β
I believe that everything happens for a reason. People change so that you can learn to let go, things go wrong so that you appreciate them when they're right, you believe lies so you eventually learn to trust no one but yourself, and sometimes good things fall apart so better things can fall together.
β
β
Marilyn Monroe
β
I have never let my schooling interfere with my education.
β
β
Mark Twain
β
I'm the one that's got to die when it's time for me to die, so let me live my life the way I want to.
β
β
Jimi Hendrix (The Jimi Hendrix Experience - Axis: Bold as Love (Guitar Tabulature))
β
[Dean] βMy dear fellow, who will let you?β
[Roark] βThatβs not the point. The point is, who will stop me?
β
β
Ayn Rand (The Fountainhead)
β
Let me tell you this: if you meet a loner, no matter what they tell you, it's not because they enjoy solitude. It's because they have tried to blend into the world before, and people continue to disappoint them.
β
β
Jodi Picoult (My Sisterβs Keeper)
β
Why are they all staring?" demanded Albus as he and Rose craned around to look at the other students.
"Donβt let it worry you," said Ron. "Itβs me. Iβm extremely famous.
β
β
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
β
Find what you love and let it kill you.
β
β
Charles Bukowski
β
When it comes down to it, I let them think what they want. If they care enough to bother with what I do, then I'm already better than them.
β
β
Marilyn Monroe
β
Let us read, and let us dance; these two amusements will never do any harm to the world.
β
β
Voltaire
β
Never let your sense of morals prevent you from doing what is right.
β
β
Isaac Asimov (Foundation (Foundation, #1))
β
I've never fooled anyone. I've let people fool themselves. They didn't bother to find out who and what I was. Instead they would invent a character for me. I wouldn't argue with them. They were obviously loving somebody I wasn't.
β
β
Marilyn Monroe
β
You may not be her first, her last, or her only. She loved before she may love again. But if she loves you now, what else matters? She's not perfectβyou aren't either, and the two of you may never be perfect together but if she can make you laugh, cause you to think twice, and admit to being human and making mistakes, hold onto her and give her the most you can. She may not be thinking about you every second of the day, but she will give you a part of her that she knows you can breakβher heart. So don't hurt her, don't change her, don't analyze and don't expect more than she can give. Smile when she makes you happy, let her know when she makes you mad, and miss her when she's not there.
β
β
Bob Marley
β
Accept yourself, love yourself, and keep moving forward. If you want to fly, you have to give up what weighs you down.
β
β
Roy T. Bennett (The Light in the Heart)
β
That's the thing about books. They let you travel without moving your feet.
β
β
Jhumpa Lahiri (The Namesake)
β
My dear,
Find what you love and let it kill you.
Let it drain you of your all. Let it cling onto your back and weigh you down into eventual nothingness.
Let it kill you and let it devour your remains.
For all things will kill you, both slowly and fastly, but itβs much better to be killed by a lover.
~ Falsely yours
β
β
Kinky Friedman
β
If you love somebody, let them go, for if they return, they were always yours. If they don't, they never were.
β
β
Kahlil Gibran
β
Let us be grateful to the people who make us happy; they are the charming gardeners who make our souls blossom.
β
β
Marcel Proust
β
Let no man pull you so low as to hate him.
β
β
Martin Luther King Jr. (A Knock at Midnight: Inspiration from the Great Sermons of Reverend Martin Luther King, Jr.)
β
The truth is, unless you let go, unless you forgive yourself, unless you forgive the situation, unless you realize that the situation is over, you cannot move forward.
β
β
Steve Maraboli (Unapologetically You: Reflections on Life and the Human Experience)
β
This life is what you make it. No matter what, you're going to mess up sometimes, it's a universal truth. But the good part is you get to decide how you're going to mess it up. Girls will be your friends - they'll act like it anyway. But just remember, some come, some go. The ones that stay with you through everything - they're your true best friends. Don't let go of them. Also remember, sisters make the best friends in the world. As for lovers, well, they'll come and go too. And baby, I hate to say it, most of them - actually pretty much all of them are going to break your heart, but you can't give up because if you give up, you'll never find your soulmate. You'll never find that half who makes you whole and that goes for everything. Just because you fail once, doesn't mean you're gonna fail at everything. Keep trying, hold on, and always, always, always believe in yourself, because if you don't, then who will, sweetie? So keep your head high, keep your chin up, and most importantly, keep smiling, because life's a beautiful thing and there's so much to smile about.
β
β
Marilyn Monroe
β
If you want to be happy, do not dwell in the past, do not worry about the future, focus on living fully in the present.
β
β
Roy T. Bennett (The Light in the Heart)
β
Let everything happen to you
Beauty and terror
Just keep going
No feeling is final
β
β
Rainer Maria Rilke
β
Let us step into the night and pursue that flighty temptress, adventure.
β
β
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
β
Life is for the living.
Death is for the dead.
Let life be like music.
And death a note unsaid.
β
β
Langston Hughes (The Collected Poems)
β
If you like her, if she makes you happy, and if you feel like you know her---then don't let her go.
β
β
Nicholas Sparks (Message in a Bottle)
β
Don't be afraid of your fears. They're not there to scare you. They're there to let you know that something is worth it.
β
β
C. JoyBell C.
β
Deep in the meadow, hidden far away
A cloak of leaves, a moonbeam ray
Forget your woes and let your troubles lay
And when it's morning again, they'll wash away
Here it's safe, here it's warm
Here the daisies guard you from every harm
Here your dreams are sweet and tomorrow brings them true
Here is the place where I love you.
