Libation Quotes

We've searched our database for all the quotes and captions related to Libation. Here they are! All 100 of them:

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Nothing forces us to know What we do not want to know Except pain
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Aeschylus (The Oresteia: Agamemnon, The Libation Bearers, The Eumenides)
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There is advantage in the wisdom won from pain.
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Aeschylus (The Oresteia: Agamemnon, The Libation Bearers, The Eumenides)
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ATHENA: You wish to be called righteous rather than act right. [...] I say, wrong must not win by technicalities.
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Aeschylus (The Oresteia: Agamemnon, The Libation Bearers, The Eumenides)
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Oh, the torment bred in the race, the grinding scream of death and the stroke that hits the vein, the hemorrhage none can staunch, the grief, the curse no man can bear. But there is a cure in the house, and not outside it, no, not from others but from them, their bloody strife. We sing to you, dark gods beneath the earth. Now hear, you blissful powers underground -- answer the call, send help. Bless the children, give them triumph now.
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Aeschylus (The Oresteia Trilogy: Agamemnon, the Libation-Bearers and the Furies)
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Do I not live? Badly, I know, but I live.
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Sophocles (The Oresteia: Agamemnon, The Libation Bearers, The Eumenides)
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They came back To widows, To fatherless children, To screams, to sobbing. The men came back As little clay jars Full of sharp cinders.
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Aeschylus (The Oresteia: Agamemnon, The Libation Bearers, The Eumenides)
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Receive the god into your kingdom pour libations, cover your head with ivy, join the dance!
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Euripides (The Bacchae)
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Pour everything out for the blood you have shed, you're wasting your time in appeasing the dead.
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Aeschylus (The Oresteia: Agamemnon, The Libation Bearers, The Eumenides)
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A great ox stands on my tongue.
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Aeschylus (The Oresteia: Agamemnon, The Libation Bearers, The Eumenides)
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Libations are for the gods. Cocktails are for mere mortals.
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Jonathan Kieran (Rowan Blaize and the Hand of Djin Rummy (Enchanted Heritage Chronicles, #2))
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I have since learned that marriage is nothing more than a spell strengthened by daily ritual. The spell requires libations: mundane musings hoarded and pored over, the repetition of small dismays, the knowledge of how your spouse takes their coffee. Marriage asks for that crust of time you were selfishly saving for yourself. Marriage demands blood, for it says: Here is what is inside me, and I tithe it to you.
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Roshani Chokshi (The Last Tale of the Flower Bride)
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We spoil ourselves with scruples long as things go well.
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Aeschylus (Aeschylus I: Oresteia (Agamemnon, The Libation Bearers, The Eumenides))
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But there is a cure in the house, and not outside it, no, not from others but from them, their bloody strife. We sing to you, dark gods beneath the earth.
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Aeschylus (The House of Atreus, Being the Agamemnon, Libation-Bearers, and Furies of ร†schylus, Tr. Into Engl. Verse by E.D.a. Morshead)
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Alas, poor men, their destiny. When all goes well a shadow will overthrow it. If it be unkind one stroke of a wet sponge wipes all the picture out; and that is far the most unhappy thing of all. -Cassandra
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Aeschylus (The Oresteia: Agamemnon, The Libation Bearers, The Eumenides)
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FURIES: Over the beast doomed to the fire this is the chant, scatter of wits, frenzy and fear, hurting the heart, song of the Furies binding brain and blighting blood in its stringless melody.
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Aeschylus (The Oresteia: Agamemnon, The Libation Bearers, The Eumenides)
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When Blue sang, a lyric became a libation; a song became a sacrament.
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Pearl Cleage (Just Wanna Testify (West End, #5))
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The difference between educated people and uneducated people is that educated people have been opened up to the notion that you can disagree without fighting; whereas uneducated people, in conversation, seek to always agree--everybody agrees and agrees and that's considered basic social libation.
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John McWhorter
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Neither the life of anarchy nor the life enslaved by tyrants, no, worship neither. Strike the balance all in all and god will give you power.
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Aeschylus (The Oresteia: Agamemnon, The Libation Bearers, The Eumenides)
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Learning comes through pain.
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Aeschylus (The Oresteia: Agamemnon, The Libation Bearers, The Eumenides)
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CHORUS: Helen! wild mad Helen you murdered so many beneath Troy. Now youโ€™ve crowned yourself one final perfect time, a crown of blood that will not wash away. Strife walks with you everywhere you go. KLYTAIMESTRA: Oh, stop whining. And why get angry at Helen? As if she singlehandedly destroyed those multitudes of men. As if she all alone made this wound in us
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Anne Carson (The Oresteia: Agamemnon, The Libation Bearers, The Eumenides)
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Let's offer flowers, pour a cup of libation, split open the skies and start anew on creation. If the forces of grief invade our lovers' veins, cupbearer and I will wash away this temptation. With rose water we'll mellow crimson wine's bitter cup; we'll sugar the fire to sweeten smoke's emanation. Take this fine lyre, musician, strike up a love song; let's dance, sing all night, go wild in celebration. As dust, 0 West Wind, let us rise to the Heavens, floating free in Creator's glow of elation. If mind desires to return while heart cries to stay, here's a quarrel for love's deliberation. Alas, these words and songs go for naught in this land; come, Hafez, let's create a new generation.
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null
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Who acts, shall endure. So speaks the voice of the age-old wisdom.
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Aeschylus (The Libation Bearers (Oresteia, #2))
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ephemeral and useless, flowers exemplify the gratuitousness of occasions that mean expenses and luxury; blooming in vases, doomed to a rapid death, flowers are ceremonial bonfires, incense and myrrh, libation, sacrifice.
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Simone de Beauvoir (The Second Sex (Vintage Classics))
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isn't beer the holy libation of sincerity? the potion that dispels all hypocrisy, any charade of fine manners? the drink that does nothing worse than incite its fans to urinate in all innocence, to gain weight in all frankness?
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Milan Kundera (Ignorance)
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You patronize me like some little woman with no mind to call her own. I speak with heart devoid of fear to those with wit to understand, and you can praise me or condemn me as you like, it's all the same to me.
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Aeschylus (The Oresteia: Agamemnon, The Libation Bearers, The Eumenides)
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Pain both ways and what is worse?
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Aeschylus (The Oresteia: Agamemnon, The Libation Bearers, The Eumenides)
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Horror gives place to wonder at your true account; The rest outstrips our comprehension; we give up.
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Aeschylus (The Oresteia: Agamemnon, The Libation Bearers, The Eumenides)
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Only when man's life comes to its end in prosperity can one call that man fortunate.
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Aeschylus (The Oresteia: Agamemnon, The Libation Bearers, The Eumenides)
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Time brings all things to pass.
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Aeschylus (The Libation Bearers (Oresteia, #2))
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But to speak ill of people at hand who give no cause for blame, is to assume a right far distinct from justice.
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Aeschylus (The Oresteia: Agamemnon, The Libation Bearers, The Eumenides)
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No man can go through life and reach the end unharmed. Aye, trouble is now, and trouble still to come.
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Aeschylus (The Libation Bearers (Oresteia, #2))
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Our aim is to become as receptive as the moon, in order that we contain all the reflected solar fire and pour it out as libation, or curses. We listen. We observe. We absorb. We master silence and stillness, stealth. We are able to become ceaseless and undiminished in our giving. It is we who light, tend and extinguish the hearth fires. Fire flows through us and it is we who endure.
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Peter Grey (Apocalyptic Witchcraft)
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Here I am. Look no furter. No one loves you more than I.
