him down was himself
The room was no longer dark
The light of life had entered
Dig deep in yourself and lift yourself
The answer to your problems lies within
Use your gifts
For the greatest gift is the gift of giving.
”
”
Stacey Chillemi (Life's Missing Instruction Manual)
“
Grant unto us, Lord, that we may set our hope on Thy name…and open the eyes of our hearts, that we
may know Thee.”
“We beseech Thee, Lord and Master, to be our help and succour. Save those among us who are in
tribulation; have mercy on the lowly; lift up the fallen; show Thyself to those in need; heal the sick; turn
again the wanderers of Thy people; feed the hungry; ransom our prisoners; raise up the weak; comfort
the faint-hearted. Let all nations know that Thou art God alone, and that Jesus Christ is Thy Son, and
that we are Thy people and the sheep of Thy pasture.”
“We praise Thee who art able to do these and better things than these, through Jesus Christ the High
Priest and Guardian of our souls, through whom be glory and majesty to Thee, both now and
throughout all generations, for ever and ever. Amen.
”
”
Clement of Rome
“
I finally made eye contact with the boy in the bed. He lay on his side, a tube in his nose and another in his vein. His cheeks were sunken, and his skin was ghostly pale. His hair might have been blond, but it was fading into a gray, making it hard to tell. The only part of this boy that held any life at all were his eyes, which brimmed with tears when he saw me.
“Kahlen?”
I sat still. These three people all called me by the same name, which sounded sort of like Katlyn and Ellen and made me believe that maybe they actually knew me.
“Where did you go? Where have you been? I thought you were dead.” His chest worked overtime, trying to keep up with his mouth, spilling over with words.
“Can you get her a pen? Please?” He lifted an arm weakly. It was all bone. “I just need to know.”
“A pen?” I asked.
Once again his eyes lit up.
“You can talk?”
I stared at this boy, at how he was overjoyed at one of the most basic things a person could do. “So it would seem.” I smiled.
He flopped onto his back, laughing from his gut, and based on Julie’s tears, I was guessing she’d been waiting a long time for that to come back.
”
”
Kiera Cass (The Siren)
“
Without screaming or weeping these people undressed, stood around in family groups, kissed each other, said farewells and waited for a sign from another S.S. man, who stood near the pit, also with a whip in his hand. During the fifteen minutes that I stood near the pit I heard no complaint or plea for mercy… An old woman with snow-white hair was holding a one-year-old child in her arms and singing to it and tickling it. The child was cooing with delight. The parents were looking on with tears in their eyes. The father was holding the hand of a boy about 10 years old and speaking to him softly; the boy was fighting his tears. The father pointed to the sky, stroked his head and seemed to explain something to him. At that moment the S.S. man at the pit shouted something to his comrade. The latter counted off about twenty persons and instructed them to go behind the earth mound… I well remember a girl, slim and with black hair, who, as she passed close to me, pointed to herself and said: “twenty-three years old.” I walked around the mound and found myself confronted by a tremendous grave. People were closely wedged together and lying on top of each other so that only their heads were visible. Nearly all had blood running over their shoulders from their heads. Some of the people were still moving. Some were lifting their arms and turning their heads to show that they were still alive. The pit was already two-thirds full. I estimated that it contained about a thousand people. I looked for the man who did the shooting. He was an S.S. man, who sat at the edge of the narrow end of the pit, his feet dangling into the pit. He had a tommy gun on his knees and was smoking a cigarette. The people, completely naked, went down some steps and clambered over the heads of the people lying there to the place to which the S.S. man directed them. They lay down in front of the dead or wounded people; some caressed those who were still alive and spoke to them in a low voice. Then I heard a series of shots. I looked into the pit and saw that the bodies were twitching or the heads lying already motionless on top of the bodies that lay beneath them. Blood was running from their necks. The next batch was approaching already. They went down into the pit, lined themselves up against the previous victims and were shot. And so it went, batch after batch. The next morning the German engineer returned to the site. I saw about thirty naked people lying near the pit. Some of them were still alive… Later the Jews still alive were ordered to throw the corpses into the pit. Then they themselves had to lie down in this to be shot in the neck… I swear before God that this is the absolute truth.47
”
”
William L. Shirer (The Rise and Fall of the Third Reich: A History of Nazi Germany)
“
Well, anyway,” said the constable at last, turning businesslike, “I got to take charge here. Get this feller into the house before he fries. I’m telling you now: if he don’t make it, you’re in a pickle, you people. Now, here’s what we’ll do. You,” he said, pointing at Mae, “you got to come with me, you and the little girl. You got to be locked up right away; and the little girl, I got to get her home. The rest of you, you stay here with him. Look after him. I’ll get back with a doctor quick as I can. Should have brought a deputy, but I didn’t expect nothing like this to happen. Well, it’s too late now. All right, let’s get moving.”
Miles said softly, “Ma. We’ll get you out right away.”
“Sure, Ma,” said Jesse.
“Don’t worry about me none,” said Mae in the same exhausted voice. “I’ll make out.”
“Make out?” exclaimed the constable. “You people beat all. If this feller dies, you’ll get the gallows, that’s what you’ll get, if that’s what you mean by make out.”
Tuck’s face crumpled. “The gallows?” he whispered. “Hanging?”
“That’s it,” said the constable. “That’s the law. Now, let’s get going.”
Miles and Jesse lifted the man in the yellow suit and carried him carefully into the house, but Tuck stood staring, and Winnie could guess what he was thinking. The constable swung her up onto his horse and directed Mae to her own saddle. But Winnie kept her eyes on Tuck. His face was very pale, the creases deeper than ever, and his eyes looked blank and sunken. She heard him whisper again, “The gallows!”
And then Winnie said something she had never said before, but the words were words she had sometimes heard, and often longed to hear. They sounded strange on her own lips and made her sit up straighter. “Mr. Tuck,” she said, “don’t worry. Everything’s going to be all right.”
The constable glanced heavenward and shook his head.
”
”
Natalie Babbitt (Tuck Everlasting)
“
How old is she now?” “Oh, she’s twenty now.” She hesitated. She was obligated to end our little chat with a stylized flourish. The way it’s done in serial television. So she wet her little bunny mouth, sleepied her eyes, widened her nostrils, patted her hair, arched her back, stood canted and hip-shot, huskied her voice and said, “See you aroun’, huh?” “Sure, Marianne. Sure.” Bless them all, the forlorn little rabbits. They are the displaced persons of our emotional culture. They are ravenous for romance, yet settle for what they call making out. Their futile, acne-pitted men drift out of high school into a world so surfeited with unskilled labor there is competition for bag-boy jobs in the supermarkets. They yearn for security, but all they can have is what they make for themselves, chittering little flocks of them in the restaurants and stores, talking of style and adornment, dreaming of the terribly sincere stranger who will come along and lift them out of the gypsy life of the two-bit tip and the unemployment, cut a tall cake with them, swell them up with sassy babies, and guide them masterfully into the shoal water of the electrified house where everybody brushes after every meal. But most of the wistful rabbits marry their unskilled men, and keep right on working. And discover the end of the dream. They have been taught that if you are sunny, cheery, sincere, group-adjusted, popular, the world is yours, including barbecue pits, charge plates, diaper service, percale sheets, friends for dinner, washer-dryer combinations, color slides of the kiddies on the home projector, and eternal whimsical romance—with crinkly smiles and Rock Hudson dialogue. So they all come smiling and confident and unskilled into a technician’s world, and in a few years they learn that it is all going to be grinding and brutal and hateful and precarious. These are the slums of the heart. Bless the bunnies. These are the new people, and we are making no place for them. We hold the dream in front of them like a carrot, and finally say sorry you can’t have any. And the schools where we teach them non-survival are gloriously architectured. They will never live in places so fine, unless they contract something incurable.
”
”
John D. MacDonald (The Deep Blue Good-By)
“
The Three-Decker
"The three-volume novel is extinct."
Full thirty foot she towered from waterline to rail.
It cost a watch to steer her, and a week to shorten sail;
But, spite all modern notions, I found her first and best—
The only certain packet for the Islands of the Blest.
Fair held the breeze behind us—’twas warm with lovers’ prayers.
We’d stolen wills for ballast and a crew of missing heirs.
They shipped as Able Bastards till the Wicked Nurse confessed,
And they worked the old three-decker to the Islands of the Blest.
By ways no gaze could follow, a course unspoiled of Cook,
Per Fancy, fleetest in man, our titled berths we took
With maids of matchless beauty and parentage unguessed,
And a Church of England parson for the Islands of the Blest.
We asked no social questions—we pumped no hidden shame—
We never talked obstetrics when the Little Stranger came:
We left the Lord in Heaven, we left the fiends in Hell.
We weren’t exactly Yussufs, but—Zuleika didn’t tell.
No moral doubt assailed us, so when the port we neared,
The villain had his flogging at the gangway, and we cheered.
’Twas fiddle in the forc’s’le—’twas garlands on the mast,
For every one got married, and I went ashore at last.
I left ’em all in couples a-kissing on the decks.
I left the lovers loving and the parents signing cheques.
In endless English comfort by county-folk caressed,
I left the old three-decker at the Islands of the Blest!
That route is barred to steamers: you’ll never lift again
Our purple-painted headlands or the lordly keeps of Spain.
They’re just beyond your skyline, howe’er so far you cruise
In a ram-you-damn-you liner with a brace of bucking screws.
Swing round your aching search-light—’twill show no haven’s peace.
Ay, blow your shrieking sirens to the deaf, gray-bearded seas!
Boom out the dripping oil-bags to skin the deep’s unrest—
And you aren’t one knot the nearer to the Islands of the Blest!
But when you’re threshing, crippled, with broken bridge and rail,
At a drogue of dead convictions to hold you head to gale,
Calm as the Flying Dutchman, from truck to taffrail dressed,
You’ll see the old three-decker for the Islands of the Blest.
