Let Go And Glide Quotes

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I want to make you smile. For real. Always. We're going to go for dinners, and see movies, and walk on the beach. We'll go hang-gliding, or bungee jumping, or whatever you want to do. Whatever makes you smile and laugh more. Let me make you smile.
K.A. Tucker (Ten Tiny Breaths (Ten Tiny Breaths, #1))
I can dive", Sophia said. "Do you know what it feels like when you dive?" Of course I do," her grandmother said. "You let go of everything and get ready and just dive. You can feel the seaweed against your legs. It's brown, and the water's clear, lighter towards the top, with lots of bubbles. And you glide. You hold your breath and glide and turn and come up, let yourself rise and breathe out. And then you float. Just float." And all the time with your eyes open," Sophia said. Naturally. People don't dive with their eyes shut." Do you believe I can dive without me showing you?" the child asked. Yes, of course", Grandmother said.
Tove Jansson (The Summer Book)
Paralytic It happens. Will it go on? ---- My mind a rock, No fingers to grip, no tongue, My god the iron lung That loves me, pumps My two Dust bags in and out, Will not Let me relapse While the day outside glides by like ticker tape. The night brings violets, Tapestries of eyes, Lights, The soft anonymous Talkers: 'You all right?' The starched, inaccessible breast. Dead egg, I lie Whole On a whole world I cannot touch, At the white, tight Drum of my sleeping couch Photographs visit me ---- My wife, dead and flat, in 1920 furs, Mouth full of pearls, Two girls As flat as she, who whisper 'We're your daughters.' The still waters Wrap my lips, Eyes, nose and ears, A clear Cellophane I cannot crack. On my bare back I smile, a buddha, all Wants, desire Falling from me like rings Hugging their lights. The claw Of the magnolia, Drunk on its own scents, Asks nothing of life.
Sylvia Plath (Ariel)
You took something that belonged to me.” He let go of my arm and pushed to his feet. My mouth fell open and a loud gasp escaped as he took two impossible steps forward. Pinning me against the wall with his hard body, he lifted a hand to my throat and glided it up until his thumb stroked over my bottom lip. Using my chin, he turned my head and dragged his nose up my neck, stopping at my ear. After sucking in a deep breath, he released it on a gravelly demand. “And I want her back.
Aly Martinez (Fighting Shadows (On the Ropes, #2))
Love is like a wormhole. You stumble on to it blindly, it sucks you in and takes you somewhere completely unexpected. You can’t fight it, because that would tear your ship apart. You can’t control it, either. All you can do is set your thrusters on glide and let it take you where it's going to take you.
C.E. Kilgore
Song of myself Now I will do nothing but listen, To accrue what I hear into this song, to let sounds contribute toward it. I hear bravuras of birds, bustle of growing wheat, gossip of flames, clack of sticks cooking my meals, I hear the sound I love, the sound of the human voice, I hear all sounds running together, combined, fused or following, Sounds of the city and sounds out of the city, sounds of the day and night, Talkative young ones to those that like them, the loud laugh of work-people at their meals, The angry base of disjointed friendship, the faint tones of the sick, The judge with hands tight to the desk, his pallid lips pronouncing a death-sentence, The heave'e'yo of stevedores unlading ships by the wharves, the refrain of the anchor-lifters, The ring of alarm-bells, the cry of fire, the whirr of swift-streaking engines and hose-carts with premonitory tinkles and color'd lights, The steam-whistle, the solid roll of the train of approaching cars, The slow march play'd at the head of the association marching two and two, (They go to guard some corpse, the flag-tops are draped with black muslin.) I hear the violoncello, ('tis the young man's heart's complaint,) I hear the key'd cornet, it glides quickly in through my ears, It shakes mad-sweet pangs through my belly and breast. I hear the chorus, it is a grand opera, Ah this indeed is music--this suits me.
Walt Whitman
The back of my neck breaks out in a sweat, and I’m getting nervous. Why is he just standing there, staring at me? “What do you want?” I press, my tone curt. He opens his mouth but then closes it swallowing. “Pike, Jesus—” “The day you left,” he blurts out, and I stop. I wait, listening as a look of fear crosses his eyes. “The house was so empty,” he continues. “Like a quiet that was never there before. I couldn’t hear your footsteps upstairs or your hairdryer or anticipate you walking into a room. You were gone. Everything was…” he drops his eyes, “gone.” A ball lodges in my throat, and I feel tears threaten, but I tense my jaw, refusing to let it out. “But I could still feel you,” he whispers. “You were still everywhere. The container of cookies in the fridge, the backsplash you picked out, the way you put all my pictures back in the wrong spot after you dusted my bookshelves.” He smiles to himself. “But I couldn’t rearrange them, because you were the last to touch them, and I wanted everything the way you had it.” My chin trembles, and I fold my arms over my chest, hiding my balled fists under my arms. He pauses and then goes on. “Nothing would ever go back to the way it was before you came into my house. I didn’t want it to.” He shakes his head. “I went to work, and I came home, and I stayed there every night and all weekend, every weekend, because that’s where we were together. That’s where I could still feel you.” He steps closer, dropping his voice. “That’s where I could wrap myself up in you and hang on to every last thread in that house that proved you were mine for just a little while.” His tone grows thick, and I see his eyes water. “I really thought I was doing what was best,” he says, knitting his brow. “I thought I was taking advantage of you, because you’re young and beautiful and so happy and hopeful despite everything you’d been through. You made me feel like the world was a big place again.” My breathing shakes, and I don’t know what to do. I hate that he’s here. I hate that I love that he’s here. I hate him. “I couldn’t steal your life from you and keep you to myself, you know?” he explains. “But then I realized that you’re not happy or hopeful or making me feel good because you’re young. You are those things and you’re capable of those things, because you’re a good person. It’s who you are.” A tear spills over, gliding down my cheek. “Baby,” he whispers, his hands shaking. “I hope you love me, because I love you like crazy, and I’m going to want you the rest of my life. I tried to stay away, because I thought it was the right thing, but I fucking can’t. I need you, and I love you. This doesn’t happen twice, and I’m not going to be stupid again. I promise.” My chin trembles, and something lodges in my throat, and I try to hold it in, but I can’t. My face cracks, and I break down, turning away from him. The tears come like a goddamn waterfall, and I hate him. I fucking hate him. His arms are around me in a second, and he hugs me from behind, burying his face in my neck. “I’m sorry I took so long,” he whispers in my ear.
Penelope Douglas (Birthday Girl)
So coming back from a journey, or after an illness, before habits had spun themselves across the surface, one felt that same unreality, which was so startling; felt something emerge. Life was most vivid then. One could be at one’s ease. Mercifully one need not say, very briskly, crossing the lawn to great old Mrs. Beckwith, who would be coming out to find a corner to sit in, “Oh, good-morning, Mrs. Beckwith! What a lovely day! Are you going to be so bold as to sit in the sun? Jasper’s hidden the chairs. Do let me find you one!” and all the rest of the usual chatter. One need not speak at all. One glided, one shook one’s sails (there was a good deal of movement in the bay, boats were starting off) between things, beyond things. Empty it was not, but full to the brim. She seemed to be standing up to the lips in some substance, to move and float and sink in it, yes, for these waters were unfathomably deep. Into them had spilled so many lives. The Ramsays’; the children’s; and all sorts of waifs and strays of things besides. A washerwoman with her basket; a rook; a red-hot poker; the purples and grey-greens of flowers: some common feeling held the whole.
Virginia Woolf (To the Lighthouse)
I want to let myself go, to glide over the charming greased surface, to be bewitched and intoxicated. And I'm no longer afraid of waking up. Let this world take me, Let this Paris squeeze me to death, so long as it first caresses me and carries me in its arms.
Juhani Aho (Yksin (1903))
phocomelus Hoppy Harrington generally wheeled up to Modern TV Sales & Service about eleven each morning. He generally glided into the shop, stopping his cart by the counter, and if Jim Fergesson was around he asked to be allowed to go downstairs to watch the two TV repairmen at work. However, if Fergesson was not around, Hoppy gave up and after a while wheeled off, because he knew that the salesmen would not let him go downstairs;' they merely ribbed him, gave him the run-around. He did not mind. Or at least as far as Stuart McConchie could tell, he did not mind.
Philip K. Dick (Dr. Bloodmoney)
Shubha let me sleep for a few moments in your violent silvery uterus Give me peace, Shubha, let me have peace Let my sin-driven skeleton be washed anew in your seasonal bloodstream Let me create myself in your womb with my own sperm Would I have been like this if I had different parents? Was Malay alias me possible from an absolutely different sperm? Would I have been Malay in the womb of other women of my father? Would I have made a professional gentleman of me like my dead brother without Shubha? Oh, answer, let somebody answer these Shubha, ah, Shubha Let me see the earth through your cellophane hymen Come back on the green mattress again As cathode rays are sucked up with the warmth of magnet's brilliance I remember the letter of the final decesion of 1956 The surroundings of your clitoris were being embellished with coon at that time Fine rib-smashing roots were descending into your bosom Stupid relationship inflted in the bypass of senseless neglect Aaaaaaaaaaaaaaaaaaaah I do not know whether I am going to die Squandering was roaring within heart's exhaustive impatience I'll disrupt and destroy I'll split all into pieces for the sake of Art There isn't any other way out for poetry except suicide Shubha Let me enter into the immemorial incontinence of your labia majora Into the absurdity of woeless effort In the golden chlorophyll of the drunken heart Why wasn't I lost in my mother's urethra? Why wasn't I driven away in my father's urine after his self-coition? Why wasn't I mixed in the ovum-flux or in the phlegm? With her eyes shut supine beneath me I felt terribly distressed when I saw comfort seize Shubha Women could be treacherous even after unfolding a helpless appeareance Today it seems there is nothing so treacherous as Women and Art Now my ferocious heart is rinning towards an impossible death Vertigoes of water are coming up to my neck from the pierced earth I will die Oh what are these happening within me? I am failing to fetch out my hand and my palm From the dried sperms on my trousers spreading wings 300000 children are gliding toward the district of Shubha's bosom Millions of needles are now running from my blood into Poetry Now the smuggling of my obstinate leg is trying to plunge Into the death killer sex-wig entangled in the hypnotic kingdom of words In violent mirrors on each wall of the room I am observing After letting loose a few naked Malay, his unestablished scramblings.