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Aeschylus (The Libation Bearers (Oresteia, #2))
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Now they made all secure in the fast black ship, and, setting out the wine bowls all a-brim, they made libation to the gods, the undying, the ever-new, most of all to the grey-eyed daughter of Zeus. And the prow sheared through the night into the dawn. (Translation by Robert Fitzgerald 1961)
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Homer (The Odyssey)
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We call on the gods, and the gods well know what storms torment us, sailors whirled to nothing. But if we are to live and reach the haven, one small seed could grow a mighty tree -
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Aeschylus (The Libation Bearers (Oresteia, #2))
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ู„ุง ุชูˆุงูู‚ ุนู„ู‰ ุงู„ุนูŠุด ููŠ ุธู„ ุงู„ููˆุถู‰ุŒ ูˆู„ุง ููŠ ุธู„ ุงู„ุงุณุชุจุฏุงุฏ
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Aeschylus (The Oresteia: Agamemnon, The Libation Bearers, The Eumenides)
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There are times when fear is good. It must keep its watchful place at the heart's controls. There is advantage in the wisdom won from pain.
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Aeschylus (The Oresteia: Agamemnon, The Libation Bearers, The Eumenides)
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and life beats on, and we nurse our lives with tears, to the sound of ripping linen beat our robes in sorrow, close to the breast the beats throb and laughter's gone and fortune throbs and throbs.
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Aeschylus (The Libation Bearers (Oresteia, #2))
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Death devours all lovely things: Lesbia with her sparrow Shares the darkness - presently Every bed is narrow. Unremembered as old rain Dries the sheer libation; And the little petulant hand Is an annotation. After all, my erstwhile dear, My no longer cherished, Need we say it was not love, Just because it perished? โ€” Edna St. Vincent Millay, โ€œPasser Mortuus Est,โ€ Second April. (New York: Mitchell Kennerley, 1921)
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Edna St. Vincent Millay (Second April)
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My Lord!โ€ the doggen exclaimed. โ€œSire! Oh, it is good that you have arrived home before the storm! May I get you a libation?โ€ Fritzโ€™s smile was like that of a basset houndโ€™s, all wrinkles and enthusiasm, and the butler had a dogโ€™s lack of time conception, his joy as if the pair of them had been gone for five years, not an hour. โ€œHow โ€™bout a couple of bulletproof vests,โ€ V said under his breath. โ€œBut of course! Would you care for the Point Blank Alpha Elites, or is this more of a bomb-detonation occasion requiring the Paraclete tactical vests?โ€ As if the choice were nothing more than having to pick white tie and tails over your standard-issue tuxedo. You had to love the guy, V thought grudgingly. โ€œIt was a joke, my man.
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J.R. Ward (The Chosen (Black Dagger Brotherhood, #15))
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ู„ุง ูŠู…ูƒู† ุฃู† ูŠู‚ุงู„ ุฅู†ู‡ ู„ุง ูŠุญู‚ ู„ู„ู…ุฑุก ุฃู† ูŠุฃุฎุฐ ุงู„ุนุฏุงู„ุฉ ุจูŠุฏู‡ุŒ ูƒู…ุง ูŠู‚ุงู„ ููŠ ู‡ุฐู‡ ุงู„ุฃูŠุงู…ุŒ ู„ุฃู† ุงู„ุนุฏุงู„ุฉ ุฅู…ุง ุฃู† ุชุทุจู‚ ุนู„ู‰ ุฌู…ูŠุน ุงู„ุฌุฑุงุฆู…ุŒ ุฃูˆ ู„ุงุชุทุจู‚ ุฃุจุฏุง . ูˆููŠ ู‡ุฐู‡ ุงู„ุญุงู„ุฉ ุงู„ุฃุฎูŠุฑุฉ ูŠุญู‚ ู„ู…ู† ูˆู‚ุน ุนู„ูŠู‡ ุงู„ุฃุฐู‰ ุฃู† ูŠุฃุฎุฐ ุงู„ุนุฏุงู„ุฉ ุจูŠุฏู‡ ููŠู‚ุงุจู„ ุงู„ุดุฑ ุจุงู„ุดุฑ ุฏูˆู† ุฃู† ูŠุณุฑู
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Aeschylus (The Oresteia: Agamemnon, The Libation Bearers, The Eumenides)
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Don't go there, Sean. Not on a Sunday. There's no point making waves,โ€ Crabbie said. He was as impatient as I was but maybe he was right. We drove back to the station. I poured myself a Johnnie Walker which was the general libation used to liven up the office tea. Johnnie Walker in the tea, Jim Beam in the coffee.
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Adrian McKinty (The Cold Cold Ground (Detective Sean Duffy, #1))
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Whore. How many men had embraced her? How many gritty chins against her cheek? Always something to be endured. All of them punishing her for their need. Monotony had made them seem laughable, a long queue of the weak, the hopeful, the ashamed, the angered, the dangerous. How easily one grunting body replaced the next, until they became abstract things, moments of a ludicrous ceremony, spilling bowel-hot libations upon her, smearing her with their meaningless paint. One no different from the next.
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R. Scott Bakker (The Warrior Prophet (The Prince of Nothing, #2))
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Mother inexhaustible and incorruptible, creatures, born the first, engendered by thyself and by thyself conceived, issue of thyself alone and seeking joy within thyself, Astarte! Oh! Perpetually fertilized, virgin and nurse of all that is, chaste and lascivious, pure and revelling, ineffable, nocturnal, sweet, breather of fire, foam of the sea! Thou who accordest grace in secret, thou who unites, thou who lovest, thou who seizes with furious desire the multiplied races of savage beasts and the couplets the sexes in the wood. Oh, irresistible Astarte! hear me, take me, possess me, oh, Moon! and thirteen times each year draw from my womb the sweet libation of my blood!
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Pierre Louรฟs (The Songs of Bilitis)
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I have suffered into truth (...) Time refines all things that age with time
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Aeschylus (The Oresteia: Agamemnon, The Libation Bearers, The Eumenides)
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ุฅู† ู…ู† ุงู„ุชู‚ูˆู‰ ู…ุฌุงุฒุงุฉ ุงู„ุฌุฑูŠู…ุฉ ุจุงู„ุฌุฑูŠู…ุฉ
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Aeschylus (The Oresteia: Agamemnon, The Libation Bearers, The Eumenides)
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ุฃูŠู‡ุง ุงู„ู…ู„ูƒ ุฃู†ุช ุชุนู„ู… ู…ุง ู…ุนู†ู‰ ุงู„ุนุฏู„ุŒ ูˆู…ู† ุซู… ุชุนู„ู… ุฃูŠุถุง ุฃู† ุชูƒูˆู† ูŠู‚ุธุง. ุฅู† ู‚ูˆุชูƒ ุถู…ุงู† ู„ุฅุญุณุงู†ูƒ
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Aeschylus (The Oresteia: Agamemnon, The Libation Bearers, The Eumenides)
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ุงู„ุชูˆุจูŠุฎุงุช ู‡ูŠ ุญูˆุงูุฒ ุงู„ุญูƒูŠู…
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Aeschylus (The Oresteia: Agamemnon, The Libation Bearers, The Eumenides)
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I poured out a libation on the mountain topย โ€ฆย I heaped up wood and cane and cedar and myrtleย โ€ฆย When the gods smelled the sweet savour they gathered like flies over the sacrifice
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Graham Hancock (Fingerprints of the Gods: The Evidence of Earth's Lost Civilization)
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If I rolled the dice carved out of my weathered bone And offered of my blood the libation to the fane When even the reaperโ€™s mockery forsakes me alone My own clangorous thoughts are the last to remain
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T.M. Lakomy
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If libations were proper to pour above the slain, this man deserved, more than deserved, such sacrament. He filled our cup with evil things unspeakable and now himself come home has drunk it to the dregs.
