Life Is Like A Flashlight Quotes

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Without a human voice to read them aloud, or a pair of wide eyes following them by flashlight beneath a blanket, books had no real existence in our world. Like seeds in the beak of a bird waiting to fall to earth, or the notes of a song laid out on a sheet, yearning for an instrument to bring their music into being. they lie dormant hoping for the chance to emerge.They want us to give them life.
John Connolly (The Book of Lost Things (The Book of Lost Things, #1))
Stories come alive in the telling. Without a human voice to read them aloud, or a pair of wide eyes following them by flashlight beneath a blanket, they had no existence in our world. They were like seeds in the beak of a bird, waiting to fall to earth. Or the notes of a song laid out on a sheet, yearning for an instrument to bring their music into being. They lay dormant, hoping for the chance to emerge. Once someone started to read them, they could begin to change. They could take root in the imagination and transform the reader. Stories wanted to be read. They needed it. It was the reason they forced themselves from their world into ours. They wanted us to give them life.
John Connolly (The Book of Lost Things (The Book of Lost Things, #1))
Once upon a time, there was a boy. He lived in a village that no longer exists, on the edge of a field that no longer exists, where everything was discovered and everything was possible. A stick could be a sword. A pebble could be a diamond. A tree was a castle. Once upon a time, there was a boy who lived in a house across the field from a girl who no longer exists. They made up a thousand games. She was the Queen and he was the King. In the autumn light, her hair shone like a crown. They collected the world in small handfuls. When the sky grew dark, they parted with leaves in their hair. Once upon a time there was a boy who loved a girl, and her laughter was a question he wanted to spend his whole life answering. When they were ten he asked her to marry him. When they were eleven he kissed her for the first time. When they were thirteen they got into a fight and for three weeks they didn't talk. When they were fifteen she showed him the scar on her left breast. Their love was a secret they told no one. He promised her he would never love another girl as long as he lived. "What if I die?" she asked. "Even then," he said. For her sixteenth birthday, he gave her an English dictionary and together they learned the words. "What's this?" he'd ask, tracing his index finger around her ankle and she'd look it up. "And this?" he'd ask, kissing her elbow. "Elbow! What kind of word is that?" and then he'd lick it, making her giggle. "What about this," he asked, touching the soft skin behind her ear. "I don't know," she said, turning off the flashlight and rolling over, with a sigh, onto her back. When they were seventeen they made love for the first time, on a bed of straw in a shed. Later-when things happened that they could never have imagined-she wrote him a letter that said: When will you learn that there isn't a word for everything?
Nicole Krauss (The History of Love)
-A Word On Statistics- Out of every hundred people, those who always know better: fifty-two. Unsure of every step: almost all the rest. Ready to help, if it doesn't take long: forty-nine. Always good, because they cannot be otherwise: fourwell, maybe five. Able to admire without envy: eighteen. Led to error by youth (which passes): sixty, plus or minus. Those not to be messed with: four-and-forty. Living in constant fear of someone or something: seventy-seven. Capable of happiness: twenty-some-odd at most. Harmless alone, turning savage in crowds: more than half, for sure. Cruel when forced by circumstances: it's better not to know, not even approximately. Wise in hindsight: not many more than wise in foresight. Getting nothing out of life except things: thirty (though I would like to be wrong). Balled up in pain and without a flashlight in the dark: eighty-three, sooner or later. Those who are just: quite a few, thirty-five. But if it takes effort to understand: three. Worthy of empathy: ninety-nine. Mortal: one hundred out of one hundred a figure that has never varied yet.
Wisława Szymborska
Consciousness is a much smaller part of our mental life than we are conscious of, because we cannot be conscious of what we are not conscious of. How simple that is to say; how difficult to appreciate! It is like asking a flashlight in a dark room to search around for something that does not have any light shining upon it. The flashlight, since there is light in whatever direction it turns, would have to conclude that there is light everywhere. And so consciousness can seem to pervade all mentality when actually it does not.
Julian Jaynes (The Origin of Consciousness in the Breakdown of the Bicameral Mind)
Reading is a tool no one can take away. A million bad things may happen in life and it'll still be with you, like a flashlight that never needs a battary. Reading can offer a crack of light on the blackest of nights.
Blue Balliett
The doctors keep coming around and pulling up my eyelids and waving around a flashlight. They are rough and hurried, like they don’t consider eyelids worthy of gentleness. It makes you realize how little in life we touch one another’s eyes. Maybe your parents will hold an eyelid up to get out a piece of dirt, or maybe your boyfriend will kiss your eyelids, light as a butterfly, just before you drift off to sleep. But eyelids are not like elbows or knees or shoulders, parts of the body accustomed to being jostled.
Gayle Forman (If I Stay (If I Stay, #1))
A teacher in class is like a man in the woods at night with a powerful flashlight in his hand. Wherever he turns his light, the creatures on whom it shines are aware of it, and do not behave as they do in the dark. Thus the mere fact of his watching their behavior changes it into something very different. Shine where be will, he can never know very much of the night life of the woods.
John C. Holt
Emily.” He looks at me, and the flashlight strapped to his forehead shines in my eyes. “I smell like a toxic dumping ground of bug poison, and I have never felt so unsexy in my entire life. I wouldn’t be surprised if my dick has been poisoned off like a weed.