Malay Roy Choudhury (Selected Poems)
I sat on a bench and did what, as a girl, I had done whenever I needed to calm myself: instead of pressing the button with the number 4 on it, I let myself go up to the sixth floor. That space had been empty and dark for many years, ever since the lawyer who had his office there had left, taking with him even the light bulb from the landing. When the elevator stopped, I let my breath glide into my stomach and then return slowly to my throat. As always, after a few seconds, the light in the elevator went out, too. I thought of reaching my hand out to one of the door handles: you had only to pull it and the light would return. But I didn't move and continued to send my breath deep into my body. The only sound was that of the woodworms eating into the panelled walls. Just a few months earlier (five, six?), on a sudden impulse, I had revealed to my mother, during one of my brief visits, that as an adolescent I used to retreat to that secret place, and I brought her up there, to the top. Maybe I wanted to try to establish an intimacy that there had never been, maybe I wanted to let her know in some confused way that I had always been unhappy. But she seemed to me only amused by the fact that I had sat suspended in the void, in a dilapidated elevator.
Elena Ferrante (Troubling Love)
Opportunity (from Machiavelli) "But who art thou, with curious beauty graced, O woman, stamped with some bright heavenly seal Why go thy feet on wings, and in such haste?" "I am that maid whose secret few may steal, Called Opportunity. I hasten by Because my feet are treading on a wheel, Being more swift to run than birds to fly. And rightly on my feet my wings I wear, To blind the sight of those who track and spy; Rightly in front I hold my scattered hair To veil my face, and down my breast to fall, Lest men should know my name when I am there; And leave behind my back no wisp at all For eager folk to clutch, what time I glide So near, and turn, and pass beyond recall." "Tell me; who is that Figure at thy side?" "Penitence. Mark this well that by decree Who lets me go must keep her for his bride. And thou hast spent much time in talk with me Busied with thoughts and fancies vainly grand, Nor hast remarked, O fool, neither dost see How lightly I have fled beneath thy hand.
James Elroy Flecker (Forty-Two Poems)
From the Heliconian Muses, let us now begin the song Of those who hold the great and sacred hill of Helicon, And dance on tender feet around the dark spring in a row, And round about the altar of the son of Kronos go; And when in the Permessos they have bathed their soft, young skin, Or sacred stream Olmeios or the fountain Hippocrene, They make their dancing chorus on the heights of Helicon­ -- So beautiful, beguiling, as their feet glide swiftly on.
Hesiod
A Sag Harbor ship visited his father’s bay, and Queequeg sought a passage to Christian lands. But the ship, having her full complement of seamen, spurned his suit; and not all the King his father’s influence could prevail. But Queequeg vowed a vow. Alone in his canoe, he paddled off to a distant strait, which he knew the ship must pass through when she quitted the island. On one side was a coral reef; on the other a low tongue of land, covered with mangrove thickets that grew out into the water. Hiding his canoe, still afloat, among these thickets, with its prow seaward, he sat down in the stern, paddle low in hand; and when the ship was gliding by, like a flash he darted out; gained her side; with one backward dash of his foot capsized and sank his canoe; climbed up the chains; and throwing himself at full length upon the deck, grappled a ring-bolt there, and swore not to let it go, though hacked in pieces.
Herman Melville (Moby-Dick or, The Whale)
Gregori tugged on her hair to force her back to him. "You make me feel alive, Savannah." "Do I? Is that why you're swearing?" She turned onto her stomach, propping herself up onto her elbows. He leaned into her, brushing his mouth across the swell of her breast. "You are managing to tie me up in knots. You take away all my good judgement." A slight smile curved her mouth. "I never noticed that you had particularly good judgement to begin with." His white teeth gleamed, a predator's smile, then sank into soft bare flesh. She yelped but moved closer to him when his tongue swirled and caressed, taking away the sting. "I have always had good judgement," he told her firmly, his teeth scraping back and forth in the valley between her breasts. "So you say.But that doesn't make it so. You let evil idiots shoot you with poisoned darts. You go by yourself into laboratories filled with your enemies. Need I go on?" Her blue eyes were laughing at him. Her firm, rounded bottom was far too tempting to resist. He brought his open palm down in mock punishment. Savannah jumped, but before she could scoot away, his palm began caressing, producing a far different effect. "Judging from our positions, ma petite, I would say my judgement looks better than yours." She laughed. "All right,I'm going to let you win this time." "Would you care for a shower?" he asked solicitously. When she nodded, Gregori flowed off the bed, lifted her high into his arms,and cradled her against his chest. There was something too innocent about him. She eyed him warily. But in an instant he had already glided across the tiled floor to the balcony door, which flew open at his whim, and carried her, naked, into the cold, glittering downpour. Savannah tried to squirm away, wiggling and shoving at his chest, laughing in spite of the icy water cascading over her. "Gregori! You're so mean. I can't believe you did this." "Well,I have poor judgement." He was grinning at her in mocking, male amusement. "Is that not what you said?" "I take it back!" she moaned, clinging to him, burying her fact on his shoulder as the chill rain pelted her bare breasts, making her nipples peak hard and fast. "Run with me tonight," Gregori whispered against her neck. An enticement. Temptation. Drawing her to him, another tie to his dark world. She lifted her head, looked into his silver eyes, and was lost.The rain poured over her, drenching her, but as Gregori slowly glided with her to the blanket of pine needles below the balcony,she couldn't look away from those hungry eyes.
Christine Feehan (Dark Magic (Dark, #4))
You were born with your head in the clouds, your future wide open, feeling almost weightless. Almost. Kudoclasm. You had dreams even before you had memories: a cloud of fantasies and ambitions of secret plans and hidden potential, visions of who you are, and what your life will be. They keep your spirits high, floating somewhere above your life, where the world looks faintly hypothetical, almost translucent. But every time you reach for the sky and come away with nothing, you start to wonder what’s holding them up. “Surely it would have happened by now?!” You feel time starting to slip, pulling you back down to earth. even as you tell yourself, don’t look down. You don’t have the luxury of floating through life, because you may not have the time. The future is already rushing toward you, and it’s not as far away as you think. It feels like your life is flashing before your eyes, but it’s actually just the opposite: you’re thinking forward, to everything you still haven’t done, the places you had intended to visit, the life goals you’d eventually get around to, some day in the future. You start dropping your delusions one by one, like tossing ballast overboard. And soon the fog lifts, and everything becomes clear— right until the moment your feet touch the ground. And there it is, “the real world.” As if you’ve finally grown up, steeped in reality, your eyes adjusting to the darkness, seeing the world for what it is. But in truth, you don’t belong there. We dream to survive— no more optional than breathing. Maybe “the real world” is just another fantasy, something heavy to push back against, and launch ourselves still higher. We’re all afraid to let go, of falling into a bottomless future. But maybe we belong in the air, tumbling in the wind. Maybe it’s only when you dive in that you pick up enough speed to shape the flow of reality, and choose your own course, flying not too high, and not too low, but gliding from one to the other in long playful loops. To dream big, and bounce ideas against the world and rise again. Moving so fast, you can’t tell where the dream ends and where the world begins.
Sébastien Japrisot
So,” Will begins, “do you play ball as well as you run?” I laugh a little. I can’t help it. He’s sweet and disarming and my nerves are racing. “Not even close.” The conversation goes no further as we move up in our lines. Catherine looks over her shoulder at me, her wide sea eyes assessing. Like she can’t quite figure me out. My smile fades and I look away. She can never figure me out. I can never let her. Never let anyone here. She faces me with her arms crossed. “You make friends fast. Since freshman year, I’ve spoken to like . . .” She paused and looks upward as though mentally counting. “Three, no—four people. And you’re number four.” I shrug. “He’s just a guy.” Catherine squares up at the free-throw line, dribbles a few times, and shoots. The ball swished cleanly through the net. She catches it and tosses it back to me. I try copying her moves, but my ball flies low, glides beneath the backboard. I head to the end of the line again. Will’s already waiting it half-court, letting others go before him. My face warms at his obvious stall. “You weren’t kidding,” he teases over the thunder of basketballs. “Did you make it?” I ask, wishing I had looked while he shot. “Yeah.” “Of course,” I mock. He lets another kid go before him. I do the same. Catherine is several ahead of me now. His gaze scans me, sweeping over my face and hair with deep intensity, like he’s memorizing my features. “Yeah, well. I can’t run like you.” I move up in line, but when I sneak a look behind me, he’s looking back, too. “Wow,” Catherine murmurs in her smoky low voice as she falls into line beside me. “I never knew it happened like that.” I snap my gaze to her. “What?” “You know. Romeo and Juliet stuff. Love at first sight and all that.” “It’s not like that,” I say quickly. “You could have fooled me.” We’re up again. Catherine takes her shot. It swishes cleanly through the hoop. When I shoot, the ball bounces hard off the backboard and flies wildly through the air, knocking the coach in the head. I slap a hand over my mouth. The coach barely catches herself from falling. Several students laugh. She glares at me and readjusts her cap. With a small wave of apology, I head back to the end of the line. Will’s there, fighting laughter. “Nice,” he says. “Glad I’m downcourt of you.” I cross my arms and resist smiling, resist letting myself feel good around him. But he makes it hard. I want to smile. I want to like him, to be around him, to know him. “Happy to amuse you.” His smile slips then, and he’s looking at me with that strange intensity again. Only I understand. I know why. He must remember . . . must recognize me on some level even though he can’t understand it. “You want to go out?” he asks suddenly. I blink. “As in a date?” “Yes. That’s what a guy usually means when he asks that question.
