Lid Hole Quotes

I collect flickering stars in old pickling jars, poking holes in the lids so they can breathe.

Sam," she said. "I'm trying!" "Sam," she repeated. "No," he spat, hearing her tone. "No!" He began screaming for help then. Celaena pressed her face to one of the holes in the grate. Help wasn't going to come-not fast enough. "Please," Sam begged as he beat and yanked on the grate, he tried to wedge another dagger under the lid. "Please don't." She knew he wasn't speaking to her. The water hit her neck. "Please," Sam moaned, his fingers now touching hers. She'd have one last breath. Her last words. "Take my body home to Terrasen, Sam," she whispered. And with a gasping breath, she went under.

The weight of God's glory, not illusory or ephemeral, but daily and everywhere, punctures earth's lid and heaven falls through the holes.

My longing for someone to talk to made Himillsy the lightning bug in my honey jar. I punched holes in the lid so she could breathe.

In the darkness behind their shut lids they all saw the same thing: no color at all, only loss like a hole torn in the world.

This exists. It can be seen. It can be touched. These in pace, these dungeons, these iron hinges, these necklets, that lofty peep-hole on a level with the river's current, that box of stone closed with a lid of granite like a tomb, with this difference, that the dead man here was a living being, that soil which is but mud, that vault hole, those oozing walls, --what declaimers!

I swung up and into this most inadequate of hidey-holes and lowered the lid, closing myself in the feed bin with the hope that its name wouldn’t prove to be as apt now as it had been in the past.

Like a wind, like a storm, like a fire, like an earthquake, like a mud slide, like a deluge, like a tree falling, a torrent roaring, an ice floe breaking, like a tidal wave, like a shipwreak, like an explosion, like a lid blown off, like a consuming fire, like spreading blight, like a sky darkening, a bridge collapsing, a hole opening. Like a volcano erupting. Surely more than just the actions of people: choosing, yielding, braving, lying, understanding, being right, being deceived, being consistent, being visionary, being reckless, being cruel, being mistaken, being original, being afraid . . .

She punched holes in jar-lids for walking sticks and crickets but not for fireflies.

Howard had a pine display case, fastened by fake leather straps and stained to look like walnut. Inside, on fake velvet, were cheap gold-plated earrings and pendants of semiprecious stones. He opened this case for haggard country wives when their husbands were off chopping trees or reaping the back acres. He showed them the same half-dozen pieces every year the last time he came around, when he thought, This is the season - preserving done, woodpile high, north wind up and getting cold, night showing up earlier every day, dark and ice pressing down from the north, down on the raw wood of their cabins, on the rough-cut rafters that sag and sometimes snap from the weight of the dark and the ice, burying families in their sleep, the dark and the ice and sometimes the red in the sky through trees: the heartbreak of a cold sun. He thought, Buy the pendant, sneak it into your hand from the folds of your dress and let the low light of the fire lap at it late at night as you wait for the roof to give out or your will to snap and the ice to be too thick to chop through with the ax as you stand in your husband's boots on the frozen lake at midnight, the dry hack of the blade on ice so tiny under the wheeling and frozen stars, the soundproof lid of heaven, that your husband would never stir from his sleep in the cabin across the ice, would never hear and come running, half-frozen, in only his union suit, to save you from chopping a hole in the ice and sliding into it as if it were a blue vein, sliding down into the black, silty bottom of the lake, where you would see nothing, would perhaps feel only the stir of some somnolent fish in the murk as the plunge of you in your wool dress and the big boots disturbed it from its sluggish winter dreams of ancient seas. Maybe you would not even feel that, as you struggled in clothes that felt like cooling tar, and as you slowed, calmed, even, and opened your eyes and looked for a pulse of silver, an imbrication of scales, and as you closed your eyes again and felt their lids turn to slippery, ichthyic skin, the blood behind them suddenly cold, and as you found yourself not caring, wanting, finally, to rest, finally wanting nothing more than the sudden, new, simple hum threading between your eyes. The ice is far too thick to chop through. You will never do it. You could never do it. So buy the gold, warm it with your skin, slip it onto your lap when you are sitting by the fire and all you will otherwise have to look at is your splintery husband gumming chew or the craquelure of your own chapped hands.

A strong woman is a woman in whose head a voice is repeating, I told you so, ugly, bad girl, bitch, nag, shrill, witch, ballbuster, nobody will ever love you back, why aren't you feminine, why aren't you soft, why aren't you quiet, why aren't you dead? A strong woman is a woman determined to do something others are determined not be done. She is pushing up on the bottom of a lead coffin lid. She is trying to raise a manhole cover with her head, she is trying to butt her way through a steel wall. Her head hurts. People waiting for the hole to be made say, hurry, you're so strong.

The rock I'd seen in my life looked dull because in all ignorance I'd never thought to knock it open. People have cracked ordinary New England pegmatite - big, coarse granite - and laid bare clusters of red garnets, or topaz crystals, chrysoberyl, spodumene, emerald. They held in their hands crystals that had hung in a hole in the dark for a billion years unseen. I was all for it. I would lay about me right and left with a hammer, and bash the landscape to bits. I would crack the earth's crust like a piñata and spread to the light the vivid prizes in chunks within. Rock collecting was opening the mountains. It was like diving through my own interior blank blackness to remember the startling pieces of a dream: there was a blue lake, a witch, a lighthouse, a yellow path. It was like poking about in a grimy alley and finding an old, old coin. Nothing was at it seemed. The earth was like a shut eye. Mother's not dead, dear - she's only sleeping. Pry open the thin lid and find a crystalline intelligence inside, a rayed and sidereal beauty. Crystals grew inside rock like arithmetical flowers. They lengthened and spread, adding plane to plane in awed and perfect obedience to an absolute geometry that even the stones - maybe only the stones - understood.

