Life Omit Quotes

We've searched our database for all the quotes and captions related to Life Omit. Here they are! All 100 of them:

There is a tide in the affairs of men Which, taken at the flood, leads on to fortune; Omitted, all the voyage of their life Is bound in shallows and in miseries. On such a full sea are we now afloat; And we must take the current when it serves, Or lose our ventures.
William Shakespeare (Julius Caesar)
I do believe in simplicity. It is astonishing as well as sad, how many trivial affairs even the wisest thinks he must attend to in a day; how singular an affair he thinks he must omit. When the mathematician would solve a difficult problem, he first frees the equation of all incumbrances, and reduces it to its simplest terms. So simplify the problem of life, distinguish the necessary and the real. Probe the earth to see where your main roots run.
Henry David Thoreau
Failures plagued me. Things I had omitted or ignored, neglected. What I should have given and hadn’t. I felt the biting pang of every unfulfillment.
Richard Matheson (What Dreams May Come)
My life changed four months ago, and I utterly failed to understand that until just recently, and therefore… I may have omitted to tell you that I love you.” He took a breath. “That’s all.
K.J. Charles (A Case of Possession (A Charm of Magpies, #2))
Why did this keep happening? Why her? Perhaps there was some pheromone certain people omitted, perceivable only on a wavelength unique to those individuals who preyed on them.
Nenia Campbell (Terrorscape (Horrorscape, #3))
Forgetting that beauty and happiness are only ever incarnated in an individual person, we replace them in our minds by a conventional pattern, a sort of average of all the different faces we have ever admired, all the different pleasures we have ever enjoyed, and thus carry about with us abstract images, which are lifeless and uninspiring because they lack the very quality that something new, something different from what is familiar, always possesses, and which is the quality inseparable from real beauty and happiness. So we make our pessimistic pronouncements on life, which we think are valid, in the belief that we have taken account of beauty and happiness, whereas we have actually omitted them from consideration, substituting for them synthetic compounds that contain nothing of them.
Marcel Proust
Some Christian lawyers—some eminent and stupid judges—have said and still say, that the Ten Commandments are the foundation of all law. Nothing could be more absurd. Long before these commandments were given there were codes of laws in India and Egypt—laws against murder, perjury, larceny, adultery and fraud. Such laws are as old as human society; as old as the love of life; as old as industry; as the idea of prosperity; as old as human love. All of the Ten Commandments that are good were old; all that were new are foolish. If Jehovah had been civilized he would have left out the commandment about keeping the Sabbath, and in its place would have said: 'Thou shalt not enslave thy fellow-men.' He would have omitted the one about swearing, and said: 'The man shall have but one wife, and the woman but one husband.' He would have left out the one about graven images, and in its stead would have said: 'Thou shalt not wage wars of extermination, and thou shalt not unsheathe the sword except in self-defence.' If Jehovah had been civilized, how much grander the Ten Commandments would have been. All that we call progress—the enfranchisement of man, of labor, the substitution of imprisonment for death, of fine for imprisonment, the destruction of polygamy, the establishing of free speech, of the rights of conscience; in short, all that has tended to the development and civilization of man; all the results of investigation, observation, experience and free thought; all that man has accomplished for the benefit of man since the close of the Dark Ages—has been done in spite of the Old Testament.
Robert G. Ingersoll (About The Holy Bible)
Like a feather in a dust storm, with no direction The Raven flies through life, helpless and omitted Until night declares and the wind expires. Then it flies to the land of stones and etchings And becomes an Ember, breaking away
Jessica Sorensen (Ember (Death Collectors, #1))
Men sometimes speak as if the study of the classics would at length make way for more modern and practical studies; but the adventurous student will always study classics, in whatever language they may be written and however ancient they may be. For what are the classics but the noblest recorded thoughts of man? They are the only oracles which are not decayed, and there are such answers to the most modern inquiry in them as Delphi and Dodona never gave. We might as well omit to study Nature because she is old. To read well, that is, to read true books in a true spirit, is a noble exercise, and one that will task the reader more than any exercise which the customs of the day esteem.
Henry David Thoreau (Walden or, Life in the Woods)
But man is a Noble Animal, splendid in ashes, and pompous in the grave, solemnizing Nativities and Deaths with equal lustre, nor omitting Ceremonies of bravery, in the infamy of his nature. Life is a pure flame, and we live by an invisible Sun within us.
Thomas Browne (Urne Burial)
When writing a novel a writer should create living people; people not characters. A character is a caricature. If a writer can make people live there may be no great characters in his book, but it is possible that his book will remain as a whole; as an entity; as a novel. If the people the writer is making talk of old masters; of music; of modern painting; of letters; or of science then they should talk of those subjects in the novel. If they do not talk of these subjects and the writer makes them talk of them he is a faker, and if he talks about them himself to show how much he knows then he is showing off. No matter how good a phrase or a simile he may have if he puts it in where it is not absolutely necessary and irreplaceable he is spoiling his work for egotism. Prose is architecture, not interior decoration, and the Baroque is over. For a writer to put his own intellectual musings, which he might sell for a low price as essays, into the mouths of artificially constructed characters which are more remunerative when issued as people in a novel is good economics, perhaps, but does not make literature. People in a novel, not skillfully constructed characters, must be projected from the writer’s assimilated experience, from his knowledge, from his head, from his heart and from all there is of him. If he ever has luck as well as seriousness and gets them out entire they will have more than one dimension and they will last a long time. A good writer should know as near everything as possible. Naturally he will not. A great enough writer seems to be born with knowledge. But he really is not; he has only been born with the ability to learn in a quicker ratio to the passage of time than other men and without conscious application, and with an intelligence to accept or reject what is already presented as knowledge. There are some things which cannot be learned quickly and time, which is all we have, must be paid heavily for their acquiring. They are the very simplest things and because it takes a man’s life to know them the little new that each man gets from life is very costly and the only heritage he has to leave. Every novel which is truly written contributes to the total of knowledge which is there at the disposal of the next writer who comes, but the next writer must pay, always, a certain nominal percentage in experience to be able to understand and assimilate what is available as his birthright and what he must, in turn, take his departure from. If a writer of prose knows enough about what he is writing about he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an ice-berg is due to only one-eighth of it being above water. A writer who omits things because he does not know them only makes hollow places in his writing. A writer who appreciates the seriousness of writing so little that he is anxious to make people see he is formally educated, cultured or well-bred is merely a popinjay. And this too remember; a serious writer is not to be confounded with a solemn writer. A serious writer may be a hawk or a buzzard or even a popinjay, but a solemn writer is always a bloody owl.
Ernest Hemingway (Death in the Afternoon)
Tis a barbaric fancy," said Roxholm thoughtfully as he turned the stem of his glass, keeping his eyes fixed on it as though solving a problem for himself. "A barbaric fancy that a woman needs a master. She who is strong enough is her own conqueror--as a man should be master of himself.
Frances Hodgson Burnett (His Grace of Osmonde: Being the Portions of the Nobleman's Life Omitted in the Relation of His Lady's Story Presented to the World of Fashion)
There is no music in a rest, but there is the making of music in it. In our whole life-melody the music is broken off here and there by "rests," and we foolishly think we have come to the end of the tune. God sends a time of forced leisure, sickness, disappointed plans, frustrated efforts, and makes a sudden pause in the choral hymn of our lives, and we lament that our voices must be silent, and our part missing in the music which ever goes up to the ear of the Creator. How does the musician read the rest? See him beat the time with unvarying count, and catch up the next note true and steady, as if no breaking place had come between. Not without design does God write the music of our lives. But be it ours to learn the tune, and not be dismayed at the "rests." They are not to be slurred over nor to be omitted, nor to destroy the melody, nor to change the keynote. If we look up, God Himself will beat the time for us. With the eye on Him, we shall strike the next note full and clear.
John Ruskin
The primitive tribes permitted far less individual freedom than does modern society. Ancient wars were committed with far less moral justification than modern ones. A technology that produces debris can find, and is finding, ways of disposing of it without ecological upset. And the schoolbook pictures of primitive man sometimes omit some of the detractions of his primitive life - the pain, the disease, famine, the hard labor needed just to stay alive. From that agony of bare existence to modern life can be soberly described only as upward progress, and the sole agent for this progress is quite clearly reason itself.
Robert M. Pirsig
For this world also which seems to us a thing of stone and flower and blood is not a thing at all but a tale. And all in it is a tale and each tale the sum of all lesser tales and yet these are the selfsame tale and contain as well all within them. So everything is necessary. Every least thing. This is the hard lesson. Nothing can be dispensed with. Nothing despised. Because the seams are hid from us, you see. The joinery. The way in which the world is made. We have no way to know what could be taken away. What omitted. We have no way to tell what might stand and what might fall.
Cormac McCarthy (The Crossing (The Border Trilogy, #2))
Valuable elements may be easier to experience in art and in anticipation than in reality. The anticipatory and artistic imaginations omit and compress, they cut away the periods of boredom and direct our attention to critical moments and, without either lying or embellishing, thus lend to life a vividness and a coherence that it may lack in the distracting woolliness of the present.
Alain de Botton (The Art of Travel)
In most books, the I, or first person, is omitted; in this it will be retained; that, in respect to egotism, is the main difference. We commonly do not remember that it is, after all, always the first person that is speaking. I should not talk so much about myself if there were anybody else whom I knew as well. Unfortunately, I am confined to this theme by the narrowness of my experience. Moreover, I, on my side, require of every writer, first or last, a simple and sincere account of his own life, and not merely what he has heard of other men's lives; some such account as he would send to his kindred from a distant land; for if he has lived sincerely, it must have been in a distant land to me. Perhaps these pages are more particularly addressed to poor students. As for the rest of my readers, they will accept such portions as apply to them. I trust that none will stretch the seams in putting on the coat, for it may do good service to him whom it fits.