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Aeschylus (Aeschylus II: The Oresteia (The Complete Greek Tragedies))
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1 You said โ€˜The world is going back to Paganismโ€™. Oh bright Vision! I saw our dynasty in the bar of the House Spill from their tumblers a libation to the Erinyes, And Leavis with Lord Russell wreathed in flowers, heralded with flutes, Leading white bulls to the cathedral of the solemn Muses To pay where due the glory of their latest theorem. Hestiaโ€™s fire in every flat, rekindled, burned before The Lardergods. Unmarried daughters with obedient hands Tended it. By the hearth the white-armd venerable mother Domum servabat, lanam faciebat. At the hour Of sacrifice their brothers came, silent, corrected, grave Before their elders; on their downy cheeks easily the blush Arose (it is the mark of freemenโ€™s children) as they trooped, Gleaming with oil, demurely home from the palaestra or the dance. Walk carefully, do not wake the envy of the happy gods, Shun Hubris. The middle of the road, the middle sort of men, Are best. Aidos surpasses gold. Reverence for the aged Is wholesome as seasonable rain, and for a man to die Defending the city in battle is a harmonious thing. Thus with magistral hand the Puritan Sophrosune Cooled and schooled and tempered our uneasy motions; Heathendom came again, the circumspection and the holy fears โ€ฆ You said it. Did you mean it? Oh inordinate liar, stop. 2 Or did you mean another kind of heathenry? Think, then, that under heaven-roof the little disc of the earth, Fortified Midgard, lies encircled by the ravening Worm. Over its icy bastions faces of giant and troll Look in, ready to invade it. The Wolf, admittedly, is bound; But the bond wil1 break, the Beast run free. The weary gods, Scarred with old wounds the one-eyed Odin, Tyr who has lost a hand, Will limp to their stations for the Last defence. Make it your hope To be counted worthy on that day to stand beside them; For the end of man is to partake of their defeat and die His second, final death in good company. The stupid, strong Unteachable monsters are certain to be victorious at last, And every man of decent blood is on the losing side. Take as your model the tall women with yellow hair in plaits Who walked back into burning houses to die with men, Or him who as the death spear entered into his vitals Made critical comments on its workmanship and aim. Are these the Pagans you spoke of? Know your betters and crouch, dogs; You that have Vichy water in your veins and worship the event Your goddess History (whom your fathers called the strumpet Fortune).
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C.S. Lewis
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Think of the power we could have if all the energy and effort in the world โ€“ or maybe even just your energy and effort? โ€“ that goes into drinking were put into resisting, building, creating. Try adding up all the money anarchists in your community have spent on corporate libations, and picture how much musical equipment or bail money or food it could have paid for โ€“ instead of funding their war against all of us.
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CrimethInc. (Anarchy and Alcohol)
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Zeus, whose will has marked for man The sole way where wisdom lies; Ordered one eternal plan: Man must suffer to be wise. Head-winds heavy with past ill Stray his course and cloud his heart: Sorrow takes the blind soul's part - Man grows wise against his will. For powers who rule from thrones above By ruthlessness commend their love.
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Aeschylus (The Oresteia: Agamemnon, The Libation Bearers, The Eumenides)
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โ€ฆ and poured libations out to the everlasting gods who never die โ€” to Athena first of all, the daughter of Zeus with flashing sea-grey eyes โ€” and the ship went plunging all night long and through the dawn" (R. Fagles translation)
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Homer (The Odyssey)
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We treat the past as a trellis, coax our vineyard through and around, and harvest is not a word for swiftness; the future harvests us, stomps us into wine, pours us back into the root system in loving libation, and we grow stronger and more potent together.
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Amal El-Mohtar
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Dear New Orleans, What a big, beautiful mess you are. A giant flashing yellow lightโ€”proceed with caution, but proceed. Not overly ambitious, you have a strong identity, and donโ€™t look outside yourself for intrigue, evolution, or monikers of progress. Proud of who you are, you know your flavor, itโ€™s your very own, and if people want to come taste it, you welcome them without solicitation. Your hours trickle by, Tuesdays and Saturdays more similar than anywhere else. Your seasons slide into one another. Youโ€™re the Big Easyโ€ฆhome of the shortest hangover on the planet, where a libation greets you on a Monday morning with the same smile as it did on Saturday night. Home of the front porch, not the back. This engineering feat provides so much of your sense of community and fellowship as you relax facing the street and your neighbors across it. Rather than retreating into the seclusion of the backyard, you engage with the goings-on of the world around you, on your front porch. Private properties hospitably trespass on each other and lend across borders where a 9:00 A.M. alarm clock is church bells, sirens, and a slow-moving eight-buck-an-hour carpenter nailing a windowpane two doors down. You donโ€™t sweat details or misdemeanors, and since everybodyโ€™s getting away with something anyway, the rest just wanna be on the winning side. And if you can swing the swindle, good for you, because you love to gamble and rules are made to be broken, so donโ€™t preach about them, abide. Peddlin worship and litigation, where else do the dead rest eye to eye with the livin? Youโ€™re a right-brain city. Donโ€™t show up wearing your morals on your sleeve โ€™less you wanna get your arm burned. The humidity suppresses most reason so if youโ€™re crossing a one-way street, itโ€™s best to look both ways. Mother Nature rules, the natural law capital โ€œQโ€ Queen reigns supreme, a science to the animals, an overbearing and inconsiderate bitch to us bipeds. But you forgive her, and quickly, cus you know any disdain with her wrath will reap more: bad luck, voodoo, karma. So you roll with it, meander rather, slowly forward, takin it all in stride, never sweating the details. Your art is in your overgrowth. Mother Nature wears the crown around here, her royalty rules, and unlike in England, she has both influence and power. You donโ€™t use vacuum cleaners, no, you use brooms and rakes to manicure. Where it falls is where it lays, the swerve around the pothole, the duck beneath the branch, the poverty and the murder rate, all of it, just how it is and how it turned out. Like a gumbo, your medleyโ€™s in the mix. โ€”June 7, 2013, New Orleans, La.
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Matthew McConaughey (Greenlights)
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My father, father!' - she might pray to the winds; no innocence moves her judges mad for war. Her father called his henchmen on, on with a prayer, 'Host her over the alter like a yearling, give it all your strength! She's fainting - lift her, sweep her robes around her, but slip this strap in her gentle curving lips... here, gag her hard, a sound will curse the house'- and the bridle chokes her voice... her saffron robes pouring over the sand her glance like arrows showering wounding every murderer through with pity clear as a picture, live, she strains to call their names... I remember often the days with father's guests when over the feast her voice unbroken, purees the home her loving father bearing third libations, sang to Saving Zeus - transfixed with joy, Atreus' offspring throbbing out their love.
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Aeschylus
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All running gear secure in the swift black craft, they set up bowls and brimmed them high with wine and poured libations out to the everlasting gods who never dieโ€”to Athena first of all, the daughter of Zeus with flashing sea-gray eyesโ€” and the ship went plunging all night long and through the dawn.
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Homer (The Odyssey)
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The clockmaker nibbled delicately at some of the foodstuffs but took no libations, commenting that he believed tea would make a superior beverage served cold over ice. Were ice, of course, to become a less expensive commodity. At which statement, Alexia utterly despaired of both him and his moral integrity.
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Gail Carriger (Blameless (Parasol Protectorate, #3))
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This is sacred space. Libation . . . instead of pouring water on the ground, I pour words on the page. I begin with this libation in honor of all of those unknown and known spirits who surround us. I acknowledge the origins of this land where I am seated while writing this introduction. This land was inhabited by Indigenous people, the very first people to inhabit this land, who lived here for thousands of years before the Europeans arrived and were unfortunately unable to cohabitate without dominating, enslaving, raping, terrorizing, stealing from, relocating, and murder- ing the millions of members of Indigenous nations throughout Turtle Island, which is now known as North America. I write libation to those millions of Indigenous women, men, and children; and those millions of kidnapped and enslaved African women, men, and children whose genocide, confiscated land, centuries of free labor, forced migration, traumatic memories of rape, and sweat, tears, and blood make up the very fiber and foundation of all of the Americas and the Caribbean.
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Aishah Shahidah Simmons (Love WITH Accountability: Digging up the Roots of Child Sexual Abuse)
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You are dreaming, children, dreams dearer than gold, more blest than the Blest beyond the North Wind's raging. Dreams are easy, oh, but the double lash is striking home.
