Life Is Like A Vapor Quotes

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For so many years, I couldn’t understand why every time I thought that someone finally loved me, like… for real, they would eventually turn to vapor. Every person whom I’ve ever loved is trapped inside of my chest. I’ve breathed all of them in so deeply that I’ve nearly choked and died on every soul that I’ve ever given myself to.
Jennifer Elisabeth (Born Ready: Unleash Your Inner Dream Girl)
He rocked in the swells, floating like the first germ of life adrift on the earth's cooling seas, formless macule of plasm trapped in a vapor drop and all creation yet to come.
Cormac McCarthy (Suttree)
Life is like a vapor. It is like a puff of smoke. It is here for a little while, then it is gone. If you were called into eternity today, would you be ready?
James Collins (Don't Throw the Believer Out with the Baptistry Water: The Best of The Point Is... Volume 1)
Lay your life down. Your heartbeats cannot be hoarded. Your reservoir of breaths is draining away. You have hands, blister them while you can. You have bones, make them strain-they can carry nothing in the grave. You have lungs, let them spill with laughter. With an average life expectancy of 78.2 years in the US (subtracting eight hours a day for sleep), I have around 250,00 conscious hours remaining to me in which I could be smiling or scowling, rejoicing in my life, in this race, in this story, or moaning and complaining about my troubles. I can be giving my fingers, my back, my mind, my words, my breaths, to my wife and my children and my neighbors, or I can grasp after the vapor and the vanity for myself, dragging my feet, afraid to die and therefore afraid to live. And, like Adam, I will still die in the end.
N.D. Wilson (Death by Living: Life Is Meant to Be Spent)
We don’t know what astatine looks like, because, as Lowe put it, “that stuff just doesn’t want to exist.” It’s so radioactive (with a half-life measured in hours) that any large piece of it would be quickly vaporized by its own heat. Chemists suspect that it has a black surface, but no one really knows. There’s no material safety data sheet for astatine. If there were, it would just be the word “NO” scrawled over and over in charred blood.
Randall Munroe (What If?: Serious Scientific Answers to Absurd Hypothetical Questions)
Everything is interim. Everything is a path or a preparation for the next thing, and we never know what the next thing is. Life is like that, of course, twisty and surprising. But life with God is like that exponentially. We can dig in, make plans, write in stone, pretend we're not listening, but the voice of God has a way of being heard. It seeps in like smoke or vapor even when we've barred the door against any last-minute changes, and it moves us to different countries and different emotional territories and different ways of living. It keeps us moving and dancing and watching, and never lets us drop down into a life set on cruise control or a life ruled by remote control. Life with God is a dancing dream, full of flashes and last-minute exits and generally all the things we've said we'll never do. And with the surprises comes great hope.
Shauna Niequist (Cold Tangerines: Celebrating the Extraordinary Nature of Everyday Life)
His adolescent nerdliness vaporizing any iota of a chance he had for young love. Everybody else going through the terror and joy of their first crushes, their first dates, their first kisses while Oscar sat in the back of the class, beind his DM's screen, and watched his adolescence stream by. Sucks to be left out of adolescence, sort of like getting locked in the closet on Venus when the sun appears for the first time in a hundred years.
Junot Díaz (The Brief Wondrous Life of Oscar Wao)
Already, I seemed to feel my intellect deteriorating, my heart petrifying, my soul contracting; and I trembled lest my very moral perceptions should become deadened, my distinctions of right and wrong confounded, and all my better faculties be sunk, at last, beneath the baneful influence of such a mode of life. The gross vapors of earth were gathering around me, and closing in upon my inward heaven; and thus it was that Mr. Weston rose at length upon me, appearing like the morning star in my horizon, to save me from the fear of utter darkness; and I rejoiced that I now had a subject for contemplation that was above me, not beneath.
Anne Brontë (Agnes Grey)
I better go.” I push up from the couch and move to the door like a vapor, there in one aspect, completely gone in another, a body with no life.
J.B. Salsbury (Fighting to Forget (Fighting, #3))
Emptiness constantly falls within our reach. It is always with us, and conditions all our knowledge, all our deeds and is our life itself. It is only when we attempt to pick it up and hold it forth as something before our eyes that it eludes us, frustrates all our efforts and vanishes like vapor.
D.T. Suzuki (The Zen Doctrine of No-Mind: The Significance of the Sūtra of Hui-Neng)
Aside I turn to the holy, unspeakable, mysterious Night. Afar lies the world -- sunk in a deep grave -- waste and lonely is its place. In the chords of the bosom blows a deep sadness. I am ready to sink away in drops of dew, and mingle with the ashes. -- The distances of memory, the wishes of youth, the dreams of childhood, the brief joys and vain hopes of a whole long life, arise in gray garments, like an evening vapor after the sunset. In other regions the light has pitched its joyous tents. What if it should never return to its children, who wait for it with the faith of innocence?
Novalis (Hymns to the Night)
Heart as collapsed time, as a dug-up grave, as simple machine. Heart as big black bugs bleed blue blood. Heart as MI frozen as seen from airplane, everything still and white and beautiful. Heart as the Day the Music Died. Heart as love being made, as fucking, as a pleasantly haunted house. Heart as a dim memory of a dark room in which you’re molded wetasscracked into a beanbag chair, fumbling for wetness. Come hither. Heart as a cunt’s supposed to smell like tuna. Heart as the star of the sea. Heart as a pussy in permanent bloom. Heart as doxycycline. Heart as waxwings, as a fudge round, as the phone rings once and then stops. Heart as throw your hands in the air, throw your art at the stars, stutter and stare. Heart as a Stratocaster. Heart as Twin Reverb. Heart as I heart you so much. Heart as all that we thought we knew in the world disappears into vapor. Heart as the rest of your life times the weight of the world squared.
Bryan Charles (Grab On To Me Tightly As If I Knew The Way)
The natural heat, say the good-fellows, first seats itself in the feet: that concerns infancy; thence it mounts into the middle region, where it makes a long abode and produces, in my opinion, the sole true pleasures of human life; all other pleasures in comparison sleep; towards the end, like a vapor that still mounts upward, it arrives at the throat, where it makes its final residence, and concludes the progress.
Michel de Montaigne (The Complete Essays)
What is your life? It is like a vapor, which is dispersed by a breath of wind, and is no more.
Alfonso María de Liguori
But it was no good trying to tell about the beauty. It was just that life was beautiful beyond belief, and that is a kind of joy which has to be lived. Sometimes, when they came down from the cirrus levels to catch a better wind, they would find themselves among the flocks of cumulus: huge towers of modeled vapor, looking as white as Monday's washing d as solid as meringues. Perhaps one of these piled-up blossoms of the sky, these snow-white droppings of a gigantic Pegasus, would lie before them several miles away. They would set their course toward it, seeing it grow bigger silently and imperceptibly, a motionless growth; and then, when they were at it, when they were about to bang their noses with a shock against its seeming solid mass, the sun would dim. Wraiths of mist suddenly moving like serpents of the air would coil about them for a second. Grey damp would be around them, and the sun, a copper penny, would fade away. The wings next to their own wings would shade into vacancy, until each bird was a lonely sound in cold annihilation, a presence after uncreation. And there they would hang in chartless nothing, seemingly without speed or left or right or top or bottom, until as suddenly as ever the copper penny glowed and the serpents writhed. Then, in a moment of time, they would be in the jeweled world once more: a sea under them like turquoise and all the gorgeous palaces of heaven new created, with the dew of Eden not yet dry.
T.H. White (The Once and Future King (The Once and Future King, #1-4))
Weirdly, D&D didn't encourage my leanings towards trying magic of my own at all. In fact, it frustrated them. Even the most pompous and ambitious historical magicians, from the Zaroastrian Magi through John Dee, Francis Barrett and Aleister Crowley, never claimed to be able to throw fireballs or lightning bolts like D&D wizards can. So D&D was never going to feed the fantasies of practising magic in the real world. That is all about gaining secret knowledge, a higher level of perception or inflicting misfortune or a boon on someone rather than causing a poisonous cloud of vapor to pour from your fingers (Cloudkill, deadly to creatures with less than 5 hit dice, for those who are interested). The game, as we played it, just doesn't support the occult idea of magic. In fact, it might even be argued that, by giving such a powerful prop to my imagination, D&D stopped me from going deeper into the occult in real life. I certainly had all the qualifications—bullied power-hungry twerp with no discernable skill in conventional fields and no immediate hope of a girlfriend who wasn't mentally ill. It's amazing I'm not out sacrificing goats to this day.
Mark Barrowcliffe (The Elfish Gene: Dungeons, Dragons And Growing Up Strange)
Sparks come from the very source of light and are made of the purest brightness—so say the oldest legends. When a human Being is to be born, a spark begins to fall. First it flies through the darkness of outer space, then through galaxies, and finally, before it falls here, to Earth, the poor thing bumps into the orbits of planets. Each of them contaminates the spark with some Properties, while it darkens and fades. First Pluto draws the frame for this cosmic experiment and reveals its basic principles—life is a fleeting incident, followed by death, which will one day let the spark escape from the trap; there’s no other way out. Life is like an extremely demanding testing ground. From now on everything you do will count, every thought and every deed, but not for you to be punished or rewarded afterward, but because it is they that build your world. This is how the machine works. As it continues to fall, the spark crosses Neptune’s belt and is lost in its foggy vapors. As consolation Neptune gives it all sorts of illusions, a sleepy memory of its exodus, dreams about flying, fantasy, narcotics and books. Uranus equips it with the capacity for rebellion; from now on that will be proof of the memory of where the spark is from. As the spark passes the rings of Saturn, it becomes clear that waiting for it at the bottom is a prison. A labor camp, a hospital, rules and forms, a sickly body, fatal illness, the death of a loved one. But Jupiter gives it consolation, dignity and optimism, a splendid gift: things-will-work-out. Mars adds strength and aggression, which are sure to be of use. As it flies past the Sun, it is blinded, and all that it has left of its former, far-reaching consciousness is a small, stunted Self, separated from the rest, and so it will remain. I imagine it like this: a small torso, a crippled being with its wings torn off, a Fly tormented by cruel children; who knows how it will survive in the Gloom. Praise the Goddesses, now Venus stands in the way of its Fall. From her the spark gains the gift of love, the purest sympathy, the only thing that can save it and other sparks; thanks to the gifts of Venus they will be able to unite and support each other. Just before the Fall it catches on a small, strange planet that resembles a hypnotized Rabbit, and doesn’t turn on its own axis, but moves rapidly, staring at the Sun. This is Mercury, who gives it language, the capacity to communicate. As it passes the Moon, it gains something as intangible as the soul. Only then does it fall to Earth, and is immediately clothed in a body. Human, animal or vegetable. That’s the way it is. —
Olga Tokarczuk (Drive Your Plow Over the Bones of the Dead)
The life of the body is sustained by the breath which inhaled the dry vapors kindred fire. At night, when the sun is extinguished and the world becomes unconscious, we inhale the dark wet vapors and sink into death-like sleep.