T.L. Swan (The Stopover (Miles High Club, #1))
He realized that all men were like this; that each person was to himself one alone. One oneness, a unit in a society, but always afraid. Like here, standing. If he should scream, if he should holler for help, would it matter? Blackness could come swiftly, swallowing; in one titanically freezing moment all would be concluded. Long before dawn, long before police with flashlights might probe the dark, disturbed pathway, long before men with trembling brains could rustle down the pebbles to his help. Even if they were within five hundred yards of him now, and help certainly was, in three seconds a dark tide could rise to take all ten years from him and— The essential impact of life’s loneliness crushed his beginning-to-tremble body. Mother was alone, too. She could not look to the sanctity of marriage, the protection of her family’s love, she could not look to the United States Constitution or the City Police, she could not look anywhere, in this very instant, save into her heart, and there she would find nothing but uncontrollable repugnance and a will to fear. In this instant it was an individual problem seeking an individual solution. He must accept being alone and work on from there.
Ray Bradbury (Dandelion Wine)
The other night I took her on-out of pity-and what do you think the crazy bitch had done to herself? She had shaved it clean ... not a speck of hair on it. Did you ever have a woman who shaved her twat? It's repulsive, ain't it? And it's funny, too. Sort of mad like. It doesn't look like a twat any more: it's like a dead clam or something." He describes to me how, his curiosity aroused, he got out of bed and searched for his flashlight. "I made her hold it open and I trained the flashlight on it. You should have seen me ... it was comical. I got so worked up about it that I forgot all about her. I never in my life looked at a cunt so seriously.
Henry Miller (Tropic of Cancer (Tropic, #1))
They turned off the electricity that month, but it was worth it. To her, anyway. And me, I went to school, and I came home, and I did my homework with a flashlight between my teeth. Made a life for myself inside the mess of my mother’s head, just like always.
Rory Power (Burn Our Bodies Down)
Jane remembers those years, though, as if they had been [a movie]--in part because her friends...always talked about everything as if it was over ("Remember last night?"), while holding out the possibility that whatever happened could be rerun. Neil didn't have that sense of things. He thought people shouldn't romanticize ordinary life. "Our struggles, our little struggles," he would whisper, in bed, at night. Sometimes he or she would click on some of the flashlights and consider the ceiling, with the radiant swirls around the bright nuclei, the shadows like opened oysters glistening in brine. (In the '80s, the champagne was always waiting.)
Ann Beattie (Walks With Men)
The narrow slit in the fence is much like the way in which we look at life by conscious attention, for when we attend to something we ignore everything else. Attention is narrowed perception. It is a way of looking at life bit by bit, using memory to string the bits together—as when examining a dark room with a flashlight having a very narrow beam.
Alan W. Watts (The Book on the Taboo Against Knowing Who You Are)
You are the king of all the fears that ruled my life, a man of ferocity and passion and balls to the wall determination and endless, boyish enthusiasm. You crack the soul of life open in your palms and drink your fill. A man like that needs a queen by his side,” I murmured, repeating my excuse for our breakup back to him in a way that had his eyes clicking to life like flashlights. “And I’m that queen. I will match your ferocity. I will exceed your passion and challenge your balls to the wall determination. I will see your boyish enthusiasm and raise you my newborn love for life. I will stand beside my biker King and be his rough-and-tumble Queen, even if it takes me the next ten years to convince you to take me back.
Giana Darling (Lessons in Corruption (The Fallen Men, #1))
Four billion people on this earth, but my imagination is the way it's always been: bad with large numbers. It is still moved by particularity. It flits about the darkness like a flashlight beam, disclosing only random faces, while the rest go blindly by, unthought of, unpitied. Not even a Dante could have stopped that. So what do you do when you're not, even with all the muses on your side? Non omnis moriar—a premature worry. Yet am I fully alive, and is that enough? It never has been, and even less so now. I select by rejecting, for there's no other way, but what I reject, is more numerous, more dense, more intrusive than ever. At the cost of untold losses—a poem, a sigh. I reply with a whisper to a thunderous calling. How much I am silent about I can't say. A mouse at the foot of mother mountain. Life lasts as long as a few lines of claws in the sand. My dreams—even they are not as populous as they should be. There is more solitude in them than crowds or clamor. Sometimes someone long dead will drop by for a bit. A single hand turns a knob. Annexes of echo overgrow the empty house. I run from the threshold down into the quiet valley seemingly no one's—an anachronism by now. Where does all this space still in me come from— that I don't know.
Wisława Szymborska (View with a Grain of Sand: Selected Poems)
The world is changing because we're changing it. And that makes me understand, at least, what kind of person I'd like to be. A person can seek ways, whether big or small, to heal the world. That, to me, is spirituality and one's 'soul.' Not some disembodied eternal wishfulness but a way of being that, most days, I can work on. Life is like walking with a flashlight on a dark night. You can't see your destination, but each step illuminates the next few steps, and, taking one after another, you can get where you need to go. Only now, we'll need to quicken our pace if we are to avoid major upheaval in this century. It's up to us not just as individuals but as citizens of nations and of the world.