β
β
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
β
Love conquers all," Aphrodite promised. "Look at Helen and Paris. Did they let anything come between them?"
"Didn't they start the Trojan War and get thousands of people killed?"
"Pfft. That's not the point. Follow your heart.
β
β
Rick Riordan (The Titanβs Curse (Percy Jackson and the Olympians, #3))
β
No matter how much suffering you went through, you never wanted to let go of those memories.
β
β
Haruki Murakami
β
Books have a unique way of stopping time in a particular moment and saying: Letβs not forget this.
β
β
Dave Eggers
β
I will not let anyone walk through my mind with their dirty feet.
β
β
Mahatma Gandhi
β
If I should ever die, God forbid, let this be my epitaph:
THE ONLY PROOF HE NEEDED
FOR THE EXISTENCE OF GOD
WAS MUSIC
β
β
Kurt Vonnegut Jr.
β
Maybe you can afford to wait. Maybe for you there's a tomorrow. Maybe for you there's one thousand tomorrows, or three thousand, or ten, so much time you can bathe in it, roll around it, let it slide like coins through you fingers. So much time you can waste it.
But for some of us there's only today. And the truth is, you never really know.
β
β
Lauren Oliver (Before I Fall)
β
Do not let your fire go out, spark by irreplaceable spark in the hopeless swamps of the not-quite, the not-yet, and the not-at-all. Do not let the hero in your soul perish in lonely frustration for the life you deserved and have never been able to reach. The world you desire can be won. It exists.. it is real.. it is possible.. it's yours.
β
β
Ayn Rand (Atlas Shrugged)
β
I think if I've learned anything about friendship, it's to hang in, stay connected, fight for them, and let them fight for you. Don't walk away, don't be distracted, don't be too busy or tired, don't take them for granted. Friends are part of the glue that holds life and faith together. Powerful stuff.
β
β
Jon Katz
β
Our deepest fear is not that we are inadequate. Our deepest fear is that we are powerful beyond measure. It is our light, not our darkness that most frightens us. We ask ourselves, 'Who am I to be brilliant, gorgeous, talented, fabulous?' Actually, who are you not to be? You are a child of God. Your playing small does not serve the world. There is nothing enlightened about shrinking so that other people won't feel insecure around you. We are all meant to shine, as children do. We were born to make manifest the glory of God that is within us. It's not just in some of us; it's in everyone. And as we let our own light shine, we unconsciously give other people permission to do the same. As we are liberated from our own fear, our presence automatically liberates others.
β
β
Marianne Williamson (A Return to Love: Reflections on the Principles of "A Course in Miracles")
β
He thinks he'll be remembered as the villain in the story. But I forgot to tell him that the villain is usually the person who locks up the maiden and throws away the key. He was the one who let me out.
β
β
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
β
Letting go means to come to the realization that some people are a part of your history, but not a part of your destiny.
β
β
Steve Maraboli
β
It hurts to let go. Sometimes it seems the harder you try to hold on to something or someone the more it wants to get away. You feel like some kind of criminal for having felt, for having wanted. For having wanted to be wanted. It confuses you, because you think that your feelings were wrong and it makes you feel so small because it's so hard to keep it inside when you let it out and it doesn't coma back. You're left so alone that you can't explain. Damn, there's nothing like that, is there? I've been there and you have too. You're nodding your head.
β
β
Henry Rollins (The Portable Henry Rollins)
β
Let us learn to show our friendship for a man when he is alive and not after he is dead.
β
β
F. Scott Fitzgerald (The Great Gatsby)
β
We must be willing to let go of the life we planned so as to have the life that is waiting for us.
β
β
Joseph Campbell
β
So it's you and a syringe against the Capitol? See, this is why no one lets you make the plans.
β
β
Suzanne Collins (Catching Fire (The Hunger Games, #2))
β
Life is a series of natural and spontaneous changes. Don't resist them; that only creates sorrow. Let reality be reality. Let things flow naturally forward in whatever way they like.
β
β
Lao Tzu
β
If you want to forget something or someone, never hate it, or never hate him/her. Everything and everyone that you hate is engraved upon your heart; if you want to let go of something, if you want to forget, you cannot hate.
β
β
C. JoyBell C.
β
Every one of us is, in the cosmic perspective, precious. If a human disagrees with you, let him live. In a hundred billion galaxies, you will not find another.
β
β
Carl Sagan (Cosmos)
β
Letting go doesn't mean that you don't care about someone anymore. It's just realizing that the only person you really have control over is yourself.
β
β
Deborah Reber (Chicken Soup for the Teenage Soul: 101 Stories of Life, Love and Learning (Chicken Soup for the Soul))
β
Some people say, βNever let them see you cry.β I say, if youβre so mad you could just cry, then cry. It terrifies everyone.
β
β
Tina Fey (Bossypants)
β
Was it hard?" I ask.
Letting go?"
Not as hard as holding on to something that wasn't real.
β
β
Lisa Schroeder
β
We are cups, constantly and quietly being filled. The trick is, knowing how to tip ourselves over and let the beautiful stuff out.
β
β
Ray Bradbury
β
You will find that it is necessary to let things go; simply for the reason that they are heavy. So let them go, let go of them. I tie no weights to my ankles.
β
β
C. JoyBell C.
β
Yesterday is gone. Tomorrow has not yet come. We have only today. Let us begin.
β
β
Mother Teresa
β
Let's think the unthinkable, let's do the undoable. Let us prepare to grapple with the ineffable itself, and see if we may not eff it after all.