Sophie Jordan (Firelight (Firelight, #1))
Then we’re kissing right there in front of everyone. And nothing else seems to matter. Certainly not etiquette, or what anyone else thinks. It’s only his lips on mine, the pressure gentle. It’s only us. And I can’t stop— Which is when Derrick arrives out of thin air and careens into my shoulder in a mess of wings and limbs. “Hellooooo! Don’t mind me, I’m just interrupting your brazen cuddle to steal the lady for a few minutes.” Oh, damnation, not now. I’m really regretting not giving Derrick that extra five minutes. “Derrick,” I say through clenched teeth. I step back from Kiaran and try to control the pixie’s wriggling body in my hair. “Not—” “My god.” Derrick collapses on my shoulder. “I am full of pie. I can barely even move my wings. I—” He squints over at Kiaran and smiles in delight. “Oh, hulloooooo, villainous wastrel!” Kiaran is clearly not impressed. “You’ve a bit of pastry on your jacket.” Derrick swipes at the morsel, snatches it, and eats it. “Was just saving a wee snack for later.” He giggles. For god’s sake. I look pleadingly at Kiaran. “Just . . . save that thought. Don’t go anywhere.” I’d like to resume the kissing. “I’ll be right back—” “Kiaraaaaaaaaaan.” Derrick giggles. “Or would you prefer I keep villainous wastrel? I never asked.” Kiaran arches an eyebrow. “I suppose that depends. Would you prefer pain in my arse?” Derrick bursts into laughter. “Arse! Aileana. He said arse.” “Hell,” I mutter. “Will you excuse me for a moment?” I don’t wait for Kiaran’s response. I take Derrick with me to the lift and don’t say anything until I reach the fourth floor. “Let me just say, if someone gave you honey, I’ll—” “No, no, no,” Derrick says, gliding off my shoulder. He now looks suspiciously lucid. “You said to save you after twenty-five minutes. So I did.” “I said to save me if I was around Daniel and in obvious distress.” Not when I’m kissing someone in obvious delight. “Firstly, I was the one in distress watching you kiss Kiaran because ughhhh.” Derrick wags a finger at me. “And secondly, you never said anything about distress, you said—” “Forget what I said.” I narrow my eyes. “Are you telling me that down there was all an act?” He grins. “I would have been perfect in the theater, wouldn’t you say?” “Good heavens,” I murmur. At least I don’t have to deal with a drunk pixie. “Let’s just check the wards, all right
Elizabeth May (The Vanishing Throne (The Falconer, #2))
On your left you can see the Stationary Circus in all its splendor! Not far nor wide will you find dancing bears more nimble than ours, ringmasters more masterful, Lunaphants more buoyant!” September looked down and leftward as best she could. She could see the dancing bears, the ringmaster blowing peonies out of her mouth like fire, an elephant floating in the air, her trunk raised, her feet in mid-foxtrot—and all of them paper. The skin of the bears was all folded envelopes; they stared out of sealing-wax eyes. The ringmaster wore a suit of birthday invitations dazzling with balloons and cakes and purple-foil presents; her face was a telegram. Even the elephant seemed to be made up of cast-off letterheads from some far-off office, thick and creamy and stamped with sure, bold letters. A long, sweeping trapeze swung out before them. Two acrobats held on, one made of grocery lists, the other of legal opinions. September could see Latin on the one and lemons, ice, bread (not rye!), and lamb chops on the other in a cursive hand. When they let go of the trapeze-bar, they turned identical flips in the air and folded out into paper airplanes, gliding in circles all the way back down to the peony-littered ring. September gasped and clapped her hands—but the acrobats were already long behind them, bowing and catching paper roses in their paper teeth.
Catherynne M. Valente (The Girl Who Soared Over Fairyland and Cut the Moon in Two (Fairyland, #3))
He’s coming off the bridge,” said Serge. “The rocks will start soon.” “Rocks?” “It’s local tradition, and another reason I love the Keys.” Serge stood and put on his sneakers. “It’s our version of when those people went out to the overpasses and waved at O. J. Simpson during the slow-motion chase. Except in the Keys, when there’s a high-speed pursuit on TV heading south, the locals line the road and wait for the car to come off the bridge to Key Largo. Last time was around Christmas.” “You’re right.” Coleman pointed at the TV again. “They’re lining the side of the road. They’re throwing rocks.” “And we’re at Mile Marker 105, so that gives us about three minutes.” Serge tightened the Velcro straps on his shoes. “Let’s go throw rocks.
Tim Dorsey (The Riptide Ultra-Glide (Serge Storms #16))
I swear if-“ Galen starts to name all kinds of ways to kill Rachel if she’s involved, but he’s cut off by the sound of his new favorite person to loathe approaching. “Highness, I’ve heard your lovely sister plans to join us soon,” Jagen says from behind them. “What a happy reunion.” Galen rolls his eyes before turning to face him. “You are correct, Jagen. Rayna has missed you. She loves that face you make when you’re upset. She says it’s the best impression of a rockfish she’s ever seen.” Jagen doesn’t like this. His lips curl into a snarl. “Go ahead, young prince. Have a laugh at my expense. I assure you it will be the last time.” Torag glides in front of Galen. “That sounds a lot like a threat. To my knowledge, threatening a Royal is still illegal.” Galen grabs his shoulder. “It’s fine, Toraf. Let this squid release his ink. Ink will only last so long before it fades away in the current. When his protective cloud is gone, everyone will see what’s really going on here.” Jagen nods. “We shall see, young ones.” He rakes his eyes over Toraf. “Tell your mate that she stays with the rest of the Royals. If she tries to leave, I’ll have her thrown in the Ice Caverns. She can wait there until the rest of you join her.” Toraf starts toward Jagen again, but Galen holds him back. “This is not the time,” Galen says. Jagen gives Toraf a smug smile. Galen adds, “Besides, you saw his face when Antonis had him by the throat. We don’t want him to faint before things get interesting, do we?
Anna Banks (Of Triton (The Syrena Legacy, #2))
A square space with complicated ceremonies going on in it, the purpose of which is to transform animals into men. Two snakes, moving in opposite directions, have to be got rid of at once. Some animals are there, e.g. foxes and dogs. The people walk around the square and must let themselves be bitten by these animals in each of the four corners . If they run away all is lost. Now the higher animals come on to the scene-bulls and ibexes. Four snakes glide into the four corners. Then the congregation flies out. Two sacrificial priests carry in a huge reptile and with this they touch the forehead of a shapeless animal lump or life-mass. Out of it there instantly rises a human head, transfigured. A voice proclaims: "These are attempts at being.
David Lindorff (Pauli and Jung: The Meeting of Two Great Minds)
Seconds turn into minutes and minutes into hours. It is all still the same. Or it no longer is. If I were to ask what has changed, perhaps nothing, but conceivably everything would be the befitting reply. I no longer feel the same. Loss preceded me, alienating my soul from the body. I feel I am gliding through an alley making a journey from the known towards the unknown. There is a deep abyss inside where sometime back, my heart used to beat and a noisy, rusty old machine has replaced my mind; solitarily creating useless noise. I don’t remember what day it is and since when have I been lying here. It must have been yesterday… or was it day before. I cannot recollect anything except the dull throbbing pain inside my brain. I can see the time, almost 9: 45, difficult to say which time of the day it is. The bigger hand is soon going to overshadow the smaller hand. It looks like a game of cat and mouse; the bigger hand chasing the smaller one. Anyone stronger in terms of physical appearance, money, power, fame or name tramples upon the weak ones - that is the rule of the world. There are only two possible reasons behind it, love or hate. When you love someone you want to control everything that person does and hence, sometimes, knowingly or unknowingly you squash them like melons. While on the other hand in the case of hate, there is no need to specify the reason for walking over someone like that. Hate is a strong reason in itself. I am confused as to what crushed me, was it love or hate? I somehow don’t like the sound of it – love, it in itself smells of treachery, for love is not a pure emotion. Lust and hatred are the only pure emotions. Love is camouflaged, for needs and desires. Desires – they are magical in their own way. They can be innocent. They can be monstrous. But they exist, no matter what, and many such needs and desires make us helpless slaves of the same. We hide these desires either in the realms of our mind or in the dusty corners of our hearts for we are scared…what if someone finds out what we desire. We give them identities so as to not let the real thing show. The only thing visible on the front is a mask we wear to deceive people or that’s what I thought. For I was deceived while I believed I am the deceiver. Or was I not? I debated as my mind once again tried to enter a sleep-induced trance.