You’ll see her tiering canvas in sheeted silver spread;
You’ll hear the long-drawn thunder ’neath her leaping figure-head;
While far, so far above you, her tall poop-lanterns shine
Unvexed by wind or weather like the candles round a shrine!
Hull down—hull down and under—she dwindles to a speck,
With noise of pleasant music and dancing on her deck.
All’s well—all’s well aboard her—she’s left you far behind,
With a scent of old-world roses through the fog that ties you blind.
Her crew are babes or madmen? Her port is all to make?
You’re manned by Truth and Science, and you steam for steaming’s sake?
Well, tinker up your engines—you know your business best—
She’s taking tired people to the Islands of the Blest!
”
”
Rudyard Kipling
“
That reminded him of how thrifty she was, and he promptly decided-at least for the moment-that her thriftiness was one of her most endearingly amusing qualities.
“What are you thinking about?” she asked.
He tipped his chin down so that he could better see her and brushed a stray lock of golden hair off her cheek. “I was thinking how wise I must be to have known within minutes of meeting you that you were wonderful.”
She chuckled, thinking his words were teasing flattery. “How soon did my qualities become apparent?”
“I’d say,” he thoughtfully replied, “I knew it when you took sympathy on Galileo.”
She’d expected him to say something about her looks, not her conversation or her mind. “Truly?” she asked with unhidden pleasure.
He nodded, but he was studying her reaction with curiosity. “What did you think I was going to say?”
Her slim shoulders lifted in an embarrassed shrug. “I thought you would say it was my face you noticed first. People have the most extraordinary reaction to my face,” she explained with a disgusted sigh.
“I can’t imagine why,” he said, grinning down at what was, in his opinion-in anyone’s opinion-a heartbreakingly beautiful face belonging to a young woman who was sprawled across his chest looking like an innocent golden goddess.
“I think it’s my eyes. They’re an odd color.”
“I see that now,” he teased, then he said more solemnly, “but as it happens it was not your face which I found so beguiling when we met in the garden, because,” he added when she looked unconvinced, “I couldn’t see it.”
“Of course you could. I could see yours well enough, even though night had fallen.”
“Yes, but I was standing near a torch lamp, while you perversely remained in the shadows. I could tell that yours was a very nice face, with the requisite features in the right places, and I could also tell that your other-feminine assets-were definitely in all the right places, but that was all I could see. And then later that night I looked up and saw you walking down the staircase. I was so surprised, it took a considerable amount of will to keep from dropping the glass I was holding.”
Her happy laughter drifted around the room and reminded him of music. “Elizabeth,” he said dryly, “I am not such a fool that I would have let a beautiful face alone drive me to madness, or to asking you to marry me, or even to extremes of sexual desire.”
She saw that he was perfectly serious, and she sobered, “Thank you,” she said quietly. “That is the nicest compliment you could have paid me, my lord.”
“Don’t call me ‘my lord,’” he told her with a mixture of gentleness and gravity, “unless you mean it. I dislike having you address me that way if it’s merely a reference to my title.”
Elizabeth snuggled her cheek against his hard chest and quietly replied, “As you wish. My lord.”
Ian couldn’t help it. He rolled her onto her back and devoured her with his mouth, claimed her with his hands and then his body.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Moments of pride commemorate people’s achievements. We feel our chest puff out and our chin lift. 2. There are three practical principles we can use to create more moments of pride: (1) Recognize others; (2) Multiply meaningful milestones; (3) Practice courage. The first principle creates defining moments for others; the latter two allow us to create defining moments for ourselves. 3. We dramatically underinvest in recognition. • Researcher Wiley: 80% of supervisors say they frequently express appreciation, while less than 20% of employees agree. 4. Effective recognition is personal, not programmatic. (“ Employee of the Month” doesn’t cut it.) • Risinger at Eli Lilly used “tailored rewards” (e.g., Bose headphones) to show his team: I saw what you did and I appreciate it. 5. Recognition is characterized by a disjunction: A small investment of effort yields a huge reward for the recipient. • Kira Sloop, the middle school student, had her life changed by a music teacher who told her that her voice was beautiful. 6. To create moments of pride for ourselves, we should multiply meaningful milestones—reframing a long journey so that it features many “finish lines.” • The author Kamb planned ways to “level up”—for instance “Learn how to play ‘Concerning Hobbits’ from The Fellowship of the Ring”—toward his long-term goal of mastering the fiddle.
”
”
Chip Heath (The Power of Moments: Why Certain Moments Have Extraordinary Impact)
“
I hurried over to Conrad, walking so fast I kicked up sand behind me. “Hey, I’m gonna get a ride,” I said breathlessly.
The blond Red Sox girl looked me up and down. “Hello,” she said.
Conrad said, “With who?”
I pointed at Cam. “Him.”
“You’re not riding with someone you don’t even know,” he said flatly.
“I do so know him. He’s Sextus.”
He narrowed his eyes. “Sex what?”
“Never mind. His name is Cam, he’s studying whales, and you don’t get to decide who I ride home with. I was just letting you know, as a courtesy. I wasn’t asking for your permission.” I started to walk away, but he grabbed my elbow.
“I don’t care what he’s studying. It’s not gonna happen,” he said casually, but his grip was tight. “If you want to go, I’ll take you.”
I took a deep breath. I had to keep cool. I wasn’t going to let him goad me into being a baby, not in front of all these people. “No, thanks,” I said, trying to walk away again. But he didn’t let go.
“I thought you already had a boyfriend?” His tone was mocking, and I knew he’d seen through my lie the night before.
I wanted so badly to throw a handful of sand in his face. I tried to twist out of his grip. “Let go of me! That hurts!”
He let go immediately, his face red. It didn’t really hurt, but I wanted to embarrass him the way he was embarrassing me. I said loudly, “I’d rather ride with a stranger than with someone who’s been drinking!”
“I’ve had one beer,” he snapped. “I weigh a hundred and seventy-five pounds. Wait half an hour and I’ll take you. Stop being such a brat.”
I could feel tears starting to spark my eyelids. I looked over my shoulder to see if Cam was watching. He was. “You’re an asshole,” I said.
He looked me dead in the eyes and said, “And you’re a four-year-old.”
As I walked away, I heard the girl ask, “Is she your girlfriend?”
I whirled around, and we both said “No!” at the same time.
Confused, she said, “Well, is she your little sister?” like I wasn’t standing right there. Her perfume was heavy. It felt like it filled all the air around us, like we were breathing her in.
“No, I’m not his little sister.” I hated this girl for being a witness to all this. It was humiliating. And she was pretty, in the same kind of way Taylor was pretty, which somehow made things worse.
Conrad said, “Her mom is best friends with my mom.” So that was all I was to him? His mom’s friend’s daughter?
I took a deep breath, and without even thinking, I said to the girl, “I’ve known Conrad my whole life. So let me be the one to tell you you’re barking up the wrong tree. Conrad will never love anyone as much as he loves himself, if you know what I mean-“ I lifted up my hand and wiggled my fingers.
“Shut up, Belly,” Conrad warned. The tops of his ears were turning bright red. It was a low blow, but I didn’t care. He deserved it.
Red Sox girl frowned. “What is she talking about, Conrad?”
To her I blurted out, “Oh, I’m sorry, do you not know what the idiom ‘barking up the wrong tree’ means?”
Her pretty face twisted. “You little skank,” she hissed.
I could feel myself shrinking. I wished I could take it back. I’d never gotten into a fight with a girl before, or with anyone for that matter.
Thankfully, Conrad broke in then and pointed to the bonfire. “Belly, go back over there, and wait for me to come get you,” he said harshly.
That’s when Jeremiah ambled over. “Hey, hey, what’s going on?” he asked, smiling in his easy, goofy way.
“Your brother is a jerk,” I said. “That’s what’s going on.”
Jeremiah put his arm around me. He smelled like beer. “You guys play nice, you hear?”
I shrugged out of his hold and said, “I am playing nice. Tell your brother to play nice.”
“Wait, are you guys brother and sister too?” the girl asked.
Conrad said, “Don’t even think about leaving with that guy.
”
”
Jenny Han (The Summer I Turned Pretty (Summer, #1))
“
Do you remember the Third Insight, that humans are unique in a world of energy in that they can project their energy consciously?” “Yes.” “Do you remember how this is done?” I recalled John’s lessons. “Yes, it is done by appreciating the beauty of an object until enough energy comes into us to feel love. At that point we can send energy back.” “That’s right. And the same principle holds true with people. When we appreciate the shape and demeanor of a person, really focus on them until their shape and features begin to stand out and to have more presence, we can then send them energy, lifting them up. “Of course, the first step is to keep our own energy high, then we can start the flow of energy coming into us, through us, and into the other person. The more we appreciate their wholeness, their inner beauty, the more the energy flows into them, and naturally, the more that flows into us.” She laughed. “It’s really a rather hedonistic thing to do,” she said. “The more we can love and appreciate others, the more energy flows into us. That’s why loving and energizing others is the best possible thing we can do for ourselves.” “I’ve heard that before,” I said. “Father Sanchez says it often.” I looked at Julia closely. I had the feeling I was seeing her deeper personality for the first time. She returned my gaze for an instant, then focused again on the road. “The effect on the individual of this projection of energy is immense,” she said. “Right now, for instance, you’re filling me with energy. I can feel it. What I feel is a greater sense of lightness and clarity as I’m formulating my thoughts to speak. “Because you are giving me more energy than I would have otherwise, I can see what my truth is and more readily give it to you. When I do that, you have a sense of revelation about what I’m saying. This leads you to see my higher self even more fully and so appreciate and focus on it at an even deeper level, which gives me even more energy and greater insight into my truth and the cycle begins over again. Two or more people doing this together can reach incredible highs as they build one another up and have it immediately returned. You must understand, though, that this connection is completely different from a co-dependent relationship. A co-dependent relationship begins this way but soon becomes controlling because the addiction cuts them off from their source and the energy runs out. Real projection of energy has no attachment or intention. Both people are just waiting for the messages.