Once upon a time,' I whispered, "there was a girl who got away.' The light burned a little less brightly through my lids. Maybe. 'Once upon a time there was a girl who changed her fate,' I said, louder. The words ran together like beads on a string. Like a story, or a bridge I could climb-- up, up, up, like a nursery-rhyme spider. 'She grew up like a fugitive, because her life belonged to another place." I held my fingertips out, feeling the ice of them melt the wall's fine, hot fizzing. 'She remembered her real mother, far away on an Earth made of particles and elements and /reason/. Not stories. And she ripped a hole in the world so she could find her way home. And she lived happily ever after in a place far, far from the Hinterland,' I said. I begged. 'And the freeze left her skin. And she found her real mother in the world where she had left her.' Slowly, slowly, I opened my eyes.

Until one morning, one of the coldest mornings of the year, when I came in with the book cart and found Jean Hollis Clark, a fellow librarian, standing dead still in the middle of the staff room. "I heard a noise from the drop box," Jean said. "What kind of noise?" "I think it's an animal." "A what?" "An animal," Jean said. "I think there's an animal in the drop box." That was when I heard it, a low rumble from under the metal cover. It didn't sound like an animal. It sounded like an old man clearing his throat. Gurr-gug-gug. Gurr-gug-gug. But the opening at the top of the chute was only a few inches wide, so that would be quite a squeeze for an old man. It had to be an animal. But what kind? I got down on my knees, reached over the lid, and hoped for a chipmunk. What I got instead was a blast of freezing air. The night before, the temperature had reached minus fifteen degrees, and that didn't take into account the wind, which cut under your coat and squeezed your bones. And on that night, of all nights, someone had jammed a book into return slot, wedging it open. It was as cold in the box as it was outside, maybe colder, since the box was lined with metal. It was the kind of cold that made it almost painful to breathe. I was still catching my breath, in fact, when I saw the kitten huddled in the front left corner of the box. It was tucked up in a little space underneath a book, so all I could see at first was its head. It looked grey in the shadows, almost like a little rock, and I could tell its fur was dirty and tangled. Carefully, I lifted the book. The kitten looked up at me, slowly and sadly, and for a second I looked straight into its huge golden eyes. The it lowered its head and sank back down into its hole. At that moment, I lost every bone in my body and just melted.

Our toilet was in a corrugated-iron outhouse shared among the adjoining houses. Inside, there was a concrete slab with a hole in it and a plastic toilet seat on top; there had been a lid at some point, but it had broken and disappeared long ago. We couldn’t afford toilet paper, so on the wall next to the seat was a wire hanger with old newspaper on it for you to wipe. The newspaper was uncomfortable, but at least I stayed informed while I handled my business.

Juniper could have told her more: how she dug and filled the hole herself to save the cost of a gravedigger and how dirt rang hollow on the coffin lid; how every shovelful took some of herself along with it, until she was nothing but bones and hate.

Even in the darkness of the closed box she felt trapped inside, she could see light shining in through tiny holes on the lid. They were like the stars beckoning her towards a place where all would be simple . . . away from the shadows, away from the darkness.

Mexican Loneliness" And I am an unhappy stranger grooking in the streets of Mexico- My friends have died on me, my lovers disappeared, my whores banned, my bed rocked and heaved by earthquake - and no holy weed to get high by candlelight and dream - only fumes of buses, dust storms, and maids peeking at me thru a hole in the door secretly drilled to watch masturbators fuck pillows - I am the Gargoyle of Our Lady dreaming in space gray mist dreams -- My face is pointed towards Napoleon ------ I have no form ------ My address book is full of RIP's I have no value in the void, at home without honor, - My only friend is an old fag without a typewriter Who, if he's my friend, I'll be buggered. I have some mayonnaise left, a whole unwanted bottle of oil, peasants washing my sky light, a nut clearing his throat in the bathroom next to mine a hundred times a day sharing my common ceiling - If I get drunk I get thirsty - if I walk my foot breaks down - if I smile my mask's a farce - if I cry I'm just a child - - if I remember I'm a liar - if I write the writing's done - - if I die the dying's over - - if I live the dying's just begun - - if I wait the waiting's longer - if I go the going's gone if I sleep the bliss is heavy the bliss is heavy on my lids - if I go to cheap movies the bedbugs get me - Expensive movies I can't afford - if I do nothing nothing does

rumors. I’ll not say more on the subject. Cheese in your eggs?” “Yes, please.” * * * With Kendra gone, Seth got out the equipment he had bundled in his towel, including his emergency kit and the jar he had smuggled from the pantry. The jar was now empty, washed clean in the bathroom sink. Taking out his pocket knife, Seth used the awl to punch holes in the lid. Unscrewing the top, he gathered bits of grass, flower petals, a twig, and a pebble, and placed them in the jar. Then he wandered across the garden from the pool, leaving the skimmer behind. If skill failed, he would resort to cunning. He found a good spot not far from a fountain, then took the small mirror from his

I took her to my favorite bookstore, where I loaded her up with Ian Rankin novels and she bullied me into buying a book on European snails. I took her to the chip shop on the corner, where she distracted me by giving a detailed-and-probably-bullshit account of her brother's sex life (drones, cameras, his rooftop pool) while she ate all my fried fish and left her own plate untouched. I took her for a walk along the Thames, where I showed her how to skip a stone and she nearly punctured a hole in a passing pontoon boat. We went to my favorite curry place. Twice. In one day. She'd gotten this look on her face when she took her first bite of their pakora, this blissful lids-lowered look, and two hours later I decided that it made up for the embarrassment I felt that night, when I found her instructing my sister, Shelby on the best way to bleach out bloodstains, using the curry dribble on my shirt as a test case. In short, it was both the best three days I'd ever had, my mother notwithstanding, and a fairly standard week with Charlotte Holmes.