Namrata (Time's Lost Atlas)
I remember." I nod. Wanting to say: I remember everything-all of it-the question is: Do you? But instead, I stare down at my feet, smiling stupidly. Everything I do around him is stupid. Some Seeker I've turned out to be. Attempting to redeem myself,say something normal,not let on that I already know he's employed here-thanks to the raven who allowed me to spy on him earlier,I say, "So,I guess you hang out here a lot then?" He pushes a hand through his hair, as his eyes-the color of aquamarines-glide down the length of me.And damn if I can't feel their trajectory. It's like showering in a stream of warm, molten honey-dripping from the top of my forehead all the way down to my feet. "I guess you could say that," he says,voicelow and deep. "More than most, anyway." He waves a damp towel, tugs on the string of his apron, and I blush in reply. The sight of it reminding me of what I saw in the alleyway-watching him lean against the wall,his face so soft anddreamy I longed to touch him-kiss him-like I did in the dream. I study him closely,seeking traces of recognition, remembrance-some small token of evidence to assure me that, as odd as it seems,that kiss in the cave was as real as it felt-but coming up empty. "So,how long have you worked here?" I ask, returning to the topic at hand. My gaze drifting over the black V-necked T-shirt skimming the sinuous line of his body-telling myself it's all part of my reconnaissance,my need to gather as uch information as I can about him and his kin. But knowing that's not really it.The truth is,I like looking at him, being near him. "I guess you could say somewhere between too long and not long enough-depending on the state of my wallet." His laugh is good-natured and easy-the kid that starts at the belly and trips all the way up. "It's pretty much the only decent game in town." He shrugs. "One way or another,you end up working for the Richters,and believe me, this is one of the better gigs." I peer at him closely,remembering what Cade said when I was here via the raven. How he referred to him by another name. "You're not a Richter?" I ask,holding my breath in my cheeks.Despite what Paloma told me, I need to hear it from him,confirm that he doesn't identify with their clan. "I go by Whitefeather," he says,gaze steady and serious. "I was raised by my mom,didn't even know the Richters when I was a kid." Despite getting the answer I wanted, I frown in return. His being a Richter was a good reason to avoid him-without it,I'm out of excuses. "Is that okay?" He dips his head toward mine,his mouth tugging at the side. "You seem a little upset by the news." I shake my head,break free of my reverie, and say, "No-not at all. Believe me,it's more like a relief." I meet his gaze,seeing the way it narrows in question. "Guess I'm not a big fan of your brother," I add,watching as he throws his head back and laughs,the sight of that long,glorious column of neck forcing me to look away,it's too much to take. "If it makes you feel any better, most of the time I'd have to agree." He returns to me,the warmth of his gaze solely reponsible for the wave of comfort that flows through me.
Alyson Noel (Fated (Soul Seekers, #1))
Riding high and above the waves on extemporaneous notions of an afterlife, Michael brought one foot forward and let it dangle over the roof’s edge. He knew that he did not have much time before the other would follow. Some patients below could see the figure atop the building from the courtyard. They started to rile with anticipation, their irate murmurings incomprehensible. A groundskeeper looked up to see what justified the commotion. Michael could hear the shouts from below. He almost toppled when the wind picked up again, but recovered and kept one foot dangling with the other anchored to the roof. The hoots came louder now, almost calling him toward them like sirens guiding ships in the night. From below it was impossible to make out the face of the balancing figurine now poised in suspended descent. Another gust came. He closed his eyes, felt the levity manifesting, and felt the complete freedom inside. He could feel himself gliding down like the sail of a weightless craft, forever plunging into the great beyond, below where mermaids sing and summon their lovers home, further down into the depths of some complacent serenity, further down where thoughts float away and never return and the lightness is so grand that there is no other worldly place imaginable, for there is no world left to be considered. There is only the soul, free from the prison of the body, and it is released to travel another millennium through time, carrying with it the progress and industry gathered from the mind previously occupied. The time it spans inconceivable. He let his other foot go from the roof and felt himself completely let go.
Matthew Chase Stroud (Paths of Young Men)
I roll the covers back up over him and take his hand, noticing how well our palms fit together and thinking back to just after the last time he saved me—when he took my hand and told me that we’d always be together. I lower my head to his chest and continue to squeeze his palm. Tears fall onto the bedsheets, dampening the fabric just above his heart. “I’m so sorry,” I tell him, over and over again. A few moments later, there’s a twitching sensation inside my hand. Ben’s fingers glides over my thumb. ‘Sorry for what?” he breaths. His voice is raspy and weak. I lift my head to check his face. His eyelids flutter. The monitor starts beeping faster. And his lips struggle to move. “Don’t try to talk,” I tell him, searching for the nurse’s call buzzer. “Please,” he whispers, his eyes almost fully open now. “Don’t let go.” “I won’t,” I promise, gripping his hand even harder.
Laurie Faria Stolarz (Deadly Little Games (Touch, #3))
I take my coffee-stained shirt into the bathroom down the hall. Holding the stain under the faucet, something dark on the underside of my shirt catches my eye, and I groan. Great, what bizarre stain is this now? My fingers glide under the fabric, and I feel something plastic. I am mystified, so I flip over the shirt. Stuck to my shirt is a button pinned to the side hem. It’s pale blue with white lettering. YOU CAN’T REACH WHAT’S IN FRONT OF YOU UNTIL YOU LET GO OF WHAT’S BEHIND YOU. I stare at this in disbelief. Why is there a motivational button stuck to my shirt? YOU CAN’T REACH WHAT’S IN FRONT OF YOU UNTIL YOU LET GO OF WHAT’S BEHIND YOU. The statement is crap, because some of us will never be able to let go of what chases us. YOU CAN’T REACH WHAT’S IN FRONT OF YOU UNTIL YOU LET GO OF WHAT’S BEHIND YOU. The words nearly scream at me. Against my will, I smile. This is so weird, a button showing up on my shirt. So random. And yet, I admit, sort of wonderful. It’s a nice sentiment, and I should probably take it to heart. This button is probably smarter than I am.
Jessica Park (180 Seconds)
When she started with the first empty canvas, she didn’t know what she was going to paint, she just let her paint brushes glide and they religiously followed the trajectory of her angst; the choice of colours and the strokes, they were all a reflection of what was going through her mind. The reds were the embers within her that refused to die. The blues were the rare instances when she was spent by her grief. The blacks were her moments of absolute weakness, the colour of the bottomless pit within her that she had plunged into, falling through and through. The brush strokes moved around blank canvases like snakes with fangs of elixir that filled her scars with a deluge of hope and a gale of faith in herself. The colours spoke to her in whispers, narrating their own tale while she poured out hers to them. They allowed her to channel her life through them. They listened. They cared. They laughed. They cried. They reassured her that there was life waiting ahead, staring at her past, urging her forward with eager arms. And Preeti rushed into them with her brush in hand that rose along with her and fell along with her.
Faraaz Kazi (More Than Just Friends)
Be your own anchor, and sail along the shore of Life with a bunch of smiles. In a whirlwind of a thousand journeys, we flow through Life, as if crossing through an Ocean of an endless voyage. Sometimes we marvel at the ports we glide along, sometimes we chase the waves with our heart and soul, while sometimes we lose our way only to find a lighthouse guiding us along, always catching our breath at the majestic sunrises and sunsets. Our happy moments and connections are like those ports that cross our path while the moments of pain direct our steps to the lighthouse within our soul, as we keep growing ourselves through so many births and deaths of our soul just as the sunrises and sunsets. I want some of you to know and acknowledge the fact that it's absolutely okay to let go, to let the ship of your Life cross the port, because however beautiful that port might be, your journey shouldn't stop, it is not meant to stop. Well, the most brutal yet beautiful truth is, initially everyone stays but eventually no one does. It is brutal because it hurts, it sometimes makes you wonder why it has to end and it's beautiful because everything that ends often ends up gifting you with an invaluable experience filled with beautiful lessons and memories. Understand that it doesn't have to be chaotic, it can be a peaceful goodbye. And even when sometimes it might end in a turmoil, your soul would finally find the grace to give it a closure it demands. Understand that the pain that wrenches your heart in this, gradually tunes your soul to find an anchor, a flicker of Light that is forever guiding you Home. Understand that all of these arrivals and departures, detours and halts are Time's decision to make and we must embrace that with dignity and grace. The essential thing is to keep sailing, by letting go, by simply carrying on with the journey. Halt if you must, but while you halt, don't forget to gaze at how you have grown through each of those very experiences, just as how wonderful the journey gets along the path while you keep passing the ports one after another, steering nearer to the ultimate destination. So wave them a goodbye with a smile of gratitude for helping you in finding a piece of your soul back through a mad jest of pain, to gift you with another step closer to your destination, and sail along the shore of Life with a bunch of smiles.
Debatrayee Banerjee
A yellow-and-brown streak glided from the purple rustling stems to the bank, stretched its neck to the water, drank, and lay still—a big cobra with fixed, lidless eyes. ‘I have no stick—I have no stick,’ said Kim. ‘I will get me one and break his back.’ ‘Why? He is upon the Wheel as we are—a life ascending or descending—very far from deliverance. Great evil must the soul have done that is cast into this shape.’ ‘I hate all snakes,’ said Kim. No native training can quench the white man’s horror of the Serpent. ‘Let him live out his life.’ The coiled thing hissed and half opened its hood. ‘May thy release come soon, brother!’ the lama continued placidly. ‘Hast thou knowledge, by chance, of my River?’ ‘Never have I seen such a man as thou art,’ Kim whispered, overwhelmed. ‘Do the very snakes understand thy talk?’ ‘Who knows?’ He passed within a foot of the cobra’s poised head. It flattened itself among the dusty coils. ‘Come, thou!’ he called over his shoulder. ‘Not I,’ said Kim. ‘I go round.’ ‘Come. He does no hurt.’ Kim hesitated for a moment. The lama backed his order by some droned Chinese quotation which Kim took for a charm. He obeyed and bounded across the rivulet, and the snake, indeed, made no sign.
Rudyard Kipling (Kim (with an Introduction by A. L. Rowse))
Her hands glided down his body and landed on his cock. Yes. Ramón cupped her face and kissed her again. Julieta pulled away and dropped to her knees in front of him. "Yeah, baby." Her hands squeezed his ass, and she pulled down his pants and his boxer briefs. Ramón had been fantasizing about this since he'd met her. He was already so hard. He couldn't wait to feel her mouth around him. She kissed around the base of his cock and licked the tip. "Stop teasing me." She licked down his length and spat on her hand before she grasped him. Ah, that felt so good. A few more kisses on the head, and he was dying with anticipation. She finally took him in her mouth. He exhaled, enjoying the moment of pleasure. Having her eyes locked on his was almost enough to send him over the edge. Her mouth was so hot. The pressure built in his balls. "That's it, baby. Don't stop. Just like that." Her head bobbed up and down, taking him deep. She created a seal with her lips. Ramón took control. He held her right where he wanted as he fucked her mouth. He thrust deeper. He was right on the edge. "I'm going to come, baby." He tried to pull away, but she wouldn't let him. She sucked him so hard, so deep. He finally let go, and she swallowed.