Carl Safina (The View from Lazy Point: A Natural Year in an Unnatural World)
Before she became ill, David’s mother would often tell him that stories were alive. They weren’t alive in the way that people were alive, or even dogs or cats. People were alive whether you chose to notice them or not, while dogs tended to make you notice them if they decided that you weren’t paying them enough attention. Cats, meanwhile, were very good at pretending people didn’t exist at all when it suited them, but that was another matter entirely. Stories were different, though: they came alive in the telling. Without a human voice to read them aloud, or a pair of wide eyes following them by flashlight beneath a blanket, they had no real existence in our world. They were like seeds in the beak of a bird, waiting to fall to earth, or the notes of a song laid out on a sheet, yearning for an instrument to bring their music into being. They lay dormant, hoping for the chance to emerge. Once someone started to read them, they could begin to change. They could take root in the imagination, and transform the reader. Stories wanted to be read, David’s mother would whisper. They needed it. It was the reason they forced themselves from their world into ours. They wanted us to give them life.
John Connolly (The Book of Lost Things (The Book of Lost Things, #1))
But there's quality behind Dustin's eyes when he talks, a dimness, like the slow fade of a dying flashlight. Like someone forgot to replace the batteries in Dustin's face. This kind of emptiness can only be filled with heartache and struggle and I-don't-know-what...the enormity of things. The shit-stink of life. And neither the enormity nor the shit-stink can be found in a pancake breakfast. Pain is what matters.
David Arnold (Mosquitoland)
Books had always been a comfort to her. More than comfort. There were times when reading came close to an addiction. When things had been tough at home, Harriet’s solution had been to remove herself from life and disappear. She’d chosen to be invisible. Sometimes physically, by hiding under the table, but sometimes psychologically by diving into a literary world unlike her own. As a child she’d liked to sink into the pages and lose herself for hours at a time. When she was reading, she didn’t just leave her own life behind, she stepped into someone else’s. There were times when she’d read for hours without noticing the passage of time or the onset of darkness. When it grew too dark to read, she simply switched on her flashlight and read under the covers so that she didn’t disturb her sister, who was sleeping in the next bed. At school, she carried her book around. When things were difficult, the weight of her bag would comfort her. It helped just to know the book was there, waiting for her. At various points in the day she’d feel the edges bump against her thigh, reminding her of its existence. It was like having a friend close by, telling her I’m still here and we can spend time together later. Even now, more than a decade on from that difficult time of her life, she found herself instinctively reaching for a book when she was stressed. Comfort was different things to different people. To some it was a bar of chocolate or a glass of wine, a run in the park or coffee with a friend. To Harriet, it was a book.
Sarah Morgan (Moonlight Over Manhattan (From Manhattan with Love, #6))
I don’t like stories. I like moments. I like night better than day, moon better than sun, and here-and-now better than any sometime-later. I also like birds, mushrooms, the blues, peacock feathers, black cats, blue-eyed people, heraldry, astrology, criminal stories with lots of blood, and ancient epic poems where human heads can hold conversations with former friends and generally have a great time for years after they’ve been cut off. I like good food and good drink, sitting in a hot bath and lounging in a snowbank, wearing everything I own at once, and having everything I need close at hand. I like speed and that special ache in the pit of the stomach when you accelerate to the point of no return. I like to frighten and to be frightened, to amuse and to confound. I like writing on the walls so that no one can guess who did it, and drawing so that no one can guess what it is. I like doing my writing using a ladder or not using it, with a spray can or squeezing the paint from a tube. I like painting with a brush, with a sponge, and with my fingers. I like drawing the outline first and then filling it in completely, so that there’s no empty space left. I like letters as big as myself, but I like very small ones as well. I like directing those who read them here and there by means of arrows, to other places where I also wrote something, but I also like to leave false trails and false signs. I like to tell fortunes with runes, bones, beans, lentils, and I Ching. Hot climates I like in the books and movies; in real life, rain and wind. Generally rain is what I like most of all. Spring rain, summer rain, autumn rain. Any rain, anytime. I like rereading things I’ve read a hundred times over. I like the sound of the harmonica, provided I’m the one playing it. I like lots of pockets, and clothes so worn that they become a kind of second skin instead of something that can be taken off. I like guardian amulets, but specific ones, so that each is responsible for something separate, not the all-inclusive kind. I like drying nettles and garlic and then adding them to anything and everything. I like covering my fingers with rubber cement and then peeling it off in front of everybody. I like sunglasses. Masks, umbrellas, old carved furniture, copper basins, checkered tablecloths, walnut shells, walnuts themselves, wicker chairs, yellowed postcards, gramophones, beads, the faces on triceratopses, yellow dandelions that are orange in the middle, melting snowmen whose carrot noses have fallen off, secret passages, fire-evacuation-route placards; I like fretting when in line at the doctor’s office, and screaming all of a sudden so that everyone around feels bad, and putting my arm or leg on someone when asleep, and scratching mosquito bites, and predicting the weather, keeping small objects behind my ears, receiving letters, playing solitaire, smoking someone else’s cigarettes, and rummaging in old papers and photographs. I like finding something lost so long ago that I’ve forgotten why I needed it in the first place. I like being really loved and being everyone’s last hope, I like my own hands—they are beautiful, I like driving somewhere in the dark using a flashlight, and turning something into something completely different, gluing and attaching things to each other and then being amazed that it actually worked. I like preparing things both edible and not, mixing drinks, tastes, and scents, curing friends of the hiccups by scaring them. There’s an awful lot of stuff I like.