I suppose you could say we worship magic. That is our highest power.” “That is heresy.” Kell raised a brow, his hand slipping from the tomb’s lid. “Your Majesty, you worship a thing you can neither see nor touch, whereas I worship something I engage with every moment of every day. Which is the more logical path?” George scowled. “It isn’t a matter of logic. It is a matter of faith.” Faith. It seemed a shallow substitution, but Kell supposed he couldn’t blame the Grey-worlders. Everyone needed to believe in something , and without magic, they had settled for a lesser god. One full of holes and mystery and made-up rules. The irony was that they had abandoned magic long before it abandoned them, smothered it with this almighty God of theirs.

She blinked once before the most brilliant smile lit up her face. “Just when I think I can’t possibly love you even more, you do something incredibly unexpected. Thank you.” The ground shifted beneath him the tiniest bit every time she told him she loved him. She’d confessed the first time two days after he’d saved her from Einar. He’d been waiting for the right moment but she’d beat him to it. The only positive thing to come out of that bastard Einar infiltrating the mountain sector was that they’d patched up a security hole. He still wasn’t certain what the male had wanted; probably just to cause as much destruction as he could. It didn’t matter now. “I love you too.” He moved toward her, planning to show her just how much. But she shook her head and waved some wand thing at him. She used it to do something to her eyebrows. Since she’d moved all her stuff into his room he’d discovered that females took up a lot of space. “I know that look. We don’t have time.” She disappeared into the bathroom once again. This time he followed, his body already humming with the need to be inside her. “We have plenty of time.” She’d invited half a dozen females from their sector as well as their mates tonight to celebrate the unanimous change in the Ducereco law. They’d also started plans on her new project. Things were about to change for his people and he knew it was for the better. Shaking her head, she turned away from him and faced the mirror. That would not deter him. If anything, the sight of her pert ass made him even harder. Her tunic only covered the top half, making him crazy as he moved up behind her. He slid his hands up her hips and under her tunic until he grasped the thin scrap of material of her sheer panties and slid them down her legs. She’d paused what she was doing and watched him in the mirror, her own hunger sparking as wild as his. He moved in close, pressing his erection against her back. Leaning down, he brushed her hair to one side and nuzzled her neck. He never got tired of her sweet scent or the perfect way she fit right up against him. “Maybe we have some extra time,” she murmured, her eyes going heavy-lidded as they met his in the mirror. -Leilani & Con

We rarely stop to think about how much of our persona is created by the forty-three or so facial muscles at our disposal, especially those that encircle our eyes. When we think of eyes, other than their color, we think mainly about their frame: the lids, lashes, and brows; a squint, a glint, an arched brow, a purposeful asymmetry. We speak with our eyes. We read other people’s faces through a myriad of micro-expressions. One of the cruelties of ALS is that it not only forces its victims onto ventilators, thus robbing them of speech, but it eventually neutralizes most of the facial muscles, reducing the expressive palette to a few basic gestures.

At a chain coffee bar in San Francisco, I saw a sign near the cream counter that read NAPKINS COME FROM TREES — CONSERVE! In case you missed the first sign, there was a second one two feet away, reading YOU WASTE NAPKINS — YOU WASTE TREES!!! The cups, of course, are also made of paper, yet there’s no mention of the mighty redwood when you order your four-dollar coffee. The guilt applies only to those things that are being given away for free. Were they to charge you ten cents per napkin, they would undoubtedly make them much thinner so you’d need to waste even more in order to fight back the piping hot geyser forever spouting from the little hole conveniently located in the lid of your cup.

You thirsty?" Zero asked. "No," said Stanley. "Because you have three full jars of water," said Zero. "I thought maybe it was getting too heavy for you. If you drink some, it will lighten your load." "I'm not thirsty," said Stanley. "But if you want a drink, I'll give you some." "I'm not thirsty," said Zero. "I was just worried about you." Stanley smiled. "I'm a camel," he said. [...] When they did finally take a drink, they agreed to do it at the same time. [...] "You know I'm not thirsty," Stanley said, as he unscrewed the lid. "I'm just drinking so you will." "I'm just drinking so you will," said Zero. They clinked the jars together and, each watching the other, poured the water into their stubborn mouths.

That all plants immediately and substantially stem from the element water alone I have learnt from the following experiment. I took an earthern vessel in which I placed two hundred pounds of earth dried in an oven, and watered with rain water. I planted in it a willow tree weighing five pounds. Five years later it had developed a tree weighing one hundred and sixty-nine pounds and about three ounces. Nothing but rain (or distilled water) had been added. The large vessel was placed in earth and covered by an iron lid with a tin-surface that was pierced with many holes. I have not weighed the leaves that came off in the four autumn seasons. Finally I dried the earth in the vessel again and found the same two hundred pounds of it diminished by about two ounces. Hence one hundred and sixty-four pounds of wood, bark and roots had come up from water alone. (1648) [A diligent experiment that was quantitatively correct only as far as it goes. He overlooked the essential role of air and photosynthesis in the growth process]