Alana Albertson (Ramón and Julieta (Love & Tacos, #1))
Steady, firm hands glide up my legs, resting just under my ass cheeks. Then he kisses me where I want it---where I need it most. My jaw plummets to the floor. It happens completely involuntarily, like a reflex triggered by ecstasy. His tongue works slowly, steadily, in the most divinely torturous rhythm. I tug his hair tighter as the ache of pleasure flashes all along my thighs, up my stomach and my chest, all the way to my neck. "Max, holy..." I trail off as his tongue swirls faster. Even in my limited dating experience and the few serious relationships I've had, I've always appreciated a guy who knows what to do with his mouth. But Max is head and shoulders above what I've experienced. He's clearly done this before. A LOT. He hums against me and my knees buckle. I tug him by the hair to look at me. "This feels incredible, but I'm not gonna be able to stand like this for much longer." The smug smile he flashes up at me makes my heart flutter right in my chest. Whoa. I didn't think that sort of thing actually happened. I was wrong. "Let's try this," he says. With his hands on my hips, he helps me onto his bed, then slides me up so my head is nestled against his pillows. He settles on his knees, between my legs. "Better?" I grin and nod, and then he picks up where he left off until I'm panting and my legs are shaking once more. The pleasure builds higher until my chest feels like it's going to explode. When I finally burst, I shake and shudder, I pant and moan. I attempt to count the seconds as a way to keep the time, but it's too much for my pleasure-riddled brain. I'm shattered in the best way, utterly annihilated by ecstasy.
Sarah Echavarre Smith (The Boy With the Bookstore)
It will relax her, make her pliable. Women love having their feet rubbed.” “Most women beg me to rub somewhere other than their feet.” “They like their toes nibbled,” Aiden said. “And suckled.” “Rub feet, suckle toes. Got it.” “Do it slowly, the strokes steady. Then move up her legs. Use her muscles as a guide. Not hard strokes— you want to soothe, not press.” “How long before I can massage her pussy?” “Gods, level threes are impatient. The trick is to go slowly. By the time you’ve reached her ass, she’s sighing with pleasure, but you don’t stop there. You do her entire back and arms while she’s longing for you to get to her pussy. Make her wait.” “Now that I can get into. Holding back, making her beg.” He saw Nella again, squirming on the sheets, her red hair tangled on the pillow, her hips lifting toward him.   Please, Rio, she’d say. Not yet, baby, he’d respond. I want you good and wet before I get there. She’d whimper with disappointment, then he’d lift his strap and smack her sweet little backside. Rio sighed and made the image dissolve. “Massage. Slowly. I’m not sure my programming will let me.” “Like this.” Aiden moved his ale glass and pressed his hand to the table, thumb and last two fingers on the surface, the other two fingers held loosely. “Glide across her skin, pressing a little. Long strokes, following the curve of her leg.” He moved his hand across the table, slowly and sensually, his own eyes becoming bluer, as though he pictured a beautiful woman under his hand. Rio copied his movements, trying to shape his hand the same way, trying press a little, but not too much. It felt awkward. He gave up. “I gotta say, massaging this table does nothing for me.
Allyson James (Rio (Tales of the Shareem, #2))
If absolutely everything important is only happening on such a small screen, isn’t that a shame? Especially when the world is so overwhelmingly large and surprising? Are you missing too much? You can’t imagine it now, but you’ll look like me one day, even though you’ll feel just the same as you do now. You’ll catch a glimpse of yourself in the mirror and think how quickly it’s all gone, and I wonder if all the time you used watching those families whose lives are filmed for the television, and making those cartoons of yourselves with panting dog tongues, and chasing after that terrible Pokémon fellow…well, will it feel like time well spent? “Here lies Ms. Jackson, she took more steps than the other old biddies on her road”—is that the best I can leave behind? Is it all just designed to keep us looking down, or to give us the illusion that we have some sort of control over our chaotic lives? Will you do me a small favor, dears, and look up? Especially you New Yorkers and Londoners and other city dwellers who cross all those busy streets. How else will you take in the majesty of the buildings that have stood there for hundreds of years? How else will you run into an acquaintance on the street who might turn into a friend or a lover or even just recommend a good restaurant that no one has complained about on that app yet? If you never look out the window of the subway car, how will you see the boats gliding by on the East River, or have an idea that only you could have? Just look up for no reason, just for a moment here and there, or maybe for an entire day once in a while. Let the likes go unchecked and the quality of sleep go unnoticed. Que sera sera, my dears—whatever will be will be, whether we’re tracking it on our GPS devices or not.
Lauren Graham (Talking as Fast as I Can: From Gilmore Girls to Gilmore Girls (and Everything in Between))
(Orual's challenge to the gods) Now, you who read, judge between the gods and me. They gave me nothing in the world to love but Psyche and then took her from me. But that was not enough. They then brought me to her at such a place and time that it hung on my word whether she should continue in bliss or be cast out into misery. They would not tell me whether she was the bride of a god, or mad, or a brute's or villain's spoil. They would give no clear sign, though I begged for it. I had to guess. And because I guessed wrong they punished me - what's worse punished me through her. And even that was not enough; they have now sent out a lying story in which I was given no riddle to guess, but knew and saw that she was the god's bride, and of my own free will destroyed her, and that for jealousy. As if I were another Redival. I say the gods deal very unrightly with us. For they will neither (which would be best of all) go away and leave us to live our own short days to ourselves, nor will they show themselves openly and tell us what they would have us do. For that too would be endurable. But to hint and hover, to draw us in dreams and oracles, or in a waking vision that vanishes as soon as seen, to be dead silent when we question them and then glide back and whisper (words we cannot understand) in our ears when we most wish to be free of them, and to show to one what they hide from another; what is all this but cat-and-mouse play, blindman's bluff, and mere jugglery? Why must holy places be dark places? I say, therefore, that there is no creature (toad, scorpion, or serpent) so noxious to man as the gods. Let them answer my charge if they can. It may well be that, instead of answering, they'll strike me mad or leprous or turn me into beast, bird, or tree. But will not all the world then know (and the gods will know it knows) that this is because they have no answer?
C.S. Lewis (Till We Have Faces)
Hang Gliding Jim Bob had always wanted to try hang gliding, but it was pretty expensive. So he worked hard and over time was able to save enough money to buy his new toy.  When he got home, he read through the manual and quickly assembled his glider.  Then he took it up the highest mountain, near his home.  He readied everything for his first flight and got strapped in.    Just like he had learned, he ran as fast as he could to the edge of the cliff and jumped into the wind.  He was flying! Around that same time Ma and Pa Kettle were sitting on their front porch enjoying some tea together.  Pa was looking up into the sky, enjoying the calm of the early evening, when he suddenly let out a gasp and said, “That has got to be the biggest bird I have ever seen!”  “I need my rifle, can you get it for me Ma?” he asked his wife. Ma Kettle ran into the house and returned shortly with a long rifle.  She handed it to Pa.  He took aim and fired twice at the big bird.  The bird kept sailing through the sky.  “It looks like you missed,” Ma said. “Yes, but at least that bird let go of Jim Bob.
Peter Jenkins (Funny Jokes for Adults: All Clean Jokes, Funny Jokes that are Perfect to Share with Family and Friends, Great for Any Occasion)
The storm is not yours,” Gregori stated. “Jacques has grown far more powerful than I realized. There is a darkness in him unlike any I have ever observed. He is not vampire, but he is truly dangerous. Let us go in and see if I can repair the damage.” “Go carefully, Gregori,” Mikhail cautioned. The silver eyes glittered, reflected the driving sheets of rain. “I am known for my careful ways, am I not?” Gregori glided through the broken door; Mikhail, shaking his head over the outrageous lie, followed one step behind.
Christine Feehan (Dark Desire (Dark, #2))
Highness, I’ve heard your lovely sister plans to join us soon,” Jagen says from behind them. “What a happy reunion.” Galen rolls his eyes before turning to face him. “You are correct, Jagen. Rayna has missed you. She loves that face you make when you’re upset. She says it’s the best impression of a rockfish she’s ever seen.” Jagen doesn’t like this. His lips curl into a snarl. “Go ahead, young prince. Have a laugh at my expense. I assure you it will be the last time.” Toraf glides in front of Galen. “That sounds a lot like a threat. To my knowledge,threatening a Royal is still illegal.” Galen grabs his shoulder. “It’s fine, Toraf. Let this squid release his ink. Ink will only last so long before it fades away in the current. When his protective cloud is gone, everyone will see what’s really going on here.
Anna Banks (Of Triton (The Syrena Legacy, #2))
Ripped calluses are manly, but since they make you lose training time, try to avoid them when you do your quick lifts. It is elementary, Watson—you must gradually build up the volume of swings, cleans, and snatches to let your skin adapt. You may want to sandpaper your kettlebell’s handles, as kettlebell sport competitors do. Remove the paint and smooth out the iron. Unlike presses and other grind lifts, swings, cleans, and snatches call for a loose grip. “Hook” the handle with your fingers rather than gripping it. Try to lift in a way that minimally stretches the skin on your palm. Figure it out. Load the calluses at the bases of your fingers as little as possible; let the kettlebell handle glide from the “hook” of the fingers to the heel of the palm and back in a manner that does not pinch the skin at the bases of the fingers. Do not let the calluses get thick and rough. Russian gireviks soak their hands in hot water at night, then thin out and smooth out their calluses with a pumice stone, and finally apply an oily cream or a three-to-one mix of glycerin and ammonia. I hang my head in shame to be giving you metrosexual skin-care advice. Speaks Brett Jones, Senior RKC, who gives his hands the double abuse of kettlebell lifting and extreme gripping feats: “Go out and get Cornhuskers Lotion and use it several times a day. This lotion is unique in that it is not greasy and actually toughens and conditions your skin. At night you may want to use a product that penetrates and moisturizes in a different way. Bag Balm and other heavy (oily) lotions can be used at night and can best be absorbed if you put them on before bed and wear mittens, socks or specially designed gloves available at some health and beauty stores. [Brett, I will take your word for it.]