G.T.W. Patrick (Fragments)
Lay your life down. Your heartbeats cannot be hoarded. Your reservoir of breaths is draining away. You have hands, blister them while you can. You have bones, make them strain—they can carry nothing in the grave. You have lungs, let them spill with laughter. With an average life expectancy of 78.2 years in the US (subtracting eight hours a day for sleep), I have around 250,000 conscious hours remaining to me in which I could be smiling or scowling, rejoicing in my life, in this race, in this story, or moaning and complaining about my troubles. I can be giving my fingers, my back, my mind, my words, my breaths, to my wife and my children and my neighbors, or I can grasp after the vapor and the vanity for myself, dragging my feet, afraid to die and therefore afraid to live. And, like Adam, I will still die in the end. Living is the same thing as dying. Living well is the same thing as dying for others.
N.D. Wilson (Death by Living: Life Is Meant to Be Spent)
An asteroid or comet traveling at cosmic velocities would enter the Earth’s atmosphere at such a speed that the air beneath it couldn’t get out of the way and would be compressed, as in a bicycle pump. As anyone who has used such a pump knows, compressed air grows swiftly hot, and the temperature below it would rise to some 60,000 Kelvin, or ten times the surface temperature of the Sun. In this instant of its arrival in our atmosphere, everything in the meteor’s path—people, houses, factories, cars—would crinkle and vanish like cellophane in a flame. One second after entering the atmosphere, the meteorite would slam into the Earth’s surface, where the people of Manson had a moment before been going about their business. The meteorite itself would vaporize instantly, but the blast would blow out a thousand cubic kilometers of rock, earth, and superheated gases. Every living thing within 150 miles that hadn’t been killed by the heat of entry would now be killed by the blast. Radiating outward at almost the speed of light would be the initial shock wave, sweeping everything before it. For those outside the zone of immediate devastation, the first inkling of catastrophe would be a flash of blinding light—the brightest ever seen by human eyes—followed an instant to a minute or two later by an apocalyptic sight of unimaginable grandeur: a roiling wall of darkness reaching high into the heavens, filling an entire field of view and traveling at thousands of miles an hour. Its approach would be eerily silent since it would be moving far beyond the speed of sound. Anyone in a tall building in Omaha or Des Moines, say, who chanced to look in the right direction would see a bewildering veil of turmoil followed by instantaneous oblivion. Within minutes, over an area stretching from Denver to Detroit and encompassing what had once been Chicago, St. Louis, Kansas City, the Twin Cities—the whole of the Midwest, in short—nearly every standing thing would be flattened or on fire, and nearly every living thing would be dead. People up to a thousand miles away would be knocked off their feet and sliced or clobbered by a blizzard of flying projectiles. Beyond a thousand miles the devastation from the blast would gradually diminish. But that’s just the initial shockwave. No one can do more than guess what the associated damage would be, other than that it would be brisk and global. The impact would almost certainly set off a chain of devastating earthquakes. Volcanoes across the globe would begin to rumble and spew. Tsunamis would rise up and head devastatingly for distant shores. Within an hour, a cloud of blackness would cover the planet, and burning rock and other debris would be pelting down everywhere, setting much of the planet ablaze. It has been estimated that at least a billion and a half people would be dead by the end of the first day. The massive disturbances to the ionosphere would knock out communications systems everywhere, so survivors would have no idea what was happening elsewhere or where to turn. It would hardly matter. As one commentator has put it, fleeing would mean “selecting a slow death over a quick one. The death toll would be very little affected by any plausible relocation effort, since Earth’s ability to support life would be universally diminished.
Bill Bryson (A Short History of Nearly Everything)
You guys could handle this on your own. Why risk getting kicked out of your He-Man-Monster-Haters Club?" "Because we can't handle this on our own. At least I don't think we can." "You said yourself you already have some Prodigium working with you. Why not go to them?" "We have a handful," he said, frustration creeping into his voice. "And most of them suck. Look, just consider it a peace offering, okay? My way of saying I'm sorry for lying to you. And pulling a knife in your presence, even if it was just to open a damn window to get out before you vaporized me." Most girls got flowers. I got a dirt put used for demon raising. Nice. "Thanks," I replied. "But don't you want in on this?" He looked at me, and not for the first time, I wished his eyes weren't so dark. It would have been nice to have some idea of what was going on in his head. "That's up to you," he said. Mom always liked to say that we hardly ever know the decisions we make that change our lives,mostly because they're little ones. You take this bus instead of that one and end up meeting your soul mate, that kind of thing. But there was no doubt in my mind that this was one of those life-changing moments. Tell Archer no,and I'd never see him again. And Dad and Jenna wouldn't be mad at me, and Cal...Tell Archer yes, and everything suddenly got twistier and more complicated than Mrs. Casnoff's hairdo. And even though I'm a twisty and complicated girl, I knew what my answer had to be. "It's too much of a risk, Cross. Maybe one day when I'm head of the Council, and you're...well, whatever you're going to be for L'Occhio di Dio, we could work on some kind of collaboration." That brought up depressig images of me and Archer sittig across a boardroom table, sketching out battle plans on a whiteboard, so my voice was a little shaky when I continued. "But for now, it's too dangerous." And not just because basically everyone in our lives would want to kill us if they found out, I thought. But because I was pretty sure I was still in love with him, and I thought he might feel something similar for me, and there was no way we could work together preventing the Monster Apocalypse/World War III without that becoming an issue. Not that I could say any of that. Archer's face was blank as he said, "Cool. Got it." "Cross," I started to say, but then his eyes slid past me and went wide with horror. At the same time, I became aware of a slithering noice behind me. That just could not be good; in my experience, nothing pleasant slithers. Still, I was not prepared for the nightmares climbing out of the crater.
Rachel Hawkins (Demonglass (Hex Hall, #2))
He lay with his feet together and his arms at his sides like a dead king on an altar. He rocked in the swells, floating like the first germ of life adrift on the earth's cooling seas, formless macule of plasm trapped in a vapor drop and all creation yet to come.
Cormac McCarthy (Suttree)
Everything about them is blighted, dead. Feelings flake off & fall in dust. The senses, vitrified, can no longer experience pleasure; they crack at the least provocation. Each of us, within, was as if devoured by conflagration, & our hearts were no more than a pinch of ashes. Our souls were laid waste. For a long time now we had believed in nothing, not even nothingness. The nihilists of 1880 were a sect of mystics, dreamers, the routineers of universal happiness. We, of course, were poles apart from these credulous fools & their vaporous theories. We were men of action, technicians, specialists, the pioneers of a modern generation dedicated to death, the preachers of world revolution, the precursors of universal destruction, realists, realists. And there is no reality. What then? Destroy to rebuild or destroy to destroy? Neither the one nor the other. Angels or devils? No. You must excuse my smile: we were automats, pure & simple. We ran on like an idling machine until we were exhausted, pointlessly pointlessly, like life, like death, like a dream. Not even adversity had any charm for us.
Blaise Cendrars (Moravagine)
CHRISTMAS GREETINGS From Ray Bradbury Imagine that you have been dead for a year, ten years, one hundred years, a thousand years. The grave and night have taken and kept you in that silence and dark which says nothing and so reveals absolutely zero. In the middle of all this darkness and being alone and bereft of sense, let us imagine that God comes to your still soul and lonely body and says: I will give you one minute of ife. I will restore you to your body and senses for sixty seconds. Out of all the minutes in your life, choose one, I will put you in that minute, and you will be alive again after a hundred, a thousand years of darkness. Which is it? Think. Speak. Which do you choose? And the answer is: Any minute. Any minute at all! Oh, God, Sweet Christ, oh mystery, give me any minute in all my life. And the further answer is: When I lived I didn't know that every minute was special, precious a gift, a miracle, an incredible thing, an impossible work, an amazing dream. But not, Like Ebenezer Scrooge on Christmas Morn, with snow in the air and the promise of rebirth given, I know what I should have known in my dumb shambles: That all is a lark, and it is a beauty beyond tears, and also a terror. But I dance about, I become a child, I am the boy who runs for the great bird in the window and I am the man who sends the boy running for that bird, and I am the life that blows in the snowing wind along that street, and the bells that sound and say: live, love, for too soon will your name which is shaped in the snow melt, of your soul which is inscribed like a breath of vapor on a cold glass pane fade. Run, run, lad, run, down the middle of Christmas at the center of life.
Ray Bradbury
Moira was like an elevator with open sides. She made us dizzy. Already we were losing the taste for freedom, already we were finding these walls secure. In the upper reaches of the atmosphere you'd come apart, you'd vaporize, there would be no pressure holding you together. Nevertheless Moira was our fantasy. We hugged her to us, she was with us in secret, a giggle; she was lava beneath the crust of daily life. In the light of Moira, the Aunts were less fearsome and more absurd. Their power had a flaw to it. They could be shanghaied in toilets. The audacity was what we liked.
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
Sometimes in life, people get closer, but their bonds wither in no time like the vapor. It takes just a moment to know somebody and it takes just a second to connect with somebody, but the journey there on is the ultimate thing! The true meaning of true friendship is always given by the friends!
Ernest Agyemang Yeboah
Let us spend one day as deliberately as Nature, and not be thrown off the track by every nutshell and mosquito's wing that falls on the rails. Let us rise early and fast, or break fast, gently and without perturbation; let company come and let company go, let the bells ring and the children cry, -- determined to make a day of it. Why should we knock under and go with the stream? Let us not be upset and overwhelmed in that terrible rapid and whirlpool called a dinner, situated in the meridian shallows. Weather this danger and you are safe, for the rest of the way is down hill. With unrelaxed nerves, with morning vigor, sail by it, looking another way, tied to the mast like Ulysses. If the engine whistles, let it whistle till it is hoarse for its pains. If the bell rings, why should we run? We will consider what kind of music they are like. Let us settle ourselves, and work and wedge our feet downward through the mud and slush of opinion, and prejudice, and tradition, and delusion, and appearance, that alluvion which covers the globe, through Paris and London, through New York and Boston and Concord, through church and state, through poetry and philosophy and religion, till we come to a hard bottom and rocks in place, which we can call reality, and say, This is, and no mistake; and then begin, having a point d'appui, below freshet and frost and fire, a place where you might found a wall or a state, or set a lamp-post safely, or perhaps a gauge, not a Nilometer, but a Realometer, that future ages might know how deep a freshet of shams and appearances had gathered from time to time. If you stand right fronting and face to face to a fact, you will see the sun glimmer on both its surfaces, as if it were a cimeter, and feel its sweet edge dividing you through the heart and marrow, and so you will happily conclude your mortal career. Be it life or death, we crave only reality. If we are really dying, let us hear the rattle in our throats and feel cold in the extremities; if we are alive, let us go about our business. Time is but the stream I go a-fishing in. I drink at it; but while I drink I see the sandy bottom and detect how shallow it is. Its thin current slides away, but eternity remains. I would drink deeper; fish in the sky, whose bottom is pebbly with stars. I cannot count one. I know not the first letter of the alphabet. I have always been regretting that I was not as wise as the day I was born. The intellect is a cleaver; it discerns and rifts its way into the secret of things. I do not wish to be any more busy with my hands than is necessary. My head is hands and feet. I feel all my best faculties concentrated in it. My instinct tells me that my head is an organ for burrowing, as some creatures use their snout and fore-paws, and with it I would mine and burrow my way through these hills. I think that the richest vein is somewhere hereabouts; so by the divining rod and thin rising vapors I judge; and here I will begin to mine.