Inside the Mousery the smell was overpowering, but it is doubtful if any of the three noticed it. Down the center of the single long room ran a brick path on either side of which were shelves three deep, divided into roomy sections. The admiral stopped before one of them, ‘Golden Agouti’, he remarked. He took hold of a rectangular box, the front of which was wired; very slyly he lifted a lid set into the top panel, and lowered the cage so that the children might look in. Inside, midway between floor and lid was a smaller box five inches long; a little hole at one end of this inner box gave access to the interior of the cage, and from it a miniature ladder slanted down to the sawdust strewn floor. In this box were a number of little heaving pink lumps, by the side of which crouched a brownish mouse. Her beady eyes peered up anxiously, while the whiskers on her muzzle trembled. The admiral touched her gently with the tip of his little finger. ‘She’s a splendid doe’, he said affectionately; ‘a remarkably careful mother and not at all fussy!’ He shut the door and replaced the cage. ‘There’s a fine pair here’, he remarked, passing to a new section; ‘what about that for color!’ He put his hand into another cage and caught one of the occupants deftly by the tail. Holding the tail between his finger and thumb he let the mouse sprawl across the back of his other hand, slightly jerking the feet into position. The children gazed. ‘What color is that?’ they inquired. ‘Chocolate’, replied the admiral. ‘I rather fancy the Self varieties, there’s something so well-bred looking about them; for my part I don’t think a mouse can show his figure if he’s got a pied pelt on him, it detracts. Now this buck for instance, look at his great size, graceful too, very gracefully built, legs a little coarse perhaps, but an excellent tail, a perfect whipcord, no knots, no kinks, a lovely taper to the point!’ The mouse began to scramble. ‘Gently, gently!’ murmured the admiral, shaking it back into position. He eyed it with approbation, then dropped it back into its cage, where it scurried up the ladder and vanished into its bedroom. They passed from cage to cage; into some he would only let them peep lest the does with young should get irritable; from others he withdrew the inmates, displaying them on his hand. ‘Now this’, he told them, catching a grey-blue mouse. ‘This is worth your looking at carefully. Here we have

The Man-Moth Man-Moth: Newspaper misprint for “mammoth.” Here, above, cracks in the buildings are filled with battered moonlight. The whole shadow of Man is only as big as his hat. It lies at his feet like a circle for a doll to stand on, and he makes an inverted pin, the point magnetized to the moon. He does not see the moon; he observes only her vast properties, feeling the queer light on his hands, neither warm nor cold, of a temperature impossible to record in thermometers. But when the Man-Moth pays his rare, although occasional, visits to the surface, the moon looks rather different to him. He emerges from an opening under the edge of one of the sidewalks and nervously begins to scale the faces of the buildings. He thinks the moon is a small hole at the top of the sky, proving the sky quite useless for protection. He trembles, but must investigate as high as he can climb. Up the façades, his shadow dragging like a photographer’s cloth behind him he climbs fearfully, thinking that this time he will manage to push his small head through that round clean opening and be forced through, as from a tube, in black scrolls on the light. (Man, standing below him, has no such illusions.) But what the Man-Moth fears most he must do, although he fails, of course, and falls back scared but quite unhurt. Then he returns to the pale subways of cement he calls his home. He flits, he flutters, and cannot get aboard the silent trains fast enough to suit him. The doors close swiftly. The Man-Moth always seats himself facing the wrong way and the train starts at once at its full, terrible speed, without a shift in gears or a gradation of any sort. He cannot tell the rate at which he travels backwards. Each night he must be carried through artificial tunnels and dream recurrent dreams. Just as the ties recur beneath his train, these underlie his rushing brain. He does not dare look out the window, for the third rail, the unbroken draught of poison, runs there beside him. He regards it as a disease he has inherited the susceptibility to. He has to keep his hands in his pockets, as others must wear mufflers. If you catch him, hold up a flashlight to his eye. It’s all dark pupil, an entire night itself, whose haired horizon tightens as he stares back, and closes up the eye. Then from the lids one tear, his only possession, like the bee’s sting, slips. Slyly he palms it, and if you’re not paying attention he’ll swallow it. However, if you watch, he’ll hand it over, cool as from underground springs and pure enough to drink.

1. Give your toddler some large tubular pasta and a shoelace.  Show her how to thread the shoelace through the pasta. 2. Take an empty long wrapping paper tube and place one end on the edge of the sofa and the other end on the floor.  Give him a small ball such as a Ping Pong ball to roll down the tube.   3. Give her some individually wrapped toilet tissues, some boxes of facial tissue or some small tins of food such as tomato paste.  Then let her have fun stacking them.     4. Wrap a small toy and discuss what might be inside it.  Give it to him to unwrap. Then rewrap as he watches.  Have him unwrap it again.    5. Cut  such fruits as strawberries and bananas into chunks.  Show her how to slide the chunks onto a long plastic straw.  Then show her how you can take off one chunk at a time, dip it into some yogurt and eat it.   6. Place a paper towel over a water-filled glass.  Wrap a rubber band around the top of the glass to hold the towel in place.  Then place a penny on top of the paper towel in the centre of the glass.  Give your child a pencil to poke holes in the towel until the penny sinks to the bottom of the glass.   7. You will need a small sheet of coarse sandpaper and various lengths of chunky wool.  Show him how to place these lengths of wool on the sandpaper and how the strands stick to it.   8. Use a large photo or picture and laminate it or put it between the sheets of clear contact paper.  Cut it into several pieces to create a puzzle.   9. Give her two glasses, one empty and one filled with water.  Then show her how to use a large eyedropper in order to transfer some of the water into the empty glass.   10. Tie the ends/corners of several scarves together.  Stuff the scarf inside an empty baby wipes container and pull a small portion up through the lid and then close the lid.  Let your toddler enjoy pulling the scarf out of the container.   11. Give your child some magnets to put on a cookie sheet.  As your child puts the magnets on the cookie sheet and takes them off, talk about the magnets’ colours, sizes, etc.   12. Use two matching sets of stickers. Put a few in a line on a page and see if he can match the pattern.  Initially, you may need to lift an edge of the sticker off the page since that can be difficult to do.    13. You will need a piece of thin Styrofoam or craft foam and a few cookie cutters.  Cut out shapes in the Styrofoam with the cookie cutters and yet still keep the frame of the styrofoam intact.  See if your child can place the cookie cutters back into their appropriate holes.        14. Give her a collection of pompoms that vary in colour and size and see if she can sort them by colour or size into several small dishes. For younger toddlers, put a sample pompom colour in each dish.   15. Gather a selection of primary colour paint chips or cut squares of card stock or construction paper.  Make sure you have several of the same colour.  Choose primary colours.  See if he can match the colours.  Initially, he may be just content to play with the colored chips stacking them or making patterns with them.