Mariam Petrosyan (Дом, в котором...)
Which mirror now, Ms. Lane?” He glanced around the white room, scanning the ten mirrors. “Fourth from the left. Jericho.” I was sick of him calling me Ms. Lane. I picked myself up off the white floor. Once again the Silver had spit me out with entirely too much enthusiasm, and I didn’t even have the stones on me. I didn’t have anything but the spear in my holster, a protein bar, two flashlights, and a bottle of Unseelie in my pockets. “You don’t have the right to call me Jericho.” “Why? Because we haven’t been intimate enough? I’ve had sex with you in every possible position, killed you, fed you my blood in the hopes that it would bring you back to life, crammed Unseelie into your stomach, and tried to rearrange your guts. I’d say that’s pretty personal. How much more intimate do we have to get for you to feel comfortable with me calling you Jericho? Jericho.” I expected him to pounce on the sex-in-every-possible-position comment, but he only said. “You fed me your—” I pushed into the mirror, cutting him off. Like the first one, it resisted me, then grabbed me and squirted me out on the other side. His voice preceded his arrival. “You bloody fool, do you never stop to consider the consequences of your actions?” He barreled out of the mirror behind me. “Of course I do,” I said coolly. “There’s always plenty of time to consider the consequences. After I’ve screwed up.” “Funny girl, aren’t you, Ms. Lane?” “Sure am. Jericho. It’s Mac. I’m Mac. No more fake formality between us. Get with the program or get the hell out of here.” His dark eyes flared. “Big talk. Ms. Lane. Try to enforce it.” Challenge burned in his gaze. I sauntered toward him. He watched me coldly and I was reminded of the other night, when I’d pretended to be coming on to him, because I was angry. He thought I was doing it again. I wasn’t. Being in the White Mansion with him was doing something strange to me. Unraveling all my inhibitions, as if these walls had no tolerance for lies, or within them there was no need.
Karen Marie Moning (Shadowfever (Fever, #5))
If you have to walk along a dark mountain path, don’t you prefer to have a flashlight to shine on the path ahead? I would suggest that it is possible to have that flashlight in life all the time. What does a flashlight give us? Light. That is, a flashlight sheds light. It is like the faculty of attention—if we turn our full attention to something, we learn more about that thing. We are seeing it with more light. Our attention is our ‘flashlight.’ So it’s all about how much and how fun an attention we consciously bring to life. This quality of attention doesn’t make us hesitant, or slow to decide, particularly—just as the flashlight doesn’t make us hang back on the trail. So, how do we get to the better quality of attention? With attention! That is, we turn our attention on our attention; we start by trying to see how we don’t pay attention. We sort of keep that light on ourselves. ‘Know thyself’ has been an honored ancient teaching, and it’s still a cornerstone of the world’s greatest philosophies. If you watch yourself honestly, in a detached way—not guilt-tripping yourself when you screw up—you gradually learn where it was that you were just blundering along, reacting sort of mechanically, and being asleep even as you were in your waking day. Another way to make this happen is by returning your whole attention to the present—to what’s happening now, in this moment, and this moment, and on—within yourself and around you.
James L. Harmon
Are we going to share the sleeping bag?” “I thought I’d go stay with Cookie.” “Oh.” Disappointment flooded her way more than the river had. It was just as cold, but not as wet. “Phoebe, we talked about this,” he reminded her. “You deserve better than a quickie out in the open.” “We’re in a tent,” she said before she could stop herself. “And it doesn’t have to be quick.” As soon as the words were out, she wanted to pull the sleeping bag over her head and disappear. Instead, she closed her eyes and waited for Zane to stalk off in disgust. When he didn’t move, she opened first one eye, then the other. He was staring at her with the hungry expression of a man who has been starving all his life. The need burning in his dark irises warmed her way more than the sleeping bag. He wanted her. She could feel his desire all the way to her toes. She wasn’t sure why he wanted her or for how long, but she couldn’t worry about any of that now. She watched the battle rage inside of him. Base need fought his desire to be a gentleman. She wasn’t exactly sure how to influence the outcome, but she was determined to get her way in this. After considering several options, she settled on a simple, yet direct approach. She unzipped the sleeping bag and sat up. While she was sure her hair was wet and spiky and that the flashlight didn’t exactly flatter her skin tone, Zane didn’t seem to notice any of that. His gaze dropped to her bare breasts and didn’t budge. There was an audible exhalation of air, a swearword, then a low groan that sounded very much like surrender. A heartbeat later, the flashlight clicked off. Phoebe blinked in the darkness. “Zane?” “We’re gonna have to do this by feel. Otherwise we’ll be putting on a show.” She thought about how flashlights in the tents created detailed shadows and blushed at the thought of entertaining the others.