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Aeschylus (The Libation Bearers (Oresteia, #2))
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No dreams, these torments, not to me, they're clear, real - the hounds of mother's hate.
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Aeschylus (The Libation Bearers (Oresteia, #2))
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แƒจแƒ˜แƒœ แƒ“แƒ แƒ’แƒแƒ แƒ”แƒ— แƒ“แƒแƒ›แƒ™แƒ•แƒ˜แƒ“แƒ แƒ“แƒ แƒกแƒ”แƒ•แƒ“แƒ.
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Aeschylus (The Oresteia: Agamemnon, The Libation Bearers, The Eumenides)
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แƒ•แƒแƒฐแƒ›แƒ”, แƒ แƒแƒ“ แƒ›แƒขแƒแƒœแƒฏแƒแƒ•แƒก แƒจแƒ˜แƒจแƒ˜แƒก แƒแƒฉแƒ แƒ“แƒšแƒ˜ แƒ“แƒ แƒ’แƒฃแƒšแƒ–แƒ” แƒ›แƒแƒฌแƒ”แƒ•แƒก แƒ•แƒ˜แƒ— แƒ›แƒแƒฏแƒšแƒแƒฏแƒฃแƒœแƒ? แƒ แƒแƒ“ แƒแƒฆแƒแƒ  แƒซแƒแƒšแƒ›แƒ˜แƒซแƒก แƒ’แƒแƒ•แƒฎแƒกแƒœแƒ แƒฎแƒ•แƒแƒœแƒฏแƒ˜ แƒ“แƒแƒ‘แƒฃแƒ แƒฃแƒš แƒกแƒ˜แƒ–แƒ›แƒ แƒ˜แƒก?
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Aeschylus (The Oresteia: Agamemnon, The Libation Bearers, The Eumenides)
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แƒแƒ แƒ! แƒ›แƒแƒ’แƒแƒจแƒ—แƒแƒ‘แƒ—, แƒกแƒแƒœแƒแƒ› แƒฉแƒ”แƒ›แƒ˜ แƒ“แƒแƒ›แƒ“แƒ’แƒแƒ แƒ แƒฏแƒ”แƒ แƒ˜. แƒฃแƒคแƒกแƒ™แƒ แƒฃแƒšแƒจแƒ˜ แƒฏแƒ”แƒ  แƒ—แƒฅแƒ•แƒ”แƒœ แƒ’แƒแƒ“แƒแƒ’แƒ˜แƒจแƒ•แƒ”แƒ‘แƒ—, แƒ›แƒ”แƒ แƒ›แƒ” แƒ›แƒแƒ’แƒงแƒ•แƒ”แƒ‘แƒ˜แƒ—
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Aeschylus (The Oresteia: Agamemnon, The Libation Bearers, The Eumenides)
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แƒ—แƒฃแƒ›แƒชแƒ แƒ›แƒกแƒแƒฎแƒฃแƒ แƒ”แƒ‘แƒก แƒ”แƒฉแƒ•แƒ”แƒœแƒ”แƒ‘แƒ แƒ›แƒฌแƒฃแƒฎแƒ แƒ” แƒกแƒแƒฎแƒ˜แƒ—, แƒ›แƒแƒ˜แƒœแƒช แƒ—แƒ•แƒแƒšแƒ”แƒ‘แƒ˜ แƒ“แƒ”แƒ“แƒแƒคแƒšแƒ˜แƒกแƒ แƒแƒ›แƒฎแƒ”แƒšแƒก แƒกแƒ˜แƒฎแƒแƒ แƒฃแƒšแƒก.
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Aeschylus (The Oresteia: Agamemnon, The Libation Bearers, The Eumenides)
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แƒ“แƒแƒฎแƒ”แƒ—, แƒžแƒแƒฌแƒ˜แƒ แƒ‘แƒ˜แƒญแƒฃแƒœแƒ”แƒ‘แƒ˜ แƒ™แƒแƒ แƒ”แƒ‘แƒ—แƒแƒœ แƒฌแƒ•แƒแƒœแƒแƒœ, แƒ—แƒ˜แƒ—แƒฅแƒแƒก, แƒซแƒ˜แƒšแƒคแƒฎแƒ˜แƒ–แƒšแƒแƒ“ แƒ’แƒแƒ“แƒแƒกแƒฃแƒšแƒแƒœ แƒฃแƒฆแƒ แƒแƒœ แƒกแƒ˜แƒ–แƒ›แƒ แƒ”แƒ‘แƒจแƒ˜
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Aeschylus (The Oresteia: Agamemnon, The Libation Bearers, The Eumenides)
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แƒ›แƒ˜แƒฃแƒฏแƒ“แƒ แƒกแƒฃแƒคแƒ แƒแƒก, แƒ›แƒกแƒฃแƒงแƒ” แƒœแƒแƒญแƒ แƒ”แƒ‘แƒก แƒจแƒ”แƒแƒฎแƒ แƒžแƒ˜แƒ แƒ˜, แƒ“แƒ แƒกแƒแƒกแƒแƒคแƒšแƒแƒแƒก แƒกแƒแƒญแƒแƒ›แƒแƒœแƒ“แƒ˜ แƒ˜แƒงแƒœแƒแƒกแƒ แƒฃแƒชแƒ‘แƒแƒ“..
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Aeschylus (The Oresteia: Agamemnon, The Libation Bearers, The Eumenides)
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แƒ›แƒแƒ’แƒ แƒแƒ› แƒ”แƒก แƒ›แƒแƒฎแƒ“แƒ แƒฃแƒชแƒฎแƒ แƒฅแƒแƒšแƒ˜แƒกแƒ—แƒ•แƒ˜แƒกโ€- แƒ“แƒแƒกแƒซแƒ”แƒœแƒ”แƒœ แƒแƒกแƒ” แƒฉแƒฃแƒ›แƒ˜ แƒ•แƒ”แƒ“แƒ แƒ”แƒ‘แƒ˜แƒ— แƒ“แƒ แƒจแƒฃแƒ แƒ˜แƒกแƒ’แƒ”แƒ‘แƒ˜แƒก แƒฅแƒ•แƒ”แƒฌแƒแƒ แƒ›แƒแƒ•แƒแƒšแƒ˜ แƒ›แƒ˜แƒชแƒแƒชแƒแƒ•แƒก แƒœแƒ”แƒšแƒ แƒแƒขแƒ˜แƒ“แƒ—แƒ แƒ™แƒ•แƒแƒšแƒ–แƒ”.
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Aeschylus (The Oresteia: Agamemnon, The Libation Bearers, The Eumenides)
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แƒแƒฆแƒกแƒแƒกแƒ แƒฃแƒšแƒ˜แƒก แƒฌแƒ˜แƒœแƒแƒ—แƒ’แƒ แƒซแƒœแƒแƒ‘แƒ แƒ’แƒฃแƒšแƒจแƒ˜ แƒคแƒฎแƒแƒญแƒฃแƒœแƒแƒ‘แƒก.
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Aeschylus (The Oresteia: Agamemnon, The Libation Bearers, The Eumenides)
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แƒ“แƒ แƒ›แƒแƒ—แƒ˜แƒ• แƒฎแƒแƒ แƒชแƒ˜แƒ— แƒ˜แƒšแƒฃแƒ™แƒ›แƒ”แƒ‘แƒ แƒ›แƒจแƒแƒ‘แƒ”แƒšแƒ˜ แƒ›แƒแƒ›แƒ
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Aeschylus (The Oresteia: Agamemnon, The Libation Bearers, The Eumenides)
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แƒ แƒ แƒแƒ›แƒแƒฌแƒฃแƒ แƒแƒ•แƒก แƒ›แƒแƒ›แƒ แƒ˜แƒก แƒ–แƒ•แƒแƒแƒ‘แƒแƒก แƒ“แƒ˜แƒแƒชแƒ˜แƒก แƒ•แƒœแƒ”แƒ‘แƒแƒก แƒ“แƒแƒฃแƒแƒ™แƒ”แƒ‘แƒ”แƒšแƒก.