Henry David Thoreau (Walden or, Life in the Woods)
A storyteller who provided us with such a profusion of details would rapidly grow maddening. Unfortunately, life itself often subscribes to this mode of storytelling, wearing us out with repetition, misleading emphases and inconsequential plot lines. It insists on showing us Bardak Electronics, the saftey handle in the car, a stray dog, a Christmas card and a fly that lands first on the rim and then in the centre of the ashtray. Which explains how the curious phenomenon whereby valuable elements may be easier to experience in art and in anticipation than in reality. The anticipatory and artistic imaginations omit and compress; they cut away the periods of boredom and direct our attention to critical moments, and thus, without either lying or embellishing, they lend to life a vividness and a coherence that it may lack in the distracting wooliness of the present.
Alain de Botton (The Art of Travel)
The book exists for us perchance which will explain our miracles and reveal new ones. The at present unutterable things we may find somewhere uttered. These same questions that disturb and puzzle and confound us have in their turn occurred to all the wise men; not one has been omitted; and each has answered them, according to his ability, by his words and his life.
Henry David Thoreau (Walden or, Life in the Woods)
This morning I awoke to the realization that I'd been living my life within a parenthetical statement. It was a pathetic situation, more so since I'd suddenly become aware of how trapped I was within my own punctuation.
Alexander Weinstein
If it is necessary, omit one bridge over the river, go round a little there, and throw one arch at least over the darker gulf of ignorance which surrounds us.
Henry David Thoreau (Walden, or Life in the Woods)
Nu numai ca fictiunea isi are propriul adevar, dar orice povestire, oricat de „adevarata”, este o minciuna pentru ca omite atat de multe.
Irvin D. Yalom (Momma and the Meaning of Life: Tales of Psychotherapy)
*At the behest of the filmmakers and/or their estates, the titles of those movies based on true-life stories have been omitted.
Max Brooks (The Zombie Survival Guide: Complete Protection from the Living Dead)
Yes, sir. There is a tide in the affairs of men which, taken at the flood, leads on to fortune. Omitted, all the voyage of their life is bound in shallows and in miseries.
P.G. Wodehouse (Joy in the Morning (Jeeves and Wooster Book 8))
It’s not what you add that enriches your life—it’s what you omit.
Rolf Dobelli (The Art of the Good Life: 52 Surprising Shortcuts to Happiness, Wealth, and Success)
It is not all books that are as dull as their readers. There are probably words addressed to our condition exactly, which, if we could really hear and understand, would be more salutary than the morning or the spring to our lives, and possibly put a new aspect on the face of things for us. How many a man has dated a new era in his life from the reading of a book. The book exists for us perchance which will explain our miracles and reveal new ones. The at present unutterable things we may find somewhere uttered. These same questions that disturb and puzzle and confound us have in their turn occurred to all the wise men; not one has been omitted; and each has answered them, according to his ability, by his words and his life.
Henry David Thoreau (Walden or, Life in the Woods)
When once more alone, I reviewed the information I had got; looked into my heart, examined its thoughts and feelings, and endeavoured to bring back with a strict hand such as had been straying through imagination's boundless and trackless waste, into the safe fold of common sense. Arraigned to my own bar, Memory having given her evidence of the hopes, wishes, sentiments I had been cherishing since last night--of the general state of mind in which I had indulged for nearly a fortnight past; Reason having come forward and told, in her quiet way a plain, unvarnished tale, showing how I had rejected the real, and rapidly devoured the ideal--I pronounced judgement to this effect-- That a greater fool than Jane Eyre had never breathed the breath of life; that a more fantastic idiot had never surfeited herself on sweet lies, and swallowed poison as if it were nectar. "You," I said, "a favourite with Mr. Rochester? You're gifted with the power of pleasing him? You're of importance to him in any way? Go!--your folly sickens me. And you have derived pleasure from occasional tokens of preference--equivocal tokens shown by a gentleman of family and a man of the world to dependent and novice. How dared you? Poor stupid dupe! Could not even self-interest make you wiser? You repeated to yourself this morning the brief scene of last night? Cover your face and be ashamed! He said something in praise of your eyes, did he? Blind puppy! Open their bleared lids and look on your own accursed senselessness! It does no good to no woman to be flattered by her superior, who cannot possibly intend to marry her; and it is madness in all women to let a secret love kindle within them, which, if unreturned and unknown, must devour the life that feeds it; and if discovered and responded to, must lead into miry wilds whence there is no extrication. "Listen, then, Jane Eyre, to your sentence: tomorrow, place the glass before you, and draw in chalk your own pictures, faithfully, without softening on defect; omit no harsh line, smooth away no displeasing irregularity; write under it, 'Portrait of a Governess, disconnected, poor, and plain.' "Afterwards, take a piece of smooth ivory--you have one prepared in your drawing-box: take your palette, mix your freshest, finest, clearest tints; choose your most delicate camel-hair pencils; delineate carefully the loveliest face you can imageine; paint it in your softest shades and sweetest lines, according to the description given by Mrs. Fairfax of Blanche Ingram; remember the raven ringlets, the oriental eye--What! you revert to Mr. Rochester as a model! Order! No snivel!--no sentiment!--no regret! I will endure only sense and resolution... "Whenever, in the future, you should chance to fancy Mr. Rochester thinks well of you, take out these two pictures and compare them--say, "Mr. Rochester might probably win that noble lady's love, if he chose to strive for it; is it likely he would waste a serious thought on this indignent and insignifican plebian?" "I'll do it," I resolved; and having framed this determination, I grew calm, and fell asleep.
Charlotte Brontë (Jane Eyre)
Memory is the mother of the muses, prototype Artist. As a rule picks and highlights what is important, omitting what is accidental or trivial. Occasionally, however, is mistaken as all the other artists. Nevertheless it is what I take as a guide page.
Frank Harris (My Life and Loves)
Real science is creative, as much so as painting, sculpture, or writing.Beauty, variously defined, is the criterion for art, and likewise a good theory has the elegance, proportion, and simplicity that we find beautiful. Just as the skilled artist omits the extraneous and directs our attention to a unifying concept, so the scientist strives to find a relatively simple order underlying the apparent chaos of perception.
Robert O. Becker (The Body Electric: Electromagnetism and the Foundation of Life)
On Pleasure Pleasure is a freedom-song, But it is not freedom. It is the blossoming of your desires, But it is not their fruit. It is a depth calling unto a height, But it is not the deep nor the high. It is the caged taking wing, But it is not space encompassed. Aye, in very truth, pleasure is a freedom-song. And I fain would have you sing it with fullness of heart; yet I would not have you lose your hearts in the singing. Some of your youth seek pleasure as if it were all, and they are judged and rebuked. I would not judge nor rebuke them. I would have them seek. For they shall find pleasure, but not her alone; Seven are her sisters, and the least of them is more beautiful than pleasure. Have you not heard of the man who was digging in the earth for roots and found a treasure? And some of your elders remember pleasures with regret like wrongs committed in drunkenness. But regret is the beclouding of the mind and not its chastisement. They should remember their pleasures with gratitude, as they would the harvest of a summer. Yet if it comforts them to regret, let them be comforted. And there are among you those who are neither young to seek nor old to remember; And in their fear of seeking and remembering they shun all pleasures, lest they neglect the spirit or offend against it. But even in their foregoing is their pleasure. And thus they too find a treasure though they dig for roots with quivering hands. But tell me, who is he that can offend the spirit? Shall the nightingale offend the stillness of the night, or the firefly the stars? And shall your flame or your smoke burden the wind? Think you the spirit is a still pool which you can trouble with a staff? Oftentimes in denying yourself pleasure you do but store the desire in the recesses of your being. Who knows but that which seems omitted today, waits for tomorrow? Even your body knows its heritage and its rightful need and will not be deceived. And your body is the harp of your soul, And it is yours to bring forth sweet music from it or confused sounds. And now you ask in your heart, “How shall we distinguish that which is good in pleasure from that which is not good?” Go to your fields and your gardens, and you shall learn that it is the pleasure of the bee to gather honey of the flower, But it is also the pleasure of the flower to yield its honey to the bee. For to the bee a flower is a fountain of life, And to the flower a bee is a messenger of love, And to both, bee and flower, the giving and the receiving of pleasure is a need and an ecstasy.
Kahlil Gibran (The Prophet)
And a man who is six feet three in height has six feet and three inches of evil to do battle with, if he has not six feet three of strength and honesty to fight for him.
Frances Hodgson Burnett (His Grace of Osmonde: Being the Portions of the Nobleman's Life Omitted in the Relation of His Lady's Story Presented to the World of Fashion)
You couldn’t omit your own child from the story of your life, like it was no big deal.
Lisa Ko (The Leavers)
Men sometimes speak as if the study of the classics would at length make way for more modern and practical studies; but the adventurous student will always study classics, in whatever language they may be written and however ancient they may be. For what are the classics but the noblest recorded thoughts of man? We might as well omit to study Nature because she is old.
Henry David Thoreau (Walden or, Life in the Woods)
The capacity of the rational mind to deceive, manipulate, scheme, trick, falsify, minimize, mislead, betray, prevaricate, deny, omit, rationalize, bias, exaggerate and obscure is so endless, so remarkable, that centuries of pre-scientific thought, concentrating on clarifying the nature of moral endeavour, regarded it as positively demonic. This is not because of rationality itself, as a process. That process can produce clarity and progress. It is because rationality is subject to the single worst temptation—to raise what it knows now to the status of an absolute.
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
The phrase "after-life" was also vaguely confused with going to church and not wanting to be dead - a perplexity which can be omitted from a narrative in which I am doing my best to confine myself to actual happenings. At the age of twenty-two I believed myself to be unextinguishable.
Siegfried Sassoon (Memoirs of a Fox-Hunting Man)
Instead of noblemen, let us have noble villages of men. If it is necessary, omit one bridge over the river, go round a little there, and throw one arch at least over the darker gulf of ignorance which surrounds us.