Henry David Thoreau (Walden or, Life in the Woods)
How often, ah, how often, between the desire of the heart and its fulfilment, lies only the briefest space of time and distance, and yet the desire remains forever unfulfilled! It is so near that we can touch it with the hand, and yet so far away that the eye cannot perceive it. What Mr. Churchill most desired was before him. The Romance he was longing to find and record had really occurred in his neighborhood, among his own friends. It had been set like a picture into the frame-work of his life, enclosed within his own experience. But he could not see it is as an object apart from himself; and as he was gazing at what was remote and strange and indistinct, the nearer incidents of aspiration, love, and death, escaped him. They were too near to be clothed by the imagination with the golden vapors of romance; for the familiar seems trivial, and only the distant and unknown completely fill and satisfy the mind.
Henry Wadsworth Longfellow (Kavanagh)
I don’t know what you want to call it, what we are to each other now,” I said. “But I wanted you to know that your friendship has...quite literally altered me.” For a few long seconds, he just stared at me. There were new things to discover in his face still, even after so long spent in close company. Faint shadows under his cheekbones. The scar that ran through his eyebrow. “You don’t know what to call it?” he said, when he finally spoke again. His armor hit the ground with a clatter, and he reached for me. Wrapped an arm around my waist. Pulled me against him. Whispered against my mouth: “Sivbarat. Zethetet.” One Shotet word, one Thuvhesit. Sivbarat referred to a person’s dearest friend, someone so close that to lose them would be like losing a limb. And the Thuvhesit word, I had never heard before. We didn’t quite know how to fit together, lips too wet, teeth where they didn’t belong. But that was all right; we tried again, and this time it was like the spark that came from friction, a jolt of energy through my body. He clutched at my sides, pulled my shirt into his fists. His hands were deft from handling carving knives and powders, and he smelled like it, too, like herbs and potions and vapor. I pressed into him, feeling the rough stairwell wall against my hands, and his quick, hot breaths against my neck. I had wondered, I had wondered what it was like to go through life without feeling pain, but this was not the absence of pain I had always craved, it was the opposite, it was pure sensation. Soft, warm, aching, heavy, everything, everything. I heard, echoing through the safe house, a kind of commotion. But before I let myself pull away so we could see what it was, I asked him quietly, “What does it mean, ‘zethetet’?” He looked away, like he was embarrassed. I caught sight of that creeping blush around the collar of his shirt. “Beloved,” he said softly. He kissed me again, then picked up his armor and led the way toward the renegades. I couldn’t stop smiling.
Veronica Roth (Carve the Mark (Carve the Mark, #1))
When you see a great black cloud in a stormy sky, it seems so solid that you could sit on it. But when you approach it, there’s nothing to grab on to; it is only vapor and wind. The experience of anger is like having a high fever. It is a temporary condition, and you do not need to identify with it. The more you look at anger in this manner, the more it evaporates under your gaze, like white frost under the sun’s rays.
Matthieu Ricard (Happiness: A Guide to Developing Life's Most Important Skill)
I wiped the blade against my jeans and walked into the bar. It was mid-afternoon, very hot and still. The bar was deserted. I ordered a whisky. The barman looked at the blood and asked: ‘God?’ ‘Yeah.’ ‘S’pose it’s time someone finished that hypocritical little punk, always bragging about his old man’s power…’ He smiled crookedly, insinuatingly, a slight nausea shuddered through me. I replied weakly: ‘It was kind of sick, he didn’t fight back or anything, just kept trying to touch me and shit, like one of those dogs that try to fuck your leg. Something in me snapped, the whingeing had ground me down too low. I really hated that sanctimonious little creep.’ ‘So you snuffed him?’ ‘Yeah, I’ve killed him, knifed the life out of him, once I started I got frenzied, it was an ecstasy, I never knew I could hate so much.’ I felt very calm, slightly light-headed. The whisky tasted good, vaporizing in my throat. We were silent for a few moments. The barman looked at me levelly, the edge of his eyes twitching slightly with anxiety: There’ll be trouble though, don’tcha think?’ ‘I don’t give a shit, the threats are all used up, I just don’t give a shit.’ ‘You know what they say about his old man? Ruthless bastard they say. Cruel…’ ‘I just hope I’ve hurt him, if he even exists.’ ‘Woulden wanna cross him merself,’ he muttered. I wanted to say ‘yeah, well that’s where we differ’, but the energy for it wasn’t there. The fan rotated languidly, casting spidery shadows across the room. We sat in silence a little longer. The barman broke first: ‘So God’s dead?’ ‘If that’s who he was. That fucking kid lied all the time. I just hope it’s true this time.’ The barman worked at one of his teeth with his tongue, uneasily: ‘It’s kindova big crime though, isn’t it? You know how it is, when one of the cops goes down and everything’s dropped ’til they find the guy who did it. I mean, you’re not just breaking a law, your breaking LAW.’ I scraped my finger along my jeans, and suspended it over the bar, so that a thick clot of blood fell down into my whisky, and dissolved. I smiled: ‘Maybe it’s a big crime,’ I mused vaguely ‘but maybe it’s nothing at all…’ ‘…and we have killed him’ writes Nietzsche, but—destituted of community—I crave a little time with him on my own. In perfect communion I lick the dagger foamed with God’s blood.
Nick Land (The Thirst for Annihilation: Georges Bataille and Virulent Nihilism (An Essay in Atheistic Religion))
It wasn't chance at all, Gilly. People are yearning creatures. They imagine and strive and hope. Stories about an enchanted band of vagabonds existed before the Carnival itself. But those fairy tales become the focal point of billions of daydreams, and eventually those daydreams condensed like vapor into something real. The Carnival only exists because you want it to, you and everyone else. So why's it peculiar that, when you wanted to find it, a path came into existence too?
Kristopher Reisz (Tripping to Somewhere)
One Whisper of the Beloved Lovers share a sacred decree – to seek the Beloved. They roll head over heels, rushing toward the Beautiful One like a torrent of water In truth, everyone is a shadow of the Beloved – Our seeking is His seeking, Our words are His words. At times we flow toward the Beloved like a dancing stream. At times we are still water held in His pitcher. At times we boil in a pot turning to vapor – that is the job of the Beloved. He breathes into my ear until my soul takes on His fragrance. He is the soul of my soul – How can I escape? But why would any soul in this world want to escape from the Beloved? He will melt your pride making you thin as a strand of hair, Yet do not trade, even for both worlds, One strand of His hair. We search for Him here and there while looking right at Him. Sitting by His side we ask, "O Beloved, where is the Beloved?" Enough with such questions! – Let silence take you to the core of life. All your talk is worthless When compared to one whisper of the Beloved.
Jalal ad-Din Muhammad ar-Rumi
But it was her eyes that stopped his breath; that made his heart leap up. Blue they were, even through the swirling vapors of pompous Chesterfields and arrogant Lucky Strikes he saw her eyes were a blue beyond blue, like the ocean. A blue he could swim into forever and never miss a fire engine red or a cornstalk yellow. Across the chasm of that room, that blue, those eyes, devoured him and looked past him and never saw him and never would, of that he was sure. From that moment, Eugene understood what the poets had been writing about these many years, all the lost, wandering, lonely souls who were now his brothers. He knew a love that would never be his. So quickly did he fall for her that no one in the room even heard the sound, the whoosh as he fell, the clatter of his broken heart. It was a sure silence, but his life was shattered." O Lost: A Story of a Buried Life
Wolfe, Thomas,
Of all the plants, trees have the largest surface area covered in leaves. For every square yard of forest, 27 square yards of leaves and needles blanket the crowns. Part of every rainfall is intercepted in the canopy and immediately evaporates again. In addition, each summer, trees use up to 8,500 cubic yards of water per square mile, which they release into the air through transpiration. This water vapor creates new clouds that travel farther inland to release their rain. As the cycle continues, water reaches even the most remote areas. This water pump works so well that the downpours in some large areas of the world, such as the Amazon basin, are almost as heavy thousands of miles inland as they are on the coast. There are a few requirements for the pump to work: from the ocean to the farthest corner, there must be forest. And, most importantly, the coastal forests are the foundations for this system. If they do not exist, the system falls apart. Scientists credit Anastassia Makarieva from Saint Petersburg in Russia for the discovery of these unbelievably important connections. They studied different forests around the world and everywhere the results were the same. It didn't matter if they were studying a rain forest or the Siberian taiga, it was always the trees that were transferring life-giving moisture into land-locked interiors. Researchers also discovered that the whole process breaks down if coastal forests are cleared. It's a bit like if you were using an electrical pump to distribute water and you pulled the intake pipe out of the pond. The fallout is already apparent in Brazil, where the Amazonian rain forest is steadily drying out. Central Europe is within the 400-mile zone and, therefore, close enough to the intake area. Thankfully, there are still forests here, even if they are greatly diminished.
Peter Wohlleben (The Hidden Life of Trees: What They Feel, How They Communicate: Discoveries from a Secret World)
What can I tell them? Sealed in their metallic shells like molluscs on wheels, how can I pry the people free? The auto as tin can, the park ranger as opener. Look here, I want to say, for godsake folks get out of them there machines, take off those fucking sunglasses and unpeel both eyeballs, look around; throw away those goddamned idiotic cameras! For chrissake folks what is this life if full of care we have no time to stand and stare? eh? Take off your shoes for a while, unzip your fly, piss hearty, dig your toes in the hot sand, feel that raw and rugged earth, split a couple of big toenails, draw blood! Why not? Jesus Christ, lady, roll that window down! You can't see the desert if you can't smell it. Dusty? Of course it's dusty—this is Utah! But it's good dust, good red Utahn dust, rich in iron, rich in irony. Turn that motor off. Get out of that peice of iron and stretch your varicose veins, take off your brassiere and get some hot sun on your old wrinkled dugs! You sir, squinting at the map with your radiator boiling over and your fuel pump vapor-locked, crawl out of that shiny hunk of GM junk and take a walk—yes, leave the old lady and those squawling brats behind for a while, turn your back on them and take a long quiet walk straight into the canyons, get lost for a while, come back when you damn well feel like it, it'll do you and her and them a world of good. Give the kids a break too, let them out of the car, let them go scrambling over rocks hunting for rattlesnakes and scorpions and anthills—yes sir, let them out, turn them loose; how dare you imprison little children in your goddamned upholstered horseless hearse? Yes sir, yes madam, I entreat you, get out of those motorized wheelchairs, get off your foam rubber backsides, stand up straight like men! like women! like human beings! and walk—walk—WALK upon your sweet and blessed land!
Edward Abbey
A tree can lift and transpire vast amounts of water. A single tree in the Amazon rain forest lifts hundreds of liters of water every day. The rain forest behaves like a green ocean, transpiring water that rains upward, as though gravity were reversed. These transpired mists then flow across the continent in great rivers of vapor. The water condenses, falls as rain, and is pulled back up again through the trees. It rises and falls on its westward migration an average of six times before finally hitting the physical barrier of the Andes mountains and flowing back across the continent as the mightiest river on Earth. Similarly, Indonesia, with 114 million hectares (280 million acres) of tropical forest (it is the second most forested country in the world after Brazil) is a vital part of the Asian hydrologic cycle. Around the world, forests constantly replenish Earth’s supply of fresh water and play a key role in weather and climate.
David Suzuki (Tree: A Life Story)
Moira was out there somewhere. She was at large, or dead. What would she do? The thought of what she would do expanded till it filled the room. At any moment there might be a shattering explosion, the glass of the windows would fall inward, the doors would swing open. . . . Moira had power now, she’d been set loose, she’d set herself loose. She was now a loose woman. I think we found this frightening. Moira was like an elevator with open sides. She made us dizzy. Already we were losing the taste for freedom, already we were finding these walls secure. In the upper reaches of the atmosphere you’d come apart, you’d vaporize, there would be no pressure holding you together. Nevertheless Moira was our fantasy. We hugged her to us, she was with us in secret, a giggle; she was lava beneath the crust of daily life. In the light of Moira, the Aunts were less fearsome and more absurd. Their power had a flaw to it. They could be shanghaied in toilets. The audacity was what we liked.
