Lifetime Achievement Award Quotes

How to win in life: 1 work hard 2 complain less 3 listen more 4 try, learn, grow 5 don't let people tell you it cant be done 6 make no excuses

*Year 2050* *Filmfare awards* "The lifetime achievement award goes to Hrithik Roshan" *Camera pans to Kangna sitting in the audience*

I’m occupying the awkward zone that one finds oneself in between receiving one’s first lifetime achievement award and death, and I realize that I have much less to say than I did when I was young.

I’ve found that there’s no real comfort in success. There’s never time to slow down, sit back, and relax. But there did come a moment later in my career when I knew that I had truly made it as a comedian. After I presented Richard Pryor with the lifetime achievement award at the American Comedy Awards, we were backstage posing for pictures. He looked up at me and said, “I stole your album.” For a split second, I couldn’t believe what I was hearing. The great Richard Pryor stealing my material? I was honored and stunned at the same time. “In Peoria, I went into the record store and I put it under my jacket and I walked out,” he continued. “Richard, I get a quarter royalty on every album.” With that, Richard Pryor pulled out a quarter and handed it to me. To have your album stolen by Richard Pryor is quite an achievement.

Gratitude practices as they’re generally presented in pop culture—usually some form of grateful-for-what-you-have exercise, like “Every day, write a list of ten things you’re grateful for”—don’t cut it, empirically speaking. When Emily tried this, it always made her feel worse because it just reminded her of how many people don’t have those things, which made her feel helpless and inadequate. Then she read the research herself and followed the instructions of the evidence-based interventions…and it worked like a charm. There are two techniques that really get the job done, and neither involves gratitude-for-what-you-have. The key is practicing gratitude-for-who-you-have and gratitude-for-how-things-happen. A Short-Term Quick-Fix Gratitude Boost is gratitude-for-who-you-have. Mr. Rogers, accepting a Lifetime Achievement Award, asked everyone in the audience to take ten seconds to remember some of the people who have “helped you love the good that grows within you, some of those people who have loved us and wanted what was best for us, […] those who have encouraged us to become who we are.” That’s how to gratitude-for-who-you-have.

Being “ordinary” means that we reject the idolatry of pursuing excellence for selfish reasons. We aren’t digging wells in Africa to prove our worth or value. We aren’t serving in the soup kitchen or engaging in spiritual disciplines because we long to be unique, radical, and different. When we do these things for selfish reasons, God becomes a tool for winning our lifetime achievement award. Our neighbors become instruments in the crafting of our sense of meaning, impact, and identity. What we do for God is really for ourselves.

Mister Rogers’ Neighborhood won four Emmy awards, and Rogers himself was presented with a Lifetime Achievement Award at the 1997 Daytime Emmys, a scene that Junod describes movingly in his profile. After Fred Rogers went onstage to accept the award, he bowed and said into the microphone, “All of us have special ones who have loved us into being. Would you just take, along with me, ten seconds to think of the people who have helped you become who you are? . . . Ten seconds of silence.” Then, as Tom Junod recounted, “He lifted his wrist, and looked at the audience, and looked at his watch, and said softly, ‘I’ll watch the time,’ and there was, at first, a small whoop from the crowd, a giddy, strangled hiccup of laughter, as people realized that he wasn’t kidding, that Mister Rogers was not some convenient eunuch but rather a man, an authority figure who actually expected them to do what he asked . . . and so they did. “One second, two seconds, three seconds . . . and now the jaws clenched, and the bosoms heaved, and the mascara ran, and the tears fell upon the beglittered gathering like rain leaking down a crystal chandelier, and Mister Rogers finally looked up from his watch and said, ‘May God be with you’ to all his vanquished children.

The best movies leave audiences feeling glad to be alive, human, and reaching out to one another.”—ROBERT WISE, AFI LIFETIME ACHIEVEMENT AWARD ACCEPTANCE SPEECH

I’m a spokesperson in raising awareness of male breast cancer. There’s not a platinum record or lifetime achievement award that can touch the news that a person’s life has been saved because he heeded my warnings, went to his doctor and got treated in time.