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Aeschylus (The Oresteia: Agamemnon, The Libation Bearers, The Eumenides)
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แƒ“แƒแƒ•แƒ›แƒ“แƒ’แƒแƒ แƒ•แƒแƒ  แƒจแƒขแƒ”แƒ แƒแƒ“ แƒ›แƒ”แƒ›แƒฆแƒ•แƒ แƒ”แƒ•แƒ แƒแƒ–แƒ แƒ˜ แƒ แƒแƒก แƒ›แƒแƒ•แƒ”แƒญแƒ˜แƒ“แƒ, แƒฃแƒคแƒกแƒ™แƒ แƒฃแƒšแƒ˜แƒกแƒ™แƒ”แƒœ แƒ›แƒ˜แƒฅแƒแƒœแƒแƒ•แƒก แƒกแƒแƒฎแƒšแƒ˜.
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Aeschylus (The Oresteia: Agamemnon, The Libation Bearers, The Eumenides)
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แƒ“แƒ แƒแƒฎแƒšแƒ แƒกแƒ˜แƒชแƒฎแƒ”.. แƒ–แƒฆแƒ•แƒ แƒฉแƒแƒ›แƒ™แƒ•แƒ“แƒแƒ แƒ˜ แƒ“แƒ แƒ›แƒแƒฅแƒแƒœแƒชแƒฃแƒšแƒ˜ แƒ—แƒ•แƒšแƒ”แƒ›แƒ“แƒ แƒฃแƒซแƒ แƒแƒ•แƒแƒ“, แƒฉแƒแƒซแƒ˜แƒ แƒฃแƒšแƒ˜ แƒจแƒฃแƒแƒ“แƒฆแƒ˜แƒก แƒฎแƒ•แƒแƒขแƒจแƒ˜
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Aeschylus (The Oresteia: Agamemnon, The Libation Bearers, The Eumenides)
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แƒ“แƒ แƒ›แƒ–แƒ” แƒ แƒแƒŸแƒแƒ›แƒกแƒแƒช แƒแƒ›แƒแƒ•แƒ˜แƒ“แƒ, แƒฉแƒ•แƒ”แƒœ แƒ“แƒแƒ•แƒ˜แƒœแƒแƒฎแƒ”แƒ—, แƒ”แƒ’แƒ”แƒแƒกแƒ˜แƒก แƒ–แƒฆแƒ•แƒ, แƒ›แƒแƒชแƒ˜แƒœแƒแƒ แƒ”, แƒ’แƒแƒ“แƒแƒชแƒฎแƒ”แƒ“แƒ แƒ˜แƒšแƒ˜.
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Aeschylus (The Oresteia: Agamemnon, The Libation Bearers, The Eumenides)
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..แƒ’แƒแƒœแƒ”แƒกแƒขแƒ˜แƒšแƒ˜ แƒ˜แƒแƒขแƒแƒ™แƒ˜ แƒ›แƒแƒงแƒ•แƒแƒกแƒ˜แƒก แƒกแƒ˜แƒกแƒฎแƒšแƒ˜แƒ—.
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Aeschylus (The Oresteia: Agamemnon, The Libation Bearers, The Eumenides)
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แƒขแƒแƒœแƒฏแƒ•แƒ˜แƒก แƒชแƒ˜แƒฎแƒ”แƒ แƒกแƒฎแƒ”แƒฃแƒšแƒ˜ แƒฉแƒ”แƒ›แƒ˜
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Aeschylus (The Oresteia: Agamemnon, The Libation Bearers, The Eumenides)
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..แƒ‘แƒแƒ•แƒจแƒ•แƒ—แƒ แƒ“แƒแƒ›แƒ™แƒ•แƒšแƒ”แƒšแƒ˜แƒก แƒกแƒ˜แƒกแƒฎแƒšแƒจแƒ˜ แƒกแƒชแƒฃแƒ แƒแƒ•แƒก แƒžแƒ˜แƒ แƒ›แƒแƒ—แƒฎแƒฃแƒžแƒœแƒฃแƒšแƒ˜.
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Aeschylus (The Oresteia: Agamemnon, The Libation Bearers, The Eumenides)
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แƒ แƒแƒŸแƒแƒ›แƒก แƒ˜แƒœแƒแƒ—แƒ”แƒ‘แƒก, แƒแƒฆแƒ›แƒแƒกแƒแƒ•แƒšแƒ˜แƒ— แƒ“แƒแƒฐแƒ‘แƒ”แƒ แƒแƒ•แƒก แƒฅแƒแƒ แƒ˜, แƒ’แƒแƒ”แƒ™แƒ˜แƒ“แƒ”แƒ‘แƒ แƒขแƒแƒšแƒฆแƒ แƒขแƒแƒšแƒฆแƒแƒก แƒ›แƒ–แƒ˜แƒกแƒ™แƒ”แƒœ แƒ›แƒแƒ แƒ‘แƒ”แƒ“แƒ˜..
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Aeschylus (The Oresteia: Agamemnon, The Libation Bearers, The Eumenides)
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แƒ•แƒแƒ’แƒšแƒแƒฎ! แƒแƒ›แƒŸแƒแƒ›แƒแƒ“ แƒงแƒ แƒฃ แƒกแƒ˜แƒ‘แƒœแƒ”แƒšแƒ”แƒจแƒ˜ แƒคแƒแƒ แƒ—แƒฎแƒแƒšแƒ”แƒ‘แƒก แƒ’แƒฃแƒšแƒ˜, แƒ—แƒแƒ•แƒ˜แƒกแƒกแƒแƒ•แƒ” แƒฃแƒซแƒšแƒฃแƒ แƒ”แƒ‘แƒแƒก แƒแƒฌแƒงแƒ“แƒ”แƒ‘แƒ แƒ˜แƒ’แƒ˜, แƒ“แƒแƒคแƒ”แƒ—แƒ”แƒ‘แƒฃแƒšแƒ˜.
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Aeschylus (The Oresteia: Agamemnon, The Libation Bearers, The Eumenides)
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I have a friend who each year on the anniversary of his wife's death, goes to her grave with some friends where they ritually pour Bombay gin on her grave because she liked martinis. As frivolous as that may seem, there is something in libation, a pouring out that symbolizes a pouring out of the soul, a pouring out of love, of remembrance. There is extravagance in my friend's ritual because gin, especially Bombay gin, is expensive; it's not something that one normally pours into the ground. In the annual ritual of spilling gin on the grave there is also the dimension of community. My friend goes with others who knew his wife, who laughed with her, who celebrated with her, who worshiped with her. They together make the pilgrimage. Therefore there is a further sense of community, of bonding among them as they make the annual pilgrimage, perhaps one member less through death, perhaps one member absent because he or she has moved to another place, or is ill. Still they go together, however many they are, to celebrate this person's life, to tell stories, to pour out gin, to pray.
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Murray Bodo (The Road to Mount Subasio)
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Entertaining is not my area of expertise, Iโ€™ll admit that, but surely, if you are a host, you are responsible for ensuring that your guests are provided with a libation? Thatโ€™s a basic principle of hospitality, in all societies and cultures, and has been since recorded time. In the event, I drank tap waterโ€”I rarely imbibe alcohol in public. I only really enjoy it when Iโ€™m alone, at home.
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Gail Honeyman (Eleanor Oliphant Is Completely Fine)
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Marvels, the Earth breeds many marvels, terrible marvels overwhelm us. The heaving arms of the sea embrace and swarm with savage life. And high in the no man's land of night torches hang like swords.