Henry David Thoreau (Walden or, Life in the Woods)
People omit the truth all the time. But inevitably you'll be forced to make something up to hide the absence of your honesty. Did you get into the game already a liar? Or was it something you made yourself into along the way?
F.K. Preston
Temperance: Eat not to dullness; drink not to elevation. Silence: Speak not but what may benefit others or yourself; avoid trifling conversation. Order: Let all your things have their places; let each part of your business have its time. Resolution: Resolve to perform what you ought; perform without fail what you resolve. Frugality: Make no expense but to do good to others or yourself; (i.e., waste nothing). Industry: Lose no time; be always employed in something useful; cut off all unnecessary actions. Sincerity: Use no hurtful deceit; think innocently and justly, and, if you speak, speak accordingly. Justice: Wrong none by doing injuries, or omitting the benefits that are your duty. Moderation: Avoid extremes; forbear resenting injuries so much as you think they deserve. Cleanliness: Tolerate no uncleanliness in body, clothes, or habitation. Tranquility: Be not disturbed at trifles, or at accidents common or unavoidable. Chastity: Rarely use venery but for health or offspring, never to dullness, weakness, or the injury of your own or another’s peace or reputation.
Walter Isaacson (Benjamin Franklin: An American Life)
There is a tide in the affairs of men, Which, taken at the flood, leads on to fortune; Omitted, all the voyage of their life Is bound in shallows and in miseries. On such a full sea are we now afloat, And we must take the current when it serves, Or lose our ventures. —Shakespeare, Julius Caesar
Ray Kroc (Grinding It Out: The Making of McDonald's)
Just because they write something In this font And break apart their lines To rhyme To dramatize To imitate Doesn’t make what they say true. And quotations marks Don’t make sentences “life conclusions.” A post, a page, A billboard, or a wallpaper— Let it swirl for a few and if you want to spit it out, V omit. If you want to keep it, Let it ride shotgun. But argue with it first. Debate. Don’t simply accept it Because you may By accident Accept a monster Disguised As a poem.
Kristian Ventura (Can I Tell You Something?)
If we are inclined to forget how much there is in the world besides that which we anticipate, then works of art are perhaps a little to blame, for in them we find at work the same process of simplification or selection as in the imagination. Artistic accounts include severe abbreviations of what reality will force upon us. A travel book may tell us, for example, that the narrator journeyed through the afternoon to reach the hill town of X and after a night in its medieval monastery awoke to a misty dawn. But we never simply 'journey through an afternoon'. We sit in a train. Lunch digests awkwardly within us. The seat cloth is grey. We look out the window at a field. We look back inside. A drum of anxieties resolves in our consciousness. We notice a luggage label affixed to a suitcase in a rack above the seats opposite. We tap a finger on the window ledge. A broken nail on an index finger catches a thread. It starts to rain. A drop wends a muddy path down the dust-coated window. We wonder where our ticket might be. We look back at the field. It continues to rain. At last, the train starts to move. It passes an iron bridge, after which it inexplicably stops. A fly lands on the window And still we may have reached the end only of the first minute of a comprehensive account of the events lurking within the deceptive sentence 'He journeyed through the afternoon'. A storyteller who provides us with such a profusion of details would rapidly grow maddening. Unfortunately, life itself often subscribes to this mode of storytelling, wearking us out with repetitions, misleading emphases[,] and inconsequential plot lines. It insists on showing us Burdak Electronics, the safety handle in the car, a stray dog, a Christmas card[,] and a fly that lands first on the rim and then the centre of a laden ashtray. Which explains the curious phenomenon whereby valuable elements may be easier to experience in art and in anticipation than in reality. The anticipatory and artistic imaginations omit and compress; they cut away the periods of boredom and direct our attention to critical moments, and thus, without either lying or embellishing, they lend to life a vividness and a coherence that it may lack in the distracting woolliness of the present.
Alain de Botton (The Art of Travel)
He had not stopped looking into her eyes, and she showed no signs of faltering. He gave a deep sigh and recited: "O sweet treasures, discovered to my sorrow." She did not understand. "It is a verse by the grandfather of my great-great-grandmother," he explained. "He wrote three eclogues, two elegies, five songs, and forty sonnets. Most of them for a Portuguese lady of very ordinary charms who was never his, first because he was married, and then because she married another man and died before he did." "Was he a priest too?" "A soldier," he said. Something stirred in the heart of Sierva María, for she wanted to hear the verse again. He repeated it, and this time he continued, in an intense, well-articulated voice, until he had recited the last of the forty sonnets by the cavalier of amours and arms Don Garcilaso de la Vega, killed in his prime by a stone hurled in battle.When he had finished, Cayetano took Sierva María's hand and placed it over his heart. She felt the internal clamor of his suffering. "I am always in this state," he said. And without giving his panic an opportunity, he unburdened himself of the dark truth that did not permit him to live. He confessed that every moment was filled with thoughts of her, that everything he ate and drank tasted of her, that she was his life, always and everywhere, as only God had the right and power to be, and that the supreme joy of his heart would be to die with her. He continued to speak without looking at her, with the same fluidity and passion as when he recited poetry, until it seemed to him that Sierva María was sleeping. But she was awake, her eyes, like those of a startled deer, fixed on him. She almost did not dare to ask: "And now?" "And now nothing," he said. "It is enough for me that you know." He could not go on. Weeping in silence, he slipped his arm beneath her head to serve as a pillow, and she curled up at his side. And so they remained, not sleeping, not talking, until the roosters began to crow and he had to hurry to arrive in time for five-o'clock Mass. Before he left, Sierva María gave him the beautiful necklace of Oddúa: eighteen inches of mother-of-pearl and coral beads. Panic had been replaced by the yearning in his heart. Delaura knew no peace, he carried out his tasks in a haphazard way, he floated until the joyous hour when he escaped the hospital to see Sierva María. He would reach the cell gasping for breath, soaked by the perpetual rains, and she would wait for him with so much longing that only his smile allowed her to breathe again. One night she took the initiative with the verses she had learned after hearing them so often. 'When I stand and contemplate my fate and see the path along which you have led me," she recited. And asked with a certain slyness: "What's the rest of it?" "I reach my end, for artless I surrendered to one who is my undoing and my end," he said. She repeated the lines with the same tenderness, and so they continued until the end of the book, omitting verses, corrupting and twisting the sonnets to suit themselves, toying with them with the skill of masters. They fell asleep exhausted. At five the warder brought in breakfast, to the uproarious crowing of the roosters, and they awoke in alarm. Life stopped for them.
Gabriel García Márquez (Of Love and Other Demons)
Ford was humming something. it was just one note repeated at intervals. He was hoping that somebody would ask him what he was humming, but nobody did. if anybody had asked him he would have said he was humming the first line of a Noel Coward song called "Mad About the Boy" over and over again. it would then have been pointed out to him that he was only singing one note, to which he would have replied that for reasons that he hoped would be apparent, he was omitting the "About the Boy" bit. he was annoyed that nobody asked.
Douglas Adams (Life, the Universe and Everything (The Hitchhiker's Guide to the Galaxy, #3))
In some marriages a wife might defer to her husband too much, but sisters rarely omitted a brother's necessary education on one's rightful ease in life.
Diana Marcellas (The Sea Lark's Song (The Witch of Two Suns #2))
Julius Caesar: “There is a tide in the affairs of men, / Which, taken at the flood, leads on to fortune; / Omitted, all the voyage of their life / Is bound in shallows and in miseries.” He thought
John Lescroart (The Rule of Law (Dismas Hardy #18))
was looked at askance, and that in the bearing of each member of the group there was a defiance of the general opinion. Roxholm sat on his horse somewhat apart from this group watching it, his kinsman and
Frances Hodgson Burnett (His Grace of Osmonde Being the Portions of That Nobleman's Life Omitted in the Relation of His Lady's Story Presented to the World of Fashion under the Title of A Lady of Quality)
Of a real, true contract, on whatsoever subject, there is no vestige in Rousseau's book. To give an exact idea of his theory, I cannot do better than compare it with a commercial agreement, in which the names of the parties, the nature and value of the goods, products and services involved, the conditions of quality, delivery, price, reimbursement, everything in fact which constitutes the material of contracts, is omitted, and nothing is mentioned but penalties and jurisdictions. "Indeed, Citizen of Geneva, you talk well. But before holding forth about the sovereign and the prince, about the policeman and the judge, tell me first what is my share of the bargain? What? You expect me to sign an agreement in virtue of which I may be prosecuted for a thousand transgressions, by municipal, rural, river and forest police, handed over to tribunals, judged, condemned for damage, cheating, swindling, theft, bankruptcy, robbery, disobedience to the laws of the State, offence to public morals, vagabondage,--and in this agreement I find not a word of either my rights or my obligations, I find only penalties! "But every penalty no doubt presupposes a duty, and every duty corresponds to a right. Where then in your agreement are my rights and duties? What have I promised to my fellow citizens? What have they promised to me? Show it to me, for without that, your penalties are but excesses of power, your law-controlled State a flagrant usurpation, your police, your judgment and your executions so many abuses. You who have so well denied property, who have impeached so eloquently the inequality of conditions among men, what dignity, what heritage, have you for me in your republic, that you should claim the right to judge me, to imprison me, to take my life and honor? Perfidious declaimer, have you inveighed so loudly against exploiters and tyrants, only to deliver me to them without defence?
Pierre-Joseph Proudhon (The General Idea of the Revolution in the Nineteenth Century)
It’s sometimes argued that there’s no real progress; that a civilization that kills multitudes in mass warfare, that pollutes the land and oceans with ever larger quantities of debris, that destroys the dignity of individuals by subjecting them to a forced mechanized existence can hardly be called an advance over the simpler hunting and gathering and agricultural existence of prehistoric times. But this argument, though romantically appealing, doesn’t hold up. The primitive tribes permitted far less individual freedom than does modern society. Ancient wars were committed with far less moral justification than modern ones. A technology that produces debris can find, and is finding, ways of disposing of it without ecological upset. And the schoolbook pictures of primitive man sometimes omit some of the detractions of his primitive life—the pain, the disease, famine, the hard labor needed just to stay alive. From that agony of bare existence to modern life can be soberly described only as upward progress, and the sole agent for this progress is quite clearly reason itself.