β
β
Douglas Adams (Dirk Gently's Holistic Detective Agency (Dirk Gently, #1))
β
let me live, love, and say it well in good sentences
β
β
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
β
There are good days and hard days for meβeven now. Donβt let the hard days win.
β
β
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
β
I say let the world go to hell, but I should always have my tea.
β
β
Fyodor Dostoevsky (Notes from Underground)
β
We need, in love, to practice only this: letting each other go. For holding on comes easily; we do not need to learn it.
β
β
Rainer Maria Rilke (Translations from the Poetry of Rainer Maria Rilke)
β
Time doesnβt heal emotional pain, you need to learn how to let go.
β
β
Roy T. Bennett (The Light in the Heart)
β
Cry. Forgive. Learn. Move on. Let your tears water the seeds of your future happiness.
β
β
Steve Maraboli
β
Let our scars fall in love.
β
β
Galway Kinnell
β
Because you can't argue with all the fools in the world. It's easier to let them have their way, then trick them when they're not paying attention.
β
β
Christopher Paolini
β
Let us find the dam snack bar," Zoe said. "We should eat while we can."
Grover cracked a smile. "The dam snack bar?"
Zoe blinked. "Yes. What is funny?"
"Nothing," Grover said, trying to keep a straight face. "I could use some dam french fries."
Even Thalia smiled at that. "And I need to use the dam restroom."
...
I started cracking up, and Thalia and Grover joined in, while Zoe just looked at me. "I do not understand."
"I want to use the dam water fountain," Grover said.
"And..." Thalia tried to catch her breath. "I want to buy a dam t-shirt.
β
β
Rick Riordan (The Titanβs Curse (Percy Jackson and the Olympians, #3))
β
Don't let the bastards grind you down.
β
β
Margaret Atwood (The Handmaidβs Tale (The Handmaid's Tale, #1))
β
The more you know who you are, and what you want, the less you let things upset you.
β
β
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
β
I'm a success today because I had a friend who believed in me and I didn't have the heart to let him down.
β
β
Abraham Lincoln
β
The beginning of love is the will to let those we love be perfectly themselves, the resolution not to twist them to fit our own image.
β
β
Thomas Merton (The Way of Chuang Tzu (Shambhala Library))
β
Memories, even your most precious ones, fade surprisingly quickly. But I donβt go along with that. The memories I value most, I donβt ever see them fading.
β
β
Kazuo Ishiguro (Never Let Me Go)
β
Let me give you a piece of advice. The handsome young fellow who's trying to rescue you from a hideous fate is never wrong. Not even if he says the sky is purple and made of hedgehogs.
β
β
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
β
Let there be spaces in your togetherness, And let the winds of the heavens dance between you. Love one another but make not a bond of love: Let it rather be a moving sea between the shores of your souls. Fill each other's cup but drink not from one cup. Give one another of your bread but eat not from the same loaf. Sing and dance together and be joyous, but let each one of you be alone, Even as the strings of a lute are alone though they quiver with the same music. Give your hearts, but not into each other's keeping. For only the hand of Life can contain your hearts. And stand together, yet not too near together: For the pillars of the temple stand apart, And the oak tree and the cypress grow not in each other's shadow.
β
β
Kahlil Gibran (The Prophet)
β
If people refuse to look at you in a new light and they can only see you for what you were, only see you for the mistakes you've made, if they don't realize that you are not your mistakes, then they have to go.
β
β
Steve Maraboli (Life, the Truth, and Being Free)
β
You must make a decision that you are going to move on. It wont happen automatically. You will have to rise up and say, βI donβt care how hard this is, I donβt care how disappointed I am, Iβm not going to let this get the best of me. Iβm moving on with my life.
β
β
Joel Osteen (Your Best Life Now: 7 Steps to Living at Your Full Potential)
β
I had already found that it was not good to be alone, and so made companionship with what there was around me, sometimes with the universe and sometimes with my own insignificant self; but my books were always my friends, let fail all else.
β
β
Joshua Slocum (Sailing Alone around the World)
β
In time, the hurt began to fade and it was easier to just let it go. At least I thought it was. But in every boy I met in the next few years, I found myself looking for you, and when the feelings got too strong, I'd write you another letter. But I never sent them for fear of what I might find. By then, you'd gone on with your life and I didn't want to think about you loving someone else. I wanted to remember us like we were that summer. I didn't ever want to lose that.
β
β
Nicholas Sparks (The Notebook (The Notebook, #1))
β
The beginning of love is the will to let those we love be perfectly themselves, the resolution not to twist them to fit our own image. If in loving them we do not love what they are, but only their potential likeness to ourselves, then we do not love them: we only love the reflection of ourselves we find in them
β
β
Thomas Merton (No Man Is an Island)
β
For attractive lips, speak words of kindness.
For lovely eyes, seek out the good in people.
For a slim figure, share your food with the hungry.
For beautiful hair, let a child run his fingers through it once a day.
For poise, walk with the knowledge youβll never walk alone.
...
We leave you a tradition with a future.
The tender loving care of human beings will never become obsolete.
People even more than things have to be restored, renewed, revived, reclaimed and redeemed and redeemed and redeemed.
Never throw out anybody.
Remember, if you ever need a helping hand, youβll find one at the end of your arm.
As you grow older, you will discover that you have two hands: one for helping yourself, the other for helping others.
Your βgood old daysβ are still ahead of you, may you have many of them.