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Aeschylus (The Libation Bearers (Oresteia, #2))
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the Trojans had โ€œthe voice of flutes and pipes,โ€ and they made libations, when they got up from the feast, making them to Mercury, and not, as they did afterwards, to Jupiter the Finisher. For Mercury appears to be the patron of sleep: they drop libations to him also on their tongues when they depart from a banquet, and the tongues are especially allotted to him, as being the instruments of eloquence. Homer
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Athenaeus of Naucratis (THE DEIPNOSOPHISTS OR BANQUET OF THE LEARNED OF ATHENร†US.)
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With these words of prayer he threw the barley-grains. The two heroes responsible for the oxen, might Ankaios and Herakles, girded themselves in preparation. The latter crashed his club down on the middle of the forehead of one ox; in one movement its heavy body fell to the ground. Ankaios cut the other's broad neck with his bronze axe, slicing through the tough tendons; it fell sprawling over its two horns. Their comrades quickly slaughtered and flayed the oxen, chopping and cutting them up and removing the thigh pieces for sacrifice These they covered all over with a thick layer of fat and burnt them on spits, while the son of Aison poured libations of unmixed wine. Idmon rejoiced as he gazed at the flame, which burnt brightly all around the sacrifices, and the favourable omen of the murky smoke, darting up in dark spirals.
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Apollonius of Rhodes (Jason and the Golden Fleece (The Argonautica))
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Suddenly wind hit full and the canvas bellied out and a dark blue wave, foaming up at the bow, 470 sang out loud and strong as the ship made way, skimming the whitecaps, cutting toward her goal. All running gear secure in the swift black craft, they set up bowls and brimmed them high with wine and poured libations out to the everlasting gods who never die โ€”to Athena first of all, the daughter of Zeus with flashing sea-gray eyes โ€” and the ship went plunging all night long and through the dawn.
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Homer (The Odyssey)
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The people cast themselves down by the fuming boards while servants cut the roast, mixed jars of wine and water, and all the gods flew past like the night-breaths of spring. The chattering female flocks sat down by farther tables, their fresh prismatic garments gleaming in the moon as though a crowd of haughty peacocks played in moonlight. The queenโ€™s throne softly spread with white furs of fox gaped desolate and bare, for Penelope felt ashamed to come before her guests after so much murder. Though all the guests were ravenous, they still refrained, turning their eyes upon their silent watchful lord till he should spill wine in libation for the Immortals. The king then filled a brimming cup, stood up and raised it high till in the moon the embossed adornments gleamed: Athena, dwarfed and slender, wrought in purest gold, pursued around the cup with double-pointed spear dark lowering herds of angry gods and hairy demons; she smiled and the sad tenderness of her lean face, and her embittered fearless glance, seemed almost human. Star-eyed Odysseus raised Athenaโ€™s goblet high and greeted all, but spoke in a beclouded mood: โ€œIn all my wandering voyages and torturous strife, the earth, the seas, the winds fought me with frenzied rage; I was in danger often, both through joy and grief, of losing priceless goodness, manโ€™s most worthy face. I raised my arms to the high heavens and cried for help, but on my head gods hurled their lightning bolts, and laughed. I then clasped Mother Earth, but she changed many shapes, and whether as earthquake, beast, or woman, rushed to eat me; then like a child I gave my hopes to the sea in trust, piled on my ship my stubbornness, my cares, my virtues, the poor remaining plunder of god-fighting man, and then set sail; but suddenly a wild storm burst, and when I raised my eyes, the sea was strewn with wreckage. As I swam on, alone between sea and sky, with but my crooked heart for dog and company, I heard my mind, upon the crumpling battlements about my head, yelling with flailing crimson spear. Earth, sea, and sky rushed backward; I remained alone with a horned bow slung down my shoulder, shorn of gods and hopes, a free man standing in the wilderness. Old comrades, O young men, my islandโ€™s newest sprouts, I drink not to the gods but to manโ€™s dauntless mind.โ€ All shuddered, for the daring toast seemed sacrilege, and suddenly the hungry people shrank in spirit; They did not fully understand the impious words but saw flames lick like red curls about his savage head. The smell of roast was overpowering, choice meats steamed, and his bold speech was soon forgotten in hungerโ€™s pangs; all fell to eating ravenously till their brains reeled. Under his lowering eyebrows Odysseus watched them sharply: "This is my people, a mess of bellies and stinking breath! These are my own minds, hands, and thighs, my loins and necks!" He muttered in his thorny beard, held back his hunger far from the feast and licked none of the steaming food.
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Nikos Kazantzakis (The Odyssey: A Modern Sequel)
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Now, by the altar, Over the victim Ripe for our ritual, Sing this enchantment: A song without music, A sword in the senses, A storm in the heart And a fire in the brain; A clamour of Furies To paralyse reason, A tune full of terror, A drought in the soul!
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Aeschylus (The Oresteia: Agamemnon, The Libation Bearers, The Eumenides)
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Once there was and once there was not a devout, God-fearing man who lived his entire life according to stoic principles. He died on his fortieth birthday and woke up floating in nothing. Now, mind you, floating in nothing was comforting, light-less, airless, like a motherโ€™s womb. This man was grateful. But then he decided he would love to have sturdy ground beneath his feet, so he would feel more solid himself. Lo and behold, he was standing on earth. He knew it to be earth, for he knew the feel of it. Yet he wanted to see. I desire light, he thought, and light appeared. I want sunlight, not any light, and at night it shall be moonlight. His desires were granted. Let there be grass. I love the feel of grass beneath my feet. And so it was. I no longer wish to be naked. Only robes of the finest silk must touch my skin. And shelter, I need a grand palace whose entrance has double-sided stairs, and the floors must be marble and the carpets Persian. And food, the finest of food. His breakfast was English; his midmorning snack French. His lunch was Chinese. His afternoon tea was Indian. His supper was Italian, and his late-night snack was Lebanese. Libation? He had the best of wines, of course, and champagne. And company, the finest of company. He demanded poets and writers, thinkers and philosophers, hakawatis and musicians, fools and clowns. And then he desired sex. He asked for light-skinned women and dark-skinned, blondes and brunettes, Chinese, South Asian, African, Scandinavian. He asked for them singly and two at a time, and in the evenings he had orgies. He asked for younger girls, after which he asked for older women, just to try. The he tried men, muscular men, skinny men. Then boys. Then boys and girls together. Then he got bored. He tried sex with food. Boys with Chinese, girls with Indian. Redheads with ice cream. Then he tried sex with company. He fucked the poet. Everybody fucked the poet. But again he got bored. The days were endless. Coming up with new ideas became tiring and tiresome. Every desire he could ever think of was satisfied. He had had enough. He walked out of his house, looked up at the glorious sky, and said, โ€œDear God. I thank You for Your abundance, but I cannot stand it here anymore. I would rather be anywhere else. I would rather be in hell.โ€ And the booming voice from above replied, โ€œAnd where do you think you are?
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Rabih Alameddine
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Women of color in america have grown up within a symphony of anger, at being silenced, at being unchosen, at knowing that when we survive, it is in spite of a world that takes for granted our lack of humanness, and which hates our very existence outside of its service. And I say symphony rather than cacophony because we have had to learn to orchestrate those furies so that they do not tear us apart. We have had to learn to move through them and use them for strength and force and insight within our daily lives. Those of us who did not learn this difficult lesson did not survive. And part of my anger is always libation for my fallen sisters.
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Audre Lorde (Sister Outsider: Essays and Speeches)
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But when, reaching the top of the hill, you come once more to the crenellated walls that surround the city and go out through the frowning gate, you come to the graves. They stretch over the country, one mile, two miles, three, four, five, interminable green mounds, up and down the hills, with grey stones to which the people once a year come to offer libation and to tell the dead how fare the living whom they left behind; and they are as thickly crowded, the dead, as are the living in the city; and they seem to press upon the living as though they would force them into the turbid, swirling river. There is something menacing about those serried ranks. It is as though they were laying siege to the city, with a sullen ruthlessness, biding their time; and as though in the end, encroaching irresistibly as fate, they would drive those seething throngs before them till the houses and the streets were covered by them, and the green mounds came down to the water gate. Then at last silence, silence would dwell there un-disturbed. They are uncanny, those green graves, they are terrifying. They seem to wait.