Pavel Tsatsouline (Enter the Kettlebell!: Strength Secret of the Soviet Supermen)
It was an odd, tense moment. I knew I was going to kiss her. She knew I was going to kiss her. But we were quite still for I don't know how long, just looking at each other, with the tenseness and warmth and intimacy growing between us, and then I pulled her tight against me and her lips parted as I bent my mouth to hers. Her lips were soft, curling and moving beneath mine, sliding and clinging hotly. Her arms tightened behind my neck and I spread my hands open behind and around her small waist, slid them up her back, let my right hand glide on the smooth cloth of her dress until it touched the swelling mound of her breast. As I pulled her to me, she pressed even more tightly against me, her lips writhing more violently, tongue moving and one hand curling against the back of my head. The rest of what happened was simply indescribable. We just sort of fused together, like people melting. It was as if she and I were two flesh magnets, and she laid her North pole up against my South pole and then turned on the juice. About 110 volts, at least, went honking along my spine and out through my ears and hair and everywhere. It was as if I lit up like a Mazda lamp, and if I could have seen myself right then I'll bet I'd have been shocked. That kiss was a trip to a land of new experiences. It was like entering the fourth dimension, or something very close to it. Wherever this was, it wasn't the same old world I'd been used to. I liked it here. This was where I wanted to live. And, friend, it was living.
Richard S. Prather (Shell Scott PI Mystery Series, Volume Three)
Heel Drive A termed used by coaches to inform the gymnasts they want them to drive their heels harder up and over on the front side of a handspring vault or front handspring on floor. Stronger heel drives create more rotation and potential for block and power. Hecht Mount A mount where the gymnast jumps off a spring board while keeping their arms straight, pushes off of the low bar, and catches the high bar. Inverted Cross Performed by men on the rings, it is an upside down cross. Iron Cross A strength move performed by men on the rings. The gymnast holds the rings straight out on either side of their body while holding themselves up. Arms are perpendicular to the body. Jaeger Performed on bars, a gymnast swings from a front Giant and lets go of the bar, into a front flip and catches the bar again. Jaeger can be done in the straddle, pike, and layout position, and is occasionally performed in a tucked position. Kip The most commonly used mount for bars, the gymnast glides forward, pulls their feet to the bar, then pushes up to front support, resting their hips on the bar. Layout A stretched body position.
Lucia Franco (Balance (Off Balance, #1))
Melodic ‘Let us have the story,’ Aron almost sang in his feathery voice. The white-haired ancient angel drifted away, gliding toward one of the wooden thrones. The other paused beside Aron, and he reached his hand out, at first, I thought to take Aron's hand. All the same and all, he just touched Aron's palm briefly and then dropped his hand to his side. Aron raised one black brow. I wondered how his papery skin did not crumple in the effort. Marcel snorted very quietly, and Olivia looked at him, curious. ‘Thank you, Marcus,’ Aron said. ‘That's quite interesting.’ I realized, a second late, that Marcus was letting Aron know his thoughts. Marcus didn't look interested. He glided away from Aron to join the one who must be Karly, seated against the wall. Two of the attending angels followed silently behind his bodyguards as I had thought before. I could see that the two women in the sundresses had gone to stand beside Karly in the same manner. The idea of an angel needing a guard was faintly ridiculous to me, All the same, and all, maybe the ancient ones were as frail as their skin suggested. Aron was shaking his head. ‘Amazing,’' he said. ‘Amazing.’ Olivia's expression was frustrated. Marcel turned to her and explained again in a swift, low voice. ‘Marcus sees relationships. He's surprised by the intensity of ours.’ Aron smiled. ‘So, convenient,’ he repeated to himself. Then he spoke to us. ‘It takes quite a bit to surprise Marcus; I can assure you.’ I looked at Marcus's dead face, and I believed that.
Marcel Ray Duriez (Nevaeh 13: Going in and Out)
STRATEGY: MINDFUL MOVEMENT Use the simple act of mindful walking to ground yourself into the here and now and to let go of or decrease the intensity of obsessive thinking. You can do this anywhere and at any time—walking to your car, walking around the grocery store, walking around your neighborhood, or walking to work. While walking, focus less on your thinking self and more on your physical experience. For example, what does your foot feel like as you lift it and lower it to the ground? How do your arms feel as you move? Try to feel the earth from within your body. What is that sensation like? Does the sole of your foot on the ground feel heavy? Can you make it soft? Explore each of your senses. Notice what you feel on your skin; is the air hot or cool? Do you smell anything as you inhale and exhale? Simply observe any sounds you hear. Notice what you see. You are here in this moment; feel your presence and your alert state of mind. With each step, mindfully breathe in, and breathe out. Count your steps as you inhale and as you exhale. How many steps does it take as you inhale? How many as you exhale? Keep your attention on the steps and your breathing. Each time you become aware of your mind drifting, gently bring your attention back to observing what it feels like in your body to walk. There is no rush; all that matters in this moment is to be aware of your body as it glides through space.
Jill P. Weber (Be Calm: Proven Techniques to Stop Anxiety Now)
I swam deeper. If a stressful thought emerged, I let it out with a long exhale, letting the fish gobble it up, released and dissolved. I was seventy feet down, the depth of six pools, one hour gliding by, then two. I left the pain, the kind that blinded me, that had me dreaming of sinking into nothingness, the kind that made me want to disappear. How could you want to leave the world if this is the world. All this beauty and strangeness. I felt it had been holding a secret, that just below the surface there were neon mountains, clams the size of bathtubs. All I had to do was equip myself to go deeper, to push past the initial pains, to teach myself to breathe. When it’s winter in one place it is summer in another. When I return to Palo Alto, to the pallid walls of courtrooms and legal documents and media headlines, hearing the echoes of heels on tiles, I would also hear the tink tink tink. I would remember that this world also exists, and that I can exist in it. This world is just as real as that one.
Chanel Miller (Know My Name: A Memoir)
the blue sky, cawing angrily at Dad for disturbing them. A giant bald eagle, with a wingspan of at least six feet, glided in to take their place. It perched on an uppermost branch of a tree, pointed its yellow beak down at them. “That’s what I expect of you two,” Dad said. Mama exhaled smoke. “We’re going to be here awhile, baby girl.” Dad handed Leni the rifle. “Okay, Red. Let’s see what you’ve got naturally. Look through the scope—don’t get too close—and when you have the target in your sight, squeeze the trigger. Slow and steady. Breathe evenly. Okay, aim. I’ll tell you when to shoot. Watch out for—” She lifted the rifle, aimed, thought, Wow, Matthew, I can’t wait to tell you, and accidently pulled the trigger. The rifle hit her shoulder hard enough to knock her off her feet and the sight slammed into her eye area with a crack that sounded like breaking bone. Leni screamed in pain, dropped the rifle, and collapsed to her knees in the mud, clamping a hand over her throbbing eye. It hurt so badly she felt sick to her stomach, almost puked. She was still screaming and crying when she felt someone drop in place beside her, felt a hand rubbing her back. “Shit, Red,” Dad said. “I didn’t tell you to shoot. You’re okay. Just breathe. It’s a normal rookie mistake. You’ll be fine.” “Is she okay?” Mama screamed. “Is she?” Dad pulled Leni to her feet. “No crying, Leni,
Kristin Hannah (The Great Alone)
He cupped her face in his hands. “Now, let me take you on a journey to the place of souls, to your little piece of heaven.” His fingers glided from her face, down her neck to her arm, and then gently grasped her hand. “With your hand in mine, permit me to show you something magical, a place where we will always be able to join with each other, no matter where we are, together or alone. There is no measure of time or distance where we are going, and we will stay grounded to this realm by our physical touch…
Tracey-anne McCartney (A Carpet of Purple Flowers)
I heard the squirt of lube as he lay behind me. My breathing was getting heavy, both from nerves and excitement. I was about to let a man go where no one ever had before. Max pressed his lube-slicked tip against my hole. I closed my eyes, then opened them again. Not sure which I wanted to do. Then he breached me, his cock slid inside me. The sting was ten times as strong, followed by a burning sensation that had my toes curling. I gasped, reached back to hold onto him, and let out a groan. He slowly thrust forward, taking his time. Inch by inch, he entered my ass as I squirmed and let out grunting sounds. I don’t know how he kept his composure. “So tight,” he whispered. “Max.” It felt so good, the slight pain followed by the burst of pleasure. He held my hips, shifting forward still, filling me until I thought I might scream. I slammed my hand on the floor, overwhelmed. I needed to come, but I wanted this to last. “Max.” “Shh.” He started to pull out. I felt a sense of emptiness just then, a loneliness that seeped from my bones. He pushed back inside and I started chanting his name. I couldn’t stop. My brain wasn’t functioning right as Max glided inside me again. His fingers dug into my hip. Blond hair tickled my back. He nipped my shoulder, then kissed the sting. “Elric. Oh, fuck. Elric.” He was moving faster now, but never really pounding. I realized he was being gentle with me. He was making my first time good. It made me smile into the darkness. “Almost, baby. Almost.” He kissed my shoulder again, his length skating in and out, thanks to abundant amounts of lube. He fit perfectly despite being so large. “So good. So. Fucking… Elric!” He shouted my name and gave a hard thrust. I clenched; the pain was a bit intense on that one, but I held my tongue and let him come for as long as he could. I listened to the way he groaned and his soft moan as his orgasm finished. Max eased his grip and slowly pulled his spent cock out of my ass. He fell to his back with a grunt and a sigh. Well, now there was a new pain. I winced and lay on my back beside him. “What’d you think?” He glanced at me. “I think … I’ve been missing out.