Susan Mallery (Kiss Me (Fool's Gold, #17))
Why reinvent the light bulb Did you have a problem with the burning light? Thanks to Thomas Edison’s effort, we don’t need to invent a flashlight, we just go to the store or our closet and pull one out and fuck in. I’m sure you realize that Thomas Edison took many attempts before the lamp was mastered by someone who once asked him if he discouraged his failure and said, “Cut, I haven’t failed yet, I’ve discovered another way not to make a light lamp. You see, there’s nothing like failure, there’s just results. Someone once said that defining madness is doing something over and over and getting the same results. To do our lives right, we have to change the things we do. Just like light can burn, so we can. Life can become dark and depressed and we feel no light, no hope of sight. This picture is certainly not clear. Let me highlight this situation (intentional). When we feel down and deep in the hole, that’s when we need light to see our way through. Some of us are lucky enough to have some light on our hands, others have to come out and get it back. Many people try to invent light for themselves by thinking about positive ideas, but so far it takes them. It just gives a lot of light and there’s more light available, but people at a secondary level are about how to get it. We must not be like Thomas Edison, continue to look at the problem and think of ways to solve it. For every problem, there’s a solution. How do we find a solution? We can try, as we have said, to try to figure it out ourselves, or we can find someone who has already crossed this obstacle and do what they did. There are many books on the market today that can help us understand how to overcome obstacles in our lives. We have to read and learn from the failure of others, they’ve been through it before, and they can help teach us how to go through it. We all need more light in our lives and sometimes we can’t see light at the end of the tunnel, but there’s always hope and assistance. You know how others overcome their challenges and keep this education in you even when you feel weak and life seems bad. Don’t try to reinvent the light lamp. Learn how to carry light in yourself.
Er Ramesh Marmit
Chip and I were both exhausted when we finally pulled up in front of that house, but we were still riding the glow of our honeymoon, and I was so excited as he carried me over the threshold--until the smell nearly knocked us over. “Oh my word,” I said, pinching my nose and trying to hold my breath so I wouldn’t gag. “What is that?” Chip flicked the light switch, and the light didn’t come on. He flicked it up and down a few times, then felt his way forward in the darkness and tried another switch. “The electricity’s off,” he said. “The girls must’ve had it shut off when they moved out.” “Didn’t you transfer it back into your name?” I asked. “I guess not. I’m sorry, babe,” Chip said. “Chip, what is that smell?” It was the middle of June in Waco, Texas. The temperature had been up over a hundred degrees for days on end, and the humidity was stifling, amplifying whatever that rotten smell was coming from the kitchen. Chip always carries a knife and a flashlight, and it sure came in handy that night. Chip made his way back there and found that the fridge still had a bunch of food left in it, including a bunch of ground beef that had just sat there rotting since whenever the electricity went out. The food was literally just smoldering in this hundred-degree house. So we went from living in a swanky hotel room on Park Avenue in New York City to this disgusting, humid stink of a place that felt more like the site of a crime scene than a home at this point. Honestly, I hadn’t thought it through very well. But it was late, and we were tired, and I just focused on making the most of this awful situation. So we opened some windows and brought our bags in, and I told Jo we’d just tough it out and sleep on the floor and clean it all up in the morning. That’s when she started crying. I lay down on the floor thinking, Is his what my life is going to look like now that I married Chip? Is this my new normal? That’s when another smell hit me. It was in the carpet. “Chip, did those girls have a dog here?” I asked. “They had a couple of dogs,” he answered. “Why?” You could smell it. In the carpet. It was nasty. I was just lying there with my head next to some old dog urine stain that had been heated by the Texas summer heat. It was like microwaved dog pee. It was. It was awful. It was three in the morning. And I finally said, “Chip, I’m not sleeping in this house.
Joanna Gaines (The Magnolia Story)
I’m still in the big Jacuzzi tub when the power flickers--once, twice--and then goes out, leaving me in total darkness, chin deep in lukewarm water. I don’t know why, but it all hits me then--Nan’s surgery tomorrow, shooting that moccasin, this stupid, never-ending storm. I start to cry, deep, gulping sobs. I know it seems childish, but I want my daddy. What if things get worse? What if the house starts to flood? Or the roof blows off? As much as I hate to admit it, I’m scared. Really scared. A knock on the bathroom door startles me. “Jemma? You okay in there?” “I’m fine,” I call out, my voice thick. My cheeks burn with shame at being caught crying in the dark like a two-year-old. “Do you want a candle or something? Maybe a hurricane lamp?” “No, I’m…” I start to say “fine” again, but a ragged sob tears from my throat instead. “It’s going to be okay, Jem. We’ll get through this.” I sink lower into the water, wanting to disappear completely. Why can’t he just go away and let me have my little meltdown in private? Why, after all these years of being a jerk, does he have to suddenly be so nice? “I got both dogs dried off,” he continues conversationally, as if I’m not in here crying my eyes out. “They’re in the kitchen eating their supper. I think Beau’s pretty worked up.” I continue to bawl like a baby. I know he can hear me, that he’s right outside the door, listening. Still, it takes me a good five minutes to get it all out of my system. Once the tears have slowed, I reach for my washcloth and lay it across my eyes, hoping it’ll reduce the puffiness. A minute or two later, I drag it away and wring it out before laying it over the edge of the tub. It’s still dark inside the bathroom, though I can see a flicker of light coming from beneath the door. Ryder must have a flashlight, or maybe one of the battery-operated lanterns I scattered around the house, just in case. I wonder how long he’s going to stand three, waiting for me. The lights flick off, and I think maybe he’s finally left me in peace. But then I hear a muffled thump, and I know he’s still out there, probably sitting with his back against the door. “Hey, Jem?” he says. “You saved my life, you know--out there by the barn. Most people couldn’t have made that shot.” I squeeze my eyes shut, but tears leak through anyway. I hadn’t wanted to kill that stupid snake, but if it had bitten Ryder and we hadn’t been able to make it to the hospital in time… I let the thought trail off, not wanting to examine it further. “Thank you,” he says softly. “I owe you one.