”
”
James Redfield (The Celestine Prophecy (Celestine Prophecy, #1))
“
She felt him relax and his voice softened. “Is that what this is all about? You feel like you can’t talk to me anymore? We haven’t changed; we’re still the same people.”
She slipped her hands beneath the front of his shirt, slowly running her fingertips over his chest and back down to his waist. He turned in her arms and smiled, but his grin was filled with mocking suspicion. “Are you trying to distract me, Violet Ambrose?”
“I guess you’re smarter than you look,” she teased as he pushed her backward so that they both fell on her bed.
“And you are not as funny as you think you are.” His mouth hovered over hers, his arms tightening, crushing her against him. Violet giggled and tried to squirm free, but Jay wouldn’t let her. He kissed her throat, his lips teasing her until it wasn’t his grip that made it hard for Violet to breathe.
“Oh, and Violet,” he whispered against her ear, his breath tickling her cheek, “I’m still your best friend. Don’t ever forget it.” His words were fervent and touching.
Violet tried to think of a response that made sense, something appropriate, but all she could manage was: “Please. Don’t stop.”
She didn’t mind begging if it meant getting her way.
Apparently that was enough to satisfy Jay, and he kissed her possessively. Thoroughly. Deeply.
He eased her back until she was lying against the pillows, and she waited for him to stop, to tell her that they’d gone far enough for tonight. But she didn’t want him to. She wanted him to keep going. She wanted him to touch her, to kiss her, to explore her. Her body ached for it. She reached for him, clinging so tightly that her fingers hurt. Everything inside of her hurt.
Jay settled over her, covering her with his body, reacting to her. Violet wrapped her legs around him, pulling his hip closer, telling him with her every movement that she wanted him, that she wanted this. Now.
“Are you sure?” Jay asked into the warm breath between them, barely lifting his mouth from hers.
She nodded, but when she tried to speak, her voice trembled. She hoped he didn’t read it wrong. “Of course I am.” She was nervous and terrified and thrilled all at the same time.
He smiled against her mouth, still kissing her, and she melted into him, unable to stop her heart from thundering.
He reached around for his wallet. “I have a condom.” His voice was rough.
Violet smiled. She’d been waiting for this moment for far too long not to be prepared, but she was happy to hear that he’d been considering it seriously also. “Me too,” she told him, reaching into her nightstand drawer and pulling out a handful of them. “I knew you’d give in.”
He groaned, his lips moving to her neck as he tugged at his shirt and pulled it over his head.
Violet thought he was beautiful. He was right for her; he always had been.
And as he slowly slid her shirt up, his fingertips stroking her bare skin and making goose bumps prickle in the wake of his touch, she wondered why it had taken them so long to get to this place.
”
”
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
“
To make matters worse," Luke continued, "there was an accident."
Her eyes widened. "What kind of accident?"
"A cask of whisky slipped from the hoisting gear, broke on the roof of a transit shed, and poured all over MacRae. He's ready to murder someone - which is why I brought him up here to you."
Despite her concern, Merritt let out a snort of laughter. "Luke Marsden, are you planning to hide behind my skirts while I confront the big, mean Scotsman?"
"Absolutely," he said without hesitation. "You like them big and mean.”
Her brows lifted. "What in heaven's name are you talking about?"
"You love soothing difficult people. You're the human equivalent of table syrup."
Amused, Merritt leaned her chin on her hand. "Show him in, then, and I'll start pouring."
It wasn't that she loved soothing difficult people. But she definitely liked to smooth things over when she could. As the oldest of six children, she'd always been the one to settle quarrels among her brothers and sisters, or come up with indoor games on rainy days. More than once, she'd orchestrated midnight raids on the kitchen pantry or told them stories when they'd sneaked to her room after bedtime.
”
”
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
“
Nicolas sat very still just watching her. What he wanted to do was yank her back into the boat and weld their mouths together. Their bodies. He craved her like he would a drug. He made himself breath. In and out. He could read the desperation in her eyes, the fear. Not of him, for him. The tight coil in his belly began to relax. Not giving her time to argue or think, he simply caught her small wrists and lifted her into the boat. “We’re adults, remember? Now that we know it can happen, we’ll be more careful.” He managed a quick, teasing grin. “Until we don’t want to be careful.”
Dahlia swallowed hard. She had courage, he had to give her that. Respect for her grew with every moment in her company. She didn’t back away from him, but held her ground. They were both standing up, and she had a long way to look up. “It could happen, Nicolas. You’ve never seen what pure energy can do, but I have. I generate heat when it happens and fires start. People get hurt.”
“Have you ever made love to someone, Dahlia?”
His voice was so low she had to strain to hear him. She felt the surge of darkness, of danger, something lethal and deadly emanating from him.
“No, I’ve never wanted to get that close to anyone.”
“Until now.” He wanted to hear her say it. At least give him that much. He needed that much.
“Until now,” she agreed.
Nicolas stepped away from her, sank back into position. “Thanks for not pushing me into the water. You must have thought about it.”
“Don’t give me too much credit.” She made her way to the motor. “I wasn’t certain if I shoved, you’d fall.
”
”
Christine Feehan (Mind Game (GhostWalkers, #2))
“
Other people's houses are right on top of this one," he said. "I think they could take one step and be in our living room."
"You haven't seen the courtyard yet, Gregori. The house opens up to a courtyard in the back, and it's immense and in quite good shape." Savannah began heading up the stairs, ignoring his grousing.
"I hate to think what you would call bad shape," he muttered as he followed her upstairs.
"I wonder why everything is so dusty," Savannah said. "I had the real estate people come in and clean and get things ready for our arrival."
"Do not touch anything," Gregori hissed softly, and very gently caught her shoulders to put her behind him.
"What is it?" Instinctively she lowered her voice and looked around, trying to see if there was some danger she had been unable to sense.
"If people came and made up the bed and prepared the house for your arrival, then they would have removed the dust too."
"Maybe they're incredibly incompetent," she suggested hopefully.
Gregori glanced at her and found the hard edge of his mouth softening. She was making him want to smile all the time, even in the most serious of situations. "I am certain any company would work overtime trying to make you happy, ma petite. I know I do."
She blushed at the memory of how he did so. "So why all the dust?" she asked, deliberately distracting him.
"I think Julian left us a message. You have remained with humans so long, you see only with your eyes."
Savannah rolled her eyes at the reprimand. "And you've lived in the hills so long,you've forgotten how to have fun."
The pale eyes slid over her, wrapping her in heat. "I have my own ideas of fun, cherie. I would be willing to show you if you like," he offered wickedly.
Her chin lifted, blue eyes challenging. "If you think you're scaring me with your big-bad-wolf routine,you're not," she said.
He could hear her heart beat. Smell her scent calling to him. "Perhaps I will think of something to change that," he cautioned her.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
O God, you are my God; earnestly I seek you; my soul thirsts for you; my flesh faints for you, as in a dry and weary land where there is no water. So I have looked upon you in the sanctuary, beholding your power and glory. Because your steadfast love is better than life, my lips will praise you. (Psalm 63:1–3) These words might not speak on your behalf, but they can—they must. If you think they can’t, that is not shame talking. It is hopelessness, indifference, and a heart that is getting hard. These are completely understandable, but they are also a whopper of a lie. A warning about “a heart that is getting hard” is not the nicest comment to slip into a book’s final chapter. But please understand why I give it. There is a paralytic quality to shame that leaves you powerless, unable to put up the least resistance. It leads you to believe the lie that Christ’s words to you are mere words, which they are not. They are words of power that heal the sick and raise the dead. When people encounter the gospel, limbs suddenly begin to move and death gives way to life. So, when you hear these deep truths and still think you are paralyzed, understand why. You have been motionless for a while and your muscle memory says you can’t move. But your memory is lying. You can move; you can hear, believe, and declare. If you are passive and hopeless, take a more radical approach. Adopt the topsy-turvy, surprising culture of the kingdom of God. In that kingdom we aren’t shy about looking at our hearts and identifying resistance where we once found only powerlessness. The warning about being hard-hearted can be a reason to hope.
”
”
Edward T. Welch (Shame Interrupted: How God Lifts the Pain of Worthlessness and Rejection)
“
When a boy grows up in a “dysfunctional” family (perhaps there is no other kind of family), his interior warriors will be killed off early. Warriors, mythologically, lift their swords to defend the king. The King in a child stands for and stands up for the child’s mood. But when we are children our mood gets easily overrun and swept over in the messed-up family by the more powerful, more dominant, more terrifying mood of the parent. We can say that when the warriors inside cannot protect our mood from being disintegrated, or defend our body from invasion, the warriors collapse, go into trance, or die. The inner warriors I speak of do not cross the boundary aggressively; they exist to defend the boundary. The Fianna, that famous band of warriors who defended Ireland’s borders, would be a model. The Fianna stayed out all spring and summer watching the boundaries, and during the winter came in. But a typical child has no such protection. If a grown-up moves to hit a child, or stuff food into the child’s mouth, there is no defense—it happens. If the grown-up decides to shout, and penetrate the child’s auditory boundaries by sheer violence, it happens. Most parents invade the child’s territory whenever they wish, and the child, trying to maintain his mood by crying, is simply carried away, mood included. Each child lives deep inside his or her own psychic house, or soul castle, and the child deserves the right of sovereignty inside that house. Whenever a parent ignores the child’s sovereignty, and invades, the child feels not only anger, but shame. The child concludes that if it has no sovereignty, it must be worthless. Shame is the name we give to the sense that we are unworthy and inadequate as human beings. Gershen Kauffman describes that feeling brilliantly in his book, Shame, and Merle Fossum and Marilyn Mason in their book, Facing Shame, extend Kauffman’s work into the area of family shame systems and how they work. When our parents do not respect our territory at all, their disrespect seems overwhelming proof of our inadequacy. A slap across the face pierces deeply, for the face is the actual boundary of our soul, and we have been penetrated. If a grown-up decides to cross our sexual boundaries and touch us, there is nothing that we as children can do about it. Our warriors die. The child, so full of expectation of blessing whenever he or she is around an adult, stiffens with shock, and falls into the timeless fossilized confusion of shame. What is worse, one sexual invasion, or one beating, usually leads to another, and the warriors, if revived, die again. When a boy grows up in an alcoholic family, his warriors get swept into the river by a vast wave of water, and they struggle there, carried downriver. The child, boy or girl, unprotected, gets isolated, and has more in common with snow geese than with people.