Not yet, Baird,” the one beside him cautioned. He was as tall as his friend and just as muscular but he had short, spiky blond hair that complimented his pale blue eyes. “Can’t wait much longer.” Long, strong fingers curled into a fist as though the amber-eyed male could grasp the slender figure in his hand and hold her through sheer force of will. “Been dreaming about her every night, Sylvan. I ache for her.” “What does she look like?” There was genuine curiosity in the question. Though Baird had never seen her outside his dreams, Sylvan had no doubt he could describe his chosen female to the last detail. “So fuckin’ beautiful it hurts to look at her. Yellow hair like yours but longer—more golden. And her eyes…” Baird shook his head. “Like jewels. A pale grey that’s almost silver.” “You find these human women appealing then?” “Only her—she’s the only one I can see.” The amber eyes stared hungrily across the road. “I need her soon. Need to be with her. In her.” “You’re sure she’s the one?” Sylvan stared doubtfully at the woman silhouetted in the window. She was humming softly to herself but despite the distance and the pane of glass between them he could hear her perfectly and knew Baird could too. As attuned as his half brother was to this human female, he could probably hear her heartbeat even from across the street. “I know she’s the one.” There wasn’t a shred of doubt in the deep, rumbling voice. “Didn’t I tell you we’ve been dream-sharing? And her scent…” He inhaled deeply and his dark gold eyes were suddenly half-lidded with desire. “It’s her all right and she’s ripe for bonding. I want her.” “I know you do, but Baird…” The other male shifted from foot to foot uneasily. “You haven’t been back that long—only three days and it’s a miracle you escaped alive. Don’t you think it might be a good idea to wait a while? To take some time to recover?” “Waited long enough,” was the rumbling reply. “Six months in that hell hole and the only thing keeping me alive and sane were the dreams I had of her. I won’t wait any longer—she’s mine, whether she knows it yet or not.” “You’ll scare her,” his half-brother objected. “Human women are frightened enough of us as it is.” “I won’t hurt her. Just need to take her—bond her.

Sex-centered magazines litter our newsstands . . . each edition trying to escape new laws from the bottom of the sewers. We put lids on sewer holes. Ought we not to do something about the pornography which is spewing out a polluted river of filth which can destroy us faster than any chemical pollution we seem so worried about?7

He kept digging, kept scratching — every finger, both hands, until he could feel the wood scraping on raw flesh. His wrists throbbed, the plastic cutting into them. He called out as one of his nails peeled back off the bed, screaming with a voice barely his own. But he couldn’t give up. And after who knows how long, he could get his fingers around the tip. Now he needed to get it out. He didn’t really wear man-jewellery, but he had a ring he wore around his index finger. A ring she’d given him — stolen for him. For them. Grace. He had to get back to her. Tell her he was okay. He got the flat side against the point and pushed, wedging himself under it.  Whether it took an hour or five, he didn’t know. He could feel blood in his palms as the steel stabbed at his skin with every slip.  But slowly he made progress, a millimetre at a time, forcing it upwards. And then it landed softly in the dirt next to the box. He managed to fold himself up under the new hole and shove his heel against it.  With what little strength he had left he pushed upwards, feeling the wood bow in the absence of the nail. He kicked at it, then kicked at it again. And again. And again. Until the pain in his foot was unbearable. And then he kept kicking, not feeling it moving, but knowing that staying inside meant death. People didn’t get nailed into boxes if they were going to survive.  The fuzz of whatever was in his system was still lingering. He didn’t seem to be able to concentrate on more than one thing at a time — but Grace was always there. Thin, brown hair, pretty in all the right ways. She was all he had now. He had to get back to her. The lid came loose, nails creaking in the wood, and in a blur he was out. Sweat-soaked, filthy, crying, he flopped out and into the dirt.  The room smelled like a swimming pool and polythene sheets hung from the ceiling. He didn’t wait to see what else there was. At the far side of the room, he could make out a door, outlined in the dim red glow of a tiny bulb above the frame. Next to it there was a crowbar, rusted and rough, silhouetted in the half-light. He limped over, his legs numb from the box and the drugs, and pulled it open, grabbing the bar. The light blinked off, the little plastic control unit next to it clicking, but he didn’t care. He had to get out.  The stairs beyond creaked under his weight as he dragged himself up on bloody fingers, the crowbar clanging against the mouldy stonework walls.