Robert M. Pirsig (Zen and the Art of Motorcycle Maintenance)
In most books, the I, or first person, is omitted; in this it will be retained; that, in respect to egotism, is the main difference. We commonly do not remember that it is, after all, always the first person that is speaking.
Henry David Thoreau (Walden, or Life in the Woods)
On all counts, this narrative, with its move from wonder to wait, contradicts the narrative of self-invention, competitive productivity, and self-sufficiency. Israel’s life is a life that contradicts the way of the world: •   Wonder instead of self-invention; •   Emancipation instead of the rat race of production; •   Nourishment instead of labor for that which does not satisfy; •   Covenantal dialogue instead of tyrannical monopoly or autonomous anxiety; •   A quid pro quo of accountability instead of either abdicating submissiveness or autonomous self-assertion; •   Waiting instead of having or despair about not having. At every accent point in the narrative, the tradition of Israel asserts that the dominant narrative of the world is not adequate and so cannot be true. It cannot be adequate because it omits the defining resolve and capacity of YHWH, the lead character in the life of the world. 3.
Walter Brueggemann (The Practice of Prophetic Imagination: Preaching an Emancipating Word)
During the age of Christ, of his apostles, and of their first disciples, the doctrine which they preached was confirmed by innumerable prodigies. The lame walked, the blind saw, the sick were healed, the dead were raised, daemons were expelled, and the laws of Nature were frequently suspended for the benefit of the church [...] But the sages of Greece and Rome turned aside from the awful spectacle, and, pursuing the ordinary occupations of life and study, appeared unconscious of any alterations in the moral or physical government of the world. Under the reign of Tiberius, the whole earth, or at least a celebrated province of the Roman empire, was involved in a preternatural darkness of three hours. Even this miraculous event, which ought to have excited the wonder, the curiosity, and the devotion of mankind, passed without notice in an age of science and history. It happened during the lifetime of Seneca and the elder Pliny, who must have experienced the immediate effects, or received the earliest intelligence, of the prodigy. Each of these philosophers, in a laborious work, has recorded all the great phenomena of Nature, earthquakes, meteors, comets, and eclipses, which his indefatigable curiosity could collect. Both the one and the other have omitted to mention the greatest phenomenon to which the mortal eye has been witness since the creation of the globe.
Edward Gibbon (The History of the Decline and Fall of the Roman Empire Volume I)
The function of the university is not simply to teach bread-winning, or to furnish teachers for the public schools or to be a centre of polite society; it is, above all, to be the organ of that fine adjustment between real life and the growing knowledge of life, an adjustment which forms the secret of civilization. Such an institution the South of to-day sorely needs. She has religion, earnest, bigoted:—religion that on both sides the Veil often omits the sixth, seventh, and eighth commandments, but substitutes a dozen supplementary ones. She has, as Atlanta shows, growing thrift and love of toil; but she lacks that broad knowledge of what the world knows and knew of human living and doing, which she may apply to the thousand problems of real life to-day confronting her.
W.E.B. Du Bois (The Souls of Black Folk)
For what are the classics but the noblest recorded thoughts of man? They are the only oracles which are not decayed, and there are such answers to the most modern inquiry in them as Delphi and Dodona never gave. We might as well omit to study Nature because she is old.
Henry David Thoreau (Walden or, Life in the Woods)
By love, she probably meant she would die without being in love. By in love, she meant the acuteness of the heart at the sudden sight of a particular person or the way over a couple of years of interested friendship one is suddenly stunned by the lungs’ longing for more and more breath in the presence of that friend, or nearly drowned to the knees by the salty spring that seems to beat for years on our vaginal shores. Not to omit all sorts of imaginings which assure great spiritual energy for months and, when luck follows truth, years.
Grace Paley (Just As I Thought)
I think it was during this journey that the image became detached, removed from all the rest. It might have existed, a photograph might have been taken, just like any other, somewhere else, in other circumstances. But it wasn't. The subject was too slight. Who would have thought of such a thing? The photograph could only be taken if someone could have known in advance how important it was to be in my life, that event, that crossing of the river. But while it was happening, no one even knew of its existence. Except god. And that's why- it couldn't have been otherwise- the image doesn't exist. It was omitted. Forgotten. It never was detached or removed from all the rest. And it's to this, this failure to have been created, that the image owes its virtue: the virtue of representing, of being the creator of, an absolute.
Marguerite Duras (The Lover)
Can one, in such a self-portrait, omit something which affected one's whole being and which one has thought of every day of one's life? 'Every day' exaggerates, but not much. I do not need to 'recall' Hartley, she is here. She is my end and my beginning, she is alpha and omega.
Iris Murdoch (The Sea, the Sea)
No, take more! What may be sworn by, both divine and human, Seal what I end withal! This double worship, Where [one] part does disdain with cause, the other Insult without all reason; where gentry, title, wisdom, Cannot conclude but by the yea and no Of general ignorance— it must omit Real necessities, and give way the while To unstable slightness. Purpose so barr’d, it follows Nothing is done to purpose. Therefore beseech you— You that will be less fearful than discreet; That love the fundamental part of state More than you doubt the change on’t; that prefer A noble life before a long, and wish To jump a body with a dangerous physic That’s sure of death without it— at once pluck out The multitudinous tongue; let them not lick The sweet which is their poison. Your dishonor Mangles true judgment, and bereaves the state Of that integrity which should become’t; Not having the power to do the good it would, For th’ ill which doth control’t.
William Shakespeare (Coriolanus)
A being disappeared who was protected by none, dear to none, interesting to none, and who never even attracted to himself the attention of those students of human nature who omit no opportunity of thrusting a pin through a common fly, and examining it under the microscope. A being who bore meekly the jibes of the department, and went to his grave without having done one unusual deed, but to whom, nevertheless, at the close of his life appeared a bright visitant in the form of a cloak, which momentarily cheered his poor life, and upon whom, thereafter, an intolerable misfortune descended, just as it descends upon the mighty of this world!
Nikolai Gogol
The at present unutterable things we may find somewhere uttered. These same questions that disturb and puzzle and confound us have in their turn occurred to all the wise men; not one has been omitted; and each has answered them, according to his ability, by his words and his life. Moreover, with wisdom we shall learn liberality.
Henry David Thoreau (Walden: Life in the Woods - Reflections of the Simple Living in Natural Surroundings)
Mad Lib Elegy" There are starving children left on your plate. There are injuries without brains. Migrant workers spend 23 hours a day removing tiny seeds from mixtures they cannot afford to smoke and cannot afford not to smoke. Entire nations are ignorant of the basic facts of hair removal and therefore resent our efforts to depilate unsightly problem areas. Imprisonment increases life expectancy. Finish your children. Adopt an injury. ‘I'm going to my car. When I get back, I'm shooting everybody.' [line omitted in memory of_______] 70% of pound animals will be euthanized. 94% of pound animals would be euthanized if given the choice. The mind may be trained to relieve itself on paper. A pill for your safety, a pill for her pleasure. Neighbors are bothered by loud laughter but not by loud weeping. Massively multiplayer zombie-infection web-games are all the rage among lifers. The world is a rare case of selective asymmetry. The capitol is redolent of burnt monk. ‘I'm going to my car. When I get back I'm shooting everybody.' [line omitted in memory of _______] There are two kinds of people in the world: those that condemn parking lots as monstrosities, ‘the ruines of a broken World,' and those that respond to their majesty emotionally. 70% of the planet is covered in parking lots. 94% of a man's body is parking lot. Particles of parking lot have been discovered in the permanent shadows of the moon. There is terror in sublimity. If Americans experience sublimity the terrorists have won. ‘I'm going to my car. When I get back I'm shooting everybody.' [line omitted in memory of _______]
Ben Lerner
Society itself is a codified hero system, which means that society everywhere is a living myth of the significance of human life, a defiant creation of meaning. Every society thus is a “religion” whether it thinks so or not: Soviet “religion” and Maoist “religion” are as truly religious as are scientific and consumer “religion,” no matter how much they may try to disguise themselves by omitting religious and spiritual ideas from their lives.
Ernest Becker (The Denial of Death)
Foreordain it? No. The man's circumstances and environment order it. His first act determines the second and all that follow after. But suppose, for argument's sake, that the man should skip one of these acts; an apparently trifling one, for instance; suppose that it had been appointed that on a certain day, at a certain hour and minute and second and fraction of a second he should go to the well, and he didn't go. That man's career would change utterly, from that moment; thence to the grave it would be wholly different from the career which his first act as a child had arranged for him. Indeed, it might be that if he had gone to the well he would have ended his career on a throne, and that omitting to do it would set him upon a career that would lead to beggary and a pauper's grave. For instance: if at any time--say in boyhood--Columbus had skipped the triflingest little link in the chain of acts projected and made inevitable by his first childish act, it would have changed his whole subsequent life, and he would have become a priest and died obscure in an Italian village, and America would not have been discovered for two centuries afterward. I know this. To skip any one of the billion acts in Columbus's chain would have wholly changed his life. I have examined his billion of possible careers, and in only one of them occurs the discovery of America.
Mark Twain (The Mysterious Stranger)
Who can define reality? Isn't everything subjective? If you & I witness the same event, we will recall it and recount it differently. ... Memory is conditioned by emotion, we remember better, and more fully, things that move us, such as the joy of a birth, the pleasure of a night of love, the pain of a loved one's death, the trauma of a wound. When we call up the past, we choose intense moments--good or bad--and omit the enormous gray area of daily life.