”
”
Robert Bly (Iron John: A Book about Men)
“
Then it was horn time. Time for the big solo.
Sonny lifted the trumpet - One! Two! - He got it into sight - Three!
We all stopped dead. I mean we stopped.
That wasn't Sonny's horn. This one was dented-in and beat-up and the tip-end was nicked. It didn't shine, not a bit.
Lux leaned over-you could have fit a coffee cup into his mouth. "Jesus God," he said. "Am I seeing right?"
I looked close and said: "Man, I hope not."
But why kid? We'd seen that trumpet a million times.
It was Spoof's.
Rose-Ann was trembling. Just like me, she remembered how we'd buried the horn with Spoof. And she remembered how quiet it had been in Sonny's room last night...
I started to think real hophead thoughts, like - where did Sonny get hold of a shovel that late? and how could he expect a horn to play that's been under the ground for two years? and -
That blast got into our ears like long knives.
Spoof's own trademark!
Sonny looked caught, like he didn't know what to do at first, like he was hypnotized, scared, almighty scared. But as the sound came out, rolling out, sharp and clean and clear - new-trumpet sound - his expression changed. His eyes changed: they danced a little and opened wide.
Then he closed them, and blew that horn. Lord God of the Fishes, how he blew it! How he loved it and caressed it and pushed it up, higher and higher and higher. High C? Bottom of the barrel. He took off, and he walked all over the rules and stamped them flat.
The melody got lost, first off. Everything got lost, then, while that horn flew. It wasn't only jazz; it was the heart of jazz, and the insides, pulled out with the roots and held up for everybody to see; it was blues that told the story of all the lonely cats and all the ugly whores who ever lived, blues that spoke up for the loser lamping sunshine out of iron-gray bars and every hop head hooked and gone, for the bindlestiffs and the city slicers, for the country boys in Georgia shacks and the High Yellow hipsters in Chicago slums and the bootblacks on the corners and the fruits in New Orleans, a blues that spoke for all the lonely, sad and anxious downers who could never speak themselves...
And then, when it had said all this, it stopped and there was a quiet so quiet that Sonny could have shouted:
'It's okay, Spoof. It's all right now. You get it said, all of it - I'll help you. God, Spoof, you showed me how, you planned it - I'll do my best!'
And he laid back his head and fastened the horn and pulled in air and blew some more. Not sad, now, not blues - but not anything else you could call by a name. Except... jazz. It was Jazz.
Hate blew out of that horn, then. Hate and fury and mad and fight, like screams and snarls, like little razors shooting at you, millions of them, cutting, cutting deep...
And Sonny only stopping to wipe his lip and whisper in the silent room full of people: 'You're saying it, Spoof! You are!'
God Almighty Himself must have heard that trumpet, then; slapping and hitting and hurting with notes that don't exist and never existed. Man! Life took a real beating! Life got groined and sliced and belly-punched and the horn, it didn't stop until everything had all spilled out, every bit of the hate and mad that's built up in a man's heart. ("Black Country")
”
”
Charles Beaumont (American Fantastic Tales: Terror and the Uncanny from the 1940s to Now)
“
All of a sudden, she was there, breaking away from the little group of women and running toward him. She raced across the space between them and threw her arms around his neck. The force of her body knocked him back a few steps as she wrapped around him like a trumpet vine on a cornstalk.
He regained his footing and snaked his arms around her, holding her close. His
exhaustion disappeared in a moment, erased by the incredible fact that Catherine was in his arms right here on the street in front of half the town, lifting her face to kiss him. He
couldn’t refuse her offer and bent his head to cover her soft lips with his. The heat and pressure of her mouth took away all the residual anxiety and fear still floating in him and filled him with wild elation instead.
After several long minutes of feasting on her mouth like a starving man, he pulled away and his eyes opened. Her tear-streaked face filled his vision. His stomach dropped.
Why was she crying? What had happened to her?
He was aware of the crowd of people around them. Glancing up, he saw many eyes focused on him and Catherine, mouths talking, expressions of surprise and shock. He let go of her and stepped back, although it was far too late to protect her reputation.
Catherine cupped his face, drawing his attention back to her, and her lips were
moving. “…don’t you? Never again!” She frowned and signed as she spoke. “Never!
Understand? I love you.” Her graceful hands made the love sign, which looked as though she was offering her heart to him.
At last Jim realized she was upset with him for putting himself in danger. If he’d doubted that she cared, those doubts evaporated under the force of her fury. He nodded and promised.
”
”
Bonnie Dee (A Hearing Heart)
“
Trees stand at the heart of ecology, and they must come to stand at the heart of human politics. Tagore said, Trees are the earth’s endless effort to speak to the listening heaven. But people—oh, my word—people! People could be the heaven that the Earth is trying to speak to. “If we could see green, we’d see a thing that keeps getting more interesting the closer we get. If we could see what green was doing, we’d never be lonely or bored. If we could understand green, we’d learn how to grow all the food we need in layers three deep, on a third of the ground we need right now, with plants that protected one another from pests and stress. If we knew what green wanted, we wouldn’t have to choose between the Earth’s interests and ours. They’d be the same!” One more click takes her to the next slide, a giant fluted trunk covered in red bark that ripples like muscle. “To see green is to grasp the Earth’s intentions. So consider this one. This tree grows from Colombia to Costa Rica. As a sapling, it looks like a piece of braided hemp. But if it finds a hole in the canopy, the sapling shoots up into a giant stem with flaring buttresses.” She turns to regard the image over her shoulder. It’s the bell of an enormous angel’s trumpet, plunged into the Earth. So many miracles, so much awful beauty. How can she leave so perfect a place? “Did you know that every broadleaf tree on Earth has flowers? Many mature species flower at least once a year. But this tree, Tachigali versicolor, this one flowers only once. Now, suppose you could have sex only once in your entire life. . . .” The room laughs now. She can’t hear, but she can smell their nerves. Her switchback trail through the woods is twisting again. They can’t tell where their guide is going. “How can a creature survive, by putting everything into a one-night stand? Tachigali versicolor’s act is so quick and decisive that it boggles me. You see, within a year of its only flowering, it dies.” She lifts her eyes. The room fills with wary smiles for the weirdness of this thing, nature. But her listeners can’t yet tie her rambling keynote to anything resembling home repair. “It turns out that a tree can give away more than its food and medicines. The rain forest canopy is thick, and wind-borne seeds never land very far from their parent. Tachigali’s once-in-a-lifetime offspring germinate right away, in the shadow of giants who have the sun locked up. They’re doomed, unless an old tree falls. The dying mother opens a hole in the canopy, and its rotting trunk enriches the soil for new seedlings. Call it the ultimate parental sacrifice. The common name for Tachigali versicolor is the suicide tree.
”
”
Richard Powers (The Overstory)
“
If you are one of those people who can’t hold a lot in mind at once—you lose focus and start daydreaming in lectures, and have to get to someplace quiet to focus so you can use your working memory to its maximum—well, welcome to the clan of the creative. Having a somewhat smaller working memory means you can more easily generalize your learning into new, more creative combinations. Because you’re learning new, more creative combinations. Having a somewhat smaller working memory, which grows from the focusing abilities of the prefrontal cortex, doesn’t lock everything up so tightly, you can more easily get input from other parts of your brain. These other areas, which include the sensory cortex, not only are more in tune with what’s going on in the environment, but also are the source of dreams, not to mention creative ideas. You may have to work harder sometimes (or even much of the time) to understand what’s going on, but once you’ve got something chunked, you can take that chunk and turn it outside in and inside round—putting it through creative paces even you didn’t think you were capable of!
Here’s another point to put into your mental chunker: Chess, that bastion of intellectuals, has some elite players with roughly average IQs. These seemingly middling intellects are able to do better than some more intelligent players because they practice more. That’s the key idea. Every chess player, whether average or elite, grows talent by practicing. It is the practice—particularly deliberate practice on the toughest aspects of the material—that can help lift average brains into the realm of those with more “natural” gifts. Just as you can practice lifting weights and get bigger muscles over time, you can also practice certain mental patterns that deepen and enlarge in your mind.
”
”
Barbara Oakley
“
This seat taken?" My eyes grazing over the only other occupant, a guy with long glossy dark hair with his head bent over a book.
"It's all yours," he says. And when he lifts his head and smiles,my heart just about leaps from my chest.
It's the boy from my dreams.
The boy from the Rabbit Hole,the gas station,and the cave-sitting before me with those same amazing,icy-blue eues, those same alluring lips I've kissed multiple times-but only in slumber, never in waking life.
I scold my heart to settle,but it doesn't obey.
I admonish myself to sit,to act normal, casual-and I just barely succeed.
Stealing a series of surreptitious looks as I search through my backpack, taking in his square chin,wide generous lips,strong brow,defined cheekbones, and smooth brown skin-the exact same features as Cade.
"You're the new girl,right?" He abandons his book,tilting his head in a way that causes his hair to stream over his shoulder,so glossy and inviting it takes all of my will not to lean across the table and touch it.
I nod in reply,or at least I think I do.I can't be too sure.I'm too stricken by his gaze-the way it mirrors mine-trying to determine if he knows me, recognizes me,if he's surprised to find me here.Wishing Paloma had better prepared me-focused more on him and less on his brother.
I force my gaze from his.Bang my knee hard against the table as I swivel in my seat.Feeling so odd and unsettled,I wish I'd picked another place to sit, though it's pretty clear no other table would have me.