Kristi Cook (Magnolia (Magnolia Branch, #1))
Sitting in meditation with a mind that is not caught in discursive chatter enables a clearer sense of the process that makes up who we are. We start to see with bare awareness that we are actually just a process unfolding. This process is the basis of the sense of me. Upon this process we put the label that is our name. I am just a process with the label Rob on it. The point of this is that as we sit quietly and directly experience the fluidity of our inner life, we can use a very subtle and unintrusive investigation simply to look and see if there is anything that is the basis of an enduring, solid sense of me. This investigation is like shining a flashlight around in a cave to see if there is anything living there.
Rob Preece (Feeling Wisdom: Working with Emotions Using Buddhist Teachings and Western Psychology)
Hate Not The Hater (The Sonnet) In most cases what seems, Like hate is actually envy. Even the haters don't know that, Haters just hate what they can't be. Others' achievement intimidates the puny, Whereas it inspires those wanting to grow. Pay no attention to the mockery of morons, Ridicule can't diminish a braveheart's glow. When an empty flashlight mocks the sun, Does it affect the sun's glory one bit! Hate not the haters in return my friend, It's just their way of acting needy, that's it. One lover is braver than a hundred haters. One heart alive and aloud is the bias breaker.
Abhijit Naskar (Find A Cause Outside Yourself: Sermon of Sustainability)
Dunne’s dreams seemed to him evidence for what Einstein and other physicists and mathematicians were just beginning to assert: that since the present moment depends entirely on where you stand in relation to events—what might be in the past for one observer may still be in the future for another observer, and vice versa—then the future must in some sense already exist. Einstein’s theory of relativity suggested that time was a dimension like space. To help visualize this, his teacher, Hermann Minkowski, pictured “spacetime” as a four-dimensional block. For the purposes of this book, let’s make it a glass block so we can see what is happening inside it. One’s life, and the “life” of any single object or atom in the universe, is really a line—a “world line”—snaking spaghetti-like through that glass block. The solid three-dimensional “you” that you experience at any moment is really just a slice or cross section of a four-dimensional clump of spaghetti-like atoms that started some decades ago as a zygote, gradually expanded in size by incorporating many more spaghetti-strand atoms, and then, after several decades of coherence (as a literal “flying spaghetti monster”) will dissipate into a multitude of little spaghetti atoms going their separate ways after your death. (They will recoalesce in different combinations with other spaghetti-strand atoms to make other objects and other spaghetti beings, again and again and again, until the end of the universe.) What we perceive at any given moment as the present state of affairs is just a narrow slice or cross-section of that block as our consciousness traverses our world-line from beginning to end. (If it helps envision this, the comic artist, occult magician, and novelist Alan Moore has recently revised the “block” to a football—one tip being the big bang, the other the “big crunch” proposed in some cosmological models.32 I will stick with the term “glass block” since I am not a football fan and “glass football” sounds odd.) Precognitive dreams, Dunne argued, show that at night, as well as other times when the brain is in a relaxed state, our consciousness can wriggle free of the present moment and scan ahead (as well as behind) on our personal world-line, like a flashlight at night illuminating a spot on the path ahead. This ability to be both rooted mentally in our body, with its rich sensory “now,” and the possibility of coming unstuck in time (as Vonnegut put it) suggested to Dunne that human consciousness was dual. We not only possess an “individual mind” that adheres to the brain at any given time point, but we also are part of a larger, “Universal Mind,” that transcends the now and that spaghetti-clump body. The Universal Mind, he argued, is ultimately shared—a consciousness-in-common—that is equivalent to what has always been called “God.
Eric Wargo (Time Loops: Precognition, Retrocausation, and the Unconscious)
Every now and then, you’ll have someone come into your life unexpectedly. In a good way. Kind of like when you’re in the dark and someone hands you a flashlight.
Brooke Howell
Love makes you an anthropologist of your own life. What are these ceremonies and why should we take part in them? What is this language we have got backed up into on long worst fire nights like a bad translation? It is important to keep recording the dialect forms, tracking the idioms. Yes there is a violence in it…. A dialect will sound like your own language to you, only despoiled somehow, hung up by the tail. Late at night I sit in the truck transcribing my notes by flashlight, tape quality is poor. There is a nucleus of terms I never get right. (Pleasure).
Anne Carson (Plainwater: Essays and Poetry)
The spirit of religion hates women. It oppresses women whereever it can. It treats women the same, whether it be in the mosque, or in some churches. Well, I AM going to show the enemy how much I love My precious daughters, and I will cause My Power to rest heavily on those of My daughters who were most heavily oppressed, and the enemy will be like a man who chases a lion into a cave, and, reaching for a flashlight, sees the lion turn around in the last seconds of his life. That man is better off than any evil spirit who harmed one of My daughters. For this is the season where wrongs are made right. THIS IS THE SEASON WHERE THE ENEMY LEARNS TO FEAR THOSE WHO BEAR MY NAME.