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W. Somerset Maugham (On A Chinese Screen)
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Nothing that strikes a note of brutal conquest. Only peace blessings, rising up from the earth and the heaving sea, and down the vaulting sky let the wind-gods breathe a wash of sunlight streaming through the land, and the yield of soil and grazing cattle flood our city's life with power and never flag with time. Make the seed of men live on, the more they worship you the more they thrive. I love them as a gardener loves his plants, these upright men, this breed fought free of grief. All that is yours to give. And I, in the trials of war where fighters burn for fame, will never endure the overthrow of Athens all will praise her, victor city, pride of man. The furies assemble, dancing around Athena, who becomes their leader.
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Aeschylus (The Oresteia: Agamemnon, The Libation Bearers, The Eumenides)
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Nothing that strikes a note of brutal conquest. Only peace -blessings, rising up from the earth and the heaving sea, and down the vaulting sky let the wind-gods breathe a wash of sunlight streaming through the land, and the yield of soil and grazing cattle flood our city's life with power and never flag with time. Make the seed of men live on, the more they worship you the more they thrive. I love them as a gardener loves his plants, these upright men, this breed fought free of grief. All that is yours to give. And I, in the trials of war where fighters burn for fame, will never endure the overthrow of Athens all will praise her, victor city, pride of man. The furies assemble, dancing around Athena, who becomes their leader.
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Aeschylus (The Oresteia: Agamemnon, The Libation Bearers, The Eumenides)
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The Funeral of Sarpedon Zeus is heavy with grief. Sarpedon is dead at Patroclusโ€™ hands and, right now, the son of Menoetius and his Achaeans are setting out to steal the corpse and desecrate it. But Zeus will not allow it. He had left his beloved child alone and now heโ€™s lost โ€“ for such the Law demanded. But at least he will honour him in death. Behold: he sends Phoebus down to the field with orders to care for the body. Phoebus lifts the heroโ€™s corpse with reverence and pity, and bears him to the river. He washes away the blood and dust and closes the wounds, careful not to leave a scar; he pours balm of ambrosia over the body and clothes him in resplendent Olympian robes. He blanches the skin and with a comb of pearl straightens the raven-black hair. He lays him out, arranging the lovely limbs. The youth seems a king, a charioteer, twenty-five or twenty-six years old โ€“ relishing his moment of victory, with the swiftest stallions, upon a golden chariot in a grand competition. Phoebus, completing his assignment, calls on his two siblings, Sleep and Death, commanding them to carry the body to Lycia, land of riches. So the two brothers, Sleep and Death, set out on foot to transport the body to Lycia, land of riches. And at the door of the kingโ€™s palace they hand over the glorious body and return to their affairs. As they receive him into the palace they begin laments and tributes, processions and libations flowing from sacred vessels and everything that befits such a sad funeral; then skilled craftsmen from the city and artists well known for their work in marble arrive to fashion the tomb and the stele.
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Constantinos P. Cavafy (Selected Poems)
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OR. I will tell you, but these are the beginning for me of many [125] woes. After these evil things concerning my mother, on which I keep silence, had been wrought, I was driven an exile by the pursuits of the Erinnyes, when Loxias sent my foot [126] to Athens, that I might render satisfaction to the deities that must not be named. For there is a holy council, that Jove once on a time instituted for Mars on account of some pollution of his hands. [127] And coming thither, at first indeed no one of the strangers received me willingly, as being abhorred by the Gods, but they who had respect to me, afforded me [128] a stranger's meal at a separate table, being under the same house roof, and silently devised in respect to me, unaddressed by them, how I might be separated from their banquet [129] and cup, and, having filled up a share of wine in a separate vessel, equal for all, they enjoyed themselves. And I did not think fit to rebuke my guests, but I grieved in silence, and did not seem to perceive [their conduct,] deeply groaning, because I was my mother's slayer. [130] But I hear that my misfortunes have been made a festival at Athens, and that this custom still remains, that the people of Pallas honor the Libation Vessel. [131] But when I came to the hill of Mars, and stood in judgment, I indeed occupying one seat, but the eldest of the Erinnyes the other, having spoken and heard respecting my mother's death, Phล“bus saved me by bearing witness, but Pallas counted out for me [132] the equal votes with her hand, and I came off victor in the bloody trial. [133] As many then as sat [in judgment,] persuaded by the sentence, determined to hold their dwelling near the court itself. [134] But as many of the Erinnyes as did not yield obedience to the sentence passed, continually kept driving me with unsettled wanderings, until I again returned to the holy ground of Phล“bus, and lying stretched before the adyts, hungering for food, I swore that I would break from life by dying on the spot, unless Phล“bus, who had undone, should preserve me. Upon this Phล“bus, uttering a voice from the golden tripod, sent me hither to seize the heaven-sent image, and place it in the land of Athens. But that safety which he marked out for me do thou aid in. For if we can lay hold on the image of the Goddess, I both shall cease from my madness, and embarking thee in the bark of many oars, I shall settle thee again in Mycenรฆ. But, O beloved one, O sister mine, preserve my ancestral home, and preserve me, since all my state and that of the Pelopids is undone, unless we seize on the heavenly image of the Goddess.
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Euripides (The Tragedies of Euripides, Volume I.)
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Socrates: So now you won't acknowledge any gods except the ones we do--Chaos, the Clouds, the Tongue--just these three? Strepsiades: Absolutely-- I'd refuse to talk to any other gods, if I ran into them--and I decline to sacrifice or pour libations to them. I'll not provide them any incense... I want to twist all legal verdicts in my favor, to evade my creditors. Chorus Leader: You'll get that, just what you desire. For what you want is nothing special. So be confident--give yourself over to our agents here. Strepsiades: I'll do that--I'll place my trust in you. Necessity is weighing me down--the horses, those thoroughbreds, my marriage--all that has worn me out. So now, this body of mine I'll give to them, with no strings attached, to do with as they like--to suffer blows, go without food and drink, live like a pig, to freeze or have my skin flayed for a pouch-- if I can just get out of all my debt and make men think of me as bold and glib, as fearless, impudent, detestable, one who cobbles lies together, makes up words, a practiced legal rogue, a statute book, a chattering fox, sly and needle sharp, a slippery fraud, a sticky rascal, foul whipping boy or twisted villain, troublemaker, or idly prattling fool. If they can make those who run into me call me these names, they can do what they want--no questions asked. If, by Demeter, they're keen, they can convert me into sausages and serve me up to men who think deep thoughts. Chorus: Here's a man whose mind's now smart, no holding back--prepared to start. When you have learned all this from me you know your glory will arise among all men to heaven's skies. Strepsiades: And what will I get out of this? Chorus: For all time, you'll live with me a life most people truly envy. Strepsiades: You mean one day I'll really see that? Chorus: Hordes will sit outside your door wanting your advice and more-- to talk, to place their trust in you for their affairs and lawsuits, too, things which merit your great mind. They'll leave you lots of cash behind. Chorus Leader: [to Socrates] So get started with this old man's lessons, what you intend to teach him first of all--rouse his mind, test his intellectual powers. Socrates: Come on then, tell me the sort of man you are--once I know that, I can bring to bear on you my latest batteries with full effect. Strepsiades: What's that? By god, are you assaulting me? Socrates: No--I want to learn some things from you. What about your memory? Strepsiades: To tell the truth, it works two ways. If someone owes me something, I remember really well. But if it's poor me that owes the money, I forget a lot. Socrates: Do you have a natural gift for speech? Strepsiades: Not for speaking--only for evading debt. Socrates: ... Now, what do you do if someone hits you? Strepsiades: If I get hit, I wait around a while, then find witnesses, hang around some more, then go to court.