Margaret Atwood (The Handmaid's Tale (The Handmaid's Tale, #1))
Nevertheless, in certain respects and in certain places, despite philosophy, despite progress, the spirit of the cloister lingers on, in the middle of the nineteenth century, and a bizarre new outbreak of asceticism now astounds the civilized world. The persistence of antiquated institutions in perpetuating themselves is like the stubbornness of stale scent clinging to your hair, the urgency of spoiled fish clamouring to be eaten, the oppression of childish garb expecting to clothe the adult, and the tenderness of corpses wanting to come back to kiss the living. 'Ungrateful wretch!' says the garment. 'I protected you in bad weather. Why will you have nothing more to do with me?' 'I come from the open sea,' says the fish. 'I was a rose,' says the perfume. 'I loved you,' says the corpse. 'I civilized you,' says the convent. There is only one answer to this: once upon a time. To dream of the indefinite protraction of defunct things and of embalmment as a way of governing mankind, to restore ravaged dogmas, regild shrines, patch up cloisters, re-bless reliquaries, revitalize superstitions, refuel fanaticisms, replace the handles on holy-water sprinklers and on sabres, recreate monasticism and militarism, to believe in the salvation of society by the multiplication of the parasites, to force the past on the present - this seems strange. Still, there are theorists who propound these theories. Such theorists, and they are intelligent people, have a very simple method: they put a gloss on the past, a gloss they call 'social order', 'divine right', 'morality', 'family', 'respect for elders', 'ancient authority', 'sacred tradition', 'legitimacy', 'religion', and they go about shouting, 'Look! Take this, honest people.' This logic was known to the ancients The haruspices practiced it. They rubbed a black heifer with chalk and said, 'It's white.' We ourselves respect the past in certain instances and in all cases grant it clemency, provided it consents to being dead. If it insists on being alive, we attack and try to kill it. Superstitions, bigotries, false pieties, prejudices, these spectres, for all that they are spectres, cling to life. They have teeth and nails in their vaporousness, and they must be tackled head-on, and war must be waged against them, and it must be waged constantly. For it is one of the fates of humanity to be doomed to eternal battle against phantoms. Shades are difficult to throttle and destroy.
Victor Hugo (Les Misérables)
I arm myself once more with the precepts of my philosophy: The duration of a man’s life is merely a small point in time; the substance of it ever flowing away, the sense obscure; and the whole composition of the body tending to decay. His soul is a restless vortex, good fortune is uncertain and fame is unreliable; in a word, as a rushing stream so are all things belonging to the body; as a dream, or as vapor, are all those that belong to the soul. Life is warfare and a sojourn in a foreign land. Our reputation after life is nothing but oblivion. What is it then that will guide man? One thing alone: philosophy, the love of wisdom. And philosophy consists in this: for a man to preserve that inner genius or divine spark within him from violence and injuries, and above all from harmful pains or pleasures; never to do anything either without purpose, or falsely, or hypocritically, regardless of the actions or inaction of others; to contentedly embrace all things that happen to him, as coming from the same source from whom he came himself, and above all things, with humility and calm cheerfulness, to anticipate death as being nothing else but the dissolution of those elements of which every living being is composed. And if the elements themselves suffer nothing by this, their perpetual conversion of one into another, that dissolution, and alteration, which is so common to them all, why should it be feared by any man? Is this not according to Nature? But nothing that is according to Nature can be evil.
Donald J. Robertson (How to Think Like a Roman Emperor: The Stoic Philosophy of Marcus Aurelius)
You... you were telling me about your diet?" "Well, mostly I was raised on milk, potatoes, dulse, fish-" "I beg your pardon, did you say 'dulse'? What is that, exactly?" "A kind of seaweed," MacRae said. "As a lad, it was my job to go out at low tide before supper and cut handfuls of it from the rocks on shore." He opened a cupboard to view a small store of cooking supplies and utensils. "It goes in soup, or you can eat it raw." He glanced at her over his shoulder, amusement touching his lips as he saw her expression. "Seaweed is the secret to good health?" Merritt asked dubiously. "No, milady, that would be whisky. My men and I take a wee dram every day." Seeing her perplexed expression, her continued, "Whisky is the water of life. It warms the blood, keeps the spirits calm, and the heart strong." "I wish I liked whisky, but I'm afraid it's not to my taste." MacRae looked appalled. "Was it Scotch whisky?" "I'm not sure," she said. "Whatever it was, it set my tongue on fire." "It was no' Scotch, then, but rotgut. Islay whisky starts as hot as the devil's whisper... but then the flavors come through, and it might taste of cinnamon, or peat, or honeycomb fresh from the hive. It could taste of a long-ago walk on a winter's eve... or a kiss you once stole from your sweetheart in the hayloft. Whisky is yesterday's rain, distilled with barley into a vapor that rises like a will-o'-the-wisp, then set to bide its time in casks of good oak." His voice had turned as soft as a curl of smoke. "Someday we'll have a whisky, you and I. We'll toast health to our friends and peace to our foes... and we'll drink to the loves lost to time's perishing, as well as those yet to come.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
The last refuge of the Self, perhaps, is “physical continuity.” Despite the body’s mercurial nature, it feels like a badge of identity we have carried since the time of our earliest childhood memories. A thought experiment dreamed up in the 1980s by British philosopher Derek Parfit illustrates how important—yet deceiving—this sense of physical continuity is to us.15 He invites us to imagine a future in which the limitations of conventional space travel—of transporting the frail human body to another planet at relatively slow speeds—have been solved by beaming radio waves encoding all the data needed to assemble the passenger to their chosen destination. You step into a machine resembling a photo booth, called a teletransporter, which logs every atom in your body then sends the information at the speed of light to a replicator on Mars, say. This rebuilds your body atom by atom using local stocks of carbon, oxygen, hydrogen, and so on. Unfortunately, the high energies needed to scan your body with the required precision vaporize it—but that’s okay because the replicator on Mars faithfully reproduces the structure of your brain nerve by nerve, synapse by synapse. You step into the teletransporter, press the green button, and an instant later materialize on Mars and can continue your existence where you left off. The person who steps out of the machine at the other end not only looks just like you, but etched into his or her brain are all your personality traits and memories, right down to the memory of eating breakfast that morning and your last thought before you pressed the green button. If you are a fan of Star Trek, you may be perfectly happy to use this new mode of space travel, since this is more or less what the USS Enterprise’s transporter does when it beams its crew down to alien planets and back up again. But now Parfit asks us to imagine that a few years after you first use the teletransporter comes the announcement that it has been upgraded in such a way that your original body can be scanned without destroying it. You decide to give it a go. You pay the fare, step into the booth, and press the button. Nothing seems to happen, apart from a slight tingling sensation, but you wait patiently and sure enough, forty-five minutes later, an image of your new self pops up on the video link and you spend the next few minutes having a surreal conversation with yourself on Mars. Then comes some bad news. A technician cheerfully informs you that there have been some teething problems with the upgraded teletransporter. The scanning process has irreparably damaged your internal organs, so whereas your replica on Mars is absolutely fine and will carry on your life where you left off, this body here on Earth will die within a few hours. Would you care to accompany her to the mortuary? Now how do you feel? There is no difference in outcome between this scenario and what happened in the old scanner—there will still be one surviving “you”—but now it somehow feels as though it’s the real you facing the horror of imminent annihilation. Parfit nevertheless uses this thought experiment to argue that the only criterion that can rationally be used to judge whether a person has survived is not the physical continuity of a body but “psychological continuity”—having the same memories and personality traits as the most recent version of yourself. Buddhists
James Kingsland (Siddhartha's Brain: Unlocking the Ancient Science of Enlightenment)
spilling from his eyes. Cassis screamed, panting, and flapped her fingers wildly, like she was trying to cool down. Her face glowed red like molten embers.  “Water…water,” she gasped, and glanced around. The scintillating luminescence of fire raged inside her body. Talis shielded his eyes from the intensity of light pouring from her body. Another sorcerer flew to them, as if drawn by the attack, and scowled at Talis. Cassis lifted her hands at the sorcerer, as if in a grave struggle against the hand of death itself. The sorcerer curled his fingers, aiming at him, and prepared to strike.  “No, Cassis, stop!”  Rikar ran in a hobble towards her, and in a brief glance at his face, Talis could see love and fury and a terrific sadness. Despite the shouts of warning, Cassis released an enormous fireball at the enemy, vaporizing him in an instant. But she couldn’t contain the power. It burned too strong inside. The light rose to a frenzied brilliance as many apprentices around her started running away.  Her neck dropped. Her flaming, brilliant body exploded in a powerful wave, burning chunks of fire and flesh searing everywhere around her. Those fleeing nearby were cut down by the blast. Some were knocked against the stone walls. Some were blasted over the edge and plummeted helplessly to the ground far below. The ones refusing to leave her side were incinerated where they stood. Talis felt his stomach twist and flip around, and he vomited, coughing, choking on his own bile.  Gasping for air, for life, he tried to expel the image from his mind. A primal fear burrowed its way inside. What had just happened? Was this the terror of magic? He still felt the fire burning inside his body. Why would he risk his life and the lives of his friends? The power roared so strong. Could he ever learn to contain it? Or would he find a fate like that of Cassis? Rikar balled up his fists and pounded the ground, sobbing. Nikulo came over and tried to comfort him, but Rikar just pulled away and curled up. A lightning bolt shattered a nearby tower, jolting them to attention.
John Forrester (Fire Mage (Blacklight Chronicles, #1))
So it was always at night, like a werewolf, that I would take the thing out for an honest run down the coast. I would start in Golden Gate Park, thinking only to run a few long curves to clear my head. . . but in a matter of minutes I'd be out at the beach with the sound of the engine in my ears, the surf booming up on the sea wall and a fine empty road stretching all the way down to Santa Cruz. . . not even a gas station in the whole seventy miles; the only public light along the way is an all-​night diner down around Rockaway Beach. There was no helmet on those nights, no speed limit, and no cooling it down on the curves. The momentary freedom of the park was like the one unlucky drink that shoves a wavering alcoholic off the wagon. I would come out of the park near the soccer field and pause for a moment at the stop sign, wondering if I knew anyone parked out there on the midnight humping strip. Then into first gear, forgetting the cars and letting the beast wind out. . . thirty-​five, forty-​five. . . then into second and wailing through the light at Lincoln Way, not worried about green or red signals, but only some other werewolf loony who might be pulling out, too slowly, to start his own run. Not many of these. . . and with three lanes on a wide curve, a bike coming hard has plenty of room to get around almost anything. . . then into third, the boomer gear, pushing seventy-​five and the beginning of a windscream in the ears, a pressure on the eyeballs like diving into water off a high board. Bent forward, far back on the seat, and a rigid grip on the handlebars as the bike starts jumping and wavering in the wind. Taillights far up ahead coming closer, faster, and suddenly -- zaaapppp -- going past and leaning down for a curve near the zoo, where the road swings out to sea. The dunes are flatter here, and on windy days sand blows across the highway, piling up in thick drifts as deadly as any oil-​slick. . . instant loss of control, a crashing, cartwheeling slide and maybe one of those two-​inch notices in the paper the next day: “An unidentified motorcyclist was killed last night when he failed to negotiate a turn on Highway I.” Indeed. . . but no sand this time, so the lever goes up into fourth, and now there's no sound except wind. Screw it all the way over, reach through the handlebars to raise the headlight beam, the needle leans down on a hundred, and wind-​burned eyeballs strain to see down the centerline, trying to provide a margin for the reflexes. But with the throttle screwed on there is only the barest margin, and no room at all for mistakes. It has to be done right. . . and that's when the strange music starts, when you stretch your luck so far that fear becomes exhilaration and vibrates along your arms. You can barely see at a hundred; the tears blow back so fast that they vaporize before they get to your ears. The only sounds are wind and a dull roar floating back from the mufflers. You watch the white line and try to lean with it. . . howling through a turn to the right, then to the left and down the long hill to Pacifica. . . letting off now, watching for cops, but only until the next dark stretch and another few seconds on the edge. . . The Edge. . . There is no honest way to explain it because the only people who really know where it is are the ones who have gone over. The others -- the living -- are those who pushed their control as far as they felt they could handle it, and then pulled back, or slowed down, or did whatever they had to when it came time to choose between Now and Later. But the edge is still Out there. Or maybe it's In. The association of motorcycles with LSD is no accident of publicity. They are both a means to an end, to the place of definitions.