He buries his smile and returns to the book.Allowing a few minutes to pass,not nearly enough time for me to get a grip on myself,when he looks up and says, "Are you staring at me because you've seen my doppelganer roaming the halls,playing king of the cafeteria? Or because you need to borrow a pencil and you're too shy to ask?"
I clear the lump from my throat, push the words past my lips when I say, "No one's ever accused me of being shy." A statement that,while steeped in truth, stands at direct odds with the way I feel now,sitting so close to him. "So I guess it's your twin-or doppelganer,as you say." I keep my voice light, as though I'm not at all affected by his presence,but the trill note at the end gives me away.Every part of me now vibrating with the most intense surge of energy-like I've been plugged into the wall and switched on-and it's all I can do to keep from grabbing hold of his shirt, demanding to know if he dreamed the dreams too.
He nods,allowing an easy,cool smile to widen his lips. "We're identical," he says. "As I'm sure you've guessed. Though it's easy enough to tell us apart. For one thing,he keeps his hair short.For another-"
"The eyes-" I blurt,regretting the words the instant they're out.From the look on his face,he has no idea what I'm talking about. "Yours are...kinder." My cheeks burn so hot I force myself to look away,as words of reproach stampede my brain.
Why am I acting like such an inept loser? Why do I insist on embarrassing myself-in front of him-of all people?
I have to pull it together.I have to remember who I am-what I am-and what I was born to do.Which is basically to crush him and his kind-or,at the very least,to temper the damage they do.
”
”
Alyson Noel (Fated (Soul Seekers, #1))
“
Andre: You know, in the sexual act there’s that moment of complete forgetting, which is so incredible. Then in the next moment you start to think about things: work on the play, what you’ve got to do tomorrow. I don’t know if this is true of you, but I think it must be quite common. The world comes in quite fast. Now that again may be because we’re afraid to stay in that place of forgetting, because that again is close to death. Like people who are afraid to go to sleep. In other words: you interrelate and you don’t know what the next moment will bring, and to not know what the next moment will bring brings you closer to a perception of death!
You see, that’s why I think that people have affairs. Well, I mean, you know, in the theater, if you get good reviews, you feel for a moment that you’ve got your hands on something. You know what I mean? I mean it’s a good feeling. But then that feeling goes quite quickly. And once again you don’t know quite what you should do next. What’ll happen? Well, have an affair and up to a certain point you can really feel that you’re on firm ground. You know, there’s a sexual conquest to be made, there are different questions: does she enjoy the ears being nibbled, how intensely can you talk about Schopenhauer in some elegant French restaurant. Whatever nonsense it is. It’s all, I think, to give you the semblance that there’s firm earth.
Well, have a real relationship with a person that goes on for years, that’s completely unpredictable. Then you’ve cut off all your ties to the land and you’re sailing into the unknown, into uncharted seas. I mean, you know, people hold on to these images: father, mother, husband, wife, again for the same reason: ’cause they seem to provide some firm ground. But there’s no wife there. What does that mean, a wife? A husband? A son? A baby holds your hands and then suddenly there’s this huge man lifting you off the ground, and then he’s gone. Where’s that son?
”
”
André Gregory (My Dinner With André)
“
She came towards me with a juicy gash between her legs that smelled like my best friend's sister"
Just when I thought I'd escaped them all
She comes reeling herself in
pulling at my strings
her hand quick to find my zipper
She moaned the way a drunk old lady does
And I wasn't even inside her yet
"You don't have anywhere else to be," she managed to say...
"My wounds have been reopened tonight already," I muttered
I caught wind of the gully
...the part of her she once kept sacred as a Christian
I smelled the information
I lifted my hand into the air and hailed a cab
He rolled down his window and saw her
"Find another cab," he said,
and sped off into the night
I took her home
because she said she was lonely
really she was drunk off something
some memory or some choice
she walked funny...
-one of her heels had broken
On the couch I left her,
Before I could go, she grabbed my cock
I slapped her across the face and she pulled harder
Her eyes stayed closed
Her lips dripped
Her grip clenched
I wasn't getting out of this one unscathed
"If I take my pants off, will you let me go?" I asked
"If you take your pants off, I'll be suckin' that cock till you pass out from all the screamin'..."
I slapped her again, because she needed it
She laughed
Saying her cousin beat her harder
Saying her father knew how to really...
...make things happen
I asked her what her father's number was
Let's get his motherfucking self up here to take you away, that's what I said
She said he died, or killed himself
"What's the difference really," she said, chewing on her hair
She let go of my cock on her own accord
And she opened her eyes for a moment
She closed them again
And I could tell she was sleeping
Her eyes opened once more
Her face red where I'd hit her
She tasted the blood on her lip
"Do you think if we remind ourselves enough, we can make up for all the pain we've caused others?"
I said to her, "We can't. All we can do is keep ourselves from all those who don't deserve it.
”
”
Dave Matthes (Strange Rainfall on the Rooftops of People Watchers: Poems and Stories)
“
His breath fell in a warm, even rhythm on the curve of her cheek. “Some people think of the bee as a sacred insect,” he said. “It’s a symbol of reincarnation.”
“I don’t believe in reincarnation,” she muttered.
There was a smile in his voice. “What a surprise. At the very least, the bees’ presence in your home is a sign of good things to come.”
Her voice was buried in the fine wool of his coat. “Wh-what does it mean if there are thousands of bees in one’s home?”
He shifted her higher in his arms, his lips curving gently against the cold rim of her ear. “Probably that we’ll have plenty of honey for teatime. We’re going through the doorway now. In a moment I’m going to set you on your feet.”
Amelia kept her face against him, her fingertips digging into the layers of his clothes. “Are they following?”
“No. They want to stay near the hive. Their main concern is to protect the queen from predators.”
“She has nothing to fear from me!”
Laughter rustled in his throat. With extreme care, he lowered Amelia’s feet to the floor. Keeping one arm around her, he reached with the other to close the door. “There. We’re out of the room. You’re safe.” His hand passed over her hair. “You can open your eyes now.”
Clutching the lapels of his coat, Amelia stood and waited for a feeling of relief that didn’t come. Her heart was racing too hard, too fast. Her chest ached from the strain of her breathing. Her lashes lifted, but all she could see was a shower of sparks.
“Amelia … easy. You’re all right.” His hands chased the shivers that ran up and down her back. “Slow down, sweetheart.”
She couldn’t. Her lungs were about to burst. No matter how hard she worked, she couldn’t get enough air. Bees … the sound of buzzing was still in her ears. She heard his voice as if from a great distance, and she felt his arms go around her again as she sank into layers of gray softness.
After what could have been a minute or an hour, pleasant sensations filtered through the haze. A tender pressure moved over her forehead. The gentle brushes touched her eyelids, slid to her cheeks. Strong arms held her against a comfortingly hard surface, while a clean, salt-edged scent filled her nostrils. Her lashes fluttered, and she turned into the warmth with confused pleasure.
“There you are,” came a low murmur.
Opening her eyes, Amelia saw Cam Rohan’s face above her. They were on the hallway floor—he was holding her in his lap. As if the situation weren’t mortifying enough, the front of her bodice was gaping, and her corset was unhooked. Only her crumpled chemise was left to cover her chest.
Amelia stiffened. Until that moment she had never known there was a feeling beyond embarrassment, that made one wish one could crumble into a pile of ashes. “My … my dress…”
“You weren’t breathing well. I thought it best to loosen your corset.”
“I’ve never fainted before,” she said groggily, struggling to sit up.
“You were frightened.” His hand came to the center of her chest, gently pressing her back down. “Rest another minute.” His gaze moved over her wan features. “I think we can conclude you’re not fond of bees.
”
”
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
“
Oh, now, life, life! I lifted up my hands and called upon eternal truth, not with words, but with tears; ecstasy, immeasurable ecstasy flooded my soul. Yes, life and spreading the good tidings! Oh, I at that moment resolved to spread the tidings, and resolved it, of course, for my whole life. I go to spread the tidings, I want to spread the tidings — of what? Of the truth, for I have seen it, have seen it with my own eyes, have seen it in all its glory.
And since then I have been preaching! Moreover I love all those who laugh at me more than any of the rest. Why that is so I do not know and cannot explain, but so be it. I am told that I am vague and confused, and if I am vague and confused now, what shall I be later on? It is true indeed: I am vague and confused, and perhaps as time goes on I shall be more so. And of course I shall make many blunders before I find out how to preach, that is, find out what words to say, what things to do, for it is a very difficult task. I see all that as clear as daylight, but, listen, who does not make mistakes? An yet, you know, all are making for the same goal, all are striving in the same direction anyway, from the sage to the lowest robber, only by different roads. It is an old truth, but this is what is new: I cannot go far wrong. For I have seen the truth; I have seen and I know that people can be beautiful and happy without losing the power of living on earth. I will not and cannot believe that evil is the normal condition of mankind. And it is just this faith of mine that they laugh at. But how can I help believing it? I have seen the truth — it is not as though I had invented it with my mind, I have seen it, seen it, and the living image of it has filled my soul for ever. I have seen it in such full perfection that I cannot believe that it is impossible for people to have it. And so how can I go wrong? I shall make some slips no doubt, and shall perhaps talk in second-hand language, but not for long: the living image of what I saw will always be with me and will always correct and guide me. Oh, I am full of courage and freshness, and I will go on and on if it were for a thousand years!
”
”
Fyodor Dostoevsky (The Dream of a Ridiculous Man)
“
Ribs hurting?" When he only shrugged, she shook her head. "Let me take a look."
"She barely caught me."
"Oh,for heaven's sake." Impatient, Keeley did what she would have done with one of her brothers: She tugged Brian's T-shirt out of his jeans.
"Well,darling,if I'd known you were so anxious to get me undressed,I'd have cooperated fully,and in private."
"Shut up.God, Brian, you said it was nothing."
"It's not much."
His definition of not much was a softball-size bruise the ribs in a burst of ugly red and black. "Macho is tedious, so just shut up."