Isabel Allende (My Invented Country: A Nostalgic Journey Through Chile)
For I regard memory not as a phenomenon preserving one thing and losing another merely by chance, but as a power that deliberately places events in order or wisely omits them. Everything we forget about our own lives was really condemned to oblivion by an inner instinct long ago. Only what I want to preserve for myself has any claim to be preserved for others. So I ask my memories to speak and choose for me, and give at least some faint reflection of my life before it sinks into the dark.
Stefan Zweig (The World of Yesterday)
As Franklin recounted: He composed it in these words, “John Thompson, hatter, makes and sells hats for ready money,” with a figure of a hat subjoined. But he thought he would submit it to his friends for their amendments. The first he showed it to thought the word “Hatter” tautologous, because followed by the words “makes hats,” which showed he was a hatter. It was struck out. The next observed that the word “makes” might as well be omitted, because his customers would not care who made the hats . . . He struck it out. A third said he thought the words “for ready money” were useless, as it was not the custom of the place to sell on credit. Everyone who purchased expected to pay. They were parted with; and the inscription now stood, “John Thompson sells hats.” “Sells hats!” says his next friend; “why, nobody will expect you to give them away. What then is the use of that word?” It was stricken out, and “hats” followed, the rather as there was one painted on the board. So his inscription was reduced ultimately to “John Thompson,” with the figure of a hat subjoined.”37
Walter Isaacson (Benjamin Franklin: An American Life)
I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realised dimly enough that she might take some momentous steps. She has taken it. She has learned — you will let me talk freely, as I have begun freely — she has learned what it is to love: the greatest lesson, some people will tell you, that our earthly life provides.’ It was now time for him to wave his hat at the approaching trio. He did not omit to do so. ‘She has learned through you,’ and if his voice was still not clerical, it was now also sincere; ‘let it be your care that her knowledge is profitable to her.
E.M. Forster (A Room with a View)
I try to think for the first time what it was like to be them: our father, islanding his life, protecting both us and himself, in the midst of war and in a poor country, the effort it must have taken to sustain his illusions of reason and benevolent order, and perhaps he didn’t. Our mother, collecting the seasons and the weather and her children’s faces, the meticulous records that allowed her to omit the other things, the pain and isolation and whatever it was she was fighting against, something in a vanished history, I can never know. They are out of reach now, they belong to themselves, more than ever.
Margaret Atwood (Surfacing)
Not without design does God write the music of our lives. Be it ours to learn the tune, and not be dismayed at the 'rests.' They are not to be slurred over, not to be omitted, not to destroy the melody, not to change the keynote. If we look up, God Himself will beat the time for us. With the eye on Him, we shall strike the next note full and clear. If we sadly say to ourselves, "There is no music in a 'rest,'" let us not forget '"there is the making of music in it." The making of music is often a slow and painful process in this life. How patiently God works to teach us! How long He waits for us to learn the lesson! - Ruskin
Leslie Ludy (When God Writes Your Life Story: Experience the Ultimate Adventure)
But until that happens -- and however brief a life, it will take a while -- there is a terrible, hateful interlude that belongs to us alone, and during which we have no alternative but to cope with what we have done or omitted to do and to distract or placate our feelings of guilt, and sometimes the only way of achieving this is to increase that guilt, to heap up new guilt to cover the old, to overshadow or blur or minimize it, until finally all guilt has passed and there isn't a soul in the world who can remember what we did, no quick, wicked tongue to talk about it, not even a tremulous finger to point us out as having been the cause of anything.
Javier Marías
Jefferson then distilled and enunciated these “essentials” in several personal works he shared with friends, his “Syllabus,” and two extracts from the Bible: “The Philosophy of Jesus of Nazareth,” and “The Life and Morals of Jesus,” sometimes called the “Jefferson Bible.” In these works Jefferson disputed core Christian doctrines while he omitted references to miracles and Jesus’ resurrection. Although his own spirituality apparently grew later in life, he remained a religious skeptic and on the fringes of unitarianism in his beliefs. Throughout his life he opposed religious orthodoxy and intolerance, and the government’s subversion of religion for political gain. “To the corruptions of Christianity I am, indeed, opposed,” Jefferson wrote Benjamin Rush, “but not to the genuine precepts of Jesus himself.”90
Steven K. Green (Inventing a Christian America: The Myth of the Religious Founding)
A well-known skin specialist patronized by many famous beauties charges seventy-five dollars for a twenty-minute consultation and eight dollars for a cake of sea-mud soap. I get more satisfaction and just as much benefit out of applying a purée of apples and sour cream! [...] Of course, all masques should COVER THE NECK too. [...] Masques should only be used ones or twice a week. [...] While the masque is working, place pads soaked in witch hazel or boric acid over your eyelids and put on your favorite music. [...] A masque really works only when you're lying down. Twenty minutes is the right length of time. Then wash the masque off gently with warm water and follow with a brisk splash of cold water to close the pores. [...] For a luxurious once-a-week treatment give your face a herbal steaming first by putting parsley, dill, or any other favorite herb into a pan of boiling water. (Mint is refreshing too.) Hold a towel over your head to keep the steam rising onto your face. The pores will open so that the masque can do a better job. [...] Here are a few "kitchen masques" that work: MAYONNAISE. [...] Since I'm never sure what they put into those jars at the supermarket, I make my own with whole eggs, olive or peanut oil, and lemon juice (Omit the salt and pepper!). Stir this until it's well blended, or whip up a batch in an electric blender. PUREED VEGETABLES - cucumbers, lemons, or lettuce thickened with a little baby powder. PUREED FRUITS - cantaloupe, bananas, or strawberries mixed to a paste with milk or sour cream or honey. A FAMOUS OLD-FASHIONED MIXTURE of oatmeal, warm water, and a little honey blended to a paste.
Joan Crawford (My Way of Life)
I am, “ answered the apparition, “the spirit of Brother John de Via. I thank you for the prayers which you have poured forth to Heaven in my behalf, and I come to ask of you one more act of charity. Know that, thanks to the Divine mercy, I am in the place of salvation, among those predestined for Heaven the light which surrounds me is a proof of this. Yet I am not worthy to see the face of God on account of an omission which remains to be expiated. During my mortal life I omitted, through my own fault, and that several times, to recite the Office for the Dead, when it was prescribed by the Rule. I beseech you, my dear brother, for the love you bear Jesus Christ, to say those offices in such a manner that my debt may be paid, and I may go to enjoy the vision of my God.” Brother Ascension ran to the Father Guardian, related what had happened, and hastened to say the offices required. Then the soul of Blessed Brother John de Via appeared again, but this time more brilliant than before, He was in possession of eternal happiness.
F.X. Schouppe (The Dogma of Purgatory (Illustrated))
It is a heavy and indelible sin that I brought into the world with me; it is a heavy and innumerable multitude of sins which I have heaped up since; I have sinned behind thy back (if that can be done), by wilful abstaining from thy congregations and omitting thy service, and I have sinned before thy face, in my hypocrisies in prayer, in my ostentation, and the mingling a respect of myself in preaching thy word; I have sinned in my fasting, by repining when a penurious fortune hath kept me low; and I have sinned even in that fulness, when I have been at thy table, by a negligent examination, by a wilful prevarication, in receiving that heavenly food and physic. But as I know, O my gracious God, that for all those sins committed since, yet thou wilt consider me, as I was in thy purpose when thou wrotest my name in the book of life in mine election; so into what deviations soever I stray and wander by occasion of this sickness, O God, return thou to that minute wherein thou wast pleased with me, and consider me in that condition.
John Donne (The Major Works: Including Songs and Sonnets and Sermons)
prerelease: Snuggie Bobo grew up in the rural Midwest, but soon became enticed with running the streets of the hood. It became an area to be conquered by all means necessary! This, of course, led to a long stay in ‘upstate’ maximum security correctional college nicknamed ‘Gladiator School’. It was the school of hard knocks where men left better criminals than they entered. In the process of trying to omit the truth of the past years’ regrets, Snuggie became educated, going as far as obtaining a PhD with the hopes to rejoin society. Unfortunately, society tends to look down upon street hoods and ex-felons! Now, Snuggie lives in Chicagoland spinning tales based on this lived history to bring the reader into his world. Sean Jr. was one of the people in this world. He was a gay brother, who lost his father to crack. His father was dealing with their family problem. Sean’s mother abused him due to his forbidden illness: lusting for men. Snuggie knew Sean since he was knee-high to a grasshopper and years later took him in. He was his mentor. These are tales out of Sean and Snuggie’s life. © Snuggie Bobo 2023
Snuggie Bobo
but the adventurous student will always study classics, in whatever language they may be written and however ancient they may be. For what are the classics but the noblest recorded thoughts of man? They are the only oracles which are not decayed, and there are such answers to the most modern inquiry in them as Delphi and Dodona never gave. We might as well omit to study Nature because she is old. To read well, that is, to read true books in a true spirit, is a noble exercise, and one that will task the reader more than any exercise which the customs of the day esteem. It requires a training such as the athletes underwent, the steady intention almost of the whole life to this object. Books must be read as deliberately and reservedly as they were written. It is not enough even to be able to speak the language of that nation by which they are written, for there is a memorable interval between the spoken and the written language, the language heard and the language read. The one is commonly transitory, a sound, a tongue, a dialect merely, almost brutish, and we learn it unconsciously, like the brutes, of our mothers. The other is the maturity and experience of that; if that is our mother tongue, this is our father tongue, a reserved and select expression, too significant to be heard by the ear, which we must be born again in order to speak. The crowds of men who merely spoke the Greek and Latin tongues in the Middle Ages were not entitled by the accident of birth to read the works of genius written in those languages; for these were not written in that Greek or Latin which they knew, but in the select language of literature. They had not learned the nobler dialects of Greece and Rome, but the very materials on which they were written were waste paper to them, and they prized instead a cheap contemporary literature. But when the several nations of Europe had acquired distinct though rude written languages of their own, sufficient for the purposes of their rising literatures, then first learning revived, and scholars were enabled to discern from that remoteness the treasures of antiquity. What the Roman and Grecian multitude could not hear, after the lapse of ages a few scholars read, and a few scholars only are still reading it.