β
β
Sam Levenson (In One Era & Out the Other)
β
Some birds are not meant to be caged, that's all. Their feathers are too bright, their songs too sweet and wild. So you let them go, or when you open the cage to feed them they somehow fly out past you. And the part of you that knows it was wrong to imprison them in the first place rejoices, but still, the place where you live is that much more drab and empty for their departure.
β
β
Stephen King (Rita Hayworth and Shawshank Redemption)
β
But who can say what's best? That's why you need to grab whatever chance you have of happiness where you find it, and not worry about other people too much. My experience tells me that we get no more than two or three such chances in a life time, and if we let them go, we regret it for the rest of our lives.
β
β
Haruki Murakami (Norwegian Wood)
β
There will come a time when all of us are dead. All of us. There will come a time when there are no human beings remaining to remember that anyone ever existed or that our species ever did anything. There will be no one left to remember Aristotle or Cleopatra, let alone you. Everything that we did and built and wrote and thought and discovered will be forgotten and all of this will have been for naught. Maybe that time is coming soon and maybe it is millions of years away, but even if we survive the collapse of our sun, we will not survive forever. There was time before organisms experienced consciousness, and there will be time after. And if the inevitability of human oblivion worries you, I encourage you to ignore it. God knows thatβs what everyone else does.
β
β
John Green (The Fault in Our Stars)
β
We have to allow ourselves to be loved by the people who really love us, the people who really matter. Too much of the time, we are blinded by our own pursuits of people to love us, people that don't even matter, while all that time we waste and the people who do love us have to stand on the sidewalk and watch us beg in the streets! It's time to put an end to this. It's time for us to let ourselves be loved.
β
β
C. JoyBell C.
β
Don't let the expectations and opinions of other people affect your decisions. It's your life, not theirs. Do what matters most to you; do what makes you feel alive and happy. Don't let the expectations and ideas of others limit who you are. If you let others tell you who you are, you are living their reality β not yours. There is more to life than pleasing people. There is much more to life than following others' prescribed path. There is so much more to life than what you experience right now. You need to decide who you are for yourself. Become a whole being. Adventure.
β
β
Roy T. Bennett
β
I am an excitable person who only understands life lyrically, musically, in whom feelings are much stronger as reason. I am so thirsty for the marvelous that only the marvelous has power over me. Anything I can not transform into something marvelous, I let go. Reality doesn't impress me. I only believe in intoxication, in ecstasy, and when ordinary life shackles me, I escape, one way or another. No more walls.
β
β
AnaΓ―s Nin
β
People are afraid of themselves, of their own reality; their feelings most of all. People talk about how great love is, but thatβs bullshit. Love hurts. Feelings are disturbing. People are taught that pain is evil and dangerous. How can they deal with love if theyβre afraid to feel? Pain is meant to wake us up. People try to hide their pain. But theyβre wrong. Pain is something to carry, like a radio. You feel your strength in the experience of pain. Itβs all in how you carry it. Thatβs what matters. Pain is a feeling. Your feelings are a part of you. Your own reality. If you feel ashamed of them, and hide them, youβre letting society destroy your reality. You should stand up for your right to feel your pain.
β
β
Jim Morrison
β
I want to see you.
Know your voice.
Recognize you when you
first come 'round the corner.
Sense your scent when I come
into a room you've just left.
Know the lift of your heel,
the glide of your foot.
Become familiar with the way
you purse your lips
then let them part,
just the slightest bit,
when I lean in to your space
and kiss you.
I want to know the joy
of how you whisper
"more
β
β
Jalal ad-Din Muhammad ar-Rumi
β
You do not have to be good.
You do not have to walk on your knees
for a hundred miles through the desert, repenting.
You only have to let the soft animal of your body
love what it loves.
Tell me about despair, yours, and I will tell you mine.
Meanwhile the world goes on.
Meanwhile the sun and the clear pebbles of the rain
are moving across the landscapes,
over the prairies and the deep trees,
the mountains and the rivers.
Meanwhile the wild geese, high in the clean blue air,
are heading home again.
Whoever you are, no matter how lonely,
the world offers itself to your imagination,
calls to you like the wild geese, harsh and exciting β
over and over announcing your place
in the family of things.
β
β
Mary Oliver
β
I've never been lonely. I've been in a room -- I've felt suicidal. I've been depressed. I've felt awful -- awful beyond all -- but I never felt that one other person could enter that room and cure what was bothering me...or that any number of people could enter that room. In other words, loneliness is something I've never been bothered with because I've always had this terrible itch for solitude. It's being at a party, or at a stadium full of people cheering for something, that I might feel loneliness. I'll quote Ibsen, "The strongest men are the most alone." I've never thought, "Well, some beautiful blonde will come in here and give me a fuck-job, rub my balls, and I'll feel good." No, that won't help. You know the typical crowd, "Wow, it's Friday night, what are you going to do? Just sit there?" Well, yeah. Because there's nothing out there. It's stupidity. Stupid people mingling with stupid people. Let them stupidify themselves. I've never been bothered with the need to rush out into the night. I hid in bars, because I didn't want to hide in factories. That's all. Sorry for all the millions, but I've never been lonely. I like myself. I'm the best form of entertainment I have. Let's drink more wine!
β
β
Charles Bukowski
β
Lost opportunities, lost possibilities, feelings we can never get back. That's part of what it means to be alive. But inside our heads - at least that's where I imagine it - there's a little room where we store those memories. A room like the stacks in this library. And to understand the workings of our own heart we have to keep on making new reference cards. We have to dust things off every once in awhile, let in fresh air, change the water in the flower vases. In other words, you'll live forever in your own private library.