He started to grin,then yelped when she pressed her fingers to the bruise. "Hell, woman,if that's your idea of tender mercies, keep them."
"You could have a cracked rib. You need an X ray."
"I don't need a damned-ouch! Bollocks and bloody hell, stop poking." He tried to pull his shirt down, but she simply yanked it up again.
"Stand still,and don't be a baby."
"A minute ago it was don't be macho, now it's don't be a baby. What do you want?"
"For you to behave sensibly."
"It's difficult for a man to behave sensibly when a woman's taking his clothes off in broad daylight. If you're going to kiss it and make it better, I've several other bruises. I've a dandy one on my ass as it happens."
"I'm sure that's terribly amusing.One of the men can drive you to the emergency room"
"No one's driving me anywhere. I'd know if my ribs are cracked as I've had a few in my time.It's a bruise, and it's throbbing like a bitch now that you've been playing with it."
She spotted another, riding high on his hip,and gave that a poke. This time he groaned.
"Keeley,you're torturing me here."
"Im just trying..." She trailed off as she lifted her head and saw his eyes. It wasn't pain or annoyance in them now. It was heat,and it was frustration. And it was surprisingly gratifying. "Really?"
It was wrong,and it was foolish, but a sip of power was a heady thing.She trailed her fingers along his hip, up his ribs and down again, and felt his mucles quiver. "Why don't you stop me?"
His throat hurt. "You make my head swim. And you know it."
"Maybe I do.Now.Maybe I like it." She'd never been deliberately provocative before. Had never wanted to be. And she'd never known the thrill of having a strong man turn to putty under her hands. "Maybe I've thought about you, Brian,the way you said I would."
"You pick a fine time to tell me when there's people everywhere, and your father one of them.
”
”
Nora Roberts (Irish Rebel (Irish Hearts, #3))
“
Masculinity is not about being the biggest, the fastest, the strongest, the one who sleeps with the most girls, and the one who has the most money. The one who has the most accomplishments is not the most masculine. In fact, it is often the men who covet these things most who are covering and compensating for the greatest insecurities. Let us revere the one who loves others deeply, loves himself deeply, and has a dream that he is inspired to live with and by and through. He is a man.
He does not stand unmoved or untouched in the face of truly moving experiences.
He does not judge the totality of his life or anyone else’s life by the totals on the scoreboard as the clock ticks down to zero.
He does not use money as a proxy for emotional connection nor material possessions as the measure of his self-worth.
He does not define his manhood by the number of women he has conquered.
He does not always fight fire with fire; sometimes he doesn’t need to fight at all.
He does not meet seriousness with silliness when it is seriousness that is required.
He does not take risks for risks’ sake, because he does not hide from his frailty, his mortality, or his humanity.
He does not pretend to know everything about anything, nor is he afraid to admit when he knows nothing about something.
And perhaps most important of all, he does not walk around thinking he’s The Man.
No, the masculine man goes through a journey, a process of self-discovery, and figures out what he needs to do to acquire the tools, knowledge, wisdom, grace, love, passion, and joy to pursue his destiny. His destiny is his dreams. Those may evolve over time, but in their pursuit, he is not breaking down anyone else or hurting anyone else. He is not at war with other people, conquering them. He is the one joining forces, searching for the win-win. He is the one who is lifting others up, inspiring others through his journey and his own process (in which he is finding ways to create value along the way). He is the hero of his own journey. And in so being, he is looking for every way to have the best relationships possible with his family, friends, his romantic partner, his colleagues, or his customers. He’s finding ways to be the best possible version of himself.
Masculinity is about discovering yourself and owning what you find. It’s about being kind to others, and pursuing your dreams with all the passion and energy you can muster. It’s about doing something that is meaningful to you that brings value to others. That’s how you build a legacy.
”
”
Lewis Howes (The Mask of Masculinity: How Men Can Embrace Vulnerability, Create Strong Relationships, and Live Their Fullest Lives)
“
I should know; perfectionism has always been a weakness of mine. Brene' Bown captures the motive in the mindset of the perfectionist in her book Daring Greatly: "If I look perfect and do everything perfectly, I can avoid or minimize the painful feelings of shame, judgment, and blame." This is the game, and I'm the player. Perfectionism for me comes from the feelings that I don't know enough. I'm not smart enough. Not hardworking enough. Perfectionism spikes for me if I'm going into a meeting with people who disagree with me, or if I'm giving a talk to experts to know more about the topic I do … when I start to feel inadequate and my perfectionism hits, one of the things I do is start gathering facts. I'm not talking about basic prep; I'm talking about obsessive fact-gathering driven by the vision that there shouldn't be anything I don't know. If I tell myself I shouldn't overprepare, then another voice tells me I'm being lazy. Boom. Ultimately, for me, perfectionism means hiding who I am. It's dressing myself up so the people I want to impress don't come away thinking I'm not as smart or interesting as I thought. It comes from a desperate need to not disappoint others. So I over-prepare. And one of the curious things I've discovered is that what I'm over-prepared, I don't listen as well; I go ahead and say whatever I prepared, whether it responds to the moment or not. I miss the opportunity to improvise or respond well to a surprise. I'm not really there. I'm not my authentic self…
If you know how much I am not perfect. I am messy and sloppy in so many places in my life. But I try to clean myself up and bring my best self to work so I can help others bring their best selves to work. I guess what I need to role model a little more is the ability to be open about the mess. Maybe I should just show that to other people. That's what I said in the moment. When I reflected later I realized that my best self is not my polished self. Maybe my best self is when I'm open enough to say more about my doubts or anxieties, admit my mistakes, confess when I'm feeling down. The people can feel more comfortable with their own mess and that's needs your culture to live in that. That was certainly the employees' point. I want to create a workplace where everyone can bring the most human, most authentic selves where we all expect and respect each other's quirks and flaws and all the energy wasted in the pursuit of perfection is saved and channeled into the creativity we need for the work that is a cultural release impossible burdens and lift everyone up.
”
”
Melinda French Gates (The Moment of Lift: How Empowering Women Changes the World)
“
As the third evening approached, Gabriel looked up blearily as two people entered the room.
His parents.
The sight of them infused him with relief. At the same time, their presence unlatched all the wretched emotion he'd kept battened down until this moment. Disciplining his breathing, he stood awkwardly, his limbs stiff from spending hours on the hard chair. His father came to him first, pulling him close for a crushing hug and ruffling his hair before going to the bedside.
His mother was next, embracing him with her familiar tenderness and strength. She was the one he'd always gone to first whenever he'd done something wrong, knowing she would never condemn or criticize, even when he deserved it. She was a source of endless kindness, the one to whom he could entrust his worst thoughts and fears.
"I promised nothing would ever harm her," Gabriel said against her hair, his voice cracking.
Evie's gentle hands patted his back.
"I took my eyes off her when I shouldn't have," he went on. "Mrs. Black approached her after the play- I pulled the bitch aside, and I was too distracted to notice-" He stopped talking and cleared his throat harshly, trying not to choke on emotion.
Evie waited until he calmed himself before saying quietly, "You remember when I told you about the time your f-father was badly injured because of me?"
"That wasn't because of you," Sebastian said irritably from the bedside. "Evie, have you harbored that absurd idea for all these years?"
"It's the most terrible feeling in the world," Evie murmured to Gabriel. "But it's not your fault, and trying not to make it so won't help either of you. Dearest boy, are you listening to me?"
Keeping his face pressed against her hair, Gabriel shook his head.
"Pandora won't blame you for what happened," Evie told him, "any more than your father blamed me."
"Neither of you are to blame for anything," his father said, "except for annoying me with this nonsense. Obviously the only person to blame for this poor girl's injury is the woman who attempted to skewer her like a pinioned duck." He straightened the covers over Pandora, bent to kiss her forehead gently, and sat in the bedside chair. "My son... guilt, in proper measure, can be a useful emotion. However, when indulged to excess it becomes self-defeating, and even worse, tedious." Stretching out his long legs, he crossed them negligently. "There's no reason to tear yourself to pieces worrying about Pandora. She's going to make a full recovery."
"You're a doctor now?" Gabriel asked sardonically, although some of the weight of grief and worry lifted at his father's confident pronouncement.
"I daresay I've seen enough illness and injuries in my time, stabbings included, to predict the outcome accurately. Besides, I know the spirit of this girl. She'll recover."
"I agree," Evie said firmly.
Letting out a shuddering sigh, Gabriel tightened his arms around her.
After a long moment, he heard his mother say ruefully, "Sometimes I miss the days when I could solve any of my children's problems with a nap and a biscuit."
"A nap and a biscuit wouldn't hurt this one at the moment," Sebastian commented dryly. "Gabriel, go find a proper bed and rest for a few hours. We'll watch over your little fox cub.
”
”
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
“
Because you deserve a duke, damn it!” A troubled expression furrowed his brow. “You deserve a man who can give you the moon. I can’t. I can give you a decent home in a decent part of town with decent people, but you…” His voice grew choked. “You’re the most amazing woman I’ve ever known. It destroys me to think of what you’ll have to give up to be with me.”
“I told you before-I don’t care!” she said hotly. “Why can’t you believe me?”
He hesitated a long moment. “The truth?”
“Always.”
“Because I can’t imagine why you’d want me when you have men of rank and riches at your fingertips.”
She gave a rueful laugh. “You grossly exaggerate my charms, but I can’t complain. It’s one of many things I adore about you-that you see a better version of me than I ever could.” Remembering the wonderful words he’d said last night when she’d been so self-conscious, she left the bed to walk up to him. “Do you know what I see when I look at you?”
His wary gaze locked with hers. “Proper Pinter. Proud Pinter.”
“Yes, but that’s just who you show to the world to protect yourself.” She reached up to stroke his cheek, reveling in the ragged breath that escaped him. “When you let down your guard, however, I see Jackson-who ferrets out the truth, no matter how hard. Who risks his own life to protect the weak. Who’d sacrifice anything to prevent me from having to sacrifice everything.”