Henry David Thoreau (Walden)
When bad men combine, the good must associate; else they will fall, one by one, an unpitied sacrifice in a contemptible struggle. It is not enough . . . that a man means well to his country; it is not enough that in his single person he never did an evil act, but always voted according to his conscience, and even harangued against every design which he apprehended to be prejudicial to the interests of his country. This innoxious and ineffectual character, that seems formed upon a plan of apology and disculpation, falls miserably short of the mark of public duty. That duty demands and requires, that what is right should not only be made known, but made prevalent; that what is evil should not only be detected, but defeated. When the public man omits to put himself in a situation of doing his duty with effect, it is an omission that frustrates the purposes of his trust almost as much as if he had formally betrayed it. It is surely no very rational account of a man’s life that he has always acted right; but has taken special care to act in such a manner that his endeavours could not possibly be productive of any consequence.
Edmund Burke (Thoughts on the Cause of the Present Discontents (Classic Reprint))
THE DAY HAD GONE BY JUST AS DAYS GO BY. I had killed it in accordance with my primitive and retiring way of life. I had worked for an hour or two and perused the pages of old books. I had had pains for two hours, as elderly people do. I had taken a powder and been very glad when the pains consented to disappear. I had lain in a hot bath and absorbed its kindly warmth. Three times the mail had come with undesired letters and circulars to look through. I had done my breathing exercises, but found it convenient today to omit the thought exercises. I had been for an hour's walk and seen the loveliest feathery cloud patterns penciled against the sky. That was very delightful. So was the reading of the old books. So was the lying in the warm bath. But, taken all in all, it had not been exactly a day of rapture. No, it had not even been a day brightened with happiness and joy. Rather, it had been just one of those days which for a long while now had fallen to my lot; the moderately pleasant, the wholly bearable and tolerable, lukewarm days of a discontented middle-aged man; days without special pains, without special cares, without particular worry, without despair; days when I calmly wonder, objective and fearless, whether it isn't time to follow the example of Adalbert Stifter and have an accident while shaving.
Hermann Hesse (Steppenwolf)
The heroic books, even if printed in the character of our mother tongue, will always be in a language dead to degenerate times; and we must laboriously seek the meaning of each word and line, conjecturing a larger sense than common use permits out of what wisdom and valor and generosity we have. The modern cheap and fertile press, with all its translations, has done little to bring us nearer to the heroic writers of antiquity. They seem as solitary, and the letter in which they are printed as rare and curious, as ever. It is worth the expense of youthful days and costly hours, if you learn only some words of an ancient language, which are raised out of the trivialness of the street, to be perpetual suggestions and provocations. It is not in vain that the farmer remembers and repeats the few Latin words which he has heard. Men sometimes speak as if the study of the classics would at length make way for more modern and practical studies; but the adventurous student will always study classics, in whatever language they may be written and however ancient they may be. For what are the classics but the noblest recorded thoughts of man? They are the only oracles which are not decayed, and there are such answers to the most modern inquiry in them as Delphi and Dodona never gave. We might as well omit to study Nature because she is old.
Henry David Thoreau (Walden or, Life in the Woods)
Turning and climbing, the double helix evolved to an operation which had always existed as a possibility for mankind, the eating of light. The appetite for light was ancient. Light had been eaten metaphorically in ritual transubstantiations. Poets had declared that to be is to be a variable of light, that this peach, and even this persimmon, is light. But the peach which mediated between light and the appetite for light interfered with the taste of light, and obscured the appetite it aroused. The appetite for actual light was at first appeased by symbols. But the simple instruction, promulgated during the Primordification, to taste the source of the food in the food, led to the ability to eat light. Out of the attempt to taste sources came the ability to detect unpleasant chemicals. These had to be omitted. Eaters learned to taste the animal in the meat, and the animal's food and drink, and to taste the waters and sugars in the melon. The discriminations grew finer - children learned to eat the qualities of the pear as they ate its flesh, and to taste its slow ripening in autumn sunlight. In the ripeness of the orange they recapitulated the history of the orange. Two results occurred. First, the children were quick to surpass the adults, and with their unspoiled tastes, and their desire for light, they learned the flavor of the soil in which the blueberry grew, and the salty sweetness of the plankton in the sea trout, but they also became attentive to the taste of sunlight. Soon there were attempts to keep fruit of certain vintages: the pears of a superbly comfortable autumn in Anjou, or the oranges of Seville from a year so seasonless that their modulations of bouquet were unsurpassed for decades. Fruit was eaten as a retrospective of light. Second, children of each new generation grew more clearly, until children were shaped as correctly as crystals. The laws governing the operations of growth shone through their perfect exemplification. Life became intellectually transparent. ("Desire")
William S. Wilson (Why I Don't Write Like Franz Kafka)
it isn’t also true for a poor single Christian mom in Haiti, it isn’t true. If a sermon promises health and wealth to the faithful, it isn’t true, because that theology makes God an absolute monster who only blesses rich westerners and despises Christians in Africa, India, China, South America, Russia, rural Appalachia, inner-city America, and everywhere else a sincere believer remains poor. If it isn’t also true for a poor single Christian mom in Haiti, it isn’t true. If doctrine elevates a woman’s married-with-children status as her highest calling, it isn’t true, because that omits single believers (whose status Paul considered preferable), widows, the childless by choice or fate or loss, the divorced, and the celibate gay. If these folks are second-class citizens in the kingdom because they aren’t married with children, then God just excluded millions of people from gospel work, and I guess they should just eat rocks and die. If it isn’t also true for a poor single Christian mom in Haiti, it isn’t true. Theology is either true everywhere or it isn’t true anywhere. This helps untangle us from the American God Narrative and sets God free to be God instead of the My-God-in-a-Pocket I carried for so long. It lends restraint when declaring what God does or does not think, because sometimes my portrayal of God’s ways sounds suspiciously like the American Dream and I had better check myself. Because of the Haitian single mom. Maybe I should speak less for God. This brings me to the question at hand, another popular subject I am asked to pontificate on: What is my calling? (See also: How do I know my calling? When did you know your calling? How can I get your calling? Has God told you my calling? Can you get me out of my calling?) Ah yes, “The Calling.” This is certainly a favorite Christian concept over in these parts. Here is the trouble: Scripture barely confirms our elusive calling—the bull’s-eye, life purpose, individual mission every hardworking Protestant wants to discover. I found five scriptures, three of which referred to
Jen Hatmaker (For the Love: Fighting for Grace in a World of Impossible Standards)
Fig-tree, for such a long time I have found meaning in the way you almost completely omit your blossoms and urge your pure mystery, unproclaimed, into the early ripening fruit. Like a curved pipe of a fountain, your arching boughs drive the sap downward and up again: and almost without awakening it bursts out of sleep, into its sweetest achievement. Like the god stepping into the swan. ......But we still linger, alas, we, whose pride is in blossoming; we enter the overdue interior of our final fruit and are already betrayed. In only a few does the urge to action rise up so powerfully the they stop, glowing in their heart's abundance, while, like the soft night air , the temptation to blossom touches their tender mouths, touches their eyelids, softly: heroes perhaps, and those chosen to disappear early, whose veins Death the gardener twists into a different pattern. These plunge on ahead: in advance of their own smile like the team of galloping horses before the triumphant pharaoh in the mildly hollowed reliefs at Karnak. The hero is strangely close to those who died young. Permanence does not concern him. He lives in continual ascent, moving on into the ever-changed constellation of perpetual danger. Few could find him there. But Fate, which is silent about us, suddenly grows inspired and sings him into the storm of his onrushing world. I hear no one like him. All at once I am pierced by his darkened voice, carried on the streaming air. Then how gladly I would hide from the longing to be once again oh a boy once again, with my life before me, to sit leaning on future arms and reading of Samson, how from his mother first nothing, then everything, was born. Wasn't he a hero inside you mother? didn't his imperious choosing already begin there, in you? Thousands seethed in your womb, wanting to be him, but look: he grasped and excluded—, chose and prevailed. And if he demolished pillars, it was when he burst from the world of your body into the narrower world, where again he chose and prevailed. O mothers of heroes, O sources of ravaging floods! You ravines into which virgins have plunged, lamenting, from the highest rim of the heart, sacrifices to the son. For whenever the hero stormed through the stations of love, each heartbeat intended for him lifted him up, beyond it; and, turning away, he stood there, at the end of all smiles,—transfigured.