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Aristophanes (The Clouds)
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Canto I And then went down to the ship, Set keel to breakers, forth on the godly sea, and We set up mast and sail on that swart ship, Bore sheep aboard her, and our bodies also Heavy with weeping, and winds from sternward Bore us out onward with bellying canvas, Circeโ€™s this craft, the trim-coifed goddess. Then sat we amidships, wind jamming the tiller, Thus with stretched sail, we went over sea till dayโ€™s end. Sun to his slumber, shadows oโ€™er all the ocean, Came we then to the bounds of deepest water, To the Kimmerian lands, and peopled cities Covered with close-webbed mist, unpierced ever With glitter of sun-rays Nor with stars stretched, nor looking back from heaven Swartest night stretched over wretched men there. The ocean flowing backward, came we then to the place Aforesaid by Circe. Here did they rites, Perimedes and Eurylochus, And drawing sword from my hip I dug the ell-square pitkin; Poured we libations unto each the dead, First mead and then sweet wine, water mixed with white flour. Then prayed I many a prayer to the sickly deathโ€™s-heads; As set in Ithaca, sterile bulls of the best For sacrifice, heaping the pyre with goods, A sheep to Tiresias only, black and a bell-sheep. Dark blood flowed in the fosse, Souls out of Erebus, cadaverous dead, of brides Of youths and of the old who had borne much; Souls stained with recent tears, girls tender, Men many, mauled with bronze lance heads, Battle spoil, bearing yet dreory arms, These many crowded about me; with shouting, Pallor upon me, cried to my men for more beasts; Slaughtered the herds, sheep slain of bronze; Poured ointment, cried to the gods, To Pluto the strong, and praised Proserpine; Unsheathed the narrow sword, I sat to keep off the impetuous impotent dead, Till I should hear Tiresias. But first Elpenor came, our friend Elpenor, Unburied, cast on the wide earth, Limbs that we left in the house of Circe, Unwept, unwrapped in sepulchre, since toils urged other. Pitiful spirit. And I cried in hurried speech: โ€œElpenor, how art thou come to this dark coast? โ€œCamโ€™st thou afoot, outstripping seamen?โ€ And he in heavy speech: โ€œIll fate and abundant wine. I slept in Circeโ€™s ingle. โ€œGoing down the long ladder unguarded, โ€œI fell against the buttress, โ€œShattered the nape-nerve, the soul sought Avernus. โ€œBut thou, O King, I bid remember me, unwept, unburied, โ€œHeap up mine arms, be tomb by sea-bord, and inscribed: โ€œA man of no fortune, and with a name to come. โ€œAnd set my oar up, that I swung mid fellows.โ€ And Anticlea came, whom I beat off, and then Tiresias Theban, Holding his golden wand, knew me, and spoke first: โ€œA second time? why? man of ill star, โ€œFacing the sunless dead and this joyless region? โ€œStand from the fosse, leave me my bloody bever โ€œFor soothsay.โ€ And I stepped back, And he strong with the blood, said then: โ€œOdysseus โ€œShalt return through spiteful Neptune, over dark seas, โ€œLose all companions.โ€ And then Anticlea came. Lie quiet Divus. I mean, that is Andreas Divus, In officina Wecheli, 1538, out of Homer. And he sailed, by Sirens and thence outward and away And unto Circe. Venerandam, In the Cretanโ€™s phrase, with the golden crown, Aphrodite, Cypri munimenta sortita est, mirthful, orichalchi, with golden Girdles and breast bands, thou with dark eyelids Bearing the golden bough of Argicida. So that:
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Ezra Pound
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The gondola slowed to a stop and Falco tied up the boat directly beneath the bridge. The stone structure blocked out the light and the wind, making Cass feel as if she and Falco were alone in a warm, dark room. โ€œHere,โ€ he said, pulling a flask from his cloak pocket. โ€œCelebratory libations.โ€ โ€œWhat are we celebrating?โ€ she asked. โ€œWe set out to discover the dead girlโ€™s identity,โ€ Falco said. โ€œAnd we did.โ€ He pressed the slick metal container into Cassโ€™s palm. โ€œI say thatโ€™s progress.โ€ Cass sniffed the flash warily. The liquid within smelled sharp and sour, almost chemical. โ€œWhat is it?โ€ she asked. โ€œSome witchesโ€™ brew I found in my masterโ€™s studio. Go on, try it.โ€ He winked. โ€œUnless youโ€™re afraid.โ€ Cass put her lips to the flask and tipped it up just enough to let a tiny sip of liquid make its way into her mouth. She held her breath to keep from gagging. Whatever it was, it tasted awful, nothing like the tart sweetness of the burgundy wine to which she was accustomed. Falco took the flask back and shook it in his hand as if he were weighing it. โ€œYou didnโ€™t even take a drink, did you?โ€ โ€œI did so.โ€ Falco shook the container again. โ€œI donโ€™t believe you.โ€ Cass leaned in toward him and blew gently in his face. โ€œSee? You can smell that ghastly poison on my breath.โ€ Falco sniffed the air. โ€œAll I smell is canal water, and a hint of flowers, probably from whatever soap you use on your hair.โ€ He put his face very close to Cassโ€™s, reached out, and tilted her chin toward him. โ€œTry again.โ€ Her lips were mere inches from his. Cass struggled to exhale. Her chest tightened as the air trickled out of her body. She noticed a V-shaped scar beneath Falcoโ€™s right eye. She was seized by an irrational urge to touch her lips to the small imperfection. โ€œWhat about now?โ€ she asked. Falco brushed a spiral of hair from her freckled cheek and touched his forehead to hers. โ€œOne more time?โ€ He closed his eyes. He reached up with one of his hands and cradled the back of her head, pulling her toward him.
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Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
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When he had made all the necessary preparations the army began to embark at the approach of the dawn; while according to custom he offered sacrifice to the gods and to the river Hydaspes, as the prophets directed. When he had embarked he poured a libation into the river from the prow of the ship out of a golden goblet, invoking the Acesines as well as the Hydaspes, because he had ascertained that it is the largest of all the rivers which unite with the Hydaspes, and that their confluence was not far off. He also invoked the Indus, into which the Acesines flows after its junction with the Hydaspes. Moreover he poured out libations to his forefather Heracles, to Ammon, and the other gods to whom he was in the habit of sacrificing, and then he ordered the signal for starting seawards to be given with the trumpet. As soon as the signal was given they commenced the voyage in regular order; for directions had been given at what distance apart it was necessary for the baggage vessels to be arranged, as also for the vessels conveying the horses and for the ships of war; so that they might not fall foul of each other by sailing down the channel at random. He did not allow even the fast-sailing ships to get out of rank by outstripping the rest. The noise of the rowing was never equalled on any other occasion, inasmuch as it proceeded from so many ships rowed at the same time; also the shouting of the boatswains giving the time for beginning and stopping the stroke of the oars, and the clamour of the rowers, when keeping time all together with the dashing of the oars, made a noise like a battle-cry. The banks of the river also, being in many places higher than the ships, and collecting the sound into a narrow space, sent back to each other an echo which was very much increased by its very compression. In some parts too the groves of trees on each side of the river helped to swell the sound, both from the solitude and the reverberation of the noise. The horses which were visible on the decks of the transports struck the barbarians who saw them with such surprise that those of them who were present at the starting of the fleet accompanied it a long way from the place of embarkation. For horses had never before been seen on board ships in the country of India; and the natives did not call to mind that the expedition of Dionysus into India was a naval one. The shouting of the rowers and the noise of the rowing were heard by the Indians who had already submitted to Alexander, and these came running down to the riverโ€™s bank and accompanied him singing their native songs. For the Indians have been eminently fond of singing and dancing since the time of Dionysus and those who under his bacchic inspiration traversed the land of the Indians with him.
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Arrian (The Campaigns of Alexander)