Catching her hand, he halted its path. “You see a saint,” he said hoarsely. “I’m not a saint; I’m a man with needs and desires and a great many rough edges.”
“I like your rough edges,” she said with a soft smile. “If I’d really wanted a man of rank and riches, I probably would have married long ago. I always told myself I couldn’t marry because no one wanted me, but the truth was, I didn’t want any of them.” She fingered a lock of hair. “Apparently I was waiting for you, rough edges and all.”
His eyes turned hot with wanting. Drawing her hand to his lips, he kissed the palm so tenderly that her heart leapt into her throat. When he lifted his head, he said, “Then marry me, rough edges and all.”
She swallowed. “That’s what you say now, when we’re alone and you’re caught up in-“
He covered her mouth with his, kissing her so fervently that she turned into a puddle of mush. Blast him-he always did that, too, when they were alone; it was when they were with others that he reconsidered their being together forever. And he still had said nothing of live.
“That’s enough of that,” she warned, drawing back from him. “Until you make a proper proposal, before my family, you’re not sharing my bed.”
“Sweeting-“
“Don’t you ‘sweeting’ me, Jackson Pinter.” She edged away from him. “I want Proper Pinter back now.”
A mocking smile crossed his lips. “Sorry, love. I threw him out when I saw how he was mucking up my private life.”
Love?
No, she wouldn’t let that soften her. Not until she was sure he wouldn’t turn cold later. “You told Oliver you’d behave like a gentleman.”
“To hell with your brother.” He stalked her with clear intent.
Even as she darted behind a chair to avoid him, excitement tore through her. “Aren’t you still worried Gran will cut me off, and you’ll be saddled with a spoiled wife and not enough money to please her?”
“To hell with your grandmother, too. For that matter, to hell with the money.” He tossed the chair aside as if it were so much kindling; it clattered across the floor. “It’s you I want.
”
”
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
“
After all, a kiss between real lovers is not some type of contract, a neatly defined moment of pleasure, something obtained by greedy conquest, or any kind of clear saying of how it is. It is a grief-drenched hatching of two hearts into some ecstatic never-before-seen bird whose new uncategorizable form, unrecognized by the status quo, gives the slip to Death's sure rational deal. For love is a delicious and always messy extension of life that unfrantically outgrows mortality's rigid insistence on precise and efficient definition. Having all the answers means you haven't really ecstatically kissed or lived, thereby declaring the world defined and already finished. Loving all the questions on the other hand is a vitality that makes any length of life worth living. Loving doesn't mean you know all the notes and that you have to play all the notes, it just means you have to play the few notes you have long and beautifully.
Like the sight of a truly beautiful young woman, smooth and gliding, melting hearts at even a distant glimpse, that no words, no matter how capable, can truly describe; a woman whose beauty is only really known by those who take a perch on the vista of time to watch the years of life speak out their long ornate sentences of grooves as they slowly stretch into her smoothness, wrinkling her as she glides struggling, decade by decade, her gait mitigated by a long trail of heavy loads, joys, losses, and suffering whose joint-aching years of traveling into a mastery of her own artistry of living, becomes even more than beauty something about which though we are even now no more capable of addressing than before, our admiration as original Earth-loving human beings should nonetheless never remain silent. And for that beauty we should never sing about, but only sing directly to it. Straightforward, cold, and inornate description in the presence of such living evidence of the flowering speech of the Holy in the Seed would be death of both the beauty and the speaker. Even if we always fail when we speak, we must be willing to fail magnificently, for even an eloquent failure, if in the service of life, feeds the Divine.
Is it not a magical thing, this life, when just a little ash, cinder, and unclear water can arrange themselves into a beautiful old woman who sways, lifts, kisses, loves, sickens, argues, loses, bears up under it all, and, wrinkling, still lives under all that and yet feeds the Holy in Nature by just the way she moves barefoot down a path?
If we can find the hearts, tongues, and brightness of our original souls, broken or not, then no matter from what mess we might have sprung today, we would be like those old-time speakers of life; every one of us would have it in our nature to feel obligated by such true living beauty as to know we have to say something in its presence if only for our utter feeling of awe. For, finally learning to approach something respectfully with love, slowly with the courtesy of an ornate indirectness, not describing what we see but praising the magnificence of her half-smiles of grief and persistent radiance rolling up from the weight-bearing thumping of her fine, well-oiled dusty old feet shuffling toward the dawn reeds at the edge of her part of the lake to fetch a head-balanced little clay jar of water to cook the family breakfast, we would know why the powerful Father Sun himself hurries to get his daily glimpse of her, only rising early because she does.
”
”
Martin Prechtel (The Unlikely Peace at Cuchumaquic: The Parallel Lives of People as Plants: Keeping the Seeds Alive)
“
I’m okay. I think all this isolation, and all the extra security stuff, is just starting to wear on me. I’m going a little stir-crazy being cooped up all the time.” She tried to explain her sulky mood. “Especially with Homecoming this weekend. The idea of sitting around here, while everyone else is out having fun, just sucks.”
He didn’t react the way she’d expected him to react. She’d expected some more sympathy, and maybe even some suggestive comments about the two of them being left alone together. What she didn’t expect was for him to smile at her. But he did. And it was his sideways smile, which told Violet that he knew something she didn’t.
“What?” she demanded adamantly.
He grinned. He was definitely keeping something from her.
“Tell me!” she insisted, glowering at him.
“I don’t know . . .” he teased her. “I’m not sure you deserve it.”
She punched him in the arm for making her beg. “Please, just tell me.”
He laughed at her. “Fine. I give up. Bully.” He pretended to rub his arm where she’d hit him. “What if I were to tell you that . . .”—he dragged it out, making her lean closer in anticipation, his crooked smile lighting up his face—“. . . we’re still going to the dance?”
Violet was speechless. That wasn’t at all what she’d expected him to say.
“Yeah, right,” she retorted cynically. “My parents barely let me go to school, let alone go to the dance.”
“You’re right, they didn’t want you to go, but we talked about it, and even your uncle Stephen helped out. The football game was definitely out of the question; there are just too many people coming and going, and there’re no restrictions for getting in. But the dance is at school, in the gym. Only students and their dates can get in, and your uncle said he was already planning to have extra security there. So, as long as I promise to keep a close eye on you . . . which I do”—his voice suggested that the last part had nothing to do with keeping her safe, and Violet felt her cheeks flushing in response—“your parents have agreed to let you go.”
She glanced down at her ankle, double-wrapped in Ace bandages, and completely useless. “But I can’t dance.” She felt crestfallen.
He slid his finger beneath her shin and lifted it up so that she was staring into his eyes. “I don’t care at all if we dance. I just want to take my girlfriend”—his emphasis on the word gave her goose bumps, and she smiled—“to Homecoming.”
They stayed there like that, with their eyes locked and unspoken meaning passing between them, for several long, electrifying moments. Violet was the first to break the spell. “Lissie’ll be there,” she stated in a voice that was devoid of any real jealousy.
Jay shook his head, still gazing at her intently. “I won’t even notice her. I won’t be able to take my eyes off you.”
Violet was glad she was already sitting, because his words made her feel weak and fluttery. The corner of her mouth twitched upward with satisfaction. “Not if I have any say in it, you won’t,” she answered.
”
”
Kimberly Derting (The Body Finder (The Body Finder, #1))
“
In 1976, a doctoral student at the University of Nottingham in England demonstrated that randomizing letters in the middle of words had no effect on the ability of readers to understand sentences. In tihs setncene, for emalxpe, ervey scarbelmd wrod rmenias bcilasaly leibgle. Why? Because we are deeply accustomed to seeing letters arranged in certain patterns. Because the eye is in a rush, and the brain, eager to locate meaning, makes assumptions. This is true of phrases, too. An author writes “crack of dawn” or “sidelong glance” or “crystal clear” and the reader’s eye continues on, at ease with combinations of words it has encountered innumerable times before. But does the reader, or the writer, actually expend the energy to see what is cracking at dawn or what is clear about a crystal? The mind craves ease; it encourages the senses to recognize symbols, to gloss. It makes maps of our kitchen drawers and neighborhood streets; it fashions a sort of algebra out of life. And this is useful, even essential—X is the route to work, Y is the heft and feel of a nickel between your fingers. Without habit, the beauty of the world would overwhelm us. We’d pass out every time we saw—actually saw—a flower. Imagine if we only got to see a cumulonimbus cloud or Cassiopeia or a snowfall once a century: there’d be pandemonium in the streets. People would lie by the thousands in the fields on their backs. We need habit to get through a day, to get to work, to feed our children. But habit is dangerous, too. The act of seeing can quickly become unconscious and automatic. The eye sees something—gray-brown bark, say, fissured into broad, vertical plates—and the brain spits out tree trunk and the eye moves on. But did I really take the time to see the tree? I glimpse hazel hair, high cheekbones, a field of freckles, and I think Shauna. But did I take the time to see my wife? “Habitualization,” a Russian army-commissar-turned-literary-critic named Viktor Shklovsky wrote in 1917, “devours works, clothes, furniture, one’s wife, and the fear of war.” What he argued is that, over time, we stop perceiving familiar things—words, friends, apartments—as they truly are. To eat a banana for the thousandth time is nothing like eating a banana for the first time. To have sex with somebody for the thousandth time is nothing like having sex with that person for the first time. The easier an experience, or the more entrenched, or the more familiar, the fainter our sensation of it becomes. This is true of chocolate and marriages and hometowns and narrative structures. Complexities wane, miracles become unremarkable, and if we’re not careful, pretty soon we’re gazing out at our lives as if through a burlap sack. In the Tom Andrews Studio I open my journal and stare out at the trunk of the umbrella pine and do my best to fight off the atrophy that comes from seeing things too frequently. I try to shape a few sentences around this tiny corner of Rome; I try to force my eye to slow down. A good journal entry—like a good song, or sketch, or photograph—ought to break up the habitual and lift away the film that forms over the eye, the finger, the tongue, the heart. A good journal entry ought be a love letter to the world. Leave home, leave the country, leave the familiar. Only then can routine experience—buying bread, eating vegetables, even saying hello—become new all over again.