Hunter S. Thompson (Hell's Angels)
Would you like to dance again?” “I’m afraid not. It would be scandalous. I’m not a guest, after all.” “You’re part of the family,” Leo said. “You are very kind, my lord, but you know that’s not true. I am a paid companion, which means—” She broke off as she became aware that someone, a man, was staring at her. Glancing in his direction, she saw a face that had haunted her in nightmares. The sight of him, a figure from the past she had managed to evade for so long, extorted every bit of calm she possessed and sent her into full-scale panic. Only her grip on Leo’s arm kept her from doubling over as if she’d been kicked in the stomach. She tried to take a breath, and could only wheeze. “Marks?” Leo stopped and turned her to face him, looking down at her bleached face in concern. “What is it?” “A touch of the vapors,” she managed to say. “It must have been the exertion of the dance.” “Let me help you to a chair—” “No.” The man was still staring at her, recognition dawning on his features. She had to get away before he approached her. She swallowed hard against the biting pressure of tears welling in her eyes and throat. What might have been the happiest night of Catherine’s life had abruptly become the worst. It’s over, she thought with bitter grief. Her life with the Hathaways had come to an end. She wanted to die.
Lisa Kleypas (Married By Morning (The Hathaways, #4))
How much longer can I get away with being so fucking cute? Not much longer. The shoes with bows, the cunning underwear with slogans on the crotch — Knock Here, and so forth — will have to go, along with the cat suit. After a while you forget what you really look like. You think your mouth is the size it was. You pretend not to care. When I was young I went with my hair hiding one eye, thinking myself daring; off to the movies in my jaunty pencil skirt and elastic cinch-belt, chewed gum, left lipstick imprints the shape of grateful, rubbery sighs on the cigarettes of men I hardly knew and didn’t want to. Men were a skill, you had to have good hands, breathe into their nostrils, as for horses. It was something I did well, like playing the flute, although I don’t. In the forests of grey stems there are standing pools, tarn-coloured, choked with brown leaves. Through them you can see an arm, a shoulder, when the light is right, with the sky clouded. The train goes past silos, through meadows, the winter wheat on the fields like scanty fur. I still get letters, although not many. A man writes me, requesting true-life stories about bad sex. He’s doing an anthology. He got my name off an old calendar, the photo that’s mostly bum and daisies, back when my skin had the golden slick of fresh-spread margarine. Not rape, he says, but disappointment, more like a defeat of expectations. Dear Sir, I reply, I never had any. Bad sex, that is. It was never the sex, it was the other things, the absence of flowers, the death threats, the eating habits at breakfast. I notice I’m using the past tense. Though the vaporous cloud of chemicals that enveloped you like a glowing eggshell, an incense, doesn’t disappear: it just gets larger and takes in more. You grow out of sex like a shrunk dress into your common senses, those you share with whatever’s listening. The way the sun moves through the hours becomes important, the smeared raindrops on the window, buds on the roadside weeds, the sheen of spilled oil on a raw ditch filling with muddy water. Don’t get me wrong: with the lights out I’d still take on anyone, if I had the energy to spare. But after a while these flesh arpeggios get boring, like Bach over and over; too much of one kind of glory. When I was all body I was lazy. I had an easy life, and was not grateful. Now there are more of me. Don’t confuse me with my hen-leg elbows: what you get is no longer what you see.
Margaret Atwood
Now Mrs. Retallack wondered how the effects of what she called "intellectual mathematically sophisticated music of both East and West" would appeal to plants. As program director for the American Guild of Organists, she chose choral preludes from Johann Sebastian Bach's Orgelbuchlein and the classical strains of the sitar, a less-com­ plicated Hindustani version of the south Indian veena, played by Ravi Shankar, the Bengali Brahmin. The plants gave positive evidence of liking Bach, since they leaned an unprecedented thirty-five degrees toward the preludes. But even this affirmation was far exceeded by their reaction to Shankar: in their straining to reach the source of the classical Indian music they bent more than halfway to the horizontal, at angles in excess of sixty degrees, the nearest one almost embracing the speaker. In order not to be swayed by her own special taste for the classical music of both hemispheres Mrs. Retallack, at the behest of hundreds of young people, followed Bach and Shankar with trials of folk and "country-western" music. Her plants seemed to produce no more reac­tion than those in the silent chamber. Perplexed, Mrs. Retallack could only ask: "Were the plants in complete harmony with this kind of earthy music or didn't they care one way or the other?" Jazz caused her a real surprise. When her plants heard recordings as varied as Duke Ellington's "Soul Call" and two discs by Louis Arm­ strong, 5 5 percent of the plants leaned fifteen to twenty degrees toward the speaker, and growth was more abundant than in the silent chamber. Mrs. Retallack also determined that these different musical styles markedly affected the evaporation rate of distilled water inside the chambers. From full beakers, fourteen to seventeen milliliters evapo­rated over a given time period in the silent chambers, twenty to twenty­ five milliliters vaporized under the influence of Bach, Shankar, and jazz; but, with rock, the disappearance was fifty-five to fifty-nine milliliters.
Peter Tompkins (The Secret Life of Plants: A Fascinating Account of the Physical, Emotional and Spiritual Relations Between Plants and Man)
His junior year at college completed, Jim wrote to his parents: “Seems impossible that I am so near my senior year at this place, and truthfully, it hasn’t the glow about it that I rather expected. There is no such thing as attainment in this life; as soon as one arrives at a long-coveted position he only jacks up his desire another notch or so and looks for higher achievement—a process which is ultimately suspended by the intervention of death. Life is truly likened to a rising vapor, coiling, evanescent, shifting. May the Lord teach us what it means to live in terms of the end, like Paul who said, ‘Neither count I my life dear unto myself, that I might finish my course with joy. . . .’ ” During that summer, after preaching to a group of Indians on a reservation, Jim wrote: “Glad to get the opportunity to preach the Gospel of the matchless grace of our God to stoical, pagan Indians. I only hope that He will let me preach to those who have never heard that name Jesus. What else is worth while in this life? I have heard of nothing better. ‘Lord, send me!
Elisabeth Elliot (Through Gates of Splendor)
Though my life is like grass that grows one day and withers away the next, God is so permanent, so unbending, so eternal, He makes the rocks look like vapors in the wind, the earth itself look like a drop in the ocean. So vast and immeasurable, He makes the boundless depths of space and the endless lengths of time look meager and insignificant. And this Being, Creator of all, set His love on me. This Being chose to make me an object of His eternal love.
Michael J Heil (Pursued: God’s relentless pursuit and a drug addict’s journey to finding purpose)
The breeder had pressured the new owners into showing the promising young puppy. After McDuff’s first blue ribbon in Puppy Class, they were hooked but for the wrong reasons. Most people are involved in with dogs because they had that one special dog in their past. That special dog had been a friend, a confidant and fellow warrior against life’s travails. They now searched for that special dog once again but the search was for a memory which, like dreams, is vapor and shadow. Alice and Arnold needed the status of owning an American Kennel Club Champion. The man, more than the woman, had no particular love for the breed or dogs in general. McDuff had, in fact been a big disappointment because of the legendary Airedale WILL. The Airedale WILL compares to the proverbial immovable object meeting the irresistible force.
Lawrence Wertan (The Lost Champion)
CONTIMENT’S END At the equinox when the earth was veiled in a late rain, wreathed with wet poppies, waiting spring, The ocean swelled for a far storm and beat its boundary, the ground-swell shook the beds of granite. I gazing at the boundaries of granite and spray, the established sea-marks, felt behind me Mountain and plain, the immense breadth of the continent, before me the mass and doubled stretch of water. I said: You yoke the Aleutian seal-rocks with the lava and coral sowings that flower the south, Over your flood the life that sought the sunrise faces ours that has followed the evening star. The long migrations meet across you and it is nothing to you, you have forgotten us, mother. You were much younger when we crawled out of the womb and lay in the sun’s eye on the tideline. It was long and long ago; we have grown proud since then and you have grown bitter; life retains Your mobile soft unquiet strength; and envies hardness, the insolent quietness of stone. The tides are in our veins, we still mirror the stars, life is your child, but there is in me Older and harder than life and more impartial, the eye that watched before there was an ocean. That watched you fill your beds out of the condensation of thin vapor and watched you change them, That saw you soft and violent wear your boundaries down, eat rock, shift places with the continents. Mother, though my song’s measure is like your surf-beat’s ancient rhythm I never learned it of you. Before there was any water there were tides of fire, both our tones flow from the older fountain.
Robinson Jeffers (The Selected Poetry of Robinson Jeffers)
The day after our wedding, we flew off on honeymoon. I had recklessly waited until two days before our wedding to book the holiday, in the hope that I would get some great last-minute deal somewhere. Always a dangerous tactic. I pretended to Shara that it was a surprise. But, predictably, those “great deals” were a bit thin on the ground that week. The best I could find was a one-star package holiday, at a resort near Cancun in Mexico. It was bliss being together, but there was no hiding the fact that the hotel sucked. We got put in a room right next to the sewer outlet--which gave us a cracking smell to enjoy every evening as we sat looking out at the…maintenance shed opposite. As lunch wasn’t included in the one-star package, we started stockpiling the breakfasts. A couple of rolls down the jersey sleeve, and a yogurt and banana in Shara’s handbag. Then back to the hammock for books, kissing, and another whiff of sewage. When we returned to the UK it was a freezing cold January day. Shara was tired, but we were both excited to get onto our nice, warm, centrally heated barge. It was to be our first night in our own home. I had asked Annabel, Shara’s sister, to put the heating on before we arrived, and some food in the fridge. She had done so perfectly. What she didn’t know, though, was that the boiler packed in soon after she left. By the time Shara and I made it to the quayside on the Thames, it was dark. Our breath was coming out as clouds of vapor in the freezing air. I picked Shara up and carried her up the steps onto the boat. We opened the door and looked at each other. Surprised. It was literally like stepping into a deep freeze. Old iron boats are like that in winter. The cold water around them means that, without heating, they are Baltically cold. We fumbled our way, still all wrapped up, into the bowels of the boat and the boiler room. Shara looked at me, then at the silent, cold boiler. No doubt she questioned how smart both choices had really been. So there we were. No money, and freezing cold--but happy and together. That night, all wrapped up in blankets, I made a simple promise to Shara: I would love her and look after her, every day of our life together--and along the way we would have one hell of an adventure. Little did either of us realize, but this was really just the beginning.