Rainer Maria Rilke (The Selected Poetry of Rainer Maria Rilke)
If Mamaw's second God was the United States of America, then many people in my community were losing something akin to a religion. The tie that bound them to the neighbors, that inspired them in the way my patriotism had always inspired me, had seemingly vanished. The symptoms are all around us. Significant percentages of white conservative voters--about one-third--believe that Barack Obama is a Muslim. In one poll, 32 percent of conservatives said that they believed Obama was foreign-born and another 19 percent said they were unsure--which means that a majority of white conservatives aren't certain that Obama is even an American. I regularly hear from acquaintances or distant family members that Obama has ties to Islamic extremists, or is a traitor, or was born in some far-flung corner of the world. Many of my new friends blame racism for this perception of the president. But the president feels like an alien to many Middletonians for reasons that have nothing to do with skin color. Recall that not a single one of my high school classmates attended an Ivy League school. Barack Obama attended two of them and excelled at both. He is brilliant, wealthy, and speaks like a constitutional law professor--which, of course, he is. Nothing about him bears any resemblance to the people I admired growing up; His accent--clean, perfect, neutral--is foreign; his credentials are so impressive that they're frightening; he made his life in Chicago, a dense metropolis; and he conducts himself with a confidence that comes from knowing that the modern American meritocracy was built for him. Of course, Obama overcame adversity in his own right--adversity familiar to many of us--but that was long before any of us knew him. President Obama came on the scene right as so many people in my community began to believe that the modern American meritocracy was not built for them. We know we're not doing well. We see it every day: in the obituaries for teenage kids that conspicuously omit the cause of death (reading between the lines: overdose), in the deadbeats we watch our daughters waste their time with. Barack Obama strikes at the heart of our deepest insecurities. He is a good father while many of us aren't. He wears suits to his job while we wear overalls, if we're lucky enough to have a job at all. His wife tells us that we shouldn't be feeding our children certain foods, and we hate her for it--not because we think she's wrong, but because we know she's right.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
People who don’t read science fiction, but who have at least given it a fair shot, often say they’ve found it inhuman, elitist, and escapist. Since its characters, they say, are both conventionalized and extraordinary, all geniuses, space heroes, superhackers, androgynous aliens, it evades what ordinary people really have to deal with in life, and so fails an essential function of fiction. However remote Jane Austen’s England is, the people in it are immediately relevant and revelatory—reading about them we learn about ourselves. Has science fiction anything to offer but escape from ourselves? The cardboard-character syndrome was largely true of early science fiction, but for decades writers have been using the form to explore character and human relationships. I’m one of them. An imagined setting may be the most appropriate in which to work out certain traits and destinies. But it’s also true that a great deal of contemporary fiction isn’t a fiction of character. This end of the century isn’t an age of individuality as the Elizabethan and the Victorian ages were. Our stories, realistic or otherwise, with their unreliable narrators, dissolving points of view, multiple perceptions and perspectives, often don’t have depth of character as their central value. Science fiction, with its tremendous freedom of metaphor, has sent many writers far ahead in this exploration beyond the confines of individuality—Sherpas on the slopes of the postmodern. As for elitism, the problem may be scientism: technological edge mistaken for moral superiority. The imperialism of high technocracy equals the old racist imperialism in its arrogance; to the technophile, people who aren’t in the know/in the net, who don’t have the right artifacts, don’t count. They’re proles, masses, faceless nonentities. Whether it’s fiction or history, the story isn’t about them. The story’s about the kids with the really neat, really expensive toys. So “people” comes to be operationally defined as those who have access to an extremely elaborate fast-growth industrial technology. And “technology” itself is restricted to that type. I have heard a man say perfectly seriously that the Native Americans before the Conquest had no technology. As we know, kiln-fired pottery is a naturally occurring substance, baskets ripen in the summer, and Machu Picchu just grew there. Limiting humanity to the producer-consumers of a complex industrial growth technology is a really weird idea, on a par with defining humanity as Greeks, or Chinese, or the upper-middle-class British. It leaves out a little too much. All fiction, however, has to leave out most people. A fiction interested in complex technology may legitimately leave out the (shall we say) differently technologized, as a fiction about suburban adulteries may ignore the city poor, and a fiction centered on the male psyche may omit women. Such omission may, however, be read as a statement that advantage is superiority, or that the white middle class is the whole society, or that only men are worth writing about. Moral and political statements by omission are legitimated by the consciousness of making them, insofar as the writer’s culture permits that consciousness. It comes down to a matter of taking responsibility. A denial of authorial responsibility, a willed unconsciousness, is elitist, and it does impoverish much of our fiction in every genre, including realism.
Ursula K. Le Guin (A Fisherman of the Inland Sea)
I’m the kind of patriot whom people on the Acela corridor laugh at. I choke up when I hear Lee Greenwood’s cheesy anthem “Proud to Be an American.” When I was sixteen, I vowed that every time I met a veteran, I would go out of my way to shake his or her hand, even if I had to awkwardly interject to do so. To this day, I refuse to watch Saving Private Ryan around anyone but my closest friends, because I can’t stop from crying during the final scene. Mamaw and Papaw taught me that we live in the best and greatest country on earth. This fact gave meaning to my childhood. Whenever times were tough—when I felt overwhelmed by the drama and the tumult of my youth—I knew that better days were ahead because I lived in a country that allowed me to make the good choices that others hadn’t. When I think today about my life and how genuinely incredible it is—a gorgeous, kind, brilliant life partner; the financial security that I dreamed about as a child; great friends and exciting new experiences—I feel overwhelming appreciation for these United States. I know it’s corny, but it’s the way I feel. If Mamaw’s second God was the United States of America, then many people in my community were losing something akin to a religion. The tie that bound them to their neighbors, that inspired them in the way my patriotism had always inspired me, had seemingly vanished. The symptoms are all around us. Significant percentages of white conservative voters—about one-third—believe that Barack Obama is a Muslim. In one poll, 32 percent of conservatives said that they believed Obama was foreign-born and another 19 percent said they were unsure—which means that a majority of white conservatives aren’t certain that Obama is even an American. I regularly hear from acquaintances or distant family members that Obama has ties to Islamic extremists, or is a traitor, or was born in some far-flung corner of the world. Many of my new friends blame racism for this perception of the president. But the president feels like an alien to many Middletonians for reasons that have nothing to do with skin color. Recall that not a single one of my high school classmates attended an Ivy League school. Barack Obama attended two of them and excelled at both. He is brilliant, wealthy, and speaks like a constitutional law professor—which, of course, he is. Nothing about him bears any resemblance to the people I admired growing up: His accent—clean, perfect, neutral—is foreign; his credentials are so impressive that they’re frightening; he made his life in Chicago, a dense metropolis; and he conducts himself with a confidence that comes from knowing that the modern American meritocracy was built for him. Of course, Obama overcame adversity in his own right—adversity familiar to many of us—but that was long before any of us knew him. President Obama came on the scene right as so many people in my community began to believe that the modern American meritocracy was not built for them. We know we’re not doing well. We see it every day: in the obituaries for teenage kids that conspicuously omit the cause of death (reading between the lines: overdose), in the deadbeats we watch our daughters waste their time with. Barack Obama strikes at the heart of our deepest insecurities. He is a good father while many of us aren’t. He wears suits to his job while we wear overalls, if we’re lucky enough to have a job at all. His wife tells us that we shouldn’t be feeding our children certain foods, and we hate her for it—not because we think she’s wrong but because we know she’s right.
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
The mathematical exposition is extremely concise and occasionally awkward. Laplace was interested in results, not in how he got them. To avoid condensing a complicated mathematical argument to a brief, intelligible form he frequently omits everything but the conclusion, with the optimistic remark “Il est aisé à voir” (It is easy to see). He himself would often be unable to restore the reasoning by which he had “seen” these easy things without hours—sometimes days—of hard labor.
Eric Temple Bell (Men of Mathematics)
In Rome, the person in charge of equipollenza, or training equivalency, was located at the Foreign Ministry. I got into that mass of marble by depositing my passport at the front desk, and was escorted through dimly-lit halls wearing a temporary ID badge on my lapel and clutching my little pile of documents. The diminutive official took a glance at my grimy Xeroxes and harrumphed a little laugh through his moustache. The colleague at the New York Consulate had unfortunately gotten several things wrong, he said. First a procedural error: the “authenticating” squiggles on the back of the copies were meaningless. They didn’t even vouch for the accuracy of the photocopying, much less prove the validity of the originals. All the documents would have to be sent back and scattered around the USA for proper authentication, by local Italian consulates. For example, the Italian Consul in Boston had to testify that Harvard was a degree-granting university. Second, the Consular list had omitted a crucial document, the Certificate of Existence in Life. No, the mere observation of me stamping my foot and tearing my hair was not, for the Italian government, sufficient proof that I existed. Yes, a nonexistent person was unlikely to be asking for an Italian medical license, but rules were rules. The Consulate’s final error was a bit of misinformation, bred, perhaps, of tenderheartedness. All these documents couldn’t possibly get me an Italian license. They would merely get me a toehold in the University where they might, at best, be alchemized into an Italian medical degree, but an actual license would be another and rather more difficult question. This was my first lesson in Italian bureaucracy. The Consular official in New York clearly hadn’t had the faintest idea what she was doing and no intention of trying to find out, but she had found me too simpatica to disappoint—a sentiment not strong enough to keep her from abandoning my application to gather dust. By this time various shady sources such as Italian medical professors and representatives of international foundations had suggested an alternative to my quest for the holy grail of doctorly legitimacy: just hang out a shingle and to hell with the license. Unfortunately, I’m such a coward that climbing on a bus without a ticket gives me palpitations, so practicing without a license would be a degree of “transgression” (as the Italians call it) far beyond my talents.
Susan Levenstein (Dottoressa: An American Doctor in Rome)
pierce. The understanding of this Hebrew verb is problematic. Traditionally translated “pierce,” this Hebrew verb occurs only here, and can only be translated here as “pierce” if it is emended. As it stands, it indicates that the psalmist’s hands and feet are “like a lion” (see NIV text note), which some commentators have interpreted to mean that the psalmist’s hands and feet were trussed up on a stick as a captured lion would be. Unfortunately, despite all the lion hunting scenes that are preserved and described, no lion is shown being transported this way. If a verb is desirable here, a suitable candidate must be found among the related Semitic languages. The most likely one is similar to Akkadian and Syriac cognates that have the meaning “shrink” or “shrivel.” Akkadian medical texts speak of a symptom in which the hands and feet are shrunken. Although Mt 27 uses several other lines from this psalm (e.g., Mt 27:35, 39, 43, 46), Mt 27 is of no help here, because it does not refer to this verse. Since Matthew omits it, he likely did not read the psalm as referring to the piercing of hands and feet.