”
”
Anthony Doerr (Four Seasons in Rome: On Twins, Insomnia, and the Biggest Funeral in the History of the World)
“
She gives just enough hints about him to make you wonder why he became so villainous. And if he dies, I’ll never learnt the answer.”
Oliver eyes her closely. “Perhaps he was born villainous.”
“No one is born villainous.”
“Oh?” he said with raised eyebrow. “So we’re all born good?”
“Neither. We start as animals, with an animal’s needs and desires. It takes parents and teachers and other good examples to show us how to restrain those needs and desires, when necessary, for the greater good. But it’s still our choice whether to heed that education or to do as we please.”
“For a woman who loves murder and mayhem, you’re quite the philosopher.”
“I like to understand how things work. Why people behave as they do.”
He digested that for a moment. “I happen to think that some of us, like Rockton, are born with a wicked bent.”
She chose her words carefully. “That certainly provides Rockton with a convenient excuse for his behavior.”
His features turned stony. “What do you mean?”
“Being moral and disciplined is hard work. Being wicked requires no effort at all-one merely indulges every desire and impulse, no matter how hurtful or immoral. By claiming to be born wicked, Rockton ensures that he doesn’t have to struggle to be god. He can just protest that he can’t help himself.”
“Perhaps he can’t,” he clipped out.
“Or maybe he’s simply unwilling to fight his impulses. And I want to know the reason for that. That’s why I keep reading Minerva’s books.”
Did Oliver actually believe he’d been born irredeemably wicked? How tragic! It lent a hopelessness to his life that helped to explain his mindless pursuit of pleasure.
“I can tell you the reason for Rockton’s villainy.” Oliver rose to round the desk. Propping his hip on the edge near her, he reached out to tuck a tendril of hair behind her ear.
A sweet shudder swept over her. Why must he have this effect on her? It simply wasn’t fair. “Oh?” she managed.
“Rockton knows he can’t have everything he wants,” he said hoarsely, his hand drifting to her cheek. “He can’t have the heroine, for example. She would never tolerate his…wicked impulses. Yet he still wants her. And his wanting consumes him.”
Her breath lodged in her throat. It had been days since he’d touched her, and she hadn’t forgotten what it was like for one minute. To have him this near, saying such things…
She fought for control over her volatile emotions. “His wanting consumes him precisely because he can’t have her. If he thought he could, he wouldn’t want her after all.”
“Not true.” His voice deepening, he stroked the line of her jaw with a tenderness that roused an ache in her chest. “Even Rockton recognizes when a woman is unlike any other. Her very goodness in the face of his villainy bewitches him. He thinks if he can just possess that goodness, then the dark cloud lying on his soul will lift, and he’ll have something other than villainy to sustain him.”
“Then he’s mistaken.” Her pulse trebled as his finger swept the hollow of her throat. “The only person who can lift the dark cloud on his soul is himself.”
He paused in his caress. “So he’s doomed, then?”
“No!” Her gaze flew to his. “No one is doomed, and certainly not Rockton. There’s still hope for him. There is always hope.”
His eyes burned with a feverish light, and before she could look away, he bent to kiss her. It was soft, tender…delicious. Someone moaned, she wasn’t sure who. All she knew was that his mouth was on hers again, molding it, tasting it, making her hungry in the way that only he seemed able to do.
“Maria…” he breathed. Seizing her by the arms, he drew her up into his embrace. “My God, I’ve thought of nothing but you since that day in the carriage.
”
”
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
“
I would like to see you cheat,” Elizabeth said impulsively, smiling at him.
His hands stilled, his eyes intent on her face. “I beg your pardon?”
“What I meant,” she hastily explained as he continued to idly shuffle the cards, watching her, “is that night in the card room at Charise’s there was mention of someone being able to deal a card from the bottom of the deck, and I’ve always wondered if you could, if it could…” She trailed off, belatedly realizing she was insulting him and that his narrowed, speculative gaze proved that she’d made it sound as if she believed him to be dishonest at cards. “I beg your pardon,” she said quietly. “That was truly awful of me.”
Ian accepted her apology with a curt nod, and when Alex hastily interjected, “Why don’t we use the chips for a shilling each,” he wordlessly and immediately dealt the cards.
Too embarrassed even to look at him, Elizabeth bit her lip and picked up her hand.
In it there were four kings.
Her gaze flew to Ian, but he was lounging back in his chair, studying his own cards.
She won three shillings and was pleased as could be.
He passed the deck to her, but Elizabeth shook her head. “I don’t like to deal. I always drop the cards, which Celton says is very irritating. Would you mind dealing for me?”
“Not at all,” Ian said dispassionately, and Elizabeth realized with a sinking heart that he was still annoyed with her.
“Who is Celton?” Jordan inquired.
“Celton is a groom with whom I play cards,” Elizabeth explained unhappily, picking up her hand.
In it there were four aces.
She knew it then, and laughter and relief trembled on her lips as she lifted her face and stared at her betrothed. There was not a sign, not so much as a hint anywhere on his perfectly composed features that anything unusual had been happening.
Lounging indolently in his chair, he quirked an indifferent brow and said, “Do you want to discard and draw more cards, Elizabeth?”
“Yes,” she replied, swallowing her mirth, “I would like one more ace to go with the ones I have.”
“There are only four,” he explained mildly, and with such convincing blandness that Elizabeth whooped with laughter and dropped her cards. “You are a complete charlatan!” she gasped when she could finally speak, but her face was aglow with admiration.
“Thank you, darling,” he replied tenderly. “I’m happy to know your opinion of me is already improving.”
The laughter froze in Elizabeth’s chest, replaced by warmth that quaked through her from head to foot. Gentlemen did not speak such tender endearments in front of other people, if at all. “I’m a Scot,” he’d whispered huskily to her long ago. “We do.” The Townsendes had launched into swift, laughing conversation after a moment of stunned silence following his words, and it was just as well, because Elizabeth could not tear her gaze from Ian, could not seem to move. And in that endless moment when their gazes held, Elizabeth had an almost overwhelming desire to fling herself into his arms. He saw it, too, and the answering expression in his eyes made her feel she was melting.
“It occurs to me, Ian,” Jordan joked a moment later, gently breaking their spell, “that we are wasting our time with honest pursuits.”
Ian’s gaze shifted reluctantly from Elizabeth’s face, and then he smiled inquisitively at Jordan. “What did you have in mind?” he asked, shoving the deck toward Jordan while Elizabeth put back her unjustly won chips.
“With your skill at dealing whatever hand you want, we could gull half of London. If any of our victims had the temerity to object, Alex could run them through with her rapier, and Elizabeth could shoot him before he hit the ground.”
Ian chuckled. “Not a bad idea. What would your role be?”
“Breaking us out of Newgate!” Elizabeth laughed.
“Exactly.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Mr. President, Dr. Biden, Madam Vice President, Mr. Emhoff, Americans and the world, when day comes we ask ourselves where can we find light in this never-ending shade? The loss we carry asea we must wade. We’ve braved the belly of the beast. We’ve learned that quiet isn’t always peace. In the norms and notions of what just is isn’t always justice. And yet, the dawn is ours before we knew it. Somehow we do it. Somehow we’ve weathered and witnessed a nation that isn’t broken, but simply unfinished. We, the successors of a country and a time where a skinny black girl descended from slaves and raised by a single mother can dream of becoming president only to find herself reciting for one.
And yes, we are far from polished, far from pristine, but that doesn’t mean we are striving to form a union that is perfect. We are striving to forge our union with purpose. To compose a country committed to all cultures, colors, characters, and conditions of man. And so we lift our gazes not to what stands between us, but what stands before us. We close the divide because we know to put our future first, we must first put our differences aside. We lay down our arms so we can reach out our arms to one another. We seek harm to none and harmony for all. Let the globe, if nothing else, say this is true. That even as we grieved, we grew. That even as we hurt, we hoped. That even as we tired, we tried that will forever be tied together victorious. Not because we will never again know defeat, but because we will never again sow division.
Scripture tells us to envision that everyone shall sit under their own vine and fig tree and no one shall make them afraid. If we’re to live up to her own time, then victory won’t lie in the blade, but in all the bridges we’ve made. That is the promise to glade, the hill we climb if only we dare. It’s because being American is more than a pride we inherit. It’s the past we step into and how we repair it. We’ve seen a forest that would shatter our nation rather than share it. Would destroy our country if it meant delaying democracy. This effort very nearly succeeded.
But while democracy can be periodically delayed, it can never be permanently defeated. In this truth, in this faith we trust for while we have our eyes on the future, history has its eyes on us. This is the era of just redemption. We feared it at its inception. We did not feel prepared to be the heirs of such a terrifying hour, but within it, we found the power to author a new chapter, to offer hope and laughter to ourselves so while once we asked, how could we possibly prevail over catastrophe? Now we assert, how could catastrophe possibly prevail over us?
We will not march back to what was, but move to what shall be a country that is bruised, but whole, benevolent, but bold, fierce, and free. We will not be turned around or interrupted by intimidation because we know our inaction and inertia will be the inheritance of the next generation. Our blunders become their burdens. But one thing is certain, if we merge mercy with might and might with right, then love becomes our legacy and change our children’s birthright.
So let us leave behind a country better than one we were left with. Every breath from my bronze-pounded chest we will raise this wounded world into a wondrous one. We will rise from the gold-limbed hills of the West. We will rise from the wind-swept Northeast where our forefathers first realized revolution. We will rise from the Lake Rim cities of the Midwestern states. We will rise from the sun-baked South. We will rebuild, reconcile and recover in every known nook of our nation, in every corner called our country our people diverse and beautiful will emerge battered and beautiful. When day comes, we step out of the shade aflame and unafraid. The new dawn blooms as we free it. For there is always light. If only we’re brave enough.
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Amanda Gorman