Bear Grylls (Mud, Sweat and Tears)
The rays of sun spilled Like coffee into a pot Gently, warmly flowing Almost as an afterthought. The morning dew melted to vapor Rising into a morning mist As the supple steam rose from the cup And with the breeze, was dismissed. I took my mocha with extra cream As clouds drifted across the sky Forming thick, bushy clumps Becoming one with the liquid nearby. I took my first sip As sun crested horizon The heat nearly burnt my lips As blue sky began to lighten. I sighed with contentment Enjoying the myriad flavors The coffee swirled and mixed Rhythmically as the light wavered.
Justin Wetch (Bending The Universe)
Although "What's the meaning of life?" can be interpreted in many different ways, some of which may be too vague to have a well-defined answer, one interpretation is very practical and down-to-Earth: "Why should I want to go on living?" The people I know who feel that their lives are meaningful usually feel happy to wake up in the morning and look forward to the day ahead. When I think about these people, it strikes me that they split into two broad groups based on where they find their happiness and meaning. In other words, the problem of meaning seems to have two separate solutions, each of which works quite well for at least some people. I think of these solutions as "top-down" and "bottom-up." In the top-down approach, the fulfillment comes from the top, from the big picture. Although life here and now may be unfulfilling, it has meaning by virtue of being part of something greater and more meaningful. Many religions embody such a message, as do families, organizations and societies where individuals are made to feel part of something grander and more meaningful that transcends individuality. In the bottom-up approach, the fulfillment comes from the little things here and now. If we seize the moment and get the fulfillment we need from the beauty of those little flowers by the roadside, from helping a friend or from meeting the gaze of a newborn child, then we can feel grateful to be alive even if the big picture involves less-cheerful elements such as Earth getting vaporized by our dying Sun and our Universe ultimately getting destroyed. For me personally, the bottom-up approach provides more than enough of a raison d'etre, and the top-down elements I'm about to argue for simply feel like an additional bonus. For starters, I find it utterly remarkable that it's possible for a bunch of particles to be self-aware, and that this particular bunch that's Max Tegmark has had the fortune to get the food, shelter and leisure time to marvel at the surrounding universe leaves me grateful beyond words.
Max Tegmark (Our Mathematical Universe: My Quest for the Ultimate Nature of Reality)
When the music stopped and he set her down, Lily swayed and almost fell before Cade could catch her. Looking down at her suddenly pale face and glazed look, Cade swore under his breath and discreetly led her toward the door, supporting her with his arm as he practically carried her out. He saw her father bearing down on them, but he gave the old man a look that scared him off before hauling Lily through the barn door and into the brisk breeze of a December night. "Stand here, out of the wind." Cade leaned her against the barn behind the open door, blocking her from view with his bulk. "I'm all right. It's just the punch. I'd better go back in," Lily whispered unconvincingly as she pushed upright and avoided Cade's eyes. She had never felt like this in her life. Her head was spinning and she wasn't at all certain she could continue standing. She wasn't given to queasiness or the vapors. She wasn't even wearing a corset, for heaven's sake. It had to be the punch. "I only gave you the kind without whiskey," Cade replied, blocking her path with the barrier of his arm. Irrelevantly, he added, "The moon is full tonight." Lily leaned against the wall to ease her spinning head and met Cade's gaze. She was beginning to understand his mind too well, and it frightened her. A shock of black hair fell over his brow and she let her thoughts wander to how it would look if Cade grew just the one long braid of hair down the right side of his head and shaved the left like his father did. She thought he would look very good with feathers and beads in that braid. She wondered if he had tattoos like most Indians were said to have. She didn't even know what his body looked like beneath his shirt. "I'm fine, Cade. Really I am. I'd better go inside before my father comes after us." She tried to stand, but he was too close for her to get far. "It's been two moons, Lily. There's been time to know if there's a child." She had known that was what he was after. She looked over his shoulder at the blue-black night sky. "I'm not that regular, Cade. I can't count the times I thought Jim and I..." She stopped, unwilling to reveal any more of the embarrassing details of her intimate life. Her face was pale against the dark backdrop of the barn, and Cade lifted his hand to touch her cheek. Noting the difference between dark and light, he dropped it again. "In the eyes of my father, you are my wife. We will go to the alcalde to please your father. You have only to say when." He didn't mean to abandon her as Travis had. That was small consolation. Lily closed her eyes and tried to imagine Cade's hand on her cheek, but imagination failed her. He wasn't a tender man. She had evidence enough of that. She wasn't certain she wanted a tender man. She wasn't certain she wanted a man at all. But if a child existed... "I'll hold you to that," she murmured. He
Patricia Rice (Texas Lily (Too Hard to Handle, #1))
I began to tell the Lord how beautiful His creation was. Of course He was already aware of that, so I described how marvelous were the works of His hands and how utterly fantastic it was that each tiny snowflake was different. I described how wonderful the colors of the rainbow were and how they represented His covenant with man. The Lord was patient and allowed me to carry on in this fashion for several minutes, but alas, I was not really able to accurately answer His simple request. Then He spoke to me and gave me the revelation to what I was seeing. The Lord said, “My son, what you are seeing are the souls of unsaved men and women of earth who are dying and going to hell at this very moment.” Those words penetrated my spirit like a sharp two-edged sword. I fell to my knees and began to weep as a passion that I had never known began to well up from some mysterious and hidden place deep within my spirit. “Oh, God, look at all of those souls,” I said, breaking the silence. Suddenly, I was overwhelmed with a strange compulsion to watch for a long time as thousands upon thousands of tiny flakes fell through the bright sunbeam. Their short fall was full of spectacular color and glory, but when they hit the ground, it was all over. The Lord was revealing to me a prophetic picture of the brevity of our short lives on an eternal scale. Our days on earth are but a vapor! (See Psalm 39:5 and James 4:14.) I was pierced through to the very heart. “Lord!” I cried out. “What can I possibly do?” He replied, “Just do what I ask, and preach the Cross of Christ.” “I can do that Lord. I will do that, my God, but I will need Your help.” I stayed upon my knees for a long time gazing at this spectacle. During this encounter, God birthed within me a holy passion and hunger to witness souls saved and people totally healed and delivered. I was absorbed in witnessing the array of tiny cascades of colors that luxuriated in the glory of God. I contemplated the ramifications of what I had been told. What a beautiful and glorious God He is. How can we as humankind turn our backs upon Him and such a great salvation that is so easily ours? I pondered all of the events that had been unfolding over the past few days, realizing that I would never be the same. I also realized that God would have to bring all the things that He had birthed in my heart to pass. I purposed to surrender my life and destiny to His will, and to Him. I “altared” my destiny into the hands of God. It was also during this encounter that the Lord instructed me to travel to Africa as an “armor bearer,” to preach His Gospel there and to pray for the sick. I was actually terrified by the prospect of traveling to Africa. I couldn’t imagine that in reality I could go there, considering my current financial situation and my lack of training to preach or minister in healing. However, I soon learned that with God nothing is impossible. Perhaps my obedience to walk with God in minus 12 degree temperatures opened the door to Africa to me? It was still another seemingly bizarre and peculiar gesture of obedience to the Spirit of God. ENTERTAINING ANGELS IN AMERICA After my return to the United States from Canada, I was radically transformed. I could no longer settle for a form of godliness. I began to wait on God, and He began to release supernatural provision
Kevin Basconi (How to Work with Angels in Your Life: The Reality of Angelic Ministry Today (Angels in the Realms of Heaven, Book 2))
Death told me the Fool showed you a vision with ten swords in your back.” I nodded. “The ten of swords card indicates that a devastating catastrophe is headed one’s way and will strike without warning. Bingo, Matthew.” “Hmm.” “Hmm, what?” “That card is also about letting go and accepting one’s current circumstances.” Accepting that you can’t change fate. As my mom had done with my dad. “Should I let go of Jack? Like you let go of the man you lost?” She lifted one slim shoulder. “You’d already fallen for another.” “I swore revenge on Richter. How can I think of surrendering that need?” Richter, I’m . . . not coming for you? “Do you know what I fear more than marching off to die fighting him? That I might have to live with what he did.” “No one’s suggesting you give up your revenge. But what if we can’t find him for half a year? Two years? Will you cease living till then? Will you force Death to stop as well? He yearns to be a normal man. Even if just for a day. Will you not give that to him?” “I made the point to him about our limited time,” I said, still cringing at my clumsiness. “All I did was insult him.” “He wanted a wife. Not a buddy.” Was she listening to everything in the castle? “I don’t want to hurt him, but I don’t know what to do.” She pinned my gaze with her own. “Therein lies the lesson of the card, Evie Greene. The lesson of life. When you can’t change your situation, you must change yourself. You must rise and walk—despite the ten swords in your back.” What was harder than dying? Living a nightmare. Mom had learned to live without Dad. I had learned to live without Mom. Could I go on without Jack? “I shouldn’t even be thinking about Aric. I disobeyed the dictates of the game, and I got Jack killed. What if I do the same to Aric?” Circe made a sound of amusement. “You always did think highly of yourself. Do you believe you had something to do with that massacre? Think logically. Richter could have reversed the order of his attacks—targeting Fort Arcana earlier, vaporizing the Magician, one of Fauna’s wolves, and the stronghold of his enemies. He could have shot at the army by helicopter afterward. Instead he targeted mortals and one player. The Moon.” My lips parted. “Because she was more of a threat to him.” “She was the only one in the area who could slay him from a distance. Richter will target the Tower as well, since Joules shares that ability,” she said. “So if we should blame any card for your mortal’s death, blame the Moon.” “I’ll never blame her.” “Yet you’ll blame yourself?” Circe shook her head, and the river swirled. “I say we blame the Emperor.” Could it be that easy? Had Richter always had Selena in his sights? If fate couldn’t be changed—then she’d been doomed to die the second we’d saved her from the Lovers.
Kresley Cole (Arcana Rising (The Arcana Chronicles, #4))
She changed her position, contemplated a row od apple shrubs that she had put in last autumn at the bottom of the terrace, and slowly filled up again with comfortable thoughts. Things wee coming to a head. Her inner life, her restless inner life, was still and lay asleep. She was at liberty now to think of material things; positions of wardrobes and chests-of-drawers; lists of books to be piled by her bed; dressing jackets; white wooly vests and pants. It was not often she could thus play dolls and doll-houses without feeling she ought to be doing something else; that life was short; that she was threatened by the melancholy of life itself whose vapors sometimes reached her with overpowering strength. from her present sea-deep content two things were absent now - the horror of the ultimate departure, and the need to express herself before the end. The baby seemed to swim and strike like a dolphin. "it is a mystery," she said. "Women bearing children, bulbs becoming hyacinths, acorns … sheep… lambs. Feet that never touched the earth… I shall become two people." She stared between the apple trees; hypnotized, drugged by that sea-deep peace; wonder drifting weedily in and out. She was a vase, a container, a plot oak for a gnome to live in, a split oak, a hollow elm.