β
β
Haruki Murakami (Kafka on the Shore)
β
Name one hero who was happy."
I considered. Heracles went mad and killed his family; Theseus lost his bride and father; Jason's children and new wife were murdered by his old; Bellerophon killed the Chimera but was crippled by the fall from Pegasus' back.
"You can't." He was sitting up now, leaning forward.
"I can't."
"I know. They never let you be famous AND happy." He lifted an eyebrow. "I'll tell you a secret."
"Tell me." I loved it when he was like this.
"I'm going to be the first." He took my palm and held it to his. "Swear it."
"Why me?"
"Because you're the reason. Swear it."
"I swear it," I said, lost in the high color of his cheeks, the flame in his eyes.
"I swear it," he echoed.
We sat like that a moment, hands touching. He grinned.
"I feel like I could eat the world raw.
β
β
Madeline Miller (The Song of Achilles)
β
I love books, by the way, way more than movies. Movies tell you what to think. A good book lets you choose a few thoughts for yourself. Movies show you the pink house. A good book tells you there's a pink house and lets you paint some of the finishing touches, maybe choose the roof style,park your own car out front. My imagination has always topped anything a movie could come up with. Case in point, those darned Harry Potter movies. That was so not what that part-Veela-chick, Fleur Delacour, looked like.
β
β
Karen Marie Moning (Darkfever (Fever, #1))
β
Peeta, you said at the interview youβd had a crush on me forever. When did forever start?
Oh, letβs see. I guess the first day of school. We were five. You had on a red plaid dress and your hair...it was in two braids instead of one. My father pointed you out when we were waiting to line up."
Your father? Why?"
He said, βSee that little girl? I wanted to marry her mother, but she ran off with a coal miner.'"
What? Youβre making that up!"
No, true story. And I said, 'A coal miner? Why did she want a coal miner if she couldβve had you?' And he said, 'Because when he sings...even the birds stop to listen.
β
β
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
β
You should date a girl who reads.
Date a girl who reads. Date a girl who spends her money on books instead of clothes, who has problems with closet space because she has too many books. Date a girl who has a list of books she wants to read, who has had a library card since she was twelve.
Find a girl who reads. Youβll know that she does because she will always have an unread book in her bag. Sheβs the one lovingly looking over the shelves in the bookstore, the one who quietly cries out when she has found the book she wants. You see that weird chick sniffing the pages of an old book in a secondhand book shop? Thatβs the reader. They can never resist smelling the pages, especially when they are yellow and worn.
Sheβs the girl reading while waiting in that coffee shop down the street. If you take a peek at her mug, the non-dairy creamer is floating on top because sheβs kind of engrossed already. Lost in a world of the authorβs making. Sit down. She might give you a glare, as most girls who read do not like to be interrupted. Ask her if she likes the book.
Buy her another cup of coffee.
Let her know what you really think of Murakami. See if she got through the first chapter of Fellowship. Understand that if she says she understood James Joyceβs Ulysses sheβs just saying that to sound intelligent. Ask her if she loves Alice or she would like to be Alice.
Itβs easy to date a girl who reads. Give her books for her birthday, for Christmas, for anniversaries. Give her the gift of words, in poetry and in song. Give her Neruda, Pound, Sexton, Cummings. Let her know that you understand that words are love. Understand that she knows the difference between books and reality but by god, sheβs going to try to make her life a little like her favorite book. It will never be your fault if she does.
She has to give it a shot somehow.
Lie to her. If she understands syntax, she will understand your need to lie. Behind words are other things: motivation, value, nuance, dialogue. It will not be the end of the world.
Fail her. Because a girl who reads knows that failure always leads up to the climax. Because girls who read understand that all things must come to end, but that you can always write a sequel. That you can begin again and again and still be the hero. That life is meant to have a villain or two.
Why be frightened of everything that you are not? Girls who read understand that people, like characters, develop. Except in the Twilight series.
If you find a girl who reads, keep her close. When you find her up at 2 AM clutching a book to her chest and weeping, make her a cup of tea and hold her. You may lose her for a couple of hours but she will always come back to you. Sheβll talk as if the characters in the book are real, because for a while, they always are.
You will propose on a hot air balloon. Or during a rock concert. Or very casually next time sheβs sick. Over Skype.
You will smile so hard you will wonder why your heart hasnβt burst and bled out all over your chest yet. You will write the story of your lives, have kids with strange names and even stranger tastes. She will introduce your children to the Cat in the Hat and Aslan, maybe in the same day. You will walk the winters of your old age together and she will recite Keats under her breath while you shake the snow off your boots.
Date a girl who reads because you deserve it. You deserve a girl who can give you the most colorful life imaginable. If you can only give her monotony, and stale hours and half-baked proposals, then youβre better off alone. If you want the world and the worlds beyond it, date a girl who reads.
Or better yet, date a girl who writes.
β
β
Rosemarie Urquico
β
I was thinking about the first time I ever saw you," he said, "and how after that I couldn't forget you. I wanted to, but I couldn't stop myself. I forced Hodge to let me be the one who came to find you and bring you back to the Institue. And even back then, in that stupid coffee shop, when I saw you sitting on that couch with Simon, even then that felt wrong to me-- I should have been the one sitting with you. The one who made you laugh like that. I couldn't get rid of that feeling. That it should have been me. And the more I knew you, the more I felt it--it had never been like that for me before. I'd always wanted a girl and then gotten to know her and not wanted her anymore, but with you the feeling just got stronger and stronger until that night when you showed up at Renwick's and I knew.