James Cox (All That Shatters (Sons of Outlaws, #5))
You have got to stop doing this.” Millie slapped a cold piece of meat over Everett’s face, and slapped it none too gently, at that, as he sat in a chair in Abigail’s kitchen. “I was not going to stand by and let them say horrible things about Lucetta.” “Which was very noble of you,” Lucetta said as she glided into Abigail’s kitchen and moved to stand in front of him. “But really, Everett, the things those gentlemen were saying were things I’ve heard a million times before, and believe me, I’ve heard worse.” “It doesn’t matter if you’ve heard them before, Lucetta.” Everett readjusted the meat on his face. “Those gentlemen were being inappropriate, and don’t even get me started on the fact they were practically shouting those insults your way as the children were within listening distance.” “The children didn’t understand what they were saying,” Lucetta argued. “You should have ignored the insults to me.” “You’re a kind, compassionate, and far-too-sensible lady for your own good, Lucetta. I would have been no gentleman at all if I hadn’t fought for your good name.” Everett watched out of the eye that wasn’t covered in meat as Lucetta’s eyes turned suspiciously bright before she blinked rapidly, sniffed just once, and patted his arm. “You’re a good man, Everett. I don’t care what anyone else says.” A laugh caught him by surprise even as his father let out what sounded remarkably like a snort from where he was sitting on the other side of the table, a piece of meat slapped over half his face as well. “I must say I do agree with everything my son is saying, Lucetta,” Fletcher began. “Those men were not behaving as gentlemen should behave. I, for one, will be discontinuing my membership at the Reading Room and plan to never step foot in it again.” “Has everyone lost their minds?” Millie asked as she looked up from blotting Reverend Gilmore’s puffy lip with a wet towel.
Jen Turano (In Good Company (A Class of Their Own Book #2))
The next morning, Peter is waiting in the parking lot for me when I get off the bus. “Hey,” he says. “Are you seriously taking the bus every day?” “My car is being fixed, remember? My accident?” He sighs like this is somehow offensive to him, me taking the bus to school. Then he grabs my hand and holds it as we walk into school together. This is the first time I’ve walked down the school hallway holding hands with a boy. It should feel momentous, special, but it doesn’t, because it’s not real. Honestly, it feels like nothing. Emily Nussbaum does a double take when she sees us. Emily is Gen’s best friend. She’s staring so hard I’m surprised she doesn’t take a quick pic on her phone to send to Gen. Peter keeps stopping to say hi to people, and I stand there smiling like it’s the most natural thing in the world. Me and Peter Kavinsky. At one point I try to let go of his hand, because mine is starting to feel sweaty, but he tightens his grip. “Your hand is too hot,” I hiss. Through clenched teeth he says, “No, your hand is.” I’m sure Genevieve’s hands are never sweaty. She could probably hold hands for days without getting overheated. When we get to my locker, we finally drop hands so I can dump my books inside. I’m shutting my locker door when Peter leans in and tries to kiss me on the mouth. I’m so startled I turn my head, and we hit foreheads. “Ow!” Peter rubs his forehead and glares at me. “Well, don’t just sneak up on me like that!” My forehead hurts too. We really banged them hard, like cymbals. If I looked up right now, I would see blue cartoon birdies. “Lower your voice, dummy,” he says through clenched teeth. “Don’t you call me a dummy, you dummy,” I whisper back. Peter heaves a big sigh like he’s really annoyed with me. I’m about to snap at him that it’s his fault, not mine, when I catch a glimpse of Genevieve gliding down the hallway. “Gotta go,” I say, and I dart off in the opposite direction. “Wait!” Peter calls out. But I keep darting.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
Wanting to taste every ridge, he let go only long enough to glide Tyler’s cock up and down his tongue a few times, then he took him deep again, trapping him with a tongue-flutter so he couldn’t escape the pleasure.
Darien Cox (Caught in Your Wake (The Village #4))
I knew you forever and you were always old, soft white lady of my heart. Surely you would scold me for sitting up late, reading your letters, as if these foreign postmarks were meant for me. You posted them first in London, wearing furs and a new dress in the winter of eighteen-ninety. I read how London is dull on Lord Mayor's Day, where you guided past groups of robbers, the sad holes of Whitechapel, clutching your pocketbook, on the way to Jack the Ripper dissecting his famous bones. This Wednesday in Berlin, you say, you will go to a bazaar at Bismarck's house. And I see you as a young girl in a good world still, writing three generations before mine. I try to reach into your page and breathe it back… but life is a trick, life is a kitten in a sack. This is the sack of time your death vacates. How distant your are on your nickel-plated skates in the skating park in Berlin, gliding past me with your Count, while a military band plays a Strauss waltz. I loved you last, a pleated old lady with a crooked hand. Once you read Lohengrin and every goose hung high while you practiced castle life in Hanover. Tonight your letters reduce history to a guess. The count had a wife. You were the old maid aunt who lived with us. Tonight I read how the winter howled around the towers of Schloss Schwobber, how the tedious language grew in your jaw, how you loved the sound of the music of the rats tapping on the stone floors. When you were mine you wore an earphone. This is Wednesday, May 9th, near Lucerne, Switzerland, sixty-nine years ago. I learn your first climb up Mount San Salvatore; this is the rocky path, the hole in your shoes, the yankee girl, the iron interior of her sweet body. You let the Count choose your next climb. You went together, armed with alpine stocks, with ham sandwiches and seltzer wasser. You were not alarmed by the thick woods of briars and bushes, nor the rugged cliff, nor the first vertigo up over Lake Lucerne. The Count sweated with his coat off as you waded through top snow. He held your hand and kissed you. You rattled down on the train to catch a steam boat for home; or other postmarks: Paris, verona, Rome. This is Italy. You learn its mother tongue. I read how you walked on the Palatine among the ruins of the palace of the Caesars; alone in the Roman autumn, alone since July. When you were mine they wrapped you out of here with your best hat over your face. I cried because I was seventeen. I am older now. I read how your student ticket admitted you into the private chapel of the Vatican and how you cheered with the others, as we used to do on the fourth of July. One Wednesday in November you watched a balloon, painted like a silver abll, float up over the Forum, up over the lost emperors, to shiver its little modern cage in an occasional breeze. You worked your New England conscience out beside artisans, chestnut vendors and the devout. Tonight I will learn to love you twice; learn your first days, your mid-Victorian face. Tonight I will speak up and interrupt your letters, warning you that wars are coming, that the Count will die, that you will accept your America back to live like a prim thing on the farm in Maine. I tell you, you will come here, to the suburbs of Boston, to see the blue-nose world go drunk each night, to see the handsome children jitterbug, to feel your left ear close one Friday at Symphony. And I tell you, you will tip your boot feet out of that hall, rocking from its sour sound, out onto the crowded street, letting your spectacles fall and your hair net tangle as you stop passers-by to mumble your guilty love while your ears die.
Anne Sexton
sat, gliding slowly back and forth in the comfort of my favorite rocking chair. I had lulled babies to sleep and dreamed of their bright futures in this chair, and now I had to contemplate what it would be like to lose one. All the memories of years filled by the spirit of that beautiful boy swam in my mind and left my heart to ache like arms that clutched a weighty treasure for a long time. How could I let go of this son who brought so much joy into our lives and into our home? What would our family be like without the child who made everything run smoothly just by his peaceful presence
Laura Sobiech (Fly a Little Higher: How God Answered a Mom's Small Prayer in a Big Way)
I sat, gliding slowly back and forth in the comfort of my favorite rocking chair. I had lulled babies to sleep and dreamed of their bright futures in this chair, and now I had to contemplate what it would be like to lose one. All the memories of years filled by the spirit of that beautiful boy swam in my mind and left my heart to ache like arms that clutched a weighty treasure for a long time. How could I let go of this son who brought so much joy into our lives and into our home? What would our family be like without the child who made everything run smoothly just by his peaceful presence
Laura Sobiech (Fly a Little Higher: How God Answered a Mom's Small Prayer in a Big Way)
We kissed as the prospect went back to swallowing Mayhem. If my man liked this then I’d have to learn to be better at it. I shifted away and hunched over. Prospect moved so I could try. I opened my mouth wide like he did and went down. I was careful as he skimmed past my teeth and I took a deep breath before gliding him into my throat. His length invaded my airway. It made my eyes tear up, but I kept going. My hands turned to fists and I curled my toes as I took more inches in my mouth. Then that panic hit and I withdrew quickly. “Fucking beautiful, Torrin.” Mayhem smiled down at me. I loved that look. I wanted more of that expression. I cleared my throat, wiped my eyes, and tried again. Open wide, deep breath, and go for it. I reached further, faster, and this time passed my previous spot. I let his dick consume my airway as I forced myself not to gag. Almost there I kept telling myself as I ate up the inches. Then my nose squished against his skin and my bottom lip grazed his balls. Fuck yeah. I pulled back fast, gasping before he came fully out. I coughed louder this time, spitting all the extra saliva onto the floor. “Amazing.” Mayhem pulled me to him. We kissed briefly as he ran his hands down my sides. “Why the fuck are you still wearing pants?” He yelled it. I
James Cox (Swallowing Mayhem (Outlaw MC #5))
Showtime   Andy’s testosteronic aroma never failed to excite me, let alone his god-like essence and strapping physique. He was the epitome of every fantasy. I was the lucky one that had captured his heart and soul. Like actors in a Shakespearean play, we stood in the stillness of this chamber, waiting to be signalled to action.               Suddenly, a rush of anxiety filled my being. I stood frigid, wondering if I could go through with this erotic exercise that once had been so effortless. Now, my heart was thumping with trepidation. “What’s wrong with you? What’s the panic? You’ve put on a show before, and you’ve made love with your Valet gazillion times,” my mind questioned. Yet no rationale came to me. I was feeling my knees go weak, about to buckle, when Andy’s soothing voice whispered, “Are you alright?” He wrapped his muscular arms around my limping physique. Just then, the overhead spots came on and his emphatic assertion drew me back to the present. “There is nothing to fear, except fear itself. Come here. Let me cherish you.” He gave a beguiling grin before planting a lingering kiss on my lips. Andy was correct. My stage freight vanished with every amorous touch he laid upon me with his gentle fingers. I was held captive within the cocoon of his embrace. I came alive as his tender lips explored my slender physique. Aflame by his masculinity, I surrendered to his teasing nibbles. His swirling tongue glided effortlessly down my boyishness, stirring every fibre of my being to quivering response.