Enid Bagnold
Yet you do not know what your life will be like tomorrow. You are just a vapor that appears for a little while and then vanishes away. Instead, you ought to say, “If the Lord wills, we will live and also do this or that.” —James 4:14–15 (NAS)
Guideposts (Daily Guideposts 2017: A Spirit-Lifting Devotional)
THERE ARE MANY PERKS to being invisible. I don’t mean the actual kind of invisible, like the whole vaporous thing in the movies. I mean being the type of person that people simply don’t really see, because the type of person you are (the type of person they think you are) is not one that interests them. Because people don’t see you, you have free rein to listen in on conversations, observe behavior, and learn patterns. All of these things are essential to surviving life, particularly high school.
Kathleen Glasgow (The Agathas (The Agathas, #1))
When Mom says “bong,” she means her nebulizer. It turns water into vapor, and she huffs it all day like a singer breathing hot mist before a performance. Except Mom’s machine is handheld. I’m surprised she doesn’t carry it in a gun sling. But my mom is not just inhaling water. “Let’s get some colloidal silver in those lungs,” she says. Second to prayer, colloidal silver is Mom’s insurance policy on life. She makes her own, soaking two silver rods in a glass vat of water that sits next to her kitchen sink. I’ll let her explain it. This is from one of her emails telling me how to live forever: “I use distilled water and 99% pure silver rods. The rods are connected to a positive and negative charge (think of a jumper cable for your car) and they are immersed in the distilled water. Some people leave the rods in the water 2–4 hours. I leave mine in for 8–12 hours so my silver water is extra strength and powerful…I drink ¼ cup colloidal silver in a glass of water before bed, and have for years and years. RARELY am I ever sick. I take a bottle of colloidal silver on every trip (especially overseas) in case I pick up a stomach bug or am around anyone who is sick. I use it on wounds, use it for pink eye, ear infections, the flu, and more because it kills over 600 viruses and most bacteria, including MRSA. There are also studies that show the benefits of colloidal silver against cancer.” Every time I’m home, she gives me a bottle of the stuff to take back to Los Angeles. I, like a good millennial, googled its effectiveness. The scientific establishment seems to believe that colloidal silver does approximately nothing good, and in large quantities, some bad. Perhaps you’ve seen the viral meme of the old blue man? He consumed so much colloidal silver that his skin dyed blue from the inside. He looks like a Smurf with a white beard. Well, he looked like a Smurf. He’s dead. Maybe from something common like heart failure, but… When I told my mother this, she wouldn’t hear it. “I know it works. I’ve been using it for years. I don’t care what those articles say. I’ve read hundreds of articles about it.
Jedidiah Jenkins (Mother, Nature: A 5,000-Mile Journey to Discover if a Mother and Son Can Survive Their Differences)
The Cynic is himself, and all else is "smoke" ( tuphos) , the realm of unknowable Fortune, or (in Eleatic terms), a dark Way of Seeming. There, one cannot see very far, and therefore should not try, for what cannot be known should not be desired. Amidst the turbulations of Tuche, one should not worry about tomorrow, but live minimally, spontaneously. For Nature will provide as long as one has the physical and psychological toughness really to be able to live in the moment. But this is in truth quite difficult: not only is the Cynics' physical life demanding, but also the ponos of renunciation is embarrassing and hard to maintain. Nevertheless, those who do succeed in freeing themselves from the convoluted webs of conventional thought will come to know and master themselves. And his is the only possible knowledge and possession. For in contrast to the Way of Seeming is the Way of Truth: while Fortune is a swirl of vapors, the self alone is real and unchanging. Like Parmenides' Being that simply is, so too one just simply exists. One does not live for any group, cause, purpose, or abstract end. Mere life is enough and it is good, in all circumstances.
Will Desmond (The Greek Praise of Poverty: Origins of Ancient Cynicism)
The markings on your surface Your speckled face Flawed crystals hang from your ears I couldn't gauge your fears I can't relate to my peers I'd rather live outside I'd rather chip my pride than lose my mind out here Maybe I'm a fool Maybe I should move and settle Two kids and a swimming pool I'm not brave (Brave) I'm not brave I'm living over city And taking in the homeless sometimes, I've Been living in an idea An idea from another man's mind Maybe I'm a fool To settle for a place with some nice views (nice views) Maybe I should move, settle down Two kids and a swimming pool I'm not brave I'd rather live outside I'd rather live outside I'd rather go to jail I've tried hell (it's a loop) What would you recommend I do? (The other side of the loop is a loop) This, this fe-, this feel, this feel, this feels This feels how molly must feel This feels how molly must feel How molly must feel This feels how molly must feel How molly must feel This is not my life It's just a fond farewell to a friend It's just a fond farewell to a friend This is not my life It's just a fond farewell to a friend It's not what I'm like It's just a fond farewell (brave) Speaking of nirvana, it was there Rare as the feathers on my dash from a phoenix There with my crooked teeth and companion sleeping, yeah Dreaming a thought that could dream about a thought That could think of the dreamer that thought That could think of dreaming and getting a glimmer of God I be dreaming a dream in a thought That could dream about a thought That could think of dreaming a dream Where I cannot, where I cannot Less morose and more present Dwell on my gifts for a second A moment one solar flare would consume, so why not Spin this flammable paper on the film that's my life High flights, inhale the vapor, exhale once and think twice Eat some shrooms, maybe have a good cry, about you See some colors, light hang glide off the moon I'd do anything for you (In the dark) I'd do anything for you (In the dark) I'd do anything for you (In the dark) I'd do anything for you (In the dark) I'd do anything for you, anything for you (In the dark) I'd do anything for you, anything for you
Frank Ocean
Beyond the possibility of disturbing the monks within the chapel, he said, “It’s a very simple idea. You recall the Bible, and the story of Gethsemane, where Our Lord waited out the hours before his trial and crucifixion, and his friends, who should have borne him company, all fell fast asleep?” “Oh,” I said, understanding all at once. “And he said ‘Can you not watch with me one hour?’ So that’s what you’re doing—watching with him for that hour—to make up for it.” I liked the idea, and the darkness of the chapel suddenly seemed inhabited and comforting. “Oui, madame,” he agreed. “Very simple. We take it in turns to watch, and the Blessed Sacrament on the altar here is never left alone.” “Isn’t it difficult, staying awake?” I asked curiously. “Or do you always watch at night?” He nodded, a light breeze lifting the silky brown hair. The patch of his tonsure needed shaving; short bristly hairs covered it like moss. “Each watcher chooses the time that suits him best. For me, that is two o’clock in the morning.” He glanced at me, hesitating, as though wondering how I would take what he was about to say. “For me, in that moment …” He paused. “It’s as though time has stopped. All the humors of the body, all the blood and bile and vapors that make a man; it’s as though just at once all of them are working in perfect harmony.” He smiled. His teeth were slightly crooked, the only defect in his otherwise perfect appearance. “Or as though they’ve stopped altogether. I often wonder whether that moment is the same as the moment of birth, or of death. I know that its timing is different for each man … or woman, I suppose,” he added, with a courteous nod to me. “But just then, for that fraction of time, it seems as though all things are possible. You can look across the limitations of your own life, and see that they are really nothing. In that moment when time stops, it is as though you know you could undertake any venture, complete it and come back to yourself, to find the world unchanged, and everything just as you left it a moment before. And it’s as though …” He hesitated for a moment, carefully choosing words. “As though, knowing that everything is possible, suddenly nothing is necessary.” “But … do you actually do anything?” I asked. “Er, pray, I mean?” “I? Well,” he said slowly, “I sit, and I look at Him.” A wide smile stretched the fine-drawn lips. “And He looks at me.
Diana Gabaldon (Outlander (Outlander, #1))
It’s a very simple idea. You recall the Bible, and the story of Gethsemane, where Our Lord waited out the hours before his trial and crucifixion, and his friends, who should have borne him company, all fell fast asleep?” “Oh,” I said, understanding all at once. “And he said ‘Can you not watch with me one hour?’ So that’s what you’re doing—watching with him for that hour—to make up for it.” I liked the idea, and the darkness of the chapel suddenly seemed inhabited and comforting. “Oui, madame,” he agreed. “Very simple. We take it in turns to watch, and the Blessed Sacrament on the altar here is never left alone.” “Isn’t it difficult, staying awake?” I asked curiously. “Or do you always watch at night?” He nodded, a light breeze lifting the silky brown hair. The patch of his tonsure needed shaving; short bristly hairs covered it like moss. “Each watcher chooses the time that suits him best. For me, that is two o’clock in the morning.” He glanced at me, hesitating, as though wondering how I would take what he was about to say. “For me, in that moment …” He paused. “It’s as though time has stopped. All the humors of the body, all the blood and bile and vapors that make a man; it’s as though just at once all of them are working in perfect harmony.” He smiled. His teeth were slightly crooked, the only defect in his otherwise perfect appearance. “Or as though they’ve stopped altogether. I often wonder whether that moment is the same as the moment of birth, or of death. I know that its timing is different for each man … or woman, I suppose,” he added, with a courteous nod to me. “But just then, for that fraction of time, it seems as though all things are possible. You can look across the limitations of your own life, and see that they are really nothing. In that moment when time stops, it is as though you know you could undertake any venture, complete it and come back to yourself, to find the world unchanged, and everything just as you left it a moment before. And it’s as though …” He hesitated for a moment, carefully choosing words. “As though, knowing that everything is possible, suddenly nothing is necessary.” “But … do you actually do anything?” I asked. “Er, pray, I mean?” “I? Well,” he said slowly, “I sit, and I look at Him.” A wide smile stretched the fine-drawn lips. “And He looks at me.
Diana Gabaldon (Outlander (Outlander, #1))
The critics discuss Baron Bodissey’s Life: A monumental work if you like monuments … One is irresistibly put in mind of the Laocoön group, with the good baron contorted against the coils of common sense, and the more earnest of his readers likewise endeavoring to disengage themselves. — Pancretic Review, St. Stephen, Boniface Ponderously the great machine ingests its bales of lore; grinding, groaning, shuddering, it brings forth its product: small puffs of acrid vari-colored vapor. — Excalibur,, Patris, Krokinole Six volumes of rhodomontade and piffle. — Academia, London, Earth — Egregious, ranting, boorish, unacceptable — — The Rigellian, Avente, Alphanor — Sneers jealously at the careers of better men … Impossible not to feel honest anger. — Galactic Quarterly, Baltimore, Earth — Tempting to picture Baron Bodissey at work in the Arcadian habitat he promulgates, surrounded by admiring goat-herds. — El Orchide, Serle, Quantique
Jack Vance (Demon Princes (Demon Princes #1-5))
Those with a “diffuse” sense of self, however, don’t have the same sort of psychological anchor. Instead of highly concentrated potency, our identity is more like the diffused vapor, morphing and floating into crevices.