β
β
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
β
I'm going to wake Peeta," I say.
"No, wait," says Finnick. "Let's do it together. Put our faces right in front of his."
Well, there's so little opportunity for fun left in my life, I agree. We position ourselves on either side of Peeta, lean over until our faces are inches frim his nose, and give him a shake. "Peeta. Peeta, wake up," I say in a soft, singsong voice.
His eyelids flutter open and then he jumps like we've stabbed him. "Aa!"
Finnick and I fall back in the sand, laughing our heads off. Every time we try to stop, we look at Peeta's attempt to maintain a disdainful expression and it sets us off again.
β
β
Suzanne Collins (Catching Fire (The Hunger Games, #2))
β
Isabelle drifted over, Jace a pace behind her. She was wearing a long black dress with boots and an even longer cutaway coat of soft green velvet, the color of moss. "I can't believe you did it!" she exclaimed. "How did you get Magnus to let Jace leave?"
"Traded him for Alec," Clary said.
Isabelle looked mildly alarmed. "Not permanently?"
"No," said Jace. "Just for a few hours. Unless I don't come back," he added thoughtfully. "In which case, maybe he does get to keep Alec. Think of it as a lease with an option to buy."
Isabelle looked dubious. "Mom and Dad won't be pleased if they find out."
"That you freed a possible criminal by trading away your brother to a warlock who looks like a gay Sonic the Hedgehog and dresses like the Child Catcher from Chitty Chitty Bang Bang?" Simon inquired. "No, probably not.
β
β
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
β
I am trying here to prevent anyone saying the really foolish thing that people often say about Him: Iβm ready to accept Jesus as a great moral teacher, but I donβt accept his claim to be God. That is the one thing we must not say. A man who was merely a man and said the sort of things Jesus said would not be a great moral teacher. He would either be a lunatic β on the level with the man who says he is a poached egg β or else he would be the Devil of Hell. You must make your choice. Either this man was, and is, the Son of God, or else a madman or something worse. You can shut him up for a fool, you can spit at him and kill him as a demon or you can fall at his feet and call him Lord and God, but let us not come with any patronizing nonsense about his being a great human teacher. He has not left that open to us. He did not intend to.
β
β
C.S. Lewis (Mere Christianity)
β
A WOMAN SHOULD HAVE ....
enough money within her control to move out
and rent a place of her own even if she never wants
to or needs to...
A WOMAN SHOULD HAVE ....
something perfect to wear if the employer or date of her
dreams wants to see her in an hour...
A WOMAN SHOULD HAVE ...
a youth she's content to leave behind....
A WOMAN SHOULD HAVE ....
a past juicy enough that she's looking forward to
retelling it in her old age....
A WOMAN SHOULD HAVE .....
a set of screwdrivers, a cordless drill, and a black
lace bra...
A WOMAN SHOULD HAVE ....
one friend who always makes her laugh... and one who
lets her cry...
A WOMAN SHOULD HAVE ....
a good piece of furniture not previously owned by anyone
else in her family...
A WOMAN SHOULD HAVE ....
eight matching plates, wine glasses with stems, and a
recipe for a meal that will make her guests feel honored...
A WOMAN SHOULD HAVE ....
a feeling of control over her destiny...
EVERY WOMAN SHOULD KNOW...
how to fall in love without losing herself..
EVERY WOMAN SHOULD KNOW...
HOW TO QUIT A JOB,
BREAK UP WITH A LOVER,
AND CONFRONT A FRIEND WITHOUT RUINING THE FRIENDSHIP...
EVERY WOMAN SHOULD KNOW...
when to try harder... and WHEN TO WALK AWAY...
EVERY WOMAN SHOULD KNOW...
that she can't change the length of her calves,
the width of her hips, or the nature of her parents..
EVERY WOMAN SHOULD KNOW...
that her childhood may not have been perfect...but it's over...
EVERY WOMAN SHOULD KNOW...
what she would and wouldn't do for love or more...
EVERY WOMAN SHOULD KNOW...
how to live alone... even if she doesn't like it...
EVERY WOMAN SHOULD KNOW...
whom she can trust,
whom she can't,
and why she shouldn't
take it personally...
EVERY WOMAN SHOULD KNOW...
where to go...
be it to her best friend's kitchen table...
or a charming inn in the woods...
when her soul needs soothing...
EVERY WOMAN SHOULD KNOW...
what she can and can't accomplish in a day...
a month...and a year...
β
β
Pamela Redmond Satran
β
Once on a yellow piece of paper with green lines
he wrote a poem
And he called it "Chops"
because that was the name of his dog
And that's what it was all about
And his teacher gave him an A
and a gold star
And his mother hung it on the kitchen door
and read it to his aunts
That was the year Father Tracy
took all the kids to the zoo
And he let them sing on the bus
And his little sister was born
with tiny toenails and no hair
And his mother and father kissed a lot
And the girl around the corner sent him a
Valentine signed with a row of X's
and he had to ask his father what the X's meant
And his father always tucked him in bed at night
And was always there to do it
Once on a piece of white paper with blue lines
he wrote a poem
And he called it "Autumn"
because that was the name of the season
And that's what it was all about
And his teacher gave him an A
and asked him to write more clearly
And his mother never hung it on the kitchen door
because of its new paint
And the kids told him
that Father Tracy smoked cigars
And left butts on the pews
And sometimes they would burn holes
That was the year his sister got glasses
with thick lenses and black frames
And the girl around the corner laughed
when he asked her to go see Santa Claus
And the kids told him why
his mother and father kissed a lot
And his father never tucked him in bed at night
And his father got mad
when he cried for him to do it.