He didn’t know how he got in the box.  Everything was foggy and numb like the bad end of a heavy dose.  He tried to blink himself clear, but couldn’t focus his mind.  This wasn’t heroin. He knew the difference.  His throat folded over on itself as he tried to swallow. When was the last time he drank something? When was the last time he remembered doing anything? And why the hell was he in a box? His hands were bound and he could feel the roughly cut end of a zip-tie digging into the skin on his leg where his wrists had been resting.  It felt like wood under his fingernails in the dark and he could feel the corners around him — he was hunched over, his knees to his chest. There were air holes the size of his fingers drilled through the plywood. He remembered the feeling of the layers from that time he’d been made to help his dad build that bookcase that fit in the nook under the stairs.  Mum had wanted to have one made, but dad had said it was way too expensive, and that he would build one — with Ollie’s help.  Why the hell was he in this box?  His arm was itching, the track marks enraged and fresh.  Ollie kicked out, his bare heels catching splinters as he thumped against the sides, listening to the noise ring in the room around him. He couldn’t see anything, couldn’t hear anything except his own heart in his ears. He could smell fresh sawdust, damp earth, something sharp and synthetic, like bleach, and his own breath, hot against his cheeks as he pressed his eye to the hole above him. He tried to calm himself, replaying the last things he remembered over and over in his head. It was all fog. There were streets, people he knew but whose faces he couldn’t see, then there was someone he didn’t recognise, someone alien to him, and then nothing.  His fingers traced the seams, looking for a gap. There wasn’t one.  Tears burned hot on his face, his eyes stinging in the dust.  He kept searching, the rough skin under his chewed nails discovering the hard protrusion of an angled nail. The tip was sticking out through the wood on his right side — hammered through the lid at an odd angle. God, how couldn’t he remember being nailed inside a damn coffin?  He pulled at it, hands still bound, and felt his fingernails pull back.  He wept more, digging into the wood around it, focused solely on it. The only weak point in the box. His only chance. There was no one else around and he had to escape. That was all he knew.

When the pies were taken out of the oven, melted fat was poured in through a hole in the lid to exclude air, thus preserving the contents. Once the pie was cut this airtight seal was broken, leaving the contents prone to rapid spoilage - which perhaps gave rise to the old superstition that it is unlucky to take just one slice from a pie.

Oh fuck, oh fuck, oh fuck. What was Michaels saying? Did he know what he was saying? He sounded almost drunk, his words muffled and slurred as those wonderful sentiments were spoken against his ass. Judge’s eyes rolled behind his closed lids as Michaels relaxed his hole in the best way. That tongue was long and thick but he needed more, he wanted more. For the first time in so very long his ass felt hollow and empty, needing so badly to be filled. A fierce shudder racked his body when Michaels buried in as deep as he could, Judge unconsciously pushed his ass back, seeking out at least one more inch. Michaels slapped his damp ass and squeezed it aggressively, rumbling while he ate the hell out of him. Judge was trying hard not to ride that gorgeous face, but it was difficult. A blunt thumb probed at his ass and pushed in right along with Michaels’ tongue and Judge knew he was about to blow. “Ugh. I’ma’ come. Fuck! I’m ‘bout to come!” Michaels pulled back and gripped Judge’s balls at the same time he clamped his fingers around his cock, fending off his orgasm. Judge shook again as his brain caught up and his orgasm receded back into hiding, waiting to be forced out again. Michaels

None of my training can prepare me for this, to find her lifeless, and lost to me, forever. My jaw so tight it aches, I haul the lid up and look down. An empty pod glares back at me. I stand and turn full circle, unseeing, as panic wrestles my mind to the ground. I don't know if she's alive, or dead, or on the brink of dying of hunger. This is worse than trying to find her pod. A thousand million times worse. She could be anywhere. She will think she's alone, she will believe I didn't come for her, or that I didn't survive all this. And it hits me, with all the force of a star collapsing into a black hole. I wasn't there. I. Wasn't. There. 'Blue!' I bellow into the day made into night. Anguish claws at me, tears me into shreds. To be so close to where she was and to have lost her. It's unbearable. 'Blue!' I shout with all the force of my once-military voice, fuelled by fear, dread, and the ache of my love, burned to hell. In the distance, a startled rush erupts from the marsh, what sounds like hundreds of leathery wings against the air. Then, nothing. I look up, wracked with hopelessness. Through the sparse tufts of the treetops, the stars continue their relentless slide across the heavens, even though it's the middle of the day. How the fuck will I ever find her in this endless, overgrown wilderness? I won't. It's impossible. She will die and this place will bury her in its vines. I know I will never find her again. I close my eyes and in the constellation of my mind, my pole star dies.

Steamy Sauté: Garlicky Green Beans Serves 6 generously Steamy sautéing is a method for vegetables that are a little bit too dense to sauté directly. By cooking them with water for a few minutes before turning up the heat and letting them brown, you’ll ensure they’re cooked all the way through. 2 pounds fresh green beans, yellow wax beans, Romano beans, or haricots verts, trimmed Salt 2 tablespoons extra-virgin olive oil 3 garlic cloves, minced Set your largest frying pan over medium-high heat and bring 1/2 cup of water to a simmer. Add the green beans, season with a couple generous pinches of salt, and cover, removing the lid every minute or so to stir the beans. When they are almost completely tender, about 4 minutes for haricots verts and 7 to 10 minutes for more mature beans, tip any remaining water out of the pan, using the lid to keep in the beans. Return the pan to the stove, increase the flame to high, and dig a little hole in the center of the pan. Pour the olive oil into the hole and add the garlic. Let the garlic sizzle gently for about 30 seconds, until it releases an aroma, and immediately toss it with the beans before it has a chance to take on any color. Remove from the heat. Taste, adjust seasoning, and serve immediately.

Anna caught the overland, then the District Line, grabbing a seat. She kept her take-out coffee from slopping out of the tracheotomy hole in the lid with practised steadiness, like someone holding the Olympic torch aloft.