Failure is not necessarily durable. Remember that the things that they fire you for when you are young are the same things that they give lifetime achievement awards for when you’re old.

Jersey chasers are a dime a dozen, always willing to take a ride on the football side, but you’ve got to be careful with the overly eager ones, the ones who aren’t just trying to make a trophy outta you, but a fuckin’ Lifetime Achievement award. As in, poking holes in condoms and look at that, you’re a baby daddy. I don’t know if Josie falls into that latter category, but she’s a little too eager for my taste.

The Director’s Chair is with Francis Ford Coppola (The Godfather, Apocalypse Now, etc.), and Robert refers later to this quote from Francis: “Failure is not necessarily durable. Remember that the things that they fire you for when you are young are the same things that they give lifetime achievement awards for when you’re old.” ROBERT: “Even if I didn’t sell Mariachi, I would have learned so much by doing that project. That was the idea—I’m there to learn. I’m not there to win; I’m there to learn, because then I’ll win, eventually. . . . “You’ve got to be able to look at your failures and know that there’s a key to success in every failure. If you look through the ashes long enough, you’ll find something. I’ll give you one. Quentin [Tarantino] asked me, ‘Do you want to do one of these short films called Four Rooms [where each director can create the film of their choosing, but it has to be limited to a single hotel room, and include New Year’s Eve and a bellhop]?’ and my hand went up right away, instinctively. . . . “The movie bombed. In the ashes of that failure, I can find at least two keys of success. On the set when I was doing it, I had cast Antonio Banderas as the dad and had this cool little Mexican as his son. They looked really close together. Then I found the best actress I could find, this little half-Asian girl. She was amazing. I needed an Asian mom. I really wanted them to look like a family. It’s New Year’s Eve, because [it] was dictated by the script, so they’re all dressed in tuxedos. I was looking at Antonio and his Asian wife and thinking, ‘Wow, they look like this really cool, international spy couple. What if they were spies, and these two little kids, who can barely tie their shoes, didn’t know they were spies?’ I thought of that on the set of Four Rooms. There are four of those [Spy Kids movies] now and a TV series coming. “So that’s one. The other one was, after [Four Rooms] failed, I thought, ‘I still love short films.’ Anthologies never work. We shouldn’t have had four stories; it should have been three stories because that’s probably three acts, and it should just be the same director instead of different directors because we didn’t know what each person was doing. I’m going to try it again. Why on earth would I try it again, if I knew they didn’t work? Because you figured something out when you’re doing it the first time, and [the second attempt] was Sin City.” TIM: “Amazing.

When Paul Meacham has a 50/50 shot, the odds are 80/20 in his favor. Paul Meacham has won the lifetime achievement award in Heber AZ, twice.

Octavia E. Butler (1947–2006) was a bestselling and award-winning author, considered one of the best science fiction writers of her generation. She received both the Hugo and Nebula awards, and in 1995 became the first author of science fiction to receive a MacArthur Fellowship. She was also awarded the prestigious PEN Lifetime Achievement Award in 2000.

What was going on with this guy? It was hard to tell, all through his forties. He was more beloved than ever, though his new music had no impact at all. He looked divine posing for photos with Pulp’s Jarvis Cocker, who presented him with one of his many Lifetime Achievement Awards. He was excited about his Web site. He had shiny new teeth. He’d become one of those Thanks for the Memories guys, which wasn’t really the kind of artist he’d ever wanted to be. His pop albums were Bowie trying to guess what might be popular; his art albums were Bowie trying to guess what might be cool. But these albums were neither popular nor cool. It turned out nobody wanted to hear Bowie sound unsure of himself. Nobody held it against him. He’d given the world enough.

A month before our breakfast, Griffiths had received the Eddy Award from the College on Problems of Drug Dependence, perhaps the most prestigious lifetime achievement prize in the field.

Before we took our leave of Jamaica, I was presented with the Marcus Garvey Lifetime Achievement Award by the creator and organizer of the festival, Sheryl Lee Ralph, a very talented actress and singer.