Jeffrey Stewart (Words to His Beloved Bride)
Consciousness is a much smaller part of our mental life than we are conscious of, because we cannot be conscious of what we are not conscious of. How simple that is to say; how difficult to appreciate! It is like asking a flashlight in a dark room to search around for something that does not have any light shining upon it. The flashlight, since there is light in whatever direction it turns, would have to conclude that there is light everywhere. And so consciousness can seem to pervade all mentality when actually it does not.
Anonymous
Reading is a tool no one can take away. A million bad things may happen in a life and it'll still be with you, like a flashlight that never needs a battery. Reading can offer a crack of light on the blackest of nights.
Blue Balliett (Hold Fast)
Understanding habits is the most important thing I’ve learned in the army,” the major told me. “It’s changed everything about how I see the world. You want to fall asleep fast and wake up feeling good? Pay attention to your nighttime patterns and what you automatically do when you get up. You want to make running easy? Create triggers to make it a routine. I drill my kids on this stuff. My wife and I write out habit plans for our marriage. This is all we talk about in command meetings. Not one person in Kufa would have told me that we could influence crowds by taking away the kebab stands, but once you see everything as a bunch of habits, it’s like someone gave you a flashlight and a crowbar and you can get to work.” The major was a small man from Georgia. He was perpetually spitting either sunflower seeds or chewing tobacco into a cup. He told me that prior to entering the military, his best career option had been repairing telephone lines, or, possibly, becoming a methamphetamine entrepreneur, a path some of his high school peers had chosen to less success. Now, he oversaw eight hundred troops in one of the most sophisticated fighting organizations on earth. “I’m telling you, if a hick like me can learn this stuff, anyone can. I tell my soldiers all the time, there’s nothing you can’t do if you get the habits right.
Charles Duhigg (The Power Of Habit: Why We Do What We Do In Life And Business)
The zombie fell over the generator, too, and laid on the ground next to me—its eyes seemed to glow in the dark. I was so scared, I almost lost it. Shaking, I sprayed it in the face and rolled away. It started smoking the same way the other zombies had, but then did something unexpected—it caught fire. Instantly, the entire area went up in flames. I stepped back, and still standing, jumped up and down, kicking my gas-soaked pants and shoes off. The flames sprouted up as if they had a life of their own.  I shot them with the Super Soaker, but it didn't do any good. The flames spread up the side of a rack of cheesy Hawaiian shirts. I knew I had to put the fire out fast. I ran to the aisle with the fire extinguishers and stopped. I'd dropped my flashlight back by the generator. A couple aisles over, something moved in the shadows. I started to lift my Super Soaker when I got hit in the face. "Oww, it burns," I cried, "Darn it. It burns." My eyes started watering like a busted drinking fountain. "Nathan, is that you? Were you bit? Did I kill you?" "No, no. I'm fine, it's just the lemonade; that stuff burns." "What's going on? You're burning the place down." I could hear panic in her voice. "Grab a fire extinguisher and follow me." My eyes dribbled lemonade-flavored tears as I grabbed two of the largest fire extinguishers and ran back. It took four extinguishers, but we managed to put the fire out. "Wow, the generator's still running," I said. Charred clothes were everywhere. Smoke filled the place—it smelled like fresh-roasted zombie. And I'd thought my day couldn't get any worse. "What the heck happened?" Misty held her nose and looked around at the blackened remains. "Security zombie in the bathroom; it was a close call." "I'll say. We're lucky the fire sprinklers didn't come on." "If this is lucky, I'd hate to see cursed." "Umm, Nate?" "Yeah?" I exhaled in relief. It would have been embarrassing if I'd burnt the place down. "Where's your pants?
M.J.A. Ware (Super Zombie Juice Mega Bomb (A Zombie Apocalypse Novel Book 1))
Conscience compared with the Bible is like a flashlight compared with the sun in the heavens.
Dwight L. Moody (The Overcoming Life)
Valerie checked Brandon’s temperature. “You know, I told that girl myself she’s nuts. You know what she said to me?” I arched an eyebrow. “What?” “She said, ‘Just because a man gives you the best sex of your life doesn’t mean you need to date his ass.’ Lawd, I just about died,” she snickered. I snorted. Yup, that sounded like Kristen. Well, at least I’d done something right. Valerie chuckled to herself while she checked Brandon’s pulse. “He’s coming out tomorrow. I bet you’re all getting pretty excited.” I rubbed the back of my neck. “This has been a really tough few weeks.” “He’s gonna do great.” She changed out the bag on his IV drip. Then she pulled out a small light from her breast pocket, clicked it on, and opened his right eye. “You know, a lot of the nurses are gonna miss the steady stream of cute firemen coming through he—” She paused. She opened his other eye and shone the light into his pupil. She cleared her throat as she clicked the light off and slipped it back in her pocket. “We sure are going to miss you guys.” She picked up his chart. She didn’t look at me. Her tone changed. Her body changed. I’d done that change myself on the scene of a call. Something is wrong. “What is it?” She didn’t answer me. I pulled out my cell phone and turned on the flashlight. I leaned over Brandon and opened his eye while Valerie watched me wordlessly. My breath caught in my throat. “No. No!  ” I looked at the other eye, and my hands started to shake. I stumbled back from the bed and knocked into my chair, dropping my cell phone to the floor with a clatter. Valerie looked at me, and we exchanged a moment of understanding. His pupils were blown. They were large black marbles in his eyes.