Anonymous (NIV, Cultural Backgrounds Study Bible: Bringing to Life the Ancient World of Scripture)
Tabasco Worcestershire sauce 1 tsp. Pernod or scotch (optional) Make the Marie Rose sauce:  Stir together mayonnaise, ketchup, and horseradish until well mixed.Add a dash of Worcestershire sauce and Tabasco to taste.  Add the liquor if you're using it. (The French like Pernod, but I prefer to omit the liquor.) Refrigerate, covered, until ready to use. Marinate the bay shrimp for fifteen minutes in white wine vinegar to which a few dashes of Tabasco has been added.  Drain and chill until composing the starter. Halve avocados lengthwise and remove seeds.  Cut a small slice out of skin so that the avocado half sits flat on plate, cut side up.  Sprinkle with lemon juice to prevent it from darkening.
Kimberly Burton Allen (A Butler’s Life: Scenes from the Other Side of the Silver Salver)
Our blessed Redeemer, in directing us how to conduct one towards another, appeals to our own feeling: “Whatsoever ye would that other men should do to you, do ye even so to them” [Mt. 7:12]. Now where such live in fullness on the labor of others, who have never had experience of hard labor themselves, there is often a danger of their not having a right feeling of the labourer’s condition, and therefore of being disqualified to judge candidly in their case, not knowing what they themselves would desire were they to labor hard from one year to another to raise the necessaries of life and to pay large rents beside—that it’s good for those who live in fullness to labor for tenderness of heart, to improve every opportunity of being acquainted with the hardships and fatigues of those who labor for their living, and [to] think seriously with themselves: Am I influenced with true charity in fixing all my demands? Have I no desire to support myself in expensive customs because my acquaintance live in those customs, Were I to labor as they do toward supporting them and their children in a station like mine, in such sort as they and their children labor for us, could I not on such a change, before I entered into agreements of rents or interest, name some costly articles now used by me or in my family which have no real use in them, the expense whereof might be lessened? And should I not in such case strongly desire the disuse of those needless expenses, that less answering their way of life the terms might be the easier to me? If a wealthy man, on serious reflection, finds a witness in his own conscience that there are some expenses which he indulgeth himself in that are in conformity to custom, which might be omitted consistent with the true design of living, and which was he to change places with those who occupy his estate he would desire to be discontinued by them—whoever are thus awakened to their feeling will necessarily find the injunction binding on them: “Do thou even so to them
John Woolman (A Plea for the Poor (Pendle Hill Pamphlets #357))
The extension and depth of exposure include every data point but necessarily omit the latency within each person, precisely because it cannot be observed and measured. This is the latency of a possible self that awaits ignition from that one spark caused by the caring attention of another embodied human being. It is in that clash of oxygen and ember that the latent is perceived, comprehended, and yanked forward into existence. This is real life: fleshy, soft, uncertain, and replete with silence, risk, and, when fortune smiles, genuine intimacy.
Shoshana Zuboff (The Age of Surveillance Capitalism: The Fight for a Human Future at the New Frontier of Power)
It was in the nature of the system never to rest in obscurity, although that condition was in a high degree essential to its security. It was forever forcing itself into prominence. Unconscious, apparently, of its own deformity, it omitted no occasion for inviting disgust by seeking approval and admiration. It was noisiest when it should have been most silent and unobtrusive.
Fredrick Douglass (Narrative of the Life of Fredrick Douglass)
The spirit ought to be brought up for examination daily. It was the custom of Sextius when the day was over, and he had betaken himself to rest, to inquire of his spirit: “What bad habit of yours have you cured to-day? What vice have you checked? In what respect are you better?” Anger will cease, and become more gentle, if it knows that every day it will have to appear before the judgment seat. What can be more admirable than this fashion of discussing the whole of the day’s events? How sweet is the sleep which follows this self-examination? How calm, how sound, and careless is it when our spirit has either received praise or reprimand, and when our secret inquisitor and censor has made his report about our morals? I make use of this privilege, and daily plead my cause before myself: when the lamp is taken out of my sight, and my wife, who knows my habit, has ceased to talk, I pass the whole day in review before myself, and repeat all that I have said and done: I conceal nothing from myself, and omit nothing: for why should I be afraid of any of my shortcomings, when it is in my power to say, “I pardon you this time: see that you never do that anymore”?… A good man delights in receiving advice: all the worst men are the most impatient of guidance.
Massimo Pigliucci (How to Be a Stoic: Using Ancient Philosophy to Live a Modern Life)
I do not believe that time is linear. Instead, I have come to believe that time is in cycles, and that the future is part of our past and the past is a part of our future. Always, however, we are in new cycles. The cycles omit some pieces and collect other pieces of our stories and our lives. That is why we keep the names, and that is why we keep the words. To understand our relationship to the whole and our role in the path of life.
Winona LaDuke (Last Standing Woman)
From a search of the sacred text itself, using a computerized King James Bible, available in Christian bookstores, we discover that the following words do not appear in the Bible: cooperate; cooperation; moral; traditional values; rational; rights; morals; independence; congress; compromise; progress; republic; republican; democrat; democracy; insight; morality; jury; vote; test; due process; consequences; coincidence; parliament; majority; minority; constitution; achievement; aspire; human; invention; explore; discovery; humanity; humanism; university; universe; homosexual; fairness; harmony; treaty; logic; sexuality; abort; abortion; fetus; poet; poetry; artist; creativity. [Editor’s note: As a matter of fact, the word ‘brain’ also is not to be found there either!] If the Bible is the foundation of morality and our way of life, we are in serious trouble indeed. If the ARCW is lost, we will have no need for those omitted words.
Edwin Kagin (Baubles of Blasphemy)
official edition of his papers omitted) and had only tenuous claims to the uniforms he always wore—to the embarrassment or fury of ‘real’ soldiers. As one of the so-called ‘demi-gods’ on General Moltke’s staff, Lieutenant Colonel Bronsart von Schellendorf, wrote in 1870, ‘The civil servant in the cuirassier jacket becomes more impudent every day.’2 He had a ‘von’ in his name and came from a ‘good’ old Prussian family but, as the historian Treitschke wrote in 1862, he was apparently no more than a ‘shallow country-squire’.3 He had the pride of his social rank but understood that many occupied higher rungs than he. One of his staff recalled an instance: Most
Jonathan Steinberg (Bismarck: A Life)
.."So you know everything now." Julian raised an eyebrow. "I can't believe that," he drawled. "There are no more secrets, no more illicit little plots percolating in your devious mind? You'll have to forgive me if I find that hard to credit, Violette." "Oh, there's one more secret," she said dully. "But only one, and you might as well know it. I love you. I love you so much it hurts. And I'll never love anyone else in the same way"..."There ,now," she said. That's all of it. I've tricked you and I've used you. I've lied to you, and rearranged your life to suit my own purposes. I forced you to leave Spain, and I'm the illegitimate daughter of a Penhallan and a robber baron. But I love you with my heart and soul, and I'd give my last drop of blood if you ever needed it." ..."But of course you won't ever need it, so I'll go now. And you need never fear that our paths will cross again." Turning from him, she began to walk back across the sand. "You omitted to mention puking all over my boots in that catalog of wrongs," Julian said. ..."I suppose you're entitled to that," she said. "Entitled to mock. Why should you believe in my love? Anyway, it's a poor thing. I know it can't excuse or make up what I've done to you." "Dear God," he said. "I'm assuming this extraordinary show of humility was brought on by that drug Penhallan gave you. I trust it's effect isn't permanent." ..."Oh you despicable bastard! You are an unmitigated cur!" She swooped down, grabbed a handful of sand, and threw it at him. Darting sideways, she picked up the empty cognac bottle. It flew through the air and caught him a glancing blow on the shoulder... ... Diabillo ! Virago! Termagant!" Julian taunted, grinning as he ducked one of Gabriel's boots. "Espadachin! Brute! Bully! Unchivalrous pig!" she hurled back.. ...He'd fought the knowledge ..he'd been fighting it for weeks..and now he'd lost the battle. She was a lawless, manipulative, illegitimate half-breed, no possible wife for a St Simon, and he didn't give a damn.
Jane Feather
Non-LGBT asexual people aren’t saying they have an identical or worse experience when compared to LGBTQ people. They are saying they often feel omitted, erased, and excluded and that they move through life facing consistent challenges to their sexual orientation.
Julie Sondra Decker (The Invisible Orientation: An Introduction to Asexuality)
Kant wrote a treatise on The Vital Powers. I should prefer to write a dirge for them. The superabundant display of vitality, which takes the form of knocking, hammering, and tumbling things about, has proved a daily torment to me all my life long. There are people, it is true—nay, a great many people—who smile at such things, because they are not sensitive to noise; but they are just the very people who are also not sensitive to argument, or thought, or poetry, or art, in a word, to any kind of intellectual influence. The reason of it is that the tissue of their brains is of a very rough and coarse quality. On the other hand, noise is a torture to intellectual people. In the biographies of almost all great writers, or wherever else their personal utterances are recorded, I find complaints about it; in the case of Kant, for instance, Goethe, Lichtenberg, Jean Paul; and if it should happen that any writer has omitted to express himself on the matter, it is only for want of an opportunity.
Arthur Schopenhauer
The technology involved,* given the economics of mass production, would have added no more than a few pounds to the final purchase price, so why would you not add this significant extra?* Any ‘rational’ person would have advised Morita to go with the engineers’ advice, but according to multiple accounts, Morita vetoed the recording button. This defies all conventional economic logic, but it does not defy psycho-logic. Morita thought the presence of a recording function would confuse people about what the new device was for. Was it for dictation? Should I record my vinyl record collection onto cassette? Or should I record live music? In the same way that McDonald’s omitted cutlery from its restaurants to make it obvious how you were supposed to eat its hamburgers, by removing the recording function from Walkmans, Sony produced a product that had a lower range of functionality, but a far greater potential to a change behaviour.
Rory Sutherland (Alchemy: The Dark Art and Curious Science of Creating Magic in Brands, Business, and Life)
More impressively, and in another sign of independence, she informed Daddy King that she would omit from her vows the promise to obey her husband.
Jonathan Eig (King: A Life)