Once on a paper torn from his notebook
he wrote a poem
And he called it "Innocence: A Question"
because that was the question about his girl
And that's what it was all about
And his professor gave him an A
and a strange steady look
And his mother never hung it on the kitchen door
because he never showed her
That was the year that Father Tracy died
And he forgot how the end
of the Apostle's Creed went
And he caught his sister
making out on the back porch
And his mother and father never kissed
or even talked
And the girl around the corner
wore too much makeup
That made him cough when he kissed her
but he kissed her anyway
because that was the thing to do
And at three a.m. he tucked himself into bed
his father snoring soundly
That's why on the back of a brown paper bag
he tried another poem
And he called it "Absolutely Nothing"
Because that's what it was really all about
And he gave himself an A
and a slash on each damned wrist
And he hung it on the bathroom door
because this time he didn't think
he could reach the kitchen.
β
β
Stephen Chbosky (The Perks of Being a Wallflower)
β
Men always say that as the defining compliment, donβt they? Sheβs a cool girl. Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like sheβs hosting the worldβs biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot. Hot and understanding. Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want. Go ahead, shit on me, I donβt mind, Iβm the Cool Girl.
Men actually think this girl exists. Maybe theyβre fooled because so many women are willing to pretend to be this girl. For a long time Cool Girl offended me. I used to see men β friends, coworkers, strangers β giddy over these awful pretender women, and Iβd want to sit these men down and calmly say: You are not dating a woman, you are dating a woman who has watched too many movies written by socially awkward men whoβd like to believe that this kind of woman exists and might kiss them. Iβd want to grab the poor guy by his lapels or messenger bag and say: The bitch doesnβt really love chili dogs that much β no one loves chili dogs that much! And the Cool Girls are even more pathetic: Theyβre not even pretending to be the woman they want to be, theyβre pretending to be the woman a man wants them to be. Oh, and if youβre not a Cool Girl, I beg you not to believe that your man doesnβt want the Cool Girl. It may be a slightly different version β maybe heβs a vegetarian, so Cool Girl loves seitan and is great with dogs; or maybe heβs a hipster artist, so Cool Girl is a tattooed, bespectacled nerd who loves comics. There are variations to the window dressing, but believe me, he wants Cool Girl, who is basically the girl who likes every fucking thing he likes and doesnβt ever complain. (How do you know youβre not Cool Girl? Because he says things like: βI like strong women.β If he says that to you, he will at some point fuck someone else. Because βI like strong womenβ is code for βI hate strong women.β)
β
β
Gillian Flynn (Gone Girl)
β
It doesn't interest me what you do for a living. I want to know what you ache for, and if you dare to dream of meeting your heart's longing.
It doesn't interest me how old you are. I want to know if you will risk looking like a fool for love, for your dream, for the adventure of being alive.
It doesn't interest me what planets are squaring your moon. I want to know if you have touched the center of your own sorrow, if you have been opened by life's betrayals or have become shriveled and closed from fear of further pain!I want to know if you can sit with pain, mine or your own, without moving to hide it or fade it, or fix it.
I want to know if you can be with joy, mine or your own, if you can dance with wildness and let the ecstasy fill you to the tips of your fingers and toes without cautioning us to be careful, to be realistic, to remember the limitations of being human.
It doesn't interest me if the story you are telling me is true. I want to know if you can disappoint another to be true to yourself; if you can bear the accusation of betrayal and not betray your own soul; if you can be faithlessand therefore trustworthy.
I want to know if you can see beauty even when it's not pretty, every day,and if you can source your own life from its presence.
I want to know if you can live with failure, yours and mine, and still stand on the edge of the lake and shout to the silver of the full moon, βYes!β
It doesn't interest me to know where you live or how much money you have. I want to know if you can get up, after the night of grief and despair, weary and bruised to the bone, and do what needs to be done to feed the children.
It doesn't interest me who you know or how you came to be here. I want to know if you will stand in the center of the fire with me and not shrink back.
It doesn't interest me where or what or with whom you have studied. I want to know what sustains you, from the inside, when all else falls away.
I want to know if you can be alone with yourself and if you truly like the company you keep in the empty moments.
β
β
Oriah Mountain Dreamer
β
Clary,
Despite everything, I can't bear the thought of this ring being lost forever, any more then I can bear the thought of leaving you forever. And though I have no choice about the one, at least I can choose about the other. I'm leaving you our family ring because you have as much right to it as I do.
I'm writing this watching the sun come up. You're asleep, dreams moving behind your restless eyelids. I wish I knew what you were thinking. I wish I could slip into your head and see the world the way you do. I wish I could see myself the way you do. But maybe I dont want to see that. Maybe it would make me feel even more than I already do that I'm perpetuating some kind of Great Lie on you, and I couldn't stand that.
I belong to you. You could do anything you wanted with me and I would let you. You could ask anything of me and I'd break myself trying to make you happy. My heart tells me this is the best and greatest feeling I have ever had. But my mind knows the difference between wanting what you can't have and wanting what you shouldn't want. And I shouldn't want you.
All night I've watched you sleeping, watched the moonlight come and go, casting its shadows across your face in black and white. I've never seen anything more beautiful. I think of the life we could have had if things were different, a life where this night is not a singular event, separate from everything else that's real, but every night. But things aren't different, and I can't look at you without feeling like I've tricked you into loving me.