Jennifer O'Toole (Autism in Heels: The Untold Story of a Female Life on the Spectrum)
Kenny, used a ramrod to force the ammunition down the length of the barrel of a gun that everyone referred to as Nuke-U-Ler. “Okay,” Kenny said, his speech slightly slurred, beer cans scattered around his feet, “now I just open the valve here on the propane tank and set the pressure regulator to sixty PSI.” Buster struggled to write this down in his notebook, his fingers frozen at the tips, and asked, “Now what does PSI stand for?” Kenny looked up at Buster and frowned. “I have no idea,” he said. Buster nodded and made a notation to look it up later. “Open the gas valve,” Kenny continued, “wait a few seconds for it to regulate, then close the valve and open up the second valve here. That sends the propane into the combustion chamber.” Joseph, missing two fingers on his left hand, his face round and pink like a toddler’s, took another swig of beer and then giggled. “It’s about to get good,” he said. Kenny closed the valves and pointed the contraption into the air. “Squeeze the igniter button and—” Before he could finish, the air around the men vibrated and there was a sound like nothing Buster had ever heard before, a dense, punctuated explosion. A potato, a trail of vaporous fire trailing behind it, shot into the air and then disappeared, hundreds of yards, maybe a half mile across the field. Buster felt his heart stutter in his chest and wondered, without caring to discover the answer, why something so stupid, so unnecessary and ridiculous, made him so happy. Joseph put his arm around Buster and pulled him close. “It’s awesome, isn’t it?” he asked. Buster, feeling that he might cry at any moment, nodded and replied, “Yes it is. Hell yes it is.” Buster had come to Nebraska on assignment from a men’s magazine, Potent, to write about these four ex-soldiers who had been, for the past year, building and testing the most high-tech potato cannons ever seen. “It’s so goddamned manly,” said the editor, who was almost seven years younger than Buster, “we have to put it in the magazine.” Buster had been in his one-room apartment in Florida, his Internet girlfriend not returning his e-mails, nearly out of money, not working on his overdue third novel, when the editor had called him to offer the job. Even with the terrible circumstances of his life at the moment, he was loath to accept the assignment.
Kevin Wilson (The Family Fang)
Rummaging through these old, yellowing picture postcards, I find that everything has suddenly become confused, everything is in chaos. Ever since my father vanished from the story, from the novel, everything has come loose, fallen apart. His mighty figure, his authority, even his very name, were sufficient to hold the plot within fixed limits, the story that ferments like grapes in barrels, the story in which fruit slowly rots, trampled underfoot, crushed by the press of memories, weighted down by its own juices and by the sun. And now that the barrel has burst, the wine of the story has spilled out, the soul of the grape, and no divine skill can put it back inside the wineskin, compress it into a short tale, mold it into a glass of crystal. Oh, golden-pink liquid, oh, fairy tale, oh, alcoholic vapor, oh, fate! I don't want to curse God, I don't want to complain about life. So I'll gather together all those picture postcards in a heap, this era full of old-fashioned splendor and romanticism, I'll shuffle my cards, deal them as in a game of solitaire for readers who are fond of solitaire and intoxicating fragrances, of bright colors and vertigo.
Danilo Kiš (Garden, Ashes)
The walls covered with paintings and tapestries that often concealed the doors didn't help either. There were countless animal heads of all kinds lit by torches in several corridors, and I could have sworn I saw them move, but I was always so late for the lessons that I had no time to pay attention to them. Intense smells of herbs, vapors, and fumes filled this space, as potions and spells were constantly being played throughout the days and nights. Every time we passed Mrs. Fitz's secretary's office, we had to pinch our Nose, because she seemed to burn horrible herbs while she worked, and the smell spread down the hallway to the classrooms. Then there was Miss Melva Flin with her ever-vigilant bat. She controlled every person who came in and out of Philcrocks and roamed the corridors making sure no students broke the rules or tried to stick their noses where they weren't called. She had two spare eyes as her bat squeaked whenever it detected problems. No student liked her and everyone wished they could close that bat in the library where he could eat the bookworms for the rest of his life. Found the practice sites, there were still the lessons. Every Thursday at midnight the clan would gather in the High Ridge stone circle, at which hour it aligned with the moon, and it was possible to make omens from the constellations. On Tuesdays we went to the Philcrocks Woods where we watched the wild animals and any other species that walked around, hunted and fished in the river and even stayed overnight for the next day hoping to see the vampires hunt, which did not happen. I still couldn't believe vampires existed but the next day I turned away from all the sarcophagi I came across in the castle corridors. The most boring of the chairs was the Philcrocks Story, where they talked about the story of magic. Especially because the teacher talked monotonously and always behind the book, which made it impossible to see his face and understand what he was saying. He also made references to maps and wall articles that no one understood, which did not matter to him as long as he remained immersed in its reading aloud. Most interesting so far has been the story of the division of the 3 kingdoms and the emergence of the 3 clans. For many centuries they had lived peacefully until pure races emerged and the thirst for power increased, promoting their perpetuation. The segregation of sleves began there. King Elive's Night Clan was destroyed by King Ashen and the Night Clan disappeared, except for some sorcerers who chose the Shadow Kingdom to live on and continued the clan to which I now belong. Having to memorize endless dates and events was the worst part. It was hard to remember if it was Orlk or Orls who started the battle and whether it was in Cral or Crap, especially since all those names were strange to me.
M.P.
Perfumery companies were becoming international and shifting from perfumery that had something to offer, to one that responded to demand; this globalized tastes. The rare few innovations likely to give the French market leaders something to think about came from the United States. They included the introduction of the smell of cleanliness, as well as the smell of prudishness, thanks to the widespread use of vaporizers, which were in some senses a natural consequence of prudery (a gesture made far away from the body, gadgetry substituted for the erotic).
Jean-Claude Ellena (The Diary of a Nose: A Year in the Life of a Parfumeur)
2 tablespoons unsalted butter 1 teaspoon finely chopped garlic 1½ cups (½ bottle) fruity white wine, such as a Sauvignon Blanc About ¾ teaspoon salt, or to taste ½ teaspoon freshly ground black pepper 3 packed cups grated Swiss cheese, preferably Emmenthaler or Gruyère (about 12 ounces) About 36 cubes (each 2 inches square) crusty French-style bread Melt the butter in a sturdy saucepan (preferably enameled cast iron), and add the garlic. Cook for 10 seconds over high heat, then add the wine, salt, and pepper. Bring to a boil to evaporate the alcohol in the wine. (You may flambé it, if you like, at this point, but one way or the other the alcohol will rise in the form of vapor.) Add the cheese, and stir gently with a wooden spatula or spoon until it is totally melted and the mixture is just reaching a boil. Do not let it come to a strong boil. Taste for seasoning, trying the fondue on a piece of the bread, and then correct the seasonings, if necessary. Bring the pan to the table, and set over a burner to keep hot. Instruct guests to use this technique: Impale one piece of bread, soft side first, on a dinner fork, and stir it gently into the mixture until coated with the cheese. With a twist of the wrist, lift the bread from the cheese, and set it on a plate for a few seconds to cool slightly before eating. When only about 1 cup of the mixture is left in the bottom of the pan, make the “soup” by adding a dozen or so pieces of the bread to the pot and mixing well to coat them with the leftover liquid and cheese. Don’t forget to eat the crusty bits of cheese sticking to the bottom of the pan.
Jacques Pépin (The Apprentice: My Life in the Kitchen)
There are several aerial films of the incoming tsunami, but the one that plays and replays in my imagination was shot above the town of Natori, south of the city of Sendai. It begins over land rather than sea, with a view of dun winter paddy fields. Something is moving across the landscape as if it is alive, a brown-snouted animal hungrily bounding over the earth. Its head is a scum of splintered debris; entire cars bob along on its back. It seems to steam and smoke as it moves; its body looks less like water or mud than a kind of solid vapor. And then a large boat can be seen riding it inland, hundreds of yards from the sea, and—unbelievably—blue-tiled houses, still structurally intact, spinning across the inundated fields with orange flames dancing on their roofs. The creature turns a road into a river, then swallows it whole, and then it is raging over more fields and roads towards a village and a highway thick with cars. One driver is accelerating ahead of it, racing to escape—before the car and its occupants are gobbled up by the wave.
Richard Lloyd Parry (Ghosts of the Tsunami: Death and Life in Japan's Disaster Zone)
Father, would you make us more grateful for what you've given us in this country, and for the sacrifices of those who've spilled their blood. Would you make our government strong and keep us rooted in the faith of our forefathers. Help us to see our lives through eternal eyes and to realize that this life--though priceless--is but a vapor. And finally we ask...make us more like Christ, Father. No matter the cost.
Tamera Alexander (Remembered (Fountain Creek Chronicles, #3))
So in effect, she swapped her best friend for a cat. In her actual life, she had never fallen out with Izzy. Nothing that dramatic. But after Izzy had gone to Australia, things had faded between them. Until their friendship became just a vapor trail of sporadic Facebook and Instagram likes and emoji-filled birthday messages. She looked back through the text conversations between her and Izzy and realized that even though there was still 10,000 miles between them, they had a much better relationship in this version of things.
Matt Haig (The Midnight Library)
Since life is like a vapor and quick to pass away, it is important for you to leave a landmark before walking the road of no return, eternity is the last stop without end. 
Julius Okiemute
The night sky sparkled as he peered out of his hole. It shone like dew drops on spider’s web. Jimmy thought back to a web, strung between two shoots of wheat, he had seen as a kid. It had been a miracle the web hadn’t broken, the way it was laden down with dew. Jimmy studied the web of the sky, unbroken by all the turmoil of men beneath its canopy. It gave him some reassurance of solidity in an ever-vaporizing existence. Men fell around him at every battle, but he managed to keep living. His life was like that miracle web.
Jenny Knipfer (Silver Moon (By the Light of the Moon #3))
Wherever we stop is the summit. Iwas climbing Trail Ridge Road through the Rocky Mountains, determined to make the Continental Divide, when two sharp feelings pierced me almost at once. I, who have never had any trouble with heights, felt rushes of fear as I drove on narrow stretches 12,000 feet up. I was also filled with the irrevocable truth that everything-there-is is wherever we are. This all made me stop and walk the tundra above the treeline. There, I was overcome with the sudden truth that I could go no farther, and that I had no need to go any farther. Can it be that this journey through the mountains mirrors the journey through our lives? Is our suffering like the dizzying, gut-wrenching narrow passes through these ancient rocks? Do we simply move on until we can't, and in accepting our humanity, does the peak come to us? What an unlikely truth. I traveled as far as I could manage, and there on the bare scalp of the Earth, I realized that where I can go no further is my destination. This is the wearing of heart that no one can escape. Despite all our noble efforts to reach some treasured peak—be it a dream of wealth or love—we carry the summit within. And it is always the effort and exhaustion—the very journey itself—that opens the view which is everywhere. For the summit is not so much arrived at as we are worn open to it. I felt the truth of arriving at wherever my human limitations had left me, knew somehow it was enough, and I let out a cry like a vapor. We are as bare as these crags being worn by endless wind, and, regardless of the maps we carefully draw and pass down, we arrive at what we've always had when we use up everything we've saved. In this way we are brought to humility. Once accepting our frail humanity, we can see how stubbornly fragile living things are. We can see how it takes just a thin lick of water down a mountain crack to strengthen a root and a bare lick of love through our stony hearts to blossom a soul.
Mark Nepo (The Book of Awakening: Having the Life You Want by Being Present to the Life You Have)
Aside I turn to the holy, unspeakable, mysterious Night. Afar lies the world -- sunk in a deep gave -- waste and lonely is its place. In the chords of the bosom blows a deep sadness. I am ready to sink away in drops of dew, and mingle with the ashes.-- The distances of memory, the wishes of youth, the dreams of childhood, the brief joys and vain hopes of a whole long life, arise in gray garments, like an evening vapor after the sunset. In other regions the light has pitched its joyous tents. What if it should never return to its children, who wait for it with the faith of innocence?
Novalis (Hymns to the Night)