How To Clean A Dab Rig? A glass chamber (dabber) is joined to a watertight foundation to form a dab rig. Cannabis concentrates are concentrated using a dab rig and butane as the solvent. Butane is an odorless, colorless, combustible gas. Home appliances like hair dryers, paint sprayers, and welding torches frequently use it. Cleaning a dab rig starts with getting rid of any residue that was left over after use. Your dab rig should always be fully cleaned before being stored. Your next batch of concentrates can become contaminated if you don't thoroughly clean the dab rig. You must unscrew the base and take off the lid before you can start cleaning your dab setup. After removing both components, you must use a moist towel to clean the chamber's interior. To help remove any debris or residue clinging to the surface, use a mild soap solution. Rinse the dabber with warm water after cleaning the interior. The air openings in the chamber must then be cleaned. You must disassemble the chamber in order to do this and remove the top portion from the bottom piece. The bottom piece's air holes must then be gently removed. The top piece must then be reattached to the bottom piece. You must insert cotton swabs or balls into the air holes after cleaning them out. Make careful to space these objects apart by at least 1/8 inch. The base must then be screwed back onto the chamber. Finally, use a moist cloth to clean the entire dabber again. Be careful not to spill any butane on the chamber's outside. When finished, put your dabber back in its container.

It was fourteen hours later that Marra and the dust-wife flung themselves at the stone lid, scrabbling with all their strength. For a horrible moment, she thought that it would not be enough, that they would have to come back with levers, but it began, inch by agonising inch, to slide. They got it perhaps six inches and had to stop, panting. Fingers slid out of the gap and caught the edge. Marra nearly wept with relief. Fenris shoved the lid aside and sat up, gasping for air. 'You're really here,' he said, bending over so that his forehead touched his drawn-up knees. 'I kept imagining voices, but you're really here this time.' 'We're here,' said Marra, the words this time jabbing her like pins. He took a half dozen sobbing breaths. 'It is very close in there,' he said, 'even with holes.' His face was slick with sweat or tears, Marra did not know. 'Close and cold.' 'I'm sorry,' said Marra. 'I'm sorry. It was the only way I could think of.' She pulled him out of the coffin, or he climbed out and she helped, and he wrapped his arms around her and they stood together, shaking.

O Goodness, I didn't know there were such repulsive holes! My hairy holes! Creases of my stomach Hair-like cilia in my nostrils Finger-like villi in my small intestine Pubic hair of love Hair sprouts up inside the holes and ripples like water plants. Holes are neatneatly piled inside a steaming stomach. The wet and most poisonous snakes in the world pant. Fill us up! Fill us up with the outside! Delicious outside! When hair whines like the fingers that reach out towards the refugee-aid bread truck someone picks up a brass instrument and wails at the sky praising the blueness. Holes of the world, open up your lids and howl!

My firefly heart is still right there in your glass jar. I never trusted anybody more to poke enough holes in the lid.

A five gallon bucket with a hole drilled in the lid,” he said. “You put water, soap, and dirty clothes in it. You stick a plunger handle through the hole in the bucket lid, then put the lid on the bucket. You agitate it like you’re churning butter. It’s not perfect but it’s easier than a washboard.

She transferred the baby and his Tupperware into the playpen for safety, stormed into the well-equipped garage, and searched frantically for a screwdriver. With an exultant cry of victory, she punched the button to the garage door opener and waited impatiently for it to rise. Resolutely, Aggie charged out of the gaping hole left by the door only to return moments later for a ladder. This posed a bigger problem than she’d anticipated. There wasn’t a ladder in sight. She searched corners and behind cabinets. In sheer exasperation, she threw her hands into the air and looked up as if to say, “I can’t take much more, Lord,” but the sight of a ladder hanging horizontally from the rafters halted her internal ranting. Now, she spoke aloud, her voice tinged with disgust. “Who would put a ladder up so high that you need a ladder to get the ladder down in the first place?” After a moment’s pause, she dashed into the kitchen and banged around the room, searching for the step stool. Ian squealed his slobbery encouragement as Aggie dragged the stool through the room, ruffling the few ruddy curls atop his bald little baby head. She teetered on the step stool, barely avoiding a collapse, and finally managed to jerk the ladder from its hooks. Hauling her prize out the garage door, Aggie surveyed the tattered basketball net she had remembered hanging deserted over the garage. The uncooperative ladder fought her at every step. After several frustrating minutes, where every swear word she’d ever heard filled her brain and threatened to overtake her self-control, Aggie realized that the ladder was upside down. Righting it, she climbed to the mounting bracket, the ladder teetering with every step. She eventually managed to unscrew one side of the apparatus and then the other. With a few jerky movements, the backboard lay on the ground beneath the swaying ladder, hardly worse for the fall. Aggie felt like a housekeeping genius as she wobbled through the house carrying her conquest upstairs to the wall above the hamper at the end of the hallway. The backboard was heavy and cumbersome; she found it difficult to hold in place and screw it into the wall at the same time, but several minutes later, she stood back and surveyed the results of her efforts. Though nearly satisfied, the lid on the hamper mocked her brilliant idea. Undaunted, she gave a swift jerk and ripped the cover off the offending hamper. “There. That’ll work,” she muttered as she trudged back downstairs, fighting the compulsion to pick up all the dirty laundry herself.