The truth no one is willing to say out loud is that no one has a shot against Valentine but me. I can get close to him like no one else can. I can pretend I want to join him and he'll believe me, up until that last moment where I end it all, one way or another. I have something of Sebastian's; I can track him to where my father's hiding, and that's what I'm going to do. So I lied to you last night. I said I just wanted one night with you. But I want every night with you. And that's why I have to slip out of your window now, like a coward. Because if I had to tell you this to your face, I couldn't make myself go.
I don't blame you if you hate me, I wish you would. As long as I can still dream, I will dream of you.
_Jace
β
β
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
β
For me, trees have always been the most penetrating preachers. I revere them when they live in tribes and families, in forests and groves. And even more I revere them when they stand alone. They are like lonely persons. Not like hermits who have stolen away out of some weakness, but like great, solitary men, like Beethoven and Nietzsche. In their highest boughs the world rustles, their roots rest in infinity; but they do not lose themselves there, they struggle with all the force of their lives for one thing only: to fulfil themselves according to their own laws, to build up their own form, to represent themselves. Nothing is holier, nothing is more exemplary than a beautiful, strong tree. When a tree is cut down and reveals its naked death-wound to the sun, one can read its whole history in the luminous, inscribed disk of its trunk: in the rings of its years, its scars, all the struggle, all the suffering, all the sickness, all the happiness and prosperity stand truly written, the narrow years and the luxurious years, the attacks withstood, the storms endured. And every young farmboy knows that the hardest and noblest wood has the narrowest rings, that high on the mountains and in continuing danger the most indestructible, the strongest, the ideal trees grow.
Trees are sanctuaries. Whoever knows how to speak to them, whoever knows how to listen to them, can learn the truth. They do not preach learning and precepts, they preach, undeterred by particulars, the ancient law of life.
A tree says: A kernel is hidden in me, a spark, a thought, I am life from eternal life. The attempt and the risk that the eternal mother took with me is unique, unique the form and veins of my skin, unique the smallest play of leaves in my branches and the smallest scar on my bark. I was made to form and reveal the eternal in my smallest special detail.
A tree says: My strength is trust. I know nothing about my fathers, I know nothing about the thousand children that every year spring out of me. I live out the secret of my seed to the very end, and I care for nothing else. I trust that God is in me. I trust that my labor is holy. Out of this trust I live.
When we are stricken and cannot bear our lives any longer, then a tree has something to say to us: Be still! Be still! Look at me! Life is not easy, life is not difficult. Those are childish thoughts. Let God speak within you, and your thoughts will grow silent. You are anxious because your path leads away from mother and home. But every step and every day lead you back again to the mother. Home is neither here nor there. Home is within you, or home is nowhere at all.
A longing to wander tears my heart when I hear trees rustling in the wind at evening. If one listens to them silently for a long time, this longing reveals its kernel, its meaning. It is not so much a matter of escaping from one's suffering, though it may seem to be so. It is a longing for home, for a memory of the mother, for new metaphors for life. It leads home. Every path leads homeward, every step is birth, every step is death, every grave is mother.
So the tree rustles in the evening, when we stand uneasy before our own childish thoughts: Trees have long thoughts, long-breathing and restful, just as they have longer lives than ours. They are wiser than we are, as long as we do not listen to them. But when we have learned how to listen to trees, then the brevity and the quickness and the childlike hastiness of our thoughts achieve an incomparable joy. Whoever has learned how to listen to trees no longer wants to be a tree. He wants to be nothing except what he is. That is home. That is happiness.
β
β
Hermann Hesse (BΓ€ume: Betrachtungen und Gedichte)
β
Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore,
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
Tis some visitor," I muttered, "tapping at my chamber door β
Only this, and nothing more."
Ah, distinctly I remember it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow; β vainly I had sought to borrow
From my books surcease of sorrow β sorrow for the lost Lenore β
For the rare and radiant maiden whom the angels name Lenore β
Nameless here for evermore.
And the silken sad uncertain rustling of each purple curtain
Thrilled me β filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating,
Tis some visitor entreating entrance at my chamber door β
Some late visitor entreating entrance at my chamber door; β
This it is, and nothing more."
Presently my soul grew stronger; hesitating then no longer,
Sir," said I, "or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you"β here I opened wide the door; β
Darkness there, and nothing more.
Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortals ever dared to dream before;
But the silence was unbroken, and the stillness gave no token,
And the only word there spoken was the whispered word, "Lenore?"
This I whispered, and an echo murmured back the word, "Lenore!" β
Merely this, and nothing more.
Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
Surely," said I, "surely that is something at my window lattice:
Let me see, then, what thereat is, and this mystery explore β
Let my heart be still a moment and this mystery explore; β
'Tis the wind and nothing more."
Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately raven of the saintly days of yore;
Not the least obeisance made he; not a minute stopped or stayed he;
But, with mien of lord or lady, perched above my chamber door β
Perched upon a bust of Pallas just above my chamber door β
Perched, and sat, and nothing more.
Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore.
Though thy crest be shorn and shaven, thou," I said, "art sure no craven,
Ghastly grim and ancient raven wandering from the Nightly shore β
Tell me what thy lordly name is on the Night's Plutonian shore!"
Quoth the Raven, "Nevermore."
Much I marveled this ungainly fowl to hear discourse so plainly,
Though its answer little meaningβ little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blest with seeing bird above his chamber door β
Bird or beast upon the sculptured bust above his chamber door,
With such name as "Nevermore.
β
β
Edgar Allan Poe (The Raven)