Young (Turpitude (A Harem Boy's Saga Book 4))
Mara, I leave you not with my words but with the words of Emily Dickinson, my most beloved poet. I can think of no better way to call you to rise to the legacy which I bequeath to you. We never know how high we are Till we are called to rise; And then, if we are true to plan, Our statures touch the skies. The heroism we recite Would be a daily thing, Did not ourselves the cubits warp For fear to be a king. Mara understood now what she would do. She would rise. She would let The Chrysalis glide with unfettered wings toward its own uncertain destiny, but she would not yet let the other Strasser paintings go. Each of the paintings told a story more layered and complex than its provenance alone could ever reveal—a story of the passions, hopes, and dreams of the artist, subject, patron, and owners. Mara would set out to uncover these paintings’ deeper lineages and tie the paintings to their past so they could achieve the full destinies that had been stolen from them. Like the Saint Peter of Michael’s etchings, who had been exhorted that “whatever you bind on earth shall be bound in Heaven, and whatever you loose on earth will be loosed in Heaven,” she would tether their future to their past. thirty-six HAARLEM, 1662 THE BURGOMASTER SEES THEIR LONG GAZES.
Heather Terrell (The Chrysalis)
He protects her, yet he is abusive, as if he cannot separate right from wrong. I think he is trapped in a world of madness.” The silver eyes flickered. There was a latent cruelty in Gregori’s dark, sensual features, the clear stamp of a dangerous predator. “You have no knowledge of what happened to him?” Mikhail shook his head slowly. “I have no idea, no explanation. I did not ask the woman. I attacked her, would have killed her, thinking her my brother’s assailant.” Mikhail confessed it without changing tone, a simple, quiet admission. “He was in bad shape, in obvious agony, sweating blood, and she stood over him, digging in his wound. There was so much blood, I thought her a vampires, deranged, tormenting him, trying to eviscerate him.” There was a small silence, only the wind and rain daring to comment. Gregori simply waited, his body as still as the mountains. Mikhail shrugged. “Perhaps there was no thought, just reaction. I could not touch his mind with mine. The suffering on his face was more than I could bear.” “The storm is not yours,” Gregori stated. “Jacques has grown far more powerful than I realized. There is a darkness in him unlike any I have ever observed. He is not vampire, but he is truly dangerous. Let us go in and see if I can repair the damage.” “Go carefully, Gregori,” Mikhail cautioned. The silver eyes glittered, reflected the driving sheets of rain. “I am known for my careful ways, am I not?” Gregori glided through the broken door; Mikhail, shaking his head over the outrageous lie, followed one step behind.
Christine Feehan (Dark Desire (Dark, #2))
Let us go in and see if I can repair the damage.” “Go carefully, Gregori,” Mikhail cautioned. The silver eyes glittered, reflected the driving sheets of rain. “I am known for my careful ways, am I not?” Gregori glided through the broken door; Mikhail, shaking his head over the outrageous lie, followed one step behind.
Christine Feehan (Dark Desire (Dark, #2))
Let us go in and see if I can repair the damage.” “Go carefully, Gregori,” Mikhail cautioned. The silver eyes glittered, reflected the driving sheets of rain. “I am known for my careful ways, am I not?” Gregori glided through the broken door; Mikhail, shaking his head over the outrageous lie, followed one step behind. “I am known for my careful ways, am I not?” Gregori glided through the broken door; Mikhail, shaking his head over the outrageous lie, followed one step behind. Jacques’ head snapped up, a black fury smoldering in his eyes as he tracked them. A long, slow hiss of warning escaped from deep in his throat. Gregori stopped, held his hands away from his sides in the age-old gesture of a peacemaker. Mikhail leaned against the doorjamb, so completely still, he seemed to become part of the wall itself. He was well aware that he had made a major mistake in his attack upon the woman. “I am Gregori, Jacques.” Greogri’s voice was power itself, yet soft and soothing. “A healer for our people.
Christine Feehan (Dark Desire (Dark, #2))
Tim groaned and his eyes closed. Tyler could see his concentration, feel his effort not to lose the rhythm. But he could tell by the stiffening cock inside him that Tim was right on the edge, so Tyler let himself go, grabbing his own cock and tugging. Once, twice, “Open your eyes, I’m coming!” Tim’s eyes opened then he gasped at the first splash of hot cum hitting his chest. “Tyler, God, yes. Shoot it all over me.” He cried out in pleasure as Tim brought him over the edge with gold-medal stamina. Tim’s hips thrust and his face turned red but damn, he stayed hard and kept pumping until Tyler’s orgasm peaked and he finally stopped howling. Tyler’s legs dropped to the mattress, then Tim’s thrusts slowed. He was still hard, hadn’t come yet. He kissed Tyler deeply as his cock glided in and out, slowly, gently, until he shuddered. His lips tore free and he stared into Tyler’s eyes as he climaxed. “I love the way you look at me,” Tyler whispered. “Especially when you come.” As his breathing slowed, Tim cradled Tyler’s head in his hands. “How do I look at you?” “Like you want me so much it hurts a little.
Darien Cox (Caught in Your Wake (The Village #4))
By the midpoint, he’d shot up to my waist, but his muttered curses told me he’d underestimated how good I was--or overestimated how good he was--and it was clear he wasn’t going to catch up in time. So I stopped. Daniel leaned over and mouthed, “What are you doing?” Below, the others yelled, a cacophony of shouts and cheers and jeers. Rafe reached up, his bracelet hitting the rock with a ping. I glanced at it. A worn rawhide band with a cat’s-eye stone. I could see his tattoo better, too, as he pulled himself up, and I recognized the symbol. A crow mother kachina. Hopi. As he drew up alongside me, he cocked one brow. “You really want that kiss don’t you?” he said. “No, I just want to see what you can really do.” He smiled then, a blaze of a grin that made me forget I was hanging twenty feet above the ground. “All right then,” he said. “No holds barred. On my count?” I nodded. “One, two, three…” We took off. I kept my face to the wall, throwing everything I had into the climb, certain I’d pull away to victory. But he stayed alongside me, his grunts and labored breathing telling me he was trying just as hard. I struggled to concentrate, but all I could hear was his breathing. It was weirdly relaxing, like the ticking of a metronome, and I found myself moving faster, smoother, the rock seeming to glide under me, hands and feet finding the notches and grips automatically, like climbing a tree, that blissful feeling of going higher and higher, the earth and everything earthly vanishing below me, the air getting thinner, the world quieter as I pulled away until-- My hand hit the top ledge and I jolted out of it, and looked over to see Rafe beside me, sweat dripping down his face, eyes glowing, face glowing, his gaze locked on mine again, lips parting to say something-- A jerk on my harness made me look up sharply as Daniel adjusted the rope, preparing to let me belay down. The look on his face told me who’d won.
Kelley Armstrong (The Gathering (Darkness Rising, #1))
She inhaled sharply as she felt him nuzzle the fragile wisps of hair at her nape. "How soft you are," he breathed. "Like silk. Like kitten fur." The touch of his lips sent a ripple through the overheated core of her body. "Nick, I-" "Mrs. Trench told me that you tried the shower-bath." His hand coasted from her hip to the indentation of her waist. "Did you like it?" "It was very refreshing," Lottie managed to say. "I'm going to watch you the next time." "Oh, no you won't!" He laughed quietly and offered, "I'll let you watch me, then." Before she could stop herself, Lottie imagined him standing in the shower-bath, the water coursing and gliding over his skin, darkening his hair, steam veiling his sapphire eyes. The image was a vague one, as she had never seen a naked man, only the engraved images in an anatomy book she had found in Lord Westcliff's library. She had pored over the drawings with fascination, wishing that certain details had been more fully articulated. Soon she would not have to wonder. He seemed to read her thoughts. "It's not wrong to like it," he said, stroking her midriff with his palm. "Whom will it benefit if you deny yourself pleasure? You're paying the price for my protection- you may as well get some enjoyment out of it.
Lisa Kleypas (Worth Any Price (Bow Street Runners, #3))
I can Imagine© I can imagine you coming home; dinner is ready Kids are cool; the house is steady You leave to go do what you do Take care of me, and I take care of you You enter the room and our eyes meet our minds Our clothes are off in a knick of time We go to the shower, our favorite place I wash you; you wash me at a slow pace We know what’s coming next and we can’t wait To get to our bedroom this is how we end our day Your hands between my thighs I open for you nice and wide Your mouth on my breasts-Yes, you know that’s my spot Wait a minute, baby, let me get on top You enjoy the feel as I glide down Your penis and begin to circle ‘round Your hands guide my hips; My breasts between your lips Time goes on and the tables turn We change positions and my body yearns You are inside of me and you fill me well Our bodies sweat until there is no time to tell When it’s over, we hold each other and go to sleep For tomorrow is another day you’ll come home to me.
Rhonda McAlister (Crossover II: Time Has Changed (Crossover: A Tale of Twin Brother Living In Separate Worlds Book 2))