Abby Jimenez
Where have we seen them?” “In our history book,” Q whispered. “We’ve gone back in time!” “You mean before TV and stuff?” Hooter asked, looking at the old-fashioned muskets that were pointed at them. “Before TV?” Q squeaked. His voice always turned into a series of squeaks when he was excited. “Try before electricity and flashlights. Try 1776--the Revolutionary War!” “That’s why they don’t know where Nebraska is,” Matt exclaimed. “In 1776 there was no such state as Nebraska! How did this happen? And if we really have gone back in time, how are we going to get home?” Everyone stood staring at the boat full of ragged soldiers before them. Tony turned to Matt. “You thought my backyard was so boring. I hope you’re happy now.” Matt was too stunned to reply. It was true, the Adventure Club had been his idea, but he never dreamed it would turn out like this. Matt closed his eyes tight, wishing they could go back, back to the safety of a few hours ago, when his life had been normal and safe, and his biggest problem had been to finish the peas on his dinner plate!
Elvira Woodruff (George Washington's Socks (Time Travel Adventure))
All those times back in my life when I had thought myself unhappy…how foolish I had been. Any man who experiences the worst looks back on all that was as better. So it was with me. “Call only that man happy who is dead.” The ancient Greeks once said that…but oh ye ones lost in the river of time…if only you knew, if only you knew. Man, no matter what his situation, can be happy, if only he realizes that his situation could be worse. But for me, there was no worse situation; I was like Croesus attached to the pyre, only there was no King to release me from being consumed by the flames. But here, right now, as I write this, I am happy, because I am at war. War is the refuge for those who have nothing better to do. The voice of my conscience, like an ancient Emathion head, was lost in the lust, devoured within the burning fire of my heart. I poured some Beefaronis over my foot. The dim light of the flashlight shone upon it. Then I waited. One came, quickly, running across the room. It leaped at my foot but my hand grabbed it before its teeth could clench down on my foot. The razorblade in my other hand came down hard upon its flesh. As I concentrated on murdering this poor rodent, I did not see the other rat scurrying across the room. The pain was deep. It did not just indulge in Beefaronis, but its teeth dug deeper. I screamed. I let the other rat go, throwing it across the room. I did not know if it was dead or not, but I did not care. I tried grabbing the other rat, but it had dug itself in. I kept screaming. I felt as if a pitchfork was repeatedly struck through my body while I hung chained to a wall. In a way, it almost felt good, because it was different from the deadening dullness that was normal.
Michael Szymczyk (Toilet: The Novel)
UNKNOWN UNKNOWNS Associative binding of experiences in memory to create an internal chronology would also help explain why most precognitive dreams are only identified as such in hindsight. Even if premory is just an aspect of memory and obeys most of the same principles, the stand-out exception is that only with memory for things past can we engage in what psychologists call source monitoring. We can often tell more or less how we know things from past experience because we can situate them, at least roughly, in relation to other biographical details. We can’t do this with experiences refluxing from our future, because they lack any context. We don’t know yet where or how they fit into our lives, so it may be natural for the conscious mind to assume that they don’t fit at all.12 Again, it is natural and inviting to think of precognition as a kind of radar or sonar scanning for perils in the water ahead. A metaphor that Dunne used for precognitive dreaming is a flashlight we point ahead of us on a dark path. But it makes more sense that our brains are constantly receiving messages sent back in time from our future self and are continually sifting and scanning those messages for possible associations to present concerns and longstanding priorities without knowing where that information comes from, let alone how far away it is in time. Items that match our current concerns or preoccupations will be taken and elaborated as dreams or premonitions or other conscious “psi” experiences, but we are likely only to recognize their precognitive character after the future event transpires and we recognize its source. And even then, we will only notice it, by and large, if we are paying close attention. That matching or resonance with current concerns may be important in determining the timing of a dream in relation to its future referent. For instance, it is possible Freud dreamed about the oral symptoms in the mouth of his patient Anna Hammerschlag when he did because of a confluence of events in his life in 1895 that pre-minded him of his situation all those years later, in 1923—including his relapse to smoking his cigars after his friend Wilhelm Fliess had told him to quit. Again, his thoughts about his smoking may have been the short circuit or thematic resonance between these two distant points in his life, precipitating the dream. Incidentally, there is no reason to assume that that single dream of Freud’s was the only one in his life about his cancer and surgeries. Multiple dreams may point to the same experience via multiple symbolic or associative avenues, so it would be expected that some of Freud’s later dreams, especially closer to 1923, may have also related to the same experiences. We’ll never know, of course. But dreamers frequently report multiple precognitive dreams targeting the same later upheaval in their lives, especially major experiences like health crises and life milestones.
Eric Wargo (Precognitive Dreamwork and the Long Self: Interpreting Messages from Your Future (A Sacred Planet Book))