A school bus is many things. A school bus is a substitute for a limousine. More class. A school bus is a classroom with a substitute teacher. A school bus is the students' version of a teachers' lounge. A school bus is the principal's desk. A school bus is the nurse's cot. A school bus is an office with all the phones ringing. A school bus is a command center. A school bus is a pillow fort that rolls. A school bus is a tank reshaped- hot dogs and baloney are the same meat. A school bus is a science lab- hot dogs and baloney are the same meat. A school bus is a safe zone. A school bus is a war zone. A school bus is a concert hall. A school bus is a food court. A school bus is a court of law, all judges, all jury. A school bus is a magic show full of disappearing acts. Saw someone in half. Pick a card, any card. Pass it on to the person next to you. He like you. She like you. K-i-s-s-i . . . s-s-i-p-p-i is only funny on a school bus. A school bus is a stage. A school bus is a stage play. A school bus is a spelling bee. A speaking bee. A get your hand out of my face bee. A your breath smell like sour turnips bee. A you don't even know what a turnip bee is. A maybe not, but I know what a turn up is and your breath smell all the way turnt up bee. A school bus is a bumblebee, buzzing around with a bunch of stingers on the inside of it. Windows for wings that flutter up and down like the windows inside Chinese restaurants and post offices in neighborhoods where school bus is a book of stamps. Passing mail through windows. Notes in the form of candy wrappers telling the street something sweet came by. Notes in the form of sneaky middle fingers. Notes in the form of fingers pointing at the world zooming by. A school bus is a paintbrush painting the world a blurry brushstroke. A school bus is also wet paint. Good for adding an extra coat, but it will dirty you if you lean against it, if you get too comfortable. A school bus is a reclining chair. In the kitchen. Nothing cool about it but makes perfect sense. A school bus is a dirty fridge. A school bus is cheese. A school bus is a ketchup packet with a tiny hole in it. Left on the seat. A plastic fork-knife-spoon. A paper tube around a straw. That straw will puncture the lid on things, make the world drink something with some fizz and fight. Something delightful and uncomfortable. Something that will stain. And cause gas. A school bus is a fast food joint with extra value and no food. Order taken. Take a number. Send a text to the person sitting next to you. There is so much trouble to get into. Have you ever thought about opening the back door? My mother not home till five thirty. I can't. I got dance practice at four. A school bus is a talent show. I got dance practice right now. On this bus. A school bus is a microphone. A beat machine. A recording booth. A school bus is a horn section. A rhythm section. An orchestra pit. A balcony to shot paper ball three-pointers from. A school bus is a basketball court. A football stadium. A soccer field. Sometimes a boxing ring. A school bus is a movie set. Actors, directors, producers, script. Scenes. Settings. Motivations. Action! Cut. Your fake tears look real. These are real tears. But I thought we were making a comedy. A school bus is a misunderstanding. A school bus is a masterpiece that everyone pretends to understand. A school bus is the mountain range behind Mona Lisa. The Sphinx's nose. An unknown wonder of the world. An unknown wonder to Canton Post, who heard bus riders talk about their journeys to and from school. But to Canton, a school bus is also a cannonball. A thing that almost destroyed him. Almost made him motherless.

Bing Crosby is said to have told a story about one of his sons at the age of six or so who was inconsolable when his pet turtle died. To distract the boy, Bing suggested that they have a funeral, and his son, seeming only slightly consoled, agreed. The two took a cigar box, lined it carefully with silk, painted the outside black, and then dug a hole in the back yard. Bing carefully lowered the “coffin” into the grave, said a long, heartfelt prayer, and sang a hymn. At the end of the service, the boy’s eyes were shining with sorrow and excitement. Then Bing asked if he would like to have one last look at his pet before they covered the coffin with earth. The boy said he would, and Bing raised the cigar-box lid. The two gazed down reverently, and suddenly the turtle moved. The boy stared at it for a long time, then looked up at his father and said, “Let’s kill it.”15

Were they to charge you ten cents per napkin, they would undoubtedly make them much thinner so you'd need to waste even more in order to fight back the piping hot geyser forever spouting from the little hole conveniently located in the lid of your cup.

Flickering light in a jar Holes in the lids Fireflies chased by the kids

Feelie Box—Cut a hole in a shoebox lid. Place spools, buttons, blocks, coins, marbles, animals, and cars in the box. The child inserts a hand through the hole and tells you what toy she is touching. Or, ask her to reach in and feel for a button or car. Or, show her a toy and ask her to find one in the box that matches. These activities improve the child’s ability to discriminate objects without the use of vision. “Can You Describe It?”—Provide objects with different textures, temperatures, and weights. Ask her to tell you about an object she is touching. (If you can persuade her not to look at it, the game is more challenging.) Is the object round? Cool? Smooth? Soft? Heavy? Oral-Motor Activities—Licking stickers and pasting them down, blowing whistles and kazoos, blowing bubbles, drinking through straws or sports bottles, and chewing gum or rubber tubing may provide oral satisfaction. Hands-on Cooking—Have the child mix cookie dough, bread dough, or meat loaf in a shallow roasting pan (not a high-sided bowl). Science Activities—Touching worms and egg yolks, catching fireflies, collecting acorns and chestnuts, planting seeds, and digging in the garden provide interesting tactile experiences. Handling Pets—What could be more satisfying than stroking a cat, dog or rabbit? People Sandwich—Have the “salami” or “cheese” (your child) lie facedown on the “bread” (gym mat or couch cushion) with her head extended beyond the edge. With a “spreader” (sponge, pot scrubber, basting or vegetable brush, paintbrush, or washcloth) smear her arms, legs, and torso with pretend mustard, mayonnaise, relish, ketchup, etc. Use firm, downward strokes. Cover the child, from neck to toe, with another piece of “bread” (folded mat or second cushion). Now press firmly on the mat to squish out the excess mustard, so the child feels the deep, soothing pressure. You can even roll or crawl across your child; the mat will distribute your weight. Your child will be in heaven.

Do you have some old storage containers that are cracked or missing their lid? Use them to grow vegetables or flowers.  Drill large holes, larger than the width of a pencil, in the bottom of the container. (Narrower holes don’t allow water to drain.)

I've never felt 100 percent like a girl, but I'm not a guy, either. And I don't see why I have to fit. Why should try to change myself to suit someone else's binary? It's like trying to fit a galaxy into a glass jar. I don't want to be poked and prodded into a glass jar. How am I supposed to breathe like that? right now, I'm poking holes in the lid, letting the light and air in and freeing pieces of me star by star. And one day, I'm just going to shatter it.

Because when a man doesn’t encourage you to reach for the stars, Nora Bug, he’s putting you in a glass jar to contain your light. We don’t have to settle for air through holes poked in the top of a lid. We get to become stars ourselves.